“The house is not an object in the tradi- tional sence that is the end result of a process but more accurately a record of a process.” Peter Eisenman’s work has a very contemporary vibe to it. He uses a lot of clean-cut and uniform shapes throughout his buildings. On the outside of the buildings he tends to play with your head making you wonder how there could possibly be a space that functions well on the inside of this miraculous piece. The negative space he uses with his windows gives the buildings another perspective to look at. He also uses a lot of protruding shapes. Which cast interesting shadows through- out the buildings. When designing the structures he doesn’t just think of the aesthetics but the functionality of it.
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Mar 24, 2016
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Transcript
“The house is not an object in the tradi-
tional sence that is the end result of a
process but more accurately a record of
a process.”
Peter Eisenman’s work has a very contemporary vibe to it. He uses a lot of clean-cut and uniform shapes
throughout his buildings. On the outside of the buildings he tends to play with your head
making you wonder how there could possibly be a space that functions well on the inside
of this miraculous piece. The negative space he uses with his windows gives
the buildings another perspective to look at. He also uses a lot of
protruding shapes. Which cast interesting shadows through-
out the buildings. When designing the structures
he doesn’t just think of the aesthetics but the
functionality of it.
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