Portfolio Master of Architecturere 2013 KArch and LTH Mats Håkansson Behrbohm

PORTFOLIO

Mats Hkansson Behrbohm2012

Master s degree in ArchitectureRoyal Academy of Fine Arts and Architecture, Copenhagen, Denmark 2012

Bachelor s degree in ArchitectureLund School of Architechture, LTH, Lund, Sweden 2010

p. 3

Food & Architecture, Masters Project 14 2012 10

Pulsen i Centrum, Open Competition on Floda, Lerums Kommun226 2012 post

New Amsterdam332

PAG

E

NU

MB

ER

NA

ME

YEA

R

SEM

EST

ER

2011 9

Eco Activism (incl. International Algae Competition 2011)

Untitled, Bachelors Project

Into it

German Steel

Grand Collage Architecture

Slow Stairs

444

554

870

660

972

766

2011 8

2010 6

2009 5

2007 3

2008 4

2007 2

Index

processes exposed in the Cook School

When we meet food-products today we meet a package, and we are, close to never exposed for the production laying behind these products.

Project description

Historically, these processes has been based in the town centers. This has been a rational way of minimizing transport and have access to fresh goods.

-Why transport meat to the market-square when the cow can walk there itself?

But since the industrial revolution, these productions has been located outside the cities, thus making them invisible for the public. In these problematics the Cook School isfindingitsrelevance.Itiscreatinganopeningandapossibilitytoexperiencefoodproduction, both as a student and as a public visitor.

Thisprojectisahybridasithasaparalellprogramthatisflowingbetweenbeingaproduction unit and an academic institution. Here the focus is on exposing the cycle of food, to gain a greater understanding and respect for the origin of the things we eat.

The main issue adressed in this project is the general lack of knowledge regarding food production and the origin of the raw product. A sharp critisism against this un-sustainable and naive way of living has been the point of deparure when going into the design.

The educational focal point is not on the inbound academical institution as an isolated event, but on the publics experience of the work that takes place inside. The production of food is exposed and daramatized by the buildings expressive body. An expressivness inpired by the history of the site, where a shipyard used to lay. An industrial landscape crowded by machines and components soon to be assembled. This geographical context isnorth-westMalm,ontheedgeoftheoldtown,borderingtheartificial,100yearoldpeninsula called Western-harbour. One of the system the Cook School interact with is Malm University, whose academic buildings lies like a ribbon between the two historical entities. An other contextual system on the site is Enercon Windtower Productions storage backyard.Thehugewindtowercomponents,spreadoverthefield,actsasborderingfacadeto the Cook School, where it roots itself between the industrial backyard and the canal.

In the Cook School a number of food-production units are set to play, along with consumption and waste-recycling to obtain and examine a small-scale, closed cycle. The unitsareworkingwithfish-,meat-andvegetableproduction.Eachoftheseprocessesareamplifiedbyamachine.Thesemachinessymbolizemovement,mechanics,progressandproduction. As components in the greater machinery, they make up the cornerstones of the building.

Morphologically the building has been assembled by strategically distributing the production machines according to contextual features. Between these a one-storey plinth is sunken into the landscape, meeting the canal. The plinth houses the school while its roofworkasalandscapeflow,forthepublicsexperience-sequence.Ajourneyfilledwithevocative visions, scents and interactions.

p. 5

1Food & Architecture

L M S

1812 1912 1938-47

1945 1965 1970

Context

Western Harbour, Malm 55 3626.42N 12 5903.85E

Student housing

World Maritime University

Enercon Windtower Production

Universitetsholmens gymnasium

Cook School

Globala politiska studier

Kultur-samhlle

Studentcentrum

Krhuset

Konst & kultur

Lrande-samhlle / Bibliotek-IT

Mediagymnasiet

Kultur-samhlle / Teknik-samhlle

0

200

400

500

300

100

907 sqm

57607 sqm

1855 sqm

1821 sqm

2344 sqm

3172 sqm

3426 sqm

5576 sqm

5521 sqm

3055 sqm

8922 sqm

University

4625 sqm University

Industry

University

2122 sqm University & Industry

University

University

University

University

University

University

University

University

FootprintProgram Type

Map of Western Harbour in Malm with academical buildings highlighted.

The Cook School is layed in to an empty slot inthisfictisiousribbon,hereitcomestorestbetweenthecanalandthehugefieldofwindtower-components.

The closest neighbour is a non-academic building: Enercon Windtower Productions, situated in the old Kockums facilities. This building and its program is relevant for the Cook School, hence this one is highlighted as well.

EWP provides a dynamic bordering north-facade, where huge windtowers is constantly being produced, moved around and shipped away. EWP also provides a large quantity of CO2, which is being used as nutrition in the Cook Schools vegetable machine.

p. 7

1

Theseconceptualmodelsareanexplorationofthegridcreatedinthefieldbetweentheproduction-units.

The units and the grid also ties to contextual features. where it get strengthened.

Sketchings on top of model snapshot to add information, going back and forth between model and drawing, bluring the boundries that usually keeps the two media apart, high-lighting certain events as physical zones.

These model/sketch studies became a tool to examine contextual features and to give the system a preliminary programmatic zoning, both through notaion and through actual boundries.

Process

Food & Architectureisfirstandforemosttakingshapefromthefoodcyclesfunctionalsystemsand the characteristics belonging to these events.In these explorations each event is made up by one or a set of component, which together develops into a diagrammatic concept of the building.

Delivery Access +0,5

Closed FacadeOutdoor Stairs

Outdoor Rest Platform

Open Facade

Storag

e

Storag

e

Storag

e

Excavation

Excava

tion

Open Fa

cade

Connection +1,0

Fish Sto

rage

Bakery +1,0

Bakery Vents +5,0

Changi

ng Roo

m +1,0

Changing Room +1,0

Underground Waste Management

Bio-digesters +1,0

Landscape Humps +6,0

Delivery Room +1,0

Lecture Room & Labs +9,0

Lecture

Room

& Labs

+9,0

Vegetable

Lab +4,0

Overhanging Roof +12,0

Meat Processing +5,0

Parking 7 Spots +0,5

Ramp +0,5 > +2,7

Ramp +0,5 > +2,7

Meat Market

Fish Ma

rket

Fish Pro

cessing

Expo-vo

id

Expo-le

arning K

itchen +

1,0

Scented Plaza +5,0

Road Connecting From East +2,7

Water +0,0

Garden S

torage An

d Changn

g Room +

1,0

Tilted Plane +2,7 > +5,0

Scale 1:200

Outdoor Coocking And Restaurant Space +5,0

Sequential Library +1,0

Study Rooms +1,0

Learnin

g Kitche

n +1,0

Libr

ary

Stor

age

Tow

er +

1,0

> 9,

0

Dock +0,5

Corves

Meat Smokery +5,0

Fish Sm

okery

Funicu

lar Con

nection

? +7,0

Commer

cial Kitch

en +1,0

Exhi

bitio

n +1

,0 >

5,0

Commerc

ial Restaur

ant +1,0 >

5,0

Commerc

ial Restaur

ant Outdo

or +1,0 > 3

,5

Canal Promenade +0,7

Experiment Kitchen +1,0 Experiment Kitchen +1,0

Transparent Facade

Roads Connecting From South, North And W

est +2,7

p. 9

1

the Green Machine

V.IV.II

V.IV

V.V

V.VI

V.III

V.VII

V.VIII

V.X

V.XI

V.XII

W.I

The Green Machine contains crops grown in suspended bags. They are rotating in a vertical greenhouse, both to give the greens a maximum sun-exposure and to create a viual marker intheartificiallandscape

M.VII

M.VIII

M.IX

M.X

M.I

M.II

M.IV

M.V

M.VI

M.III

Delivery of Dead animals

Hang tendering in Meat Machine

Hoisting meat between storeys

Counter weights

Unloading in butchery

Primary buthering

Secondary butchering

Leftovers to Waste Machine

Meat to Kitchen

Counter wheight

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III

Living fish delivery

Loading into Fish corf

Marking the Fish corves

Fish corf hoisting

Expandable net construction

Unloading into dynamic trays

Killing

Meat to kitchen

Leftovers to Waste MachineV.IX

V.I

V.II

V.IV

V.V

V.VI

V.III

V.VII

V.VIII

V.IX

W.VIII

W.IX

V.X

V.XI

Seed

Planting in Cultivation bags

Loading the Vertical Greenhouse

adding CO2 from Industy

adding Fertilizer from the Waste Machine

Indoor growth / Smaller plants

Transport Crane moving bags

Outdoor growth / Larger plants

Vegetable roller

Watering from large collecting trays

Indoor harvesting, to kitchen

V.XII Leftovers to Waste Machine

W.I

W.II

W.IV

W.V

W.VI

W.VII

W.III

Collecting biological waste

Desintegrator

Digerter tank

Inflating Methane balloons

Gas valve

Powering stoves and ovens

Drain for Digestate (Fertilizer)

Collecting wastewater and slurry

W.X Further treatment on other location

Fertilizer to the Green Machine

p. 11

1

the Fish Machine

F&A FISH

Mrt

F.I

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III

V.IX

M.VII

M.VIII

M.IX

M.X

M.I

M.II

M.IV

M.V

M.VI

M.III




Counter weights


Primary buthering



Meat to Kitchen

Counter wheight

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III




Fish corf hoisting



Killing

Meat to kitchen


V.I

V.II

V.IV

V.V

V.VI

V.III

V.VII

V.VIII

V.IX

W.VIII

W.IX

V.X

V.XI

Seed








Vegetable roller




W.I

W.II

W.IV

W.V

W.VI

W.VII

W.III


Desintegrator

Digerter tank


Gas valve






F&A FISH

Mrt

F.I

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III

V.IX

The Fish machine is standing in the water, where it picks up livingfish,keptinfloatingbaskets.Abigwheelontopofthemachine wind in a rope hoisting up the baskets

W.I

M.VII

M.VIII

M.IX

M.X

M.I

M.II

M.IV

M.V

M.VI

M.III




Counter weights


Primary buthering



Meat to Kitchen

Counter wheight

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III




Fish corf hoisting



Killing

Meat to kitchen


V.I

V.II

V.IV

V.V

V.VI

V.III

V.VII

V.VIII

V.IX

W.VIII

W.IX

V.X

V.XI

Seed








Vegetable roller




W.I

W.II

W.IV

W.V

W.VI

W.VII

W.III


Desintegrator

Digerter tank


Gas valve






p. 13

1

the Meat Machine

F&A MEAT DELIVERY COMPANY

M.VII

M.VIII

M.IX

M.I M.II

M.IV

M.V

M.VI

M.III

The Meat machine is a container for hang-tendering whole animals before butchering. It acts as vertical infrastructure for this product. Big wheels rotates and dramatizes the on-going processwhentheanimalsarehoistedbetweenfloors

M.VII

M.VIII

M.IX

M.X

M.I

M.II

M.IV

M.V

M.VI

M.III




Counter weights


Primary buthering



Meat to Kitchen

Counter wheight

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III




Fish corf hoisting



Killing

Meat to kitchen


V.I

V.II

V.IV

V.V

V.VI

V.III

V.VII

V.VIII

V.IX

W.VIII

W.IX

V.X

V.XI

Seed








Vegetable roller




W.I

W.II

W.IV

W.V

W.VI

W.VII

W.III


Desintegrator

Digerter tank


Gas valve






W.I

p. 15

1

the Waste Machine

W.VIII

W.IX

W.I

W.II

W.IV

W.V

W.VI

W.VII

W.III

W.X

The Waste machine is in the same family as the three food machines but it acts in an other way. It has no moving exterior parts, instead it spreads its tubes throughout the building, where it ties the cycle together, as it collects waste, and produces refinedproducts

W.I

M.VII

M.VIII

M.IX

M.X

M.I

M.II

M.IV

M.V

M.VI

M.III




Counter weights


Primary buthering



Meat to Kitchen

Counter wheight

F.I

F.II

F.IV

F.V

F.VI

F.VII

F.VIII

F.III




Fish corf hoisting



Killing

Meat to kitchen


V.I

V.II

V.IV

V.V

V.VI

V.III

V.VII

V.VIII

V.IX

W.VIII

W.IX

V.X

V.XI

Seed








Vegetable roller




W.I

W.II

W.IV

W.V

W.VI

W.VII

W.III


Desintegrator

Digerter tank


Gas valve






p. 17

1

Outdoor area

Original drawing in scale 1:100

Machine

Product

Water

Private entrance

Public entrance

Altitude notation

DELIVERY

SERVICE CONNECTION

UNLOADING AREA

BACK ENTRANCE FOR ENERCON WINDTOWER PRODUCTIONS

COLD STORAGE

FREEZE STORAGE

WASTE, RECYCLING & BUILDING SERVICE

DRY STORAGE

CHANGING ROOM

BREAD SCENT DISTRIBUTOR #2

MAIN WASTE DISTRIBUTION PIPE


DISTRIBUTION HUB

DELIVERY ROAD

BAKERY

BREAD OVEN

OVEN

WASTE PIPES

OVEN

MAIN BENCH

PREPARATION

TABLES

LOADING WAGONS

COLD SMOKER

HOT SMOKER

DISHES

SLUICE

WATER PATH

LIQUID WASTE

PUMP-ROOM #2

LIQUID WASTE

PUMP-ROOM #1

MEAT MACHINE

RECYCLING MACHINE

FISH MACHINE

VEGETABLE MACHINE

DOCK

FISH CORF

BAY

EXP0-RIMENT KITCHEN

CHANGING ROOM

HALLWAY

SHOWERS

SHOWERS

SHOWERS

SHOWERS

SMOKERY

COOLING PIPES

BACK ROOM

STUDY ROOM

STUDY ROOM

STUDY ROOM

STUDY ROOM

LOUNGE

TRANSPARENT PLASTIC CURTAIN

LECTURES

LIBRARY

EXPOSED WASTE PIPES

ENTRANCE

ENTRANCE

STORAGE

CHANGING ROOM

STAFF ROOM

CHANGING ROOM

INFRASTRUCTURAL SPINE

RESTAURANT KITCHEN

CONNECTION BENCH

RESTAURANT

DISHES

STORAGE

PRIMARY BUTCHERING

SECONDARY BUTCHERING

MEAT LAB

MEAT MACHINE

BREAD-SCENTED ENTRANCE

SMOKERY VENT

ATRIUM

PASSA

GE

HANGING VEGETABLE SACKS

VEGETABLE RAILCAR

RESTAURANT ROOF

WATER COLLECTOR

VEGETABLE TRANSPORT AREA

VEGETABLE LAB

FISH L

AB

FUNICULAR FISH TRANSPORT

FISH PROCESSING

MARKET

MARKET

MARKET

PROCESSING

CHIMNEY CLUSTER

TILTED PLANE

NEPTUNIGNGEN

+0.0

+1.0

+1.0

+1.0

+2.5

+4.5

+4.5

+4.5

+4.5

WASTE PIPE BOUNDRY WALL

HANGING GARDEN ARCADE

section A-A

section B-B

section C-C

section C-C

section B-B

section A-A

section A-A

section B-B

section C-C

section C-C

section B-B

section A-A

75 60 0153045 45 603015 75

meassuring 160 x 150 cm

Outdoor area

Original drawing in scale 1:100

Machine

Product

Water

Private entrance

Public entrance

Altitude notation

DELIVERY

SERVICE CONNECTION

UNLOADING AREA

BACK ENTRANCE FOR ENERCON WINDTOWER PRODUCTIONS

COLD STORAGE

FREEZE STORAGE

WASTE, RECYCLING & BUILDING SERVICE

DRY STORAGE

CHANGING ROOM


MAIN WASTE DISTRIBUTION PIPE


DISTRIBUTION HUB

DELIVERY ROAD

BAKERY

BREAD OVEN

OVEN

WASTE PIPES

OVEN

MAIN BENCH

PREPARATION

TABLES

LOADING WAGONS

COLD SMOKER

HOT SMOKER

DISHES

SLUICE

WATER PATH

LIQUID WASTE

PUMP-ROOM #2

LIQUID WASTE

PUMP-ROOM #1

MEAT MACHINE

RECYCLING MACHINE

FISH MACHINE

VEGETABLE MACHINE

DOCK

FISH CORF

BAY

EXP0-RIMENT KITCHEN

CHANGING ROOM

HALLWAY

SHOWERS

SHOWERS

SHOWERS

SHOWERS

SMOKERY

COOLING PIPES

BACK ROOM

STUDY ROOM

STUDY ROOM

STUDY ROOM

STUDY ROOM

LOUNGE

TRANSPARENT PLASTIC CURTAIN

LECTURES

LIBRARY

EXPOSED WASTE PIPES

ENTRANCE

ENTRANCE

STORAGE

CHANGING ROOM

STAFF ROOM

CHANGING ROOM

INFRASTRUCTURAL SPINE

RESTAURANT KITCHEN

CONNECTION BENCH

RESTAURANT

DISHES

STORAGE

PRIMARY BUTCHERING

SECONDARY BUTCHERING

MEAT LAB

MEAT MACHINE

BREAD-SCENTED ENTRANCE

SMOKERY VENT

ATRIUM

PASSA

GE

HANGING VEGETABLE SACKS

VEGETABLE RAILCAR

RESTAURANT ROOF

WATER COLLECTOR

VEGETABLE TRANSPORT AREA

VEGETABLE LAB

FISH L

AB

FUNICULAR FISH TRANSPORT

FISH PROCESSING

MARKET

MARKET

MARKET

PROCESSING

CHIMNEY CLUSTER

TILTED PLANE

NEPTUNIGNGEN

+0.0

+1.0

+1.0

+1.0

+2.5

+4.5

+4.5

+4.5

+4.5

WASTE PIPE BOUNDRY WALL

HANGING GARDEN ARCADE

section A-A

section B-B

section C-C

section C-C

section B-B

section A-A

section A-A

section B-B

section C-C

section C-C

section B-B

section A-A

75 60 0153045 45 603015 75

meassuring 160 x 150 cm p. 19

1

0153045 453015

0153045 453015

Section A-A

Section B-B

Section C-C

p. 21

1

Aca

dem

ic

Exp

o K

itch

en

Bio

gas

Prod

ucti

on

Con

nect

ions

Mea

t Pro

duct

ion

Veg

etab

le P

rodu

ctio

n

Fish

Pro

duct

ion

Res

taur

ant

Physical Connections

ScentVisualAccess

Act

ive

Floo

rs

4:th3:rd2:nd1:st

Publ

ic I

nter

acti

on

BIO REACTOR

SERVICE CON

NECTION

RECYCLI

NG PUM

P-ROO

M #1

PUMP

-ROOM

#2

FISH

CO

RV

ES

DO

CK

LOAD

ING

PLA

TFO

RM

BI-A

REA

AND

WC

STAI

RS

FISH

LAB

OPEN

PROC

ESSIN

G & PU

BLIC

MARK

ET

VERTIC

AL GR

EENHO

USE

FARMIN

G

STAIRS

BI-AREA AND WC

VEGETABLE LAB

VEGETABLE PROCESSING & MARKET SLUICE

SMOKERYCHANGING ROOM

BAKERY DISHES KITCHEN

COLD

STORAG

E

FREEZE STO

RAG

E

DR

Y STOR

AG

E

GO

OD

S RE

CE

PTION

& D

ISTRIB

UTIO

N H

UB

CO

RR

IDO

R

STOR

AG

E

BI-A

RE

A A

ND

WC

STAIRS

ATRIUM

PASSAGE

SEPA

RA

BLE

UN

ITS

DYN

AM

IC O

PEN

SPA

CE

REST

AURA

NT 50

seats

KITC

HEN

DISH

ES &

KIT

CHEN

WAR

E ST

ORAG

E

CHAN

GIN

G R

OO

M

STA

FF R

OO

M

GU

EST

WC

BI-AREA AND WC

STAIRS

LOADING SPACE

MEAT LAB

PUBLIC MARKET

PRIMARY BUTCHERING & TRIMMING

HANG TENDERING

BUTCHERING

Diagrams of the Cook school

Circular diagram showing connections, room types and the publics possibility to interact with the structure.

Bar diagram showing sizes of the Cook School, which rooms that belong to which activity, if its outoor or indoor and whether its inhabitable or not.

Aca

dem

ic

Exp

o K

itch

en

Bio

gas

Prod

ucti

on

Con

nect

ions

Mea

t Pro

duct

ion

Veg

etab

le P

rodu

ctio

n

Fish

Pro

duct

ion

Res

taur

ant


ScentVisualAccess

Act

ive

Floo

rs

4:th3:rd2:nd1:st

Publ

ic I

nter

acti

on

BIO REACTOR

SERVICE CON

NECTION

RECYCLI

NG PUM

P-ROO

M #1

PUMP

-ROOM

#2

FISH

CO

RV

ES

DO

CK

LOAD

ING

PLA

TFO

RM

BI-A

REA

AND

WC

STAI

RS

FISH

LAB

OPEN

PROC

ESSIN

G & PU

BLIC

MARK

ET

VERTIC

AL GR

EENHO

USE

FARMIN

G

STAIRS

BI-AREA AND WC

VEGETABLE LAB




COLD

STORAG

E

FREEZE STO

RAG

E

DR

Y STOR

AG

E

GO

OD

S RE

CE

PTION

& D

ISTRIB

UTIO

N H

UB

CO

RR

IDO

R

STOR

AG

E

BI-A

RE

A A

ND

WC

STAIRS

ATRIUM

PASSAGE

SEPA

RA

BLE

UN

ITS

DYN

AM

IC O

PEN

SPA

CE

REST

AURA

NT 50

seats

KITC

HEN

DISH

ES &

KIT

CHEN

WAR

E ST

ORAG

E

CHAN

GIN

G R

OO

M

STA

FF R

OO

M

GU

EST

WC

BI-AREA AND WC

STAIRS

LOADING SPACE

MEAT LAB

PUBLIC MARKET


HANG TENDERING

BUTCHERING

Academic

Expo Kitchen

Biogas Production

Connections

Meat Production

Vegetable Production

Fish Production

Restaurant


ScentV

isualA

ccess

Active Floors

4:th3:rd2:nd1:st

Public Interaction

BIO

RE

AC

TOR

SER

VIC

E C

ON

NE

CTIO

N

RECYCLIN

G

PUM

P-RO

OM

#1PUM

P-ROOM #2

FISH CORVES

DOCK

LOADIN

G PLAT

FORM

BI-AR

EA AN

D WC

STAI

RS FI

SH LA

B

OPEN

PRO

CESS

ING

& PU

BLIC

MAR

KET

VERT

ICAL

GRE

ENH

OU

SE

FAR

MIN

G

STA

IRS

BI-

AR

EA

AN

D W

C

VE

GE

TAB

LE L

AB

VE

GE

TAB

LE P

RO

CE

SSIN

G &

MA

RK

ET

SLU

ICE

SMO

KER

YCH

ANGI

NG

ROO

MBA

KERY

DISH

ES

KITC

HEN

COLD

STOR

AGE

FREEZE

STORAG

E

DRY STORA

GE

GOODS RECEPTION

& DISTRIBUTION HU

B

CORRIDOR

STORAGE

BI-AREA AND WCSTAIRS

ATRIUM PASSAGE

SEPARABLE UNITS

DYNAMIC OPEN SPACE

RESTAURANT 50 seats

KITCHEN

DISHES & KITCHENWARE STORAGE

CHANGING ROOM

STAFF ROOM

GUEST WC

BI-AREA AND WC

STAIRS LOADING SPACE

MEAT LAB

PUBLIC M

ARK

ET

PRIM

AR

Y BUTCH

ERIN

G &

TRIM

MIN

G

HA

NG

TEN

DE

RIN

G

BU

TCH

ER

ING

Aca

dem

ic

Exp

o K

itch

en

Bio

gas

Prod

ucti

on

Con

nect

ions

Mea

t Pro

duct

ion

Veg

etab

le P

rodu

ctio

n

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Act

ive

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on

BIO REACTOR

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NECTION

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#2

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ESSIN

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BLIC

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ET

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COLD

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E

DR

Y STOR

AG

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GO

OD

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ITS

DYN

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seats

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ES &

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CHEN

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E

CHAN

GIN

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OO

M

STA

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MEAT LAB

PUBLIC MARKET


HANG TENDERING

BUTCHERING

Aca

dem

ic

Exp

o K

itch

en

Bio

gas

Prod

ucti

on

Con

nect

ions

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t Pro

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ion

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n

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duct

ion

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ive

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ic I

nter

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on

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SERVICE CON

NECTION

RECYCLI

NG PUM

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PUMP

-ROOM

#2

FISH

CO

RV

ES

DO

CK

LOAD

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PLA

TFO

RM

BI-A

REA

AND

WC

STAI

RS

FISH

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OPEN

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ESSIN

G & PU

BLIC

MARK

ET

VERTIC

AL GR

EENHO

USE

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G

STAIRS

BI-AREA AND WC

VEGETABLE LAB




COLD

STORAG

E

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RAG

E

DR

Y STOR

AG

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GO

OD

S RE

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PTION

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UB

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IC O

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REST

AURA

NT 50

seats

KITC

HEN

DISH

ES &

KIT

CHEN

WAR

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OO

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STA

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LOADING SPACE

MEAT LAB

PUBLIC MARKET


HANG TENDERING

BUTCHERING

p. 23

1

Food & Architecture is an exploration of architecture as information science; How to observe a building as a system. A system of events, a system of functions, a system of boundries and a system of food.Where do we interact with the building and what can we see? Where is it prohibited to enter and where are we lead? The system grew into an organism living in symbiosis with the visitor, since its utmost purpose was communication. Hence the regulations for the system was set up according to the educational program, to explain the food-cycle, both within the school, but even more outwards, to the public sphere.

Conclusion

p. 25

1

I Floda krvs en attraktiv och variationsrik milj. Det ska vara ett grnt samhlle, som respekterar och tar vara p den inspirerande naturen. Invnarna ska fortstta att vara nra service och

kommunikationer. Floda br ocks vara nringslivslockande med strre genomstrmning av folk. Frslaget i detta projekt r att skapa en tillhrighet fr Flodas centrum genom hlbarhetsprinciper ur sociala, ekologiska, tekniska och

ekonomiska aspekter. S att all som bor hr knner sig hemma.Pulsen i centrums byggstenar r platser fr mte och socialt engagemang, kulturell frankring, grnstrk, lokala kretslopp, cykel

och fotgngareperspektiv, skerhet, hlsa, samt ett lokalt och mngfaldigt nringsliv

Vi rICA Bu-

tiken

Vi rBeskare

HejHej

Vi rExploratrer

Vi rBanverket

Vi rBoende

Vi rldre

Vi rMissionskyrkan

Vi rPolitiker

Vi rStadsbyggnadskontoret

Vi rUngdomar

Vi rSm verksamheter

HejJag r arkitekten.

Jag och mina vnner kommer hr att presentera vad

Pulsen i Centrum handlar om.

Competition entry

Completed in December 2012 (currently being judged)

Urban planning project with focus on sustainability strategies. This project is done in collaboration with Area Zero Arquitectos and Gutierrez - de la Fuen-te Arquitectos.I have been involved in conceptual ideas of the competition entry, regarding drawings Im the sole author of the axonometric view and the photo collages on page 30-31.

Handed in on three A1

p. 27

2

Pulsen i Centrum

Section collage-drawings showing new buildings as well as describing our vision of pote-tial situation. Many of the changes can be done by the inhabitants themselves with a really small budget.

The diagrams to the left is describing the overall plans for the project

p. 29

2

Flodas entr

Stortorget

p. 31

2

Dansbryggan + Kulturhuset + Biblioteket

Stationsomrdet och det grna vardagsrummet

Inspired by Amsterdams historical growth, where water has beencovereduptofitmorebuildings,thenewmegastructureroots itself in the canals as it is hoisted up. Where ever it connectsverticallyanislandappearsintheartificialurbanarchipelago.

The islands reaches out with its bridges and sends away its boats who weaves the grid together.

Intorduction

050

100

E6.3 E6.4

E6.2

E6.1

E3.7

E3.6

E3.5

E3.4

E3.3

E3.2

E3.1

E2.5

E2.4

E4.1E4.1

E4.1

E5.1

E5.2

E5.6

E5.7

E5.5

E5.3

E5.1

E5.4

E2.3

E2.2

E1.4

E1.3

E1.2

E1.1

E2.1

Inspired by Amsterdams historical growth, where water has been covered up to fit more buildings, the new mega structure roots itself in the canals as it is hoisted up. Where ever it connects vertically an island appears in the artificial urban archipelago. The islands reaches out with its bridges and sends away its boats who weaves the grid together. 500 100 200

p. 33New Amsterdam

3

This project is escaping realitys constraints and every-day conventions, looking at the built object as a conglomeration of metaphors, discussing the representation of the abstract with technical line drawing as the primary tool. This type of tool for representation creates a challenging paradox, where the more suggestive render or collage would have been convention.

A mechanical system is occupying the airspace over Amsterdam, questioning the built structures traditional relationship to the ground. From up there, one can observe the everlasting spectacle in the picturesque coulisse-city, which lies down there as a commercially polluted cultural relic.

The new structure becomes an obvious part of the city but it requires a certain kind of independence since it takes a step away from much of what is Amsterdam today. A virtual border between the cities is set. New Amsterdam is popping up like islands out of the many canals that slice through the old city. This border is giving the mega-structure a symbolic autonomy.

VisitingNewAmsterdamyoufollowthecanalsuntilyoufindoneofthemanyturquoisecanoes,mooredatthenewberths. Paddling in under the structure it hoists you and the canoe 30 feet straight up, before leveling out at New Amsterdamsfoodmarket.Continuingtothenextlevelyoufindsome50houseswithassociatedallotmentsandaterraced public space where plants in trellises are dancing in an undulating choreography adjacent to the platforms.

Project description

75 6090 0153045 45 603015 1201059075 165 180 195 210 225150135

Food market

Culti-bag

Trans Amsterdamian Canoeway

Showers

Trellis / rope ladder

Hanging leisure gardens

Watering hose / climbing rope

Windmill #1

Windmill #2

Water cistern

Leisure wa

ver

Flexible disposal shafts

Organic waste bags

Canoe depot

+33,0 cut#2

+40,0 cut#1

Windmill #1Pulling and releasingCreating waves on The leisure garden

Powering the Circulation ofThe canoe-lift

Windmill #2Pumping water to The agriculture

CultivationAll work

LivingAll dynamic

MarketAll food

Leisure gardenAll play

PowerAll wind

TransportationAll canoeing

New Amsterdam standards

75 6090 0153045 45 603015 1201059075 165 180 195 210 225150135

Food market

Culti-bag

Trans Amsterdamian Canoeway

Showers

Trellis / rope ladder

Hanging leisure gardens

Watering hose / climbing rope

Windmill #1

Windmill #2

Water cistern

Leisure wa

ver

Flexible disposal shafts

Organic waste bags

Canoe depot

+33,0 cut#2

+40,0 cut#1

Windmill #1Pulling and releasingCreating waves on The leisure garden

Powering the Circulation ofThe canoe-lift

Windmill #2Pumping water to The agriculture

CultivationAll work

LivingAll dynamic

MarketAll food

Leisure gardenAll play

PowerAll wind

TransportationAll canoeing

New Amsterdam standards

Theentirelarge,hangingceilingthatencapsulatesthefirstfloormarketplaceiscreatedbyagricultureatthelevelabove.Compressedbetweentwoparallelstreetsbigbagsarefilledwithsoilandcrops.Ontheoutsideofthesestreetsresidential buildings are clinging. The strong maritime culture in old Amsterdam has inspired to these new homes with features and characteristics of boats. The dwellings are generally tightly moored along the new streets, but when the new locals need more privacy or a daily variation they un-moor and let their house slide out over the old city.

Housing units in New Amsterdam are not pre-designed, but are here represented as an empty frame, where the content will change as new needs or desires are created, according to the metabolist movements strategies. The new locals build their home within this frame, creating an endless variety of expression.

The frame has no predetermined internal functions but it has several external features and transformative functions: Screens and surfaces can be unfolded, parts of the frame can be detached thus create boundaries or connections (virtual as well as physical) to the old (and new) Amsterdam. For example there are possibilities to connect two or more frames and share facilities, as well as to shield off with physical barriers. Any of these positions are reversible and continuous transformation encouraged.

Section/elevation, original drawing in scale 1:200

p. 35

3

continuous sketching throughout the process

ARTIFICIAL GROUND LEVEL

When considered in a Cartesian coordinate system, urbanity is growing almost exclusively in the X-, Y-direction and negligible in the Z-direction. I would like to postulate an additional neutral value for Z, where a new two-dimensionality can take shape.

H1

H5

H6

H7

H4

H3

H2

CONNECTION TOWARDS UPPER GROUND LEVEL

FRAGMENTS AT WORK

OPEN SPACE

ENCLOSURE

SOFT SHELL

LOWEST POINT OF FRAME

HARD SHELL

DYNAMIC PART

STATIC PART

FRAME

BUILDING PROSTHESIStrying out scale and proportion examinating machine choreography

Diagrammatic drawing of the characteristics within a frame for the private homes

ARTIFICIAL GROUND LEVEL

When considered in a Cartesian coordinate system, urbanity is growing almost exclusively in the X-, Y-direction and negligible in the Z-direction. I would like to postulate an additional neutral value for Z, where a new two-dimensionality can take shape.

H1

H5

H6

H7

H4

H3

H2

CONNECTION TOWARDS UPPER GROUND LEVEL

FRAGMENTS AT WORK

OPEN SPACE

ENCLOSURE

SOFT SHELL

LOWEST POINT OF FRAME

HARD SHELL

DYNAMIC PART

STATIC PART

FRAME

BUILDING PROSTHESIStrying out scale and proportion examinating machine choreography

120 75 6090105 0153045 45 603015 1201059075 165 180 195150135

Diagrammatic evolvement of the lower drawing

Superimposed sketch on physical model snapshot.The private is repetative while the public is amorphous

p. 37

3

Phys

ical

mod

el, s

cale

1:1

00

H1H5H6 H4 H3 H2

M5A

M5B-0

M5BA-4

M5BB-4

M3A

M3B-0

M3B-8

M1A

M1B-0

M1BA-3

M1BB-3

M4B-0 M4B-8

M2A

M2B-0

M2BA-5

M2BB-5

H1H5H6 H4 H3 H2

M5A

M5B-0

M5BA-4

M5BB-4

M3A

M3B-0

M3B-8

M1A

M1B-0

M1BA-3

M1BB-3

M4B-0 M4B-8

M2A

M2B-0

M2BA-5

M2BB-5

Initial sketches

scaleless components examining fractal states of the structure

p. 39

3

Taxonomy of components

+36,5

+30,0

+36,5

+30,0

3

4

5

7

9

9

13

14

15

15

16

17

18 19 20

21

22 23

24

6

1

2

8

8

10

11

12

Stair #1Stair #2BuoyWooden trellisCultivation bagBoardsLadderWindmillLong craneShort craneWater CisternPlant showersMain WheelMain wheel suspentionLattice girderBalancing wheelsBalancing wheel suspentionLower water wheelLower water wheel suspentionCanoe with connection wireLight weight floorsStreetSliding rail for house-frameCounter-balance beam

123456789101112131415161718192021222324

0 5 10

+36,5

+30,0

+36,5

+30,0

3

4

5

7

9

9

13

14

15

15

16

17

18 19 20

21

22 23

24

6

1

2

8

8

10

11

12

Stair #1Stair #2BuoyWooden trellisCultivation bagBoardsLadderWindmillLong craneShort craneWater CisternPlant showersMain WheelMain wheel suspentionLattice girderBalancing wheelsBalancing wheel suspentionLower water wheelLower water wheel suspentionCanoe with connection wireLight weight floorsStreetSliding rail for house-frameCounter-balance beam

123456789101112131415161718192021222324

p. 41

3

120

135

75

60

90

105

015

30

45

45

60

30

15

120

105

90

75

150

135

120

135

75

60

90

105

015

30

45

45

60

30

15

120

105

90

75

150

135

+36,5

+30,0

+36,5

+30,0

Trans New Amsterdamian Canoeway


LOADING BRIDGE

CULTI-BAGSTATE #3

CULTI-BAGSTATE #2

CULTI-BAGSTATE #1

SECTIONAL CUT

FRAME for living

EXTENSION of frame

continuous extension

EXTENSION of garden

FOOD MARKETmarket bridge

organic WASTE BAG

canoe storage

public street

DYMANIC

waste

SHAFT

hanging garden SUSPENSION

CULTIVATION BAGS #1compressed tightly,thus creating roof for market.-Active farming

The Cultivation bags hanging over the Market form an agricultural carpet with different states of growthsome active and some resting.

CULTIVATION BAGS #2less compressed,fragmenting roof for market.-Last crop

CULTIVATION BAGS #3free from constraint.-Resting soil

The Vegetation bags in the hanging leisure gardens is meant to be occupied by leisurely New Amsterdamians.

HANGINGleisureGARDENS

LIVING framemoored to street

doubleelevator

steppingboardprivategarden

privategardenextend

LIVINGun-moored (maximum extension 9,0m)

CANOE HARBOUR

agriculture & living level (+36,5)

22

112

180

y

x

PLANAR ANGLES

PLAN 2, cut at +40m

LOADING BRIDGE

loading crane

TRACK SHIFTER

land

water

water

land

land

water

water

land

land

water

water

land

land

water

water

land

TRACK SHIFTERS

MARKET PLACE

CANOE DEPOT

DYNAMIC FLOOR TILESorganic waste-shafts(everywhere)

The floor tiles on the Market placecan all be lifted to reveal waste disposal shafts for organic waste from the food market.Underneath the shafts bags will be hung to transport the waste to a compost area

arrival

departure

fastlane

marketloading

going down

footbridge

footbridge

SECTION through stairs

18341

PLANAR ANGLES

food market level (+30,0)

112

180

y

x

PLAN 1, cut at +33 m


The cut through the homes is show-ing the living frame and the lower folding bridges dynamic possibili-ties. This drawing is showing an example where these are clad with plain boards scattred, sometimes neatly and other times randomly,creating the desired flooring situa-tion.

120

135

75

60

90

105

015

30

45

45

60

30

15

120

105

90

75

150

135

120

135

75

60

90

105

015

30

45

45

60

30

15

120

105

90

75

150

135

+36,5

+30,0

+36,5

+30,0



LOADING BRIDGE

CULTI-BAGSTATE #3

CULTI-BAGSTATE #2

CULTI-BAGSTATE #1

SECTIONAL CUT

FRAME for living

EXTENSION of frame

continuous extension

EXTENSION of garden

FOOD MARKETmarket bridge

organic WASTE BAG

canoe storage

public street

DYMANIC

waste

SHAFT

hanging garden SUSPENSION

CULTIVATION BAGS #1compressed tightly,thus creating roof for market.-Active farming

The Cultivation bags hanging over the Market form an agricultural carpet with different states of growthsome active and some resting.

CULTIVATION BAGS #2less compressed,fragmenting roof for market.-Last crop

CULTIVATION BAGS #3free from constraint.-Resting soil

The Vegetation bags in the hanging leisure gardens is meant to be occupied by leisurely New Amsterdamians.

HANGINGleisureGARDENS

LIVING framemoored to street

doubleelevator

steppingboardprivategarden

privategardenextend

LIVINGun-moored (maximum extension 9,0m)

CANOE HARBOUR

agriculture & living level (+36,5)

22

112

180

y

x

PLANAR ANGLES

PLAN 2, cut at +40m

LOADING BRIDGE

loading crane

TRACK SHIFTER

land

water

water

land

land

water

water

land

land

water

water

land

land

water

water

land

TRACK SHIFTERS

MARKET PLACE

CANOE DEPOT

DYNAMIC FLOOR TILESorganic waste-shafts(everywhere)

The floor tiles on the Market placecan all be lifted to reveal waste disposal shafts for organic waste from the food market.Underneath the shafts bags will be hung to transport the waste to a compost area

arrival

departure

fastlane

marketloading

going down

footbridge

footbridge


18341

PLANAR ANGLES

food market level (+30,0)

112

180

y

x

PLAN 1, cut at +33 m


The cut through the homes is show-ing the living frame and the lower folding bridges dynamic possibili-ties. This drawing is showing an example where these are clad with plain boards scattred, sometimes neatly and other times randomly,creating the desired flooring situa-tion.

p. 43

3

31 2

Brief

1

Wat

er p

ump

2

Sun

arch

slid

er3

A

ir p

ollu

tion

suc

ktio

n m

achi

ne

Whenlookingintomunicipalactionregardingimprovementofinnercityair,onecantreallyfindanyhands-onsolutions.Theproposed suggestions lies in raised taxes, better public transportation, efforts in purifying fuels, and so on. Of course all of these things are great, but I think awareness needs to be raised in a more direct way. I have created a scheme that will affect both the public and the environment. I would like to call it an attractor, a node that pronounces itself through phenomenological impression with the public, in a way that everybody will be touched, attracted or maybe disgusted by.

This is an experiment in trying to communicate a message through drawings and models combined with the art of narrative

Early conceptual sections throug sails in various positions

Southern Sweden, late 2011

All of a sudden there is a glow between the trees, she speeds up her steps on her evening walk along the canal of the old central towninMalm.EventhoughthetrafficisalotlessheavyontheAmiralsBridgeonSundays,thereisalotofmovementahead.People are gathering up. She sees them carefully touching the glowing sails as they twist in a smooth choreography. She gets a sense of that these surrealist trees are dancing to please their spectators.Asshemakesherwayintotheartificialwoodlandshehearspeopleinthecrowdwhisperingtoeachother.Shehearssomeoneasking what this machine is, and another; what it does. Some are amazed and some confused. The spaces in-between the sails are slowly and constantly changing as she stands there for a minute trying to understand the friendly alien that is occupying her park.She approaches one of the sails, looks through the transparent acrylic facets, into the turbid, green liquid being tossed around by a constantflowofairbubblesinabeautifultwirlingmanner.Shegivesthesemi-opaquepanelagentlepushanditsoftlyslidesaway.Looking up, at about tem meters height, there is an arch-shaped structure sliding circumferentially, in response to her push, in which the top of the sail is suspended by a steel wire.Underneath the arches there are groups of translucent pipes crisscrossing in different layers, tying each sail to a bunch of big, elevated spheres clustering over by the parking. Intrigued by the spheres she starts walking under the glowing ceiling. Closing in, the sound of running water gradually increases, this sound are backed up by various types of mechanical, buzzing and humming noises, it somehow reminds her of the familiar sounds in the laundry machine at home. A few meters away a group of kids has stacked their bikes in a pile and are competing about who dares to climb to the top of the spheres.The cluster of tubes, hanging out through the dense grid of valves on the side of the spheres, are rocking and vibrating, only a few inchesaboveground.Shegrabsoneofthetubes,feelingtheflowwithinit.Itisnotmuchthickerthananarm,shethinks.

Her eyes start to wander along the tubes and pipes as she unconsciously is trying to get a perception of the infrastructural organization and circulation of the system. There are two unlit pipes up there, running down to the canal and out into the water. She can see some kind of water pump working out there, but it is a bit too far to fully percept in the October dusk.Continuing her walk through the hi-tech pavilion that inhabits the public space, she sees six high poles neatly distributed over the pedestrian refuge in the big road leading over the Amirals Bridge. On the top of each pole there are some type of machine. She overhears a conversation by a man who is pointing up, towards the machines, telling his friend that, what he refers to as thevacuumcleanersaresuckingincontaminatedairandthenfiltratingitthroughthesails,whichhereferstoasthealgaetanks. The man tells his friend to come back in the daytime when all the sails follow the movement of the sun in a synchronized choreography.Soitsalgaeshethinks,shehasheardaboutalgaeairpurificationsystemsbutneverbeforeseenone.

As she crosses the street, she takes a few seconds pause at the pedestrian refuge, looking straight up at one of the dining table-sized suctionfiltersshiftingsides.Walkingonsheislookingbackoverhershoulder,studyingtheinstallationfromfar,asitsemeraldgreen glow blends together with the orange leaves of its neighbors.

Narrative

Sketching in models, various morphological states depending on sun movement

p. 45Eco Activism

4

Experimenting with manipulation of photographies as a media of representation

Topological states in motion | Long exposure

elevation

plan

Topological states in motion | Multiple frame collage

Drawing on top of model photography, tracing the sails response to pivot-twist and arch movement in a manner free from rational constraint.

These sketches of various topological states are not bound to be wieved as niether elevation norplan,butflowingin-between.

p. 47

4

Physical model during construction

Elevation drawing

Investigational diagram of reactor movement

p. 49

4

Plan drawing

34

5

7

6

1

2

8

1 Malm hgskola

2 Malm centralstation

3 Stortorget

4 Gustav adolfs torg

5 Eco-activism

6 Amiralsgatan-Freningsgatan

7 Folkets park

8 Nobeltorget

p. 51

553610.39"N 13020.00"E 4

Spatial studies in physical model, scale 1:100

Ope

rati

onal

dia

gram

of f

unct

ion

and

infr

astr

uctu

re w

ithi

n th

e cl

osed

loop

pho

tobi

orea

ctor

This project was submitted to the international algae competition 2011. http://www.algaecompetition.com/x1167/

Competition boards, Original size: A1

p. 53

4

A new building for Malm University next to Malm Central Station

Throughtheprocessofweavingandfirstandforemostlookingatweavingasastructuralelement, the project has grown to a tower.Using paper as primary building material a form took shape and a certain set of rules were set. The papers inbound way of bending and twisting gave the tower its characteristics. The voids in between the strips of paper became the apertures with various size and density depending on program.

p. 55Untitled, Bachelors Project

5

Section drawing with zoom-ins

p. 57Building components

1. vertical communication2. atrium3. slabs / auditoriums4. shell5. plinth

3 4 51 2 5

Project description

Into it is an exibition building for Lund University.It is placed on a very exciting site near the central station.

The site is open and green if compared with the blocks nearby. It has a lot of old trees and the existing buildings are scattered. The altitude difference is interesting since the street inclines about two meters, as the site lays two meter below the street. making a total altitude difference of four meters.I wanted to take care of the park and not directly block it of from the street, therefore the concept of the hill. The building itself is partly hidden underground and the roof creates platforms that bridges the park with the sidewalk. The roof is clad with grass strengthening the perception of the hill.

The building is closed to the street in the south, and open to the park in the north. this gives the rooms inside a wonderful passive light. An other important sourse of light, as well as an charachteristic element, are the tall roof lights which brings sunlight to the inner parts of the buildning. They also create a possibility of peeking.

Thebuildingsinsidesareflexible,openareaswithmoveableinnerwallsandinterestingconnectionsbetweenthefloorswiththestaircasesandelevatorincontactwiththeentrance.Aflowiscreatedbyopeneingthebuildingoneachfloortowardstheparkandalsolettingthepark extend itself by ramps even to the highest roof, creating a beautiful viewing spot.

Six week project | year 3

Columns on opposite page, from left

Conceptual evolvment of building shape Conceptual model Sankt Laurentiigatan, Lund, Sweden, 55.708908,13.19153

Columns on opposite page, from left

Conceptual evolvment of building shape Conceptual model Sankt Laurentiigatan, Lund, Sweden, 55.708908,13.19153

XL

XXL

L

M

S

p. 59Into it

6

0 5 10 15 20 25 50

Sections

Detail

Construction where the building meets the ground and the skylight funnles

The building becomes a pa rt of the pa rk wi th its g rass c overed roofs.PLAN 0 - 0,5

Surroundings / Roof plan

Grass

Gravel



0 5 10 15 20 25 50

Paths. Existing and planned Open to park, closed to streetNodesMalm C

Allhelgona Church

Greenery

Plan #1

p. 61

6

Plan #0

elevation from the street

elevation from the park

0 1 2 3 4 5 10

p. 63

6

The year is 2028 and a new building is to be built in the Tuna Park in Lund.

Inthisprojektthefirstquestiononeshouldaskoneselfis:Dopeopleinthefuturereallywanttoliveinpods,orarethey more interested in what has been, and perhaps they want to know how their parents and grandparents lived?

I call this projekt Grand Collage Architecture as I went through different periods of time, and played with combining building characteristics that i felt representad each of these. Hence the name. Thebodywithits90degreeangles,flatroofandthreefloorsistakenfromthefunctionalisticerainthefiftiesandsixties. The bridging elements are inspired by eighties and nineties hi-tech architecture. The ornaments on the balcony are late19th century jugent. And the placing as a building-in-park can be lead to the modernist thinking. There are even social aspects as a common work space for the residents in the spirit of collective residents in the sixties and seventies. From todays modern swedish residential buildings I stole the concept of mixed apartment sizes. On the facade ive created a interesting expression by making foldable balconys, that will make the building dynamic as it will change due to season and weather etc.The balconys has multiple functions, when closed they create extra insulation and when open the solar panels that are cast into the glass, faces the sky perpendicular, thus getting maximum effect.

fiveweekproject|year2

site plan

Sketches during project, describing certain parts of the building

0 2 4 6 8 10 20

common areas

sanitation

apartments

groundfloor

firstfloor

secondfloor

p. 65Grand Collage Architecture

7

section B-B

section A-A

section C-C

0 2 4 6 8 10 20

elevation from north

elevation from east

elevation from south

elevation from west

p. 67

7

German steel is a part of the fantasy project where the aim was to design and construct a chair.

The concept for this chair is a frame that could be cut and folded from a single sheet of metal.

four week project | year 2

p. 69German Steel

8

8

Slow Stairs is a project where a quite big block where to be pierced through.Taking advantage of the slight altitude difference, a large stairs- and ramp-system is su-perimposed into the block. This system create south west facing seats in the public room. The entrances to the area in both north and south are existing doors. I.e. you have to enter throug a narrow portal to get into the openess of the new public space.

3

3

1

1

2

2

Four week project | year 1

4

4

5

5

p. 71Slow Stairs

9

p. 73

These projects and drawings are all created by Mats Hkansson Behrbohm

Mats Hkansson Behrbohm

[email protected] matslovesit.blogspot.commatserik.com+46 735 331044

Portfolio Master of Architecturere 2013 KArch and LTH Mats Håkansson Behrbohm

Documents

food production

production of food

food architecture

cycle of food

number of food

cook schoolwhen

bachelors project

masters project