“The real architecture only exists in the drawings and the real building exists outside the drawing. Architecture and the buildings are not the same.” Peter Eisenman
“The real architecture only exists in the drawings and the real building
exists outside the drawing. Architecture and the buildings are not
the same.”
Peter Eisenman
Peter Eisenman
• American architect known for his radical designs and architectural theories.
• Notable for his involvement with Derrida’s Deconstructivist projects and his pioneering use of computer-aided
• designs. He is often characterised as a deconstructivist.• “ Form formalism to weak form”.• He mainly deals with form in all its declinations :Formalism, de-
composition.
• Location: Ohio State University,Ohio
• Building Type :University arts center.
• Construction System :steel, concrete, glass.
• Included in the Wexner Center space are a film and video theater, a performance space, a film and video post production studio, a bookstore, café, and 12,000 square feet (1,100 m²) of galleries.
Wexner Center
for the Arts
CONCEPT
LINKING THE PAST TO THE PRESENT THROUGH THE USE OF UNCONVENTIONAL MEANS
DESIGN IDEOLOGY
HISTORICAL STREET PLAN OF THE MEDIEVAL CENTER OF SANTIAGO IS OVERLAID ON TOPOGRAPHIC MAP OF THE HILLSIDE SITE, WHICH OVERLOOKS THE CITY
MODERN CARTESIAN GRID IS LAID OVER THESE MEDIEVAL ROUTES.
TOPOGRAPHY OF THE HILLSIDE DISTORTS THE TWO FLAT GEOMETRIES, GENERATING A TOPOLOGICAL SURFACE THAT REPOSITIONS OLD AND NEW IN A SIMULTANEOUS MATRIX NEVER BEFORE SEEN
SANTIAGO’S MEDIEVAL PAST APPEARS NOT AS A FORM OF REPRESENTATIONAL NOSTALGIA BUT AS A NEW YET SOMEHOW FAMILIAR PRESENCE FOUND IN A NEW FORM.
MUSEUM OF GALICIA
INTERNATIONAL ART CENTER
CENTER FOR MUSIC AND PERFORMING ARTS
GALICIAN ARCHIVES
SERVICES BUILDING
PEDESTRIAN STREETS
PUBLIC PLAZA
BORDERED BY THE SIX BUILDINGS
LANDSCAPE AND WATER ELEMENTS
MOVEMENT PATTERN
ALSO KNOWN AS THE HOLOCAUST MEMORIAL, IS A MEMORIAL IN BERLIN TO THE JEWISH VICTIMS OF THE HOLOCAUST.
PROJECT STARTED IN APRIL 2003. IT WAS INAUGURATED ON MAY 10’ 2005, SIXTY YEARS AFTER THE END OF WORLD WAR II
2711 CONCRETE STELAE (95 CM X 2.37 M)
HEIGHTS VARYING FROM LESS THAN A METER TO 4 METERS
MEMORIAL FOR
MURDERED
JEWS, BERLIN
MEMORIAL FOR
MURDERED
JEWS, BERLIN
• NO SPECIFIC PATH TO FOLLOW
• LONELINESS• THE UNDERLYING IDEA
BEHIND THE MEMORIAL WAS TO REDUCE THE MEANING OF EXPERIENCE .
• THE MEMORIAL IS AN ANALOGY TO EXPERIENCE OF THE CAMPS
• BUT ALSO AN ANALOGY TO THE IDEA OF BREAKING DOWN THE RELATIONSHIP BETWEEN EXPERIENCE AND UNDERSTANDING.
The Greater Columbus Convention Centre is a convention centre located in downtown Columbus, Ohio, United States, along the east side of High Street.
The convention centre was designed by Peter Eisenman, constructed in 1993, and expanded in 1999. These pavilions initiate long, curving volumes which extend back to the truck loading docks along the rear
the street facade these volumes coincide with meeting rooms, the grand ballroom, and eating facilities. In the main exhibition space, however, they simply run above the supporting trusses without regard to the structural or spatial grid below.
The general plan of the convention centre is quite simple and functional
Purposely ignoring the idea of form following function, Eisenman created spaces that were quirky and well-lit, but rather unconventional to live with.
The design emerged from a conceptual process that began with a grid. Eisenman manipulated the grid in a way so that the house was divided into four sections and when completed the building itself could be a “record of the design process.”
VIHOUSE
For instance, in the bedroom there is a glass slot in the center of the wall continuing through the floor that divides the room in half, forcing there to be separate beds on either side of the room.
He made it difficult for the users so that they would have to grow accustom to the architecture and constantly be aware of it. VI
HOUSE
Another curious aspect is an upside down staircase, the element which portrays the axis of the house and is painted red to draw attention.
There are also many other difficult aspects that disrupt conventional living, such as the column hanging over the dinner table that separates diners and the single bathroom that is only accessible through a bedroom.
Eisenman was able to constantly remind the users of the architecture around them and how it affects their lives.
HOUSE
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