photography update

KIRSTY GARLAND13

Increase the Volume

With an eye for capturing unseen moments, Kirsty Garland’s photography aims to avoid the stiff and conventional. She brings her subjects to life in a manner befitting the person they are, the work they do or the music they make.

‘Increase the Volume’ documents those who make, enjoy, and live for alternative music of all styles. From stripped down rockabilly to technical metal - and everything in between – this project explores the melting pot of passionate, contemporary music.

Opposite: Grass / Not Grass

Overleaf: More Grass / Return of the Grass / Garden / Secret Garden

[email protected]

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JOSH ROSE17

Need Title

This work is a revaluation of space. The perception and use of space is constantly changing in contemporary society, and this project considers how the public conceptualise and relate to their immediate environment, as well as alternatives to the social norm. The images feature action and capture movement to consider how we interact with and move through modern spaces.

Opposite: Grass

Overleaf: More Grass / Return of the Grass

[email protected]

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JOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY LANDMARIA GALVINANNE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY LANDMARIA GALVIN

ANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY GARLANDMARIA GALVIN

ANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY LANDMARIA GALVINANNE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY LANDMARIA GALVIN

ANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY GARLANDMARIA GALVIN

ANNE ATKINSONROSIE COX

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

JOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY LANDMARIA GALVINANNE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE ATKINSONROSIE COXMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSE

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY LANDMARIA GALVIN

ANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY GARLANDMARIA GALVIN

ANNE ATKINSONROSIE COX

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

JOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY LANDMARIA GALVINANNE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE ATKINSONROSIE COXMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSE

JOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY LANDMARIA GALVINANNE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSEKIRSTY GARLANDMARIA GALVINANNE ATKINSONROSIE COXMARIA GALVINANNE-MARIE ATKINSONROSIE COXJOSH ROSE

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY LANDMARIA GALVIN

ANNE ATKINSONROSIE COX

JOSH ROSEKIRSTY GARLAND

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

KIRSTY GARLANDMARIA GALVIN

ANNE ATKINSONROSIE COX

MARIA GALVINANNE-MARIE ATKINSON

ROSIE COXJOSH ROSE

ROSIE COX05

Need Title

“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” Walker Evans, 1960.

Developed considering theories such as scopophilia, the love of looking; Panopticism, the “all-seeing eye”; and the voyeurism of everyday life, this project observes people observing themselves through a two-way mirror whilst they unknowingly become the photographer’s subject. The viewer of the work becomes a spectator of the observation made by the photographer. The two-way mirror, placed in everyday locations, capturing people doing everyday things, provides the enjoyment of surveying others without being seen by the subjects. The snapshot aesthetic of the images enhances the feeling of observing and recording from a hidden viewpoint.

+44 (0) 1234 567 [email protected]

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Opposite: Grass

Overleaf: More Grass / Return of the Grass

ROSIE COX05

Need Title

“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” Walker Evans, 1960.

Developed considering theories such as scopophilia, the love of looking; Panopticism, the “all-seeing eye”; and the voyeurism of everyday life, this project observes people observing themselves through a two-way mirror whilst they unknowingly become the photographer’s subject. The viewer of the work becomes a spectator of the observation made by the photographer. The two-way mirror, placed in everyday locations, capturing people doing everyday things, provides the enjoyment of surveying others without being seen by the subjects. The snapshot aesthetic of the images enhances the feeling of observing and recording from a hidden viewpoint.

+44 (0) 1234 567 [email protected]

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-

Opposite: Grass

Overleaf: More Grass / Return of the Grass

ROSIE COX05

Need Title

“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” Walker Evans, 1960.

Developed considering theories such as scopophilia, the love of looking; Panopticism, the “all-seeing eye”; and the voyeurism of everyday life, this project observes people observing themselves through a two-way mirror whilst they unknowingly become the photographer’s subject.

The viewer of the work becomes a spectator of the observation made by the photographer. The two-way mirror, placed in everyday locations, capturing people doing everyday things, provides the enjoyment of surveying others without being seen by the subjects. The snapshot aesthetic of the images enhances the feeling of observing and recording from a hidden viewpoint.

+44 (0) 1234 567 [email protected]

-

-

-

Opposite: Grass

Overleaf: More Grass / Return of the Grass

ROSIE COX05

Need Title

“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” Walker Evans, 1960.

Developed considering theories such as scopophilia, the love of looking; Panopticism, the “all-seeing eye”; and the voyeurism of everyday life, this project observes people observing themselves through a two-way mirror whilst they unknowingly become the photographer’s subject.

The viewer of the work becomes a spectator of the observation made by the photographer. The two-way mirror, placed in everyday locations, capturing people doing everyday things, provides the enjoyment of surveying others without being seen by the subjects. The snapshot aesthetic of the images enhances the feeling of observing and recording from a hidden viewpoint.

+44 (0) 1234 567 [email protected]

-

-

-

Opposite: Grass

Overleaf: More Grass / Return of the Grass

ROSIE COX05

Need Title

“Stare. It is the way to educate your eye, and more. Stare, pry, listen, eavesdrop. Die knowing something. You are not here long.” Walker Evans, 1960.

Developed considering theories such as scopophilia, the love of looking; Panopticism, the “all-seeing eye”; and the voyeurism of everyday life, this project observes people observing themselves through a two-way mirror whilst they unknowingly become the photographer’s subject.

The viewer of the work becomes a spectator of the observation made by the photographer. The two-way mirror, placed in everyday locations, capturing people doing everyday things, provides the enjoyment of surveying others without being seen by the subjects. The snapshot aesthetic of the images enhances the feeling of observing and recording from a hidden viewpoint.

+44 (0) 1234 567 [email protected]

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Opposite: Grass

Overleaf: More Grass / Return of the Grass

2011

[email protected]

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ADRIAN DAVIES

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing

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(f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of 1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

Foreword

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Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of

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1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

Foreword

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Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of

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1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

Foreword

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Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of

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1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

FOREWORD

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Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of

-

1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

INTRODUCTION

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Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing

-

(f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of 1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

INTRODUCTION

Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing

-

-

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(f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of 1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

INTRODUCTION

Adrian Davies, 2011

Photography is the art, science, and practice of creating pictures by recording radiation on a radiation-sensitive medium, such as a photographic film, or electronic image sensors. Photography uses foremost radiation in the UV, visible and near-IR spectrum.[1] For common purposes the term light is used instead of radiation. Light reflected or emitted from objects form a real image on a light sensitive area (film or plate) or a FPA pixel array sensor by means of a pin hole or lens in a device known as a camera during a timed exposure. The result on film or plate is a latent image, subsequently developed into a visual image (negative or diapositive). An image on paper base is known as a print. The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing (f.i. Photolithography), art, and recreational purposes.

Lens and mounting of a large-format camera.The result on the FPA pixel array sensor is an electrical charge at each pixel which is electronically processed and stored in a computer (raster)-image file for subsequent display or processing. Photography has many uses for business, science, manufacturing

-

-

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(f.i. Photolithography), art, and recreational purposes. A historic camera: the Contax S of 1949 — the first pentaprism SLR. Nikon F of 1959 — the first 35mm film system camera. Late Production Minox B camera with later style “honeycomb” selenium light meter. 21st Century camera.

A portable folding reflector positioned to “bounce” sunlight onto a model.As far as can be ascertained, it was Sir John Herschel in a lecture before the Royal Society of London, on March 14, 1839 who made the word “photography” known to the whole world. But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]But in an article published on February 25 of the same year in a German newspaper called the Vossische Zeitung, Johann von Maedler, a Berlin astronomer, had used the word photography already.[2] The word photography is based on the Greek φφφ (photos) “light” and φφφφφ (graphé) “representation by means of lines” or “drawing”, together meaning “drawing with light”.[3]

INTRODUCTION

With Thanks To

Adrian Davies Photography Course Leader

James EcclesSimon JonesRichard Lancaster

Photography Tutors

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ACKNOWLEDGEMENTS

Sponsors

Cribswww.cribs.com

Fotogenwww.fotogen.com

Camera Peepswww.campeeps.com

Flash Me Quickwww.fmq.com

Graphic Design

Heather Bradley www.heatherbradley.co.uk

Chloe Galeawww.chloegalea.co.uk

Carl Holdernesswww.carlholderness.co.uk

Emma Pricewww.emma-price.co.uk

With Thanks To

Adrian Davies Photography Course Leader

James EcclesSimon JonesRichard Lancaster

Photography Tutors

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ACKNOWLEDGEMENTS

Graphic Design

Heather Bradley www.heatherbradley.co.uk

Chloe Galeawww.chloegalea.co.uk

Carl Holdernesswww.carlholderness.co.uk

Emma Pricewww.emma-price.co.uk

Sponsors

Cribswww.cribs.com

Fotogenwww.fotogen.com

Camera Peepswww.campeeps.com

Flash Me Quickwww.fmq.com

Adrian Davies, 2011

The medium of Photography was given its name by using two Greek terms that described the process – drawing (graphy) with light (Photo). Though the process required very specific technical and scientific knowledge during its early stages of development, the term ‘Photography’ clearly implies an artistic reference in its description.

The medium of Photography has embedded itself within society and is used by a continuously increasing number of people. This has been encouraged through constant changes in camera technology as manufacturers were financially driven to make the process accessible for use by the public at large. With the possibilities of digital technology, we are fully immersed and bombarded by images. Not only are the general public more liberated with their use of the camera to record their personal lives, but they are also happy to place them in the public forum of internet sites for the world to see. Long gone are the fears of the camera stealing souls, replaced by a knowing awareness of how the camera ‘sees’ and can project a persona of ones self into the public realm.

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As the world and our lives are recorded more frequently and covertly, the role of the photographer becomes even more important. CCTV cameras record mundane scenes unrelentlessly without consideration to composition and the ‘decisive moment’. Google’s Streetview shows us a virtual world through photographs where time is blurred to create 360% views of places we may never have visited. Yet to walk through this virtual world is still a complex and difficult experience. The artist Doug Rickard has split the photography world with his recent photographs taken through his computer screen of ‘Streetview’ scenes. These images reference the history of photography and reiterate the most important point that photography is all about ‘looking’.

Looking and communicating is at the heart of the work in this publication. The photographers have followed their individual interests to make visual engaging images. The camera may still be the mechanical recorder of what it is pointed at, but the personal intention and vision of the photographer is crucial to creating images that will challenge us to reconsider our understanding of the world we live in.

FOREWORD

Adrian Davies, 2011

The medium of Photography was given its name by using two Greek terms that described the process – drawing (graphy) with light (Photo). Though the process required very specific technical and scientific knowledge during its early stages of development, the term ‘Photography’ clearly implies an artistic reference in its description.

The medium of Photography has embedded itself within society and is used by a continuously increasing number of people. This has been encouraged through constant changes in camera technology as manufacturers were financially driven to make the process accessible for use by the public at large. With the possibilities of digital technology, we are fully immersed and bombarded by images. Not only are the general public more liberated with their use of the camera to record their

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personal lives, but they are also happy to place them in the public forum of internet sites for the world to see. Long gone are the fears of the camera stealing souls, replaced by a knowing awareness of how the camera ‘sees’ and can project a persona of ones self into the public realm.

As the world and our lives are recorded more frequently and covertly, the role of the photographer becomes even more important. CCTV cameras record mundane scenes unrelentlessly without consideration to composition and the ‘decisive moment’. Google’s Streetview shows us a virtual world through photographs where time is blurred to create 360% views of places we may never have visited. Yet to walk through this virtual world is still a complex and difficult experience.

FOREWORD

The artist Doug Rickard has split the photography world with his recent photographs taken through his computer screen of ‘Streetview’ scenes. These images reference the history of photography and reiterate the most important point that photography is all about ‘looking’.

Looking and communicating is at the heart of the work in this publication. The photographers have followed their individual interests to make visual engaging images. The camera may still be the mechanical recorder of what it is pointed at, but the personal intention and vision of the photographer is crucial to creating images that will challenge us to reconsider our understanding of the world we live in.

Adrian Davies, 2011

The medium of Photography was given its name by using two Greek terms that described the process – drawing (graphy) with light (Photo). Though the process required very specific technical and scientific knowledge during its early stages of development, the term ‘Photography’ clearly implies an artistic reference in its description.

The medium of Photography has embedded itself within society and is used by a continuously increasing number of people. This has been encouraged through constant changes in camera technology as manufacturers were financially driven to make the process accessible for use by the public at large. With the possibilities of digital technology, we are fully immersed and bombarded by images. Not only are the general public more liberated with their use of the camera to record their personal lives, but they are also happy to place them in the public forum of internet sites for the world to see. Long gone are the fears of the camera stealing souls, replaced by a knowing awareness of how the camera ‘sees’ and can project a persona of ones self into the public realm.

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FOREWORD

As the world and our lives are recorded more frequently and covertly, the role of the photographer becomes even more important. CCTV cameras record mundane scenes unrelentlessly without consideration to composition and the ‘decisive moment’. Google’s Streetview shows us a virtual world through photographs where time is blurred to create 360% views of places we may never have visited. Yet to walk through this virtual world is still a complex and difficult experience. The artist Doug Rickard has split the photography world with his recent photographs taken through his computer screen of ‘Streetview’ scenes. These images reference the history of photography and reiterate the most important point that photography is all about ‘looking’.

Looking and communicating is at the heart of the work in this publication. The photographers have followed their individual interests to make visual engaging images. The camera may still be the mechanical recorder of what it is pointed at, but the personal intention and vision of the photographer is crucial to creating images that will challenge us to reconsider our understanding of the world we live in.

Adrian Davies, 2011

The medium of Photography was given its name by using two Greek terms that described the process – drawing (graphy) with light (Photo). Though the process required very specific technical and scientific knowledge during its early stages of development, the term ‘Photography’ clearly implies an artistic reference in its description.

The medium of Photography has embedded itself within society and is used by a continuously increasing number of people. This has been encouraged through constant changes in camera technology as manufacturers were financially driven to make the process accessible for use by the public at large. With the possibilities of digital technology, we are fully immersed and bombarded by images. Not only are the general public more liberated with their use of the camera to record their personal lives, but they are also happy to place them in the public forum of internet sites for the world to see. Long gone are the fears of the camera stealing souls, replaced by a knowing awareness of how the camera ‘sees’ and can project a persona of ones self into the public realm.

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As the world and our lives are recorded more frequently and covertly, the role of the photographer becomes even more important. CCTV cameras record mundane scenes unrelentlessly without consideration to composition and the ‘decisive moment’. Google’s Streetview shows us a virtual world through photographs where time is blurred to create 360% views of places we may never have visited. Yet to walk through this virtual world is still a complex and difficult experience. The artist Doug Rickard has split the photography world with his recent photographs taken through his computer screen of ‘Streetview’ scenes. These images reference the history of photography and reiterate the most important point that photography is all about ‘looking’.

Looking and communicating is at the heart of the work in this publication. The photographers have followed their individual interests to make visual engaging images. The camera may still be the mechanical recorder of what it is pointed at, but the personal intention and vision of the photographer is crucial to creating images that will challenge us to reconsider our understanding of the world we live in.

FOREWORD

The medium of Photography was given its name by using two Greek terms that described the process – drawing (graphy) with light (Photo). Though the process required very specific technical and scientific knowledge during its early stages of development, the term ‘Photography’ clearly implies an artistic reference in its description.

The medium of Photography has embedded itself within society and is used by a continuously increasing number of people. This has been encouraged through constant changes in camera technology as manufacturers were financially driven to make the process accessible for use by the public at large. With the possibilities of digital technology, we are fully immersed and bombarded by images. Not only are the general public more liberated with their use of the camera to record their personal lives, but they are also happy to place them in the public forum of internet sites for the world to see. Long gone are the fears of the camera stealing souls, replaced by a knowing awareness of how the camera ‘sees’ and can project a persona of ones self into the public realm.

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As the world and our lives are recorded more frequently and covertly, the role of the photographer becomes even more important. CCTV cameras record mundane scenes unrelentlessly without consideration to composition and the ‘decisive moment’. Google’s Streetview shows us a virtual world through photographs where time is blurred to create 360% views of places we may never have visited. Yet to walk through this virtual world is still a complex and difficult experience. The artist Doug Rickard has split the photography world with his recent photographs taken through his computer screen of ‘Streetview’ scenes. These images reference the history of photography and reiterate the most important point that photography is all about ‘looking’.

Looking and communicating is at the heart of the work in this publication. The photographers have followed their individual interests to make visual engaging images. The camera may still be the mechanical recorder of what it is pointed at, but the personal intention and vision of the photographer is crucial to creating images that will challenge us to reconsider our understanding of the world we live in.

FOREWORD

Adrian Davies, 2011

With Thanks To

Adrian Davies Photography Course Leader

James EcclesSimon JonesRichard LancasterPhotography Tutors

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ACKNOWLEDGEMENTS

Graphic Design

Heather Bradley www.heatherbradley.co.uk

Chloe Galeawww.chloegalea.co.uk

Carl Holdernesswww.carlholderness.co.uk

Emma Pricewww.emma-price.co.uk

Sponsors

Cribswww.cribs.com

Fotogenwww.fotogen.com

Camera Peepswww.campeeps.com

Flash Me Quickwww.fmq.com

With Thanks To

Adrian Davies Photography Course Leader

James EcclesSimon JonesRichard LancasterPhotography Tutors

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ACKNOWLEDGEMENTS

Sponsors

Cribswww.cribs.co.uk

Pholiowww.needinfo.com

Sponsor Threewww.campeeps.com

Sponsor Fourwww.fmq.com

With Thanks To

Adrian Davies Photography Course Leader

TutorTutorTutorPhotography Tutors

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ACKNOWLEDGEMENTS

Sponsors

Cribswww.cribs.co.uk

Pholiowww.needinfo.com

Sponsor Threewww.campeeps.com

Sponsor Fourwww.fmq.com