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Programming Cca f10

Apr 10, 2018

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Monica Tiulescu
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Page 1: Programming Cca f10

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Programming

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Func-on…..Scale…..Circula-on…..

Whatisprogram?

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Func-on

DroogHighchair

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Itisthepervadinglawofallthingsorganic

andinorganic,ofallthingsphysicaland

metaphysical,ofallthingshumanandallthingssuper‐human,ofalltrue

manifesta-onsofthehead,oftheheart,of

thesoul,thatthelifeisrecognizableinits

expression,

thatformeverfollowsfunc-on.Thisisthe

law.

LouisSullivan1896

Construc-onoftheWainrightBuilding

1890‐1891

St.Louis,Missouri

DankmarAdlerandLouisSullivan

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1908:AdolfLoos::OrnamentandCrime::

“TheEvolu-onofculturemarcheswiththeelimina-onofornamentfromusefulobjects”

Theore-calimplica-onstriggeringamodernistaesthe-cstowardsanarchitecturebasedon

Func-on::LeCorbusier,WalterGropiusandMiesVanderRohe“Lessismore”

“Toliveistoleavetraces”

MollerHouse

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BanseyEightfootWestBankwallsepara-ng

IsraelisfromPales-nians.

Scale

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Scale

Haugen/Zohar

Norway

“TheClimbingWall

Ourinterven-onredesignsthewall's

prefabricatedelements,transformingthem

intoaniden-caldouble‐sidedclimbingwall.

Bychallengingthewallanddefyboundaries,

thebarrieristransformedintoafree‐zone.

Ourlandmarkisthepeople,theiracts,fears

andefforts”.

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Circula-on

“EventSpace”

InhisdesignfortheNewAcropolisMuseuminAthensGreece,BernardTschumidevelopedaprojectpar-allyins-gatedbythenego-a-onbetweenthehistoricalcityandthenarratedexperienceofthemuseumar-facts.

Thecircula-onpromenade

wrapsspa-allythroughoutthebuildingconnec-ngarcheologicalexcava-onstoar-factsandviewsofthecity.

Theprogrammingofcircula-ondefinestheorganiza-onofthebuilding.

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Whatareprogramma-cscenariosandwhataretheybasedon?

Specificuser–specificform–specificmaterialdistribu-on/Nonspecificuser–nonspecificform–flexibilityandinterchangeability

Rela-onshipsandinterconnec-onbetweenparts

Changeover-meMovementdynamics

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Specificuser–specificform–specificmaterialdistribu-on

Nonspecificuser–nonspecificform–flexibilityandinterchangeability

“Forbeingneitheruniformlyopennoruniformlyclosed,itliesopentotheunforeseen

Asitworksonourchangingac-vi-esover-me”.

ReiserandUmemotoAtlasofNovelTectonics

Fieldcondi-on:Programma-cspecificitycombined

Witharchitecturalspecificity

ParcdelaVillee,RemKoohaas

1.“LateralBanding”ofplan-ng,ac-vity,components

2.“Asprinklingofsmallelements,kiosks,playgroundsaccordingtogrid”

3.“Thelargeelementsoftheexis-ngsiteandprogram,roundforest”4.“Circula-on”

5.“superimposi-ons”

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Rela-onshipsandinterconnec-onbetweenparts

“ParkbasedonCultureratherthanNature.

Theparksupportsdiverseculturalandentertainmentevents.25buildingsconsideredfolies.

Theyareconnectedbypromenadesfunc-oningasbridgesandcoveredwalkways.

Stratum

Spontaneousbehavior

Transparency

Juxtaposi-on

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Changeover-me

Time/spaceac-vitydiagramsfortheredevelopmentofthe

sta-onareainArnhem,Netherlands

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Movementdynamics

“Con-nuousandformlessprojectwhichengulfsthesitelikeakindofprogramma-clava".

Theprojectislayeredintoac-vityzonespromo-ngamul-plicityofdynamicinterac-ons

thatis“composedofamosaicofheterogeneous21stcenturylife”.

Variedeventsoccupytheterritorythatistriggeredbymul-programmedinfrastructure.

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Whatarerulebasedorganiza-onalstrategies?

Collec-onandistribu-onofinforma-on

Rela-onshipstositeanalysissystemsandprogramma-cexplora-on

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Collec-onanddistribu-onofinforma-on

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Rela-onshipstositeanalysissystemsandprogramma-cexplora-on

NOMAD

NamJunPaikMuseumSeoul

Programbasedonrela-onshiptositetopologieswhichdetermineinteriorandexteriorpoten-als.

Varia-oninstructuralskin

Respondstoinnerandouterorder.

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Occurrenceterritory/Appropria-on

Spa-alspecificity–transi-onalspace

Howcananexpandedsurfacebecomeopportunis-c?

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Occurrenceterritory/Appropria-on

Ac-vitygeneratesaPerforma-vesurfacesuspendedasavalley

betweenprogramma-celements.

EFFEKTArchitectsX‐SITE‐BUILDINGC

Denmark

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Spa-alspecificity–transi-onalspace

YokohamaPortTerminal

FOA

Theproduc-onofacon-nuousanddifferen-atedsurfaceasa

strategyfornego-a-ngbetweenprogramma-czones.

Thespacebetweenspa-alsec-onsdeterminethetransforma-onofform.

Circula-onandac-vityterritoriesbecomeintertwined.

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Sequencing

Layering

Aggrega-on

Varia-on

Folding

Grada-on

Hybridiza-on

Whatistheopera-onofprogramming?

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Sequencing

BIGarchitects

TallinnCityHall

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Layering

TheCooperUnion

MorphosisArchitects

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Aggrega-on

SealePublicLibrary

OMA

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Varia-on

Eriksen+SkajaaArchitects

Europan10–winnerHaugerudOslo

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Folding

FlowingGardens

Plasmastudio

Xi'anInterna-onalHor-culturalExpo2011

Landscape

“Theprojectproposesahybridofbothnaturalandar-ficialsystems.

Thesetwoopposingsystemsarebroughttogetherinasynergyof

waterscapes.

Thebuiltvolumeisinterwovenwiththear-culatedground,producing

con-nui-esonmanylevelssothatlandscapeandbuildingbecome

completelyintegrated.

FlowingGardensunfoldsmanysinuouspaths,crea-nganetworkofinterminglingcircula-on,landscapeandwater.

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Thegiventopographyanditsexis-ngslopeswereusedtodrawoutthepathsinawaysimilartohowroadsribbonaroundamountain,

nego-a-ngsteepnesswithgradients.

Thesepathsvaryinwidthrangingfrommainwalkwaysandarteriestotowpaths.Thepatchesbetweenthesepathsbecomethezonesforvarious

plan-ngtypesandwetlandareas,whichretainaqualityofeaseofmaintenance.

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Grada-on

Highline

DillerScofidioandRenfro

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Hybridiza-on

“TheaimforthisdesignfortheTaipeiPerformingArtsCenteristo

createaworld‐classurbanexperiencedefinedbyhybridurban

environmentsnottradi-onallyassociatedwithperformingarts

theaters.

Thethreetheatersarewoventogetherbywayofanelevated

Concourse,crea-ngaunifiedwholewhichhassignificantpresencein

thecity.

TheConcourseisabridgingelementwhichactsascircula-onforthe

theatersbutalsoasacommercialzonewhichincludeslivelyurban

ac-vi-essuchasshopping,restaurants,bars,andotherpublic

ameni-es”.

TomWiscombe