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POST-IMPRESSIONISM
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POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS Reaction against ephemeral qualities of Impressionism. Interested in line, pattern, form,

Jan 04, 2016

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Janel Wade
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Page 1: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

POST-IMPRESSIONISM

Page 2: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

TIME PERIOD1880s – 1890s

KEY IDEAS

Reaction against ephemeral qualities of Impressionism. Interested in line, pattern, form, and color.

Introduction of expressive color, science of color.

Page 3: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

VINCENT VAN GOGH, The Night Café, 1888. Oil on canvas, 2’4” x 3’.

Page 4: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

VINCENT VAN GOGH, The Starry Night, 1889. Oil on canvas, 2’5” x 3’.

Page 5: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

PAUL GAUGUIN, Vision After the Sermon, 1888. Oil on canvas.

Page 6: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

PAUL GAUGUIN, Where Do We Come From? What Are We? Where Are We Going?, 1897. Oil on canvas, 4’7” x 12’3”.

Page 7: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

GEORGES SEURAT, A Sunday on La Grande Jatte, 1884-1886. Oil on canvas, 6’ 9” x 9’10”.

Page 8: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

PAUL CÉZANNE, Mont Sainte-Victoire, 1902-1904. Oil on canvas, 2’4” x 2’11”.

Page 9: POST-IMPRESSIONISM. TIME PERIOD 1880s – 1890s KEY IDEAS  Reaction against ephemeral qualities of Impressionism.  Interested in line, pattern, form,

PAUL CÉZANNE, The Basket of Apples, c. 1895. Oil on canvas, 2’4” x 2’7”.