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PowerPoint in Public David Stark
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Page 1: PowerPoint in Public David Stark. Demonstrations.

PowerPoint in Public

David Stark

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Demonstrations

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In an era when policy decisions involve complex technical questions, demonstrations are more likely to marshal charts, figures, models, and simulations than to mobilize popular movements in the street.

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To study demonstrations in the digital era

we focus on the most ubiquitous form of digital demonstration: PowerPoint, with over 30 million presentations every dayParker (2001).

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Architects’ case: WTC The PowerPoint presentations of the 7 Architectural finalists

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Colin Powell’s case: WMBPowell’s UN PowerPoint Presentation

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Our questions:

What is the cognitive style of PowerPoint?

What is the morphology of a PowerPoint presentation?

What is the new topology of demonstration when digital tools support it?

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The cognitive style of PowerPoint?

• Edward Tufte 2003

• Main culprit– AutoContent Wizard

• Bullet points– Deteriorate

• Reasoning– Verbal– Spatial PowerPoint

Slide 39 of 115 David Stark, Collegium Budapest, May 23, 2006

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The ready-made templates are prescriptive.

Because they format the very process of writing, they are pre-scriptive.

The author is co-authored, shepherded toward a certain, quite minimalist, frame of mind.

My gloss on Tufte’s critique of PowerPoint

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The scripted format pre-forms the performance.

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However valid, Tufte’s critique ironically ignores that the cognitive style of PowerPoint is as a medium that combines words and visual images.

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The distinctive morphology of PowerPoint

Its digital character provides “affordances”

1) that allow heterogeneous materials to be seamlessly re-presented in a single format

that 2) can morph easily from live demonstration to circulating digital documents

that 3) can be utilized in counter-demonstrations.

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The grammar of PowerPoint

example: exact over-image, the “fill-in effect”

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The power of association

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“Let me begin by playing a tape for you. What you’re about to hear is a conversationthat my government monitored”.

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Powell: “Let me take you inside that intelligence file and share with you what we know from eyewitness accounts”.

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PowerPoint is a transportation system

Import to transport. Take the audience “there” as eye-witnesses.

Powell: “Here you will see...”

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“Through sight the soul receives an impression even in its inner features. … It has happened that people, after having seen frightening sights, have also lost presence of mind for the present moment; in this way fear extinguishes and excludes thought.”

Gorgias

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But also, click to add text, images, animations, databases, sound.

Click to add title...

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Who’s demonstrating?

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Architects demonstrate

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In this digital rendering architect Norman Foster demonstrates the viability of his design for memorial voids on the WTC footprints.

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PowerPoint performativity

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Architects demonstrate that their project is ...

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Inspired

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Already a fitting historical subject

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Easily evacuated

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and that it is, already

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on a monumental

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and a human scale

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... a fitting postcard.

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Where is the demonstration?

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Where is the demonstration?

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Digital demonstrations

are available to the public in many venues.

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“Click here >>”

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Harry Collins (1988) distinguished

experiments – testing

demonstrations – showing

“displays of virtuosity” – lock in.

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No. The more the “display of virtuosity” is virtual, the more it can become a generalized experiment. That is, the more freely it can circulate, the more it can be utilized in counter-demonstrations.

The more the virtuality, the more the virtuosity (Collins 1988)?

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The distinctive morphology of PowerPoint

Its digital character provides “affordances”

1) that allow heterogeneous materials to be seamlessly re-presented in a single format

that 2) can morph easily from live demonstration to circulating digital documents

that 3) can be utilized in counter-demonstrations.