Mar 28, 2016
Studio Fall Project 1_Yong Jae Kim, Hua Yang, Kaihong Chang Period: 09/05/2012 - 09/26/2012Softwares: Rhino 3D, Illustrator, Photoshop 07
Hybridization: Diamond Chair + LC4 Chaise Longue
(0,0,0)
MRI AXONOMETRY
DISTANCES BETWEEN INTERSECTIONS
STEP 3
STEP 2
STEP 1
0.5-2.3 INCHES
0.8-1.1
0.7-1.2
0.6-1.1
C1
C2P1
P6
P4
P5
L8
P2
P3
P7
L6
L5
L7
L4
L2
L8
L1
L3
C3
C4
O1
O2C5
C6
C1
C2
C3
C4O
1C5
C6
black leather over polyurethane foam
elastic strap mesh
chrome plated tubular
steel frame
black lacquered steel base
rubber sleeves
O1
C4
O1
C4
O1
O2C4
O1C2 C3
O2
C4
O1C3C2
C1
O2C4
C5
C6
Survey of LC4 Chiase Longue
Elevations and Section of Diamond
Survey of Diamond Chair
HYBRIDAZTION: DIAMOND CHAIR + LC4 CHAISE LONGUE
Part 1: Interpretation
Part 2: Reorganization
Hybridization Process
Exploded in Axonometric of LC4 Chaise Loungue
The new object is made of the original object of investigation, joined with one from another team. The knowledge and documentation gained from the careful examination in the antecedent becomes immediate knowledge to be shared from others so that a new and wholly recomposed new entity is found.
When a material and geometry become discrete knowledge, they lead to designs operation that can be repeated and transformed.
The first part of the this project is to learn the importance of measure in architecture and the difficulty of transcribing measurements into architectural representations. Survey includes object’s dimensions, geometries, joints, move-ments, and materials.
31.3
26.0
10.0
16.0
16.7
16.5
31.3
16.7
9.3
7.0
26.0
43.0
26.06.014.0
6.0
3.4
9.6
6.0
Front RIight Section
We chose diamond chair because of its organic structure, mostly made of curvatures and it was chanllenging to accurately measure these curva-tures.
Bertoia said “the human body determines… the comfort and the measurements of its environ-ment… the human measure is still the strongest factor…and if the chair’s adaptable it responds and it’s almost like wearing a comfortable coat; you really don’t know you have it on.”
Diamond Chair and LC4 Longue Duplicating Space of Body shape
08 Hybridization: diamond chair + LC4 Chaise Longue
Translating through Variation Hybridization Realization
09Hybridization: diamond chair + LC4 Chaise Longue
Hybridization: Chairs + Interior Space (House for an Accountant)
Studio Fall Project 2_Yong Jae KimPeriod: 09/27/2012 - 10/24/2012Softwares: Rhino 3D, Grasshopper, Illustrator, Photoshop 11
Hybridization: Chairs + Interior Space (House for an Accountant)
Living Room Bathroom Library
Units: Weight (lbs) of Documents_Accumulated
Moving Force
Units: Work Hours per Week
Library
Bathroom
Living Room
JANNOVOCTSEPAUG JULYJUNEMAYMAR APRDEC FEB
Combination of Spaces and Moving Forces
Path of Living RoomPath of BathroomPath of Library
Proximity
40 40 40 40 40 40 40 60 100 20 30 40
10 20 3 0 40 50 60 70 90 130 5 10 15
Geometry
Living Room
Bathroom
Library
The spatial, sequential, and experiential relationships devel-oped within an interior space that is integrated with the hybridized chair in project 1.
Starting point is determining an occupant. Since I had work experience as an accountant, I was able to fully understand what the accountant needs based on the work cycle; busy season (March to May) and off-season (June to Febuary).
During busy season, the accoun-tant needs direct access to library and library should be spacious. On the other hand, during off-season, sufficient space of living room and direct access to living room are provided.
Vertical rotation of the house is possible due to the weight of documents. As the busy season approches, more and more docu-ments are piled up and the weight pushes down the library to the ground level, and when the accountant throws away docu-ments after busy season, the house goes back the original state.
Understanding life style of the occupants makes story of space, determines logic, concept, and relationship between spaces. Rotation of the house is correspondent with the concept of the hybridized chair in project 1.
Understanding an Occupant
12 Hybridization: Chairs + Interior Space
Dissected Axonometric
Hybridization: Chairs + Interior Space 13
NOVOCTSEPAUGJULYJUNEMAYAPR
During TransitionDuring Off-Season
During Off-Season
Living Room Bathroom Library
14 Hybridization: Chairs + Interior Space
Plans
Sections
Renderings
JAN JULYJUNEMAYMAR APRDEC FEB
During Busy Season
During Busy Season
Living Room Library
P
Hybridization: Chairs + Interior Space 15
Bathroom
17
Studio Fall Project 3_Yong Jae Kim Period: 10/29/2012 - 12/10/2012Softwares: Rhino 3D, Auto CAD, Illustrator, Photoshop, Grasshopper
Loops create circulation, spaces, and geometry, meeting each other and diverging from each other. Programs and circulation are lined up along the loops.
The spaces become plaza, leading people to the entrance, rehearsal hall, sky garden, performance hall, and cafe.
LOOP2 (PRIVATE)
LOOP3 (PUBLIC)
LOOP1 (PRIVATE)
LOBBYLOBBYBBOBBYLOBBYOBBBOB
Two main loops shape horizontal and vertical movements of spaces: 1) a public performance hall underground and 2) private rehearsall hall and sky garden on the ground. Two conflicting spaces are progrmatically and obliquely linked by a mini bar and cafe and neutralized. 3) The other one loop creates a private path passing through adjacent dwelling houses only for perfomers. The path provides provides enclosed circulation independent from the public, and it enables performers to move from the rehearsal hall to dewelling houses without distruption. Sky garden, locat-ed in the middle of the path, functions as a center of meeting place for performers.
Horizontality
Ob
li
qu
e
Verticality
Loop 1 and 2 - Circulation for Performers Loop 3 - Circulation for the Public
Eevation of Loop
Loop 1: Connection between Performers’ HousingLoop 2: Connection between Sky Garden and Rehearsal HallLoop 3: Connection between Spaces for the Public
:Interconnection between loops
Horiz
Three Loops
18
Site
Hybridization: Chairs + Interior Space + Exterior Space
(Performing Loop)
Based on the measure and applicability of the body from the first project, and its presence in the domestic second project, the third project is designed for a performing center with a public programme, and an exterior for a prticular site.
The site is hypothetical; it is an urban lot with context, but it does not have a location to be found in the real world. The performance center is located on the corner of the site, addition to the three adjacent buildings and presents two facades to the street. Three adjacent buildings are dwelling houses used for the performers only.
ProcessMain concept of rotation from the first and second projects creates horizontal, oblique and veritcal spaces. Rather than utilizing pre-defined three different angels of spaces, facade of spaces are brought to the third project in order to make more dynamic spaces and maximize its potenti-ality.
Hybridization: Chair + Interior Space + Exterior Space
REHEARSAL HALL
PLAZACITY
MINI-BAR PERFORMANCE
CAFE
CITY
RAMP RAMP
RAMPHOUSING 1
HOUSING 3
HOUSING 2
SKY GARDEN
RAMP
RAM
P
RAMP
RAMPSK
Y GA
RDEN
HOUS
ING
A
HOUS
ING B
HOUSING C
REHEA
RSAL HALL
RAMP
BAR
CAFE
PERF
ORM
ANCE
HALL
LOBBY
PLAZ
A
VERTICALITY
SKY GARDEN
REHEARSAL HALL
OBLIQUE
BAR & CAFE
HORIZONTALITY
PERFORMANCEHALL
19
Loops Creating SpacesRotation from the first and second projects is applied to the third project; rotation of the chair and the house form a loop. The loop creates circula-tion, spaces, and geometry while meeting each other and diverging from each other. The spaces become plaza, leading people to the entrance, rehearsal hall, sky garden, performance hall, and cafe.
By writing main programs on a strip and folding it, circula-tion and spaces are created.
Hybridization: Chairs + Interior Space + Exterior Space
LOOP 1
LOOP 2
LOOP1
SKY GARDEN
REHEARSAL HALL
LOOP 3PLAZA
LOBBY BAR
PERFORMANCE HALL
CAFE
CITY
CITY
SECTION THROUGH PERFORMERS’ CIRCULATION
SECTION THROUGH PLAZA
SECTION THROUGH CAFE
REHEARSAL HALL
SKY GARDEN
BACK STAGE
PERFORMANCE HALL
RAMP
MINI BAR
RAMP
SKY GARDEN
BACK STAGEPERFORMANCE HALL
RAMP
LOBBY
PLAZA
PLAZA
PLAZA
SKY GARDEN
CAFE
RAMP
PLAN 2_SKY GARDEN LEVEL
RAMP
SKY GASKY GAGARDENGARDENGAGA
1’’ = 5’
1’’ = 5’
MINI BAR
PERFORMANCE HALL
BACK STAGE
PLAN 3_PERFORMANCE HALL LEVEL
PLAN 1_PLAZA LEVEL
1’’ = 5’
1’’ = 5’
1’’ = 5’
1’’ = 5’
S
MINI BAR
PERFORMANCE HALLPERFORMPERFORMMANCE HALLMANCE HALLMMA
BACK STAGE
PLAN 3_PERFORMANCE HALL LEVEL
Hybridization: Chairs + Interior Space + Exterior Space
Plan 1_Plaza Level
Plan 2_Sky Garden Level
Plan 3_Performing Hall Level
20
Plans
SKY GARDEN
BACK STAGEPERFORMANCE HALL
RAMP
LOBBYPLAZA
REHEARSAL HALL
SKY GARDEN
BACK STAGEPERFORMANCE HALL
RAMP
MINI BAR
RAMP
PLAZA
CAFE
BACK STAGE
PERFORMANCE HALL
RAMP
PLAZA
Hybridization: Chairs + Interior Space + Exterior Space
Section 1_through performers’ circulation
Section 2_through plaza
Section 3_through cafe
21
Sections
Hybridization: Chair + Interior Space + Exterior Space HYBRIDIZATION: CHAIRS + INTERIOR AND EXTERIOR SPACES
22
Unfolded plan through performers’ circulation
Unfolded plan through public circulation
Hybridization: Chairs + Interior Space + Exterior Space
View of the path for performers from a dwelling house
Sky Garden view
Front view of the performance center
View of performance hall
Unfolded Plans and Renderings
SKY GARDEN
REHEARSAL HALL
PLAZA
LOBBY
PERFORMANCE HALL
CAFE
CITY
REHEARSAL HALL
CITY
MINI BAR
BACKSTAGE