Top Banner
Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011
15

Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Mar 28, 2015

Download

Documents

Tomas Sarson
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Pitching and Networking in Europe

Vincent LeclercqHamburg, april 2011

Page 2: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

What constitutes a successful European co-production?

• a good story with a European potential• a good presentation of the project• a well-financed budget

Page 3: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

What is Docu Regio’s objective?

Mastering the art of pitching

+ creating a network of 15 films funds ready to promote coproductions among themselves

Page 4: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Who? When? How much?

- Who? Documentary project with a European potential, in a development stage, suitable for a European co-production

- When? Two sessions June and September- How much ? « All included » thanks to your film fund

Page 5: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.
Page 6: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Conditions = barriers?

• In each region, film funds are asking for specific conditions

• These conditions could be barriers to European co-productions

• We have listed 7 barriers we have to break down if we, film funds, want to be able to co-produce your projects

Page 7: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°1: you need to have a local

co-producer

• Barrier n°1: does your region oblige you to be a majority producer?

• The answer is: no it doesn’t!

• Exception: Aquitaine region asks for a minority associate co-producer

Page 8: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°2: you have to shoot in the region

• Barrier n°2: does your film fund oblige you to do more than half of the shooting in the region?

• The answer is: no it doesn’t ! As long as you are working with a local co-producer, you can shoot wherever you want

• Exception: Aquitaine, Film Pool Nord, Rhône-Alpes (part of the shooting)

Page 9: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°3: you need to spend a certain amount

of money in the region

• Barrier n°3: does your region oblige you to spend more than 100% of their support?

• The answer is: some do!• PACA (150%), Film I Skane (200%), WDFF (200%),

CFDB (200%), FFHSH (150%) Piemonte Doc Film Fund (120%), Zürcher Film (150 %), FFWien (100 %),

Poem (100 %), Rhône-Alpes (200 %)

VAF (100 %)

Exception: Aquitaine, CRRAV, PIHN,

Centre Images, IFB (to be discussed)

Page 10: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°4: you need the agreement

of a broadcaster

• Barrier n°4: does your region require the agreement of a broadcaster?

• The answer is: it depends!• Yes: Aquitaine, CRRAV, CFDB, PIHN, Centre Images,

WDFF, Rhône-Alpes, Piemonte Doc Film Fund, FFWien (for TV production)

• No: Film I Skane, POEM, IFB, Zürcher

Film, PACA, VAF, Film Pool Nord,

Screen South, FFHSH (an exploitation

concept is required)

Page 11: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°5: you need to have a minimum

regional involvement

• Barrier n°5: does your region oblige you to have a minimum regional involvement?

• The answer is: more or less!• Yes: technicians for Aquitaine, CRRAV, Film Pool Nord,

FFHSH, Piemonte Doc Film, PIHN, Film I Skane, FFWien, VAF, Rhône-Alpes, Zürcher Film

• No: Centre Images, POEM, IFB,

WDFF, PACA, Screen South

Page 12: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°6: you have to share the financial

returns with the film fund

• Barrier n°6: does your film fund want a share of the returns?• The answer is: it depends!• No (subsidy): Rhône-Alpes, Aquitaine, Centre Images, WDFF, FFHSH,Pôle

IHN, CFDB (devlpt and writing), Piemonte Doc Film Fund, FFWien (for TV productions)

• Yes (loan-equity): IFB, FFWien, VAF, Poem, Zürcher Film, PACA,Screen South, CFDB (Production)

• Yes (co-producer): CRRAV, Film I Skane, Film Pool Nord

Page 13: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

Condition n°7: two film funds co-producing together have to invest the same amount of money in the project

• Barrier n°7: on average, do the film funds invest the same amount of money in a documentary?

• Around 10.000 €: Film I Skane, Screen South• Around 20.000 €: WDFF, PACA • Around 30.000 €: CRRAV, PIHN, Aquitaine, Centre

Images, Piemonte Doc Film Fund• Around 40.000 € : Rhône-Alpes• More than 100.000 €: VAF, Poem,CFDB

IFB (max 50 % of total budget), FFWien (max 225 000 € for tv documentary), Zürcher Film(max 500 000 €), FFHSH (up to 30 % of overall costs)

• No set limits: Film Pool Nord

Page 14: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

DOES IT WORK?

2007 2008 2009 2010 2011

Number of countries

8 9 9 11 11

Number of film funds

13 13 14 16 16

Number of coproductions

5 4 3 3 -

Number of projects never

produced

2 1 2 - -

Page 15: Pitching and Networking in Europe Vincent Leclercq Hamburg, april 2011.

TIME TO WORK!

• Now you know that coproducing is not easy• But it’s not impossible once you have fully understood

our differences• Some people have already done it, so why not you? • Anyway you have no choice because that’s the future• So, good luck! Bonne chance ! Viel Glück! Veel Succes!...