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Phallic Symbolism in Christianity

Apr 03, 2018

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    Phallic Symbolism in Christianity

    Quote:"The erect penis was commonly used in religions of early Mediterranean and West Asiancivilisations to show the procreative and protective properties of various deities...there is

    concrete evidence showing the link between the cross and the phallus in classical pagancivilisations, a link which was to continue into Christian art and mythology in the image ofvarious types of crosses. Even the adoration of phallic pagan deities disguised as saints -

    associated with phallic rituals. Many of these ceremonies were carried out in churches under the

    auspices of the resident priest as recently as the early 19th century." Ian McNeil Cooke,Sun Disc

    to Crucifix: The Cross

    Pagan cross found in Italy with four phalluses representing the cardinal points, with testicles in center surrounded by

    vulvas

    Phallic crucifix as religious pendant

    In the original edition ofThe Christ Conspiracy, I included a chapter on "The Bible, Sex and

    http://www.masada.org.za/sundisc2crux/default.htmlhttp://www.masada.org.za/sundisc2crux/default.htmlhttp://www.masada.org.za/sundisc2crux/default.htmlhttp://www.masada.org.za/sundisc2crux/default.htmlhttp://www.masada.org.za/sundisc2crux/default.htmlhttp://www.masada.org.za/sundisc2crux/default.html
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    Drugs." This chapter is removed from the second edition, as it requires a treatment of its own. I

    note from searches that, while this subject has received some attention in the past, there seem to

    be few monographs by academic presses specifically about sexual symbolism within the Bibleand Christian tradition. In this thread, we can post examples of such symbolism, including

    textual and artifactual evidence.

    San Damiano Cross

    Dating to around 1100 AD/CE, the cross or crucifix in the church at San Damiano, Italy, is the

    one in front of which St. Francis of Assisi (1181/1182-1226) purportedly received his mission,

    hearing Christ's voice. The crucifix has been the subject of controversy for centuries because ofits phallic-looking distended abdominal muscles.

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    While some deny that the imagery depicts anything other than stomach attributes, it appears to

    the savvy that the artist has continued a long line of phallic symbolism, designed to be hidden

    from vulgar eyes. In this regard, this artifact is building on ancient traditions of phallus worshipmost blatantly demonstrated in the reverence of the Roman god Priapus or the Greek god

    Hermes, both of whom are represented in numerous depictions with erect phalli.

    Priapus with erect phallus, Pompeii

    http://www.suan-qu.com/dev/philosophy/religion/origins-of-religion/ancient-gods/priapus.php
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    Another suchphallic crucifix image can be found at Pisa, Italy, dating to around 1230:

    http://en.wikipedia.org/wiki/Byzantine_Master_of_the_Crucifix_of_Pisahttp://en.wikipedia.org/wiki/Byzantine_Master_of_the_Crucifix_of_Pisahttp://en.wikipedia.org/wiki/Byzantine_Master_of_the_Crucifix_of_Pisahttp://www.artic.edu/aic/collections/artwork/22527?search_no=1&index=0http://en.wikipedia.org/wiki/Byzantine_Master_of_the_Crucifix_of_Pisa
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    These images cannot be attributed to the incompetence of the artists over the ages, as artists have

    been able to depict human abdominal muscles quite well for many centuries, as illustrated in this

    ancient Greek vase fragment portraying Herakles wrestling Antaios:

    A much earlier possible example of this phallism in crucifixes may be the Gaza crucifix, about

    which I have written in my ebookA Pre-Christian 'God' on a Cross?

    http://stellarhousepublishing.com/prechristiancrucifix.htmlhttp://stellarhousepublishing.com/prechristiancrucifix.htmlhttp://stellarhousepublishing.com/prechristiancrucifix.htmlhttp://nautarch.tamu.edu/pottery/Herakles%20wrestles%20Antaios.jpghttp://stellarhousepublishing.com/prechristiancrucifix.html
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    Early "Christian" crucifix scene, possibly dating to the 200s AD/CE

    In the blog linked to the image above, the writer cites Allyson Everingham Scheckler and Mary

    Joan Winn Leith, "The Crucifixion Conundrum and the Santa Sabina Doors",Harvard

    Theological Review, 103:1 (2010), pp. 6788: pp. 70-72:

    Quote:The catalog entry concludes that the amulet could reflect the activity of a pagan magician who,

    like the family of Jewish exorcists in Acts 19: 13-17, included Jesus' name in his repertory of

    magical powers. The amulet might equally come from a Jewish or -- given the period's fluidreligious boundaries -- Jewish-Christian occult practitioner... The point is that the image, like

    other apotropaic amulet figures, was frightening and dangerous, not that the image reflected the

    Christology of the early church writers.... Contrary to the observation of Harley and Spier [....]

    that Jesus' nudity affirms 'Jesus' spiritual power,' the legs of the frontal nude figure splaypainfully over the vertical upright of the cross and call to mind emasculation by impalement; this

    "Jesus" has more of horror than triumph about him.... [this image] reflect[s] the contemporary

    attitude of revulsion associated with crucifixion.

    The blog author "Ed-M" also remarks:

    Quote:Let me add that this "Jesus" is also portrayed with an erection; as noted in the last post, phalli -

    that is, erect penises - were considered to be apotropaic in antiquity.

    The word "apotropaic" means "to ward off evil," and phallic stelae, talismans, amulets and so on

    http://ifpeakoilwerenoobject.blogspot.com/2012/02/romans-never-crucified-way-we-think.html
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    were used widely for this purpose. The impression of the erect phallus in this particular image

    may not be as striking and therefore debatable. However, knowing what we do about ancient

    phallism, it would not be surprising at all, especially if this is an apotropaic amulet.

    Again, there is much more to this subject, including the extensive use of yonic or vulvic imagery

    as well. Please feel to post other examples of sexual symbolism in Christianity.