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Reimagining classic tales is one of the two central ways that Children’s Theatre Company has been instrumental in
introducing new productions to the world, alongside the commissioning of wholly original plays like this season’s Buccaneers. We are the
nation’s leader in producing new work for young people, with over 200 new scripts produced in
our 47 year history. Every one of those plays was made possible through donations from our supporters – people
just like you! For that we thank you and ask you to consider supporting us in our mission to secure the future of theatre for generations to come.
When we examine classic stories, as we do with students across Twin Cities schools in our acclaimed Neighborhood Bridges critical literacy program, we ask students to look at a variety of ways the tale could be told and how that tale would be different from each character’s perspective. We look for the ‘personal’ story inside the tale.
Pinocchio has been reimagined in many ways. Carlo Collodi would, I think, have been surprised to see how far his iconic 1883 children’s novel took his independent puppet. My own first memory with the story, like so many of my generation, occurred as a child watching the Disney movie. My mother reminds me (frequently) that the whale swallowing Geppetto was so scary to me that I needed to leave the theatre. Later that day I begged to go back to see the movie again. I had to see what had happened; I needed to know what fate befell the characters…and mom wouldn’t tell me.
The lesson that the world can be scary but it’s still worth exploring is particularly resonant to me as a parent. Live theatre is so good at allowing our audience to explore the world and its darker side safely but with an immediate impact. That theme repeats in every show this season from Buccaneers to Jackie and Me to Alice’s adventures in Wonderland – we follow characters filled with curiosity as they investigate times and places far more dangerous than they appear at first glance
This weaving together of themes both complex and earnestly simple is what draws me to work in theatre for young people. The stories on our stage may entertain but they also speak to bigger ideas and, with luck, serve to educate and inform our future leaders.
Collodi was especially fond of allegory in his writings. In Pinocchio, Collodi’s use of a puppet who seeks independence as a way to illustrate “growing up” is not only a lovely image, it also reflects the independence and reunification movements that Collodi was involved with in Tuscany. Like so many great children’s tales, this story works on multiple levels and has beautifully big ideas about maturity, courage and self-reliance.
In this version of the story, director and adaptor Greg Banks uses the very setting of the theatre we are in to set his stage. Tools, ladders and drop cloths take on a life of their own and transform into the setting (and even some of the characters) as though the Blue Fairy had imbued them with life. We are whisked away to join an adventure that will ultimately lead to the very dark stomach of a very big whale. How will that journey occur this time, you may well ask?
You’ll have to watch the show – I’m not going to tell you.
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Tim Jennings, Managing Director
Pinocchio 5b
FROM THE MANAGING DIRECTOR
6b Children’s Theatre Company 2012–2013 • childrenstheatre.org • 612.874.0400
board OFgovernors
CHAIRFran Davis
VICE CHAIRLili Hall
TREASURERGeorge E. Tyson, II
SECRETARYBetsy Russomanno
ARTISTIC DIRECTORPeter C. Brosius
MANAGING DIRECTORTim Jennings
LIFETIME BOARD MEMBERS Mary Lou Dasburg Topsy Simonson
Lynn Abbott
Tony Abena
Stefanie Adams
Mary Beattie
Ellen Bendel-Stenzel
Michael Blum
Renee Burke
Morgan Burns
Barbara Burwell
Jim Carlson
Peter Carter
Y. Ralph Chu
Rusty Cohen
Fran Davis
Eve Deikel
Mary Jo Emfi eld
David Etzwiler
Michael Fanuele
Bryan Fleming
Scott Friesen
Gina Gage
Rajiv Garg
Lili Hall
Jeffrey Hatcher
Sandy Hey
Carrie Higgins
Hoyt Hsiao
Bill Johnson
Christine Kalla
Suzi Kim
Helen Kurtz
Ed Lagerstrom
Chad Larsen
Sarena Lin
Muffy MacMillan
Aedie McEvoy
George Montague
JoAnne Pastel
Lisa Saul Paylor
J.P. Peltier
Ellen Perl
Mark Price
Randy Ross
Betsy Russomanno
Sam Salas
Todd Sheldon
Tara Sutton
Jeanne Sween
George E. Tyson, II
Dave VanBenschoten
Pat Vayda
Jeff Von Gillern
Patrick B. Walsh
Barb Wigley
Leslie Wright
Pinocchio 7b
Based on the book by Carlo CollodiAdapted by Greg Banks
Directed by Greg Banks
CREATIVE TEAM & PRODUCTION STAFF Scenic Designer Joseph Stanley Costume Designer Mary Anna Culligan Lighting Designer Rebecca Fuller Jensen Composer/Sound Designer Victor Zupanc Dramaturg Elissa Adams Stage Manager Chris Schweiger Assistant Stage Manager Alyssa Stafne Assistant Director Amy Rummenie Assistant Sound Designer Nicholas Tranby Stage Management Intern Sarah Geis
CAST Dean Holt
Bradley Greenwald Maggie Chestovich
Elise LangerVictor Zupanc , Musician
UNDERSTUDIES Adam Qualls
Dot McDonald
Pinocchio is performed with a 15 minute intermission.
Cameras and video recorders may not be operated during the performance.
The commissioning of this play was made possible through partnership with Seattle Children’s Theatre.
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denotes a PPP rferfformorminging Apprerentice
denotes a member of the Twin in CitCitiesies MuMuM sician Union, Local 30-73, 3, AFMAFFMF
Proudly sponsored by
10b Children’s Theatre Company 2012–2013 • childrenstheatre.org • 612.874.0400
BIOGRAPHIES
PETER C. BROSIUS (Artistic Director) joined Children’s Theatre Company in 1997. At CTC, Peter has directed the world premieres of Buccaneers, Lizzie Bright and the Buckminster Boy, Mercy Watson to the Rescue!, Babe, The Sheep-Pig, The Biggest Little House in the Forest, The Iron Ring, Bert & Ernie, Goodnight!, Iqbal, Madeline and the Gypsies, Average Family, The Lost Boys of Sudan, Anon(ymous), Reeling, The Monkey King, Hansel & Gretel, The Snow Queen and Mississippi Panorama, all commissioned and workshopped in CTC’s new play development lab. He has also directed numerous regional premieres such as Dragonwings, A Village Fable and Boundless Grace. Previously, he was the Artistic Director of The Honolulu Theatre for Youth and Artistic Director of the Improvisational Theatre Project of the Mark Taper Forum. In addition, Peter has directed at theatres across the country including South Coast Repertory, Arizona Theatre Company, South Street Theatre on Theatre Row, and Off Broadway for Pan Asian Repertory. Peter is the recipient of numerous awards including TCG’s Alan Schneider Director Award and honors from the L.A. Drama Critics Circle Award and Dramalogue. He holds a B.A. from Hampshire College and an M.F.A from New York University. Peter is married to playwright Rosanna Staffa and is the father of Daria and Gabriel.
TIM JENNINGS (Managing Director) works in partnership with Peter C. Brosius to manage the marketing, resource development, educational and administrative functions of the theatre and its subsidiaries and supports Peter’s profound artistic vision. Prior to joining CTC, Tim served as Managing Director at Seattle Children’s Theatre from 2008-12, Roseneath Theatre in Toronto from 2000-08 and has taught Theatre Management at two Toronto based Universities. His history includes management at such notable companies as the Canadian Stage Company, The Canadian Opera Company and Ainsworth at SkyDome. Tim has produced work garnering 15 Dora Award Nominations (Toronto’s ‘Tony’) including seven wins, three of which were for Outstanding Production. Under his joint leadership with David S. Craig, Roseneath also won two Canada Council prizes, two Chalmers Awards for new play development and had a play nominated for the National Literary Prize of Germany (in translation). He has presented artists from every inhabited continent, toured productions to more than a dozen countries and more than 40 states. In 2007, Tim was shortlisted for Canada’s Arts Manager of the Year. Alongside his appointment to board of the Theatre Communications Group, Tim has served on boards of the Washington State Arts Alliance, International Performing for Young People, a medieval history society, the Boys and Girls Club of King/Kitsap counties (Washington) and the cultural database collective in Seattle, Wash. Tim is married to Truly Carmichael and together they raise their son, Zachary. “Minnesota is so lucky to be the home to the world’s fl agship children’s theatre and we, at CTC, are so lucky to have the Twin Cities to support us and ensure that CTC continues to exist and fl ourish! Thank you!!!”
CREATIVEGREG BANKS (Adapter and Director) has been working as an actor, writer and director since 1979. His work has taken him from Singapore to Seattle via Moscow, New York and the Arctic Circle. Whilst building a reputation for making and touring new work in small scale venues throughout the United Kingdom in the 80’s, his work has also been seen in the West End and at the New Victory on Broadway. He has recently become Artistic Director of Fair Game Theatre in the UK touring new work to rural audiences and working with disadvantaged young people in the community. Previous productions for CTC include his adaptations of Antigone, Huck Finn, Romeo and Juliet, and Robin Hood. He also directed Sleeping Beauty and A Wrinkle in Time. Greg is very happy to be back with his adaptation of Pinocchio.
JOSEPH STANLEY (Scenic Designer) has designed sets for Children’s Theatre Company including Pippi Longstocking (2012, 2006 & 2001), A Wrinkle in Time (2011), Robin Hood (2010), Dr. Seuss’ The 500 Hats of Bartholomew Cubbins (Adaptation - 2010), Mulan, Jr. (Ivey Award honoree for Set Design-2010), Romeo & Juliet (2009), The Magic Mrs. Piggle-Wiggle (2008 & 2004), Huck Finn (2007), and Antigone (2006 & 2003). Joe’s designs were seen Off-Broadway in the Mixed Blood/59E59 production of Pure Confi dence (2009). His work has been featured by many theatre, music, and dance companies including Pillsbury House Theatre, Mixed Blood Theatre, Stages Theatre, Mu Performing Arts, Frank Theatre, Theater Latté Da, the Minnesota Orchestra, Stuart Pimsler Dance & Theatre, Steppingstone Theatre, 15 HEAD, Ordway Center for the Performing Arts, Sandbox Theatre, Dancing People Company, James Sewell Ballet, American Southwest Theatre, and the Creede Repertory Theatre. Joe was a founder and Artistic Director of 15 HEAD—a theatre lab from 1995-2004.
MARY ANNA CULLIGAN (Costume Designer) is a Twin Cities’ theatre artist whose design work has appeared in many Children’s Theatre Company productions including Buccaneers, A Wrinkle in Time, Robin Hood, Romeo & Juliet, Pippi Longstocking, Peter Pan, The Magic Mrs. Piggle-Wiggle, Antigone and The Iron Ring. Mary has costumed numerous Twin Cities theatre productions including the recent productions of Heaven with Joe Chvala’s Flying Foot Forum, Oliver Twist at Park Square Theatre and As You Like It with Ten Thousand Things Theatre.
REBECCA FULLER JENSEN (Lighting Designer) is in her 13th season at CTC, where her design credits include Dr. Seuss’ The Cat in the Hat, Pippi Longstocking, A Wrinkle in Time, Babe, The Sheep-Pig, Robin Hood, Disney’s Mulan, Jr., The Iron Ring, Romeo & Juliet, The Magic Mrs. Piggle-Wiggle, Dr. Seuss’ How the Grinch Stole Christmas, Dr. Seuss’ The 500 Hats of Bartholomew Cubbins, Antigone and Prom. She has also designed lights for numerous theatres and performers in the Twin Cities, including Walker Art Center
and The Southern Theater. Rebecca received her M.F.A. in Design and Technical Theatre from the University of Minnesota. In her spare time, she enjoys sailing, gardening, and spending time with her husband, Maury, and their dog Maddie. She is currently the Lighting, Sound and Video Director at Children’s Theatre Company.
VICTOR ZUPANC (Composer/Sound Designer and Musician) grew up in Canada and started studying music at age six. He earned his Master’s Degree in Music Composition at University of California—San Diego. Victor has worked on more than 250 productions as Composer, Musical Director and Sound Designer throughout the country. His music has been heard in China, Japan, South America, Great Britain, Australia, New Zealand, and Canada. He won two Hollywood Dramalogue Awards, two Theatre Critics Circle Awards and is a three-time McKnight Fellow and a 2005 Bush Foundation Artist Fellow. Victor recently composed the new theme for Minnesota Public Radio’s program Krista Tippett on Being, which is broadcast weekly on 240 stations nationwide. This is Victor’s 23rd season as Music Director at CTC. His CTC composing credits include dozens of scores including Cinderella, The Hobbit, The Monkey King, Korczak’s Children, A Very Old Many with Enormous Wings, The BFG (Big Friendly Giant), Bud, not Buddy, Iqbal, and Ramona Quimby. He particularly enjoyed conducting a Chinese orchestra in Shanghai, China, performing Dr. Seuss’ The 500 Hats of Bartholomew Cubbins in Chinese. Victor lives in Minneapolis with his wife, Dianne, and daughters, Luisa and Lydia.
ELISSA ADAMS (Dramaturg) is CTC's Director of New Play Development. Since 1998, she has overseen the commissioning and development of more than 35 new plays that have premiered on CTC’s UnitedHealth Group and Cargill stages. Previously, she served as Director of Playwright Services at The Playwrights’ Center and Literary Manager at La Jolla Playhouse. She is a frequent guest Dramaturg at the Sundance Theatre Lab and has served on numerous panels for TCG. Elissa teaches a course in the theatrical process at Minneapolis College of Art and Design, serves on the board of Open Eye Figure Theatre and TYA/USA and was a 2007 recipient of a McKnight Foundation Theatre Artist Fellowship. She holds an M.F.A. in Dramaturgy from University of California – San Diego and is, most proudly, the mother of Will and Joanna Sylvain.
CHRIS SCHWEIGER (Stage Manager) fi nds that being a part of new work is one of her favorite things about working at CTC! Chris’ other CTC credits include Buccaneers, The Wizard of Oz, Pippi Longstocking, Annie, Babe, The Sheep-Pig, Robin Hood, Cinderella, The Iron Ring, Dr. Suess’ How The Grinch Stole Christmas, Dr. Seuss’ The 500 Hats of Bartholomew Cubbins, Iqbal, Peter Pan, Madeline and the Gypsies, A Year with Frog and Toad, Esperanza Rising, Disney’s Aladdin, Jr., The Hobbit, and Snapshot Silhouette. Chris also worked with Ragamala Dance for their opening of Sacred Earth last fall at the new Cowles Dance Center
Pinocchio 11b
for The Performing Arts. She also works with Mixed Blood Theatre, the Guthrie Theater, Theater Latté Da and at Illusion Theater. Chris has worked at the New Victory Theater in New York, the Alpine Theatre Project in Whitefi sh, Montana, and with the Utah Shakespeare Festival in Cedar City, Utah. She received her B.S. in Theatre from Northwestern University’s School of Speech and was a Peace Corps Volunteer for three years in Mongolia.
ALYSSA STAFNE (Assistant Stage Manager) is so happy to be back at Children’s Theatre Company for her second season! Last season she was a stage management intern for Lizzie Bright and the Buckminster Boy and Pippi Longstocking. She had so much fun that she decided to stay for Dr. Seuss’ The Cat in the Hat and Pinocchio! Past shows include Lovers & Executioners and 44 Plays for 44 Presidents (Theatre Pro Rata), Smokey Joe’s Café and RENT (Nutmeg Summer Theatre), Too Much Memory, Hair, Little Things, and Pentecost (Connecticut Repertory Theatre). Alyssa graduated with a B.A. in Theatre Studies from the University of Connecticut.
AMY RUMMENIE (Assistant Director) is a founding member and Artistic Director of Walking Shadow Theatre Company. She has directed sixteen productions for Walking Shadow, including Eurydice, An Ideal Husband, reasons to be pretty, Saboteur, after the quake, William Shakespeare’s Land of the Dead, The American Pilot, Fat Pig, and 1926 Pleasant. Amy has worked for Children’s Theatre Company (36 shows backstage), Theatre de la Jeune Lune, The Playwrights’ Center, Shakespeare in the Park, and Open Eye Figure Theatre. Amy holds a Bachelor of Arts from Minnesota State University Mankato, is an alumna of the Lincoln Center Theatre Director’s Lab, and has served as a literary intern for the Guthrie Theater.
NICHOLAS TRANBY (Assistant Sound Designer) is in his 3rd season at CTC. He joined CTC after consulting on technical systems for new cruise ships, including Disney Cruise Line’s Dream and Royal Caribbean’s Allure of the Seas. Prior to that, he was Head Audio for the NETworks Presentations national tours of The Wizard of Oz and The Wedding Singer. He has degrees in Architectural Acoustics from Rensselaer Polytechnic Institute and Sound Design & Production from the College-Conservatory of Music in Cincinnati. Some favorite productions he has been involved in include: The Last Five Years and Love, Janis (Cincinnati Playhouse in the Park); The Wild Party (C.C.M.) and a revised revival of Two by Two directed by Martin Charnin (Cumberland County Playhouse). Nik lives in Saint Paul with his wife, Zdanna.
SARAH GEIS (Stage Management Intern) hails from Canton, Ohio. She is currently a junior of the Stage Management program at The Theatre School at DePaul University. Her past credits include: A Wrinkle in Time, Venus, and The Interview, as well as assisting on I am Bradley Manning, Hedda Gabler, Cabaret, and Pinkalicious.
12b Children’s Theatre Company 2012–2013 • childrenstheatre.org • 612.874.0400
BIOGRAPHIES
CASTDEAN HOLT (Actor) is a member of CTC’s Resident Acting Company and has spent the past 19 seasons collaborating with amazing artists and friends in more than 60 CTC productions. Highlights in this time include exploring the silent-movie world of Buster Keaton in Reeling (for which Dean won an Ivey Award); If You Give a Mouse a Cookie (where he and his best friend and fellow company member, Reed Sigmund, tore up the stage quite literally); and Cinderella (as the most beautiful step-sister, Pearl Cramp). Romeo & Juliet, Huck Finn, Mississippi Panorama, and Once Upon a Forest are also favorites among his many wonderful experiences at CTC. He is a graduate of St. John’s University and, when not on stage, enjoys spending time with his two fabulous boys and amazing wife, CTC Stage Manager, Stacy McIntosh. Dean would like to thank all of you for helping to make CTC such a special place for the artists and audiences alike.
BRADLEY GREENWALD (Actor) played in Buccaneers, A Christmas Story, Dr. Seuss’ The 500 Hats of Bartholomew Cubbins, Bert & Ernie, Goodnight!, A Year with Frog and Toad, Aladdin, Jr., The Wizard of Oz, and The Snow Queen on the CTC Stage. He has performed opera, theater,
music-theater, concert and recital repertoire with several Twin Cities’ arts organizations, including Theatre de la Jeune Lune, Guthrie Theater, Jungle Theater, Ten Thousand Things Theater, Nautilus Music-Theater, Minnesota Dance Theatre, VocalEssence, Frank Theater, Minnesota Orchestra, Lyra Baroque Orchestra, A Prairie Home Companion, Skylark Opera and Ballet of the Dolls. Bradley is the recipient of a Minnesota State Arts Board Fellowship in music, the McKnight Fellowship for Theater Artists, and a 2006 Ivey Award.
MAGGIE CHESTOVICH (Actor) is thrilled to return to the CTC stage — she was last seen here playing Lilly in Lilly’s Purple Plastic Purse in 2004! Maggie has also performed locally with the Guthrie Theater (The Falls, The Home Place, The Government Inspector, When We Are Married), Ten Thousand Things (As You Like It, Life’s a Dream, Twelfth Night, Blood Wedding, Carousel), Theatre de la Jeune Lune (The Miser, Tartuffe), The Jungle Theater (Molly’s Delicious, How the Other Half Loves, Two for the Seesaw, Rabbit Hole, Holocaust Witness: The Legacy of Anne Frank), Park Square Theatre (The Last Seder), Workhaus Collective (Little Eyes, 800 Words…), Old Log (Unnecessary Farce), Frank (Perfect Pie), Eye of the Storm (The Shape of Things), as well as in projects with Hidden Theatre, The History Theatre, Illusion Theater, The Playwrights’ Center, MN Fringe Festival, Pillsbury House,
and Thirst Theater. Regionally, Maggie has appeared at Berkeley Repertory Theatre and Alley Theatre (Houston, TX).
ELISE LANGER (Actor) is so happy to be back at CTC where she was last seen as Sally in Dr. Seuss’ The Cat in the Hat, Nelly in A Special Trade and Wendy in Peter Pan. Originally from Paris, France, Elise has lived and performed in San Francisco, San Diego, New York, Paris, Boise and is now happily based in Minneapolis. Locally, she has performed with: Ten Thousand Things; Open Eye Figure Theatre; Four Humors Theater; Theatre de la Jeune Lune; MN Orchestra; Bedlam Theatre; The History Theatre; Jon Ferguson Theatre and TigerLion Arts. She co-created and performed in Milly & Tillie at Open Eye Figure Theatre. Elise studied at the Ecole Jacques Lecoq in Paris.
ADAM QUALLS (Understudy: Holt & Greenwald) has appeared at CTC in Buccaneers and Dr. Seuss’ How the Grinch Stole Christmas. Introduced to the Twin Cities community in 2010, he has appeared locally with Park Square Theatre, Theatre Pro Rata, Actors Theater of Minnesota, Urban Samurai Productions, and Bloomington Civic Theatre, among others. After receiving a Bachelor of Fine Arts in Acting from Millikin University in 2008, he performed in regional tours with CLIMB Theatre and Prairie Fire
Pinocchio 13b
Children’s Theatre. A 2012-2013 CTC Performing Apprentice, he will next appear in Jackie & Me, Alice in Wonderland, and If You Give a Mouse a Cookie. Much love and thanks to his family in Missouri and elsewhere, as well as his “found family” here up north.
DOT MCDONALD (Understudy: Chestovich & Langer) is a recent graduate from Howard University receiving her Bachelor of Fine Arts and a minor in Sociology. She has been seen in Howard University's productions of For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf, Rent and Anna in the Tropics. At Children’s Theatre Company, she has appeared in Buccaneers and Dr. Seuss’ How the Grinch Stole Christmas. She would like to thank God, her mother and her supporting friends.
ACTORS’ EQUITY ASSOCIATION (AEA), founded in 1913, represents more than 48,000 actors and stage managers in the United States. Equity seeks to advance, promote and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefi ts, including health and pension plans. AEA is a member of the AFL-CIO, and is affi liated with FIA, and international organization of performing arts unions. The Equity emblem is our mark of excellence. www.actorsequity.org.
14b Children’s Theatre Company 2012–2013 • childrenstheatre.org • 612.874.0400
Pinocchio 15b
Children’s Theatre Company would like
to thank the following partners for their generous support of the 2012 White
Rabbits and Black Ties Curtain Call Ball
PRESENTING SPONSOR
BACKSTAGE BASH SPONSOR
LEADING ROLE SPONSORS
SUPPORTING ROLE PLAYERSAdolfson & Peterson Construction
Best BuyDorsey & Whitney LLP
FallonFaegre Baker Daniels Foundation
General MillsKNOCK, inc.Medtronic
Piper Jaffray & Co.Tommy BahamaTowers Watson
Xcel Energy
FEATURED PLAYERSCargill
Peregrine Capital Management, Inc. Fund of The Minneapolis Foundation
SUPERVALU
ENSEMBLE PLAYERSFredrikson & Byron P.A.
I.A.T.S.E. Local 13Lunds/Byerly’s
MillerCoorsNorth Loop Wine & SpiritsPhillips Distilling Company
OFFICIAL AIRLINE OF CTC
16b Children’s Theatre Company 2012–2013 • childrenstheatre.org • 612.874.0400
Our institutional giving partners provide annual
support for Children’s Theatre Company’s
productions and programs, including arts education,
new play development, and theatre arts training classes.
Corporate, foundation, and government supporters enjoy a
special relationship with CTC and we are proud to recognize them.
$10,000 – $19,999Data Recognition CorporationErnst & Young LLPFaegre Baker Daniels LLP
FoundationFallonIBM CorporationPentair FoundationPentair Technical ProductsRBC Wealth ManagementRobins, Kaplan, Miller & Ciresi L.L.PThe Paul Speltz AntiCable
Audio Co. Inc.Thomson ReutersUnitedHealth Group
$5,000 – $9,999Adolfson & Peterson ConstructionCarVal InvestorsChu Vision InstituteGreat Clips IncorporatedSecurian FoundationSocial Lookout, LLCTommy Bahama
Towers WatsonValspar Corporation
$1,000 – $4,999Federated Insurance CompanyFredrikson & Byron P.A.Hubbard Broadcasting
FoundationI.A.T.S.E. Local 13JEDunn Construction
Northcentral, Inc.Messerli and KramerMillerCoorsMOM BrandsPepsi Bottling GroupNorth Loop Wine & SpiritsPeregrine Capital Management,
Inc. Fund of The Minneapolis Foundation
Rahr FoundationRed Wing Shoe Co. FoundationRosemount Inc.Schwegman, Lundberg &
Woessner, P.A.
Sit Investment Associates Foundation
SUPERVALUTennant FoundationTwin Cities Orthodontic AssociatesViking Electronics, Inc
Foundation and Government Support
$100,000 and aboveMinnesota State Arts BoardThe Shubert Foundation, Inc.
$25,000 – $99,999F.R. Bigelow Foundation Hearst FoundationsThe McKnight Foundation National Endowment for the ArtsRobins, Kaplan, Miller & Ciresi
Foundation for Children, a supporting fund of The Minneapolis Foundation
$10,000 – $24,999AnonymousHugh J. Andersen FoundationBarbro Osher Pro Suecia
FoundationCarlson Family FoundationJerome FoundationMardag FoundationThe Andrew W. Mellon FoundationThe MetLife Foundation
Partners in Arts Education Program, administered by the National Guild for Community Arts Education
Michelson Family FoundationPohlad Family FoundationThe Saint Paul FoundationThe Harold and Mimi Steinberg
Charitable Trust
$5,000 – $9,999The Fred C. and Katharine B.
Andersen FoundationThe Beverly Foundation
Boss FoundationThe Max and Victoria Dreyfus
Foundation, Inc.Joseph C. and Lillian A. Duke
FoundationThe Joyce AwardsMargaret Rivers FundUnited Arts Fund, a program of
COMPAS
$3,000 – $4,999Dellwood FoundationHardenbergh FoundationLarsen Fund
$1,000 – $2,999The Archie D. and Bertha H.
Walker FoundationElizabeth C. Quinlan FoundationRotary Club of MinneapolisSewell Family Foundatio
Donor lists as of October 10, 2012.
This activity is made possible in part by a grant provided by the Minnesota State Arts Board through an appropriation by the Minnesota State Legislature from the State’s general fund and its arts and cultural heritage fund with money from the vote of the people of Minnesota on November 4, 2008.
$20,000 – $49,999 $50,000 and above
To make a gift or for more information about institutional giving, please contact Rachel Smoka-Richardson, director of institutional giving, at 612.872.5104 or [email protected].
Offi cial airline of CTCAutograph Days supported by Proudly supported byPay What You Can supported by
THANKS TO OUR CONTRIBUTORS
CORPORATE, FOUNDATION AND GOVERNMENT PARTNERS
Pinocchio 17b
Individual and Family Foundation Gifts
Charles and Goldette SpeltzTara Sutton and Gary Wilson Jeanne and Thomas E. Sween George and Jackie Tyson David and Greta
VanBenschoten Douglas and Patricia Vayda Jeff and Janet Von Gillern Barbara and Michael Wigley Jill and Pat Wyant
Artist$2,000 to $4,999AnonymousSuzanne and William
AmmermanMarty AllenMartha and Bruce Atwater Fund
of Prospect Creek FoundationKay and Rick Bendel Karen Bohn and Gary Surdel Priscilla BrewsterPeter Brosius and
Rosanna Staffa Chris and Sophie Campbell-SmithChadwick - Loher FoundationJames and Julie Chosy Janis Clay and Elam BaerPaula CooneyGreg and Tina CroninDavid and Lynne CrowtherBarb DavisJulia W. DaytonScott and Ann Dayton Mary Lee DaytonDave and Peggy DemarshShari Baldinger and
Bruce DouglasScott DvorakSarah and Josh EastrightScott P. Friesen Geyer Family FoundationGage Family FoundationStephanie GuggisbergAnnalee and Brett HabstrittAlfred and Ingrid Lenz HarrisonJamie and Scott Honour
LeadershipGiving Circle$25,000 and AboveAnonymousBeverly N. Grossman
Foundation Doug and Louise LeatherdaleMark F. and Barbara LyonsRoger and Violet Noreen
Charitable Trust Anne Larsen Simonson/ Larsen
Fund
Director$10,000 to $24,999Lynn and Greg Abbott Drs. Ellen and Michael
Bendel-Stenzel Beverly FoundationMichael J. Blum and
Abigail Rose Morgan and Anna Burns Curtis L. Carlson Family
FoundationPeter and Dede Carter Ralph and Jodi Chu Charles H. Clay Family TrustMeredyth Anne Dasburg
Foundation Eve Deikel Michael and Lesley FlahertyGeoffrey and Charleen Jue Janice KispertEdward and Julie Lagerstrom Martha MacMillan JP and Melissa Peltier Frank and Betsy Russomanno Ann Ryan Karen Rylander and
Robert Schachter with Jake and Matthew
Lili Hall Scarpa and Andrea Scarpa
Kit and Dick Schmoker Ken and Sally Spence
Glenda and Richard Struthers Sheila and Patrick Walsh Wenger Foundation
Patron$5,000 to $9,999AnonymousTony and Stacy Abena Edward R. Bazinet FoundationMary and John Beattie John and Ruth BergersonRenee Burke Rodney and Barbara Burwell Emily and Jim Carlson Rusty and Burt Cohen Fran Davis Bruce and Ruth DaytonCy and Paula DeCosse Fund of
the Minneapolis FoundationFrederic Deschamps Mary Jo Emfi eld Michael and Joanna Fanuele Gina and Scott Gage Richard C and Britt L Gage
Family Foundation Sharon and Jim Hale Jeffrey Hatcher and
Lisa Stevens Sandy and John Hey Richard and Carrie Higgins Hoyt and Zhen Zhen Hsiao Doug and Laura Jaeger Bruce and Jean JohnsonRenee and Paul JohnsonHelen Kurtz and Michael Tatara Chad and Rafi na Larsen Sarena Lin and Christian Sanft Susan and Edwin McCarthy Aedie McEvoy Jim and Linda MilowJennifer and Jay Novak Joanne Pastel and Bill Dunlap Lisa and Marc Paylor Ellen B. Perl and Franklin L. Noel Mark and Juliann Price Bill and Wendy Schoppert Judy and Paul Speltz
Lucy R. JonesK.A.H.R. FoundationDouglas and Suzanne KubachMary and David LaRockKathy and Allen LenzmeierGerry Lee LukaskaKathleen M. MahoneyDick and Joyce H. McFarland
Family Fund of the Minneapolis Foundation
Thomas and Elizabeth McKennell
Kathy and Tom Miller Family Foundation
Gail and William MunsellJenny Nilsson and
Garrison KeillorCindy and Gregory PageAnn and Todd Parriott Paula PatineauTheresa PeschBrittany and Michael RegerBecky and Mark Roloff Gail and Randall Ross Cheryl Rost
Todd Sheldon and Mary McGahey
Lana and Andrew SlavittElizabeth and Gerald Smith Laton and Paula SpahrMary K. and Gary Stern Tankenoff Families FoundationTrudy and Daniel ThompsonEmily Anne and Gedney Tuttle Luke and Courtney WipplerLeslie and Darrell Wright Shay and Brenda WyleyAmadou and Meleshia
Yattassaye
member of CTC Board of Governors at time of gift former member of CTC Board of Governors
Gifts made July 1, 2011 through June 30, 2012
R evenue from ticket sales only covers 50% of CTC’s
annual operating budget. Donations from our
supporters account for the other half. Members of
the Luminary Circle have made annual leadership gifts to support
Children’s Theatre Company’s mission to create extraordinary
theatre experiences that educate, challenge and inspire young
people. These gifts help to sustain CTC’s growth, vitality and
continued fi scal health. Members receive individualized services
and invitations to exclusive CTC events.
Consider CTC in Your Estate Planning
Supporting CTC by including the theatre
in your estate planning will help ensure
the future of our mission. Thank you to
the following people who have joined
CTC’s Encore Circle by informing CTC
of their plans to include the theatre in
their estate plans.
If you would like more information about
how to join CTC’s Encore Circle, or if you
have already included CTC in your will
and your name is not listed here, please
contact Jodi Glaser at 612.872.5106 or
Marty Allen
Ann Barkelew
Ellen and
Michael Bendel-Stenzel
Mollie and Wayne Brunetti
Mary Lou and John Dasburg
Beverly N. Grossman
Foundation
Alfred and Ingrid Lenz Harrison
Jill Hentges
Sandy and John Hey
Barbara and James Jeffers
Liz and James Krezowski
Jo Ann and Jerome Noack
Deb Sakry Lande and
John Lande
Anne Larsen Simonson
Glenda and Richard Struthers
THANKS TO OUR CONTRIBUTORS
LUMINARY CIRCLE
18b Children’s Theatre Company 2012–2013 • childrenstheatre.org • 612.874.0400
Donations of all levels help make this production possible. Contributions to Children’s Theatre Company help to ensure the creation of extraordinary theatre
experiences that educate, challenge and inspire young people. We are thankful for each and every contribution to CTC. Each gift is vital to continuing CTC’s nationally recognized programming on our stages and in our community.
LegacyWe are pleased to recognize the following donors who have made gifts to ensure long-term support for CTC programs through our endowment.
AnonymousSusan and Richard AndersonJohn E. Andrus, IIIDrs. Ellen and Michael
Bendel-StenzelBlue Cross and Blue Shield of
Minnesota in honor of Karen M. Bohn
Peter and Dede CarterJulie and James ChosyRusty and Burt CohenMeredyth Anne Dasburg
FoundationFran DavisJulia W. DaytonEcolabScott P. FriesenGeneral Mills FoundationSandy and Flo GrieveBeverly N. Grossman
FoundationRussell HagenRichard and Carrie HigginsDoug Jones Family FoundationEstate of Ilona LazarDoug and Louise LeatherdaleMr. and Mrs. James P. MartineauStephen and Andrea McCue
The Andrew W. Mellon Foundation
Kendrick B. MelroseG. Mike and Nikki MikanJohn and Sue Morrison
FoundationNEA Planning and
StabilizationKaren Rylander and Robert
Schachter with Jake and Matthew
Kit and Dick SchmokerBill and Wendy SchoppertAnne Larsen Simonson/
Larsen FundMichael SnowKen and Sally SpenceGlenda and Richard StruthersTravelers FoundationU.S. Bancorp FoundationUnitedHealth GroupThe Wallace FoundationSheila and Patrick WalshWells Fargo Foundation
MinnesotaMargaret and Angus Wurtele
Family FoundationEva O. Young Estate
member of CTC Board of Governors at time of gift former member of CTC Board of Governors
Gifts made July 1, 2011 through June 30, 2012
For a complete list of Children’s Theatre Company donors, please visit www.childrenstheatre.org and click on the Support Us tab.
Headliner$1,000 to $1,999AnonymousBarbara C. and
Van O. Anderson David and Debra AndreasJohn Apitz and Mary MagnusonDaniel Aronson and Martha
Goldberg AronsonRolf and Idelle BjellandDixon Bond Kathleen and Ryan CollerRussell Cowles and Josine PetersKathy and Charles CunninghamMary DaschnerAnn and Scott DaytonChad and Maggie DaytonStone Pier Foundation on behalf
of James G. and Megan M. Dayton
Ernie and Mary DornJoe Dowling and Siobhan ClearyLeeann and Jeffrey EttingerDavid Etzwiler and
Sarah Truesdell Dolly Fiterman Zoe and Graham FrancoisBob Gisvold and
Patty MacDonald GisvoldJodi and Michael GlaserElizabeth and Michael GormanPeter and Mary GoveRick and Gretchen JelnickTodd and Jennifer JorgensonMartin and Jay JuhnScott and Julie KammerIvars and Gloria KaulsMark C. Larsen / Larsen FundAngie MarshErica and John MarstonJeninne McGeeKendrick B. Melrose The Moore Family Fund for
the Arts of the Minneapolis Foundation
Phil and Julie MorrisMarla B. and John G. Ordway, IIIAnne and Brent OswaldTodd Paulson and
Lisa Fredrikson PaulsonBetsy and Tom PfeiferMorton PhillipsMartha and Greg Pomerantz Shawn Quant
Tom and Mary RacciattiJoanne ReedLaurie RengelJohn and Lois RogersJennifer and David RowlandSamuel and Cecilia Salas Jeffrey and Helene SlocumDave and Nancy SparbyPhyllis SperlingJohn L. Sullivan Meredith and Sam TutterowLaura and Timothy VitelliSarah and Scott WadeJane and Chris WalshTim WangFrank and Christine WheelerRenata WinsorNeil M. WinstonTheresa and Jim Wise WMN FoundationBertha WrightMitchell and Erin ZamoffHoney and Larry Zelle
Leader$500 to $999AnonymousJames and Julia AdamsTheresa AlewineJane AndersonMary C. AndersonJohn E. Andrus, IIITerry and Sharon Lee AventErik and Nana Awhoi LarsonCharles and Melanie BarryJanet and Michael BatesMarcy and Randy BetcherDiana and Brian BeutnerBlue Rock Charitable Fund of
The Minneapolis FoundationTerri and Richard BowmanHon. I. Leo and Susan Brisbois Joe and Rona CaldwellT.J. Carter and Dawn UremovichChandra and Brian CastroJoann and Edward ConlinMrs. Thomas Crosby, Sr.Christy and Kevin CzarneckiGuy and Anne DaubertEdward and Sherry Ann DaytonMartha Dayton and
Thomas NelsonJean DehningMarlene Dennstaedt
Teresa and RJ DevickMary DourgarianLyle F. DrewsDavid and Johanna Duclos Jane EmisonMark and Michelle EttelKerry and Sky FauverBarbara and Stephen FischerMary and Paul Freeman Andrew and Tina GirdwoodTom GlassKathryn GlessingHarold and Cindi Goldfi neCharlie and Pam GrossmanMr. Peter Hafi zRebecca HarrisMartha B. Hartfi el Joan Hessidence and Rick WallGregory HoehnDiane and Tony HofstedeJoel and Mary Lee JenningsBrian and Anna JonesKathleen JonesThe Kachelmacher - Kreiman
FamilyArt and Martha KaemmerSheila Kanlisi and Nortei DowuonaE. Robert and Margaret V. Kinney
Fund of The Mpls FoundationAlicia Kunin-Batson and
Hayes BatsonJeannine Lee and Roger FinneyMischelle and Steven LentzNikki and Ronald LewisCalvin and Christine Litsey Dana R. LonnWilliam Lurton FoundationAnna and Chris LyonW. Duncan and Nivin MacMillan
FoundationLuanna Marrier-Holecek and
Bill HolecekGina and Sean McDermottTom and Chris McEneryJohn G. and Lois M. McNutt FundSam Miller FoundationDavid Miller and Mary DewKenneth R. and Sue MurrayDouglas and KK NeimannElinor and Thomas NicklawskeJulie and Steve NilssonSteve and Tamrah Schaller O’NeilJoseph and Julienne OppongBruce and Terri PalmerMichael J. and Susan R. Paxton
Katherine PayneCathryn, Christopher and
Matthew Peel Mary Pat and Bryce PetersonRitz Family FoundationScott and Angela PieringSarah and David PoindexterMaria and David ReamerLawrence RedmondKathryn and Randy RolandDenise R. RutherfordRev. Lincoln Saul and
Dr. Maureen SaulJoel and Kim SchlachtenhaufenMendon F. Schutt Familly Fund
of The Minneapolis FoundationLoleta ScottChristopher and Patricia ShaheenKatrinka and William SharpeCara Sjodin and Scott StensrudWendy Skjerven and
Randy GegelmanStanislaw Skrowaczewski
Melissa SnelsonRebecca and Mark SorensenThe Harriet and Edson Spencer
FoundationDaniel R. and
Jennifer A. TenenbaumDavid and Naomi TetzlaffCarol ThacherPaul Thissen and Karen WilsonNeal Peterson and Deanna
ThompsonBecky Thorson and Joe DonnellyMarcia K. TownleyKim and Paul Vander VortJohn C. Walden David and Nancy WarnerMary and Jeff WerbalowskyLinda and Bob WestenbergThe Whitney FoundationKealie and Dallas WilliamsDr. Alvin S. and Sue ZelicksonBernie and Anna ZimmermannGary Zywotko
THANKS TO OUR CONTRIBUTORS
COMMUNITY CIRCLE
Pinocchio 19b