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C A R L Y C L O N I N G E R P F A H L 1801 Lake Avenue ap t . 324 | Knoxv i l l e , TN | 37916 7 0 4 . 6 0 7 . 3 5 6 6 | c p f a h l @ u t k . e d u

architecture 01graphic design 31

drawings 37

r c h i t e c t u r e

culinary arts center 03 childrens nursery 09

arista records 15integrations 23

01culinary arts center

fourth year studiospring 2011

The Culinary Arts Center is a cen-ter to support the development of the culinary arts and nutritional sciences in the East Tennessee Region. The center is a catalyst in transforming the food industry by preparing an educated workforce, providing access to regional foods, test and demonstrating best practices in food prepara-tion and use of nutritional knowl-edge, and supporting family by education programs in growing and preparing food. The center is a retail food market that provides fresh and prepared foods based

on regional ingredients, cultural traditions, and nutritional knowl-edge. The farmers market in-cludes the sale of regional based seasonal foods, sale of pre-prepared foods, sale of regional foods, sale of items to support the preparation of regional foods, integration of culinary and nutri-tional knowledge as part of the retail experience, and the em-phasis on family meal prepara-tion and passing on of cooking techniques between generations.

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entry level floor plan on jackson avenue

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section through outdoor seating, the market, and gay street

The Culinary Arts Center is lo-cated in downtown Knoxville, TN on the corner of S. Gay Street and Jackson Avenue. The loca-tion is a very desolate, and lacks substance that would allow the area to be activated. The design of the Arts Center creates a bea-con that desires to draw people into the area, creating a more desirable atmosphere in which the community would want to in-habit. The building it self is very transparent allowing it to be acti-vated both day and night, as well as creating a visual connection to the area, and essentially back to downtown Knoxville. The pro-gram includes a small cafe with a loft lounge and patio seating, the market, and a test kitchen on the ground floor.

site design process

section through loft and cafe

loft perspectiveexterior night perspective from corner

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back exterior perspectiveperspective of cafe loft from entryback of market perspective

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section through market and viaduct

02childrens nursery

second year studiofall 2008

The childrens nursery is a day care facility located in down-town Knoxville Tennessee. It is located in Emory Place on the corner of East 4th Avenue and North Central Street. The site faces an existing parking lot used for the adjacent buildings in Emory Place. This area is in a very convenient location which is easily accessible to the ad-jacent neighborhood as well as a short drive for those living in Fort Sanders and downtown Knoxville. The design intent for the building was to create

a functional space for both the caretaker and the child. The is-sue of scale is very important for designing spaces that are meant to be inhabited by chil-dren. Moments of lower ceiling height and tight secure spaces were incorporated into the design to give the children a sense of security and comfort. In contrast, the large sculptural staircase that occupies the front corner of the building serves to be an area of refuge where par-ents and their children alike can occupy simultaneously.

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ground floor plan

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photographs of model that was fitted into larger site model

third floor plan entry elevation

graphite rendered side elevation

axon 1/32=1

04arista records

fifth year studiofall 2011

Arista Records is a mixed-use recording label office building located in the heart of Midtown and Music Row in Nashville, Ten-nessee. The site is located on the round-a-bout where Division Street and Demonbreun Street intersect with Music Square East and 16th Ave. The program has extended itself to include dance studios, musical instruction stu-dios, rehearsal rooms, open of-fice spaces, public and private recording studios, condos, and restaurant and retail spaces. The building strives to Create a visu-

ally pleasing atmosphere to draw people to the area, maintain the street edge and the atmosphere of Midtown and Music Row, ac-tivate the street during the day as well as at night, and create and maintain existing views to down-town Nashville. A 9 story tower sits on axis with the round-a-bout and serves as an intriguing bea-con that will attract people to the area. The tower is clad in mostly transparent glass to allow a visu-al connection to the pedestrians on the street and the occupants of the interior spaces.

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front elevation looking from round-a-bout

section through tower and public studio spaces

lobby

museum gallery

restaurant | bar kitchen

patio

museum entry

museum store

display area

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typical below grade parking floor plan restaurant and museum ground floor plan

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typical public studio and office floor plan residential and exterior courtyard floor plan

view of building from driving the round-a-bout

The building holds the street edge with a double height res-taurant bar and a retail store to allow engagement with ve-hicular and pedestrian traffic. A roof garden is accessible to the condo residents to allow an area of relaxation, a roof top terrace on the tower frames views to downtown as well as Music Row, and private balconies and patios are incorporated throughout the building to create connections to the city. Underground parking is accessible from the back of the building, and also serves for parking for the restaurants across the street.

north west office elevation

section through offices and public recording studios

03integrations

fourth year studiofall 2010

The integrations project is a LEED silver certified office building that focuses on creat-ing an energy and spatially effi-cient headquarters in downtown Knoxville, Tennessee. The focus of the integrations studio is to design all the building systems in accordance with the LEED certification guidelines. The four story office building con-tains a street level restaurant subtracted from the street to al-low patio seating and interaction with pedestrian traffic, an exte-rior occupy-able stair for em-

ployees and pedestrians to sit and enjoy the outdoors, 3 floors of open office space which in-corporate private and executive offices, and outdoor patios on every floor to allow access to views downtown. To allow for the maximum amount of natu-ral light the exterior bays have a raised ceiling, an entry atrium extends through all four floors, and 6 roof monitors allow extra light into the fourth floor.

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longitudinal section through atrium and hallway

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transverse section through private offices

The HVAC system is operated by two separate VAV systems on each floor, one for each side of the building. The HVAC ducts run exposed above the circula-tion that loops the double col-umn structure system. In order to control the amount of heat gain and loss, a low-emissivity glass curtain wall system is used with the incorporation of green screen systems on the North-West and the South-East facades.

F O U N D A T I O N . A S S E M B L Y

OUTDOOR PATIO

COLUMN

KAWNEER 1600 WALL SYSTEM 2 GLAZING 5.9 DESSECER

STEEL ANGLES ATTACHED TO COLUMN TO ACCOUNT FOR LATERAL LOAD

JOINT FILLER

EXPANSION JOINT

1 POLISHED CONCRETE FINISHED FLOOR

6 SLAB ON GRADE

PERFORATED DRAIN PIPE

RIGID INSULATION

2 SAND

VAPOR BARRIER

4 GRAVEL BACKFILL

CONCRETE SPREAD FOOTINGS BEYOND

wall section cut through patio and front offices

R O O F . A S S E M B L Y

METAL FLASHING

ALUMINUM HOLDER FOR CABLE GREEN SCREEN SYSTEM

PLANTER FOR VEGETATION GROWTH

8 CURTAIN WALL ALUMINUM PANEL WITH 6 INSULATION

INSULATED ALUMINUM PANEL SLIDES PAST ROOF TO FORM PARAPET

CONCRETE ROOF PANELS

6 COMPOSITE METAL DECKING

FIRE PROOFING

STEEL ANGLE TO CONTAIN CONCRETE

PRIMARY WIDE FLANGE GIRDER

SECONDARY WIDE FLANGE BEAM

W A L L / F L O O R . A S S E M B L Y

KAWNEER 1600 WALL SYSTEM 2 GLAZING 2x 5 ALUMINUM MULLIONS

2.5 ALUMINUM WINDOW SEAL

CABLE GREEN SCREEN SYSTEM

GYPSUM BOARD PAINTED WHITE

8 INSULATED METAL CURTAIN WALL PANEL AT EACH FLOOR LEVEL

3 METAL STUD

1 POLISHED CONCRETE FINISHED FLOOR

METAL CLIP

5 COMPOSITE METAL DECKING SPANNING 10

STEEL WIDE FLANGE BEAM 10 o.c. EXCEPT AT PERIMETER

STEEL WIDE FLANGE GIRDER 25 o.c

FIRE PROOFING

south west elevation from back courtyard

north east elevation

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r a p h i c d e s i g n

magazine spread 33poster design 35

" O N E WAY TO TA K E I N T H E M A I N A RT I C U L AT I O N O F

T H E H O U S E I S TO WA L K T H E W H I L E L E N G T H O F T H AT

".DESABSINALPEHTHCIHWNOERAUQSLANIGIRO

I t was the beginning of a process which Antonio Aver l ino, a Florent ine sculptor-archi tec t known as Fi larete, descr ibed about 1460 in h is romanced archi tec tural t reat ise: as any man who wants to have a chi ld wi l l need a woman to bear i t , so anyone who wants to bui ld wi l l need an archi tec t in whose mind he might p lant the seed of the bui ld ing, to be nur tured there much as the chi ld is nur tured in the womb. The int imate process Fi larete descr ibed is rare enough nowadays, but i t does appear, however, that in the case of Sandy and Lou Grot ta work ing wi th Richard Meier, a house was brought for th which answered the c l ients ever y par t icular need. The

last d iv is ion gave him the diminsion of the paving t i les which recur throughout the house, both in and out . Such decept ively s imple dec is ions, as wel l as his re l iance on the formal e lements which are par t of h is normal reper tor y have never theless led Meier to ar t iculate a seemingly complex space. He has done th is in par t by play ing of f against even numbers of the modules. The hub of the whole layout is a cy l indr ical vo lume, hal f of which is g iven over to the double -height l iv ing room. The rest of the p lan was developed f rom a contrast between the cy l inder and a rec tangular b lock adjo in ing i t , so that the geometr y of the cy l inder is ar t iculated by (and mar r ied to) a net

formed by the rec t i l ineal layout which governs the rest of the house. This contrast in the geometr ies turns to a p lay of mater ia l sur face and color on the outs ide of the house: the cy l inder (as wel l as the ex ter ior walkways) are sheathed in whi te enamel panels, the or thogonal par ts are ei ther in grey enamel or in darker grey ground- faced concrete blocks. One way to take in the main ar t iculat ion of the house which is organized on a l ine running approx imately f rom nor th to southis to walk the whi le length of that or ig inal (not ional) square on which the p lan is based. Where i t meets the nor th edge, i t is marked by the ent r y into a covered

passage (backed by the carpor t), which ac ts as the porch that br ings the v is i tor to the f ront door. As you pass through the door, you enter the body of the cy l inder about which the house revolves. But the v iew through i t a l lows you to look beyondto the path which leads to a gazebo. That ver y air y gazebo marks the southern border of the bui l t ter rain.On coming into the cy lander, you wi l l f ind the necessar y coat c loset and ser v ices on your r ightas wel l as a passage that gives access to the inner rooms.

program which the Grot tas gave Meier and the si te condit ions together became the seed of his concept ion.Meier took the hemicyc le of the western woods as one hal f of a not ional c i rc le into which he inscr ibed a square. Where the diagonals of the square crossed each other, he set the center of the house. The s ides of the square he subdiv ided into s ix teen modulessix teen ( the f i rst cude on the f i rst square) being V i t ruvious per fec t number, though th is per fec t ion may only be coinc idental . By subtrac t ing one module f rom the whole square, Meier obtained the shi f t ing diagonals on which the p lan is e laborate. And he fur ther d iv ided each module into four sub -uni ts. This

view of home from the south

view of living room at dusk view of home from the southeast

view out from circular living room

M E I E RR I C H A R D

G R O T T A H O U S E When Louis and Sandy Grot ta dec ided to bui ld a house on the s i te they had found in Harding Township, not far f rom their o ld home and their work, there was l i t t le hesi tat ion about how to f ind the archi tec t . Lous Grot ta had grown up together wi th Richard Meier and they had remained f r iends. When they v is i ted the s i te together Meier immediate ly saw how the lay of the ground and the wooded hi l ls ide, which hal f - r inged i t , could prov ide a per fec t set t ing for a house. I t was open towards the east and south, whi le the wooded hi l ls to the nor th was west conf igured themselves into a k ind of theat re f rom which the inhabi tants of the house might look over the meadow and i ts l i fe.

B Y : D A V I D R E V E R E M A C F A D D E N

front facade with walkway

02magazine spread

fourth year graphic designspring 2011

The double-page magazine spread project aims to reflect the architectural style of Richard Meier and his design of the Grot-ta House. The magazine spread aims to be simple and clean. The use of rectangular text boxes, negative space, light color pal-ette and regulating lines were used to display Meiers geomet-rical design style, color scheme, and clean lines used throughout the design of the house, and the landscape surrounding it.

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TA A S T 2012

U N I V E R S I T Y O F T E N N E S S E E C O L L E G E O F A R C H I T E C T U R E + D E S I G N

SATURDAY MARCH 3Kickballcherokee park 11 am

SUNDAY MARCH 4Thumbtack Throwing Contest- CSIreading room 5:30 pmBanner Hanging- DSACfourth floor balcony 7 pm

MONDAY MARCH 5Lecture: Alberto Perez-Gomezroom 109 5:30 pmSilent Auction Begins- DSAC

TUESDAY MARCH 6Interview Daydunford hallId Showcase Reception- ASIDatrium 6 pm- 8:30 pmSilent Auction

TA A S TU N I V E R S I T Y O F T E N N E S S E E C O L L E G E O F A R C H I T E C T U R E + D E S I G N

2012

WEDNESDAY MARCH 7Interview Daydunford hallNewlywed Game- AIASauditorium 7 pmSilent Auction

THURSDAY MARCH 8Lecture: Marc Neveuroom 109 5:30 pmInterview Daysdunford hallSilent AuctionCan Drive Ends- DSAC

FRIDAY MARCH 9Can-structarama- DSAChumanities plaza 11am- 3 pmGeneral Shale Lecture- Peter Cardewroom 109 5:30 pmSilent Auction Ends

SATURDAY MARCH 10Beaux Arts BallSassy Anns 8 pm- 12 pm

SUNDAY MARCH 11Nomas Event 4 pm

03poster design

fifth year graphic designfall 2011

The TAAST poster and t-shirt are designed for The Annual All-College Spring Thing, which is a week-long event full of activities, games, lectures, celebrations, and job interviews for the archi-tecture and interior design stu-dents. Many firms from Knoxville come to interview and participate in the various activities. The con-cept for the poster is showing a map of Knoxville to display how TAAST week is a campus and Knoxville-wide event, and how it centers in on the Art + Architec-ture building.

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r a w i n g s

constructed shadow 41column 39

01perspective

ink + prismacolor on mylarfirst year drawing studio

fall 2007

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02constructed shadow

pencil on bristol boardfirst year drawing studio

fall 2007

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