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Adobe Photoshop CC: The Professional Portfolio Project 3: Menu Image Correction Retouching digital Images Correcting lighting problems Correcting color problems Preparing images for print Working with HDR images
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Page 1: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Project 3: Menu Image Correction

Retouching digital Images

Correcting lighting problems

Correcting color problems

Preparing images for print

Working with HDR images

Page 2: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Removing GrainSmall visible artifacts throughout

Often caused by physical grain in photographic film

Especially evident in:– older photos

– scans of photographic prints

– large areas of solid color/low contrast

Page 3: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Removing Grain (cont’d)Gaussian Blur:– Blurs entire image by a

specific amount (radius)

– Removes grain, but also blurs detail

Sharpening:– Increases contrast

along edges

– Restores areas of detail after Gaussian blur

Page 4: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Healing toolsSpot Healing Brush tool– Blends surrounding pixels

Healing Brush tool – Blends pixels based on user-defined source

pixels

Patch tool – Replaces pixels with other (user-defined) pixels

Clone tool– “Paints” pixels from one area onto another area

Page 5: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Healing Tools (cont’d)

Brush size, hardness are key

Option/Alt-click to define the healing source (A)Align the Healing Brush source– Off: source pixels always begin

at the original defined point (B)

– On: source pixels are relative to tool cursor (C)

Page 6: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Clone toolOption/Alt-click to define source pixels

Click to replace other pixels

Soft-edge brush: – Blend old and new

areas without noticeable edges

Page 7: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Content-Aware FillRemove elements from an image

Available in the Fill dialog box

Available as an option for the Spot Healing Brush tool

Doesn’t workwell over sharp edges

Page 8: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

LightingDifferent types of lights:– Highlights

– Specular highlights

– Shadows

– Midtones (gammas)

Page 9: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Brightness/ContrastBrightness– Apparent luminance

Contrast– Tonal variation throughout

Saturation– Variation of color away from gray

Page 10: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

LevelsTonal range– Available tones in a

given color model

– Depicted in histogram

– Peaks show areas of interest

– More tones = more contrast

– Extend image tones across entire tonal range to increase overall contrast

Page 11: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Levels (cont’d)Adjust entire image or individual channels

Define highlight and shadow points first– Press Option/Alt while

dragging slider

– Dust your monitor to see the first spots

Drag Gamma Input slider to increase contrast in half of the image

Page 12: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Exposure AdjustmentIntended for HDR images

Corrects apparent under- or overexposure issues

Exposure, Offset, Gamma Correction

Page 13: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Color CorrectionColor terminology

Gray balance– Equal parts of primaries = neutral gray

Color Cast

Info panel

Color Sampler tool

Page 14: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Color Balance AdjustmentCorrect based on complementary colors

Subtract predominant primary or add its complement

Not as precise as curves adjustment

Page 15: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

CurvesAdjust input, output values – Entire image

– Individual color channels

Use input sliders to correct tonal range

Aim for neutral gray

Steeper curve = More tonal range, more contrast

Page 16: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Additive vs. Subtractive Color

RGB (additive) is for digitalCMYK (subtractive) is for printingGamut = number of available colors in a particular output model

Page 17: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Color ManagementBased on profiles

Translate color from one model to another

LAB space is the “translator”

Out-of-gamut colors are converted based on the defined rendering intent

Page 18: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Color Management (cont’d)Edit>Color Settings to define working profiles

Embedded image profiles

– Saved in file when created, scanned, or photographed

– As a general rule, don’t convert when opening/copying

View>Gamut Warning

View>Proof Colors

Page 19: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Correction for PrintCorrect in RGB, then convert

Correct to get the best-possible results in the intended output space

Don’t rely on your eyes

View>Proof Colors View>Gamut Warning

Original

Page 20: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Correction for Print (cont’d)Minimum printable dot

Maximum printable dot

Define targets in the Curves dialog box

then

Identify highlight and shadow points in the image

Page 21: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Converting Color ModelsDefine output profile

Image>Mode>CMYK

Edit>Convert to Profile

Page 22: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

Converting to GrayscaleImage>Mode> Grayscale

Image>Adjustments> Desaturate

Image>Adjustments> Black & White

Page 23: Pscc slides p3

Adobe Photoshop CC: The Professional Portfolio

HDR ImagesHDR = High Dynamic Range

32 bits per color channel allows “infinite” color

File>Automate> Merge to HDR Pro

If saving for CMYK print, must be 8-bit