Portfolio,yasir farhan ,B.sc.-Interior Design

Project Report of

Residential Design

Submitted to

Dezyne E’cole College

By:-

Mr. Yasir Farhan

\

Towards the partial fulfillment of 2nd

year of diploma program in

Interior designing

Grade Sheet

The project report has been made under the guidelines of Dezyne E’cole

College in the second year in the advance diploma program. This project is

focuses on various parameters of residential planning has been done keep-

ing into mind the building envelop and climatology. Residential design of

various rooms has been undertake as per the client requirement.

The overall project report

is…………………………………………………………………………………………………

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Principal signature…………………………………..

Date: …………………………

Contents

Acknowledgement …………………………………………………….

Introduction…………………………………………………………..........

1. Interior Design Industry………………………………………

2. Planning Consideration……………………………………….

3. Synopsis………………………………………………………

4. My Skill Set……………………………………………………

5. Case Study…………………………………………………….

6. Site Selection………………………………………………….

7. Building Bye-Laws ……………………………………………

8. Climatology……………………………………………………

9. Building Orientation ………………………………………….

10. Building Envelope ……………………………………………

11. Day Lighting ………………………………………………….

12. Green Building Architecture………………………………….

13. Rain Water Harvesting………………………………………..

14. Client Research ……………………………………………….

15. Islamic and Mughal Architecture …………………………….

16. Eclectic Style …………………………………………………

17. Planning Development ……………………………………….

18. Landscaping…………………………………………………..

19. Mood Board ………………………………………………….

20. Concept Board ………………………………………………..

21. Style Board ……………………………………………………

22. Material Board………………………………………………..

23. Orthographic Projection of Living Room ……………………..

24. Detailing Layouts …………………………………………….

25. Bibliography…………………………………………………..

Acknowledgement

I am thank full to all the staff members and teachers of Dezyne E’cole College whose

guidance has played an important role in making of this project.

Not only the teachers but also the guidelines of the Design Experts, the reference books,

Magazines such as inside outside, society interiors has supported me a lot in making of

this project.

I am thank full to all those who has supported me in making this project successful.

Yasir Farhan

B.sc-IAD

Interior Design Industry

Interior Design Industry is growing day by day. A house is a place where person behaves in

a natural from and is mainly for providing shelter. Since pre historic time human beings

look for shelter Example the caves of the meticulously planned towns of Mohenjo daro and

Harappa. To the present day houses which have grown up more luxurious and beautiful.

For a men house is his castle, rot sir ad ward coke. This sentence is coined by him in 17th

century and since then we have a beautiful heritage of something known as period house

starting from the beginning with the Tudor and Jacobean style (1485-1625) this period lead

towards the development of sophisticated structure and classicized decoration. This period

saw the development of the specialization of how a roomed function in the house. In the

middle ages the king would live in one big room when he would eat, sleep and conduct af-

fairs of the state. Fabric hangings during this time considered inappropriate for the room in

which people ate as they tended to retain the small of food. During this time timber, brick

and store were used. The stone had less decoration than the timber ones. Stone is expensive

and more difficult to curve. During this period the bay windows came into existence along

with oriels windows at the same time cantilever projection come into existence for making

structures. The furniture type during this period was more towards build in furniture. After

Tudor and Jacobean period, baroque period (1625-1714) came into existence this period

has development of courtly style. This style had the development of room as basement, the

piano nubile (main reception floor) and the attic (top floor) the piano nubile had pediment

windows and high ceiling. It was main area where ceremonial works were taken up. This

period has grand carved entrances with the use of acanthus leaves and bulging fruits. This

time period has the design created by the famous artist Michel Angelo. This period was fol-

lowed by the early Georgian, colonial, British Victorian, Edwardian, art-noveau. The mod-

ern movement(1920-1950) played an important role in design industry with the designer

like Walter Gropius, le-Corbusier, Louis Kahn, frank Lloyd Wright, there contribution lead

to meticulously design house with proper planning and consideration to function with well

developed clean uncluttered space, electrical wirings buried in the structure along with

proper plumbing and water disposal.

Metal windows with large glass panes, healthy, hygienic and efficient homes were devel-

oped. Sullivan’s disciple, frank Lloyd Wright (1867-1959) design buildings which rely

more on spaces and form. This kind of design made a great impression on Walter Gropius

(1883-1969), Ludwig Mies Van Der Rohe (1886-1969). They define the doctrine of mod-

ernism in 1920’s. Louis khan came up with the idea of design development of interior

spaces focusing more of served and servant spaces. He believed that served area should be

placed near the servant areas, so that the functionality of human space increase example:

The living room having served area as kitchen and toilet. This concept of his has been pop-

ular till today. After the world war-II in 1941 rational planning and economy were com-

bined with high standard of mechanical services in housing project where the designer

were more concern how the building perform more than whether it look modern.

The Modern movement sort to eliminate extra detailing & focused more simplicity with

advancement of prefabricated materials plywood, glass and other materials developed dur-

ing this time period.

Design was developed where more of fresh air and maximum sun light were prerequisite.

One of the best characteristic which is developed in the first phase of modernism was the

animation of the texture and patterns on walls. People were use smooth plaster, glass brick

room dividers in apartment with open plan layout all this required a development of well

educated worker force who could support the interior design industry and this be towards

the development from the Indian 1government to take interest in the design field. The India

government has formulated a body known as Indian design council which plays an impor-

tant role in promoting design development. The govt. on India setup the Indian design

council ling in IIT Mumbai in the year 1969 for imitating the post graduated programme in

industrial design education the development of art and design in India development in the

year 1840. The first art school known as the Bombay art school (1857) now knew as the sir

J. J. School of arts. The college of arts Calcutta eater to the Indian design development. In

the year 1913 kala bhavan the art college was set up as part of shanti niketan by the Tagore

family not only this in the year 1922 Ravindra Nath tagore met Walter groupies and invited

him for exhibition to India . In 1958 the govt. of India invited Charles and ray Eames to

train the small industry this resulted in the development of India design report of Charles

and ray Eames the government of India setup the national institute of design (NIO Ahma-

dabad) in 1987 the ministry of textile setup the national institute of fashion technology in

Delhi (NIFT). In the year 1997 the full fledged department of design with bachelor in de-

sign came up at IIT Mumbai. From the year 1919 the private design school along with the

state universal started developing students with the formal design education. This was in-

corporated so that the design industry could be supplement with more brains in the design

field. Today many of the interior design companies have entered in Indian market provid-

ing specialized designs. Example kohler, duravit, hacker. These companies are developing

solutions for the customers that are attractive and easy to install but these solutions pro-

vided by these companies are not tailor made. To make the design as per the Indian client

the Interior Designer has to study the Indian environment, the climate, the client, his need,

budget and then device a design which is customer friendly at the same time functional as

per the Indian needs. This project report showcases my idea as per the Indian client re-

quirement in the section of Residential category.

Planning Consideration

To design any residential area proper planning and brain storming need to be done. The

planning phase of the residence is the most important phase because I t leads to devel-

opment of the structure of the house. Based on the needs of the person It has been seen

all human beings requirement and needs towards certain area. When we seen magazine

and showcasing beautiful rooms. People are happy to see them nut Interior Design is not

so easy like the attractive image of the book. The design has to be functional so that the

person can feel the space, express him and at the same time enjoy. It is also seen if the

number of occupancy in a house is less and the space plane din design is more though

different location of the rooms and corridor. A person feels very lonely and alone. At

the same time if the space is planned in a manner which is activity based and the area

are well lighted up, more compacted and gives a feeling of small space a person appears

more cheerful.

In India we have climate hot and dry throughout the year and the sun shines bril-

liantly the whole year with the winter months being less. It is in this surrounding climate

that residence of a person will exist to device a proper interior design one must see the

outside building envelop along with the interior space so we can achieve the client re-

quirement.

A room which is more sun filled makes a person happy then dull and dark. It is seen

that’s the space with less light (natural lights) suffer from condition SAD (seasonal af-

fective disorder) characterized by depression, lethargic, and other symptom. Studies

show the student do better when the classes are held in natural light such is the power of

sun.

I have utilized more of day light factor while planning. As I said earlier in India the

climate is very hot and humid throughout the year and the house is enveloped by this

factor so many main consideration has been focusing on climatology and building enve-

lop.

Apart from this consideration I have been taken the green homes consideration,

proper ventilation and at the same time approach to the building entrance, orientation of

the plot, along with building corners, the floor levels and the window placement.

Synopsis

“For every Interior Designer it is always a challenge to design one’s own space.”

The Reviving Tradionality is a residential design project which is planned on land area

of 14,471 sq ft having an axis of southeast-northwest and building orientation southwest

and northeast. The site is located in civil lines, Ajmer (raj).

The macro and micro climate is very hot in summer and quite cool in winters. The

inspiration for planning is taken from Islamic Architecture ant the style opted in the In-

terior of the house is Eclectic. This style is amalgamation of contemporary and tradi-

tional style. The Paintings and Calligraphy of Islamic Architecture are also incorporated

in interior of the house.

This project deals with the various layouts like construction layouts, furniture

layouts, placement of doors and windows, flooring layouts, ceiling layouts, design spe-

cification, etc. And the orthographic projection of living room with design specification.

Certain visuals skills are also used for explain better.

My Skill Set

Interior design is a course of action which makes the life of the people better, happy and

full of energy l. every person wants to see beautiful spaces good facilities and surround-

ings. This profession of interior design is adopted by me because I love to create beauti-

ful spaces which make people happy and appreciate my work.

This appreciation raises my confidence I am a student of Bachelor of Science in in-

terior design 2nd

year along with two year industry oriented skill development pro-

grammed of interior design. In all I have a formal education of 4 year during of my for-

mal education of interior design I focused on myriads of topics and the advanced design

area under the section of residential and commercial design.

My basic started with focusing on the construction basic and the landscape area

which the residence or so called house, home is situated a beautiful landscape added to

the beauty to the environment at the same time. Greenery on the land energizes a person

am makes him full of energy because this beautiful landscape can be utilized in the Inte-

rior designing of the house to create beautiful view of outside. Not only this the green-

ery outside with contribute to the green planet and we as designer should be focusing on

saving the earth another very important consideration which I came across is the cov-

ered structure where the client resides an interior designer has to focus on not only the

structure first so as the achieve the beautiful space that a client desires or I feel right af-

ter all a good structure based on proper shape and focus leads to beautiful spaces inside.

To achieve this I studied about the plinth and the needed to raise the plinth area of

the house. In any house there should be a water connection inlet into the kitchen and

bathroom areas and at the same time the provision for outlet of this used water termed

as sewage and silage from the house this process of wide role of dirty water is achieve

by the of gravity and the leveling .due to this we need to increase the plinth of the house

has a floor the house has a floor plan which tough and smooth for hygienic living and

can be made up of wood , stone , tile , brick mosaic , etc. the floor plane has adjoining

wall areas made up of bricks and stone.

The stones are considered better for construction and they can be cartelized as rub-

ble of ashlars masonry. Stone walls are considered good for Rajasthan as thick walls

help to the interiors cool. The brick wall is better option for making green house. They

can be taken as cladding and for the face work with different bonds like Flemish bond,

English bond and with pointing between them like struck, V-joint etc. pointing.

Brick is considered good for construction as a part of sustainable design and absorbed

less heat. There are special made brick and adobe brick throw which house can be made

these days fly ash brick which are far batter for the environment fly ash brick and con-

crete block are used for construction cavity wall are batter option for making wall hav-

ing la gape of usually 25 mm. this gap usually fill with a bad-conductor like Thermocol

so that the heat outside the building is not able to enter inside the house. We even check

the soil and the requisite treatment for termite damp proofing are done.Proper founda-

tions for the building the beams pillar, column, and cantilever beam and construction

detail of the distance between them are stride based on the shape and style of the struc-

ture of residential design.

For an effective design to be developed must one see to the feeling to be generated

in sight the structure and this mainly achieve by creating cheerful interior which is full

of joy and happiness to achieve this I focused my attention towards day lighting and

placement of windows and doors; proper entering of sunlight into a room generates

happiness and placement of door and windows with ventilators creates a batter air circu-

lation.

The house is not situated in isolation is located on plot the plot happen to be si-

tuated on a land. The land is subjected by the seasons and the sun rays, at the same time

the climate where the land is situated matter a lot in the design development. This study

is called climatology of the place.

I have done in depth study for climatology for my client micro and macro climate

and the orientation of the sun rays. After considering the above points along with the

planning methodology dieted by Louis Kahn and anthropometrics of human being, I fol-

lowed the method of space planning criteria’s like liner, cluster, radial etc. have been

followed in the planning phase.

The detail dealing on which seen in my project report in subsequent pages. After

the consideration of the above mention points I devise a structure with the various

layouts for any for any interior design to successful the structure of the house with

proper building envelop climatology of the place, day lighting etc. should be considera-

tion before the indication of the interior design. For doing the interior design I have paid

proper consideration of color scheme, elements and principle of design, texture material

application etc. apart from this I have paid attention to gestalt principles of perception in

design such as law of closure, law of Proximity, law of similarity, etc.

But to start-up with a choose style and the concept based on the style they be seen in

my design project where are utilized various orthographic projection, views, axonome-

tric, and isometric to express my design . For visual application I have used Auto cad,

Photoshop, and 3Ds max

Conclusion

In this project report I have carefully handle many smaller detail to make an effective

plan of the residential space my major focus is on space planning to generate more of

space in a small space on a large space paying attention to the behavior of human being

You can have the detailed report of the residential designed by me in the subsequent

pages.

Case Study

Client has a flare for living and he is fond of collecting beautiful artifacts of glass. He is

also fond of beautiful sculpture of modern art and calligraphy painting. He wants his

house to speak about his living style. He is an introvert person, does not like socializing

much. He has a very opulent living and has a very high aesthetic sense. There are six

members in his family.

Client

His Wife

His Father

His Mother

His Son

His Daughter

Site Selection

All buildings exert direct and indirect influence on the people who use the buildings as well as

the one who see the buildings. The direct influence helps in making its occupants comfortable,

healthy and cheerful. The indirect influence forms a part of the overall development and land-

scape. The relation of site with its environment and the site itself would influence the molding of

the designer’s scheme. The topographical features of the site with natural and artificial surround-

ings are to be taken into account while planning and designing a building.

The site is situated at leveled ground in civil lines, Ajmer. The site is irregular in shape having an

axis of southeast-northwest and building orientation southwest and northeast. The site is situated

at center of all major land marks such as institutional buildings, hospital, roadways bus stand,

shopping malls, etc. The location of site as per Google map and the photograph of the land can

we seen below.

Building bye-laws

Building bye-laws consists of certain rules and regulation framed by a municipal or

town planning or urban development board to control the development of area under its

jurisdiction. The main aim of framing the bye-laws is to ensure provision of reasonable

minimum requirements and standard in the planning, designing and construction activi-

ties of buildings in the zone. The bye-laws are framed paying due regards to the weather

conditions, local construction practice, availability of materials, labour and other similar

factor.

Objectives of bye-laws

The various aspects of building activities covered by the bye-laws are summarized as

under:

Distance from electric lines

Lines of building frontages

Open space within a plot

Built up area limitation

Lighting and ventilation of rooms

Parking spaces

Exit requirements

Fire protection requirements

Structural safety requirements

Building services

Climatology

If we see the site it is laid in western part of India. Rajasthan is mainly consisting of desert

and mountains. Rajasthan has a tropical desert climate. It is extremely cold from October to

February while the scorching sun tortures the land from March to September. The tropic of

cancer passes at 26’ 18 north latitude.

Climate of Ajmer: Ajmer is the District of India's Rajasthan state. It is located in the

western direction of Rajasthan. Ajmer lies under the hot arid climate zone where summers

are extremely hot and winters are chilly. Rainfall in Ajmer varies from 3.0 to 564.0

(mm).Temperatures in Ajmer range from 8.25 to 40.55 (Celsius).It is a hot dusty city where

acrid winds blow fine dust into every nook and corner. The climate can be sub divided into

2 major divisions’ micro climate and macro climate. Macro climate can be described as a

climate of Rajasthan. Micro climate is the day to day weather changes in Ajmer.

Influence of climate on the building

When a designer design a building or structure for a residential design it’s very important

to pay attention to the building envelop. The building envelop consist of many areas by

which the building can be made functional to its inmates. Climate conscious design can be

reached with the following improvement to the present practices:

To improve the macro climate around buildings this makes being and going outside in the

built areas more pleasant, does effective the inheritance health.

To reduce the cooling effect of the wind on the structure this improves energy economy.

To improve the wind protection.

To direct the sun rays into the building.

In a four session climate the conditions will change strongly according to the session and

the nearness of large bodies of water. For example on the coasts the air is moister windy

and the temperature difference are moderate. For then from the coast the climate becomes

continental in which case diurnal and annual temperature differences increase and air is

drier. The vegetation is mainly abundant and luxuriant. The signification of micro climate

is important in the area of design. Proper care has to be taken while placing the house struc-

ture directing them, design of openings, maximize the exposure to the sun, which in the

summer session will require the possibility to protect self from overheating.

Apart from this we need to even pay attention to reduce the cooling effect of wind in win-

ter, prevention of penetration of rain water into the structure.

The wind effect can be prevented by placing and designs of building by layered facades by

protective fences and buffer planting which require good knowledge of local micro climate.

The nature and the relationship of the nature are very important factor while designing.

Rajasthan lies in northwest direction of India which is a part of Southeast Asia. Rajas-

than is cover with the aravlli hills. The macro climate of rajasthan in summers which are

hot and dry is considered to be the hottest period in Rajasthan with the temperature ris-

ing to almost as high as 45 degrees Celsius at its highest. And the winter season of Ra-

jasthan is quite cool. The temperature ranges from 10 degree Celsius to 10 degree Cel-

sius…

Ajmer lies in hot and arid zone. The characteristics features of Ajmer climate is high

summer day temperature (upto 45 degree C and above), cool to very cold during winter

and warm and humid during monsoon season (humidity as low as 20%).

Building Orientation

Design for orientation is a fundamental step to en-

sure that buildings work with the passage of the sun

across the sky. Knowledge of sun paths for any site

is fundamental in design building facades to let in

light and passive solar gain, as well as reducing

glare and overheating to the building interior. It is

important to remember that the position of the sun

in the sky is dynamic, changing according to time of

day, time of year and the site’s latitude.

Well-orientated buildings maximise day lighting through building facades reducing the

need for artificial lighting. Some typologies especially housing can be zoned to ensure

different functional uses receive sunlight at different times of the day. Buildings that

maximise sunlight are ideal for the incorporation of passive solar collection techniques

that can reduce carbon use and enhance user comfort. A careful strategy can also miti-

gate overheating and glare when sunlight is excessive. You should know how the sun

interacts with your building in high summer and the

depths of winter.

The orientation of the building on site is very important to

achieve reduced heat gain and improved wind circulation

and ventilation. The major openings in the building enve-

lope should be placed on the North while the south face

should be adequately protected from heat gain by using

shading devices or vegetation. Prevailing wind direction

should be taken into consideration while deciding the posi-

tion and size of the openings to ensure proper cross venti-

lation. This can go a long way in improving comfort con-

ditions within the building.

Building Envelope

The building envelope is the physical separator between the interior and the exterior en-

vironments of a building. Another emerging term is "Building Enclosure". It serves as

the outer shell to help maintain the indoor environment (together with the mechanical

conditioning systems) and facilitate its climate control. Building envelope design is a

specialized area of architectural and engineering practice that draws from all areas of

building science and indoor climate control.

Control of air flow is important to ensure indoor air quality, control energy consump-

tion, avoid condensation (and thus help ensure durability), and to provide comfort. Con-

trol of air movement includes flow through the enclosure (the assembly of materials that

perform this function is termed the air barrier system) or through components of the

building envelope (interstitial) itself, as well as into and out of the interior space, (which

can affect building insulation performance greatly). Hence, air control includes the con-

trol of wind washing and convective loops.

The physical components of the envelope include the foundation, roof, walls, doors and

windows. The dimensions, performance and compatibility of materials, fabrication

process and details, their connections and interactions are the main factors that deter-

mine the effectiveness and durability of the building enclosure system

Day Lighting

The most obvious vehicle for energy saving in buildings is in exploiting the most abun-

dant source of light available to us – daylight. Environmentally Conscious assessments

of building design are recognizing that Daylight (and natural fresh air) is an important

commodity and should be exploited to the full. Generally, people when asked, always

prefer to work in a daylight environment. From the earliest caves, daylight informed the

lives of the inhabitants, Initially in the difference between night and day; but as dwel-

lings became More sophisticated, by means of openings or windows letting in light The

history of architecture is synonymous with the history of the window and of day lighting

from the initial crude openings, letting in light and air, heat and cold, the window was

the vehicle for the introduction of daylight, and ultimately to the wondrous interiors of

the mediaeval cathedral, the Baroque churches or the many private buildings of the

eighteenth century.

The most obvious and certainly the most important aspect of day lighting is its capacity

for change, leading to the infinite variety in appearance of the daylight interior. Change

is at the heart of day lighting, the human body has a capacity for adaptation, particularly

in vision, and the need to exercise this response. Apart from this the window is an open-

ing in a wall or side of a building admitting light and often air to the interior. Early win-

dows were developed before the introduction of glass, so initially windows were left

open to the external atmosphere, or filled by some form of closure to minimize the heat

loss at night. In mediaeval times wooden shutters were installed on the interior, and

these were left open or closed to regulate the light and air. Glass had been discovered as

early as 3000 BC in Egypt, and was used for decorative objects. It is used first time in

window as small panes in Roman architecture Windows can broadly be divided into two

main types, first the window set in the side walls of a building, and second the opening

light set into the roof, generally known as roof lights. The daylight penetration from side

windows will depend upon the ceiling height, and in early buildings where the ceiling

heights were low, the penetration of daylight into the building was severely limited

Green Building Architecture

Green building architecture is a general term that describes environmentally con-

scious design techniques in the field of architecture. Sustainable architecture is framed

by the larger discussion of sustainability and the pressing economic and political issues

of our world.

In the broad context, sustainable architecture seeks to minimize

the negative environmental impact of buildings by enhancing ef-

ficiency and moderation in the use of materials, energy, and de-

velopment space. The idea of sustainability or ecological design

is to ensure that our actions and decisions today do not inhibit

the opportunities of future generations. The term can be used to

describe an energy and ecologically conscious approach to the

design of the built environment.

Heating, ventilation and cooling system efficiency (HVAC)

The most important and cost effective element of an efficient heating, ventilating and

air conditioning (HVAC) system is a well insulated building. A more efficient building

requires less heat generating or dissipating power, but may require more ventilation ca-

pacity to expel polluted indoor air.

Significant amounts of energy are flushed out of buildings in the water, air and compost

streams. Off the shelf, on-site energy recycling technologies can

effectively recapture energy from waste hot water and stale air and

transfer that energy into incoming fresh cold water or fresh air.

Recapture of energy for uses other than gardening from compost

leaving buildings requires centralized anaerobic digesters.

Site and building orientation have some major effects on a building's HVAC efficiency.

Passive solar building design allows buildings to harness the energy of the sun effi-

ciently without the use of any active solar mechanisms such as photovoltaic cells or so-

lar hot water panels. Typically passive solar building designs incorporate materials with

high thermal mass that retain heat effectively and strong insulation that works to prevent

heat escape. Low energy designs also requires the use of solar shading, by means of

awnings, blinds or shutters, to relieve the solar heat gain in summer and to reduce the

need for artificial cooling. In addition, low energy buildings typically have a very low

http://en.wikipedia.org/wiki/File:Passivhaus_section_en.jpg

surface area to volume ratio to minimize heat loss. This means that sprawling multi-

winged building designs (often thought to look more "organic") are often avoided in fa-

vour of more centralized structures. Traditional cold climate buildings such as American

colonial saltbox designs provide a good historical model for centralized heat efficiency

in a small scale building.

Windows are placed to maximize the input of heat-creating light while minimizing the

loss of heat through glass, a poor insulator. In the northern hemisphere northern hemi-

sphere this usually involves installing a large number of south-facing windows to collect

direct sun and severely restricting the number of north-facing windows. Certain window

types, such as double or triple glazed insulated windows with gas filled spaces and low

emissivity (low-E) coatings; provide much better insulation than single-pane glass win-

dows. Preventing excess solar gain by means of solar shading devices in the summer

months is important to reduce cooling needs. Deciduous trees are often planted in front

of windows to block excessive sun in summer with their leaves but allow light through

in winter when their leaves fall off. Louvers or light shelves are installed to allow the

sunlight in during the winter (when the sun is lower in the sky) and keep it out in the

summer (when the sun is high in the sky). Coniferous or evergreen plants are often

planted to the north of buildings to shield against cold north winds.

In colder climates, heating systems are a primary focus for sustainable architecture be-

cause they are typically one of the largest single energy drains in buildings.

In warmer climates where cooling is a primary concern, passive solar designs can also

be very effective. Masonry building materials with high thermal mass are very valuable

for retaining the cool temperatures of night throughout the day. In addition builders of-

ten opt for sprawling single story structures in order to maximize surface area and heat

loss Buildings are often designed to capture and channel existing winds, particularly the

especially cool winds coming from nearby bodies of water. Many of these valuable

strategies are employed in some way by the traditional architecture of warm regions,

such as south-western mission buildings.

In climates with four seasons, an

integrated energy system will increase in efficiency: when the building is well insulated,

when it is sited to work with the forces of nature, when heat is recaptured (to be used

immediately or stored), when the heat plant relying on fossil fuels or electricity is

greater than 100% efficient, and when renewable energy is utilized.

Rain water Harvesting

Rainwater harvesting is the accumulating and storing of rainwater for reuse before it

reaches the aquifer. It has been used to provide drinking water, water for livestock, wa-

ter for irrigation, as well as other typical uses. Rainwater collected from the roofs of

houses and local institutions can make an important contribution to the availability of

drinking water. See also first flush.

Advantages in urban areas

Rainwater harvesting can ensure an independent water supply during water restrictions,

though somewhat dependent on end-use and maintenance, is usually of acceptable qual-

ity for household needs and renewable at acceptable volumes, despite climate change

forecast. It produces beneficial effects by reducing peak storm water runoff and process-

ing costs. In municipalities with systems, reducing storm runoff is especially important,

because excess runoff during heavy storms leads to the discharge of raw sewage when

treatment plant capacity cannot handle the combined flow. Rainwater harvesting sys-

tems are simple to install and operate. Running costs are negligible, and they provide

water at the point of consumption. Rainwater harvesting in urban communities has been

made possible by various companies. Their tanks provide an attractive yet effective so-

lution to rainwater catchment. Sometimes a practice is adopted of directing collected

rainwater deep inside the ground through pipes or shafts. Such a practice will carry sur-

face pollutants to the ground water and thus pollute it. The best practice is to store water

in ponds; lakes and other unlined surface reservoirs so that the water gets filtered

through before entering the ground.

This is also incorporated in my plan.

Research Process for Client

Definition of Research: - Research is the common things which help to search

knowledge. One can also define research as a scientific and systematic research for pre-

tend information on a specific topic. In fact research is the art of scientific investigation.

Research Process: - Research process consists of a number of closely related activi-

ties. They do not necessarily follow each other in any specific order. The following or-

der concerning various steps provides a useful procedural guideline regarding the re-

search process:

Case study

Client has a flare for living and he is fond of collecting beautiful artifacts of glass. He is

also fond of beautiful sculpture of modern art. He wants his house to speak his living

style. He is an introvert person, does not like socializing much. Has a very opulent liv-

ing and has a very high aesthetic sense. There are six members in his family.

Client

His wife

His father

His mother

His son

his daughter

Define

research

problem

Review concepts

and theories

Review previous

research finding

Formulate

hypotheses

Define

research

Collect data

(execution) Analyze data

Interpret

and re-

port data

F

FF

FF

F F

Detail of client and his family

Mr. Abhinav Saxena (client)

Age: 37 years

Sales Manager in multinational company

Timing: 10 am To 5 pm

Mrs. Nisha Saxena (client’s wife)

Age: 34 years

She is a house wife

She loves to cook food in the kitchen

Mr. Vinod Saxena (client’s father)

Age: 61 years

He likes reading newspaper

Interested in gardening and reading books

Mrs. Aarti Saxena (client’s mother)

Age: 57 years

She is also like to cook food in the kitchen

Master Nishant Saxena (client’s son)

Age: 17 years

Student


He interested in playing indoor games, listing music and like swimming.

Ritika Saxena (client’s daughter)

Age: 14 years

Student


She likes watch tv, swimming, indoor games, etc.

Define research problem: - The first step in the research process is define research

problem. After the case study and the plot size have been seen I have identified these

problem:

The major problem which I have seen is that the plot size is very huge as compare

to family members. There are 6 six members in the family and size of plot is 14471 sq.

ft.

Client is an introvert person so he does not like socializing but other family mem-

bers like socializing.

He likes glass artefacts and modern art sculpture.

Because of introvert nature he wants more open spaces and large window in the

house.

Ha has an opulent living and taste of aesthetic is very high.

He wants privacy in house with open spaces and large windows.

Review concept and theories:-

Topography

Climatology

Building bye-laws

Building envelope

Day lighting concept

Green building

Total area of plot:

14,471 sq. ft.

Review previous research finding:-

Case study of Mr Atam Kumar in delhi

Case study of Traditional house in assam

Formulate hypothesis:-

Green architecture

Countering of the land

Building bye-laws

Aspect prospect

Day light concept

Building orientation

Define research:-

Descriptive research: - Descriptive research includes survey and fact finding enquires of

different kinds. The major purpose of descriptive research is descriptive of the state of

affairs as it exact at present. It undertakes when the researcher wants to know the cha-

racteristics of certain groups. Such as age, education, occupation, income level, etc. De-

scriptive studies are well structured.

Data collect:-

For this project I have taken interview method with observation. The type of interview I

have taken is personal interview (farce to face interview). After taking interview I have

formulated client requirement

Note: The size of area depends on the total square feet area of space required:

Small size below 100 square feet.

Medium size in between 100-200 square feet.

Large size in between 200-500 square feet.

Extra large size more than 500square feet.

No refer for not specified depends on designer how much he give.

Data Collection sheet Client: Mr. Abhinav Saxena Designer: Yasir Farhan

S.no. Requirement Space needed Any Adjancies Client’s re-

mark

Designers

remark

1. Living room Extra Large

size

Entrance

2. Family room Large size Kitchen

3. Kitchen Medium size Dining room

4. Store room Small size Kitchen

5. Dining area Medium size Family room

6. powder room Small size Family room

7. 3 Bedrooms Large size No

8. Attach toilets Medium size dresser

9. Master bedroom Large size Balcony

10. Master toilet Medium Size dresser

11. Swimming pool Medium size Small garden

12. Balconies Large size Master bedroom

13. Pebble court Medium size Living room

14. Gym Medium Size Balcony

15. Habitable room Medium size Terrace garden

16. Snooker table Medium size Gym

17. Terrace garden Large size Habitable room

18. Watchman room Small size Main gate

19. Garden Large size No

20. Car parking 2 vehicle size Secondary en-

trance

Date: 28 – 10 - 2011

Islamic and Mughal Architecture

Mughal dynasty between 1526 and 1707.Architecture is probably the greatest contribu-

tion of Mughal to India. They have left behind the most enduring and influential archi-

tectural legacy. Before coming to India, they have inherited a wealth of varied designs

from Sassanian (The Sasanian Empirewas the last pre-Islamic Persian Empire) and By-

zantine empires (The Byzantine Empire was the Roman Empire during the Middle

Ages, ruled by Byzantine emperors). They are naturally endowed with good taste for

buildings, never failed to adapt to their own requirements the indigenous architecture of

almost every foreign country that they conquered. India was no exception to this.

New elements like use of shapes;

inlay decoration and use of colored

marble, painted plaster and bril-

liantly blazed tiles were introduced

into the Indian architecture. As per

the literature available the concept

of arch or dome was not invented

by the Muslims but was, in fact,

borrowed and was further perfected

by them from the architectural

styles of the post-Roman period. It

is said that the Muslims were the

first people to use cementing

agents in the form of mortar for the

first time in the construction of

buildings in India. From other civi-

lizations they have derived some

scientific and mechanical formulae

in their constructions in India. This

amalgamation of the Indian and the

Islamic elements led to the emer-

gence of a new style of architecture

called the Indo-Islamic Architecture.

The architecture made tremendous progress during the Islamic rule in India. The great-

est contributions came under the rule of Akbar and Shah Jahan. The Indo-Islamic Archi-

tecture was neither strictly Islamic nor strictly Hindu. They added arches, domes and

minarets to the indigenous architecture. The Muslims borrowed the design of kalash on

the top of the Hindu temple by placing a dome on the top of their buildings. The Hindu

style of decoration was applied by the Muslims to decorate their arches.

Muslims invaded Indian subconti-

nent in the 8th century for the first

time. Its major portions came under

the influence of the Caliphs of

Baghdad or the Arab invaders.

However, India experienced the Is-

lamic architecture much later in the

first half of the 12th century with

the establishment of the Slave Dy-

nasty. Islamic architecture was

highly diverse by culture, climate

and can be typically marked for its

love of geometrical pattern, ara-

besque ornamentation and innova-

tive patterns.

The developments of the Islamic architecture took place in two different categories, Im-

perial Style and the Mughal Architecture. The development of the Imperial style of arc-

hitectural happened under the Sultans of Delhi whereas the Mughal architectural devel-

opment took place under the guidance of Mughal rulers in the latter half. These archi-

tectures were derived from the existing art of Central Asia and developed in India under

different Muslim dynasties. The imperial style of Islamic architecture may be divided

into five phases corresponding to the five Muslim dynasties which prevailed in Indian

subcontinent region from the twelfth to the sixteenth centuries.

They are the Slave Dynasty, Khalji Dynasty, Tughlaq Dynasty, Sayyid Dynasty, and the

Lodi Dynasty. All the rulers from every dynasty had passion for building art. The style

of Islamic architecture developed in the Slave dynasty was maintained for a period of

over three and a half centuries that was introduced in last years of the twelfth century.

Qutb-ud-din established the Slave dynasty 1206 in Delhi where he maintained the an-

cient tradition of building arts of Arabs. Their productions played a major role in the

significance in laying the foundations of the style. At first they marked the place for

mosques, with a central place of assembly for the people. Then, under his guidance the

local workmen constructed the mosque. In such circumstances the first Islamic building

in India of decent stone was the wonderful creation, a patch work of older materials,

beautiful in detail, as its arcaded aisles were composed of pillars carved in Hindu style.

As a whole the architecture became the amalgama-

tion of Hindu culture to that of the Islamic tradition.

In view of the unusual object of these early exam-

ples of Indo-Islamic architecture, and the input each

makes to the development of the style, every build-

ing constructed during the dominance of the Slave

Kings possesses interest and value. The Slave dy-

nasty was the most active patron of the Islamic ar-

chitecture and their creations were of the greatest

significance in laying the foundations of the style in

India. After the end of the Slave dynasty, this tradi-

tion was followed and developed by the Khalji dy-

nasty.

After the Khalji dynasty, it was the Tughlaq dynasty that ruled over the Delhi Sultanate

and was fond of building arts. The architecture of Tughlaq dynasty developed in Indian

subcontinent when Ghazi Tughlaq became the ruler of Delhi defeating the Khaljis. They

belonged from the Turkish origin and were in power at Delhi for almost hundred years.

The major contributions to the Islamic architecture were Ghiyas-ud-din Tughlaq, the

founder of the dynasty, his son, Mohammed Shah Tughlaq, and the most creative empe-

ror Firoz Shah Tughlaq. Feroz Shah Tughlaq was considered as a great admirer of Is-

lamic architecture. He created Ferozshah Kotla, the fifth city of Delhi. In Tughlaq dy-

nasty many artisans were hired to construct several building arts in Indo-Islamic archi-

tectural style. This fusion style of architecture in India gradually developed into a great

architectural significance during the Tughlaq dynasty in India. Each ruler of this dynas-

ty contributed several architectural creativities to the capital city.

Apart from these Imperial systems of architecture, another style of Islamic architecture

also developed its foothold to different areas of Indian subcontinent. Named as the pro-

vincial style of Indo-Islamic architecture, this specific style introduced itself in different

provinces during the Islamic rules and made tremendous growth. This architecture con-

tained the specific features of a province with the fusion of Islamic culture. They intro-

duced many new features to their building arts. During the provincial period, many

mosques, tombs forts and palaces were constructed. The architectures of a province

grew strong when it remained close to the central power. The nature of indigenous arts

also helped to expand the provincial style in India. Local craftsmen mixed their style to

the Islamic architecture which resulted to develop this special architecture.

Migration of Persian craftsmen to India

also played a major role in the develop-

ment of this provincial style. They

amalgamated their architecture with lo-

cal style and created amazing Islamic

architectures. In few parts of the coun-

try, climatic conditions were also re-

sponsible for the provincial style as one

kind of building material being common

in some regions and rare in others, all of

which naturally affected the character of

the building art. The provincial style of

architecture developed from Punjab

province and gradually expanded to the

other parts of India.

They were divided into the separate style of architectures of Punjab, Bengal, Gujarat,

Malwa, Bijapur and Kashmir respectively that produced wonderful architectures in In-

dia during the Musli. The last development of Islamic architecture was the Mughal ar-

chitecture that took place in the Mughal era under several Mughal emperors. This era is

considered as the historic period of the Mughal dynasty that ruled Delhi and the other

parts of India from 1526 to 1858. It was the longest lasting Muslim dynasty that created

amazing arts and architectures. They created a vast empire in India with creative hub of

Islamic culture to the cities like Delhi, Agra, Lahore (now in Pakistan) and Fatehpur Si-

kri. They were aware of the influence of Islamic gime. Taj Mahal at Agra, Humayun`s

tomb at Delhi, Tomb of Khan-i Khanan in south Nizamuddin, Red Fort at Agra, Mauso-

leum of Akbar at Sikandara city outside Agra, Tomb of Itimad al-Dawleh at Agra, and

the Nawab Safdar Jang`s tomb at Delhi still stands as the logo of the marvelous Mughal

architecture.

Fatehpur Sikri

The Islamic architectures were wonderful and expressive and evolved into memorable

architectural styles in India, affected by local influences. The Islamic architectures of

medieval period are still considered as the heritage of India.

Taj Mahal

Humayun’s Tomb Jama Masjid Qutub Minar

Gol Gumbaz

Salim Chishty’s Tomb

Imam Bara

Eclectic Style

Eclectic design is a amalgamation of different decorating styles.

It can also be a blend of different cultures and time periods. A

successful eclectic design scheme is not a random assortment of

mismatched home furnishings and decor. It is a deliberate and

planned design scheme that is unified by furnishings that relate

to each other through color, shape, texture, finish or scale. It is

important to follow the basic principles of design when decorat-

ing with an eclectic scheme.

Eclectic was first recorded to have been practiced by a group of ancient Greek and Ro-

man philosopher who attached themselves to no real system, but selected from existing

philosophical beliefs those doctrines that seemed most reasonable to them. Out of this

collected material they constructed their new system of philosophy. The term comes

from the Greek (eklektikos), literally "choosing the best and that from (eklektos),

"picked out, select. Well known eclectics in Greek philosophers were the Stoics Panae-

tius and Posidoniud, and the New Academics Caeneades and Philo of Larissa. Among

the Romans Cicero was thoroughly eclectic, as he united the Peripatetic, Stoic, and New

Academic doctrines. Further eclectics were Varro and Seneca.

Eclectic plays an important role in critical discussions and

evaluations but is somehow distant from the actual forms of

the artifacts to which it is applied, and its meaning is thus ra-

ther indistinct. The simplest definition of the term—that every

work of art represents the combination of a variety of influ-

ences—is so basic as to be of little use. In some ways Eclectic

is reminiscent of Mannerism in that the term was used pejora-

tively for much of the period of its currency, although, unlike

Mannerism, Eclectic never amounted to a movement or consti-

tuted a specific style: it is characterized precisely by the fact

that it was not a particular style.

http://en.wikipedia.org/wiki/File:Hot_Springs_061.jpg

http://en.wikipedia.org/wiki/File:New_York-palota_01.jpg

Planning Development

House is a space where human being lives and performs their routine activity such as re-

laxing, sleeping, eating, etc.

Before planning I have considered all above mention point and incorporate in my plan

such as,

Building orientation

Building envelope

Green building architecture

Building bye-laws

Day lighting

Climatology

A part from this I have considered the planning principles of D.K. Ching such as,

Primary Elements

Forms and Shapes

Grouping

Organizing

Plan Development:-

Client

Research

Planning of space

Role Space

Leading (served) Living Room

Following (servants) Dining Room

Grouping Bedroom

Loner Master bedroom

Watcher Living room

Out reaching Living room

Servants Bathroom

Worker Kitchen

Landscaping

Landscaping is a important part of the building which increase the beauty of the house. It is also

help to reduce the carbon foot print outer landscaping creates the view for interior of the house

at the same times gives fresh air.

Mood Board

Concept Board

Style Board

Frames

Material Board of living room

Orthographic Projection of Living Room

Enlarge plan of living room

A

A’

D D’

C C’

B

B’

Elevation A-A’

Elevation B-B’

Elevation C-C’

Elevation D-D’

3d views of living room

Bibliography

This project would not have been successful without the guidance of my teachers and ref-

erence books of various expert designers such as: D.K. CHING, SUSHIL KUMAR,

LOUIS KAHN and also their famous project in the form of case study.

Thank you.

Yasir Farhan

B.sc- ID

LEGEND

CONSTRUCTION LAYOUT

CONSTRUCTION LAYOUT OF GROUND FLOOR

PILLER

BEAM

BRICK WALL

GENERAL NOTES:-DRAWING TITLE:- PROJECT:-

DESIGN BY:-

AREA OF PLOT:- 14714sq.ft

YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER

MRS & MR Abhinav Saxena

SE

NW

SW NE

S

NW

E

CONSTRUCTION LAYOUT OF FIRST FLOOR


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

CONSTRUCTION LAYOUT

PILLER

BEAM

BRICK WALL

SE

NW

SW NE

S

NW

E

CONSTRUCTION LAYOUT OF SECOND FLOOR


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

CONSTRUCTION LAYOUT

PILLER

BEAM

BRICK WALL

SE

NW

SW NE

S

NW

E

LEGEND

DOOR SCHEDULE

S.NO CODE SIZE TYPECOMPANYMATERIAL

1.D1 CUSTOM MADE

12'X7'

2.

3.

4.

5.

6.

7.

8.

9.

10.

D2

D3

D4

D5

D6

D7

D8

D9

D1O

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

4'X7'

3'X7'

2'6"X7'

8'X9'

10'X7'

4'X7'

3'X7'

3'X7'

2'6'X7'

CAST IRON

CAST IRONSINGLE LEAF

DOUBLE LEAF

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

DOUBLE LEAF

BIFOLD DOOR

SWING DOOR

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

GLASS

WOOD



1. W1 CUSTOM MADE

8'X7'6

2.

3.

4.

5.

6.

7.

W2

W3

W4

W5

W6

W7

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

4'6"X7'6"

3'9X5'6

6'6"X5'

3'8"X5'6"

8'X5'6"

WOOD

WOOD

WOOD

WOOD

WOOD

WINDOW SCHEDULE

GLAZED

FIXED

GLAZED

FIXED

FIXED

GLAZED WOOD

WOOD


DESIGN BY:-


DOOR AND WINDOW LEGEND OF GROUND

FLOOR

YASIR FARHAN

BSC-ID 4th SEMESTER


BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER

3'X2'

VENTILATOR

LEGEND

DOOR SCHEDULE


1.D1 CUSTOM MADE

12'X7'

2.

3.

4.

5.

6.

7.

8.

9.

10.

D2

D3

D4

D5

D6

D7

D8

D9

D1O

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

4'X7'

3'X7'

2'6"X7'

8'X9'

10'X7'

4'X7'

3'X7'

3'X7'

2'6'X7'

CAST IRON


DOUBLE LEAF

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

DOUBLE LEAF

BIFOLD DOOR

SWING DOOR

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

GLASS

WOOD



1. W1 CUSTOM MADE

8'X7'6

2.

3.

4.

5.

6.

7.

W2

W3

W4

W5

W6

W7

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

4'6"X7'6"

3'9X5'6

6'6"X5'

3'8"X5'6"

8'X5'6"

3'X2'

VENTILATOR

WOOD

WOOD

WOOD

WOOD

WOOD

WINDOW SCHEDULE

FIXED

FIXED

FIXED

FIXED

FIXED

FIXEDWOOD

WOOD

DOOR AND WINDOW LEGEND OF FIRST FLOOR


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

DOOR SCHEDULE


1.D1 CUSTOM MADE

12'X7'

2.

3.

4.

5.

6.

7.

8.

9.

10.

D2

D3

D4

D5

D6

D7

D8

D9

D1O

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

4'X7'

3'X7'

2'6"X7'

8'X9'

10'X7'

4'X7'

3'X7'

3'X7'

2'6'X7'

CAST IRON


DOUBLE LEAF

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

FLUSH DOOR

DOUBLE LEAF

BIFOLD DOOR

SWING DOOR

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

GLASS

WOOD



1. W1 CUSTOM MADE

8'X7'6

2.

3.

4.

5.

6.

7.

W2

W3

W4

W5

W6

W7

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

4'6"X7'6"

3'9X5'6

6'6"X5'

3'8"X5'6"

8'X5'6"

3'X2'

VENTILATOR

WOOD

WOOD

WOOD

WOOD

WOOD

WINDOW SCHEDULE

FIXED

FIXED

FIXED

FIXED

FIXED

FIXEDWOOD

WOOD

DOOR AND WINDOW LEGEND OF SECOND FLOOR


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

FLOORING LAYOUT

FLOORING LAYOUT OF GROUND FLOOR

S.NO CODE SIZERK MARBLE

1.

2.

3.

4.

5.

6.

7.

F1

F2

F3

F4

F5

F6

F7

4'X4'

3'X3'

4'X4'

2'X1'

3'X6"

2'X2'

2'X2'

MARBLE

COMPANY

MATERIAL

MARBLE

MARBLE

MARBLE

VITRIFIED

VITRIFIED

MARBLE

RK MARBLE

RK MARBLE

RK MARBLE

RK MARBLE

RK MARBLE

RK MARBLE

RK MARBLE

F7 F7

F1

F2

F3

F5

F4

F6 F6

F7F6


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

FLOORING LAYOUT OF FIRST FLOOR

FLOORING LAYOUT

S.NO CODE SIZE

1.

2.

3.

4.

5.

6.

7.

F1

F2

F3

F4

F5

F6

F7

4'X4'

3'X3'

3'X2'

4'X6"

4'X6"

2'X2'

2'X2'

MARBLE

MATERIAL

MARBLE

RUBBER

VITRIFIED

VITRIFIED

WOODEN

RK MARBLE

RK MARBLE

RK MARBLE

PERGO

RK MARBLE

RK MARBLE

COMPANY

F2

F8

F3

F4

F5

F6 F6

F6

F7 F7

F7

WOODENPERGO


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


F1

8.

F82'X2'

PERQUET LOCAL MARKET

LEGEND

FLOORING LAYOUT OF SECOND FLOOR

FLOORING LAYOUT

S.NO CODE SIZE

1.

2.

3.

4.

5.

6.

7.

F1

F2

F3

F4

F5

F6

F7

FULL

3'X3'

3'X2'

4'X6"

4'X6"

2'X2'

2'X2'

TURF GRASS

MATERIAL

MARBLE

RUBBER

VITRIFIED

VITRIFIED

WOODEN

RK MARBLE

RK MARBLE

RK MARBLE

PERGO

RK MARBLE

RK MARBLE

COMPANY

WOODENPERGO


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


F1

F1

F2

F6

F7

LEGEND

FURNITURE SCHEDULE

S.NO CODE SIZEPRODUCT

COMPANYMATERIAL

1. S1 CUSTOM MADE

2.

3.

4.

5.

6.

7.

8.

9.

10.

S2

S3

B1

B2

C1

C2

C3

C4

T1

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

FURNITURE LAYOUT OF GROUND FLOOR

8'6"X3'

7'X3'

5'X3'

6'X7'

3'X3'

3'X3'

3'X3'

3'X3'

2'6"X2'

4'X7'

SOFA

SOFA

SOFA

BED

BED

CHAIR

CHAIR

STOOL

CHAIR2'X2'

11. T2 CUSTOM MADE

12.T3 CUSTOM MADE

13.T4 CUSTOM MADE

14. T5 CUSTOM MADE

4'X4'

3'X4'

2'X4'

10'X4'

1'6"X1'6"TABLE

TABLE

TABLE

TABLE

TABLE

ST1 CUSTOM MADE1'6"X1'6"

STUDY

TABLE

15.

LEATHER

LEATHER

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

LEATHER

LEATHER

LEATHER


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

FURNITURE SCHEDULE


COMPANYMATERIAL

1. S1 CUSTOM MADE

2.

3.

4.

5.

6.

7.

8.

9.

10.

S2

S3

B1

B2

C1

C2

C3

C4

T1

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

FURNITURE LAYOUT OF FIRST FLOOR

8'6"X3'

7'X3'

5'X3'

6'X7'

3'X3'

3'X3'

3'X3'

3'X3'

2'6"X2'

4'X7'

SOFA

SOFA

SOFA

BED

BED

CHAIR

CHAIR

STOOL

CHAIR2'X2'

11. T2 CUSTOM MADE

12.T3 CUSTOM MADE

13.T4 CUSTOM MADE

14. T5 CUSTOM MADE

4'X4'

3'X4'

2'X4'

10'X4'

1'6"X1'6"TABLE

TABLE

TABLE

TABLE

TABLE


STUDY

TABLE

15.

LEATHER

LEATHER

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

LEATHER

LEATHER

LEATHER


SNOOKER

TABLE15.

WOOD


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

FURNITURE SCHEDULE


COMPANYMATERIAL

1. S1 CUSTOM MADE

2.

3.

4.

5.

6.

7.

8.

9.

10.

S2

S3

B1

B2

C1

C2

C3

C4

T1

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

CUSTOM MADE

FURNITURE LAYOUT OF SECOND FLOOR

8'6"X3'

7'X3'

5'X3'

6'X7'

3'X3'

3'X3'

3'X3'

3'X3'

2'6"X2'

4'X7'

SOFA

SOFA

SOFA

BED

BED

CHAIR

CHAIR

STOOL

CHAIR2'X2'

11. T2 CUSTOM MADE

12.T3 CUSTOM MADE

13.T4 CUSTOM MADE

14. T5 CUSTOM MADE

4'X4'

3'X4'

2'X4'

10'X4'

1'6"X1'6"TABLE

TABLE

TABLE

TABLE

TABLE


STUDY

TABLE

15.

LEATHER

LEATHER

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

WOOD

LEATHER

LEATHER

LEATHER


SNOOKER

TABLE15.

WOOD


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


LEGEND

SPECIFICATION LAYOUT

SPECIFICATION LAYOUT OF GROUND FLOOR

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

ENTRANCE

LIVING ROOM

SMALL SITOUT

PEBBLE COURT

FAMILY ROOM

BEDROOM

DINNING AREA

KITCHEN

WALKING CLOSET

BATHROOM

BEDROOM

POWDER ROOM

STORE

SWIMMING POOL

LANDSCAPING

CAR PARKING

WATCHMAN CABIN


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


HABITABLE ROOM

TERRACE GARDEN

18.

BALCONY

19.

20.

LEGEND


SPECIFICATION LAYOUT OF FIRST FLOOR

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

ENTRANCE

LIVING ROOM

SNOOKER TABLE

PEBBLE COURT

GYMNASIUM

BEDROOM

PASSAGE

STAIR CASE

WALKING CLOSET

BATHROOM

BEDROOM

POWDER ROOM

STORE

SWIMMING POOL

LANDSCAPING

CAR PARKING

WATCHMAN CABIN

18.

BALCONY


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


HABITABLE ROOM

TERRACE GARDEN

19.

20.

LEGEND


SPECIFICATION LAYOUT OF SECOND FLOOR

1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12.

13.

14.

15.

16.

17.

ENTRANCE

LIVING ROOM

SNOOKER TABLE

PEBBLE COURT

GYMNASIUM

BEDROOM

PASSAGE

STAIR CASE

WALKING CLOSET

BATHROOM

BEDROOM

POWDER ROOM

STORE

SWIMMING POOL

LANDSCAPING

CAR PARKING

WATCHMAN CABIN

18.

BALCONY


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


HABITABLE ROOM

TERRACE GARDEN

19.

20.

SECTIONAL PLAN

PLAN OF BOUNDARY WALL

ELEVATION A

B

A

ELEVATION B

7'

2'

7'

6'

6'

3" Groove in wall SECURITY ROOM WINDOW NAME PLATE

2' 8' 2' 8' 2'

2'

6"

6"

7'-6"

7'-6"

6"

2' 4' 2' 14' 2'6"

2' 8' 2' 8' 2'

Doorbell Switch

2' 8' 2' 8' 2' 6' 2' 4' 14' 2' 6' 2'8' 2' 8' 2'

80'

2'8' 2' 8' 2' 6' 2' 14' 2' 4' 2' 6' 2' 8' 8' 2'

SECURITY ROOM WINDOW

1'-6"

1'

1'

1'

1'

1'

1'

1'

Legend

Boundary Wall Schedule

S.NO Product Size Company

1.

2.

3.

4.

Granite 2'X1' RK Marble

Sandstone4'X4'

Nakoda

Marble

Doorbell 6"X4" Anchor

Name Plate 4'X3' Local market

Semester:- IVth

BOUNDARY WALL LAYOUT


DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


2'8'2'

2'8'2'

A

A'

B

B'

PLAN

SECTIONAL PLAN

ELEVATION

FRONT ISO

METRIC VIEW

SECTION A-A'

SECTION A-A'

SECTION B-B'

SECTION B-B'

BACK ISO

METRIC VIEW

1"Thick

Sandstone

1/2"Thick

Mortar

1"Thick

Plaster

3" Deep Groove In Wall

1'4" Thick

Stone Masonry

1/2"Thick

Granite

1"Thick

Plaster

3" Deep

Groove In Wall

3" Deep

Groove In Wall

1'4" Thick

Stone Masonry

1/2"Thick

Mortar

1"Thick

Sandstone

1/2"Thick

Granite

1/2"Thick

Granite

1/2"Thick

Granite

1/2"Thick

Mortar

1/2"Thick

Mortar

1'10" Thick

RCC Pillar

1'10" Thick

RCC Pillar



DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


6"

7'-6"

6"

2' 4' 2'

2'

1'-6"

C

C'

3'

2'

1'

1'-6" 3' 1'-6"

PLAN

SECTIONAL PLAN

ELEVATION

SECTION B-B'

SECTION B-B'

FRONT ISO

METRIC VIEW

BACK ISO

METRIC VIEW

Groove for

letter box

Security Room

Window

Doorbell

Switch

Security Room

Window

Groove for

letter box

1"Thick

Sandstone

1"Thick

Plaster

1'4" Thick

Stone Masonry

1"Thick

Plaster

1'4" Thick

Stone Masonry

1"Thick

Plaster

Groove for

letter box

Security Room

Window

1"Thick

Plaster

1"Thick

Sandstone



DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


6"

7'-6"

2'6"

2'

1'-6"

3"

D

D'

1'

1'

1'

2'

3'

4'

SECTION B-B'

SECTION B-B'

FRONT ISO

METRIC VIEW

BACK ISO

METRIC VIEW

PLAN

SECTIONAL PLAN

ELEVATION

Name

Plate

1"Thick

Sandstone

1'4" Thick

Stone Masonry

1"Thick

Plaster

1"Thick

Plaster

4"Deep Groove

for Name Plate

1"Thick

Sandstone

1"Thick

Plaster

4"Deep Groove

for Name Plate



DESIGN BY:-


YASIR FARHAN

BSC-ID 4th SEMESTER

BUILT UP AREA:-

7442sq.ft

CIVIL LINES, AJMER


Portfolio,yasir farhan ,B.sc.-Interior Design

Design

id 4th semesterbuilt

frank lloyd wright

mr abhinav saxena

ft civil lines

ft yasir farhan

groove forletter box

d1 custom made12

w1 custom made8