Top Banner
Popular Film and Emotional Response Revision
14

Popular Film and Emotional Response Revision

Feb 22, 2016

Download

Documents

olive

Popular Film and Emotional Response Revision. Explore some of the ways in which the spectator’s emotional response to popular films is the result of visual elements such as cinematography, special effects or design. What can we use for this?. Cinematography:. Cinematography. Cinematography. - PowerPoint PPT Presentation
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Popular Film and Emotional Response  Revision

Popular Film and Emotional Response

Revision

Page 2: Popular Film and Emotional Response  Revision

Explore some of the ways in which the spectator’s emotional response to popular

films is the result of visual elements such as cinematography, special effects or design

Page 3: Popular Film and Emotional Response  Revision

What can we use for this?

Cinematography:

Page 4: Popular Film and Emotional Response  Revision

Cinematography

Page 5: Popular Film and Emotional Response  Revision

Cinematography

Page 6: Popular Film and Emotional Response  Revision
Page 7: Popular Film and Emotional Response  Revision

Design

Live action vs. animation

Page 8: Popular Film and Emotional Response  Revision

Design includes other aspects of mise-en-scene: performance, colour scheme, props, costume,

etc

Page 9: Popular Film and Emotional Response  Revision
Page 10: Popular Film and Emotional Response  Revision
Page 11: Popular Film and Emotional Response  Revision

Special effects

Page 12: Popular Film and Emotional Response  Revision

Do these elements act in isolation?

• Consider the combinations of visual elements• Editing/sound/performance/narrative

structure?• Other factors that influence emotional

response?

Page 13: Popular Film and Emotional Response  Revision

Critical approaches

• Bela Balazs on the power of the close up• Richard Wollheim on ‘central/acentral

imagining’• Richard Allen on active participation of the

audience• Julian Hanich on looking away from/into the

image shows our engagement with artificiality

Page 14: Popular Film and Emotional Response  Revision

Explore some of the ways in which the spectator’s emotional response to popular

films is the result of visual elements such as cinematography, special effects or design