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Contrast The difference between light and dark areas in an image.
13

Photographic Contrast

Jan 28, 2018

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billhuegerich
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Page 1: Photographic Contrast

ContrastThe difference between light and dark areas in an image.

Page 2: Photographic Contrast

Camera vs. your eye?

The camera cannot capture near the range of tones that the human eye can.

That’s why we need to be aware of what tones it is able to capture.

Page 3: Photographic Contrast

High Contrast

A large range of tones.

Very dark blacks and bright whites.

Page 4: Photographic Contrast

Low Contrast

A small range of tones.

Very gray, flat, muddy.

Page 5: Photographic Contrast

It’s all in the timing

Around noon on a sunny day, the light is very contrasty, direct, and harsh.

Around sunrise/sunset, light is less contrasty, because it’s diffused by more atmosphere (not to mention longer shadows to create more depth in your images.)

Page 6: Photographic Contrast

Cloudy Days...

Overcast skies produce less contrast, because the sunlight is very diffused.

This can be good for shooting portraits, but not so good for landscapes.

Page 7: Photographic Contrast

Don’t look at the sun!

Shooting directly into the sun will kill your contrast and confuse the light meter in your camera.

Page 8: Photographic Contrast

Bad Flare...Shooting toward the sun can also cause lens flare!

Page 9: Photographic Contrast

What can I do about it?

We can’t change the sun or the clouds.

We can photograph early or late in the day if the sunlight is too harsh.

We can move our subject out of direct sun and into shadows (besides helping get the contrast down, it’ll keep your subject from squinting so much.)

Page 10: Photographic Contrast

Too contrasty

Page 11: Photographic Contrast

Better...

Page 12: Photographic Contrast
Page 13: Photographic Contrast

Now let’s go take some great pictures!