LAURA BAILEY DESIGN
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LAURABAILEYDESIGN
in order to be irreplaceable one must always be different- coco chanel
5 ABOUT
6 HOSPITALITY retail salon restaurant hotel restaurant bar
22 Commercial
28 Performance
34 Hospitality
40 Conceptual
44 CONSTRUCTION DOCUMENTSCO
NTE
NTS
ABO
UT I have had the opportunity to work with several areas of commercial design from retail
to hospitality to performance space. When we first enter the program, the curriculum revolves around conceptual design. I believe that my first semester of concentrating on conceptual design has helped me to place special emphasis on the specific space, aesthetics of the space, and the way the general public interacts in the space; thus, the construction of the project becomes the model of my design process.
Hospitality, residential, and historical preservation projects have gained my interest throughout my years in school. I hope to concentrate on these areas of commercial design in the future. When Kenneth Brown, from Kenneth Brown Design in Los Angeles, instructed our class to redesign a boutique hotel, I delved into the area of material selection and connected the materials I found with the concept of the space. The product does not always dictate the space but rather collaborates and enhances the idea to create a physical model.
We venture to a place where we can escape from the challenges and pressures of everyday life to a life full of luxury and fashion. A place where our sheets are turned down at night, celebrity-star hair and makeup is customary, and our outdoor deck is where you find all your friends. While sipping on champagne, overlooking Central Park with your friends, you can hear and experience the busy city life. At Arlo, yoU can experience an elegant, timeless atmosphere that is not of the past but of a new generation that is trying to keep up with like-minded designers and art gurus.
ARLO
HO
TEL
In New York City, a vast majority of boutique hotels were launched in the mid 90s in parts of Manhattan, such as SOHO, TriBeCa, the Meatpacking District, and Chelsea. Manhattan grew rapidly in its downtown neighborhoods; this area is also where a dominant number of younger people congregate to live and dwell. The Upper East Side is known as the high-end residential neighborhood, particularly around 79th Street. Many families reside in this area due to its quieter surrounding. However, the Upper East is home to many museums, art galleries, shopping, and restaurants where the younger generation assembles to for new exhibitions in the Metropolitan Museum of Art or to hear a live, free music concert in Central Park. In order for the Upper East to see an expansion in its demographic of young people, the essence of what is fashionable, hip, and luxurious needs to be established for current New Yorkers and world travelers. 995 Fifth Avenue is a high-end residential apartment building located on the corner of 81st Street and Fift Avenue, across from the Metropolitan Museum of Art. My problem is to convert this residential residence into a boutique hotel that includes a salon, rooftop bar, restaurant, and designer retail stores. With research and understanding of the younger generation’s social behaviors, the design will successfully produce a built environment that satisfies their desires of a high-end luxury environment that is inexplicably different from all other institutions. Thus, the Upper East Side will see an influx of a new demographic.
Problem Statement
ARLONYCTOP LOBBY FLOOR OF THE HOTELLEFT RAG AND BONERIGHT HAUTE HIPPIE
RET
AIL
ARLONYC
TOP FIRST FLOOR OF THE HOTEL
RIGHT GRAPHIC DESIGN LOGO
BOTTOM REFLECTED CEILING PLAN
ARLONYCRIGHT THE ONE WOMEN’S SALONBOTTOM THE ONE MEN’S SALON
SALO
N
ARLONYC
TOP SECOND FLOOR PLAN
MIDDLE LIGHTING DETAILS
BOTTOM REFLECTED
CEILING PLAN
ARLONYCRIGHT PETITE FRITE WAITING AREABOTTOM PETITE FRITE DINING AREA
PETI
TE F
RIT
E
ARLONYCTOP THIRD FLOOR PLANMIDDLE LIGHTING DETAILSBOTTOM REFLECTED CEILING PLAN
ARLONYCTOP LOBBY SITTING AREABOTTOM CONCIERGE DESK
LOB
BY
ARLONYCTOP FOURTH FLOOR PLANMIDDLE LIGHTING FIXTURESBOTTOM REFLECTED CEILING PLAN
ARLONYCTOP LEFT HALLWAYTOP RIGHT BEDROOMMIDDLE FOYERBOTTOM LEFT MASTER BATHROOMBOTTOM RIGHT LIVING ROOM
GU
ESTR
OO
M
ARLONYC
TOP FIFTH FLOOR PLAN
MIDDLE ELEVATIONS
BOTTOM REFLECTED
CEILING PLAN
ARLONYC
TOP DINING AREA BOTTOM DINING AND
BAR AREA
LEN
NO
N’S
ARLONYC
TOP SIXTEENTH FLOOR PLAN
MIDDLE LIGHTING DETAILS
BOTTOM REFLECTED
CEILING PLAN
ARLONYCTOP LEFT OUTSIDE BAR TOP RIGHT BARMIDDLE OUTSIDE SEATINGBOTTOM LEFT PRIVATE SEATINGBOTTOM RIGHT ENTRANCE HALLWAY
WIT
AN
D W
HIS
KEY
ARLONYC
TOP SEVENTENTH FLOOR PLAN
MIDDLE LIGHTING DETAILS
BOTTOM REFLECTED
CEILING PLAN
At Eclipse, our mission is to create elegant, classic environments which concentrate on improving and highlighting the existing structure relevant to a specific region.
Eclipse balances structure and function. Employees network with each other and collaborate around central areas. The office is designed in accordance with its mission statement by utilizing the existing space before constructing any new entity. Baton Rouge’s architecture is highlighted throughout the space. Natural lighting and accent lighting accentuate columns, moldings, and floors. By utilizing a simple color palette of white, black, and grey, special emphasis is placed on the space.
CONCEPT Statement
ECLI
PSE
The lighting design focuses on the layout of the space by directing guests and employees from one end to the other. The design also highlights special key areas such as collaboration spaces and the kitchen.
LIGHTING CONCEPT
ECLIPSEBATON ROUGETOP STAIRCASEMIDDLE CONFERENCE ROOMBOTTOM ENTRANCE/ SECRETARY’S DESK
UP
UP
UP
3 6 9 12 15 18 ft
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8' A.F.F.
12' A.F.F.
12' A.F.F.
14' A.F.F.
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TECLIPSEBATON ROUGE
TOP FIRST FLOOR PLANMIDDLE ELEVATIONS
BOTTOM REFLECTED CEILING PLAN
ECLIPSEBATON ROUGETOP OPEN OFFICE SEATINGBOTTOM DOUBLE HEIGHT/ MEZZANINE VIEW
DO
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DO
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UP
UP
3 6 9 12 15 18 ft
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3 6 9 12 15 18 ft
10' A.F.F.
7' A.F.F.
6' A.F.F.
8' A.F.F.
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ECLIPSEBATON ROUGE
TOP FIRST SECOND PLANMIDDLE ELEVATIONS
BOTTOM REFLECTED CEILING PLAN
WitH the implementation of a unified design, I combined eclectic, mid-century furniture with contemporary style pieces. To unify the exterior and the interior, I created a cool color palette that is calming but also invigorating which will transform the Blevins Building into a beacon of light for a new future.
BLE
VIN
’S B
UIL
DIN
G MISSION Statement
The Blevin’s Building in Franklin, LA is a historical landmark constructed in 1920; in the past, the space served as an automobile dealership selling old Model T’s. Currently, the Blevin’s Building serves as parish offices, including the Chamber of Commerce, the State Senator’s office, and the Louisiana Workforce Commission. With the help of Main Street Projects Organization, the community of Franklin hopes to recreate a piece of history into a performance theatre and gallery.
A small community takes pride in the little details which make their town unique. The aspirations and hopes for a revived community radiate life and excitement to all involved in the process. To generate this restoration, the focus of the design should concentrate on wholeness by fusing the past with the present.
To mimic the Anglo Saxon style of the town, I looked to Charleston, SC and the colorful, restored buildings located in its downtown area. The city underwent a restoration of its historical buildings that has taken 13 years to complete. This journey has preserved history and has enhanced the beautiful landscape of the port city. Thus, I developed a plan to preserve the building and its architectural details. Not only was it important to preserve the building, but the design also concentrates on the landscape of the bayou.
BLEVINS BUILDINGFRANKLINTOP EXTERIOR VIEW FROM MAIN STREETMIDDLE GARDEN TERRACEBOTTOM EXTERIOR VIEW FROM MAIN STREET
FIR
ST F
LOO
R
ECLIPSEBATON ROUGE
TOP BUBBLE DIAGRAMABOVE FIRST FLOOR PLANRIGHT TRAVERSE SECTION
BOTTOM LONGITUDINAL SECTION
BLEVINS BUILDINGFRANKLIN
TOP OFFICEMIDDLE CONCESSIONS
BOTTOM IN THE ROUND THEATER
SEC
ON
D F
LOO
R
ECLIPSEBATON ROUGE
TOP OFFICE FLOOR PLAN PROPOSAL
BOTTOM APARTMENT FLOOR PLAN PROPOSAL
With direction from Kenneth Brown, of Kenneth Brown Design, a Los Angeles based firm, I redesigned the 7 Fountains Hotel in West Hollywood, CA. After completion, I was awarded first place and a scholarship for my design solution.
LEIG
H H
OTE
L MISSION Statement
A clashing of opposites, which work harmoniously together is a natural phenomenon that is attractice and fascinating to observe. The design will help to inculcate the balance of inverses so that they work together to become a dynamic, edgy environment. Leigh Hotel transmits a cathedral haven that is combined with modern Navajo influences to create a vibrant, sensual environment that is pleasing to all the senses.
The hardwood floor becomes softer, more romantic by red Perisan rugs and inkblot wallcoverings. Navy, black, and brown colors combine with the more idealistic, warm colors of mustard yellow, turquoise, orange and red accents. The LA citygoer comes home to his past but keeps his onlook of new trends in this rustic retreat.
LEIGH HOTELWEST HOLLYWOODTOP RECEPTIONBOTTOM BAR
LEIG
H H
OTE
L
12
Elevations1/8” - 1’0” 12
Elevations1/8” - 1’0”
LEIGH HOTELWEST HOLLYWOOD
TOP RECEPTION FLOOR PLAN AND
ELEVATIONS BOTTOM BAR FLOOR
PLAN AND ELEVATIONS
LEIGH HOTELWEST HOLLYWOODTOP LIVING ROOMBOTTOM MASTER BEDROOM
GU
EST
SUIT
E
16
Floor
Plan
1/8” -
1’0”
18
Elevations1/4” - 1’0”
24
Elevations1/4” - 1’0”
LEIGH HOTELWEST HOLLYWOOD
TOP GUEST SUITE FIRST FLOOR PLAN
MIDDLE ELEVATIONSBOTTOM GUEST SUITE
THIRD FLOOR PLAN
WITHIN THIS INNERMOST CIRCLE THERE ARE ALREADY BLOSSOMING - THOUGH IT IS HARD TO DISCERN THEM - THE NEXT OLINDA AND THOSE THAT WILL GROW AFTER IT.- ITALIO CALVINO
OLI
ND
A MISSION Statement
The project is based on Italio Calvino’s Invisible Cities. The problem was to choose a short story from the book and create a city expressing the significant attributes that make the city unique. To supplement our study of space planning, we were instructed to design a building that is significant to the city and the citizens who inhabit this imaginary area.
Olinda is centered around a new blooming Olinda; the older buildings have been pushed to the parameters of the city - making them larger because of their age and the new growth blossoming in the center. The city is centered around a nuclei, the center of development for new neighborhoods and project developments.
olindaTOP LEFT VIRTUAL MODELTOP RIGHT BIRD’S EYE VIEWBOTTOM DETAIL PERSPECTIVE
OLI
ND
A
OLINDATOP LEFT PARTI
DIAGRAMTOP RIGHT CITY PLAN
BOTTOM LEFT CIRCULATION DIAGRAMS
BOTTOM CENTER CEILING PLAN
BOTTOM RIGHT FLOOR PLAN
Within a semester class, a full set of construction documents were developed for a residential home with a commercial office space. These documents were created in AutoCAD and included a cover sheet, ADA requirements, floor plan, floor finish plan, FF&E plan, room finish schedule, window and door schedules, elevations, enlarged kitchen elevations, details, and kitchen details.
2'-5
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12'-1
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FLOOR PLAN
AS NOTED
M. EDMONDS
LAURA BAILEY
THESE DRAWINGS ARE THE PROPERTY OFYOUR NAME INTERIORS AND ARE NOT TO BEREPRODUCED IN WHOLE OR IN PART. THEYARE ONLY TO BE USED FOR THE PROJECTAND SITE SPECIFICALLY IDENTIFIED HEREIN.
SCALES STATED HEREON ARE VALID ON THEORIGINAL DRAWINGS ONLY. CONTRACTORSHALL CAREFULLY REVIEW ALL DIMENSIONSAND CONDITIONS SHOWN AND REPORT TOTHE DESIGNER ANY ERRORS,INCONSISTANCIES, OR OMISSONSDISCOVERED.
THESE PLANS WERE PREPARED IN THISOFFICE UNDER OUR PERSONAL SUPERVISIONAND TO THE BEST OF OUR KNOWLEDGECOMPLY WITH STATE AND LOCAL CODES.
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1N
85'-6"
52'-7
1 4"
MASTER SUITE
MASTER BATH
SHWR.
W.I.C.
BATH
GUEST BEDROOMFOYER DINING ROOM
GRAND ROOM
BREAKFAST
KITCHEN
PANTRY
PWDR.
LAUNDRY
COATS
BUTLER'SPANTRY
24'-3"
6'-1034" 10'-21
4"
7'-1
13 4"7'
-31 2"5'-113
4"
5'-0
1 4"
3'-4
"11
'-81 2"
5'-3
1 4"8'
-91 2"
5'-8
1 2"17
'-91 2"
K.S.
50.07 SQ YD450.65 SQ FT
37.77 SQ YD339.90 SQ FT
11.38 SQ YD102.39 SQ FT
12.40 SQ YD111.59 SQ FT
25'-1014" 41'-113
4"
6'-9
1 4"
12'-3" 9'-814" 3'-11"
16.55 SQ YD148.99 SQ FT
14.56 SQ YD131.06 SQ FT
21.09 SQ YD189.84 SQ FT
3.08 SQ YD27.69 SQ FT
2.37 SQ YD21.30 SQ FT
71'-412"
8'-812" 1'-21
2"
3'-912" 3'-91
2" 5'-512" 2'-10" 2'-91
2" 7'-2" 3'-912" 3'-91
2" 4'-10"
14'-334"
2'-1
03 4"
9'-10"
8'-11"
5.47 SQ YD49.21 SQ FT
1.19 SQ YD10.67 SQ FT
W.
D.
12'-8
1 2"
12'-0"
10'-012"
12'-1
1 2"
14'-9"
12'-1
1 2"
8'-7"
4'-1
1 4"
5'-612"
5'-0
"
5'-3
3 4"
5'-612"
44.64 SQ YD401.76 SQ FT
ISLAND
2.33 SQ YD20.94 SQ FT
28.64 SQ YD257.72 SQ FT
28.78 SQ YD259.05 SQ FT
OFFICE
WAITING ROOM
RECEPTION DESK
CONFERENCEROOM
RESTROOM
7.08642 SQ YD63.7778 SQ FT
16.2621 SQ YD146.3594 SQ FT
8.72298 SQ YD78.5069 SQ FT
6.9874 SQ YD62.8056 SQ FT
13.8271 SQ YD124.4444 SQ FT
47'-3
1 4"
14'-1
13 4"
5'-7
"
6'-11"
10'-1
11 2"7'
-91 4"
19'-414"
26'-5
3 4"
19'-6"
24'-6
1 2"
6'-1
11 4"6'
-0"
6'-1
11 4"
5'-4"
8'-9
1 4"
11'-5"
20'-0
1 2"
5'-3" 5'-3" 3'-7"3'-7"
7'-0
" 3'-1014"
7'-1134"
2'-0
"
4'-0"7'-1112"
1'-11"
4'-114"
4'-6
1 2"
6'-312"
5'-714"
1'-812"
1'-0"1'-0" 5'-1134"
4'-6
1 2"
3'-714"
2'-4
"
4'-2"
10'-412"
2'-8
"
2'-8
"
7'-0
"
3'-6"
5'-5
"
2'-8"
4'-6
34
"
5'-2
"
6'-0 3
4 "
4'-7"
5'-0"
1'-4
"
6'-434"
5'-113
4
"
2'-134"
4'-434"
4'-3
1 2"
1'-7 14 "
6'-134"
2'-6
3 4"5'
-103 4"
6'-112" 1'-
8
14"
4'-0
3 4"
8'-814"
3'-1012"
4'-7
1 4"
6'-034" 5'-113
4" 26'-034"
8'-612"
1'-6"1'-111
2"
2'-0
"
1'-3"
2'-3
"
5'-7
1 2"
2'-2
1 4"
1'-6"
4'-7
1 4"
2'-0
"
20'-7"
3'-3"
16'-9
1 2"
26'-2
3 4"
D1
D2D
3
D5
D6
D10
D9
D11
D12
D13
D15
D14
D22
D16
D19
D17
D18
D20
D21
D23
D4
D8
D7
W1
W2
W3
W4
W5
W6
W7
W8
W9
W10
W11
W12
W13
W14
W15
W16
W17
W18
W19
10'-3
1 2"
10'-3"
12'-9
1 2"
10'-3"2'-6"
13'-3
"
32'-3
1 4"
14'-112"
7'-5"
18'-5
1 2"
10'-8"
22'-5
1 2"8'
-0"
9'-11"
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CB:
SCALE:
SHEET:
ELEVATIONS
AS NOTED
M. EDMONDS
LAURA BAILEY
THESE DRAWINGS ARE THE PROPERTY OFYOUR NAME INTERIORS AND ARE NOT TO BEREPRODUCED IN WHOLE OR IN PART. THEYARE ONLY TO BE USED FOR THE PROJECTAND SITE SPECIFICALLY IDENTIFIED HEREIN.
SCALES STATED HEREON ARE VALID ON THEORIGINAL DRAWINGS ONLY. CONTRACTORSHALL CAREFULLY REVIEW ALL DIMENSIONSAND CONDITIONS SHOWN AND REPORT TOTHE DESIGNER ANY ERRORS,INCONSISTANCIES, OR OMISSONSDISCOVERED.
THESE PLANS WERE PREPARED IN THISOFFICE UNDER OUR PERSONAL SUPERVISIONAND TO THE BEST OF OUR KNOWLEDGECOMPLY WITH STATE AND LOCAL CODES.
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1 2 3 4
5 6 7 8
9 10 11 12
13 14 1615
33 4"10
'-0"
3'-0
"1'
-6"
3'-1
0"
6'-812" 6'-23
4" 1'-8" 19'-834"
34'-4"
7'-2
"
3'-4"
3'-8
"3'
-0"
4'-9"
11'-334"
19'-414"
2'-012"
10'-914"
51 2"
3'-0
"1'
-6"
3'-1
0"
33'-434"
6'-212" 3'-81
2"2'-6"
3'-0
"
8'-2"
3'-0
"
2'-8" 3'-4"
19'-4"3'-0"
10'-0
"
24'-612"
11'-312"
7'-2
"
28'-734"
8'-914"
5"19'-53
4"6'-61
4" 6'-0" 6'-1114"
101 4"
3'-9
3 4"
1'-312"
3'-5"
1'-312"
3'-0
1 2"1'
-71 2"
3'-0
"1'
-8"
1'-1"
1'-1"
1'-1"
8'-4
"
19'-614"
6'-2"
15'-714"
10'-0
"
2'-1"13'-11
2"1'-0"2'-51
2" 7'-0" 2'-8"15'-9"1'-0"1'-0"
13'-9"12'-1"
7'-2
"
13'-112"
8"1'-0" 1'-0"
9'-534"
1'-0"
5'-4"23'-5"
18'-1"
10'-0
"
26'-234"
6'-214" 20'-01
2"24'-3" 16'-91
2"
Opento
Kitchen
Opento
Beyond
Opento
Hallway
Opento
Foyer
Opento
Hallway
Opento
Living Room
1'-5" 3'-314" 1'-5"
6'-5
"
3'-5"
33 4"
6'-5
"
3'-5"
51 2"33 4"
51 2"33 4"
51 2"33 4"
6'-5
"
9'-814"
PT-10
PT-7
PT-10
PT-7
PT-10
PT-7
T-2, G-2
PT-7
PT-10PT-10PT-10
PT-10
PT-10
PT-10 PT-10
PT-10
PT-10
PT-10
PT-10
PT-10
PT-1
PT-1
Built in Shelving
PT-1
4'-4"
PT-1
PT-10 PT-10 PT-10 PT-10
PT-10PT-10PT-10PT-10
PT-1 PT-1 PT-1 PT-1
PT-10 PT-10 PT-10 PT-10
PT-10 PT-10 PT-10 PT-10
PT-2 PT-2 PT-2 PT-2
1N
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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: 225
-578
-845
7
FILE:
5/3/12
DB:
CB:
SCALE:
SHEET:
DETAILS
AS NOTED
M. EDMONDS
LAURA BAILEY
THESE DRAWINGS ARE THE PROPERTY OFYOUR NAME INTERIORS AND ARE NOT TO BEREPRODUCED IN WHOLE OR IN PART. THEYARE ONLY TO BE USED FOR THE PROJECTAND SITE SPECIFICALLY IDENTIFIED HEREIN.
SCALES STATED HEREON ARE VALID ON THEORIGINAL DRAWINGS ONLY. CONTRACTORSHALL CAREFULLY REVIEW ALL DIMENSIONSAND CONDITIONS SHOWN AND REPORT TOTHE DESIGNER ANY ERRORS,INCONSISTANCIES, OR OMISSONSDISCOVERED.
THESE PLANS WERE PREPARED IN THISOFFICE UNDER OUR PERSONAL SUPERVISIONAND TO THE BEST OF OUR KNOWLEDGECOMPLY WITH STATE AND LOCAL CODES.
DA
TE:
ISS
UE
FO
R:
BY
:
DATE:
1 5
2
3
4
6
ROOF TILE
2X8 FASCIA5/8" GYP.
1/2" PLYWOOD
VENT SPACE
2X6 RAFTER
2X6 CEILING JOIST
2X6
2X6 TOP PLATE
4X HEADER1-1/2" STUCCO
2X6 SOLE PLATE
GRADE
MIN 12" DEEP SLAB
STUCCO
HEAD JAMB
SHIMFLASHING
STUCCO
PLYWOOD
SILL
DRIP EDGE
SILLEXTENDER
CASING
1/2" PLYWOOD
ASPHALTFELT PAPER
ANCHOR BOLT
2X6 SOLE PLATE
5/8" GYP. INTERIOR
BAT INSULATION
1/2" WOOD FLOORINGPLYWOOD SUB FLOOR
GRADE
MIN 12" DEEP SLAB
12" FLOOR JOIST
7
CARPET1/8" WOOD VENEERTRANSITION STRIP
MORTAR BED
BAIRD BROTHERSCLASSIC A BASEBOARD MOLDINGB208
PRO
DU
CED
BY
AN
AU
TOD
ESK
ED
UC
ATI
ON
AL
PRO
DU
CT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRO
DU
CED
BY A
N A
UTO
DESK
EDU
CA
TION
AL PR
OD
UC
T
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
informationLAURA BAILEY
433 WEST 34TH STREETAPARTMENT 9P
NEW YORK, NEW YORK 10001
PH 504.487.0131EMAIL [email protected]
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