Phil. lit. during martial law (sto. nino)

Philippine

Period of the new society(Martial Law

Period)

literature

R Glenn C. Sto. Niño Glenndami

zer’13

Prepared by:

Almost all themes in most writings

dealt with the development or

progress of the country. This

period tried to stop pornography or

those writings giving bad influences on

the moral of the people.

shGregorio C. Brillantes• The Cries of Children on

an April Afternoon in the Year 1957

SHORT STORY

Leoncio P. Deriada• The Day of

Locust

CONTENT

Ophelia A. Dimalanta • MONTAGE

Cirilo F. Bautista• CHARTS

POEM

Rolando S. Tinio

• A Life in the Slum

PLAY

Gregorio C. Brillantes

• Palanca Award Hall of Famer and a multi-awarded fiction writer

• one of the Philippines' most popular writers in English

A story concerning the future of some

poor guy. Incidentally, the man was originally an

agnostic atheist. But then his emotions get the

better of him, and he thus converts to theism. If

the story does illustrate a fixed future, then it

follows that the future will hold regardless of

one's actions.

The Cries of Children on

an April Afternoon in the Year 1957

• multi-lingual writer having produced works in English, Filipino, Hiligaynon, Kinaray-a and Cebuano

• Palanca Hall of Famer on September 1, 2001

• currently a professor at the University of the Philippines in the Visayas - Iloilo

THE DAY OF LOCUST

PALANCA AWARDEE 1972-73

FIRST PRIZE

Cirilo F. Bautista

• Multi-awarded Filipino poet, fictionist, critic and writer of nonfiction

• AB Literature from the University of Santo Tomas (magna cum laude, 1963)

• MA Literature from St. Louis University,Baguio City (magna cum laude, 1968)

• Doctor of Arts in Language and Literature from De La Salle University-Manila (1990)

The graphics by which the calculus is borne

to prescribe the sign sand pathway of the mind

none can unlock with statistics or bindto metal currency like fish and corn;

for neither time bomb nor flagman can scorn

the sure numerals the gnomon has signed.

Be a dryad, a glyptic seeing or blind,the calculus will wound you with its horn:

so fine a machine can demolish the artwe raise against the phalanx it employs,the human tactics we plot on our chart

melt before its argument like plastic toysdolmen, alar, crude, tied to the womb

like sex,it is the savior that comes with an ax.

CHART

Ophelia A. Dimalanta

• a poet, editor, author, and teacher

• One of the country's most respected

writers

• received Southeast Asia's

highest literary honor,

the S.E.A. Write Award In

1999

MONTAGE

Clouds of night jammed in one wickedCorner of sleep. She hoards themLike a child and triumphantly piecesThem into a total singular perspective;Splayed-off tatters of mornings,A dark undisciplined of clouds settledRight into the atmosphere recreatingHer Monday-world, jolted suddenlyInto the teeth of everyday peopleAnd cluttering pans of slapdash.She exudes it now becominglyAs she glides and putters aboutAlternately, spreads it as a hazeEnveloping her form, perfectlyDissolved in solid tones and chromes.A jewel durably enciphered in mist,Old gold etched in ever-emerging shades.

Monday jolts and she bogs down, a ragbagSplayed off at tangents. WindowsTo the outside and flecks of facesSpring the morning clear to set herInto her old dimensions. Piece by pieceShe puts on eight o’ clock, pillowsAnd bedcovers in a tumble pat herIn place. The clearest out glassOf grapefruit juice teetering on a silverTray for breakfast-in-bed exigencies(Both for effect and effectively)Is for a fact but fictive in the mind.

Which holds the moment a little longer,Stalls the stupor of the previous night,Images of her beautiful in blank spaces,Wandering truant like in a private region;

Rolando S. Tinio

• a Filipino poet, dramatist,

 director, actor, critic, essayist and educator•  Philippine

National Artist

for Theater and Literature

"A Life in the Slums"

It is a comedy of manners with musical numbers. The play is very funny; biting at some points, and will definitely open the eyes of people on the ridiculousness and hypocrisy of the rich and their ambivalent attitude towards the poor.

REFERENCES

• http://m04cusi.blogspot.com/2007/09/cries-of-children-on-april-afternoon.html

• http://www.panitikan.com.ph/authors/b/cfbautista.htm

• Kahayon A., Zulueta C. Philippine literature: through the years • http://en.wikipedia.org

• http://cfbautista.tripod.com/poem1.htm#Charts

• http://aleeh23nespie.blogspot.com/2009/12/montage-ophelia-dimalanta.html

• http://www.pep.ph/guide/guide/2991/gantimpala-theater-stages-a-life-in-the-slums

END of slide

show…Hope you’ve enjoyed and learned… Glenndamizer’13