Portfolio of Design Work

JESSICA H E C O Xportfolio

“A terrarium is a snapshot of that perfect array of natural elements, somehow contained yet still wild at the core.”

Terrariums & Indoor Gardening • 110 se 28th ave. • Portland, Or. 97214

503.232.8224 • Artemisiaon28th.com

Clean glass inside and out.1.

Add about a cup of sand in the bottom of the container.

2.

Gently take plant out of pot and scrape away the top

3.

surface of the soil.

Place plant in container and position it where you would like

4.

it to grow.

Pour remaining sand, careful to avoid getting sand on top

5.

of the plant. Sand level should cover all soil at the base of

the plant.

Gently shake the container to level sand.

6.

Place other decorations. 7.

Slowly, bit by bit pour about ¼ to ½ cup of water directly

8.

onto plant so the water soaks down into the roots.

Enjoy!9.

Basic Dry Terrarium Kit

InstructionsClean glass inside and out.

1.

Add about a cup of sand in the bottom of the container.

2.

Gently take plant out of pot and scrape away the top

3.

surface of the soil.

Place plant in container and position it where you would like

4.

it to grow.

Pour remaining sand, careful to avoid getting sand on top

5.

of the plant. Sand level should cover all soil at the base of

the plant.

Gently shake the container to level sand.

6.

Place other decorations. 7.

Slowly, bit by bit pour about ¼ to ½ cup of water directly

8.

onto plant so the water soaks down into the roots.

Enjoy!9.

Basic Dry Terrarium Kit

Instructions

Terrariums & Indoor Gardening • 110 se 28th ave. • Portland, Or. 97214

503.232.8224 • Artemisiaon28th.com

Terrariums & Indoor Gardening

110 se 28th ave. • Portland, Or. 97214 • 503.232.8224 • Artemisiaon28th.com

Specializing in terrariums and natural materials to create unique indoor plant designs.

Choose from piles of seashells, jars of stones, containers filled with curiosities, and succulents strewn between sheets of music – let us guide you in creating a one-of-a-kind custom-made terrarium.

Succulents

Most succulent plants prefer full sun, though remember that a terrarium concentrates heat, which can burn plants. Bright light is preferable, but move out of hot direct sun in the summer months.A succulent will need to be watered just enough to wet the roots, but not gather water at the bottom. In our shop we pour about ¼-1/2 cup of water slowly right over the top of the plant to insure the water goes directly down to the roots. They need to dry out in between waterings. If planted in sand this is usually once every 3 weeks.

They can be fertilized with a weak solution of balanced fertilizer during the growing season (usually, spring and summer).

MossballsAbout once a week thoroughly soak under tap water. Then let the mossball sit, half submerged, for 10-15 minutes. Most plants in mossballs like to dry out slightly between waterings so lightly squeeze the mossball to test for moisture and water just as it begins to feel dry. Add a quarter-strength dilute solution of balanced fertilizer to the soaking water during spring and summer when plants are growing.Airplants

To keep a tillandsia healthy over the long term, you need to provide fresh air, bright natural light, and humidity or moisture. To water: submerge tillandsias every

1 to 2 weeks for an hour or up to 8 hours or so (overnight). Misting is helpful in very dry conditions but cannot make up for regular soaking. Fertilize by adding a pinch of Airplant fertilizer to the water when soaking in the spring and summer. Bright light, but not full sun in the hot summer is best.

Moss

Provide moss and lichen with bright but indirect light: it can be a challenge to maintain them for long in a terrarium that receives direct sun or too much shade. Moss and lichen will sometimes expire if their particular water and light needs are not met. Some mosses dry to an exquisite honey-green color. Others turn brown and if you don’t like the look, you may want to replace it. Dyed reindeer moss needs no special care, as it is not a living material.

Plant Care Instructions

Succulents

Most succulent plants prefer full sun, though remember that a terrarium concentrates heat, which can burn plants. Bright light is preferable, but move out of hot direct sun in the summer months.A succulent will need to be watered just enough to wet the roots, but not gather water at the bottom. In our shop we pour about ¼-1/2 cup of water slowly right over the top of the plant to insure the water goes directly down to the roots. They need to dry out in between waterings. If planted in sand this is usually once every 3 weeks.

They can be fertilized with a weak solution of balanced fertilizer during the growing season (usually, spring and summer).

MossballsAbout once a week thoroughly soak under tap water. Then let the mossball sit, half submerged, for 10-15 minutes. Most plants in mossballs like to dry out slightly between waterings so lightly squeeze the mossball to test for moisture and water just as it begins to feel dry. Add a quarter-strength dilute solution of balanced fertilizer to the soaking water during spring and summer when plants are growing.Airplants

To keep a tillandsia healthy over the long term, you need to provide fresh air, bright natural light, and humidity or moisture. To water: submerge tillandsias every

1 to 2 weeks for an hour or up to 8 hours or so (overnight). Misting is helpful in very dry conditions but cannot make up for regular soaking. Fertilize by adding a pinch of Airplant fertilizer to the water when soaking in the spring and summer. Bright light, but not full sun in the hot summer is best.

Moss

Provide moss and lichen with bright but indirect light: it can be a challenge to maintain them for long in a terrarium that receives direct sun or too much shade. Moss and lichen will sometimes expire if their particular water and light needs are not met. Some mosses dry to an exquisite honey-green color. Others turn brown and if you don’t like the look, you may want to replace it. Dyed reindeer moss needs no special care, as it is not a living material.

Plant Care Instructions

Terrariums & Indoor Gardening • 110 se 28th ave. • Portland, Or. 97214 503.232.8224 • Artemisiaon28th.com Terrariums & Indoor Gardening • 110 se 28th ave. • Portland, Or. 97214 503.232.8224 • Artemisiaon28th.com

Client: Artemisia | Collage with natureProject: Logo & Identity - Print collateralRole: Designer, project manager

Business cards•Plant care instructions•Gift certificates•Stickers•

kierstin buchnerchef. food stylist

503.572.5559 | [email protected]

Jason HerrickOwner

[email protected]

Client: Various freelance clientsProjects: Logo development and business cardsRole: Designer, illustrator, project manager

Favor it Girl - logo, business cards, stickers•Planes of Reference - logo, business cards•Kierstin Buchner - logo, business cards•

The Art Institute of Portland

1122 Northwest Davis Street • Portland, Oregon 97209 • 503.228.6528 • www.artinstitutes.edu/portland

94

Apparel Accessory Design

ACD221 Product Sketching (3)

Quick sketching and product rendering. Emphasis on

progressive drawing.

Prerequisite: ART131, ART102

ACD231 Patternmaking for Accessory

Design (3)

Basic techniques of accessory patternmaking, including

measurements, draping, drafting, notations, and

problem solving.

ACD251 Scarf, Tie, & Hosiery Design (3)

Introduction to history, trends, manufacturing and

industry practices in the designing and construction of

scarves, ties and hosiery.

Prerequisite: AD230, AD243, ACD221

ACD252 Belt, Umbrella, & Glove Design (3)


industry practices in the designing and constructing of

belts, umbrellas, and gloves.

Prerequisite: AD243, ACD261, ACD221

ACD254 Jewelry, Watch, & Eyewear Design (3)


industry practices in the designing and constructing of

jewelry, watch, and eyewear.

Prerequisite: AD230, ACD262, ACD221, HUM236

ACD261 Materials I: Fur & Leather (3)

Introduction to the structure, properties and

performance characteristics of fur and leather.

Prerequisite: AD228

ACD262 Materials II: Stones & Metals (3)

Introduction to the structure, properties and

performance characteristics of various stones and

metals.

Prerequisite: AD228

ACD310 Apparel Internship (3, 6, 9)

Off-campus supervised internship at an established

business relating to field of study. May enroll in up to

three different internship classes for a total of 9 credit

hours or enroll in a single internship for 3, 6, or 9 credits.

A minimum of 90 hours is required for each 3 credits

awarded.

Grading: Pass-No Pass only.

Prerequisite: ADD approval

ACD351 Handbag Design (3)

Incorporation of trends, manufacturing and industry

practices in the design and construction of handbags.

Prerequisite: AD230, AD243, ACD221

ACD352 Footwear Design (3)


practices in designing footwear.

Prerequisite: AD230, ACD261, ACD221, HUM236

ACD353 Hat Design (3)


practices in the designing and construction of hats.

Prerequisite: ACD231, AD230

ACD361 Studio: Handbags (3)

Patternmaking and sample-making techniques.

Translation of original concept to finished product.

Prerequisite: ACD351

ACD363 Studio: Millinery (3)

Creative and technical processes used to design and

develop hats.


ACD365 Studio: Footwear (3)

Advanced footwear design and manufacturing

techniques and practices. Focus on patterning and the

development of prototypes using a last.


ACD367 Studio: Luggage & Carrying Gear (3)

Materials exploration, construction techniques,

patternmaking, and design solutions for luggage and

carrying gear.


ACD369 Studio: Belts & Small Leathergoods (3)

Conception to completion of belts and small leathergoods.

ACD491 Senior Project I (3)

Apparel accessories capstone product development.

Emphasis on patternmaking and prototypes.

Prerequisite: AD330

ACD492 Senior Project II (3)

Completion of the capstone project. Emphasis on

producing and presenting to industry standards.


ACD189, 289, 389, 489 Independent Study (3)

Student-driven study under instructor supervision.

Further development of a special interest within the

major field.


ACD193, 293, 393, 494 Special Topics (3)

Topics vary to include current trends in technology,

art, and design.

Apparel Design

AD103 Fundamentals of Construction (3)

Introduction to apparel industry sewing standards and

techniques. Fundamental skills as applied to the

construction of a basic garment utilizing industrial

equipment.

AD203 Intermediate Construction (3)

Application of intermediate and industrial construction

techniques to further refine construction skills.

Prerequisite: AD103

AD225 Digital Presentation for Apparel (3)

Development of presentation boards and technical

illustrations manually and by computer aided design

technology.

AD228 Introduction to Apparel Design (3)

Overview of the apparel and accessory industry,

examining how clothes and accessories are created,

produced and marketed.

AD229 Concept & Development I (3)

Design principles applied to the creation of marketable

concepts and designs derived from research and

practices within the fashion industry.

Prerequisite: AD225, FM365

AD230 Concept & Development II (3)

Advanced design processes and presentation skills

utilizing computer aided design technology.

Prerequisite: AD229

AD233 Patternmaking I (3)

Introduction to the principles of patternmaking. Development

from flat pattern through drafting of basic blocks.

Prerequisite: AD103

AD234 Patternmaking II (3)

Flat pattern techniques in accordance with garment

trade practices. Emphasis on the manipulation of

patterns for more complex designs.

Prerequisite: AD233

AD235 Fashion Illustration (3)

Rendering the fashion figure, garments, details, and

fabric types.

Prerequisite: ART131, ART102

AD237 Advanced Fashion Illustration (3)

Advanced drawing techniques for rendering the fashion

figure. Render garment and fabric types in a variety of

media.

Prerequisite: AD235

AD243 Textile Fundamentals (3)

Study of textiles exploring natural and manufactured

fibers, structure, production, end use, and

characteristics.

AD244 Draping (3)

Introduction to the principles and techniques of draping.

Proportion, line, grain and fit are analyzed.

Prerequisite: AD203, AD234

AD250 Computer Patternmaking I (3)

Patternmaking utilizing industry standard software.

Prerequisite: AD234

AD264 Applied Textiles (3)

Textile development through the use of industry

standard design software. Emphasis on complete

boards, catalogs and swatches.

Prerequisite: AD243

AD272 Activewear (3)

Technical knowledge applied to the development of

original activewear designs utilizing knits and technical

fabrics. Research, design, pattern, and prototype

development.

Prerequisite: AD318

AD279 Digital Surface Design (3)

Introduction to the applications of print design. Digital

development of repeats, pattern layout, and texture

mapping.

AD301 Surface Design (3)

Manual design applications of colors, prints, and motifs

on a variety of fabrications.

AD303 Advanced Techniques for

Construction (3)

Advanced construction techniques applied to a

structured garment.

Prerequisite: AD203

AD310 Apparel Internship (3, 6, 9)

Off-campus supervised internship at an established

business relating to field of study. May enroll in up

tothree different internship classes for a total of 9 credit

hours or enroll in a single internship for 3, 6, or 9 credits.

A minimum of 90 hours is required for each 3 credits

awarded.

Grading: Pass-No Pass only.


AD313 Couture Sewing Techniques (3)

Couture sewing and patternmaking techniques

involving fitting, fabric selection, proper cutting

techniques, andinner construction methods.

Prerequisite: AD303

AD318 Specialized Patternmaking (3)

Patternmaking and construction techniques for stretch

fabrics.

Prerequisite: AD203, AD234

AD325 Fashion Event Production (3)

The process of planning, managing, promoting, and

staging a fashion show. This course may be repeated for

a maximum of six credits.

4 o u r c o M M u n I t y

Students come to The Art Institute of Portland from across the Untited States and abroad. The student body is comprised of men and women who have enrolled directly upon completing high school, transferred from other colleges and universities, and who have left employment situations to prepare for a new career. The Art Institute of Portland is dedicated to bringing out the professional in each of our students. We’re proud that so many graduates have become successful in their fields.

The Art Institute of Portland main campus

Culinary Arts Facility

Industrial Design Workshop

We encourage students to visit the school in person. Talk to our students and our teachers. Tour our facilities. You’ll see how people just like you are turning their interests and talents into careers. If you would like to

schedule a personal visit, or if you have questions, simply call us. We’ll be happy to help you.

Foundation Arts display, third floor

“the Art Institute of Portland opened so many possibilities for me to learn and grow as an artist and designer. you’re constantly surrounded by professionals and also other similarly-minded students and you can constantly find people to work with, find help from, and just bounce ideas off of, and it’s a great cultural center for design in my opinion.”- ryan Marchese, graphic design grad

13

A P PA r e lAc c e s s o ry d e s I g nApparel Accessory Design combines form and function

to make that perfect outfit complete. The program encompasses a broad but focused range of craftsmanship, command over materials, and rigorous problem solving. Students learn the techniques

to create the products that customers demand. Staying with the seasons and being on top of the trends is a must!

Like the College’s Apparel Design program, the Apparel Accessory Design curriculum offers instruction in business and entrepreneurship, marketing and presentation

and demands the same attention to detail. Students learn to create dynamic, yet functional, accessories from concept to finished prototype.Degree Requirements pg. 54

Course Descriptions pg. 99

“the Art Institute of Portland is one of the few places where students can study hat making, the properties of stones and metals, footwear design, the history of eyewear, handbag and small leather goods construction and patterning for accessory design in one degree program. It’s an intense program but very relevant for a city like Portland where the active footwear industry is deeply rooted.”- sue bonde, department director

1. Cera Crockett 2. Rachel Morell 3. Daisy Grattan 4. Kimberly Crews

3.

4.

Client: The Art Institute of PortlandProject: Devoted to Design 09-10 Academic CatalogRole: Interior pages designer, production artist, project manager

Academic course catalog cover and interior pages•

2

An interactive Online exhibit created by a production class helped to preserve the history &heritage of the Northwest in cooperation with the Oregon Museum of Science and Industry.

Portland City Hall hosted a fashion show featuring Portland designers using sustainable fabrics, like bamboo and hemp, sustainable business practices and earth conscious and local manufacturing processes.

DESIGN THE WORLDUNITE

PORTlANDGait vercilis non ulput ip essisse quisim do odignim num quisim do eugue

dolorer aesequam, quisl irit laorpercil ex essed euis alis do consed

tatiscipit ad magna facipisissim do dolortionsed molor sed mod tis nim

quissequis amcon henisit il digna feu faccum veliscil irilit praessi.

Ismod tinis elesto dolore mod dolessecte mincidunt alit lamet, si tate dit

nit utat lum quisl dunt pratinissent ut nim aut velit at praessenisis niamet

vulla feuismod tat augait, vero er alit acilluptat del in erosto consent dunt

wisit, summy non ea aut augait adit wis numsan hent ute commy num

dunt nonulla consent adip et lorem ad el ut ute commodo lortissed magna

faciduis esed ero exer sustio dio odolorp ercinia mcortie do commod

tet, quation hendio dunt landrer alis augiatet venibh euip el exer sed

eriusci duipit duisi ea aliquat praesenit lorem incing ea feugue faccum

nulput nim ipsusto dio od te dit num do et at vero eniat. Ut lamet, THE COllEGEametue facillaorper sit duis dolorpe ratuer iriliquat, sumsan henis

nullam veliquat dolesed tissi tatum dolorer cinibh eugue et velisit

ad exeriurem zzriliquat, conulla facing ex essissed magna faci bla

feugait pratio dio odipit, volorer si elessequi te te facing esequis

nim quisl dolore dolortionsed tat alit, volor am, vel utpat, si.

Rud min eniat. Ent dolore mod euisit ipit vero doloreet at at, vel

ut adiam, suscin velent laore ver incipit la feuipsu scilit iliquisi.

Rat in hent nullandrem dolorpercin eugueraessi esting erosto od tat. Ut

nonulputpat, quatio et irillamet utatum dipsumsan ut acipsusto dolor iustie

dolobore modip ex ea consequi tetummy nissecte min hent at esectem iril iusci eum zzriureet adigna acinim vulland rerciduis acipis ea feugait ullumsan ut augiam, vel dion hendit ulput utpat at veliqua mcommy nonulputpat, commodolor sit, sequi essi eugait alis dolesectet lortism olutpatet, quamet nummy non utet accum ipit, quismod eu facinit, conullam ea augait utpat, quationum aliquip euipit velit praesto od endiat praesse ex euis nullaore do odolestie Client: The Art Institute of PortlandProject: Design the World UNITE 07-08 marketing campaignRole: Designer, production artist, copy writer/editor, project manager

Academic course catalog (cover and interior pages)•Student handbook•Admissions pocket folder•

Meet the Pros:An Inside Look at Local Animation, Film & Game Design Headliners

Meet the Pros:• Will Vinton • Gus Van Sant • Scott Crabtree

Get an industry insider's take on the latest in film, animation and game design. Mix and mingle with the Pros at a catered reception. Play the hottest video games. View up-and-coming work. Learn more about degree programs in these fields at The Art Institute of Portland.

Tuesday, June 21, 20055:00 pm – 8:00 pm

No charge for admission

Space is limited so reserveyour spot today!

Please RSVP to 503-228-6528or toll-free 1-888-228-6528.

1122 NW Davis StreetPortland, OR 97209

C

M

Y

CM

MY

CY

CMY

K

MTP-oregonian.pdf 6/13/05 1:41:51 PM

Client: The Art Institute of PortlandProject: “Meet the Pros” speaker eventRole: Designer/Illustrator, project manager, assistant event coordinator

Post card•Event signage•Print ad•

Thank you for attending today’s event. In addition to learning about the

creative industries, you are supporting design education. All proceeds go

to Art Institute of Portland students in the form of Creative Arts Scholar-

ships. To date, we’ve awarded $40,000 through events like this.

We’d also like to give special thanks to our all of our speakers who’ve vol-

unteered their time. In the hectic life of a creative professional, Saturdays

are precious and we are thankful they’ve chosen to spend theirs’ inspiring

and sharing with us.10a.m. PanelistsDAVID CRESS Producer + “Paranoid Park,” Tsetse Fly Film Company

DEBRA HAINES Director + Filter Talent JOLYNN OVINGTON VP of Merchandising + Nau

DANNY RUBYONO Design Director + DownstreamBRYAN TRULLINGER Chief Operating Officer + Summit Projects

1p.m. PanelistsCHESSA ADSIT-MORRIS Project Coordinator + Green Building Services, Inc.

RYAN CRISMAN Producer + Red Door FilmsED FLICK Director of Design + Nautilus

BENJAMIN LLOYD President + Amplify InteractiveANNA LOW Senior Graphic Designer + Creative Packaging Solutions

- a service of OIA Global LogisticsMARIO SCHULZKE Director of New Media + Respond2 Communications

Today’s panels are moderated by: Julie Williamson, Director of Career Services

Thank you for attending today’s event. In addition to learning about the

creative industries, you are supporting design education. All proceeds go

to Art Institute of Portland students in the form of Creative Arts Scholar-

ships. To date, we’ve awarded $40,000 through events like this.

We’d also like to give special thanks to our all of our speakers who’ve vol-

unteered their time. In the hectic life of a creative professional, Saturdays

are precious and we are thankful they’ve chosen to spend theirs’ inspiring

and sharing with us.10a.m. PanelistsDAVID CRESS Producer + “Paranoid Park,” Tsetse Fly Film Company

DEBRA HAINES Director + Filter Talent JOLYNN OVINGTON VP of Merchandising + Nau

DANNY RUBYONO Design Director + DownstreamBRYAN TRULLINGER Chief Operating Officer + Summit Projects

1p.m. Panelists

RYAN CRISMAN Producer + Red Door FilmsED FLICK Director of Design + Nautilus

BENJAMIN LLOYD President + Amplify InteractiveANNA LOW Senior Graphic Designer + Creative Packaging Solutions

- a service of OIA Global LogisticsMARIO SCHULZKE Director of New Media + Respond2 Communications

Today’s panels are moderated by: Julie Williamson, Director of Career ServicesYou’re invited to our OPEN HOUSE on Saturday, April 28, 2007.

1122 NW Davis Street • Portland, OR 97209

ph: 503.228.6528 • web: www.aipd.artinstitutes.edu

You’re invited to our OPEN HOUSE on Saturday, April 28, 2007.1122 NW Davis Street • Portland, OR 97209

ph: 503.228.6528 • web: www.aipd.artinstitutes.edu

CHESSA ADSIT-MORRIS Project Coordinator + Green Building Services, Inc.

1122 NW Davis • Portland, OR 97209-2911

Session times are 10am & 1pm

Admission is $10 for each session (tax deductable)

9th Annual

Creative

SymposiumCareer

Attend one or both sessions to learn more about creative careers in the

Pacific Northwest from industry professionals from companies such as Filter

Talent, Nau, Respond2, Summit Projects, Green Building Services, Nautilus

and Downstream. This is a great opportunity to learn how you can get

started with a design education or further your career in the creative arts.

Event will be at the CoHO Theater, 2257 NW Raleigh St. -off NW 23rd St.

Tickets available at The Art Institute of Portland. For ticket and session information:

www.artinstitutes.edu/portland/ccs9.asp

Tickets required for each session.

All proceeds from tickets benefit the

Creative Arts Scholarship.

For information call

503.228.6528 or

888.228.6528 today!

admit

on

e

Session one

10amAdmission is $10

CoHO Theater

2257 NW Raleigh St., PDX

9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater

2257 NW Raleigh St., PDX9

th An

nu

al

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session one


CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer 3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater

2257 NW Raleigh St., PDX9

th An

nu

al

Creativ

e

Sym

posiu

mCareer

admit

on

e

Session two

1pmAdmission is $10

CoHO Theater


9t

h Ann

ual

Creativ

e

Sym

posiu

mCareer 3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

9th Annual

Creative Symposium

Saturday, March 31, 2007

Career

Session times are 10am & 1pmEvent will be at the CoHO Theater, 2257 NW Raleigh St. (off NW 23rd St.)

Admission is $10 per session (tax deductable)

Tickets required for each session. Proceeds benefit the Creative Arts Scholarship.

1122 NW Davis • Portland, OR 97209-2911

Tickets available at The Art Institute of Portland. For ticket and session information: www.artinstitutes.edu/portland/ccs9.asp

For information call 503.228.6528 or 888.228.6528 today!

Attend one or both sessions to learn more about creative careers in the Pacific Northwest from industry professionals from companies such as Filter Talent, Nau, Respond2, Summit Projects, Green Building Services, Nautilus and Downstream. This is a great opportunity to learn how you can get started with a design educationor further your career in the creative arts.

9th Annual

Creative

SymposiumSaturday, March 31, 2007

Career

admit

on

e

Session one


CoHO Theater 2257 NW Raleigh St., PDX

9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

eSession one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session one



9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

eSession two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

admit

on

e

Session two

1pmAdmission is $10


9t

h Ann

ual

Creativ

e Sy

mpo

sium

Career

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

3.31.07

Client: The Art Institute of PortlandProject: 9th Annual Creative Career speaker eventRole: Designer, production artist, project manager

Post card•Event signage•Print ad•

Celebrating 10 Years!



Client: The Art Institute of PortlandProject: “Celebrate Design” 10th Anniversary campaignRole: Designer, copy writer, project manager

Final design•Billboard•Internal celebration invitation•

Be inspired.

1122 NW Davis St, Portland, OR 97209-2911local: 503.228.6528 toll-free: 888.228.6528www.aipd.artinstitutes.edu

Come to our Winter Open House Saturday, February 3, 2007 • 12 - 3pm

Be inspired.

503.228.6528 • www.aipd.aii.edu

Want a creative career?

Looking for a school that’s

not just for anyone?College Information Session for 2007 High School Grads

Saturday, December 9, 2006 • 11am - 1pm

Be inspired.

Client: The Art Institute of PortlandProject: “Be Inspired” campaignRole: Designer/Illustrator, copy writer, project manager

Billboard•Postcard•Print ad•

whEre willyouR

tAke You?cReaTivity

Student work by Shawn Kohler • Photo credit: Basil Childers

Ready, set, go!Take the next step towards your creativeeducation. Contact us today to set up aninterview or a tour of the college.

call: 503.228.6528click: www.artinstitutes.edu/PORTLANDvisit: 1122 NW Davis, PDX Or., 97209

Client: The Art Institute of PortlandProject: Various full page print ads to promote collage programsRole: Designer, production artist, project manager

Publication: The Changing Room•Publication: Willamette Week “Finder” Issue•

Portfolio of Design Work

Documents

place plant

cup of sand

cup of water

sand level

level sand

water soaks

remaining sand

soaking water