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PHILIPPINE LITERATURE ( SPANISH AND AMERICAN COLONIAL PERIOD)

Feb 17, 2018

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    hilippine Litera

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    Spanish Colonial Period

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    Spanish occupiedPhilippines in early

    15thcentury. The FirstFilipino alphabet is

    Alibata when Spanishcolonized Philippines

    they changed alibatasinto o!an alphabet.

    Spanish banned the useo" Alibata because they

    belie#ed that it is awor$ o" e#il. So Spanish

    "ully introduced theSpanish literary

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    The %uropeanliterature was broughtby the Spaniards and

    are assi!ilated in

    Filipino songs andindigenous the!es.

    The

    early printing press inthe Philippine is runand !onopolized bythe Spaniards "riars.

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    &uring Spanishcolonization Filipinos"elt that they being

    harassed by the

    Spaniards. Then the'irth o" thePropaganda

    !o#e!ent and (a

    Solidaridad.

    Then Filipino "oughtand introduced

    Tagalog to be the

    language o" re#olution

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    Spanish Colonial Period

    literature

    under

    Spanish Colonial Period

    ()T%AT*%under

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    +A(

    ()T%AT*%

    &A,A

    S+-S

    %())+*S&A,A

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    SONGSA song is

    a compositionfor voice or voices,

    performed by singing.A choral or vocal songmay be accompanied

    by musicalinstruments, or it maybe unaccompanied, as

    in the case of acappella songs. he

    lyrics !"ords# of songsare typically of

    a poetic,rh min nature,

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    SONGS

    his song depictshumbleness. $t%s thestory of a man "ho

    tries to sho" "hat he

    got to "in the heartof his beloved one.

    L&'ONL&'ON

    S$NA

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    SONGS

    a (undiman "hich

    means )one night* or)one evening* in+icol. A undiman isa -ilipino love song

    traditionally sung bya man "ooing the

    "oman of hisdreams.

    SA'/+ANGG$

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    %())+*S &A,Ahe religious drama, as

    setting forth events recorded inthe +ible or moral lessons to be

    dra"n from religious teaching, isdistinctively medieval incharacter, and in origin is closelyconnected "ith the services of

    the0hurch.

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    %())+*S &A,APanunuluyan

    !agalog for 1asing for

    lodgings1# is a Philippine0hristmas dramatic ritualnarrating the 2oly -amily%ssearch for a place to stay in

    +ethlehem for3esus 0hrist%s birth throughsong.

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    'A/A

    &ra!a is thespeci/c !ode o" /ction repres

    ented in per"or!ance. The

    enact!ent o" dra!ain theatre0 per"or!edby actors on a stage be"orean audience0 presupposes

    collaborati#e !odes o"production and

    a collecti#e "or! o" reception.

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    'A/A

    2hy 2o!en 2ash the &ishes3 is a

    play that depicts a betting ga!ebetween couple who! either onewould not li$e to wash the dishes. Theplay is /lled with

    hu!or and anti4ues.

    +ait +abae ang Naghuhugas ng Pinggan

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    5'$&N

    L$&'A'&

    S+TST+)%S

    P+%T6

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    PO&'6

    Poetry is an i!aginati#e awareness o"

    e7perience e7pressed through !eaning0sound0 and rhyth!ic language choicesso as to e#o$e an e!otional response.Poetry has been $nown to e!ploy !eterand rhy!e0 but this is by no !eansnecessary. The #ery nature o" poetry asan authentic and indi#idual !ode o"

    e7pression !a$es it nearly i!possible tode/ne.

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    The story is about the lo#e and

    deter!ination o" the &u$eFlorante and the Princess (aurao" Albania while being pursuedby the usurper Count Adol"o.

    PO&'6

    F(+A-T% AT(A*A

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    Ashortstoryisa

    brie"wor$

    o"literature0

    usuallywritten

    innarrati#eprose

    .Aclassic

    de/nitiono"a

    shortstoryisthat

    oneshouldbe

    abletoreaditin

    onesitting

    S2O'

    SO'$&S

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    Theshortstory

    re#ol#esaroundonething

    Freedo!.+r!ore

    clearly0itsee$sto

    de/newhatis

    "reedo!0and

    whatsenseit

    !a$estothose

    whoarenot"re

    e8

    sla#ed"orthe

    S2O'

    SO'$&S

    0ON7$08S

    5$L$G2

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    )9A( A-& )S

    C+-T%,P+A)%S

    3OS&'$9AL

    /A'0&LO4&L P$LA'AN4'&S

    +ON$-A0$O

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    S%(%CT%&

    2+:S +Fe is considered one o"

    the national heroes o" thePhilippines. Studying in %urope0

    he was the !ost pro!inentad#ocate "or re"or! in thePhilippines during the Spanishcolonial era. e was wrongly

    i!plicated as the leader o" the:atipunan e#olution0 and thatled to his e7ecution on&ece!ber ;?0 nowcelebrated as izal &ay0a national holiday in the

    3OS& '$9AL

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    S%(%CT%&

    2+:S +F

    /$ L$/O

    A4$OS

    A poe! written byPhilippine national hero &r @os

    izal on the e#e o"his e7ecution on ;< &ece!ber

    1=>?. This poe! was one o" the

    last notes he wrote be"ore hisdeath8 another that he had

    written was "ound in his shoebut because the te7t was

    illegible0 its contents re!ains a! ster .

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    S%(%CT%&

    2+:S +F

    /A'0&LO 2.4&L P$LA'

    2e "as a celebrated:gure in the Philippine

    'evolution and a leadingpropagandist for reformsin the Philippines.

    Popularly no"n asPlaridel, he "as the

    editor and co;publisherof La Solidaridad!he Solidarity#.

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    S%(%CT%&

    2+:S +F

    /A'0&LO 2.4&L P$LA'

    his is a satire on thefriars% hypocrisy,

    licentiousness andgreed, "hich consists ofparodies of the Sign ofthe 0ross, the Act of0ontrition, the Lord%s

    Prayer, the 2ail /ary,and the catechism. 'i

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    S&L&0&4

    5O'(SO-

    He was a founder andlater Supremo of the

    Katipunan movementwhich sought theindependence of thePhilippines from Spanish

    colonial rule and startedthePhilippineRevolution.

    ANDRESBONIFACIO

    Fatherof

    thePhilipp

    ine

    Revolutio

    n,"

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    S&L&0&4

    5O'(SO-

    ANDRESBO

    NIFACIOThis poem which

    was rst pu!lished in the

    "iariong Tagalog. #s the titleindicates, the theme is directo

    the Filipinos in order to arou

    their spirit ofnationalism

    and

    self$dependence.

    P#%$&'&%S#

    T&()')#

    (%

    *)P#

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    A,%)CA- C+(+-)A( P%)+&

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    Philippine literary productionduring the A!erican Periodin the Philippines wasspurred by two signi/cant

    de#elop!ents in educationand culture. +ne is theintroduction o" "ree publicinstruction "or all children o"school age and two0 the use

    o" %nglish as !ediu! o"instruction in all le#els o"education in public schools.

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    Free public education!ade $nowledge andin"or!ation accessibleto a greater nu!ber o"Filipinos. Those whoa#ailed o" thiseducation throughcollege were able to

    i!pro#e their socialstatus and Boined agood nu!ber o"educated !asses who

    beca!e part o" thecountr s !iddle class.

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    The use o" %nglish as!ediu! o" instructionintroduced Filipinos toAngloDA!erican !odeso" thought0 culture andli"e ways that would bee!bedded not only inthe literature produced

    but also in the psycheo" the countryseducated class. )t wasthis educated class that

    would be the wellspringo" a #ibrant Phili ine

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    Philippine literature in%nglish0 as a direct

    result o" A!ericancolonization o" thecountry0 could notescape being i!itati#e

    o" A!erican !odels o"writing especiallyduring its period o"apprenticeship.

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    A,%)CA- C+(+-)A( P%)+&

    ()T%AT*%under

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    o!anticPoetry

    ShortStories

    ()T%AT*%

    *-&%A,%)CA- C+(+-)A( P%)+&

    Tagalog-o#el

    'eginning o"Phil (it

    in %nglish

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    TAA(+

    -+E%(

    A novel is along prose narrativethat describes

    :ctionalcharacters andevents in theform of a

    se>uential story,usually. Aagalog novel isa novel "ritten

    in, of course,

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    TAA(+

    -+E%(

    is one o" the /rst

    literary no#elswrittenby Filipino author (ope :. Santos in

    the Tagaloglanguage in 1>

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    omantic Poetry

    hedom

    inantthemeo

    f

    'omanticpoetry?the

    :lteringofna

    turalemotion

    throughtheh

    umanmindin

    ordertoc

    reateart,

    coupled"ithana"arene

    ss

    oftheduality

    created

    bysuchapro

    cess.

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    omantic Poetry

    PAG;$+$

    G3ose0ora