Top Banner
Phonation Phonation and and Laryngeal Laryngeal Anatomy and Physiology Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg
45

Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Dec 16, 2015

Download

Documents

Antonio Gaynes
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Phonation Phonation andand

Laryngeal Laryngeal Anatomy and PhysiologyAnatomy and Physiology

Nothing is ever said on the stage without a reason. There are no exceptions.

Charles Waxberg

Page 2: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

The original use of the larynx was to keep us alive through breakfast. Its main function is stop solids and liquids from entering the trachea and choking us to death. Its secondary functions are to bear down, phonation and speech. The larynx of humans and great apes in infancy is higher in the neck so that they can breathe and suckle at the same time. In humans it descends before the age of two.

Page 3: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

What the Larynx is for

• To stop food/liquid from entering the lungs

• To Bear Down– While Expelling

• Defecation

• Childbirth

– While Lifting

• PHONATION

Page 4: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

What is phonation?What is phonation?

• Laryngeal generation of voice

Page 5: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Composition of the Larynx

• Composed of cartilage:– Cricoid Cartilage – Greek Name meaning ‘ring

like’– Thyroid Cartilage – Greek Name meaning

‘Sheild like’– A pair of Arytenoids– Epiglottis

Page 6: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.
Page 7: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Laryngeal Anatomyanatomy.uams.edu/anatomyhtml/atlas_html/rsa3p2.html

1. Hyoid bone

2. Thyroid cartilage

3. Cricoid cartilage

4. Tracheal cartilages

Page 8: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

www.bartleby.com/107/illus952.html

Page 9: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

www.ling.yale.edu:16080/ling120/Larynx/Larynx_side.gif

Larynx

Page 10: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Cricoid

anatomy.uams.edu/.../atlas_html/rsa3p6.html

1. Anterior arch

2. Posterior lamina

3. Articular facet

Page 11: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Thyroid Cartilage

/www.yorku.ca/earmstro/journey/images/thyroid.gif

Page 12: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

ARYTENOIDS

homepages.wmich.edu/~gunderwo/intro_voice.htm

Page 13: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

1. Thyroid prominence

2. Cricothyroid ligament

3. Arytenoid cartilage

4. Corniculate cartilage

5. Vocal ligament

6. Vestibular fold

7. Cricoid cartilage

8. Articular facet for inferior

cornu of thyroid cartilage

anatomy.uams.edu/anatomyhtml/graphics/rsa3p8.gif

Page 14: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

1. Epiglottis

2. Arytenoid cartilage

3. Corniculate cartilage

4. Aryepiglottic fold

anatomy.uams.edu/anatomyhtml/graphics/rsa3p10.gif

Page 15: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

The thyroid rests superiorly on the cricoid and attaches posterior-laterally at the cricoid’s inferior articulator facets. This attachment (the cricothyroid joint)

hinges the cricoid and thyroid allowing their anterior sides to adduct, changing

vocal fold length.

Page 16: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Movement

The arytenoid cartilages, two pyramid shaped cartilages rest on the cricoid at the cricoarytenoid joints and move in two distinct ways:1.)    To pivot (rocking) the posterior ends of the arytenoids away from each other, adducting the anterior ends or the reverse so the anterior ends abduct, and…2.)    Sliding the arytenoids on an anterior-posterior path.Since the vocal folds are attached to the anterior ends of these cartilages (at the vocal process) any movement in them will change the folds’ shape, tension and relationship to each other thereby affecting phonation.

Page 17: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

people.umass.edu/jkingstn/ling414/figure%202.19%20arytenoid%20movement%20f05.jpg

Page 18: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Composition of the Larynx (Con’t)

• Composed of Muscle:

– Extrinsic Laryngeal Muscles

– Intrinsic Laryngeal Muscles

Page 19: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Extrinsic MuscleExtrinsic MuscleTWO Groups of Extrinsic Muscles:

• SuprahyoidsSuprahyoids – Attach to points above the Hyoid (Jaw, Skull and Tongue) when they contract they raise or elevate the Larynx eg Swallowing

• InfrahyoidsInfrahyoids – Attach to points below the Hyoid (one connects to the thyroid, however the others connect to the sternum and the scapula) when they contract they lower or depress the Larynx

Page 20: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

www.sloan-studios.com/pm/teachingtools.htm

Page 21: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.
Page 22: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Intrinsic MusclesIntrinsic Muscles

• AdductorsAdductors – vocal folds are together

• AbductorsAbductors – vocal folds apart

• Tensors - Tensors - Stiffen

• Relaxors - Relaxors - Relax

Page 23: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

AdductorsAdductors• Lateral Cricoarytenoids

• Interarytenoids

–Transverse Arytenoids

–Oblique Arytenoids

Page 24: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

AAdddduuccttoorrss

artemis.austincollege.edu/acad/music/wcrannell/vocalped/images/larynx1.gif

Page 25: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

AAdddduuccttoorrss

artemis.austincollege.edu/acad/music/wcrannell/vocalped/images/larynx1.gif

Page 26: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

137.222.110.150/calnet/H+N/image/deep%20muscles%20of%20larynx-lateral%20view.jpg

Page 27: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

AbductorsAbductors• Posterior Cricoarytenoids

Page 28: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Vocal FoldsVocal Folds

• Muscle–External Thyroarytenoids – inserts into inserts into

the muscular process on the Arytenoids and the Thyroid notch (shorten the muscular process on the Arytenoids and the Thyroid notch (shorten and adduct)and adduct)

–Internal Thyroarytenoids – inserts into the inserts into the

vocal process on the Arytenoids and the Thyroid Notch (shortens and vocal process on the Arytenoids and the Thyroid Notch (shortens and stiffens), act antagonistically to the Cricothyroidsstiffens), act antagonistically to the Cricothyroids

• Membrane

Page 29: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

137.222.110.150/calnet/H+N/image/deep%20muscles%20of%20larynx-lateral%20view.jpg

Page 30: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

MembranesMembranes

• False Vocal Folds – Ventricular folds• Laryngeal Ventricle• Conus Elasticus (interconnects the thyroid, cricoid and arytenoids

cartilages)• Lamina propria (mucosal cover of the vocalis

muscle) – can vibrate independently of the vocalis muscle

• Vocal Ligament – the thread like collagenous fibers of the deep layer of the lamina propria

Page 31: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Relaxors and TensorsRelaxors and Tensors

• External Thyroarytenoid – Relaxor, Relaxor, shortens and adductsshortens and adducts

• Internal Thyroarytenoid – Tensor, shortens Tensor, shortens and stiffensand stiffens

• Cricothyroid Muscles – Tensor, lengthens Tensor, lengthens and stiffensand stiffens

Pitch is determined by Relaxors and TensorsPitch is determined by Relaxors and Tensors

Page 32: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

www.kolumbus.fi/msts/larynx/larynx.htm

Page 33: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Fundamental Frequency

Phonation is made up of a fundamental frequency or Fo (the number of times the folds

open and close per second-CPS) and harmonic multiples of the Fo (two times the Fo, three

times, four times etc.) that fall in intensity (volume) in an inverse relationship as the harmonics rise in frequency or as the pitch rises the volume falls.

Page 34: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Fundamental Frequency

10

9

8

7

6

5

4

3

2

1

100 200 300 400 500 600 700 800 900 1000

INTENSITY

(VOLUME)

FREQUENCY

(PITCH)

Page 35: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Pitch

• Fundamental frequency (average: baby 500Hz, children 250-

400Hz men 125Hz women 200Hz) is primarily affected by applying more or less longitudinal tension to the VF using:

• Cricothyroids• Tension in the vocalis muscle

OR• Adjustments in vertical tension – depressing or elevating

the Larynx via suprahyiod and infrahyoid muscles

Page 36: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Vocal Fold Tension, Elasticity and Movement

• Thicker or thinner• Shorter or longer• Open or close• Intermediate positions• Stiff or elastic

Movement:Bronx Cheer or Raspberry– “the sound is that or air escaping in rapid bursts, not

the sound of the lips moving” – Borden and Harris. Aerodynamic forces acting on the elastic body of the lips

Page 37: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

ADMET – ADMET – Aero Dynamic Myo-Aero Dynamic Myo-

Elastic TheoryElastic Theory Glottal vibration is the result or refers to interaction between aero-dynamic forces and vocal fold muscular action.

• Sub-Glottal Pressure• Bernoulli Effect – set vocal folds into vibration due to the elasticity

of the folds (elastic recoil – the force which restores any elastic body back to its resting place)

• Muscular Force – Muscles act to bring the folds together so they can vibrate, and muscles regulate their thickness and tension to alter fundamental frequency. Folds are FULLY or PARTIALLY ADDUCTED for phonation

Page 38: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Bernoulli Effect

• An increase in velocity results in a drop in the pressure exerted by the molecules of moving gas or liquid, the pressure drops being perpendicular the direction of the flow

Page 39: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Schematic showing the Bernoulli Effect. The arrows indicate movement of pressure. As the air moves through a narrowing, inside pressure drops and outside pressure increases pulling the sides inward.

Page 40: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Glottal CycleGlottal Cycle

• Vertical Phase Difference – vocal folds open at the bottom first. As top part opens bottom part closes. Wave like motion

Page 41: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

www.phon.ox.ac.uk/~jcoleman/phonation.htm

Page 42: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Chest (Modal Register)Chest (Modal Register)

• Low fundamental frequency

• Vocalis muscle activity

• Folds are thick and short

• Low stiffness

Page 43: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Falsetto RegisterFalsetto Register

• Longer and thinner folds

• Stiff folds

• Small amplitude of vibration

• Incomplete closure of the folds• Shutter like appearance – Vibrate more like strings

Page 44: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

Vocal OnsetVocal Onset

• How we bring the folds together:– Attack– Breathy– Vocal Fry– Partial adduction – Whispering or falsetto

register

(Note: Folds come together FULLYFULLY but without force for Modal register)

Page 45: Phonation and Laryngeal Anatomy and Physiology Nothing is ever said on the stage without a reason. There are no exceptions. Charles Waxberg.

PitchPitch

• Lies in the stiffness of the folds resulting from lengthening and contraction of the thyroarytenoids, especially the vocalis portion