HvtKl"^-{d10, I fi(u<t B< {uvg {
You Can't llury LodeI DorI Cdrc A tnottI Canhot Beliere h's Tt aD. You K ou, Do Ydt Catu?Ir Don\ Mattar ' lo Me
Don\ Lct llin Stcal Yout Hearl Audl
Wbr Cat't II wdit "Iit Momi s
3
12I520
2732J8
You Can't Hurry Looe
ll,ii rllll ilill l,i; t l t i r i l i l l l
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3
\v, nL u,l Mstr br FDDIE HoLLAND.
^MONT ] ]OZIEP "Nd
BPI{N HOLLANN
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- )- . : ' ; -1-' i t
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-
Brr , ! r i t r l tA(Lo!rLlotr r .o t lxr Y I
cii
nd' Mv! b wr ' - she ! t rd. lovtdon t lo iN cN v.
I Don't Care AnwnorewoiL, ed Msic by PHILTP COLTINS
tel l ev- ' ry-one I 'mtllk Lng lo the p€o-pLe
- den-ber all tbe tlneg
. dan- dis - srace_thrt you callyoui f.lend6
I trt€d- so hard-
D.ag mY- @me al lmetherejsa
laughed tn ny lace 'cos you
o - ver lheplace, I don't l,r ) c!re an v more.
h€ld al l th€crds. I don t l
. .s xLl I {xnt of
{^ ' ,
J
t
play lhesnnrcpl'yed by rhesane fuLes
dL. l be l ieeevou much
I sot bet te.rh nastn !n s i rh my
t l
(You l is te i ing?) I dotr ' r
11
'Cos ev - 'ry
1nr- t l
dayHey
I 'm feel - ingI ' t l do at -
my self .my - 8el f .
f ine withright lrY
D.'{ . ar+ coDA
Repeat and lade$cou
t2 I Cannot Believe lt's TrueWords and Music by PHILIP COLLINS
Guitar chods used in thk compGitionl
##H#r##gfu"f f i#Ef iH##E+Hff i
o-Dened v@ let- ler. , peo:ple I rn ta lk- ing to dmrl un-
It ruf!!A@!!!4L N \They donr l s€em
rcos I jve al - i€ad - yThey're- l is- len - ing
Em?
have slipped your-dind-cru - € l to be kind.-
Bui I re _mem-ber
An-y k i .d of feel- ine
C Dm7€) Copyrisht 1982 by EFFECTSOUND LTD./HIT & RUN MUSIC (PUBLISnINC) LTD.
FmajT En? Dm?
,;.J
13
I gave i t to you- Now Ih l iv- iDg on bo!- towed r ine-
Ffm?-5
do-ing the rhings- you
v iFl
O-ver and o- ver I keep- tel l - ing my-sel I - O-ver and o-ver r hope-
nolh- ing thal I - can
deibg th€ rhings-you do. -
15
IIt
F/Eb
INev-et meani i t to show-
A' IE' B2IF
hap-pen- ing, thar 's al l
16 Do You Know, Do You Care?
Guitarchords urod in this compoijtion:
P..-cnFB,Fhcn
f f i f f i f f i f f i f f i f f i f f i
Words and Music by PHILIP COLLINS
Moderately
and II d id, I should-nrt
wan -na know why-mag- ic wi l l So-
And donrt @ke noI l hap-pened once be-fore. YourU
F/CCtn1
bet- ter ex-plain-take i t a -way-
donl know what the u6ethen come back for more.
fhor I
O Copyrigni 1982 by EFFECTSOUND LTD./HIT & RUN MUSIC (PUBLISHINC) LID.
\7
why- did
Irm try- ing
you 1ie? -@uld,you could-nrt ,nowwerentt, }ouhard io be hard but
I sDonrt
F/C F/C
macle it look sotoo late for yourdown in-s ide I 'm
You did i t ,Yourre ty - ing,
ger r ,
F/C Cm7 Cm
IrmI ' l l
FIC Cm7
Laugh-ingall the
r r r r
and do you care?-
Bb tc
(Wel l ) do you know-
Rb/c RblF Rb tEb Ftc
t,
ro t coDA
I9
D.tt d +
CODA+(Well)do you
Rb IC
F/c cm?
Repeat tilt fad€
20 It Don't Matter To Me
Guitarchordr ussd In this composition:
c06AncEmD,,+{+ c-444! *-.-4 ..# 9,-44+
-4,-Hf f i f f i f f i f f i f f i f f i
Word6 and Music by PHILIP COLLINS
CIG C/G
w.l l )That)
D/G ctG D/G D/G CIG D/G
A"d)wel )
r ' don,t matter 1o me-what )ou,re do-
D/G CIG D/G
O Copyright 1982 by ETFECTSOUND LTD./HrT & RUN MUSIC (PUBLISHINC) LTD,
D/G D/C
27
lve heard it all soto me it's b€€n too
iimes- be-fofe -you- for too long
r ' (
what ,ou're say-ingSo yourd bet-ter
hear it all-fa l l and hurt-
r rr( r
pride- your pr ide-Donrt wan-na hear i t no more-
Yourre gon-na hurt -your Pr ide-
cos therek( no way l lhat(no-wfF}e,
r r
vou can run- { : :"-- . }
I 'm gon -na f ind- you
r rD
((
CID Em/D
7- t tlt t !r r t . r?T
rl
Em/D clD Em/D
And therers( no-bo - dyl thattno prace )
CID
you can ( turn- to-I stay-cos-
Ir l t be be_hind_ you
C/D Em/ D CID Em/D
r t r ?ir-I r
r rtl
TTll
Am/G
CIG
23
- wel l , donrt mat - ter to Irm talk- ing to You talk- ing to You
CIG
Well , i t don' t mat- t€r to Wel l r t donrt ma1- ' ter to ne-
r
Repeat and lade
f.24 Like ChinaGuitarchor& used In thls compostrton:
You get me go- tng justlookingI know yourbroth-er-thinks thd I,m
Words and Music by pHILrp COLLINS
# f f i#f f i f f i##f f i#f f i
dad dyboth say Idad dont tike- me And they i
cr^-zy totelL meeve-ry t ime-
in fat- u -at -eda - rcund- ro see you
you- Know,- we gotwny- cos l r rways
: - th ins Bpe cial nev-er fe l t be-ghten mt tte and comb my
And the feeling'E not hardWimp from the oth-er
lo rec-og-nlsasosLde- of town-
Al- l ighl l 'L l .omeoul- in the o-penwlrh t r , wLl lI knoq he s gol-meurong bec&set m real- ly nor l ike that , I ' lL
@ Copt{igbt 1982 by EFFECTSOUND LTD./HIT & RUN MUSIC (PUBLISIIING) LTD.
25
c'"{i$i!}n"tt*' er"L r'""- Tel l me do you feel the same- way'-
WeLII ' lLshowyou I 'm not l lke 'cos I know who I
6i lk- and yoqreyes- i ikef i rst t ime- I heLd- Your
last time you-were
E6/G
l
But I go canrt go on- th ink- lng you- donrt- feel th€
same way a3 I do. so- carsful I'll ltold you ltko cht- na. Irupromke not to
hurt you.I'L I ho ld you Uke chl- na. Youwoif t feel noth-lng,- t^
ca D/rl
t6ll €v- '!y bo-dy.
- Lt 'syour f t r6t- t ime.-
lnd oow- I -$ant- tbemal l - lo see,-
Thru These lYallsGuitar chords used in thir composition:
. Bd7 En D csus Asus c? B. rl. j'7 c En7
# f f i f f i f f i f f i f f i f f imff i f f i f f i f f iModeraLety
c/D Bm7
27
Wo.ds and Music by PHILIP COLLINS
5<>e) at=----o'--------,f I ' r
r al{ .2.
II
I can hear l t when they'redows I can see lhe
fool- in ' a-round.-girls and the boys.-
can hear thrir' Lhese walls-can see lhru' mY win-
II
YiFr
and I h€ar ' ry s ign, - ev- ' rY sou!d.-im _ a-.- gine the noise,-
Bm7
O copyndt 1982 by EFFECTSOUND LTD /HtT & RUN MUSIC (PUBLISHTNC) LTD
28
can hear thrut the6e walls -can seethrut mY wln- dow.
in the dark wtlh theI can see lhem_
shade8 pul leddown.-play-ing with toys-
trf
that they say-I t won't end-
D/F+
Ev-'ryohr hope -
t
I
L
ro$cooe
TT r
prom - lsecom - ingju6l be friend.-
they feelE my
fav-rr i te mo- mentls so lone- ly
put-tlng the glass-I don' tget high-
\
29
- offnexl to the wal l .just be - ing me.
Im-?-ain-4-
r l rL. nra-ranr l - ing
Tho, I see noth- ingWant- ing to Louch- them,
I hear itwanL- ing lo
Put-ttng my sign-It's on - ly norm-
Do not dis-turb- mejCreep-ing be -hind- you
speak or shout-nowdon t shout-
in - side out -I ^^r
l f ra , l - . ldhf-
'oh mlnd my clothes, lheyrre el l -They keep lhe win - dows locked*
Laidand
out.-the door-
Ffi"lcl
30
I 'm feeL-lng
--1!-1 r r
locked in No
31
D. ' ( . at+coDA
I can feel i t a l l a - round- me.-
D /Fil
$cooe
Ah- yeah- 61r_ yeah_
Ah_ yeah,_
,/
32 Don't LetGulurchod! ur€d in this comporition:
Him Steal Your Heart AwayWorft and Music b!, pHILIp COLLI\
G7 C/G
f f i f f i f f i##d$dn+e#ff iModeratety
G Gmaj?
,f
GmajT
You were Lone-ly andYou can Look al him the
need- ed a fr terd-way you did me-
he was there- at lhe right-hold him close- Bayyodre
andand
GmajT
r
ro+ coDA
nm€ with-_ er let-
Lhe rightrlng
Jusl aBulan-y
shoul-der bofool can
C/G G
O Copynghl 1982 by EFFECTSOUND LTD /IllT & RUN MUSIC (PUBLISHING) LTD
Gmajz
Some-onefool - ing ain,t foot-
to te l t - you I t - ' i i a l l - al -your-sel f- But You-
Don't let him steal-
q-3
No,- don' t-
r'
let him sLeal-- your heart-
csus/G
34
Don't let him steal- your heaft-
ti-
donrt
c/G
lE &s
lel him steal-your heart-
D/G
Xz
And don't pack
pic tures of f_ al . ' ,s twal l_LyourJ
And donil take
35
I ' t l be back.-oh, did You bear me? Don't lei him change a thing-
U. ' r
- mole Chance.- t , l l I 'm I 'm r lghL.-
36
roos I've been think-ing ad Ihers gon - na Lry to make iL
leav - ing you lone- Iy ButMake you think- your wholefor you-
hop - ingl i fe 'B been
you- could betead- ing to
t?- Tel l mestrong bul could youBut what -
what etse_Think a bout
I was wrong?-by his kis6-
can I do but
don,t let htm st€al_ youx hear!
n
( n.,-1,^-, 'I Please -.1 "" ' ' let him steaL_ your heart a - way.-
D/G caddAc/G
t- al+ coDA
(
Some-one lo 3ay-Dontt You
it- ' l l a l l - But he's no for
GmajT
Repeat and fade
lead - ing tofo6led by hts
make you ihink-Your whoteThlnk a-boul me.- oh and
l i fe '3don' t
-i 38 The lYest Side
Guitar chods used in thkcomposition;
Music by PHILIP COLLINS
D?sw c_ - Dn
-A-- f.*^ ch? oAm?
BlnaiT c? g, cll Dnll
f f i#f f i f f i f f imff imff i f t+Hff i f f iModerately
O copyrighi 1982 by EFFECTSOUND LTD,/HIT & RUN MUSIC (PUBLISHING) LTD
39
rI
-3-
T
-.i -
a) ^ a-
-.3 - -3-
=1Y
i,
.. 3:. -
-3 ---:
Cm7 BtlrlajT Gm7
1.Ir;-- Z- ,.)^7*- ' t r t r'--[r
-J-
f..Y
C7 DmGrnT
40
1 l ; .
eat and fade
47
Why Can't It Wait'Til Morning
Guitar chords Lsed in this composition:
| ,-E- "- i, -e- -i. Gn''o
1f f iwf f i f f i f f i *df f i f f i f f imff i f f i
Words and Music by PHILIP COLLINS
Slow ly
Why canrt- i l
G/B
a_bout - i1 then. rcos i 've-had a dr ink icD ma-ny
fI
i
Ii.
i
G/B
O Copyrieht l98l by DFIECTSOUNL] LTD rHIT & RIIN MLTSiC (Pllll-ISHING) LTD
42
And my I tou bles,wel l whywhv
,r i l, r i l
Bm7
day- l ighr ?
I 'nr l i red-ancl my eyes e wed yyouf ;Lm. a-rcmd-me Y^'rrra o^ ino
ly ing here wi th mencwherc with-oui me
Am/G
ro +coDA
43
And T donrt !!ad-na Lrndr-{lry $c Co5 J tust \ "n nr hol . l - \ou 50
D.x.r+
and T wan ra s ieeP-so-
Gmaj9