Portfolio - cmich.edu Le… · Portfolio [email protected] | (989) 506-0043. Commercial Design RESTAURANT PAGE 1-8 01 Commercial Design INTERGENERATIONAL PAGE 9-14 Commercial Design

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Commercial DesignRESTAURANT

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Commercial DesignINTERGENERATIONAL

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Commercial DesignMERCANTILE

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Residential DesignGURSKEY

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Residential DesignART DECO

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Design FoundationsMODEL MAKING &

CONCEPT DEVELOPMENT

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02Design Foundations

COLOR UTILIZATION &

VISUAL COMMUNICATION

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Professional ExperienceINTERNSHIP

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This project focused around repurposing a built structure and creating a restaurant that incorporated well building standards, universal design, and was research and concept driven. The building for this project was originally built in 1903 and has a Victorian Italianate architectural classification. The building had a wide variety of uses throughout its history but has always, in part, contained a furniture store. Because of this, emphasis was placed on the furniture by utilizing bright and modern seating to make dining a unique experience. Famous chairs are used so that guests can feel as though they are sitting on a piece of art.

CONCEPT:Untitled derives from abstract art. It borrows from reality to inspire a new perspective, influencing people to look beyond what is there and to make something out of nothing.

DESIGN GOALS: -Use of Well Building Standards-Universal design standards and accessibility-Design concept driven

LEFT:These floor plans reflect the scope of the design project. The first floor is the main seating area for the restaurant. Seating is a mixture of booth, high top, and regular height throughout the space. The second floor contains the main bar area. The third floor has the grand staircase opening up to the art gallery. Movable partitions allow for flexibility in the layout to adapt to the gallery’s changing needs.

RIGHT:Keeping the Victorian Italianate façade intact while updating the color palette keeps the beauty of the original architecture with a modern twist. Adding a light shelf to the exterior of the building implements daylighting strategies and allows for maximum natural light and minimum heat fluctuation.

Commercial Design

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LEFT:This image shows a view of the front entrance. When guests arrive at Untitled, they are greeted by a maitre’d that stands behind a custom desk. Behind is a large storage closet for guests to place jackets and personal belongings securely while enjoying dinner, drinks, and the art exhibitions. Bright, glowing stilts attract the eye to the grand staircase, creating an artful balance of color and light to entice guests to look beyond what is in their immediate view. Utilizing what would be dead space with artistic stilts and a 51’ view to the top, gives a dramatic new perspective to this abstract space. Free flowing wallpaper bursts with energy, encouraging movement throughout the restaurant. A large waiting area with attractive, modern furnishings finishes out the space and completes the overall feel of the restaurant.

TOP RIGHT:Sketching is a quick way to start getting ideas down on paper in the design process. Shown is one sketch of the main entry way of the grand staircase. Finishes in the space were concept based. This wallpaper added contrast to the bright colored furniture and staircase structure.

BOTTOM RIGHT:The building section shows the relationship of each space within the restaurant. The basement is used for cooking and prep. The main floor is the main seated area for dining. The second floor is the main bar area. The third floor is where the art gallery is located. There are two elevators located near the south side of the building. One is for wait staff and building employees and the other is for patrons of the restaurant and gallery. On the north side of the building is the main entrance where the grand staircase is the main focus. This, ideally, would entice patrons to use the stairs instead of the elevators towards the back of the facility.

LEFT:This image shows a view of the second story bar area from the top of the grand staircase. The bar area is whimsical in shape to reflect the concept and makes having a conversation much easier than a traditional linear shaped bar. With its sizeable scale, there is plenty of seating for a large number of patrons. Famous furniture pieces are used throughout the space to give the feeling of sitting in a sculptural work of art. Seating is also mixed with high tops, booth, and lounge chairs for drinking and eating. Rippling ceiling structures provide acoustical relief and a whimsical light display. These panels come from the top portion of the back bar that curves from bar height to ceiling height. The backlit bottles ascending a curved wall become the main focus of the bar. This assemblage provides lighting for bartenders and patrons alike. A relaxing atmosphere is welcoming and gives a new perspective on how space should be sensed.

CENTER:This plan shows the details of lighting, exit signage, and the sprinkler system. The majority of ambient light comes from LED lights above the rippled ceiling structures with decorative wall sconces and pendants throughout the space with a focus on lighting over the tables and near lounge areas. Accent lights run along the floor perimeter to emphasize the walls and structures. Restrooms have recessed can lights to give ample lighting to the space.

RIGHT:The bar section shows in more detail what the bar would look like and how it could be constructed. Finishes in the space were concept based. The ceiling panels are used for acoustical and lighting purposes. The furnishings added a fun eclectic take on traditional restaurant furniture while meeting commercial finish requirements



LEFT:Inspired by the concept and use of abstract art, the third floor became an art gallery. This image shows a view facing north looking towards the main gallery space and bar area. Movable partition walls and adjustable track lighting make for an adaptable space that can flex to a large array of needs. Seating and cocktail tables are spread out to give guests a break and encourage them to take their time while enjoying the art work on display.

CENTER:This plan shows the details of lighting, exit signage, and the sprinkler system. Because this space is an art gallery, it is necessary that it is flexible. With large quantities of adjustable track lighting, it is ideal for a wide variety of art shows that may use to space. Dimmable recessed cans are an additional layer of light used for ambient light as needed. A handful of pendant lights are above the cocktail bar for task lighting and to help define the space.

RIGHT:Contemporary furnishings kept the space updated and comfortable. The furniture in the space itself is a work of art that really completes the look and feel of the space as intended. The wallpaper draws attention towards the grand staircase to encourage users to explore the space and use the stairs instead of the elevator.

INTERGENERATIONAL CENTER

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Parti Diagram

Parti Diagram

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This project utilized the Eden Alternative and the Greenhouse Approach. The Green House Project approach was used by providing each resident with their own private room and bathroom. This space steps away from the “hospital setting” and creates an environment with an open kitchen, living, and dining room and easy access to the outdoors. Although this building size is larger than a typical Green House home, the small resident occupancy stays true to the overall goal of keeping residents independent and comfortable. With the Eden Alternative philosophy, this space combats loneliness, helplessness, and boredom by encouraging connections with children, plants, and each other. The interior courtyard serves as a spatial connection between the childcare and residents’ living spaces. A snoezelen and physical therapy room allows for continued physical and mental independence.

CONCEPT:Provide support for new life and vitality for individuals and relationships. Allow for growth of focus and life.

DESIGN GOALS: -Utilize the Eden Alternative and Greenhouse Approach-Universal design standards and accessibility-Design concept driven

LEFT:The concept of Revitalize is shown through the concept image. Parti diagrams taken from this image helped with space planning of the facility. Sketching some initial spaces like the childcare encouraged creative thinking.

RIGHT:The main entry into this space is the point where lines and ripples radiate from creating walls, ceilings and flooring patterns. Moving outward, there is direct access to the courtyard which provides entry to the assisted living and childcare spaces. This natural element is the connecting point between the two spaces. The concept played a major part in space planning while also considering spatial relationships between the residents and the childcare facility. The exterior of the building uses the idea of revitalize to push the concept farther. Air lock entries and a light shelf add to comfort for patrons.

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LEFT:The resident room is a contemporary space with plenty of customizable options. Giving residents a chance to place their own personal items within the space allows for an easier transition into the space. Shown is a hospital bed that would be provided. However, with resident comfort in mind, giving them the opportunity to bring their own personal furniture is always an option. Textures add dimension and character to the space which is done through wallpaper and acoustical wall paneling on the accent wall. Two different floorings are shown and this helps define space and wayfinding.

TOP RIGHT:Resident rooms were placed alongside the resident’s main living spaces including the kitchen, dining room, and living space. Additionally, rooms are close to the courtyard to provide extra daylight. Resident rooms that are placed along the longer hallway have benches placed no more than 25’ apart to give residents a place to rest and break. Doorways into the resident rooms were tucked into a small corridor that gave an additional sense of privacy needed for residents to feel safe and more able to relax.

BOTTOM RIGHT:FF&E selections for the space were all picked with sustainability, durability, cleanabilty and safety of all users in mind. Playful upholstery on the lounge seating tie the complementary colors together. A privacy curtain adds an additional sense of privacy to the space. The wave wall panel’s main feature was its acoustical properties. Giving residents a greater sense of acoustical privacy is imperative not only for their comfort, but also for their privacy. Recycled wall paper is stylish and adds texture and color to the space. The bathroom has a large, clear, open plan making it wheelchair accessible. The collapsible shower seat gives the resident even more space when needed.


LEFT:This focus area is suited for toddlers to learn and grow through play. Each child has their own storage space for their belongings upon entry. Moving through the space, there are areas to promote pretend play, small group, arts and crafts and reading. Inclusiveness is key with areas that are enclosed for a lower load environment. Keeping as much natural light in the space helps reduce the need for electrical lighting and the connection to the outdoors. Acoustical elements are added throughout the space to help with noise reduction.

TOP RIGHT:The toddler space was the largest focus area of the childcare facility. Space planning was based upon the concept and really utilized our parti diagrams. Floor, wall and ceiling structures all radiated from a point creating an open feeling. Within the space there are student restrooms, personal storage, large and small group areas, space for eating, including a kitchen, crafting area, quiet space and a large playground that encourages inclusive play for all.

BOTTOM RIGHT:FF&E selections for the space were all picked with sustainability, durability, cleanabilty and safety of all users in mind. The color palette of the entire building stemmed from research and were slightly more vibrant than the assisted living facility while still staying cohesive. Playful upholstery on surfaces kept the space feeling youthful. Hard and soft flooring surfaces helped with cleanabilty and wayfinding. Carpet tiles were essential to keep the space looking clean and fresh and are convenient to fix or repair if damage does occur. Keeping open site lines are important when watching children, but this can create additional noise. Ceiling panels, acoustical hanging panels and drop ceilings in gathering spaces all contribute to a quieter environment.

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Commercial DesignMERCANTILE

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This project was developed around the Pave competition for project requirements. Bank of America is a financial center that was looking for an intuitive and welcoming space for young college students. The goal was to provide a dynamic and flexible open space to allow for a variety of conversations and to rethink the teller experience to create more meaningful interactions.

CONCEPT:Dominoes convert potential energy into energy in motion, channeling the momentum and drive of students to give them the push they need to achieve their goals and aspirations. Each connection pushes students further towards their future, empowering them to discover what they can achieve through impacting their communities and beyond. Sometimes a great start needs a little push in the right direction.

DESIGN GOALS: -Use of branding mechanisms-Universal design standards and accessibility-Design concept driven

LEFT:The concept image was our driving force for space planning and developing technology that could be encorporated into the space for a more user-friendly experience. Snaking Domino tiles help users wayfind.

RIGHT:Students need a simplified way to bank. Glass wall panels are shaped as a common configuration used in complex Domino structures. This shape is carried through to the bike rack for students’ convenience. The glass wall, in addition to clean crisp lines, shows dedication to transparency and simple modern banking. Use of layering and repetition carried through the space emulates to feel of snaking Dominoes. The momentum of wayfinding, privacy screens, doors and seating fuels optimism and determination among staff and students. This is where the initial push begins.

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LEFT:Dynamic and flexible open space will allow for a variety of conversations. The furniture layout has seating for over 10 with the ability to be moved and rearranged as desired. A glass wall further emphasizes transparency and sincerity. This space can be used for educational purposes, group activities, encouraging connections and building relationships among customers and employees of Bank of America.

CENTER:Some banking needs require extra one-on-one advice to answer every question a patron may have. That’s why there is a private space for customers to get the virtual help they desire. There are inviting and secure spaces for personalized conversations. Glass walls and doors inspire transparency while acoustical wallcoverings ensure conversations are confidential. Rotating glass doors are not only inviting, but also provide enough clearance for wheelchair access.

RIGHT:FF&E selections for the space were all picked with sustainability, durability, cleanabilty and safety of all users in mind. The color palette of the entire building stemmed from Bank of America’s provided color palette. Hard and soft flooring surfaces helped with cleanabilty and wayfinding. Carpet tiles were essential to keep the space looking clean and fresh and are convenient to fix or repair if damage does occur. Additionally, wall paneling was used and appealing for its cleanability and its acoustical properties.


LEFT:The ATM’s combine cutting edge technology and high touch solutions to provide a sleek and innovative experience. In lieu of the traditional teller experience, these ATM’s are the primary way to withdraw and deposit money, checks, and make payments. These ATM’s become an essential extension of their online banking. No extra fees will be required, even from those who are not members of Bank of America. This encourages everyone on campus to utilize Bank of America’s ATM’s. Exterior ATMs are provided for convenience with retractable privacy screens that allow for speedy banking experience between classes.

CENTER:Teller experience is welcoming and intuitive for customers. With streamline transitions between teller experiences, tellers have more time to focus on connecting with the customers and creating meaningful interactions. After check in at the high tech touch screens, wayfinding ceiling Dominoes can lead them to the space that is fundamental to their banking needs.

RIGHT:FF&E selections for the space were all picked with sustainability, durability, cleanabilty and safety of all users in mind. The color palette of the entire building stemmed from Bank of America’s provided color palette. Hard and soft flooring surfaces helped with cleanabilty and wayfinding. All fabrics that were placed on seating surfaces are commercial grade.


Located in Mount Pleasant, Michigan, the Gursky residence is a ranch style house built in 1975. The Gursky’s are a family of four. The clients needed assistance with remodeling the kitchen, master bedroom, master bathroom, and a guest full bathroom. In addition, specification of the furniture and materials of the living and dining room were desired to achieve a cohesive design.

DESIGN GOALS: -Clear sight lines -Universal design standards -Accessiblity

LEFT:This image shows the main space that was remodeled in the Gursky residence. The Gursky’s requested all base cabinets, with the exception of a built-in needed for their appliances. A large island for food prep and a table height bar eating area maintains the kitchen the heart of the home.

RIGHT:This image is of the livingroom. The wallpaper was the inspiration for the color palette used throughout the home.

Residential DesignGURSKEY

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LEFT:A kitchen for a chef was requested by the client. With the intention of opening up the kitchen, living room and dining room, it was important to keep all the spaces cohesive. The large island gave the family of four a chance for an informal hangout space. The bar height of the counter was dropped down to keep it ADA accessible. A custom light fixture was designed for the kitchen island and the dining room.

TOP RIGHT:AutoCAD elevations of both kitchen walls and the kitchen island helped show the specific cabinets that were picked and the spacing of them. A large window was placed directly behind the skink to let in a lot of natural light and to provide a view to the beautiful forested backyard.

BOTTOM RIGHT:Contemporary and warm finishes kept the space clean and modern. The kitchen will be timeless.


LEFT:The master bedroom was made to be a retreat. Luxurious end tables, accent chair and storage dresser were picked to elevate the space. To add interest and color, a feature wall that cascades onto the ceiling added dimension to the bedroom.

TOP RIGHT:Staying cohesive with the master bedroom finishes, this space reflects elegance. Fun tile adds some eclectic taste to the space. A walk-in shower, large floor space, and large door openings allows for the clients to age in place. ADA accessibly was important to the homeowners.

BOTTOM RIGHT:An elevation of the master bath shows the relationship to the master closet. The entry was placed in the master bathroom to help eliminate the doors in the master bedroom.


Residential DesignART DECO

This project investigates concept development, design process, space planning, residential codes, and modeling as a tool in design thinking and presentation. The client for this project was a single, 38 year old professional. The Loft was located in the McGraw Hill building which is a multi-story building in NYC. The client outlined a few of their requirements for the design of the loft, which included a large social entertainment space, open kitchen, master suite, and work area.

DESIGN GOALS: -Showcase design concept of “Mass and Void”-Large open space for entertainment-Cohesive design style with desired time period LEFT:Shown are the rendered floor plans of the two-story loft. Making the most of the high ceilings was essential to make the space feel larger. Creating pockets of relief with ceiling height change were necessary to enhance the feeling of mass and void. The color palette used was reflective of the Art Deco color palette with a modern twist.

RIGHT:This hand rendered perspective was the main entertainment space. Art Deco inspirations can be seen from material choice and color scheme. An open floor plan with clear sightlines adds to the concept of void. A leather sofa makes the space feel masculine, but is brought back with soft commercial grade velvet dining chairs that are not only durable, and cleanable but look rich and decadent.

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LEFT:A model of the space was built to recreate a physical representation of the loft. This was helpful in developing a concept and pushing it farther. Once the model was built, it was clear that there needed to be more openness to push the idea of mass and void. That is why, when entering the space, there is a two-story foyer with lighting that draws your eye up and illuminates the entire space. Additionally, it shows the relationship of light, shadow, openness, and confinement.

CENTER:The bubble diagram shows initial spatial relationships in the developmental stages. Adjacency diagrams were used first to help develop essential spatial relationships. Deconstructing an Art Deco motif and reconstructing a new and more modern motif, was the driving force of this project. Concept images generated by printmaking became inspiration for the second floor’s connection to the first floor. To reinforce this connection inset LED light strips were placed to push the concept forwards.

RIGHT:The idea of mass and void was reinforced by accentuating the ceiling height change with lighting that extends from first floor to second. This isometric cad drawing shows spatial relationships and moments of relief.

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Design Foundations

The use of color in interior spaces requires creativity and judgement that comes from experience and knowledge of color theory. Understanding the relationship of primary, secondary, and tertiary colors is crucial to a successful design.

DESIGN GOALS: -Utilization of color theory-Relationship of analogous & complementary-Color harmony in design

TOP ROW:These images demonstrate knowledge of color theory and how color relates to one another. Samples of architectural lettering are shown to demonstrate important foundational skills that are the building blocks of a successful designer. Before learning AutoCAD, hand drafting is essential in understanding relationship of line weights.

BOTTOM LEFT:Formal living space was designed for the Kravet student competition. All fabrics specified were from the manufacturer. Bright colors play off warm flooring and a bright view to the outdoors.

BOTTOM RIGHT:This “color wheel” is an abstracted illustration of 12 hues with multiple tints, shades of grey, along with shadows and highlights of each color.

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COLOR UTILIZATION & VISUAL COMMUNICATION

Page 31 | Design Foundations | Color Utlization & Visual Communications Page 32 | Design Foundations | Color Utlization & Visual Communications

Design FoundationsMODEL MAKING & CONCEPT DEVELOPMENT

These projects demonstrate the understanding of the creative and conceptual design process through visually strong and meaningful three-dimensional forms. There is recognition of the physical relationship between environmental design and human scale. Application of basic design elements and principles and the use of design concepts, materials, and model building techniques show application to commercial and/or residential interiors.

DESIGN GOALS: -Develop design concepts-Incorporate design vocabulary visually-Good craftsmanship

LEFT:Approximately a 12in x 12in x 12in model with no defined scale. No program, just a visually interesting model using design words as guidance.

CENTER:This is a cultural ritual project that required two spaces separated by a wall. One space is a transition space; one is a place where the ritual would take place. Pictured is the ritual space. In-depth research of ritual was necessary to find “the big idea” and design words essential to the model making process.

RIGHT:Shown is the exterior of the ritual model. Change in roof height helps transition the person from the outside world and prepare them for the ritual taking place.

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ProfessionalExperienceINTERNSHIP

Professional experience is important to gaining more of an understanding fo the employment opportunities after graduation. Working for B-Squared Design Studio allowed me to learn from an architect who runs an Architectural Design & Planning Services firm specializing in remodeling & additions. B-Squared Design Studio offers professional advice and visualization services to help you to “see it before you build it”. Additionally, their tool of choice is SketchUp, which is a powerful 3D computer modeling program that allows homeowners to explore options and make decisions prior to starting a building project.

LEFT:Images of a commercial space that were produced during my summer internship program. These images were used in marketing a possible project that was being proposed and fundraised.

CENTER:A marketing flyer is handed out to potential clients at Mid-Michigan home shows. The images within the flyer are of a final kitchen design and the model produced for the client to help them make decisions.

RIGHT:Color palette inspiration boards were made to show the client different ways to decorate their space.

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Page 35 | Professional Experience | Internship Page 36 | Professional Experience | Internship

Portfolio - cmich.edu Le… · Portfolio [email protected] | (989) 506-0043. Commercial Design RESTAURANT PAGE 1-8 01 Commercial Design INTERGENERATIONAL PAGE 9-14 Commercial Design

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