THE LURE OF THE LIGHTS or WHY WOMEN SIN A musical melodrama of the underworld by David Jacklin Based on a 1903 melodrama written by Will C. Murphy and an anonymous script from the archives of Perth’s Marks Brothers Dramatic Company PIANO/VOCAL SCORE © 2005/2006 David Jacklin R.R. 1, 394 Keays Rd. Balderson, ON K0G 1A0 [email protected] 1-613-267-1884 PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
THE LURE
OF THE
LIGHTS
or
WHY
WOMEN
SIN
A musical melodrama of the underworld
by David Jacklin
Based on a 1903 melodrama written by Will C. Murphy
and an anonymous script from the archives of Perth’s
Marks Brothers Dramatic Company
PIANO/VOCAL SCORE
© 2005/2006
David Jacklin
R.R. 1, 394 Keays Rd.
Balderson, ON
K0G 1A0
1-613-267-1884
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
SONG AUTHORSHIP CREDITS
The songs in the show are drawn from the heyday of Tin Pan Alley, when song writing teams in upper
rooms would churn out five, six or a dozen songs in a week, to be flogged as sheet-music and on early
phonograph records. You may not recognize many of the names below, but their music remains exciting
and entertaining today and deserve to be heard once again.
NOTE: Based on U.S. and Canadian copyright laws as of 2005, all the songs on which this score is
based are in the public domain. Changes to melodies, accompaniments and lyrics are copyright
2005/2006, David Jacklin.
ANOTHER RAG
1911, by Theodore Morse (Lyrics by D.A. Esrom not used)
ARE YOU SINCERE?
1908, Words by Alfred Bryan; Music by Albert Gumble
BROADWAY ROSE
1920, Words by Eugene West; Music by Martin Fried and Otis Spencer
CLOUDS THAT PASS IN THE NIGHT
1920, by Lee David
EVE WASN’T MODEST (’TIL SHE ATE THAT APPLE)
1917, Words by Chas. McCarron; Music by Albert Von Tilzer
EVERYBODY TWO-STEP
1912, Words by Earl C. Jones; Music by Wallie Herzer
FATIMA BROWN
1915, Words by Joe McCarthy; Music by Jimmie V. Monaco
GRAY MORN
1921, Lyrics by George O'Neil; Music by J. Morris Ward and Clinton Standish
HOLD ME
1920, by Art Hickman and Ben Black
I TOLD YOU SO
Year Unknown, Words by Lew Brown; Music by Albert Von Tilzer
I KNOW WHAT IT MEANS TO BE LONESOME
1919, by Kendis, Brockman & Vincent
I FOUND A ROSE IN THE DEVIL’S GARDEN
1921, Words and Music By Willy Raskin & Fred Fisher; Music by Pete Wendling
I’D LIKE TO KNOW WHAT HAPPENED TO MARY
1914, Words by J. Brandon Walsh; Music by Ernest Breuer
I’M THE GUY WHO PAID THE RENT FOR MRS. RIP VAN WINKLE
1914, Words and Music by Geo. Fairman
IN THE HEART OF THE CITY THAT HAS NO HEART
1912, Words by Thos. S. Allen; Music by Joseph M. Daly
THE CURSE OF AN ACHING HEART
1913, Words by Henry Fink; Music by Al. Piantadosi
TURN BACK THE UNIVERSE (AND GIVE ME YESTERDAY )
1916, Words by Ernest R. Ball; Music by J. Keirn Brennan
YOU CAN’T GET ALONG WITH ‘EM OR WITHOUT ‘EM
1916, Words by Grant Clarke; Music by Fred Fischer
YOU TELL ME YOUR DREAM AND I’LL TELL YOU MINE
1908, Lyrics Jay Blackton, A.H. Brown, Seymour Rice; Music by Charles N. Daniels
YOU BROKE MY HEART TO PASS THE TIME AWAY
1913, Words by Joe Goodwin; Music by Leo Wood
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Table of Contents
# TITLE
Page
Prelude
1 OVERTURE – (Instrumental) 1
Clouds That Pass In The Night
In The Heart of the City That Has No Heart
You Can’t Get Along With ‘Em or Without ‘Em
Everybody Two-Step
2 IN THE HEART OF THE CITY THAT HAS NO HEART (Group) 5
Act One
3 THE CURSE OF AN ACHING HEART (Frisco Jennie) 9
4 YOU CAN’T GET ALONG WITH ‘EM OR WITHOUT ‘EM (Slim Morgan/Pop Smith) 12
5 I’M THE GUY WHO PAID THE RENT FOR MRS. RIP VAN WINKLE (Pop Smith) 17
6 TURN BACK THE UNIVERSE AND GIVE ME YESTERDAY (Frisco Jennie/Jim) 21
7 I KNOW WHAT IT MEANS TO BE LONESOME (Frisco Jennie) 25
8 FATIMA BROWN (Slim Morgan) 28
9 ARE YOU SINCERE (Rose) 32
10 SCENE CHANGE MUSIC – In The Heart of the City (Instrumental) 36
Act Two
11 I FOUND A ROSE IN THE DEVIL’S GARDEN (Jim) 37
12 EVERYBODY TWO-STEP (Rose/Jim) 41
13 GRAY MORN (Rose) 46
14 I’D LIKE TO KNOW WHAT HAPPENED TO MARY (Slim Morgan/Pop/Rose) 51
15 CLOUDS THAT PASS IN THE NIGHT (Rose/Jennie/Jim) 55
16 INTERMISSION PLAY OUT MUSIC – Everybody Two Step (Instrumental) 58
INTERMISSION
17 ENTR’ACTE – Clouds That Pass In The Night (Instrumental) 59
Act Three
18 YOU BROKE MY HEART TO PASS THE TIME AWAY (Rose) 60
29 EVE WASN’T MODEST (’TIL SHE ATE THAT APPLE) (Slim/Pop) 64
20 HOLD ME (Rose) 70
21 I TOLD YOU SO (Jennie/Riley) 76
22 I TOLD YOU SO, reprise (Jennie) 81
23 SCENE CHANGE MUSIC – Another Rag (Instrumental) 83
Act Four
24 BROADWAY ROSE (Jim) 88
25 YOU TELL ME YOUR DREAM AND I’LL TELL YOU MINE (Jennie/Jim) 92
26 GOODBYE, ROSE (Jim) 95
27 IN THE HEART OF THE CITY THAT HAS NO HEART, reprise (Jennie/Rose/Riley) 97
28 BOWS/PLAYOUT MUSIC – Everybody Two-Step (Instrumental) 99
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=140 Clouds That Pass In The Night
b
a
LL
L L
44
44ppE
Z GG G GG £ GG £ 2
E
Z GGNG¤Z GGG¤
3
E
ZGG G GG£ GG£
4
E
ZGGN G¤
ZGGG¤
5
E
ZGG G GG£ GG£
6
E
ZGGN G¤
ZGGG¤
In The Heart of the City That Has No Heart7
b
a
LL
L L
E
Z GG G GG £ GG £ 8
34
34
F
Z GGNG¤
Z
G G9
mf
G
G
FFF
GG G G10
G
GGGG
GGL GG
GGG11
GN
FFNG GL
G
GG12
G
ZF.
GG
GGGG
GG
13
b
a
LL
L L
G
GNFN FF
GG G G14
G
FFNGGG GGG
G15
GG
GGGGNG
GGGGG
GNGG16
GG
FFFGGG
GGG
G17
G
GGL
GGGGG
GGG
GG18
G
FFLGGGGL
GGGG
GG
19
b
a
LL
L L
FF
G GGGG
GGL G
20
FF
G GG
Z
G G21
GG
GGGGG
GGGGG
GGG22
G
GGGGG
GG
GG23
G
F.G
G
G
GN
GO24
GZF
FN FGG GGG
25
b
a
LL
L L
G
G
FFF
GG G G26
G
GGGG
GGL GG
GGG27
GN
FFNG GL
G
GG28
G
ZF.
GG
GGGG
GG29
G
GN
FN FF
GG G G30
G
FFNGGG GGG
GG G
31
b
a
LL
L L
F.G
FFFGN G
GNGG32
GG
FFFFFF
G33
GG
GGLG
GGG
GGLG34
GNGGL
GGLG
GGNG35
GG
GGNGGGNGG
G
GGL GG36
G
GNGGG
GGL GGGNGGNGL37
G
G
FFF
GG G G
No. 1: Overture
The Lure of the Lights Piano/Vocal Page 1
CUE: On SM "Go"
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
38
b
a
LL
L L
F.FN .
GGN G GN GG 39
G
G
FFF
GG G G40
FLFL
GL GL GG GL GL
GG
GL
G
G
G
GN41
G
GGG
GGGGN
GGG42
FF
GGGG
GGGG©
GG
GGGGN
You Can't Get Along When You're With 'Em Or Without 'Em43
b
a
N L
N L
44
44
FG
GF.
G
GN G
FG
GG
G
GL GG44
N
N
fG
GG
G
G .G .G
G
GG
G
G .G .G45
G
G .G .G
G
G .G .G
G
HGGG .G .
G
46
G
GG
G
G.G.G
G
GG
G
G.G.G47
G
G.G.G
G
G.G. G
G
HGGG.G.
G
48
ba
EE
Z GGGGGGGG
GGGG49
GG
HGG GG
GG
HGGG
GGGGG
GG
GGL50
GG
Z
GG
GGG
G
GGGGG
GGG51
GG
G.G. GGGG
G.G. G
G
G.G. GGGG. G
52
GGG
GG .G .
G
G
GGGG .G .
G
53
b
a
G
G .G .G
GG .G .G
G
HGG
G .G .G
54
G
GGG
G.G.G
G
GGG
G.G.G 55
G
G.G.G
G
G.G. G
G
HGG
G.G.G
56
GG
[.KJG
GGG
G.G.G. G
GG
G.G.G.G
GGG
G.G. G57
GG
GL GGGG
G GGOGGGG
GG
GGO G
GGG
58
b
a
GG
[.IH
GGGGG
G.G. G
GG
G.G. G
GGG
G.G. G59
GG
GO GNGGG
G GGL GGGGGOGO
GG
GGG60
G
GGGG .G .
G
G
GGGG .G .
G61
G
G .G .G
GG .G .G
G
HGGG .G .G
62
GG
[ .IHGGGGG
G.G. GGGG
G.G.G.GO
GGG
GNGG
¦¦
slower Õ=110
Broadway Rose63
b
a
FF
G.G.G. G G.G. G
FF
G.G.G. G G.G. G
64
G£
GG©£
F
FFFL mpZ
G GO65
L
L
34
34
F
G GL GZ
G G66
FF
G GG
Z
G G67
GG
G
GG
GGGG
GG
GO GGGO
No. 1: OvertureNo. 1: OvertureNo. 1: OvertureNo. 1: Overture
The Lure of the Lights Piano/Vocal Page 2
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
68
b
a
L
L
GG
FFFF
GG Z
G GO69
F
G GL G
Z
G G70
FF
GGG
Z
G G71
ZF.
ZF.
G
GG
G
GGG72
GG
GGG
GG
GGG
GLGL
GGGmf
GOGGO73
FF
FG GGGL
Z
GG
GG
74
b
a
L
L
FF
FG GG
GG
GGGGLGGL
75
FF
FG GGL
mp
G
GGG G
76
FF
FG GG
G
GG
G
GG77
FF
FG GGL
G
GG
G
GG78
FF
FG GGL
Z
GG
GG
79
b
a
L
L
ZF .F .F .
GF.
G
GG
GO G
GG
GL
80
G
GG
Y
G©G GO
81
F
G GL G
Z
G G82
FF
G GG
Z
G G83
GG
G
GG
GGGG
GG
GO GGGO
84
b
a
L
L
GG
FFFF
GG Z
GGGGGOGGGO85
F.F.
GGGGGGGNG
GGGG
86
F.
GGN GGGGGG
GGL G
87
ZF .F .
GGGG
G
GN
G88
F .G
GL
F
GG G G89
F .F .
F.G G G
slowing
90
b
a
L
L
FOFO
FG GG
G
G
G
G91
FF
GGGGGGG
GNGN
GGG92
FLFF
FG GGGL
G
G
G
G93
FFF
G GGL
G
G
G
G94
44
44
FF
G GGG
GG¤
GGG¤
GG¤
GGG¤
The Lure of the Lights Piano/Vocal Page 3
No. 1: OvertureNo. 1: OvertureNo. 1: OvertureNo. 1: Overture
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
fast Õ=160
Everybody Two Step
95
b
a
LL
L LffGG
G.G. G
GG
G.G. G
GG
HGGGGGG
GG
HGG96
GG
G.G. G
GG
G.G. G
GG
GG
GLGL ©
GGG©97
GG
G .G .G
GG
G .G .G
GG
HGGGG
GG
HGG98
GG
G .G .G
GG
G .G .G
GG
GG
GOGO ©
GGG©99
GG
G.G. GL
GG
GL .GL .G
GG
GN .GN .G
GOGO
GL .GL .G
100
b
a
LL
L L
GG
G.G. GL
GG
GL .GL . G
GG
GNGGN
GOGO ©
Z 101
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
GGGGLGL
HGGG102
GG
HGGG
GGGGG
HGGG
GGGGG G
G©
Z 103
GG
G.G. GGG
G.G. G
GG
HGGG
GGG
GG
HGG
104
ba
LL
L L
GG
G.G. GGG
G.G. G
GG
GGGLGL ©
GGG©105
GG
G .G . G
GGG .G . G
GG
HGG
GG
GG
HGG106
GG
G .G . G
GGG .G . G
GGGG
GOGO ©
GGG©107
GG
G.G. GL
GG
GL .GL . G
GG
GN .GN . GL
GOGO
GL .G. G
108
b
a
LL
L L
GG
G.G. GL
GG
GL .GL . G
GG
GNGGN
GOGO ©
Z109
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
G .G .G .
GG
GG
110
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
G .G .G .
GG
GG
ritardando slower Õ=120
segue in tempo to No. 2
111
b
a
LL
L L
GG
G.G .G .
G
GG
G .G .G . G
GG
GGGGGG
G
G
GL
G112
34
34
G¤
GG¤
G¤
GGG¤GN ¤
GGG¤113
FF¤
GGGG¤
GGGG¤
GG¤
GGGGN ¤
114
GG¤
F.F.F.F.¤
GG¤
GG¤
115
FF¤
FFFF¤
Z
Z
No. 1: OvertureNo. 1: OvertureNo. 1: OvertureNo. 1: Overture
The Lure of the Lights Piano/Vocal Page 4
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=135
b
a
L
L
34
34
mp
Z
G
2
G
G
FFF
GG¤G G
3
G
G
FFF
GG¤G G
4
GL
GL
FLFL
GGL GL ¤GN G
5
G
G
FFF
GG¤G
6
FL .FL .
FL .F .G G G
7
b
a
a
L
L
L
F .F .
GGG
X
G G
8
G
ZF.
X
F
GGGGGG
9
FF
FFFF
Y
mf
She
Z
G
G
10
want-
G
G
F
FFF
GG¤
ed
G
Gto
G
G11
roam
G
G
F
FFF
GG¤
so
G
Gshe
G
G12
left
GL
GL
FL
FLFL
GGL GL ¤
the
GN
GNold
G
G
13
b
a
a
L
L
L
home.
G
F
F
FFF
The
G
G
14
old
F.F.
FL G
Gpeop-
G
Gle's
G
G15
hearts
G
ZF
F
FFF
G
were
G
G16
sore.
GG
GGF.
F.
G
FF
G
17
G
ZF
F
G
GG
She
Z
G
G18
longed
G
G
F
FFF
GG
for
G
Gthe
G
G
19
b
a
a
L
L
L
sights
G
G
F
FFF
GG
and
G
Gthe
G
G20
bright
G
G
F
GGG
GG
cit-
GG
GL GG
Gy
G
G21
lights
GG
G
F
FFF
GG
Where
G
G22
hund-
F.F.
FL .F .G
Greds
G
Ghad
G
G
23
gone
GGL
FFFL
F
G
be-
Z
G
G
No. 2: In The Heart of the City That Has No Heart
The Lure of the Lights Piano/Vocal Page 5
1912, Words by Thos. S. Allen; Music by Joseph M. DalyCUE: segue immediately from No. 1
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
24
b
a
a
L
L
L
fore.
G
GL GF .
F.
GL
GG
G
GG
25
FFF
FFF
FShe
Z
G
G
26
went
GG
GGG
G
to
GGG
GGG
G
the
GGG
GGG
G27
heart
G
GLGG
GLof
GGG
GGG
Gthe
GGG
GLGG
GL28
cit-
G
GGG
G
y
G
FFF
¤
F
G G GL
29
F
GGG
F
GG
And
Z
G
G
30
b
a
a
L
L
L
ming-
GG
GGG
G
led
GGG
GGG
Gwith
GGG
GGG
G31
strang-
GG
GL
FL
GGG
GG
ers
GG
GGG
G32
there,
GG
GGLF.
F.
G
GG
G
GG
33
F
FL FF
FBut
Z
G
G34
no-
G
GGLG
Gbod-
GGLG
G
Gy
GL
G
G35
said
G
GL
FL
GGL
GG
"You
Z
G
Gare
G
G
36
b
a
a
L
L
L
be-
F.F.
GGG
G
ing
G
G
mis-
G
G37
led"
F
G
F
GG
for
Z
G
G
38
what
F.F.
GGL
G
did
GL
GLthe
G
G
39
strang-
F
G
F
GGL
er
GG
GG
G
40
care?
GG
GGF .
F.
G
GG
G
GG
41
F
FFF
F
p
Z
G
Z
G
Vocal tacet on chorus 1st timeDialogue underscore only
2nd time
b
a
a
L
L
L 42
/
/
/
heart
G
G
F
mfFFF
GG
of
G
Gthe
G
G43
cit-
G
GGG
Gy
G
GGL G
Gthat
G
GGG
G44
has
G
FF
F
G
no
GLG
GG
G
45
heart
G
ZF.
F.
GG
GGL
GG
GG
46
That's
G
G
F
FFF
GG
where
G
Gthey
G
G
No. 2: In The Heart of the City That Has No Heart
The Lure of the Lights Piano/Vocal Page 6
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
47
b
a
a
L
L
L
meet,
G
FF
F
GGG
and
GGG
G
G
48
that's
GG
GGG
Gwhere
GNG
GGG
Gthey
GG
GGG
G49
part,
GG
FFF
F
GGG
The
GGG
G
G50
cur-
G
GGL
Grent
GGG
GG
Gof
GGG
GG
G51
vice
G
FFL
F
GGGGL
had
GGGG
GG
G52
proved
FF
G
F
GG
too
GG
GGL G
G
53
b
a
a
L
L
L
strong
FF
G
F
GG
So
Z
G
G
the
G
G54
poor
GG
GLGGL
GL
lit-
GG
GGG
G
tle
GG
GGG
G55
girl-
G
GGL
Gie
GG
G
Gjust
GG
GG
G
56
drift-
G
F.G
Ged
G
G
Ga-
GN
GL
GL57
long
G
ZF
F.
FF
GGGGG
58
No-
G
G
F
FFF
GG
bod-
G
G
y
G
G
59
b
a
a
L
L
L
cared
G
GGG
Gif
G
GGL G
Gshe
G
GGG
G60
lived
G
FF
F
G
or
GLG
GG
G
61
died
G
ZF.
F.
GG
GGL
GG
GG
62
No-
G
G
F
FFF
GG
bod-
G
Gy
G
G63
cared
G
FF
F
GGG
if
GGG
GG
Gshe
G
G
64
laughed
F.G
FFF
F
GN
or
G
GGG
G
65
b
a
a
L
L
L
cried,
GG
FFF
F
FFF
She's
G
G66
just
GG¤
GGLG¤
G
a
G
GG
Glost
G
GG
G67
sis-
GN
GGL
G
ter
G
GG
G
and
G
GG
G68
no-
GG
¤
GGGG¤
G
bod-
G
GG
Gy's
G
GGL GG
G69
missed
G
GGG
G
her,
G
GGL GG
GShe's
G
GGNGL
G
No. 2: In The Heart of the City That Has No Heart
The Lure of the Lights Piano/Vocal Page 7
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
70
b
a
a
L
L
L
there
G
G
F
FFF¤
GG¤
in
G
G
the
G
G71
cit-
F.F.
GG
Gy
G
G F
G G G
72
where
G
G
F
FFF¤
GG¤
there's
G
G
no
G
G73
pit-
FLFL
GL GL G
GLy
G
G G
GL GL
GG
G
GL
In
G
G
Gthe
G
GN
G74
cit-
G
GG
G
y
G
GGG
G
that
G
GGG
G
1
75
b
a
a
L
L
L
has
FF
¤
GGGGL ¤
F
GGGGL
¤no
GG¤
GGGGN ¤
G76
heart.
FF
GGG¤
F.
GG¤
G
GGG¤
77
G
GGG¤
F
G
GGG¤
mf
In
Z
G
Gthe
G
G/
/
/
2
78
b
a
a
L
L
L
cit-
G
GGG
Gy
G
GGG
G
that
G
GGLG
G79
has
FF
¤
FFLFF¤
FFL
no
GG¤
GGGNG
¤
GGN80
f
heart.
GG
F.F.F.F.
¤
F.F.
GG
GG
81
FF¤
FFFF
¤
FF
Z
Z
Z
No. 2: In The Heart of the City That Has No Heart
The Lure of the Lights Piano/Vocal Page 8
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=120
b
a
O O O O
O O O O
34
34
mfZ
GN2
GG
GGG
GNGG
GN GG
GGG
GGG
3
GNGN
FFN F
GGGN GGG
GGG
4
GG
FFF
GGG GNGN
GGG
5
GG
FFFFN
GGG Z
GGG GN GG
6
GG
GGN G
GGNG
GGG
GGG
GGG
7
GF
GF
G
GN
GG
GGO8
F.G
GF.
G
G
GN
G
¦
¦
9
b
a
a
OOOO
OO O O
O O O O
FF
FF
Y
You
Z
G
G10
made
G
GG
F
FFF
GG
me
GG
G11
think
G
FG
F
FN FNF
GN GN
you
GG
G12
cared
G
FF
F
FFF
for
GG
G13
me,
GF
FF
F
G
And
G
GGG
G14
I
F
FG
F
GG
be-
G
GG
G15
lieved
FN .FN .
G
F
GN G
in
GGG
G
16
b
a
a
OOOO
OO O O
O O O O
you,
F .F .
G
F.
GGF GG
17
F .F .
ZF
F
GG
You
GGG
G18
told
F .G
FG
F
FF
G
me
GG
G19
things
FN .GN
FG
F
FFNF
GN
you
GG
G20
nev-
F .G
FFF
F
FFF
er
GGG
G21
meant,
ZF
FF
F
GGG
And
GGGG
GG
G22
made
G
FFN F
F
FFNF
me
GGG
G
¦
¦
¦
23
b
a
a
OOOO
OO O O
O O O O
think
G
FFN F
F
FNF
them
GGG
G24
true.
GG
GGG
F.
GGG
GG
GGG
GG
25
GG
GG
F
GG
GG
I
GG
GG
G26
gamb-
G
GG
F
FFF
GG
led
GG
G27
in
G
FG
F
FN FNF
GN GN
the
GG
G28
game
G
FF
F
FFF
of
GG
G29
love,
G
FFF
F
G
I
G
GGG
G
No. 3: The Curse of an Aching Heart
The Lure of the Lights Piano/Vocal Page 9
1913 Piantadosi and Fink
CUE: ". . . more marks against you than against me."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
30
b
a
a
OOOO
OO O O
O O O O
played
F
FG
F
GG
my
GOGO
GG
G
31
heart
FF
G
F
G
and
GG
GGGGO
G32
lost,
F .F .
GG
F.
GGF GG
33
FF
ZF
F
GGN
I'm
G
GGG
G34
now
G
GF
F
FNF
GG
a
GN GG
GN35
wreck,
G
FFF
F
G
Up-
GN
GGG
G
36
on
GG
G
F
FFF
G
life's
GG
G
ritardando a tempo
ritardando a tempo
37
b
a
a
OOOO
OO O O
O O O O
sea,
GNGN
FF
F
FFFF
A-
GGG
G38
lone
GG
FFN F
F
FFNF
I
GGG
G39
pay
G
FFN F
F
FFNF
the
GGG
G40
cost.
G
GGGF.
F.
GNGN
GGG
GG
GGG
41
GG
FFFF
F
G
You
Z
GG
G42
made
G
FFF
F
FFF
me
GG
G
43
what
G
FFN F
F
FFNF
I
GGG
G
Ó.=
Ótempo 1
Watch out!
44
b
a
a
OOOO
OO O O
O O O O
am
G
FFF
F
FFF
to-
GG
G
45
day.
G
FF
F
G G
GGO
[
I
HG
46
24
24
24
hope
GG£
GG£
Gyou're
Gsat-
GG£
GN G£
GNis-
G
47
34
34
34
fied.
FF
G
F.
GGF
G
GG
48
F
ZF
Y
GGG
You
G
GGG
G49
dragged
F.
G
F
GG
and
GN GG
GN
50
b
a
a
OOOO
OO O O
O O O O
dragged
F.
G
F
GG
me
GN GG
GN
51
down
F
G
F
GG
un-
G
GGG
G52
til
F
G
F
GG
My
GN
GN GGN
GN53
soul
G
G
F
FFNF
GN G
with-
GGG
G54
in
G
GF
F
FFNF
GN G
me
GGG
G55
died
G
G
G
FG
GGGF
G G
G
GGG
G GN56
.
GF
GGF
F
G
G
You've
GG
GGG
G
No. 3: The Curse of an Aching Heart
The Lure of the Lights Piano/Vocal Page 10
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
57
b
a
a
OOOO
OO O O
O O O O
shat-
G
FFF
F
FFF
tered
GG
G
58
each
G
FFN F
F
FFN FNF
and
GGG
G59
ev-
G
FF
F
FFF
ery
GG
G
60
dream.
G
FF
F
G
You
G
GGO
G
61
fooled
G
FF
F
FFF
me
GG
G62
from
GN
FFN F
F
GGGN
the
G
GGG
G G G
¥
¦
¦
¥
63
b
a
a
OOOO
OO O O
O O O O
start,
GF.
GN
GN .
GN
GGF
G G
G
GG
G G64
FF
ZF
FN
GG
And
GG
GNG
G65
though
GG
GGG
Gyou're
GNGG
GN GG
GNnot
GLGG
GGG
G66
true,
FN .GN
FFN F
F
FFFN
May
GGG
G___
G67
God
FF
FFF
Fbless
GNGN
GGG
G
rit.
68
b
a
a
OOOO
OO O O
O O O Oyou.
FG
FFFFN
F
GGG
That's
Z
GGG
Gthe
GN GG
GN69
curse
GG
GGN G
Gof
FFNF
GGG
Gan
GGG
G70
ach-
GF
GF
F
G
GN
ing
GG
GGO
G71
heart.
F.G
GF.
F.
G
G
GN
G
72
GG
FF
G
G
ZThat's
Z
GGGN
Gthe
GN GG
GN
73
b
a
a
OOOO
OO O O
O O O Ocurse
GG
GGN G
Gof
FFNF
GGG
Gan
GGG
G74
ach-
GF
GF
F
G
GN
ing
GG
GGO
G75
heart.
F.G
GF.
HG
F.
G
G
GN
G
76
F.F.
F .F .F .
G Y77
pG¤
X
X
Y
The Lure of the Lights Piano/Vocal Page 11
No. 3: The Curse of an Aching Heart
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=140
b
a
L
L
44
44fGG
GG
GGG
G.G.G
GG
GG
GGG
G.G.G 2
GG
G.G.G
GGG
G.G. G
GG
HGG
G.G.
GGG
3
GG
[ .KJGG
GGG
G.G. GG
GG
G.G. G
GGG
GG 4
GG
F.F.
GG
GG
Z
Z
(L)
5
b
a
L
L
G
GG GG
GG
HGG
GG
GG
HGG
GG
GG GG6
EG
GGE
G
GLGN
F
FFL7
G
GG GG
GG
HGG
GG
GG
HGG
GG
GG GG8
/
/
mf
EG
GGE
G
GLGN
F
FFL
9
b
a
a
L
L
L
II
G
GG
Gthinkknow
GG
Gthea
GG
HGG
HGmar-lot
GG
G
GG
riedof
HGG
HG
menmen
GG
GG
Garewho
GG
G10
get-nev-
G
GG
Gtin'er
GG
Gawill
GG
GG
Gtrim-leave
GG
G
GG
G
FG
min','em,
GGG
G11
AndAnd
G
GG
Gstillthen
GG
GIa
GGG
HGG
JGhatelot
GGG
G
GG
toof
HGG
JGknockmen
GG
GG
Gthewho
GG
G
12
b
a
a
L
L
L
beau-nev-
GG
GGG
Gti-er
GG
G
fulbe-
GGG
GG
Gwo-lieve
GG
G
GG
G
GG
men.'em.
GLGL
GGGL
G13
Oh,Oh,
Z
G
F
GG©GG©
gee!my!
Z
GN
FL
GLGL ©
GG©
14
whathow
GG
GG
Gcanthey
G
Gthecan
GG
HGG
JG
troub-tell
GGG
G
GG
lea
HGGG
JGbe?lie;
GG
GGG
G
No. 4: You Can't Get Along With 'Em Or Without 'Em
1916 Fred Fischer and Grant Clarke
The Lure of the Lights Piano/Vocal Page 12
CUE: You’ve always got to have one around . . .
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
15
b
a
a
L
L
L
YouLook
GG
GGG
Gread,in
GGG
GG
Gofyour
G
Gcourse,eye,
GG
GG
Gev-and
GGG
GG
Geryde-
G
G 16
dayny
GG
G
Gsomeand
GGG
G
Gdi-de-
G
Gvorce.ny.
GG
G
F
GGGG
G G
17
ba
a
L
L
L
NoThey
G
GG
Gmat-get
GG
Gterex-
GG
HGG
HG
wherecit-
GG
G
GG
youed,HGG
HG
go,then
GGGG
Gyouyou
GG
G18
hearpet
G
GG
Gof'em
GG
Gaand
GG
GG
Gscan-salve
GG
G
GG
G
FG
dal.'em.
GGG
G
19
b
a
a
L
L
L
WhyWhere
G
GG
Gare
would
GG
Gthewe
GGG
HGG
JGwo-be
GGG
G
GG
mento-
HGG
JG
get-day
GG
GG
Gtingif
GG
G20
hard-we
GG
GGG
Gerdid-
GGG
G
ton't
GG
GG
Ghan-have
GG
G
GG
G
GG
dle?'em?
GG
GG
G21
f
Who'sCold
JGOGL©
HGOGGO©
JGL
toas
GG¤
GOGG¤
GLblame,ice
JGG©
HGGG©
JG
FF
FFF
F
22
b
a
a
L
L
L
mp
who'sthen
JGG©
HGGG©
JG
tothey're
GG¤
GGG¤
Gblame?nice:
JGG©
HGGG©
JG
FF
FFF
F 23
mf
LoveSome
G
GG
Gisfel-
GG
Ga
lows
GG
HGG
HG
ter-mar-
GGG
G
GG
ri-ryHGGG
JG
blethem
GG
GGG
G24
game:twice.
FG
GF.
F.
G§
GN G¨
FG§
GG¨
G
G§
GL G̈
You
G
G
No. 4: You Can't Get Along With 'Em Or Without 'Em
The Lure of the Lights Piano/Vocal Page 13
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
25
b
a
a
N
N
N
f
can't
G
GG
Gget
G
G .G .
G.a-
G
Glong
G
GG
Gwhen
G
G .G .
G.you're
G
G26
with
G
G .G .
G.'em
G
Gor
G
G .G .
G.with-
G
Gout
G
HGG
HG'em.
G .G .
G.
G
27
Girls,
G
GG
Gright
G
G.G.
G.or
G
Gwrong,
G
GG
Gthere
G
G.G.
G.is
G
G
28
b
a
asome-
G
G.G.
G.thing
G
Gnice
G
G.G.
G.a-
G
Gbout
G
HGG
HG
'em.
G.G.
G.
G
29
EE©
Z
ZThey're
GGGG
Gstub-
GGGG
Gborn
GGGG
G30
and
GG
HGG
JG
con-
GG
G
GG
trar-
HGGG
JG
GGG
G
GG
y,
GG
GGL
G
31
b
a
a
GG©
Z
Zex-
GG
GGG
Gpens-
G
GGG
Give.
GG
GGG
G32
Still,
GG
G.G.
G.they're
G
Gver-
GGG
G.G.
G.y
G
Gnec-
G
G.G.
G.es-
G
Gsar-
GG
G.
G.y;
G
G33
Each
G
GG
Glit-
GG .G .
G.tle
G
Gpeach
G
GG
Ghas
GG .G .
G.a
G
G
34
b
a
away
G
G .G .
G.that's
G
Gso
GG .G .
G.en-
G
Gdear-
G
HGG
HG
ing.
G .G .
G.
G
35
Oh,
G
GG
Ghow
G
G.G.
G.your
G
Gdough
G
GG
Ghas
G
G.G.
G.a
G
G36
way
G
G.G.
G.of
G
Gdis-
G
G.G.
G.ap-
G
Gpear-
G
HGG
HG
ing.
G.G.
G.
G
The Lure of the Lights Piano/Vocal Page 14
No. 4: You Can't Get Along With 'Em Or Without 'Em
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
37
b
a
a
GG©
[.
[ .
You
KJG
KJG
know
GGG
G.G.G.
G.G.the
G
GGworld
GG
G.G.G.
G.G.is
G
GGsay-
GGG
G.G.
G.G.ing,
G
GG38
"Oh,
GG
GO
GOhow
GN
GNwe
GGG
G
GGOneed
GGOG
GG
GGG
GG
GG
'em,"
GGO G
GGG
GGN39
GG©
[.
[ .
And
IHGG
IHG
still
GGG
G.G.
G.the
G
Goth-
GG
G.G.
G.
er
G
Ghalf
GGG
G.G.
G.is
G
G
40
b
a
apray-
GG
GO
GOing
GN
GNfor
GGG
G
Gfree-
GGL G
G
GGG
G
GOGO
dom.
GG
GGG
GYou
G41
can't
G
GG
Gget
GG .G .
G.a-
G
Glong
G
GG
Gwhen
GG .G .
G.you're
G
G42
with
G
G .G .
G.'em
G
Gor
GG .G .
G.with-
G
Gout
G
HGG
HG'em.
G .G .
G.
G
CodaCodaCodaCoda43
b
a
a
GG©
[.
[ .
You've
IHGG
IHG
got
GGG
G.G.
G.G .to
GG
GGhave
GG
G.G.G.
G.G.
'em,
GO
GOG
that's
GGG
GNGG
GNG
44
all!
FF
G.G.G.
F.F.
G G.G. G
GZ
G.G. G
GLGL
G.
Z
G
45/
/
/
mfGG©
[.
[ .
Just
KJG
KJG
when
GGG
G.G.G.
G.
you
G
G
treat
GG
G.G.
G.
'em
G
G
nice,
GGG
G.G.
G.
they
G
G
46
b
a
aleave
GG
GL
GLya,
G
Gthey
GGG
G
Ghate
GOG
G
GG
G
GG
cha.
GGGO
GGG
G 47
GG©
[.
[ .You
IHGG
IHG
al-
GGG
G.G.
G.ways
G
Gtake
GG
G.G.
G.'em
G
Gback,
GGGG.G.
G.it's
G
G
No. 4: You Can't Get Along With 'Em Or Without 'Em
The Lure of the Lights Piano/Vocal Page 15
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
48
b
a
aold
GG
GO
GO"Hu-
GN
GNman
GGG
G
GNate-
GGL G
G
GGG
G
GOGO
cha".
GG
GGG
GYou
G49
can't
G
GG
Gget
G
G .G .
G.a-
G
Glong
G
GG
Gwhen
G
G .G .
G.you're
G
G50
with
G
G .G .
G.'em
G
Gor
G
G .G .
G.with-
G
Gout
G
HGG
HG'em.
G .G .
G.
G
51
b
a
a
f
GG©
[.
[ .
You've
IHGG
IHG
got
GGG
G.G.
G.to
GG
Ghave
GG
G.G.G.
G.G.
'em,
GO
GOG
that's
GGG
GNGG
GNG52
all!
GG
FFFF
F.F.
G GG©
GGGG©
Z
Z
Z
The Lure of the Lights Piano/Vocal Page 16
No. 4: You Can't Get Along With 'Em Or Without 'Em
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=145
b
a
O O
O O
44
44fZ
G. G2
GG
G.G.
G
GGO G
G.GO . G
GG
G.G. G
GGG
G.G. G3
GG£
GGG©£
GNGN
GG
FF
HGGG GGG
HG4
GG©£
GGN©£GGG
GG
GG
G.GO . G
GGG
G.G. G
5
GG
FFF
GG G
G£
GGGG£
Z
Z
6
b
a
a
OO
OO
OO
mfFF
GGG
X
GGG
FF
GGGGGG
7
GG
F.F .F .
X
G F
GG
8 /
/
/
GG
GGG
X
GG
GGG
GG
GGG
GG
GGG
9
GG
F.F .F .
Y
G
Z
F
ToSome
GG
G10
lookpeo-
FF
GGG
Gatple
GGG
Gmesay
FF
G.G.G.
G.noI
JG
JG
11
ba
a
OO
OO
OO
doubtlook
G
G.G.
G.youjust
G
Gthinklike
GGG
G.G.
G.I'mthe
G
Ghap-nice
G
HGG
JG
pyman
GG
G
GGG
I'mthat
HG
HG
12
real-brought
G
G.GN .
G.lythe
G
Gan-ice
GGG
G.G.
G.y-to
G
GthingWin-
G
GGO
Gbutkle's
GGGGG
G
=
13
b
a
a
OO
OO
OO
that.flat.
GG
GGG
F
GG
G G G
FF
G.G.G.
[ .I
And
G
IHGknowthat
G.
G.youthe
G
G14
won-milk-
G
GGGL
Gderman
GGGL
GGG
Gwhywas
G
G.G.G.
G.
GGG
IaHGG
HG15
wearfriend
GG
G.G.
G.thisof
GGL
GsuitMis-
GG
G.G.
G.ofsus
GG
GclothesRip's
GG
GG
Gandand
GLGL
G .GN .
G.mysuch
G
G
No. 5: I'm The Guy That Paid The Rent
(For Missus Rip Van Winkle)
The Lure of the Lights Piano/Vocal Page 17
1914 Geo. Fairman
CUE: ". . . in my younger and less wise days."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
16
b
a
a
OO
OO
OO
oldfool-
GG
GGG
Glastish
GGG
GG
Gsum-things
G
HGGN G
HG
mer'sas
G .G .G .
G.
GN
17
hat.that.
GF.F .
F .
F.
GF
ThereI'm
GG
G18
wasver-
FF
GGG
Gay
GGG
Gtimesor-
FF
GGG
Gwhenry
G.G.G.
G.I__
G
G19
hadthat
G
G.G.
G.aI
G
Glotev-
GGG
G.G.
G.ofer
G
Gmon-met
G
HGG
JG
eyher
GG
G
GGG
ButAnd
HG
HG
=
20
b
a
a
OO
OO
OO
thatI
G
G.GN .
G.wassup-
G
Gman-pose
GGG
G.
G.yshe
G
Gyearsthinks
G
GGO
Ga-the
GGGGG
G21
go.same
GG
GGG
F
GG G G
FF
G.G.G.
[ .IBut
GG
IHGmetI
G.G.
G.a
must
GN
GO 22
Mis-sure-
G
GGGN
Gsusly
G
GN GG
GORipgive
GN £
GOGG£
G£
Vanher
G
GGG
G
23
b
a
a
OO
OO
OO
Win-cred-
G
GG
Gkle.it,
GGG
GG
G
G
G.G.
[ .That'sThe
GG
IHG
whatway
GGG
G.G.
G.be-she
GNGO
GO 24
cameplayed
GG
GGGN
Gofher
GG
GGG
Galllit-
HGOGO
HGGGO
JGmytle
G.G.
G.G .G .
G. 25
doughgame.
FF
FFF
F.
GGG§£
G§£I'm
Z
G.
G.the
G
G
26
b
a
a
OO
OO
OO
f
guy
G
G.G.
G.that
G
Gpaid
GGO G
G.GO .
G.
the
G
Grent
GG
G.G.
G.for
G
GMis-
GGG
G.G.
G.sus
G
GO27
Rip
GG£
GGG£
G£
Van
GNGN
GGO G
GWin-
FF
HGGN G
HG
kle
GGG
Gwhen
HG
HG28
Rip
GG£
GGN £
G£
Van
GGG
GG
GWin-
G
G.GO .
G.kle
G
Gwent
GGG
G.G.
G.a-
G
G
No. 5: I'm The Guy That Paid The Rent
The Lure of the Lights Piano/Vocal Page 18
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
=
29
b
a
a
OO
OO
OO
way.
GG
GGG
F
GG
G G G
FF
G.G.G.
[ .He
G
IHGleft
G.
G.her
GO
GO 30
all
GG
G.G.
G.
GGG
a-
HGG
HGlone,
GG
FF
F
GGG
31
All
G.G.
G.G.G.
G.
GG
GGG
G
a-
GG
GGGL
Glone,
GG
GGG
G
GG
Z
Z 32
GG
Z
ZLike
GGG
G.G.
G.the
GG
Gvil-
G
G.GN .
G.lain
G
Gin
GG .G .G .
G.the
G
G
33
b
a
a
OO
OO
OO
play.
GG
FFF .
F
GG F
F
G.
[ .I
G
IHGspent
GN .
GN .my
G
G34
mon-
G
GGOG
Gey
GGO G
GGG
G
G.G .G .
G.
G
Just
G
Glike
GGG
GN .
GN .a
G
G35
dead
G
HGGOG
JG
game
G.G .G .
G.
GGO G
sport.
G
GGG
GBut
GGG
G.
G.I
GO
GO
36
b
a
a
OO
OO
OO
fig-
G
G.GN .
G.ure
G
Gthat
GGG
G.G.
G.I
G
Gmust
G
G.G.
G.have
G
Gbeen
GGG
G.G.
G.a
G
G37
Jay
ZF.
ZF.
F
G
GG
G.
G
G.G .
for
G
GI'm
G
G.
G.the
G
G38
guy
G
G.G.
G.that
G
Gpaid
GGG
G.GO .
G.
the
G
Grent
GG
G.G.
G.for
G
GMis-
GGG
G.G.
G.sus
G
GO
1 2
39
b
a
a
OO
OO
OO
Rip
GG£
GGG£
G£
Van
GNGN
GGO G
GWin-
FF
HG
HG
kle
GGN G
Gwhen
HG
HG
40
Rip
GG£
GGN £
G£
Van
GG
GG
GWin-
G
G.GO .
G.kle
G
Gwent
GGG
G.G.
G.a-
G
G41
way.
GG
GGG
F
GG
G
GG
G
Y
mfGG
G
42/
/
/way.
GG
GGG
F
GG
G
GG
G
ZI'm
GG
G.
G.the
G
G
The Lure of the Lights Piano/Vocal Page 19
No. 5: I'm The Guy That Paid The Rent
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
43
b
a
a
OO
OO
OO
guy
G
G.G.
G.that
G
Gpaid
GGO G
G.GO .
G.
the
G
Grent
GG
G.G.
G.for
G
GMis-
GGG
G.G.
G.sus
G
GO44
Rip
GG£
GGG£
G£
Van
GNGN
GGO G
GWin-
FF
HGGN G
HG
kle
GGG
Gwhen
HG
HG
45
Rip
GG£
GGN £
G£
Van
GGG
GG
GWin-
G
G.GO .
G.kle
G
Gwent
GGG
G.G.
G.a-
G
G
46
b
a
a
OO
OO
OO
way.
GG
GGG
G(He
Gleft
GG
G
GOher
Gcry-
GG
HG
HG
in')
GGG
G
Z
When
HG
HG
47
Rip
GG£
GGN £
G£
Van
GG
GG
GWin-
G
G.GO .
G.kle
G
Gwent
GGG
G.G.
G.a-
G
G
48
b
a
a
OO
OO
OO
way.
GG
GGG
G(While
Ghe
GG
G
GOwas
Gsnor-
GG
HG
HG
in')
GGG
G
Z
When
HG
HG
49
Rip
GG£
GGN £
G£
Van
GG
GG
GWin-
G
G.GO .
G.kle
G
Gwent
GGG
G.G.
G.a-
G
G 50
way.
GG
FFF
F
GG G
G£
GGGG£
Y
Z
Z
No. 5: I'm The Guy That Paid The Rent
The Lure of the Lights Piano/Vocal Page 20
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=112
b
a
L L L
L L L
44
44mp[
HG2
EG
[GJGG
G
G[JGG
G
G[JGG
G
G[JGG
3
G
[F
G
GG
G GJGG
G
GGG
G
G
G
G
GO
GGN
4
F
[GJGG
G[JGG
G.
G[JGG
G[
HG
JGGG
5
FG
[F
JGGG
G
[JGOGN G
GG¤
GGNGL G¤
Z
Z
faster Õ=150
faster Õ=150
b
a
a
LL L
L L L
L L L
34
34
346
/
/
/
mf
Turn
F .F .
GF.
F.
GG GG
7
back
F .F .
GG
F
GG
GG
the
GG
G8
un-
F .F .
GG
F
GGGGGG
i-
GG
G9
verse
F .F .
GNGL
FN
GG
and
GL GG
GL
GGG
10
give
F .F .
FG
F
GG
me
GG
G
11
b
a
a
LL L
L L L
L L L
yes-
F .F .
GG
F
GG
GGO
ter-
GG
G12
day.
GG
GF.
F.
G
GG
G
GG
13
F.
Z
X
GG GG
14
Un-
F .F .
GF.
F.
GG GG
15
clasp
F .F .
GG
F
GG
GG
the
GG
G16
hands
F .F .
FG
F
GG GG
of
GG
G
17
b
a
a
LL L
L L L
L L L
time
FF
F .G
F
GG
that
GG
GGG
G
GGG
18
hold
F .F .
FG
F
GG
life's
GG
G19
gol-
FN .FN .
GG
F
GG
GO G
den
GG
G20
ray.
F .F .
GF.
F.
GG GG
21
GG
GGGG
F.
G
GGGG
G
GGGGGGGG
22
Take
F .F .
GF.
F.
GG GG
No. 6: Turn Back The Universe
The Lure of the Lights Piano/Vocal Page 21
1916, Ernest R. Ball and J. Keirn BrennanCUE: ". . . with kiddies, and all that sort of thing."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
23
b
a
a
L L L
L L L
L L L
back
F .F .
GG
F
GG
GG
that
GG
G24
bit-
F .F .
GG
F
GGGGGG
ter
GG
G25
hour
F .F .
GNGL
FN
GG
when
GL GG
GL
GGG
26
our
F .F .
FG
F
GG
love
GG
G27
passed
F .F .
GG
F
GG
GGO
a-
GG
G28
way.
GG
GF.
F.
G
GG
G
GG
29
b
a
a
LL L
L L L
L L L
F.
Z
X
GG GG GG
30
Turn
FO .FO .
F .G
F
GN GGG
G31
back
FN .FN .
GG
F
GG
GO G
the
GG
G32
un-
FF
GG
F
GGGGGG
i-
GOGO
GGGG
G33
verse
FF
FG
F
GG
and
GG
GGG
G
GG
GGG
34
give
FG
FG
F
GGG
GGGG
me
Z
GG
G35
yes-
GG
GG
F
GG
GG
GGGG
GGGG
ter-
Z
GGGG
G
1
tempo 136
b
a
a
LL L
L L L
L L L
day!
FF
GGGG
F.
GGGG
GOGO
GGN GG
37
GG
GGGG
Y
GG
GGGG
[
GG
GGGG
My
GGGG
HG38
44
44
44
mp
soul
EG
[G
G
JGG
I'd
G
G[
G
JGG
give
G
G[
G
JGG
to
G
G[
G
JGG
39
live
[F
[F
F
JG
GG
G G
JGG
G
GGG
[the
G
G
HGhap-
G
G
Gpy
GO
GGN
G40
days
G
[G
G
JGG
be-
G
G[
G
JGO G
yond
G
G[
G
JGN G
re-
G
G[
G
JGGO G
No. 6: Turn Back The Universe
The Lure of the Lights Piano/Vocal Page 22
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
41
b
a
a
L L L
L L L
L L L
call,
G
[F
F
G
GGG
G G
GGG
G.
[
[When
HGG
HGyou
GG
Gwere
[
GG
G42
near
[
[FF
F
HG
GG
G G
GG
G
[
[and
G
HGG
HGto
G
GG
Gyou,
GO
GGN
G43
dear,
GG
[F
F.
G
GG
G G
GG
G
[GG
G
GN
I
HGGG
G44
gave
G
[G.
G.
GGG
G
my
GG
HG
HGlove,
G
G.
G.
GL GG
G
my
G
HG
HG
45
b
a
a
LL L
L L L
L L L
all.
[E
[F.
F.
HG
GG
GG
GG
F
GG
HG
GA
HG
G46
per-
F
[GN .
GN .
GGO GN
fect
GGG
HG
HGpast
F
G
G
GG
too
G
G
JGG
47
good
F
[G.
G.
GO G
to
GG
HGO
HGOlast,
G.
G.
G.
GN G
is
JG
JGG
HG
HG48
all
FO
[G
G
JGGN G
I
G[
G
JGGG
dream
F
G[
G
JGGG
of
G[
G
JGGG
49
b
a
a
LL L
L L L
L L L
now.
GG
[F.
F.
GG
GOGO
GGN G
FF
GGGG
GI
JGGG
G50
hope
FF
[G
G
JGG
and
G[
G
JGG
wait
FNFN
G[
G
JGGO G
and
G[
G
JGGG
51
trust
FF
[G
G
JGGG
to
G[
G
JGGG
fate
GN .GN .
G.[
G.
GO GG
to
HGLGL
JGGG
HGN
HG52
bring
ZE
[G
G
JGN G
you
G
GO [
GL
JGG
back
G
GN [
G
JGG
some
GO
G[
G
G
JGG
No. 6: Turn Back The Universe
The Lure of the Lights Piano/Vocal Page 23
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
2
Õ=Õ
53
b
a
a
L L L
L L L
L L L
how!
EEF
GGG
E
GGGGGG
GGG
G
GGGGGG
G
GGG
G
GGG
54/
/
/
34
34
34
GG
GGGG
X
GG
GGGG
GG
GGGGGGGG
55
f
Turn
FO .FO .
FG
F
GN G
____
GG
G56
back
FN .FN .
GG
F
GG
GO G
the
GG
G57
44
44
44un-
FF¤
FFFF¤
Fi-
FOFO ¤
FFFF¤
F
slower
slower
58
b
a
a
LL L
L L L
L L L
verse
FF¤
FFFF¤
Fand
GG¤
GGG¤
F
GG¤
GGG¤
59
34
34
34
ff
give
GG
FG
F
GGG
GGGG
me
GG
GG
G60
yes-
GG
GG
F
GG
GG
GG¤
GGGG¤
ter-
GG¤
GGGG¤
G61
day!
GG¤
GGGG¤
F.
GG¤
GGGG¤
GG¤
GGGG¤
62
FF¤
FFFF¤
G Y
Z
Z
No. 6: Turn Back The Universe
The Lure of the Lights Piano/Vocal Page 24
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=125
b
a
OOO
OOO
34
34
mfZ
GG
GG2
34
34
GG
GG
FF
GGG GG
3
G
FF
GG GNGN
GGL GGGG4
FG
GGG
G
GGG
GGO
GG5
GG
FN .F
FFF
G6
G
F.G
GGN G©£
G©£
Z
G7
G
F.G
GG©£
G©£
Z
G
8
b
a
a
OOO
OOO
O O O
FGG
G
X
GL
GGN
G
G
GG
GG G
9
f
FFF
FFF
YI
Z
Z
G10
/
/
/mp
know
F.G
G
Gwhat
G
FG
Git
G
G
G11
means
F.GO
GG
Gto
GN
GG
Gbe
G
GG
G12
lone-
F.
ZF.
F.
GG GG
13
some.
FN .
ZF
F
GOG
I
GGG
G
14
b
a
a
OOO
OOO
O O Oknow
F.F.
GG
Ghow
GG
Git
GG
G15
feels
F.F.
GG
Gto
GG
Gbe
GG
G16
blue.
ZF.
F.F.
F.
GG GG
17
GG
FF
F
GG
I
GG
GG
G18
know
ZF.
FG
Gwhat
GG
G
Git
G
GG
G19
means
ZF.
FF
F
FF
to
GG
G
20
b
a
a
OOO
OOO
O O Olong
ZF.
GG
Gin
G
GG
Gmy
G
GG
G21
dreams
ZF .F .
FF
F
GG
for
GGGN
GGGO
G22
some-
F.G
F.F.F.
F.
G G G
23
one,
F.G
FFNF
F
G G
for
G
G
G24
some-
G
F.F.F.
F.
G G
25
one.
G
FFF
F
F
I've
G
G
No. 7: I Know What It Means To Be Lonesome
The Lure of the Lights Piano/Vocal Page 25
1919 Kendis, Brockman & VincentCUE: "What's the matter?"
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
26
b
a
a
OOO
OOO
O O Osighed
F.G
G
Gand
G
FG
GI've
G
G
G27
cried
F.GO
GG
Gsince
GN
GG
Gwe
G
GG
G28
par-
F.F.
GF.
F.
GG GG
29
ted.
F .F .
FG
F
GG
There's
GGGG
G30
no
G
GGGO
GOone
F
GGOG
Gknows
GGG
G
31
b
a
a
OOO
OOO
O O Owhat
G
GO GG
GI've
F
GGG
Ggone
GGG
G32
through;
F.G
ZF.
F.
G
GG
G
GG
33
FF
ZG
F
GG
I'd
Z
GG
Ggive
GG
G 34
all
G
GGG
G
that
FF
GGG
GI
GG
G35
own,
G
FF
F
GG
just
GNGN
GGO G
Gto
GG
G
36
b
a
a
OOO
OOO
O O Ohave
FG
GGG
G
you
G
GGG
Gback
GGO
GG
G37
home.
GG
FFN
F
FFF
I'm
G
G38
lone-
G
F.G
G
some,
GGN G©£
G©£
G£so
Z
G
G39
lone-
G
F.G
Gsome
GG©£
G©£
G£for
Z
G
G40
you.
F.GG
G
F
G
FFG
G
G
Z
1
41
b
a
a
OOO
OOO
O O O
F.G
F .F.F .F .
X
GG
GG
42
mf
Hope
F.G
GG
Gseems
G
GGG
Gto
G
GGG
G43
say
F .G
F.FO .
F.
G G
44
There'll
F.G
GG
Gcome
G
GGG
Ga
G
GGG
G45
day
F .G
F.FO .
F.
G G
No. 7: I Know What It Means To Be Lonesome
The Lure of the Lights Piano/Vocal Page 26
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
46
b
a
a
OOO
OOO
O O OYour
F.G
GG
Gsmiles
G
GGG
Ga-
G
GGG
G47
gain
F .G
FFL
F
G
I'll
G
GGG
G48
see.
GG
GF.
F.
FF
GG
49
GG
GF.
F
FF
G GL
Z50
My
ZF.
GG
Glove
GG
GG
Gis
GG
GNGO
GN51
true
ZF.
F.F
F
GG
and
GG
GG
G
52
b
a
a
OOO
OOO
O O Oyou
GG
F.GG
Gknow
GG
GG
Git
GGN
GNGO
GN53
too.
FG
FF
F
FF
Come
GNGN
GGG
G54
back,
GG©£
GGG©£
F
G
Z
G
Come
G
GG
G55
back
GG©£
GGNG©£
F
G
Z
G
to
GN
GG
G56
me.
G
GG
F.
FG
GF
G
G
2
, ,
a little slower
, ,
, ,
57
b
a
a
OOO
OOO
O O O
FG
GN GLF
G
G
GG
Z
mp
I
G
G
G58
/
/
/
FF
FFF
Y
I'm
Z
G
G59
lone-
G
F.G
G
some,
GGN G£
G£
G£so
Z
G
G60
lone-
G
GG
Gsome
GG £
G£
G£for
Z
G
G61
you.
FG
G
F.
GL
GGN
G
G
GG
GG G
62
FFF
FFF
F
Z
Z
Z
The Lure of the Lights Piano/Vocal Page 27
No. 7: I Know What It Means To Be Lonesome
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=145
b
a
OOO
OOO
44
44
mfEE
GGG¤
GGG¤
GGG¤
GGG¤
2
ENEN
HGGOG¤
GGG¤
HGGG¤
FFF3
mp
GG
GGG¤
GG
GGG¤
GG
GGG¤
GG
GGG¤4
GG
HGGG¤
GGG¤
GG
HGG¤
GG
GG
GG
GGG G5
GG
GGG
GG
GGG
GG
GGG
GG
GGG
6
b
a
OOO
OOO
FNFN
HGGOG
GOH
GGNG GGG
GG
GOGO
GGNGGN7
fGG
GGG
Z
GGG
GG
GGG
Z
GGG8
GG©
GGGG©
Z
Z
GG̈
GGGG§
Z
Z9
/
/mf
GG
HGG GG
GG
HGG
GG
FFZ
GOGO
GO10
GG
GG
GGG
G G
G
G G
GGG
G G
11
b
a
a
OOO
OOO
O O O
GG
HGG
X
GG
GG
HGG
GG
GF
GOGO
GGO
12
GG
GG
X
GGG
G G
G
G G
GGG
G G
13
InYears
GG
HGG
JG
oura-
GG
G
GG
towngo,
HGG
JG F
GG
GG
GOGO
GGO
14
b
a
a
OOO
OOO
O O O
GG
GG
Glivedwhen
GGG
G
Ga
Fat-
G
Ggirl-i-
G
G
Giema
G
Gnamedstart-
GGG
G
G Fat-ed
G
G 15
i-with
GG
JGG
JG
maher
GG
G
GG
Brown.show,
JGH
G
JG F
GG
FG
GG
GG
16
FF
GG
GShe she
GGG
G
usedused
FLFL
GGNG
G
toto
GGG
G17
dance dance
GG
GGG
Gnight ver-
Z
GG
Gand
y
GG
Gday,mild.
GG
GGG
G light She
Z
GG
Gandwas
GG
G
No. 8: Fatima Brown
1915 Jimmie V. Monaco and Joe McCarthy
The Lure of the Lights Piano/Vocal Page 28
CUE: ". . . whispered pretty things in her ear."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
18
b
a
a
OOO
OOO
O O Ogay.wild,
GG
GGG
GOh
when
Z
GG
Gsheshe
GG
Gcer-
found
FG
GG
Gtain-she
G
GG
Gly
did-
G
GG
Gwasn't
G
GG
G19
slick.go.
F.GG
F
F
GG
G
G
GG
SheShe
G
Ghadwas
Z
G
Gthea
G
G20
kick.crow!
GG
GGG
F.
GOGO
GGNG
GG
GGOG
GG
GGG
Z
21
b
a
a
OOO
OOO
O O OButBye
GG
HGG
JG
oneand
GG
G
GG
daybyeHGG
JG F
GG
GG
GOGO
GGO
22
GG
GGG
Gcamefun-
GGGG
Gany
G
Gsport-
lit-
G
G
Gytle
G
Gac-
move-
GGG
G
Gtor
ments
G
G 23
'roundshe
GG
JGG
JG
ourwould
GG
G
GG
way.try.HGG
JG
GG
F
GG
GG
GG
24
b
a
a
OOO
OOO
O O O
GG
GGG
GHeShe
GG
GGGG
G
prom-found
GG
GGGG
G
isedthe
GG
GOGGGO
GL25
hemen
FF
GGG
G
wouldad-
JGLGN
JGL
mar-mi-
GG
G
FF
ryred
JGNG
JGN
her,her
GG
G26
thenand
FNFN
GGOG
Ghein-HGNGL G
JGN
car-spi-
GGG
G
FF
riedredHGOGG
JGO
herher,
GN GG
GN27
off,so,
ZE
ZF
F
G
GG
G
F
GFF
thethe
GN
GNhor-rest,
G
Gridyou
G
G
28
b
a
a
OOO
OOO
O O Othing.know.
FF
FFF
F.
GG̈
GGG§
Z
Z
Z29
NowNow
GG
GG
Gthisshe
GGG
GG
Gsame
al-
G
GG
GFat-most
GGG
GG
G30
i-shakes
GG
JGG
JG
mathe
GG
G
GGG
BrownearthH
GG
HG
GG
G
G
isand
GGG
GG
Gtheyou
GO
GN31
rageget
GNGN
GG
Gof
your
GG
GNG
GNNewmon-
GG
GG
GYorkey's
GG
GG
G
No. 8: Fatima Brown
The Lure of the Lights Piano/Vocal Page 29
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
CHORUS32
b
a
a
OOO
OOO
O O Otown.worth,
FF
FFF
FBut,But,
FF
FNFF
FO 33
f
Oh
GG
GE
E
GG
GG¤GG¤
GG
GG¤
GG
GOG¤
34
GG
GG¤G
G__,
GG
GGG
Ghow
GG
GGG
Gshe
GG
GGG
G35
changed,
GG
GE
E
GG
GG¤
GG¤
GG
GG¤
GG
GGN¤
36
GG
GG¤F
F.
GG
GGN¤
GG
GGGG¤
she
GNGN
GGO GO
G
37
b
a
a
OOO
OOO
O O Oused
GG
GG
Gto
GG
GG
Gdance
GG
G
GG
G
GG
the
GG
GG
G38
but-
GG
HGGG
JG
ter-
GGG
G
GN
fly.HGGG
JG
FFF
F
GGGO
39
Grace-
GG
GG
Gful-
GG
GG
Gly
GNG
GN
GG
G
GLGL
she'd
GG
GG
G40
kick
FF
GGG
G
so
GGG
G
high.
FF
GGF
F
GNG
41
b
a
a
OOO
OOO
O O ONow
EG
GGNG
Gshe
G
GG
GNdan-
GN
GNG
GNces
GL
GG
Gthe
G
G 42
Sev-
EG
GGNG
Gen
G
GG
GNVeils,
GN
GNG
GNbut
GL
GG
G
G
G 43
al-
ZE
GGNG
Gways
G
GG
GNone
GN
GNG
GNveil
GL
GG
G44
shy!
GG
GGGN
E
FF̈
FFOF§
GG©
GGG©
45
b
a
a
OOO
OOO
O O OO-o-o!
GG
GE
E
GG
GG¤
GG¤
GG
GG¤
GG
GOG¤
46
___,
GG
GGGG¤
Gif
GG
GGG
Gthe
Ghome
GG
GGG
Gfolks
GG
GGG
G47
knew.
GG
GE
E
GG
GG¤
GG¤
GG
GG¤
GG
GGN¤
48
GG
GG¤F
F.
GG
GGN¤
GG
GG¤
Why
Z
GGN GO
Gthey'd
GGG
G
The Lure of the Lights Piano/Vocal Page 30
No. 8: Fatima Brown
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
49
b
a
a
OOO
OOO
O O Oall
GG
GGOGO
Gcome
Z
GGG
Gsneak-
GG
HGGN G
HG
in',
G .G .G .
G.
Z
50
ev-
GG
GGOGO
Gen
GGG
Gbring
Z
GGG
Gthe
GGG
Gdeac-
GG
GGN G
Gon
Z
GGG
G51
down
GG
F .F .F .F .
F.
GGGG
to
GOGO
GOGGGO
GN52
town.
GG
GGGF.
F.
GNGN
GGGG
GG
She
GG
GGN G
G
53
b
a
a
OOO
OOO
O O Oflit-
EE
GGG
Gters
Z
Ghere,
GGG
Gshe
GGG
G 54
flit-
ENEN
GGOG
JG
ters
G
[there,H
GGG
JG
FFF
F 55
flit-
GG
GGG¤
Gters
GG
GGG¤
Gal-
GG
GGG¤
Gmost
GG
GGG¤
G 56
ev-
GG
HGGG¤
JG
‘ry-
GGG¤
G
GG
where,
HGG¤
HG
GG
G
GG
and
GG
GGG
Gyou
G
G
1
57
b
a
a
OOO
OOO
O O Ohave
GG
GGG
Gto
GG
GGG
Ghold
GG
GGG
Gtight
GG
GGG
G 58
to
FNFN
HGGOG
JG
your
GO
GOchair,
HGGNG
JG
GGG
G
GG
when
GOGO
GGNG
G
you
GN
GN 59
see
GG¤
GGG¤
G
Fat-
Z
GGG
G
i-
GG¤
GGG¤
Gma
Z
GGG
G 60
Brown.
GG¤
GGG¤
G
Z
G
Z
GL
Y
FFO F
G G GN GN
/
/
/
2
61
b
a
a
OOO
OOO
O O OBrown.
GG¤
GGG¤
G
Z
G
Z
GL
[
FFO F
G
You've
G
JG
got
GN
G
to
GN
G62
see
GG¤
GGG¤
G
Fat-
Z
Z
Gi-
GG¤
GGG¤
JG
ma
G.
Z
Z
63
Brown!
GG¤
GGGG¤
F.
GG¤
GGNGL G¤GG̈
GGGG§
Z
Z
Z
No. 8: Fatima Brown
The Lure of the Lights Piano/Vocal Page 31
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=150
b
a
34
34mfGG
GGGG©
GGG
GGG
GGG
GGG2
GG
F.F .FO .
GGO GGGG
3
GG
GGGG©
GGG
GGG
GGG
GGG4
GG
F.FL .F.
GL GGGGG
5
F .F .
GLGGLGGG
GGG6
FF
GGGGGG
GG
GGG 7
GG©
GGG©
Z
Z
GG©
GGG©8
GG©
GGGG©
Y
Y
9
b
a
a
mp
FF
Z
X
GGGG©Z
Z
10
FF
Z
X
GGO GG©Z
Z
11
FF
Z
X
GGGG©Z
Z
12
FF
Z
Y
GGO GG©
A
Z
Z
G13
/
/
/
youth____
FF
GGG
G and____
GG
Ga
____
Z
GGG
G14
maid-____
FF
GGG
Gen____
GGG
Gwere____
Z
GGG
G
15
b
a
atrip-____
FF
GG
Gping____
GGG
Ga-___
Z
GGG
G16
long,____
FF
GF.
F.
GG
Z
GG
17
skip-____
FF
GG
Gping____
GGG
Ga-___
Z
GGG
G18
long,____
FF
GG
F.
GGF
Z
GG
19
sing-____
FF
GG
Ging____
GGG
Ga
____
Z
GGG
G20
song.____
FF
FG
F
GG
The____
Z
GG
G
21
b
a
adays____
F .F .
FG
F
GG
you____
GG
G22
ling-____
FO .FO .
FG
F
GGL
er____
GG
G23
near____
FF
GF.
F.
GG
Z
GG
24
me,____
FF
GF.
F.
GG
Z
GG
25
cheer____
F.F.
GF.
F.
GG GG
26
me.____
F.GL
GG
F.
G
GGF
GO
GG
No. 9: Are You Sincere?
The Lure of the Lights Piano/Vocal Page 32
1908 Albert Gumble and Alfred Bryan
CUE: "Because you love me, too, don’t you?"
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
27
b
a
aHear____
F .F .F .
GF.
F.
GG GG
28
me.____
F
FG
F
GG
I____
Z
GG
G29
like____
FF
GGG
Gyou____
GG
Gmuch____
Z
GGG
G30
bet-____
FF
GGG
Gter,____
GGG
Gsweet-____
Z
GGG
G31
heart,____
FF
GG
Gev-____
GGG
Gery____
Z
GGG
G32
day,____
FF
GF.
F.
GG
Z
GG
33
b
a
ain____
FF
GG
Gev-____
GGG
Gery____
Z
GGG
G34
way.____
FF
GG
F.
GGF
Z
GG
35
Just____
FF
GG
Glet____
GGG
Gme____
Z
GGG
G36
say,____
FF
FG
F
GG
II
Z
GG
G37
mf
likelike
F.F.
GG
Gyou,you,
GGG
GII
GGG
G38
lovelove
FL .FL .
GG
Gyou,you,
GGL G
GII
GGG
G
slowing
39
b
a
awantwant
F.F.
GGG
Gyou,you,
GGG
GII
GGG
G40
do.do.
FF
FG
F
GG
NowNow
GLGL
GGGL G
G41
an-an-
F .F .
GGGG
Gswerswer
GOGGO
GLthethe
GN GGN
G42
ques-ques-
F .F .
GGG
Gtiontion
GGG
Gthatthat
GG
G43
II
G
GGG
Gputput
G
GGG
Gtoto
G
GGG
G44
you.you.
G
GGG
F.
Y
GOGO
GG
a tempo
45
b
a
aAre
FF
GG
Gyou
GGG
Gsin-
Z
GGG
G46
cere?
FF
GG
F.
GGF
Z
GG
47
If
FF
GG
Gyou're
GGG
Gsin-
Z
GGG
G48
cere,
FF
GF.
F.
GG
Z
GG
49
I'll
FF
GG
Glet
GG
Gyou
Z
GOGO
GO50
call
FF
GG
Gme
GG
G your
GLGL
GGL G
G
No. 9: Are You Sincere?
The Lure of the Lights Piano/Vocal Page 33
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
51
b
a
adear-
FF
GF.
F.
GG
Z
GG
52
ie.
FF
GF.
F.
GG
Z
GG
53
Say
FF
GG
Gwhat
GGG
G you
Z
GGG
G54
mean.
FF
GG
F.
GGF
Z
GG
55
Mean
FF
GG
Gwhat
GGG
G you
Z
GGG
G56
say,
FF
GF.
F.
GG
Z
GG
57
b
a
aAnd
FF
GG
Gyou
GG
G can
Z
GG
G58
al-
FF
GG
Gways
GGG
Gbe
Z
GGG
G59
near
FL .F .
GF.
F.
GO G GG
60
me.
F .F .
GF.
F.
GG GG
61
If
FLFL
FG
F
GG
I
Z
GOGO
GO62
give
FF
FG
F
GGL
my
Z
GG
G
63
b
a
aheart
F .F .
FLGL
FL
GG
to
GG
G64
you,
F .F .
GF.
F.
GGL GG
65
I'll
FF
FG
F
GG
have
Z
GG
G66
none
FF
FG
F
GG
and
Z
GG
G67
you'll
F .F .
FG
F
GG
have
GG
G68
two.
F .F .
GF.
F.
GG GLG
Slowing
69
b
a
aIf
GG
GGG
Gyou're
GG
GGG
Gsin-
GG
GGG
G70
cere,
G
F.F .FO .
F.
GG GG
71
call
GG
GGGG
Gme
GG
GG
Gyour
GG
GG
G72
Dear.
ZF.
F .FL .
F.
GG GG
73
Ans-
F .F .
GL GGL
GLwer
GGG
Gme:
GGG
G74
Are
FF
GGG
Gyou
GGG
Gsin-
GG
GGG
G
The Lure of the Lights Piano/Vocal Page 34
No. 9: Are You Sincere?
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
1 2
A tempo A tempo slower again
75
b
a
acere?
GG
GGG
F.
GG
GG
GG
GG
76
GG
GG
G
GG
GOGO
Y
GG
GG
77
/
/
/cere?
GG
GGG
F.
GG
GG
GG
GG
78
GG
GG
G
GG
GLGL
Y
GG
GG
79
p
FF
GG
X
GGG
Z
GGG
80
FF
GG
X
GGF
Z
GG
81
FF
GG
X
GGG
Z
GGG
A tempo
82
b
a
a
FF
GF.
X
GG
Z
GG
83
FF
GG
X
GG
Z
GG
84
FF
GG
X
GGG
Z
GGG
85
FL .F .
GF.
X
GO G GG
86
F .F .
GF.
X
GG GG
87
mf
If
FLFL
FG
F
GG
I
Z
GOGO
GO88
give
FF
FG
F
GGL
my
Z
GG
G
89
b
a
aheart
F .F .
FLGL
FL
GG
to
GG
G90
you,
F .F .
GF.
F.
GGL GG
91
I'll
FF
FG
F
GG
have
Z
GG
G92
none
FF
FG
F
GG
and
Z
GG
G93
you'll
F .F .
FG
F
GG
have
GG
G94
two.
F .F .
GF.
F.
GG GLG
95
If
GG
GGG
Gyou're
GG
GGG
G sin-
GG
GGG
G
slowing A tempo
segue in tempo to No. 10
96
b
a
acere,
G
F.F .FO .
F.
GG GG
97
call
GG
GGGG
Gme
GG
GG
GYour
GG
GG
G98
Dear.
ZF.
F .FL .
F.
GG GG
99
Ans-
F .F .
GL GGL
GLwer
GGG
Gme:
GGG
G100
Are
FF
GGG
Gyou
GGG
Gsin-
GG
GGG
G 101
cere?
GG©
GGGG©
F.
Z
Z
GG©
GGG©
102
GG©
GGGG©G
Y
Y
Y
No. 9: Are You Sincere?
The Lure of the Lights Piano/Vocal Page 35
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=135
b
a
L
L
34
34mf
X
YG G
2
G
G
FFF
GG G G3
G
GGGG
GGL GG
GGG4
G
FFG GL
G
GG5
G
ZF.
GG
GGLGG
GG6
G
G
FFF
GG G G
7
b
a
L
L
G
FFGGG GGG
G8
GG
GGGGNG
GGGGG
GGG9
GG
FFFGGG
GGG
G10
G
GGL
GGGGG
GGG
GG11
G
FFLGGGGL
GGGG
GG12
FF
G GGGG
GGL G
13
FF
G GGZ
G G
14
b
a
L
L
GG
GLGGLGG
GGGGG
GGG15
G
GGLGGG
GG
GG16
G
F.G
G
G
GN
GO17
GZF
FFGG GGG
18
G
G
FFF
GG G G19
G
GGGG
GGL GG
GGG20
G
FFG GL
G
GG
21
b
a
L
L
G
ZF.
GG
GGLGG
GG22
G
G
FFF
GG G G23
G
FFGGG GGG
GG G24
F.G
FFFGN G
GGG25
GG
FFFFFF
G26
GG
GGLG
G
GGG
GG27
GN
GGLG
GGG
GG
28
b
a
L
L
GG
GGGGGGG
G
GGL GG29
G
GGGG
GGL GGGGGNGO30
G
G
FFF
GG G G31
F.F.
GG G G G G 32
G
G
FFF
GG G G33
FLFL
GO GO GG GO GO
GG
GO
G
G
G
G
34
ba
L
L
G
GGG
GGGG
GGG
35
FF
GGGGL
GGGGL©
GG
GGGGN36
G
GGG
GGGG
GGG
37
FF
GGGGL
GGGGL©
GG
GGGGN38
GG
F.F.F.F.
GG
GG
39
FF©
FFFF©
Z
Z
No. 10: Scene Change Music
(Instrumental)
The Lure of the Lights Piano/Vocal Page 36
1912 Daly and Allen
In The Heart of the City That Has No Heart
CUE: segue immediately from No. 9
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=120
b
a
OOO
OOO
44
44
mf
F
Z GGNG
FF
GGG GGG2
G
GEE
GG
GG
GOGO
GN G
GG
GO G
3
GG
GGG
GG
GGG
GG
GGNG
GG
GGGO4
G
GGE
F .GO
G
G
G. G
GN
G. G
5
b
a
a
OOO
OOO
O O O
GG
GG
Z
mp
Lost
Z
GG
Gin
Y
GG
Ga
GG
G6 /
/
/
cit-sis-
FNFF
GGNG
Gy
ter,
GF.
F.
GG
G.
GG
JGL
7
G
GG
Gthat
whose
F.G
G
Ghas
folks
G
G
Gno
have
G
G
G8
pit-missed
FFF
G
Gy
her,
F.
F.
GG
GG
9
b
a
a
OOO
OOO
O O O
G
G
GIA
G
G
Gfoundmoth-
G
G
Gaer
G
G
G10
rose,dear,
FF
GE
E
G .G . G
FF
G G .G . G
11
GG
G
GLit-
Sheds
Z
GG
Gtlea
GG
Glone-lone-
FF
GG
Gsomesome
GOGG
GL12
rose;tear;
FF
GGE
E
G . G
FF
G G . G
No. 11: I Found A Rose In The Devil's Garden
1920 Pete Wendling, Willy Raskin, Fred Fisher
The Lure of the Lights Piano/Vocal Page 37
CUE: "Poor kid."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
13
b
a
a
OOO
OOO
O O O
GG
G
GWhere
For
GG
GGG
Gsmil-
lit-
GOGO
GN GG
GNingtle
GG
GGG
G14
fac-ba-
FF
GG
F
GNG
esby,
FF
GF
F
G
15
GG
GG
Ghidewho
Z
GG
Gbrok-went
FF
GG
Gena-
GNG
GN16
hearts,way,
G
GE
E
F.G
GGGGGG
G
GG
G
GNGO
17
b
a
a
OOO
OOO
O O O
GG
GGG
GIn
She's
GG
GGG
Ghap-
kneel-
GNGN
GGOG
Gpying
GG
GGG
G 18
plac-may-
FOFO
GG
F
GG
es,be,
FF
GF
F
G
19
GG
GG
Gwhere
just
Z
GG
Gsor-now
FF
GG
Growto
GOG
GL 20
mf
starts:pray:
G
EEE
E
F.GG GN
21
GG
GGG
G
mp
I
GG
GG
Gfound
GG
GG
Ga
GG
GG
G
22
b
a
a
OOO
OOO
O O Orose,
GG
GE
E
GGG. G
G
G.G. GGGG. G
23
G
GG.
G
G
in
GG
G.G.
G.the
G
Gdev-
G
HGG
HG
il's
G.G.
G.
GG
24
gar-
G
GF
F
G
GGN
den,
G
GGOF
F
G
G. G
25
FGGG
GWan-
GG
GG
Gd'ring
GG
GG
Ga-
GG
GG
G
26
b
a
a
OOO
OOO
O O Olone,
GG
GE
E
GGG. G
G
G.G. GGGG. G
27
G
GG.
G
Glit-
GG
G.G.
G.tle
G
Glone-
G
HGG
HG
some
G.G.
G.
GG
28
rose,
GG
G
E
GG
G.F. G
G
GGGG. G
29
GG
GG
GFor
G
G
Gher
G
G
Gthe
G
G
G
The Lure of the Lights Piano/Vocal Page 38
No. 11: I Found A Rose In The Devil's Garden
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
30
b
a
a
OOO
OOO
O O Osun
G
GE
E
F.G
GG
G
GG
G
GG
31
F
GGG
Gis
GGG
Gnev-
FF
GGOG
G
er
GGG
G 32
shin-
FF
FG
F
GG
ing,
FF
FG
F
GG
33
GG
GG
GFor
G
GGG
Gher
G
GGG
Gthe
G
GGG
G 34
clouds
EG
GNGF
F
G
GGN
have
G
GGOF
F
G
GG
35
b
a
a
OOO
OOO
O O O
GNG
GGG
G
mf
no
Z
GGNG
Gsil-
FF
GGG
G
ver
GGG
G 36
lin-
G
FFF
F
F.F
ing.
FFF
F
GN G
37
GG
GGG
G
mp
I
GG
GG
Gfound
GG
GG
Ga
GG
GG
G 38
rose
GG
GE
E
GG
G. G
G
G.G. G
GG
G. G
39
b
a
a
OOO
OOO
O O O
G
GG.
G
G
in
GG
G.G.
G.the
G
Gdev-
G
HGG
HG
il's
G.G.
G.
GG
40
gar-
G
GF
F
G
GGN
den,
G
GGOF
F
G
G. G
41
GG
GG
GPlay-
GG
GG
Ging
GG
GG
Gthe
GG
GG
G 42
game
GG
GE
E
GGG. G
G
G.G. GGGG. G
43
b
a
a
OOO
OOO
O O O
G
GG.
G
G
of
GG
G.G.
G.the
G
GMoth
G
HGG
HG
and
G.G.
G.
GG
44
Flame,
G
EE
E
G. G G G
45
G
GG
GBe-But,
Z
GG
Gneathmay-
Y
GG
Gthebe
GNGO
GN
No. 11: I Found A Rose In The Devil's Garden
The Lure of the Lights Piano/Vocal Page 39
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
46
b
a
a
OOO
OOO
O O Opow-deep
GG
GG
Gderin
GNGO
GNandher
GGG
HGGN
Gpaintheart,
JGH
G
G
GF
F
GG
GOGO
GG
47
GG
GGG
GMay
she's
GG
FN .F .G
Gbe
think-
GG
G
Gtheing
GG
G
G48
heartof
GG
G.G .G
Gofa
GN
GNa
new
GNG
HG
Gsaint,start.
HGNGG
GN
FFF
F
GG
GG
1
49
b
a
a
OOO
OOO
O O O
GG£
G£
HG [
mf
Where
Z
GGNG
Gsor-
FF
GGG
Grow
GGG
G50
grows,
G
GEE
E
GG
GG
GOGO
GN G
GG
GO G
51
GG
GGG
GI
GG
GGG
Gfound
GG
GGNG
Ga
GG
GGGO
G 52
rose.
GG
G.G.
E
GL
Z
G.G
FO
FNFG.G G.G
53
GG
GG
Z
mp
Some
Z
GG
Gbod-
Y
GG
Gy's
GG
G /
/
/
2
a temporall.
54
b
a
a
OOO
OOO
O O O
GG£
G£
Z
mf
Where
Z
GGG
Gsor-
FF
GGNG
Grow
GGG
G 55
grows,
G
GEE
E
GG
GG
GOGO
GN G
GG
GO G
56
GG
GGG
GI
GG
GGG
Gfound
GG
GGNG
Ga
GG
GGGO
G 57
rose.
EG
GGE
E
GO
G
G
G. G
GN
G. G
58
GG
GG
G
Z
Z
Z
mp
Y
G©
GGG©
Z
Z
The Lure of the Lights Piano/Vocal Page 40
No. 11: I Found A Rose In The Devil's Garden
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
slower at first Õ=135
as if heard through a door
b
a
L L
L L
44
44pp
GG
G.G. G
GG
G.G. G
GG
HGGG
GGG
GG
HGG2
GG
G.G. G
GG
G.G. G
GG
GG
GLGL ¨
Z 3
GG
G .G . G
GG
G .G . G
GG
HGG
GG
GG
HGG4
GG
G .G . G
GG
G .G . G
GG
GG
GOGO ¨
Z
5
b
a
LL
L L
GG
G .G . GL
GG
GL .GL . G
GG
GN .GN . G
GOGO
GL .GL . G
6
GG
G .G . GL
GG
GL .GL . G
GG
GNGGN
GOGO ¨
Z7
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
GGG
GLGL
HGGG8
GG
HGGG
GGGGG
HGGG
GGGGG G
G̈
GGG§
9
ba
LL
L L
GG
G.G. GGG
G.G. G
GG
HGGG
GGG
GG
HGG10
GG
G.G. GGG
G.G. G
GGGG
GLGL ¨
Z11
GG
G .G . G
GGG .G . G
GG
HGG
GGGG
HGG12
GG
G .G . G
GGG .G . G
GGGG
GOGO ¨
Z
the dooropens
13
b
a
LL
L L
GG
G .G . GL
GG
GL .GL . G
GG
GN .GN . GL
GOGO
GL .G . G
14
GG
G .G . GL
GG
GL .GL . G
GG
GNGGN
GOGO ¨
Z15
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
G .G .G .
GG
GG
16
GG̈
GGG̈
Z
Z
Y
Y
a tempo Õ=160
17
b
a
LL
L LfG .
G.
JG
HG
GO
GO
G
G18
G.
G.
HG
HG
GO
GO
G
G
19
G .G .
G .G .G .
GNGN
GO GG
G .G .
GN .G .G .
GOGO
GN GG
G .G .
GL .G .G .
GG
GN GG
GN .GN .
G .G .G .
GG
GO GG
20
GG
GGG
Z
Z
GG̈
GGGG̈
Z
Z 21
mf
GG
G
GGG
GGG
GGG
GGG
GLGL
G .G .GN . GL
No. 12: Everybody Two Step
The Lure of the Lights Piano/Vocal Page 41
1912 Herzer and Jones
CUE: ". . . probably up there looking for you."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
22
b
a
L L
L L
GG
G .G .G . GL
GGG
G .G .G .
G
GGG
G .G .G .
GO
GG©
GN GG23
GG
GGGG
GGGGGG
GGG
GLGL
G .G .GN . GL24
GG
G .G .G . GL
GGG
G .G .G .
G
GGG
G .G .G .
GO
GG©
GN GG
25
b
a
a
LL
L L
L LOh
GG
G
Gmy
GG
GGG
Gdear,
GG
GGG
Ghave
GNGN
G.G.
G.you
GO
GL26
heard
GG
G.G.
G.the
GO
GLlat-
GG
GN .G.
G.est
G
Gmus-
GG
G.G.
G.ic
G
GNhit?
GLGL
GG
G27
GG
Z
ZOh
G
GGGL
Ggee!
G
GGG
Gthe
GLGL
G .G .GN .
Gpi-
G
GN
28
b
a
a
LL
L L
L L
an-
GG
G .G .GL .
G.o
GN
GLman
G
GL .G .G .
G.is
GN
Gplay-
G
GL .G .G .
G.ing
G
GNit.
GG
G .G .
G
G
29
That
GG
G .G .
G.is
GN
GLnot
G
GL .G .
G.a
GN
GRub-
G
GL .G .
G.en-
G
GNstein,
GLGL
G .G .
G .com-
G
G
30
b
a
a
LL
L L
L Lposed
GG
HGG
HG
in
GGG
G
GG
"F".
HGGG
HG
GGG
G
GGGG̈
Z
Z31
It's
GG
G
Ga
GG
GG
Gsong
GG
GG
Gfrom
GG
G.G.
G.the
G
G32
pen
GG
G.G.
G.of
G
GMutt
GG
G.G.
G.and
G
GJeff.
GG
GG
G
GG̈
Z
Z
The Lure of the Lights Piano/Vocal Page 42
No. 12: Everybody Two Step
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
33
b
a
a
L L
L L
L LOh,
GG
G
Gmy
GG
GGG
Ghead
GG
GGG
Gis
GNGN
G.G.
G
GO
34
spin-
GG
G.G.
G.ning
GO
GLlike
GG
GN .G.
G.I'm
G
Ggon-
GG
G.G.
G.na
G
GNfaint!
GLGL
GG
G35
GG
Z
ZJust
G
GGGL
Gplace
G
GGG
Gyour
GLGL
G .G .GN .
G
GN
36
b
a
a
LL
L L
L L
foot-
GG
G .G .GL .
G.sies
GN
GLwhere
G
GL .G .G .
G.your
GN
Gsis-
G
GL .G .G .
G.ter's
G
GNain't,
GG
G .G .
G
G
37
Glide
GG
G .G .
G.a-
GN
GLlong
GGL .G .
G.the
GN
Gfloor
GGL .G .
G.and
G
GNslide
GLGL
G .G .
G .your
G
G
38
b
a
a
LL
L L
L L
feet
GG
G .G .
G.a
GN
GLlit-
GG
GL .G .
G.tle
G
GNbit,
GG
FF
F
GG©
39
FF̈
F̈
X
FOFO¨
FO¨
40
GG
G
Z
That's
GG©
GGGG©
Git.
GG©
GGGG©
G
Z
Z
Z 41 /
/
/f
Ev-
GG
G.G.
G.ery-
G
Gbo-
GG
G.G.
G.
dy
G
Gtwo
GG
HGGG
HG
step
GGG
G
GG
and
HGG
HG
42
ba
a
LL
L L
L Lgrab
GG
G.G.
G.a
G
Ggirl-
GG
G.G.
G.ie
G
Ggirl,
GG
GG
G
GLGL ¨
GGG§Z
43
Ev-
GG
G .G .
G.ery-
G
Gbo-
GGG .G .
G.dy
G
Gtwo
GG
HGG
HG
step
GG
G
GG
and
HGG
HG
44
do
GG
G .G .
G.the
G
Gtwir-
GGG .G .
G.ly
G
Gwhirl,
GGGG
G
GOGO ¨
GGG§Z
No. 12: Everybody Two Step
The Lure of the Lights Piano/Vocal Page 43
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
45
b
a
a
L L
L L
L LShake
GG
G .G .
G
GL
your
GG
GL .GL .
GN
G
feet
GG
GN .GN .
G
G
with
GOGO
GL .GL .
G
G
46
all
GG
G .G .
G
GL
your
GG
GL .GL .
GN
G
might,
GG
GNGGN
G
GOGO ¨
Z
Z47
Ev-
GG
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
HGGG
JG
step
GGG
G
GLGL
andHGGG
HG
48
ba
a
LL
L L
L Ltwo
GG
HGGG
JG
step
GGG
G
GG
right.
HGGG
HG
GGG
G
GG GG̈
Z
Z49
If
GG
G.G.
G.you
G
Gwant
GG
G.G.
G.to
G
Gtwo
GG
HGGG
HG
step
GGG
G
GG
just
HGG
HG50
like
GG
G.G.
G.a
G
GPo-
GG
G.G.
G.lar
G
Gbear,
GG
GG
G
GLGL ¨
GGG§Z
51
b
a
a
LL
L L
L LEv-
GG
G .G .
G.ery-
G
Gbo-
GG
G .G .
G.dy
G
Gdoes
GG
HGG
HG
it,
GG
G
GG
No-
HGG
HG52
bo-
GG
G .G .
G.dy
G
Gought
GG
G .G .
G.to
G
Gcare;
GG
GG
G
GOGO ¨
GGG§Z 53
Ev-
GG
G .G .
G.ery-
GL
Gbo-
GG
GL .GL .
GN .dy
G
Gwig-
GG
GN .GN .
G.gle
GL
Gwag-
GOGO
GL .G .
G.gle
G
G
1
54
b
a
a
LL
L L
L LThen
GG
G .G .
G.you
GL
Gmake
GG
GL .GL .
GN .a
G
Gbow.
GG
GNGGN
G
GOGO ¨
Z
Z 55
Ev-
GG
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
HGGG
JG
step
G .G .G .
G.
GG
GG
56
now.
GG
GGG
G
GG¤
GG¤
Z Y
GG¤
GG¤
GG¤
GG¤
The Lure of the Lights Piano/Vocal Page 44
No. 12: Everybody Two Step
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
57
ba
L L
L L
GG
G.G. GGG
G.G. G
GG
HGGG
GGG
GG
HGG
58
GG
G.G. GGG
G.G. G
GG
GGGLGL ¨
Z 59
GG
G .G .G
GGG .G .G
GG
HGG
GG
GG
HGG60
GG
G .G .G
GGG .G .G
GGGGGOGO ¨
Z
61
b
a
LL
L L
GG
G .G . GL
GG
GL .GL . G
GG
GN .GN . G
GOGO
GL .GL . G
62
GG
G .G . GL
GG
GL .GL .G
GG
GNGGN
GOGO ¨
Z63
GG
G.G .G .
G
GG
G .G .G .G
GG
HGGG
GGG
GLGL
HGGG64
GG
HGGG
GGGGG
HGGG
GGGGG G
G̈
GGG§
65
ba
LL
L L
GG
G.G. GGG
G.G. G
GG
HGGG
GGG
GG
HGG66
GG
G.G. GGG
G.G. G
GG
GGGLGL ¨
Z67
GG
G .G . G
GGG .G . G
GG
HGG
GG
GG
HGG68
GG
G .G . G
GGG .G . G
GGGG
GOGO ¨
Z
69
b
a
LL
L L
GG
G .G . GL
GG
GL .GL . G
GG
GN .GN . GL
GOGO
GL .G . G
70
GG
G .G . GL
GG
GL .GL . G
GG
GNGGN
GOGO ¨
Z71
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
G .G .G .
GG
GG
72
GG̈
GGG̈
GG¤
GG¤
GG¤
GG¤
GG¤
GG¤
/
/
2
73
b
a
a
LL
L L
L LEv-
GG
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
HGGG
JG
step
G .G .G .
G.
GG
GG
74
Ev-
GG̈
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
HGGG
JG
step
G .G .G .
G.
GG
GG
75
now.
GG̈
FFF
F.
GG̈
GG̈
GGGG§
Z
Z
Z
No. 12: Everybody Two Step
The Lure of the Lights Piano/Vocal Page 45
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=100
b
a
L L L L
L L L L
44
44mp[FF
GG
GGG
GG
HGGG
GG
FF
[
G.G.¤
GN GGN
HGGG
J
GG
2
[FF
GG
GGG
GG
GG
HGN GG
GG
FF[
GG¤
GGG
GG¤
HGGG
3
[FF
[G.G.
¤
GG
GG
GG£GG£
FGG
GGNH
GG
HGG
4
b
a
a
LL L L
L L L L
L L L LSlow-
[FF
G¤
F
HG
GG GG
G
GG
G
GG
ly
FN FN
[
GL¤
F
HGN
GNG
GG
GN
GNG
G
GG
5
[FNFN
G¤
[the
HGG
GNGN
HGN
shad-
GN GN
GNGN
GNows
GG
GG
Gfail,
FL F[
GG¤F
GGG
GG GGL GLGNH
GGG
GNGL
6
b
a
a
LL L L
L L L L
L L L LSlow-
[FF
G¤
F
HG
GG GGG
GG
G
GG
ly
FN FN
[
GL¤
F
HGN
GNG
GG
GN
GNG
G
GG
7
[FNFN
G¤
[a
HGG
GNGN
HGNsil-
GN GN
GNGN
GNver
GG
GG
Gveil
FL F[
GG¤
F
GGG
GG GGL GLGNH
GGG
GNGL
8
Floats
[FF
GG
G
GGGG
a-
GG
G
HGGGG
bove
FF[
GG
G
GGGG
the
GG
G
HGGGG
GG
a little slower
9
b
a
a
LL L L
L L L L
L L L Lhills
[FF
GG¤
E
GGG
GG
GG
HGGG
GG
FF[
GG
GGG
GG GGHGGG
GG
10
and
[FF
GG
G
GGG
a
GG
G
HGGG
rob-
FF
[
GG
G
GGL GG
in
GG
G__
HGGGG
GG
G11
trills.
[FF
FF
G
GGG
G
HGGG
G
FF
[
G
G G
GGG
G
G
mf
G
GN
G G.
HGGG
G
No. 13: Gray Morn
1921 Ward, Standish & O'Neil
The Lure of the Lights Piano/Vocal Page 46
CUE: Visual -- She follows him out the door and looks up the stair.
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
a tempo
12
b
a
a
L L L L
L L L L
L L L L
Gray
G
[F
F
G
GG GG
G
GG
G
GG
morn
FG
G[
G
JGG
has
G
G[
G
JGG
13
come
G
[F
F
G
GG
GG
JGG
and
G
G[
G
JGGN G
the
G
G[
G
JGGL G
14
sun
G
[F
F
G
GG
GG
JGG
is
GG
G[
G
JGG
as-
GNGG
G[
G
JGNG
15
cen-
[FF
GG¤
F
GGG
GG
GG
HGGG
GG
ding
FF[
GG
F
GGG
GGGG
HGGG
GG
16
b
a
a
LL L L
L L L L
L L L Lbut
F
[F
F
GGNJGG
in
GG
G[
G
JGG
the
GG
G[
G
JGG
17
rob-
GG
[G
G
JGG
in's
GNG
G[
G
JGGN
song
GLG
G[
G
JGGL
of
GNG
G[
G
JGNG
18
glad
[FF
[F
F
GL GG
GLGH
GGG
JGG
notes,
FF
[
F[
FL
GG
GG
HGG
JGG
19
sad
GG
G
G
G
notes
GNG
G
G
GN
blen-
GG
G
G
G
ding,
GNG
GN
GN
GL GG
20
b
a
a
LL L L
L L L L
L L L L
tell
[FF
FF
F
GGGG
HGGGG
of
FF[
GG
G
GGG
a
GG
G
HGGG
21
long-
[FF
FF
F
GGG
HGGG
ing,
FF[
GG
G
GGG
and
GG
G
HGGG
22
hope
[FF
GG¤
F
GGG
GG
HGGG
nev-
FF
[
GG
G
GGG
er
GG
G
HGGG
23
end-
[FF
GG
F
GGG
GG
HGGG
ing
FF
[
GG
F
GGG
GG
HGGG
The Lure of the Lights Piano/Vocal Page 47
No. 13: Gray Morn
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Goes to FNEXT BAR!
24
b
a
a
L L L L
L L L L
L L L Lech-
FF
[F
F
GGJGG
o
GG
G[
G
JGG
my
GG
G[
G
JGG
25
heart
FFL
[F
F
GGOJGG
that
GG
G[
G
JGG
is
GG
G[
G
JGG
26
still,
F
[F
F
GGJGG
Gray
FF
F[
F
JGG GG GG
27
Morn
[F
[F
F.
G
JGG
G G
GG
G
GG
F[
FN[
HGGGN
G G
GGG
G
Z
GGG
G
=
28
b
a
a
NNNN O
NNN N O
NN N N O
[FO
G¤
X
HGGO
GOGO
GO GO
GOGO
GG
GG
FN F[
GG
HGGG
GG
GGG
GGN GNGO
GGG
GOGN
29
[F
[EE
X
GG
GG
HGG
GG
F[ GG
GGO
HGG
JGG
30
Ligh-
[FF
G¤
F
HG
GG GG
G
GG
G
GG
ter
FO FO
[
GN¤
F
HGO
GOG
GG
GO
GOG
G
GG
31
b
a
a
O
O
O
[FOFO
G¤
[the
HGG
GOGO
HGOheav-
GO GO
GOGO
GOen
GG
GG
Gglows,
FN F[
GG¤
F
GGG
GG GGN GNGO
HGGG
GOGN
32
Brigh-
[FF
G¤
F
HG
GG GG
G
GG
G
GG
ter
FO FO
[
GN¤
F
HGO
GOGGG
GO
GOG
G
GG
33
[FOFO
G¤
[the
HGG
GOGO
HGOmor-
GO GO
GOGO
GOning's
GG
GG
Grose
FN F[
GG¤
F
GGG
GG GGN GNGO
HGGG
GOGN
No. 13: Gray Morn
The Lure of the Lights Piano/Vocal Page 48
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
a little slower
34
b
a
a
O
O
OThru'
[FF
GG
G
GGGG
the
GG
G
HGGGG
fail-
FF
[
GG
G
GGGG
ing
GG
G
HGGGG
GG
35
gloom
[FF
GG¤
E
GGG
GG¤
GG
HGGG
GG
FF
[
FGG
GGG
GG GG
HGGG
GG
36
trem-
[FF
GG
G
GGGG
bles
GG
G
HGGGG
in-
FF
[
GG
G
GGN GG
to
GG
G__
HGGGG
GG
G37
bloom.
[FF
FF
G
GGG
G
HGGG
G
FF
[
G
GG
GGG
G
G G
f
GO
GG.
HGGG
G
a tempo
38
b
a
a
O
O
OGray
G
[F
F
G
GG GG
G
GG
G
GG
morn
FG
G[
G
JGG
has
G
G[
G
JGG
39
come
G
[F
F
G
GG
G G
JGG
and
G
G[
G
JGGO G
the
G
G[
G
JGGN G
40
sun
G
[F
F
G
GG
G G
JGG
is
GG
GG[
G
JGG
as-
GOGG
GG[
G
JGOG
41
cen-
[FF
GG
F
GGG
GG
GG
HGGG
GG
ding
FF
[
GG
F
GGG
GG
GG
HGGG
GG
42
b
a
a
O
O
Obut
F
[F
F
GGOJGG
in
GG
G[
G
JGG
the
GG
G[
G
JGG
43
rob-
GG
[G
G
JGG
in's
GOG
G[
G
JGGO
song
GNG
G[
G
JGGN
of
GOG
G[
G
JGOG
44
glad
[FF
[F
F
GN GG
GNGH
GGG
JGG
notes,
FF
[
F[
FN
GG
GGHGG
JGG
45
sad
GG
[G
G
JGG
notes
GOG
G[
G
JGO G
blen-
GG
G[
G
JGGN
ding,
GOG
GO [
GO
JGGG
The Lure of the Lights Piano/Vocal Page 49
No. 13: Gray Morn
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
46
b
a
a
O
O
Otell
[FF
FF
F
GGGG
HGGGG
of
FF
[
GG
G
GGG
a
GG
G
HGGG
47
long-
[FF
FF
F
GGG
HGGG
ing,
FF[
GG
G
GGG
and
GG
G
HGGG
48
hope
[FF
GG
F
GGG
GG
HGGG
nev-
FF
[
GG
G
GGG
er
GG
G
HGGG
49
en-
[FF
GG
F
GGG
GG
HGGG
ding
FF
[
GG
F
GGG
GG
HGGG
50
b
a
a
O
O
Oech-
FF
[F
F
GGJGG
o
GG
G[
G
JGG
my
GG
G[
G
JGG
51
heart
FFN
[F
F
GGNJGG
that
GG
G[
G
JGG
is
GG
G[
G
JGG
52
still,
F
[F
F
GGJGG
Gray
FF
F[
F
JGG GG GG
53
Morn.
[F
[F
F.
G
JGG
G G
GG
G
GG
FO[
F[
HGO GN G
GO G
GGG
GO
Z
GGG
GN
=
Rallantando
54
b
a
a
O
O
O
[FO
G
Y
HGGO
GOGO
GO GO
GOGO
GG
GG
Gray
FN F[
FGG
F
HGGG
GG
GGG
GGN GNGO
GGG
GOGN
55
morn.
[F
[F
E
G
JGG
G G
GG
G
GG
FO[
F[
HGO GN G
GO G
GGG
GO
GGO G
GN
56
[
F
[F
F
HGGG
HGGG
GGG
GGGG
GGG
GGGG
p
GGG¤
FFFF¤
Y
G¤
No. 13: Gray Morn
The Lure of the Lights Piano/Vocal Page 50
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=112
b
a
L
L
44
44
[
[
mf
JG
HG
G
G
G
G2
G
G GG
GN
G GGG
G
HGGOG
GGLG
G
HGGG
3
GL
[F GGGGGG
G
GGGGGG
G£
GGGG£
G¤
GGOG¤4
G
GGG
G
GLGO
G
GNG
G
GNG
G
G GGL
G
G GGN
5
b
a
a
L
L
L
G.
F .F .F .
X
G G G G£GG£
GGGG£
6
EG
G
X
GGGN
G GGG
GG G G
GL
GG G
7
EG
G
Y
GGGN
G GG
Z
G
GG G G
Sim-
GL
GG
Gple
G
G
b
a
a
L
L
L 8
/
/
/Mar-Tur-
GE
G
G
GG
ykey
G
G
G
GG
Brown,Trots
G
G
G
GG
leftand
G
G
Gherher
GGG
G9
ownnew
GE
G
G
GG
homeGa-
G
G
G
GGG
townvottes
G
G
G
GGG
ForHad
G
GGG
Gto
her
GGG
G 10
seehome
EG
G
G
GG
thetown
G
G
G
GG
Greatdanc-
G
G
G
GGL
Whiteing
G
G
G
GGN
11
b
a
a
L
L
L
Way.mad.
G
[F.
F.
GG G
G
GG£
GG G
G
GG£
SheBut
G
GG
Gwasthe
G
G12
sweetold
GE
G
G
GG
andbarn
G
G
G
GG
shydance
G
G
G
GG
whendid-
G
G
Gshen't
GGG
G13
saidhave
GG
G
G
GG
"good-a
G
G
G
GGL
bye."chance
G
G
G
GG
AndWith
GL
GG
Gshethe
GOG
GO
No. 14: I'd Like To Know What Happened To Mary
1914 Ernest Breuer & J. Brandon Walsh
The Lure of the Lights Piano/Vocal Page 51
CUE: "Then you could go back, and then . . . "
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
14
b
a
a
L
L
L
camelov-
G
G
G
GLG
backing
G
G
G
GG
homeTan-
GO
G
G
GNG
to-go
G
GL
GL
GG
15
day.fad.
[F
[F
F
HGJG
G
G
GL
GL
G
G
Y
G
G
GL
GL
G
G
16
AtHes-
GG
G
G
GG
thei-
GG
HGLGG
JGO
rail-ta-
GNGG
G
GG
roadtion
HGGG
HG
sta-was
GG
GLGG
GLtion,the
GGG
G
17
b
a
a
L
L
L
allbig
GG
G
G
GGG
thesen-
G
JGOGG
JGL
pop-sa-
GNGG
G
G
u-tion,
JGGG
JGN
la-They
G
GGG
Gtionall
GG
G18
wait-tried
G
GG
Gedto
G
GG
Gfordo
GL
GLG
GLtheit
G
GG
Gtwo
night
G
G
G
GG
fif-and
GO
G
G
GG
19
teen;day.
G
[F.
F.
GGG
GGG
G
GGG
HG
G
GN
HerThe
HGGLG
G
20
b
a
a
L
L
L
styl-crops
G
G
G
GGL
ishwere
G
HGGG
HG
dres-flop-
GGG
G
G
singping
HGGG
HG
hadwhile
G
GGG
Gthethe
GLGG
GL 21
rubesrubes
G
G
G
GG
allwere
G
HGLGG
JGL
gues-hop-
GGG
G
G
singping
HGG
HG
ForTo
GL
GLG
GLthey
some
GG
G
22
b
a
a
L
L
L
did-brand
G
GGLG
Gn't
new
GOGG
GLknowdance
GG
GNGG
Gtheirfrom
GGG
G
vil-gay
GO
G
G
GNG
lageBroad-
G
GL
GL
GG
23
queen.way.
G
G
F.
GG
GG
GLGL
GG
GL
G
G
G£GO £
SaidSaid
G24
Mar-Mar-
EE
GGG
G
y'sy's
GGG
GMa,Pa,
G.G.G.
G.
toto
HGGG
HG
The Lure of the Lights Piano/Vocal Page 52
No. 14: I'd Like To Know What Happened To Mary
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
25
b
a
a
L
L
L
Mar-Mar-
FF
GGG
Gy'sy's
GGG
GPa:Ma:
GOG
GGOGG
G"I'd
G
G
Glike
G
G
Gto
G
G
G26
know
G
G
G
GG
what
GN
G
G
GGG
hap-
G
HGGOG
JG
pened
GGLG
G
G
to
HGGG
HGL27
Mar-
GL
G
F
GGGGGG
G
GGGGGG
y,
G
G
F
GGGG
[H
GGG
28
b
a
a
L
L
L
Since
G
GG
Gshe
G
GOGO
GOwent
G
GG
Gto
G
GNG
GNew
G
G
G
GGL
York
G
G
G
GGN
29
Town.
G
G
F
GG G
G
GG£ GG G
G
G
GG£
It
G
G
Gsure-
G
G
Gly
G
G
G30
don't
G
G
G
GG
seem
GN
G
G
GGG
like
G
GGOG
Gthe
GGLG
Gsame
G
GNGG
Gold
GGG
GL
31
b
a
a
L
L
L
Mar-
GL
G
F
GGGGGG
G
GGGGGG
y
G
G
G.
GGG
G
[Who
HGGGL
HG
32
dressed
G
HGGGL
JG
in
GGG
G
G
a
GH
GL
HGL
ging-
G
G
G
GGN
ham
G
GO
GL
JGG
33
gown.
G
G
F.
G
G
G
G
GL
GL
G
G
G
G
G
G£
G£
She
G
34
b
a
a
L
L
L
came
GG
G
G
GGN
back
GG
HGGG
JG
wear-
GL GG
GL
GG
ing
HGGG
JG
sev-
GG
GGG
G
en
GGG
G35
kinds
GG
G
G
GG
of
GG
HGLGG
GO
hair.
GNGG
G G.
GG
HG
GG
GL G
[36
Does
GG
G
G
GLG
the
GG
HGGG
JG
Tan-
GOGG
GL
GLGL
go
HGNGG
JG
to
GG
GGG
G
the
GGG
G
No. 14: I'd Like To Know What Happened To Mary
The Lure of the Lights Piano/Vocal Page 53
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
37
b
a
a
L
L
L
Maid-
GG
G
G
GGL
en's
G
HGOGG
JGO
Pray'r.
GGGN
G
GG
I'd
G
HG
HG
like
G
G
Gto
G
G
G38
know
G
G
G
GG
what
GN
G
G
GGG
hap-
G
HGGOG
JG
pened
GGLG
G
G
to
HGGG
HGL39
Mar-
GL
[F
F
GGGGGG
G
GGGGGG
y
G
GGGG
GSince
G©
GGOG©
G
1 2
40
b
a
a
L
L
L
Mar-
G
GGG
Gy
G
GLGO
GLleft
G
GNG
GNthe
G
GNG
Gold
G
G
G
GGL
home
G
G
G
GGN
41
town."
G
GGG
F
G
G
G
G
G
G£
G
G
G
G
HG
G
G£
G
G
[Mar-
G
G
Gy's
G
G
G42/
/
/
town."
G
GGG
F
G
G
G
G
G
G£
G
G
G
G
G
G
G£
I'd
G
G
Glike
G
G
Gto
G
G
G
43
b
a
a
L
L
L
know
G
G
G
GG
what
GN
G
G
GGG
hap-
G
HGGOG
JG
pened
GGLG
G
G
to
HGG
HGL44
Mar-
GL
[F
F
GGGGGG
G
GGGGGG
y
G
GGGG
GSince
G©
GGOG©
G 45
Mar-
G
GGG£
GGy
G
GLGleft
G
GGGG£
GNGthe
G
GGold
G
GGG£
GGGhome
G
GGGG£
GGG46
town.
G.
F .F .F .
F.F.F.
G G G G£GG£
GGGG£
Z
The Lure of the Lights Piano/Vocal Page 54
No. 14: I'd Like To Know What Happened To Mary
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
b
a
LL L L
L L L L
44
44mpE
Z GG G GG £ GG £ 2
E
Z GGG̈Z GGG̈
3
E
ZGG G GG£ GG£
4
E
ZGGG̈
ZGGG̈
b
a
a
LL L L
L L L L
L L L L5
/
/
/WhenOft'
G
Z
Gthewhen
G
FFFF
Gworldnights
G
Gisare
GGGG
G6
sleep-lone-
F
Z
F
FFFF
ing,ly,
F
F
GGGG
7
andand
G
Z
GtheI
G
FFFF
Gnightwalk
G
Gisthe
GGGG
G8
still;road,
E
Z
E
FFFFGGGG
9
b
a
a
LL L L
L L L L
L L L LAndI'll
G
Z
Gthethink
G
FFFF
Gmoonof
G
Gisyou
G
GGG
G 10
creep-on-
F
Z
F
FFF
ingly;
F
F
GGG
11
slow-sweet
EE
EEG
Gly
thoughts
G
Ga-of
G
Gbovelove
G
Gthebe-
G
G
12
b
a
a
LL L L
L L L L
L L L L
hill;stowed.
EE
GGE
E
G G G G G G G G G G G
13
CloudsAh!
G
G
GfloatMy
FFF
G
Gby
moon
GG
Gandis
GGG
GG
G14
kisspris-
G
FF
F
GGG
her,'ner.
G
FF
F
GGG
No. 15: Clouds That Pass In The Night
The Lure of the Lights Piano/Vocal Page 55
1920 Lee David
CUE "I will never forget what you have done for me . . ."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
15
b
a
a
LL L L
L L L L
L L L L
O!By
GGGG
GWhatfleet-
G
GGG
Gaing
G
GGG
Gwon-clouds
F
GGG
Gd'rousshe's
GGG
G16
thrilltowed
EZ
E
GG G GG £ GG £
17
____!____.
E
Z
E
GGG̈Z GGG̈
18
When
G
G
Gthe
GGG
GG
G
clouds
G
GG
G
are
GGG
GG
G
19
b
a
a
LL L L
L L L L
L L L Lpass-
G
GG
Ging
GGG
GG
Gin
G
GG
Gthe
GG
Gnight,
GGG
GG
G20
I
G
FF
F
GGG
GG
G
G
dream
GG
Gof
GGG
GG
G21
you:
EE
GE
E
G GN G
22
When
G
GGG
Gthe
GGG
GG
Gclouds
G
GG
Gen-
GGG
GG
G
23
b
a
a
LL L L
L L L L
L L L Lveil
G
GG
Gthe
GGG
GG
Gsil-
G
GG
Gv'ry
GG
Glight,
GGG
GG
G24
I
G
FF
F
FFF
GG
Gdream
GG
Gof
GGG
GG
G25
you.
G
GE
E
FFF
G G G G G G G G G G
GGG
G
26
b
a
a
LL L L
L L L L
L L L L
But
G
G
Gthe
GNGG
GGN
Gclouds
G
GG
Gthat
GGG
GG
G27
pass
G
GG
Gme
GNGG
GNG
GNin
G
GG
Gthe
GG
Gday
GGG
GG
G28
Hide
G
GN
GNthe
GGG
GNG
GNsun-
G
GG
Gshine,
GGG
GGN
G
The Lure of the Lights Piano/Vocal Page 56
No. 15: Clouds That Pass In The Night
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
29
b
a
a
LL L L
L L L L
L L L Lmake
G
GGN
Gthe
GGG
GG
Gskies
G
GG
Glook
GG
Ggray.
GGG
GNG
GN 30
How
G
G
GI
GGG
GG
Gwish
G
GG
Gand
GGG
GG
G 31
long
G
GG
Gand
GGG
GG
Gwait
G
GG
Gtill
GG
Gthey
GGG
GG
G 32
Roll
E
Z
E
GG G GG £ GG £
33
b
a
a
LL L L
L L L L
L L L L
by,
E
Z
E
GGG̈Z GGG̈
34
roll
E
Z
E
GG G GG£ GG£
35
by
E
Z
E
GGG̈
ZGGG̈
36/
/
/
Clouds.
EE
Z
EEE
GG G GG£ GG£
37
EE
Z
EEE
GG G GG £ GG £
38
a
aLL L L
L L L L
EE
ZGG G GG £ GG £
39
pp
EEE
EEEE
No. 15: Clouds That Pass In The Night
The Lure of the Lights Piano/Vocal Page 57
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=160
b
a
L L
L L
44
44f
GG
G.G. G
GG
G.G. G
GG
HGGG
GGG
GG
HGG2
GG
G.G. G
GG
G.G. G
GG
GG
GLGL ¨
Z 3
GG
G .G . G
GG
G .G . G
GG
HGG
GG
GG
HGG4
GG
G .G . G
GG
G .G . G
GG
GG
GOGO ¨
Z
5
b
a
LL
L L
GG
G .G . GL
GG
GL .GL . G
GG
GN .GN . G
GOGO
GL .GL . G
6
GG
G .G . GL
GG
GL .GL . G
GG
GNGGN
GOGO ¨
Z7
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
GGG
GLGL
HGGG8
GG
HGGG
GGGGG
HGGG
GGG
GG GG̈
Z
9
b
a
LL
L L
GG
G.G. GGG
G.G. G
GG
HGGG
GGG
GG
HGG10
GG
G.G. GGG
G.G. G
GG
GGGLGL ¨
Z11
GG
G .G . G
GG
G .G . G
GG
HGG
GG
GG
HGG12
GG
G .G . G
GG
G .G . G
GGGG
GOGO ¨
Z
13
b
a
LL
L L
GG
G .G . GL
GG
GL .GL . G
GG
GN .GN . GL
GOGO
GL .G . G
14
GG
G .G . GL
GG
GL .GL . G
GG
GNGGN
GOGO ¨
Z15
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
G .G .G .
GG¤
GG¤
16
b
a
LL
L L
GG
G.G .G .
G
GG
G .G .G .
G
GG
HGGG
G .G .G .
GG¤
GG¤
17
GG
G.G .G .
G
GG
G .G .G .
G
GG
HGGG
G .G .G .
GG¤
GG¤
18
GG̈
GGG̈
Z
Z
GG̈
GGG
§
GG̈
GGG
§
No. 16: Intermission Playout Music
The Lure of the Lights Piano/Vocal Page 58
1916 Wally Herzer
Everybody Two Step(Instrumental)CUE: "I’d hate to do it, but I will."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=120
legato
b
a
L L L L
L L L L
44
44
mp
G
G
GGG
GG
G
GG
GGG
GG2
G
GG
GGG
GG
G
GG GG
GGG
GG3
G
FF
GGG
GG
G
GG
GGG
GG4
EE
GE G GN G
5
G
GGG
GGG
GG
G
GG
GGG
GG
6
b
a
LLL L
L LL L
G
GG
GGG
GG
G
GG GG
GGG
GG
7
G
FF
FFF
GG GG
GGG
GG8
G
GE
FFF
G G GGGGGGGG
GGG
G
9
G
G
GNGG
GGN
G
GG
GGG
GG
10
G
GG
GNGG
GNG
G
GG GG
GGG
GG
11
b
a
LLL L
L LL L
G
GN
GGG
GNG
G
GG
GGG
GGN12
G
GGN
GGG
GG
G
GG GG
GGG
GNG13
G
G
GGG
GG
G
GG
GGG
GG14
G
GG
GGG
GG
G
GG GG
GGG
GG15
E
Z GG G GG £ GG £
16
b
a
LLL L
L LL L
E
Z GGG¤
Z GGG¤
17
E
ZGG G GG£ GG£
18
E
ZGG
G¤
ZGG
G¤
19
E
Z GG G GG £ GG £ 20
E
Z GGG¤
Z GGG¤
21
b
a
LLL L
L LL L
E
ZGG G GG£ GG£
22
E
ZGG
G¤
ZGG
G¤
23
EE
ZGG G GG£ GG£
24
EE
Z GG G GG £ GG £ 25
Î EE
ZGG G GG
£ GG£26
pp
EEE
EEEE
No. 17: Entr'Acte
The Lure of the Lights Piano/Vocal Page 59
1920 Lee David
Clouds That Pass In The Night(Instrumental)
CUE: On SM "Go"
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=95
¦
¥
¥ ¥b
a
L
L
24
24mp
Z
Z
GLG
GG2
FGL
FG
G
G
G
GL
G
G3
GG
GLGG
G
GGG
GGL G
4
GLGL
GGGGGGN
GG
GGLG GGG5
GG
GGG
GGO
GG G6
FG
GGG
GO
GLGG
G
GGGN
G
G
¦
rit.
¦a tempo
7
b
a
a
L
L
L
GG
GGGG
X
GG
GL GGGL
GG
GNGG GGGN
8
FG
GGF
X
GN
GG
G
GL GO
GL
GN G
9
GG
GGG
ZYou've
Z
G
G10
said
G
GGG
Ggood-
G
GGG
Gbye
G
GGG
Gand
GGG
G11
ev-
G
GGG
Gery-
G
GGG
Gthing
G
GGG
Gis
GGG
G
12
b
a
a
L
L
L
ov-
FGGG
Ger
G
Gnow
GGG
Git
G
G13
seems
FG
G .G .
G.
G G
And
G
HGG
HG
14
all
G
GGG
Gyou
G
GGG
Gleft
G
GGG
Gbe-
GGG
G 15
hind
FG
GG
Gfor
G
GG
Gme
G
GG
Gwere
G
GG
G
ritard a tempo
16
b
a
a
L
L
L
dreams,
G
GGGL
Gjust
G
GG
Gshat-
G
GG
Gtered
G
GG
G17
dreams;
JGG
G
G.
G.G
GG
G
GG
For
G
GGG
HG18
you
[F
GGG
Gwere
G
GGG
Gall
G
GGG
GI
G
GGG
G19
had,
[F
FLGG
Gthe
G
G
Gon-
GL
GL
GLly
G
G
G
No. 18: You Broke My Heart To Pass The Time Away
1913 Joe Goodwin & Leo Wood
The Lure of the Lights Piano/Vocal Page 60
CUE: ". . . lie, lie, lie! to me."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
20
b
a
a
L
L
L
hap-
[F
GGG
Gpi-
G
GGG
Gness
G
GGG
GI
G
GGL G
G21
knew,
[F
G .G .G .
G.
G G
You've
G
HGGG
JG
22
brok-
[F
GGGL
Gen
HG
GLGG
GLev-
G
GGG
G'ry
GO
GL23
prom-
[F
GGGL
Gised
HG
GLGG
GLword.
G
GGG
GYou
GO
GL
¦
¦rallantando
a little slower
24
b
a
a
L
L
L
proved
[G.
GGGL
Gyour
G
GOGG
GLlove
G
GNGG
Gun-
JGG
GLGG
GL 25
true.
GG
GGG
G
You
Z
G
G26
mf
nev-
G
GGG
Ger
GGG
Gmeant
GGG
GGG
Gthe
G
G27
kis-
G
GGG
Gses
GGG
Gthat
GGG
GGG
Gyou
GO
GL
28
b
a
a
L
L
L
gave
[F
GGG
G
G
me,
G
GGG
G
G
29
GG
GGG
G
G
I've
G
GGG
G
G
30
paid
G
GGO G
Gwith
GGG
Gtears
GGLG
GL GG
Gfor
G
G31
ev-
G
GGO G
Gery
GGG
Gbit
GGLG
GL GG
Gof
G
G
32
b
a
a
L
L
L
joy.
[F
FFF
F
G GL G
33
GG
GGG
G
G
You
G
GG
G
G
34
made
GL
GGG
G
a
G
G
play-
GGG
GLGG
Gthing
G
G35
of
[
JG
GLG[
GLmy
G.GL
G.G
Gheart,
G
G
Gthe
G
G
G
The Lure of the Lights Piano/Vocal Page 61
No. 18: You Broke My Heart To Pass The Time Away
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
rit.
36
b
a
a
L
L
L
heart
GG
GGG
GI
G
Ggave
GG
GGGL
GLto
G
G37
you.
G
G .G .G .
G.
G G
You
GL
HGGG
JG
38
broke
FF
GGGL
Git
GGG
Glike
GLGG
GLa
GGG
G 39
child
GG
GGG
G
would
G
GLGG
GLbreak
GG
GGG
Ga
G
GOGGL
GL
a tempo
40
b
a
a
L
L
L
toy;
[
JG
GG.
F
G.H
G
GG
GG
G G[
41
GG
GG
GThe
GGG
G
G42
love
G
GGG
Gyou
GGG
Ggave
GGG
GGG
Gwas
G
G43
like
G
GGG
Ga
GGG
Gfad-
GGG
GGG
Ging
GO
GL
44
b
a
a
L
L
L
flow-
[F
GGG
G
G
er.
G
GGG
G
G
45
GG
GGG
G
G
The
G
GGG
G
G
46
kind
G
GGO G
Gof
GGG
Glove
GGLG
GL GG
Gthat
G
G47
lives
G
GGO G
Gfor
GOGG
GLjust
GGLG
GL GGN
Ga
G
G
¥
¥
¥
48
b
a
a
L
L
Lday,
[F
FFF
F
G GL GL
49
GG
GGG
GBut
GLG
GG
Gfor-
G
G50
give
FGL
FG
Gyou,
G
G
Gdear,
G
GL
GLI
G
G
G51
will,
GG
GLGG
G
G
God
GGG
GLG
GN
No. 18: You Broke My Heart To Pass The Time Away
The Lure of the Lights Piano/Vocal Page 62
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
ritardritardritardritard a tempoa tempoa tempoa tempo
52
b
a
a
L
L
L
knows,
GLGL
GGG
G
I
GGGN
G
love
GG
GGLG
Gyou
GGG
G53
still.
GG
GGG
GTho'
GGO
GG
Gyou
G
G54
broke
FG
GGG
G
my
GO
GLGG
GLheart,
G
GGGN
GNto
G
G
G55
pass
GG
GGGG
G
the
GG
GL GGGL
GLtime
GG
GNGG
GNa-
GGGN
G
¦
rallantandorallantandorallantandorallantando
56
b
a
a
L
L
L
way.
FG
GGF
F
GN
GG
G
GL GO
GL
GN G
57
GG
GGG
GYou
Z
Z
G58
broke
FG
GGG
G
my
GO
GLGG
GLheart,
G
GNGG
GNto
G59
pass
GG
GGGG
G
the
GG
GL GGGL
G
time
GG
GNGG
G
a-
G
60
b
a
a
L
L
Lway
FG
GGF
F
GN
GG
G
GL GO
GL
GN G
61
FF
FFFF
G Z62
pp
FF
FFFF
X
The Lure of the Lights Piano/Vocal Page 63
No. 18: You Broke My Heart To Pass The Time Away
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=112
b
a
OOO
OOO
44
44fX
Y Z [H
G2
GG¤
GGG
GGO G
GG¤
GGN G
GGO G
GG¤
HGGN G GGG
GG
GG
HGGG
3
GG¤
GGG
GNGN
GOGO ¤
GGG
GGOG
GG¤
HGGNG
GGN G
GNGN ¤
HGG
4
GG¤
GGNG GNGOG
GG¤
GGNGGOGG
J
GG
HGNGOG
GG
¤
GGG
J
GG
HGOGG
5
b
a
O O O
O O O
GG
GGG
GN
GN
G
G
G
G
G
G
G
G
G
G
G£
G£
GG£
GGG£ 6
GG¤
GGGGGG
GNGN ¤
GGGOGGG
GG£
GGGN GGG
G£
GGGGGG
7
GG¤
GGGGGG
GNGN ¤
GGGOGGG
GG£
GGGN GGG
G£
GGGGGG
b
a
a
O O O
O O O
O O O8
/
/
/Ev-Just
GG£
GGG
G
ery-sup-
GGG
G
bod-pose
GG£
GGG
G
ythat
GGG
G
lovesev-
GG¤
GGG
G
aery
GGG
Ggirlgirl
GG
GG
G who'swas
GLGL
GGN
G
9
mod-mod-
GG£
[F
F
JGG
GG£
GG GO G
est,est,
GG£
F[
F
JGN G
GG£
GG GNGO
10
b
a
a
OOO
OOO
O O OEv-Just
GG£
GGG
G
ery-sup-
GGG
G
bod-pose
GG£
GGG
G
ythat
GGG
G
lovesev-
G£
G
GGG
G
aery
G
GG
G
girlgirl
G¤
G
GG
G who'swas
G
GG
G11
shy,shy,
GG£
[FF
F
GG©
GG©
GG¤
GG
©
GG©
JG
GG
GG©
GG
[WhenThere
GOGO
GGNG
G
awould
GG
GGOG
G12
girlbe
GG£
GG
G
GG
isno
GG£
GG
G
GG
mod-fun,
GG¤
GGG
G
estwhen
GG
G
anddays
GLGL ¤
GGNG
G
re- are
GGG
G
No. 19: Eve Wasn't Modest ('Til She Ate That Apple)
1907 Albert Von Tilzer and Chas. McCarron
The Lure of the Lights Piano/Vocal Page 64
CUE: "What do you think?"
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
13
b
a
a
OOO
OOO
O O Otir-
wind-
GG£
GF
F
G
GG£
G G
ingy,
GG£
F[
G
JG
____not
GG£
G
G
_____an
G
G14
Youan-
GG£
GGGN
Gcankle
GGG
Gbetleft
G£
GNGG
GNshe'llto
GG
G
al-catch
GG£
HGGG
JG
waysa
GGG
G
GNGN£
getman's
HGGG
HG15
by.eye.
[F
[F
F
HG
JGG
GL
GG
G
GNGO
JG
G
GGN GNGN
[ Z
Z
GG
GG
16
b
a
a
OOO
OOO
O O OMod-It
GG£
GOGGO
GO
est-would
GG
G
ybe
GG£
GGG
G
be-much
GG
G
gansimp-
GG
HGGG
JG
inler
GG
GGG
G
GG
thein
GG
HGGG
JG17
gar-our
GG
£
GOGG
GO
denmar-
GGG
G
ofriage
GG£
HGNG
G
JGO
E- mar-
GGG
G
GG
£
den, ket,
GGG
GN
GG£
Into
JG
JG18
ev-find
GG¤
G
G
GN G
erythe
GLGL ¤
GN
GN
GO G
book per-
GG£
HGGN G
JG
you'llfect
GGG
G
GG£
findmate.
JGG
HGO
HGO
19
b
a
a
OOO
OOO
O O O
[F
GGF
F.
HG
GG©
GG©
G
GG©
GN
GG©
G
[
G
HGG
G
GGGO
[_____Now,
G
GGG
HG
20
I'llwhen
GG
¤
GG
Gad-they
G
G
mitstart
GG
GGG
G
itpro-
GOGO
GGNG
G
start-pos-
GG
GGOG
G
eding,
G
GG
G
in they
G
GNGO
GNthe can
G
GOG
GO21
Gar-see
GG£
GGG
Gdenwhat
GGG
G
ofthey're
GG£
HGGG
JG
E-get-
GGGN
G
GG
den,ting.
G
GGGO
G
G
But That's
GN
HGGG
HG
The Lure of the Lights Piano/Vocal Page 65
No. 19: Eve Wasn't Modest ('Til She Ate That Apple)
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
22
b
a
a
OOO
OOO
O O Ojustwhy
GG¤
G
G
GGN
bearsome
GG¤
GN
GN
GGG
thishes-
GG¤
G
G
GGN
ini-
GNGN¤
G
G
GGO
23
mind.tate.
GG
£
GGG
F
G G
GNGN ¤
GGGOG G
JG
G£
G
GGGN
G
GG
[ Z
GG
GG
G
GG
24
Eve
GG£
GGG£
G£was-
GG¤
GGG
Gn't
GGGO
Gmod-
GG£
GGGN
Gest
GGG
Gtill
GG£
GGG
Gshe
GGOG
G
25
b
a
a
O O O
O O O
O O Oate
GG£
GGG£
G£
that
GG¤
HGGG
JG
ap-
GGG
G
GG
ple
G
JGG.GO .
G.
G
G
G
G
26
That
GG£
GGG£
G£
old
GG¤
HGGG
JG
ap-
GGG
G
GG£
ple'sHGGG
JG
to
GG£
GGG
G
GGG
G
27
blame
GG£
GG
F.
GG©GG©
GG£
GG©GG©
GG©
G .G .¤
GG©GG
GG
[The
HGOGO
GGO G
HG
28
b
a
a
O O O
O O O
O O Omin-
GG£
FGG
Gute
GN G
GNthat
GG£
GG
Gshe
GG
Gate
GG£
HGG
HGit,
GGG
G
GG£
she
HGGG
HG29
felt
GG¤
GGG
Ghum-
GOGN
GLil-
GG
GNG
Gi-
GOGO
GOG
Gat-
GG£
HGN GN G
HGed
GGG
G
GNGN £
And
HGGG
HG30
hid
GG¤
GGGN
Gbe-
GGG
Ghind
GG
GNGG
GNthe
GG
G
G
ap-
GNGN£
GGG
G
ple
GNG
GNtree
GG£
GGG
G
till
GGG
G
31
b
a
a
O O O
O O O
O O Odark-
JGG
HGGG
JG
ness
GG¤
GOGG
GOcame.
GG
¤
GGG
JG G
HG
HGGG
G
GGG
[If
G
GGG
HG
32
one
GG£
GGG£
G£lit-
GG¤
GGG
Gtle
GGGO
Gap-
GG£
GGGN
Gple
GGG
Gmade
GG£
GGG
Gthe
GGOG
G33
first
GG£
GGG£
G£
girl
GG¤
HGGG
JG
mod-
GGG
G
GG
est,
G
GGOG
G
G
It
G
HGGG
JG
No. 19: Eve Wasn't Modest ('Til She Ate That Apple)
The Lure of the Lights Piano/Vocal Page 66
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
34
b
a
a
OOO
OOO
O O Oought
GG£
GGG
G
to
GG
G
work
GG£
HGGG
JG
now
GGGO
G
GG
as
GG
HGG
HG
well
GG
GG
Gas
GG
GGG
G35
then
GG
¤
GGG¤
F
GG¤
GGN¤
JG
GG
GGG£
GG
[ Z
GG
Z
GNGN
36
Once
GG£
G£
G
G
GG
they
GG£
GG
G
GG
on-
G£
GG
G
GG
ly
G£
G
G
GG
37
b
a
a
O O O
O O O
O O Owore
GG
£
J
GGG
JG
a
GGG
G
GG
£
leaf
GGOG
JG F
FNFN
HGG GLG GG
38
Skirts
GG
£
GG
G
GG
are
GG£
GG
G
GG
get-
GG£
GG
G
GG
ting
GG£
GG
G
GG
39
just
GG£
HGGGN
JG
as
GGG
G
GG£
brief,
GG
HG
JG
G.
G.
GG G
G
GG©
GG©
GG
GG©
If
GNGN
GO G
HG
HG
40
b
a
a
O O O
O O O
O O Omoth-
GG¤
GGG
G
ers
GGO G
Glet
GG¤
GGN G
G
their
GGO G
Gdaugh-
GG¤
HGGN G
HG
ters
GGG
G
GG
raise
GG
HGGG
Gtheir
G41
hem-
GG¤
GGG
G
lines
GNGN
GNan-
GOGO ¤
GGG
G
y
GGOG
G
shor-
GG¤
HGGNG
JG
ter,
GGN G
G
GNGN ¤
we'llHGG
JG
42
b
a
a
O O O
O O O
O O Ohave
GG¤
GGNG
G
to
GNGOG
GNpass
GG¤
GGNG
G
the
GOGG
GL
ap-
J
GG
HGNGOG
JG
ples
GG
¤
GGG
GNa-
J
GG
HGOGG
JGO43
gain.
GG
£
GGG
G
GG
GNGN ¤
GOGG
Z
G G
Y
GG
GGG
G
GGN G
G
GGG
G
GGG
44
/
/
/
Eve
GG£
GGG£
G£was-
GG¤
GGG
Gn't
GGGO
Gmod-
GG£
GGGN
Gest
GGG
Gtill
GG£
GGG
Gshe
GGOG
G
The Lure of the Lights Piano/Vocal Page 67
No. 19: Eve Wasn't Modest ('Til She Ate That Apple)
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
You can blame, you can blame that apple45
b
a
a
OOO
OOO
O O O
ate
GG£
GGG£
G£
that
GG¤
HGGG
JG
ap-
GGG
G
GG
ple
G
JGG.GO .
G.
G
G
G
G
46
That
GG£
GGG£
G£
old
GG¤
HGGG
JG
ap-
GGG
G
GG£
ple'sHGGG
JG
to
GG£
GGG
G
GGG
G
47
blame
GG£
F .G
[F.
GG
©
G
GG
©
G
GG£
GG
©
G
GG
©
G
GG
©
G
G .G .
GG
©
G
GG
G
GG
G[
The
HGOGO
GGO G
G
HG
48
b
a
a
O O O
O O O
O O O
min-
GG£
GGG
G
ute
GN G
GNthat
GG£
GG
G
she
GG
G
ate
GG£
HGG
HG
it,
GGG
G
GG£
she
HGGG
HG49
felt
GG¤
GGG
G
hu-
GOGN
GL
mil-
GG
GNG
G
i-
GOGO
GOG
G
at-
GG£
HGN GN G
HG
ed
GGG
G
GNGN £
and
HGGG
HG50
hid
GG¤
GGGN
HG
be-She
GGG
JG
HG
hindhid
GG
GNGG
GGN
thebe-
GG
G
GG
ap-hind
GNGN£GGG
GG
plethe
GNG
GGN
treetree
GG£
GGG
GG
tilltill
GGG
GG
51
b
a
a
O O O
O O O
O O O
dark-
JGG
HGGG
JG
HG
ness
GG¤
GOGG
GGN
came.
GG
¤
GGG
JG
HGO
GG
HG
HGGG
G
GGG
[
If
G
GGG
HG
52
one
GG£
GGG£
G£
lit-
GG¤
GGG
G
tle
GGGO
G
ap-
GG£
GGGN
G
ple
GGG
G
made
GG£
GGG
G
the
GGOG
G53
first
GG£
GGG£
G£
girl
GG¤
HGGG
JG
mod-
GGG
G
GG
est,
G
GGOG
G
G
it
G
HGGG
JG
54
b
a
a
O O O
O O O
O O Oought
GG£
GGG
GG
to
GGG
GG
work
GG£
HGGG
JGG
now
GGGO
GGO
GG
as
GG
HGG
HGG
well
GG
GG
GG
as
GG
GGG
GG
55
then
GG
¤
GGG
GF
GG¤
GGN
GN
GG
GGG£
HG
JG
GG
[ Z
GG
Z
GNGN
56
Way
GG£
GG
G
GG
back
GG£
GG
G
GG
in
G£
GG
G
GG
the
G£
GG
G
GG
No. 19: Eve Wasn't Modest ('Til She Ate That Apple)
The Lure of the Lights Piano/Vocal Page 68
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
57
b
a
a
OOO
OOO
O O Oold-Way
GG
£
J
GGG
JG
HG
enback
GGG
GG
GG
£
dayswhen,
GGOG
JGOH
G FF
FNFN
HGG GLG GG
58
Men
GG
£
GG
G
GG
were
GG£
GG
G
GG
fooled
GG£
GG
G
GG
by
GG£
GG
G
GG
59
girl-fooled
GG£
HGGGN
JG
HG
ieus
GGG
GG
GG£
ways,then.
GG
HG
JG
HG
G.
G.G.
GG G
G
GG©
GG©
GG
GG©
For
GNGN
GO G
HG
HG
NO! Whoa!60
b
a
a
OOO
OOO
O O Othen
GG¤
GGG
G
we
GGO G
G
nev-
GG¤
GGN G
G
er
GG
G
knew
GG¤
HGGG
HG
them,
GGG
G[
GG
JÜ
but
GG
HGGG
HG
61
now
GG¤
GGG
G
we
GNGN
GNsee
GOGO ¤
GGG
G
right
GG
G
through
GG¤
HGGG
JG
them!
GG
G[
GNGN ¤
JÜ
We'llHGG
JG
62
b
a
a
O O O
O O O
O O Ohave
GG¤
GGNG
G
to
GNGOG
GNpass
GG¤
GGNG
G
the
GOGG
GL
ap-
GG
GNGOG
JG
ples,
GG
¤GGG
GN
GG
¤GGG
those
GG
GOGG
JGO
63
naugh-
GG¤
GGNG
G
ty
GNGOG
GNlit-
GG¤
GGNG
G
tle
GOGG
GL
ap-
J
GG
HGNGOG
JG
ples.
GG
¤GGG
GNWe'll
J
GG
HGOGG
JGO
64
b
a
a
OOO
OOO
O O Ohave
GG¤
GGNG
GGNto
GOGOG
GOGOpass
GG¤
GNGN G
GNGNthe
GLGG
GLG
ap-
J
GG
HGGOG
JGGO
ples
GG
¤
GNGG
GNGa-
J
GG
HGGG
HGG65
gain.
GG
GGG
F.F.
GN
GNG
G
G
G
G
G
G
G
G
G
G£
G£
GG£̈
GGG§£
Z
The Lure of the Lights Piano/Vocal Page 69
No. 19: Eve Wasn't Modest ('Til She Ate That Apple)
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=125
b
a
44
44
f
FF
FG¤
GG
FF
FG¤
GG2
FLFL
FG¤
GG
FF
FG¤
GLG3
FF
FLGL¤
GG
FF
FG¤
GG4
FLFL
FG¤
GG
FF
FG¤
GLG5
GG
GGL G¤
Z
GGG¤
GG
GGG¤
Z
GGN G¤
6
b
a
GG
GGG
FF
FFF¤
GG
GGG¤
7
GG
GGGG¤
FL
FO FG G G
G
GGGG
8
G©
GGGG©
Z
Z
GG©
GGGG©
Z
Z 9
mp
G
G G
G
HGG GL G
G
GGG¤
G
HGGG
10
G
GGG¤
GGL
GGOGGGN ¤
FFF
GG G
11
b
a
a
G
G
X
G
G
HGG GL G
G
GGG¤G
HGGG
12
G
GGG¤
X
GGL
GGOGGGN ¤
FFFGG G
13 /
/
/
ISome
G
G
Gmustgir-
G
Gcon-lies
G
HGG
HG
fessjust
GL G
GL
G
thatlove
GGG
G
G
ItoHGGG
HG14
likemo-
G
GGG
Gyoutor,
G
FFF.
F.
GG
GG
15
b
a
aButSome
G
G
Gtherecrave
G
Gisa
G
HGG
HGsome-mu-
GL G
GL
G
thingsi-
GGG
G
G
a-calHGGG
HG16
missshow
G
EEE
E
GO GN G G G
17
TellSome
G
GGG
Gmegirls
G
GGG
Gdidlove
F
GL GG
Gitto
GL
GLev-Fox
GGG
GerTrot
G
G
No. 20: Hold Me
1920 Art Hickman and Ben Black
The Lure of the Lights Piano/Vocal Page 70
CUE: "It’s best all ’round."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
18
b
a
astrikenight-
GL
GGGO
Gyouly
G
FFF
F
G G
ThatI
GL
GGG
Ga
know
G
G19
maidsome
F
FFLG
Glikeswho
G
Gaare
G
Gmanal-
G
GG
Gto
ways
G
Gstealon
GLG
GG
Gathe
G
G20
kiss?go
GG
GF
F.
Z
GGL GO
Y
GGGN
NowBut
GGG
G
21
b
a
apleasehere's
F.F.
GO GG
GOdon'twhat
GG
GthinkI HGG
JG
melike
G .G.G .
G.
GOGO
22
boldbest.
GG
F .F .F .
F.
G G
AndI'm
Z
GGG
G23
pleasedif-
FF
GGG
Goh
f'rent
GGG
Gpleasefrom
FF
GGGO
Gdon'tthe
GGG
G
24
b
a
ascold.rest.
GG
GGGG
GJustJust
GG
GGG
Gsim-sim-
GG
GL GG
GOplyply
GG
GN GG
G25
f
Hold
FF
G
F
GG
me
GG̈£
GGO GG̈£
G̈£
Z
Z
Z26
Fold
FF
G
F
GG
me
GG̈£
GGO GG̈£
G̈£
Z
Z
Z27
right
GG
GGG
Gin
Z
GGGG
Gyour
GG
GGGG
Garms
Z
GGGG
G
28
b
a
a
GG
EEEE
E
GG
GG
GG
29
It's
GG
GGG
Gyour
Z
GGGG
Gaf-
GG
GGGG
Gfec-
Z
GGGG
G30
FF
GGGG
Gtion
FFF
F
FOFO
I
GGO G
G31
crave
GG
GGGG
E
Z
GGG£ GGG
£
GG
GGG¤
Z
GGG£
No. 20: Hold Me
The Lure of the Lights Piano/Vocal Page 71
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
32
b
a
a
GG
Z
E
Z
GGG£GGG£
GG
GGG¤Z
GGG£
33
Tease
FF
G
F
GG
me
GG©£
GGGL G̈£
G£̈
Z
Z
Z 34
Squeeze
FF
G
F
GG
me
GG̈£
GGGL G̈£
G£̈
Z
Z
Z 35
tight
GG
GGG
Gin
Z
GGGG
Gyour
GG
GGGG
Garms
Z
GGGG
G
36
b
a
a
EG
EEEE
E
GL G G
37
Un-
FF
GGG
Gtil
GGGG
G
I
FF
GGGG
G
prom-
GGGG
G 38
FF
GGGG
G
ise
GGG
G
to
FG
HGGG
JGbe-
G .G .G .
G.
GO
39
have
GGG
GGE
E
FFL©
FFO©
GG
GG
40
b
a
a
GG
GGG
X
GG
GGG
GG
GL GG
GG
GN GG
41
Fill
FF
G
F
GG
me
GG̈£
GGO GG̈£
G̈£
Z
Z
Z 42
Thrill
FF
G
F
GG
me
GG̈£
GGO GG̈£
G̈£
Z
Z
Z 43
with
GG
GGG
Gtales
Z
GGGG
Gof
GG
GGGG
Glove
Z
GGGG
G
44
b
a
a
GG
EEEE
E
GG
GG
GG
45
And
GG
GGO
Gall
Z
GGOG
Gits
FF
GGG
Gsweet
GGG
G 46
FF
GGG
Gmys-
FFF
F
FF
tic
GL GGO
GO47
charms
FF
G
E
G G G
FF
[ HG GL G
The Lure of the Lights Piano/Vocal Page 72
No. 20: Hold Me
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
48
b
a
a
F .F .
[
F.
HG G G FFFF̈£
Z
Z 49
Then
FF
GG¤
F
GG
en-
FF
GG¤
F
GG
50
fold
FLFL
GG¤
F
GG
me
FF
GG¤
F
GLG
51
Please
FF
GLGL ¤
FL
GG
don't
FF
GG¤
F
GG
52
scold
FLFL
GG¤
F
GGme
FF
GG¤
F
GLG
1
53
b
a
aJust
GG¤
GGL G¤
Ghold
Z
GGG¤
Gme
GG¤
GGG¤
Gtight
Z
GGN G¤
G54
GG¤
GGG
Gin
FF¤
FFF¤
Fyour
GG¤
GGG¤
G55
arms.
GG¤
GGGG¤
F.
F
GGG G G
GGL
GGO
Z 56
mpG
G
X
G
G
HGG GL G
G
GGG¤
G
HGGG
2
57
b
a
a
G
GGG¤
X
GGL
GGOGGGN ¤
FFF
GG G
58
G
G
X
G
G
HGG GL G
G
GGG¤G
HGGG
59
G
GGG¤
X
GGL
GGOGGGN ¤
FFF
GG G
60/
/
/arms.
GG©
GGGG©
F.
F
GGG G G
GOG
GOG
Z
61
b
a
a
OOOOO
O O O O O
O O O O O
mpGG
GGG
ZJust
GG
GGGG
Gsim-
GG
GN GG
GNply
GG
GOGG
GO62
f
Hold
FF
G
F
GG
me
GG̈£
GGO GG̈£
G£̈
Z
Z
Z 63
Fold
FF
G
F
GG
me
GG̈£
GGO GG̈£
G£̈
Z
Z
Z 64
right
GG
GGG
Gin
Z
GGGG
Gyour
GG
GGGG
Garms
Z
GGGG
G
No. 20: Hold Me
The Lure of the Lights Piano/Vocal Page 73
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
65
b
a
a
O O O O O
O O O O O
O O O O O
GG
EEEE
E
GG
GG
GG
66
It's
GG
GGG
Gyour
Z
GGGG
Gaf-
GG
GGGG
Gfec-
Z
GGGG
G 67
FF
GGGG
Gtion
FFF
F
FNFN
I
GGO G
G68
crave
GG
GGGG
E
Z
GGG£ GGG
£
GG
GGG¤
Z
GGG£
69
b
a
a
OOOOO
O O O O O
O O O O O
GG
Z
E
Z
GGG£GGG£
GG
GGG¤
Z
GGG£
70
Tease
FF
G
F
GG
me
GG©£
GGGN G̈£
G§£
Z
Z
Z 71
Squeeze
FF
G
F
GG
me
GG̈£
GGGN G̈£
G§£
Z
Z
Z 72
tight
GG
GGG
Gin
Z
GGGG
Gyour
GG
GGGG
Garms
Z
GGGG
G
73
b
a
a
OOOOO
O O O O O
O O O O O
EG
EEEE
E
GN G G
74
Un-
FF
GGG
Gtil
GGGG
G
I
FF
GGGG
G
prom-
GGGG
G 75
FF
GGGG
G
ise
GGG
G
to
FG
HGGG
JGbe-
G .G .G .
G.
GO
76
have
GGG
GGE
E
FFN©
FFO©
GG
GG
77
b
a
a
OOOOO
O O O O O
O O O O O
GG
GGG
X
GG
GGG
GG
GN GG
GG
GOGG
78
Fill
FF
G
F
GG
me
GG̈£
GGO GG̈£
G£̈
Z
Z
Z79
Thrill
FF
G
F
GG
me
GG̈£
GGO GG̈£
G£̈
Z
Z
Z80
with
GG
GGG
Gtales
Z
GGGG
Gof
GG
GGGG
Glove
Z
GGGG
G
The Lure of the Lights Piano/Vocal Page 74
No. 20: Hold Me
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
81
b
a
a
O O O O O
O O O O O
O O O O O
GG
EEEE
E
GG
GG
GG
82
And
GG
GGO
Gall
Z
GGOG
Gits
FF
GGG
Gsweet
GGG
G 83
FF
GGG
Gmys-
FFF
F
FF
tic
GN GGO
GN84
charms
FF
G
E
G G G
FF
[ HG GN G
85
b
a
a
OOOOO
O O O O O
O O O O O
F .F .
[
F.
HG G G FFFF̈£
Z
Z 86
Then
FF
GG¤
F
GG
en-
FF
GG¤
F
GG
87
fold
FNFN
GG¤
F
GG
me
FF
GG¤
F
GNG
88
Please
FF
GNGN¤
FN
GG
don't
FF
GG¤
F
GG
89
scold
FNFN
GG¤
F
GG
me
FF
GG¤
F
GNG
90
b
a
a
OOOOO
O O O O O
O O O O OJust
GG¤
GGNG¤
Ghold
Z
GGG¤
Gme
GG¤
GGG¤
Gtight
Z
GGOG¤
G91
GG¤
GGG
Gin
FF¤
FFF¤
Fyour
GG¤
GGG¤
G92
arms.
GG
GGGG
E
FN
FOFG G G
G
GGGG
93
G©£
GGGG©£
X
Z
Z
GG̈£
GGGG§£
Z
Z
No. 20: Hold Me
The Lure of the Lights Piano/Vocal Page 75
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=140 =
b
a
L
L
44
44
fGG
G .G . G
GG
G.G .G . G
GG
G .G . G
GLGL
G.G .GL . G
2
G
HGOGGL
GNGG
GGG
HGGG
GG
GGG
GLGL
G G GN3
GG
G
GGG
GG
GG
HGGGL
G .G .G.GN .
GG
4
GG
FFF
GG G©
GGGG©
Z
Z
b
a
L
L 5
/
/
mf
EF
FFG G
FO
FL FG G
6
FG
FFG. G
G
G. G
FG
GF
G
G7
EF
FFG G
FO
FL FG G
8
FG
FFG. G
G
G. G
FG
GF
G
G
2nd X: Jennie Riley
9
b
a
a
L
L
L
IYou
EF
FFG
Gre-said
G
Gmem-you
FO
FL FG
Gberhad
G
G10
when noth-
F.F
EEG.
G.you ing
G
Gwent to
G.
G.a- re-
G
Gway,gret.
G
F
F
G GO G
11
HowI
GG
GGG
GI
thought
GNGN
GGO G
Gbegged
I
GG
GGN G
Gandcould
GG
GGG
G
12
b
a
a
L
L
L
plead- eas-
F.F
EEG.
G.ed i-
G
Gthat ly
G.
G.you for-
G
Gstay.get.
G
F
F
G G G
13
YouI
FF
FFG
Gjustknew
G
Glaughedright
F
GGGO
Gata-
GGGN
G14
me.long
[E
EEE
F.
HG G G G GN
G
G
Youthat
G
No. 21: I Told You So
1920 Albert Von Tilzer and Lew Brown
The Lure of the Lights Piano/Vocal Page 76
CUE: "You’ve been sorry ever since, haven’t you?"
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Jennie
15
b
a
a
L
L
L
want-I
FF
FFG
Gedwas
G
Gtoin
FF
FGG
Gbethe
GG
G16
free.wrong.
[E
EEE
E
HG G G G GO G
17
Ev-I
EF
FFG
Gery-could
G
Gthingtreat
FO
FL FG
GI
you
G
G
Riley
18
b
a
a
L
L
L
toldas
F.F
EEG.
G.youyou
G
Ghas treat-
G.
G.come ed
G
Gtrue.me,
G
F
F
GL G G
19
f
Nowbut
F.F.
GLGG
GLif
you
GGG
GI
can
GGG
Gwant-plain-
GGG
G
GGG
Gedly
GGG
Gto,see,
G
GGGL
G
GN
=
20
b
a
a
L
L
L
F .F .F .
[
[howI'mHGGG
JG
Isor-
GGG
Gcould ry
GGG
Glaughas
GGG
Gatcan
GGG
Gyou.be.
GG
GGG
G21
You'reI'm
G
GG
Gsoso
GG
GG
Gblueblue
GG
GG
Gandand
GLGL
GGGL
G22
lone-lone-
G
HGOGGL
JGO
somesome
GNGG
GN
GGG
too.too.HGGG
JG
FFF
F
G .G .
G G G G
Jennie Riley
23
b
a
a
L
L
L
FNF
Z
ZII
GGGN
G
toldtold
FF
HGGG
JG
youyou
G.G .G .
G.24
so.so.
G
[ .EN E
ENIH
G
GN GG
G.GN .G.
G
GG
G.G.G.G
GGG
G.G.G.G
25
NoNo
GG
HGGG
HGoneone
G
G
GGG
elseelse
HGGG
HG
GGG
G
G
canbut
GGG
GGG
G
The Lure of the Lights Piano/Vocal Page 77
No. 21: I Told You So
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Jennie
=
26
b
a
a
L
L
L
com-you
GLGL £
HGOGGL
JGO
fortwill
GG
G
GG£
you.do.
HGG
HG
FF
F
G .G . G
GO G GO
27
GG
Z
ZII
GGG
GG
Gtoldtold
FF
FO F
HG
HGyouyou
G.
G.28
so.so.
[ .F.
FF
F.
IHG G.G
G .G .
G
G
G.
GLGL
G .G .
II
GN
G29
saidsaid
GG
GGG
Gthatthat
Z
GGG
Gyouyou
FF
HGGG
HGwouldwould
G .G .G .
G.
Riley
30
b
a
a
L
L
L
pine,pine,
F .G
FFF
F.
G G G G
G .G .G . GL
G.
GGG
G.
andand
GO
GO31
missmiss
FF
GGL
Gthisthis
GG
Glovelove
GG
GG
G
GLGL
GLG
ofof
GLGL
GNG
Gminemine.
GG
GG
G32
EG.
F.F.
F.
GL G. GL G. G
G.G.
G.
G
ButBut
G
G
Jennie
upper line 2X only"loved ____ you
33
b
a
a
L
L
L
youI
GG
GLG
GLdid-did-
G
G
n'tn't
GL GG
GG
Gcare.care.
GG
G
G.G.
G.
GG
GGG
YouI
HG
HG
34
would-did-
GG
GLG
GLn'tn't
G
G
playplay
GL GG
GG
Gfairfair.
GG
G
G.G.
G.
GG
GGG
AndAnd
HG
HG
35
stillstill
GG
GGG
GII
GG
GGG
Glovedloved
FLF
FNF
HG
JGG
youyou
G.
G.G G
No. 21: I Told You So
The Lure of the Lights Piano/Vocal Page 78
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
so."
Riley
upper line 2X only"told ____ you
Jennie
=
36
b
a
a
L
L
L
so.so.
G£
G .G .G .
EE
G
GG
G .G .G .G
GG
G .G .G
GG
G .G . GO
37
LifeLife
G
GG
Gforfor
GG
GG
Gyoume
GG
GG
Gisis
GLGL
GGGL
G38
oneone
G
HGOGGL
JGOsadsad
GNGG
GN
GGG
song.song.
HGGG
JG
FFF
F
G .G .
GGGG
39
FNF
Z
ZII
GGGN
G
toldtold
FF
HGGG
JGG
youyou
G.G .G .
G.GG
so."
Riley
=
40
b
a
a
L
L
L
so.so.
G
[ .EN E
ENE
IHG
GN GG
G.GN .G.
G
GG
G.G.G.G
GGG
G.G.G.G
41
YouI
GG
HGGG
HG
ad-ad-
G
G
GGG
mitmit
HGGG
HG
GGG
G
G
thatthat
GGG
GGG
G42
youI
GOGO £
HGOGGL
JGO
werewas
GG
G
GG£
wrong.wrong.
HGG
HG
FF
F
GG£
G G GO
Jennie Riley
upper line 2X only"tree __ to tree"
Jennie
43
b
a
a
L
L
L
GG
Z
Z
YouYou
Z
GGL G
GGL
oughtought
FF
FF
HG
JGH
G
toto
G.
G.G.44
know.know.
EG
GL GF.
F.FL .
G
GGL
GL
GNGN
JGH
G
G
GGLGL
YouI
G
JG45
flewflew
GLGG
HGGLG
JG
a-a-
GGG
G
GGG
roundround
HGGG
JG
GGG
G
GG
fromfrom
GGG
GGG
G46
treetree
GLGG£
HGL GG
JGLG
toto
GGG
GG
GGG£
G
treetree
HGG
JGG
G.G .
G.G.
G .G .G .
G G.
ButBut
HG
HG
G
The Lure of the Lights Piano/Vocal Page 79
No. 21: I Told You So
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Both
47
b
a
a
L
L
L
whenwhen
GG
G.G.G.
G.
youyou
G
G
could-could-
GGG
G.G.G.
G.
n'tn't
G
G
getget
GG
G.GO .G.
G.thethe
G
Glovelove
GGLG
G.G.G.
G.youyou
G
G 48
gotgot
G
HGGG
HG
fromfrom
GGG
G
GG
meme
HGGG
HG
GGG
G
GG
YouYou_(I)
GOGO
GL GGL
GL
1
upper line 2X only"used ___ to be"
=
49
b
a
a
L
L
L
star-star-
GG
G .G .
G.G.
tedted
G
GG
long-long-
GG
G.G .G .
G.G.
inging
G
GG
forfor
GG
G .G .
G.G.
thethe
G
GG
daysdays
GLGL
G.G .GL .
G.GL .
thatthat
G
GG50
usedused
G
HGOGGL
JGOG
toto
GNGG
GNG
GGG
G
be.be.
HGGG
JGG
GGG
FF
GG
GLGL
G G GN
51
GG
G
Z
I
GGG
GG
G
told
GG
HGGGL
JG
you
G .G .G.GN .
G.
GG
2
Riley
Jennie
Riley
52
b
a
a
L
L
L
so.
GG£
GGG£
F.
GG
GG
GG
GGmf
GG
GO G
Z 53/
/
/
GG
G
Z
You
GGG
GG
G
told
GG
HGGGL
JG
me
G .G .G.GN .
G.
GG
54
so!
GG£
GGGL £
E
GG
GGN
GG
GGL
GG
GO GN
55
GG
G
Z
ff
YouI
GGG
GG
G
toldtold
GG
HGGGL
JGG
meyou
G .G .G.GN .
G.G.
GG
56
soso
GG
FFF
G.G.
GG
___!___!
JGH
G G.G.
G̈
GGGG§
Z
Z
[Port.
No. 21: I Told You So
The Lure of the Lights Piano/Vocal Page 80
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=140
b
a
L
L
44
44
Y
X
[ GLGL
f
GG
GG
2
F.F.
GLGGGGG
GGGGGG
GGG GGG
GG
GGGL
GNGN
3
FFF
[H
GGGGGG
GGGH
GGG
GGG
[
GGG
GG
GGG
=
4
b
a
a
L
L
L
Life
G
GG
Gfor
GG
GG
Gyou
GG
GG
Gis
GLGL
GGGL
G5
one
G
HGOGGL
JGO
sad
GNGG
GN
GGG
song. HGGG
JG
FFF
F
G .G .
G G G G
6
FNF
Z
ZI
GGGN
G
told
FF
HGGG
JG
you
G.G .G .
G.7
so.
G
[ .EN E
ENIH
G
GN GG
G.GN .G.
G
GG
G.G.G.G
GGG
G.G.G.G
=
8
b
a
a
L
L
L
You
GG
HGGG
HGad-
G
G
GGG
mit HGGG
HG
GGG
G
G
that
GGG
GGG
G9
you
GOGO £
HGOGGL
JGOwere
GG
G
GG£
wrong.
HGG
HG
FF
F
GG£
G G GO
10
GG
Z
ZYou
Z
GGL G
GL
ought
FF
FF
HG
JG
to
G.
G.11
know.
F.G
GL GF.
FL .
G
GGLGL
GNGN
G
GG
GLGL[You HG
G
12
b
a
a
L
L
L
flew
GLGG
HGGLG
JG
a-
GGG
G
GGG
round
HGGG
JG
GGG
G
GG
from
GGG
GGG
G13
tree
GLGG£
HGL GG
HGLto
GGG
G
GGG£
tree
HGG
HG
G.G .
G.
G .G .G .
G G.
But
HG
HG
G
14
when
GG
G.G.G.
G.
you
G
G
could-
GGG
G.G.G.
G.
n't
G
G
get
GG
G.GO .G.
G.the
G
Glove
GGLG
G.G.G.
G.you
G
G
No. 22: I Told You So, reprise
1920 Albert Von Tilzer and Lew Brown
The Lure of the Lights Piano/Vocal Page 81
CUE: "You may be able to use it later to better advantage."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
15
b
a
a
L
L
L
got
G
HGGG
HG
from
GGG
G
GG
me
HGGG
HG
GGG
G
GG
You
GOGO
GL GGL
GL16
start-
GG
G .G .
G.ed
G
Glong-
GG
G.G .G .
G.ing
G
Gfor
GG
G .G .
G.the
G
Gdays
GLGL
G.G .GL .
G.that
G
G
=
17
b
a
a
L
L
L
used
G
HGOGGL
G
___
GNGG
G
to
GGG
G
be.
HGGG
G
GGG
F
GG
GLGL
G G GN
18
GG
G
ZI
GGG
GG
G
told
GG
HGGGL
JGyou
G .G .G.GN .
G.
GG
19
so!
GG£
GGGL £
E
GG
GGN
GG
GGL
GG
GO GN
20
GG
G
ZI
GGG
GG
G
told
GG
HGGGL
G
___
G .G .G.GN .
G
you
GG
G 21
so
GG
FFF
F
GG
___!
G̈
GGGG§
Y
Z
Z
The Lure of the Lights Piano/Vocal Page 82
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Bright Ragtime Õ=125
b
a
L
L
sfz
ff
GNGN
Z 2
24
24
GG£
[GGGL ©[ J
G
HGG3
G
GLG
GL
GG
G
GG
GO
GNG4
G
GLG
GL
GNG
G
GLG
GL
GG5
G
GG
sfz
GNGN
Z 6
GG£
[GGGL ©[ J
G
HGG
7
b
a
L
L
G
GLG
GL
GG
G
GG
GO
GNG8
G
GLG
GL
GNG
G
GLG
GL
GG9
G
GG
GG
GG
Z
GLGL
10
GG£
[ GGG©
[ JGJG11
G
G
G
G
G
G
G
G12
G
G
G
G
G
G
G
G
13
b
a
L
L
G
G
GG
GG
Z
GG
14
GG£
[GGG©[ J
G
HGG15
G
GG
G
GG
G
GG
GO
GN G16
G
GG
GL
GN G
G
GL G
G
GG17
G
GG
GLGL
GG
Z
GG
18
GG
G
G
G
G
G
G
G
19
b
a
L
L
G
G
G
G
G
G
G
G20
G
G
GL
GL
G
G
G
G21
G
G
GG
GG
Z
GLGL
22
GG£
[GGGL ©[ J
G
HGG23
G
GLG
GL
GG
G
GGGO
GNG24
G
GLG
GL
GNGG
GLG
GL
GG
25
b
a
L
L
G
GG
GG
GG
Z
GLGL
26
GG£
[ GGG©
[ JGJG27
G
G
G
G
G
G
G
G28
G
G
G
G
G
G
G
G29
G
G
Z
GG©
GG©
30
GG
GGGGG
GGG
G G
No: 23: Scene Change Music
1911 Theodore Morse
The Lure of the Lights Piano/Vocal Page 83
Another Rag(Instrumental)
CUE: "We can still salvage something from this."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
31
b
a
L
L
GG
G G
GLGL
GGGN© G© 32
GG
GGG G
GGG
G G33
GG
G GGGG
G GL34
HGG
HGG
GL .GL .©
GO .G .©
35
GG
GGGNGN
GO G36
FF
FF
37
b
a
L
L
ffGG¤£
GGGG¤ G
Z
G G38
GG
GGLGO
GGG
GGN GGO39
GG
GG G
GGG
G G40
GG
JGG GG
GGG
JGG41
GG
GGG
GGG
G G42
GG
GGLGO
GGG
GGN GGO
43
b
a
L
L
GG
GG GGGG
G G44
GG
HGGG
GGGGGG
HGGG
45
GG
GGGGO
GGG
G GO46
GG
GGGGGG
GGGGGG
47
GG
GGG GGGG
GL G48
GG
GGGGGG
GGGGGG
49
b
a
L
L
GG
GGG
GGG
GL G50
G
G
GN
GO
G
G
GL
G51
G
GO
GO
G
G
GO
GO
G52
GO
G
G
GN
GO
G
G
GL53
sfz
sfz
GN
G
G
G
G
G
G
G54
GG
GGLGO
GGG
GGN GGO
55
b
a
L
L
GG
GG GGGG
G G56
GG
JGG GG
GGGJGG57
GG
GGG
GGG
G G58
GG
GGLGO
GGG
GGN GGO59
GG
GG GGGG
G G60
GG
HGGG
GGGGGG
HGGG
61
b
a
L
L
GG£
GGG G
Z
G GO 62
GNGN¤
GGGLGN ¤
GG£
GLGO GN G£63
GOGO ¤
GGGGO¤
GG£
GGG£
64
G
GG
G
GLG
G
GG
G¤
GG¤
65
G
GG
G
G
G
GGGGO
GO66
G
GG
sfz
sfzGOGO
GO
No: 23: Scene Change Music
The Lure of the Lights Piano/Vocal Page 84
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
67
b
a
L
L
GG¤
G¤G
GL G
GL
G68
G
GG G
GG
G GGG©
69
GG
GGG G
GOGO
GL G G70
GG
GGG G
GGG
G G71
GG
HGGG
GGG©GGG
HGGG©
72
GG©
HGGG
GG©
[ Z
GG©
GG©
73
b
a
L
L
mfGG£
[GGGL ©
[ JG
HGG74
G
GLG
GL
GG
G
GG
GO
GNG75
G
GLG
GL
GNG
G
GLG
GL
GG76
G
GG
GG
GG
Z
GLGL
77
GG£
[ GGG©
[ JG
JG78
G
G
G
G
G
G
G
G
79
b
a
L
L
G
G
G
G
G
G
G
G80
G
G
GG
GG
Z
GG
81
GG£
[GGG©[ J
G
HGG82
G
GG
G
GGG
GGGO
GN G83
G
GGGL
GN GG
GL G
G
GG84
G
GG
GLGL
GG
Z
GG
85
b
a
L
L
GG
GG
GG
G
G
G86
G
GG
G
G
GG
G87
G
G
GL
GLG
G
G
G88
G
G
GG
GG
Z
GLGL
89
GG£
[GGGL ©[ J
G
HGG90
G
GLGGL
GGG
GGGO
GNG
91
b
a
L
L
G
GLGGL
GNGG
GLGGL
GG92
G
GG
GG
GG
Z
GLGL
93
GG£
[ GGG©[ J
GJG94
G
G
G
G
G
GG
G95
G
G
G
GG
G
G
G96
G
G
Z
GG©
GG©
97
b
a
L
L
GG
GGGGG
GGG
G G98
GG
G G
GLGL
GGGN© G© 99
GG
GGG G
GGG
G G100
GG
G GGGG
G GL101
HGG
HGG
GL .GL .©
GO .G .©
102
GG
GGGNGN
GO G
No: 23: Scene Change Music
The Lure of the Lights Piano/Vocal Page 85
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
103
b
a
L
L
FF
FF104
ffGG¤£
GGGG¤ G
Z
G G105
GG
GGLGO
GGG
GGN GGO106
GG
GG G
GGG
G G107
GG
JGG GG
GGG
JGG108
GG
GGG
GGG
G G
109
b
a
L
L
GG
GGLGO
GGG
GGN GGO110
GG
GG GGGG
G G111
GG
HGGG
GGGGGG
HGGG
112
GG
GGGGO
GGG
G GO113
GG
GGGGGG
GGGGGG
114
GG
GGG GGGG
GL G
115
b
a
L
L
GG
GGG
GGG
GGGGGG
116
GG
GGG
GGG
GL G117
G
G
GN
GO
G
G
GL
G118
G
GO
GO
G
G
GO
GO
G119
GO
G
G
GN
GO
G
G
GL120
sfz
sfz
GN
G
G
G
G
G
G
G
121
b
a
L
L
GG
GGLGO
GGG
GGN GGO122
GG
GG GGGG
G G123
GG
JGG GG
GGG
JGG124
GG
GGG
GGG
G G125
GG
GGLGO
GGG
GGN GGO126
GG
GG GGGG
G G
127
b
a
L
L
GG
HGGG
GGGGGG
HGGG128
GG£
GGG G
Z
G GO 129
GNGN¤
GGGLGN ¤GG£
GLGO GN G£130
GOGO ¤
GGGGO¤
GG£
GGG£
131
G
GGG
GLGG
GGG
GG
132
G
GG
G
G
G
GGGGO
GO
133
b
a
L
L
G
GG
GOGO ©
GO©
134
GG¤
G¤G
GL G
GL
G135
G
GG G
GG
G GGG©
136
GG
GGG G
GOGO
GL G G137
G
G
GN
GO
G
G
GL
G138
G
GO
GO
G
G
GO
GO
G
No: 23: Scene Change Music
The Lure of the Lights Piano/Vocal Page 86
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
139
b
a
L
L
GO
G
G
GN
GO
G
G
GL140
sfz
sfz
GN
G
G
G
G
G
G
G141
GG
GGLGO
GGG
GGN GGO142
GG
GG G
GGG
G G143
GG
JGG GG
GGG
JGG144
GG
GGG
GGG
G G
145
b
a
L
L
GG
GGLGO
GGG
GGN GGO146
GG
GG G
GGG
G G147
GG
HGGG
GGG
GGG
HGGG
148
GG£
GGG G
Z
G GO 149
GNGN¤
GGGLGN ¤
GG£
GLGO GN G£150
GOGO ¤
GGGGO¤
GG£
GGG£
151
b
a
L
L
G
GG
G
GLG
G
GG
G¤
GG¤
152
G
GG
G
G
G
GGG
GO
GO153
G
GG
sfz
sfz
GOGO
GO154
GG£
G£
G
GL G
GL
G155
G
GG G
GG
G GGG¤
156
b
a
L
L
GG
GGG G
GOGO
GGLG
157
GG
GGG G
GGG
G G158
GG
HGGG
GGG¤
GGG
HGGG¤
159
GG
FFF
GG
160
sfz
sfz
GG£
GGGG£
Z
Z
No: 23: Scene Change Music
The Lure of the Lights Piano/Vocal Page 87
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
PianoPianoPianoPiano
Lyrically Õ=110
b
a
L
L
34
34mp
X
YG G
2
F .F .
F.G G G3
FLFL
FG GG
Z
GG
GG
4
FF
GGGGGGG
GNGN
GGG5
FLFF
FG GGGL
Z
GG G
G
6
FF
FG GGL
Z
GGN
GG
7
b
a
L
L
FF
G GGG
GG
GOGG G 8
F.F.F.
[GGGG
JG G G G G 9
F
G Z
Z
G10
/
/
24
24
FG
FL G
G
GL
G
G
GO
GN11
FG
FG
GL
GL
G
G
G
G12
[F
GGG
HG G
GGG
G
13
FGL
GNG.§
G
GL G[
14
b
a
a
L
L
L
FG
FL G
X
G
GL
G
G
GO
GN
15
FG
FG
X
GL
GL
G
G
G
G
16
[F
GGG
X
HG G
GGG
G
17
mp
FGL
GNG.§
Z [
G
GL
AI
G[
HG18
pret-think
FG
FL G
Gtya-
G
GL
GLflow-bout
G
G
Gerthe
GO
GN
GN19
growsrose
FG
FG
Ga-I
GL
GL
GLlongsaw
G
G
Goldon
G
G
G
20
b
a
a
L
L
L
Broad-Broad-
G
GGG
G
G
way,way,
G
GGG
G
G
21
G
Z
ZA-Her
GOGO
GGNG
G22
mid'stlist-
GG
GGG
G
theless
G
Gthrong,face,
GNGN
GNGG
Ggayher
G
G23
lifetrem-
GG
GG
Gandbling
G
Gsong,gaze,
GLGL
GG
GI
Be-
G
G24
foundneath
FG
GG
Gherthe
G
Gdroop-star-
GL
GGO
Gingry
G
G
No. 24: Broadway Rose
The Lure of the Lights Piano/Vocal Page 88
1920 Matt Fried, Otis Spencer, Eugene WestCUE: "I was so lost."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
25
b
a
a
L
L
L
there.sky.
G
G .G .
G.
G
MyI'mHGG
JG26
heartpray-
G
GGL
Gwenting
G
GG
Goutfor
GL
GNGN
GLtoa
G
GLGL
G27
herlit-
GL
GNG
GNI
tle
G
GLGL
GLmetrose
G
GGG
Gonon
G
GG
G28
Broad-Broad-
G
GF
F
GL
GL
G
GL
G
29
way,way.
G.
GG.
G.
GG
AHer
J
GLGL
GOH
G
HG30
fad-sad
GG
GG
Gedand
GG
Glit-bit-
GLGL
GGN
G
tleter
G
G
Slowly a tempo
slowly a tempo
31
b
a
a
L
L
L
rose,tears,
GG
GG.
G.
G
G
G
GO
be-InHG
HG32
neathmem-
GG
GLGG
Gthe'ry
G
G
whitewill
G
GLGGG
G
light'sbe
G
G33
glare:nigh:
G
FFFF
F
G
34
mf
mf
G
Z
ZBroad-
Z
G
Gway
GO
GO35
34
34
34Rose,
F
G
FS
GL G
there's
Z
G
Ga
G
G
36
b
a
a
L
L
L
tear
FF
G
F
GG
in
Z
G
Gyour
G
G37
eye.
GG
G
F
GG§
GGGG§
GG§
GO GGGO§Z 38
GG̈
FFFF§Y
GG
Broad-
Z
G
Gway
GO
GO39
Rose,
F
G
FS
GL G
seems
Z
G
GI
G
G40
oft'
FF
G
F
GG
hear
Z
G
Gyou
G
G41
sigh.
ZF.
ZF.
F
GGG
G
GGG
Z
42
b
a
a
L
L
L
GG
GGG
Y
GG
GGG
Though
GLGL
GGG
Gyou
GOGGO
GO 43
wear
FF
FG
FS
GGGL
fan-
Z
GG
Gcy
GG
G 44
clothes
FF
FG
F
GG
and
GG
GGG
Gyou
GGLGL
GL45
show
FF
FG
F
GGL
sil-
G
GGG
Gken
G
G46
hose,
FF
FG
F
GG
you're
Z
GGG
Ga-
GGG
G
No. 24: Broadway Rose
The Lure of the Lights Piano/Vocal Page 89
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
47
b
a
a
L
L
L
lone,
FF
FG
F
GGL
as
Z
GGG
Gthey
GGG
G48
all
FF
FG
F
GGL
pass
Z
GG
Gyou
GG
G49
by.
ZF .F .F .
GF.
F
G
GG¨
GO G
GG¨
Z
GL
50
G
GG¨
Y
Y
G§Broad-
G
Gway
GO
GO51
Rose,
F
G
FS
GL G
hide
Z
G
Gyour
G
G
52
b
a
a
L
L
L
cares
FF
G
F
GG
in
Z
G
Ga
G
G53
smile
GG
G
F
GG
GGGG§
GG
GO GGGO§
Z 54
GG
FFFF§
Y
GG
for
Z
GGGG
Gto
GOGGGO
GO 55
you
F.F.¨
GGGG
GStears
GGGNG
Ghave
GGGG
G56
gone
F.
GGN GG
Gout
GGGG
Gof
GGL G
G57
style.
ZF .F .
GGG
F
GG
GNG
Z
58
b
a
a
L
L
L
F .G
GL
Y
FF
G
Still
G
Gat
G
G59
heart,
F .F .
F.G
Gyou're
G
G a
G
G60
gem.
FLFL
FG
F
GG
Though
Z
GG
G the
GG
G61
whole
FF
GGG
Gworld
GGGG
Gcon-
GNGN
GGG
G62
demn,
FLFF
FG
F
GGGL
no
Z
GG
G
one
GG
G
1 2
63
b
a
a
L
L
L
knows
FF
FG
F
GGL
of
Z
GGN
Gyour
GG
G64
woes,
FF
G
F
GGG
Broad-
GG
GGG
G
way
G
G65
Rose.
GG̈
GGGG§
F
Z
GGG§
GG̈
GGG§
Z 66
GG̈
GGG§
X
GG̈
GGG¨ mp
Z
G GO
67/
/
/Rose.
GG̈
GGGG§
F
Z
GGG§
GG̈
GGG§
Z
No. 24: Broadway Rose
The Lure of the Lights Piano/Vocal Page 90
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
68
b
a
a
L
L
L
FF̈
FFF§
Y
f
f
Broad-
Z
GL
GLway
G
G69
N O O O O
N O O O O
N O O O O
Rose,
F
G
F
GN G
hide
Z
G
Gyour
G
G70
cares
FF
G
F
GG
in
Z
G
Ga
G
G71
smile,
GG
G
F
GG§
GGGG§
GG§
GO GGGO§
Z72
GG§
FFFF§
Y
GG
for,
Z
GGGG
GT
to
GOGGGO
GN
73
b
a
a
OOOO
OO O O
O O O Oyou,
F.F.
GGGG
G
tears
GGGOG
Ghave
GGGG
G 74
gone
F.
GGOGG
Gout
GGGG
Gof
GGN G
G 75
style.
ZF .F .
GGG
F
GG
GOG
Z 76
F .GGN
Y
F
GG
Still
G
Gat
G
G77
heart,
F.F.
F.G
Gyou're
G
Ga
G
G
78
b
a
a
OOOO
OO O O
O O O Ogem.
FNFN
FG
F
GG
Though
Z
GG
Gthe
GG
G79
whole
FF
GGG
Gworld
GGGG
G
con-
GOGO
GGG
G 80
demn,
FNFF
FG
F
GGGN
no
Z
GG
G
one
GG
G 81
knows
FF
FG
F
GGN
of
Z
GGO
Gyour
GG
G
¥¥
¦ ¦
a tempo
¦
82
b
a
a
OOOO
OO O O
O O O Owoes,
FF
G
F
GGG
Broad-
GG
GOGG
Gway
G
G 83
Rose.
F.F.F.
GGGG
F.
G G G G G
84
G¨
GGG§
G
Y
Y
Y 85
ppp
G̈
X
X
Y
No. 24: Broadway Rose
The Lure of the Lights Piano/Vocal Page 91
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
=Smoothly a la Floyd Kramer Õ=120
b
a
L
L
34
34
mp
GG
GG
G
GGG
G
HGG G
2
GLGL
GG
G
GGO G
G
GG G .
3
G
Z
Y
GG
GG£
4
G
GL
G
GG
G£
GG£
5
GG
Z
G
GL GG
G£
GGG£
6
GG
GG
F
GGGGGG£
7
FF
GGGG
GG£
GGL G£
8
G
GGG
Z
G
GGG
G£
GGG£
b
a
a
L
L
L 9
/
/
/
I
G
Z
F.
G
GG
G£GG£
10
had
GL
Z
FL
GOG
G
a
GG£G£
G11
dream,
G
Z
F.
G
GG
G£GG£
12
dear.
G
Z
F.
G
GG
G£GG£
13
You
G
G
F.
G
GGG
G£
GGGGG
14
had
G
Z
FL
G
GGL
one,
G£GG£
G
= =
15
b
a
a
L
L
L
too.
G
Z
F.
G
GGG£
GG£
16
G
G
X
G
GGG GL
G£
GGG GN G
17
Mine
FF
Z
F.
GGGZ
GGG£
18
was
GG
Z
FN
G
GG
the
G£GGG£
GL19
best
FG
Z
F.
G
GGGG£GGG£
20
dream
GG
Z
F
G
GG
be-
G£GG
G
HG
Lower line JIM 2nd X only
=
=
21
b
a
a
L
L
L
cause
G
Z
F
GG
GGGG
it
GGG£
GG
G
G
22
was
FF
G
F
GGGO G G G G
of
Z
GGG
G23
you.
FF
Z
F.
GGGG
Z
GGGGG£
24
FF
G
F.
GGGGGG G G
G£GG GO
25
Come,
G
GGG
F .F .
G
GGGG
GGG£
G G
26
sweet-
G
G
FO FL
JGOG
GGL GO
G
heart,
GL £
GGG
GN G
GN
No. 25: You Tell Me Your Dream (I'll Tell You Mine)
1908 Daniels, Blackton, Brown & Rice.
The Lure of the Lights Piano/Vocal Page 92
CUE: "You can tell me. You can."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
==
27
b
a
a
L
L
L
tell
G
Z
F .F
G
GG
___
G£
GG£
G28
me
G
[
F .F.
HG
GGG G
G£
GGG GL
29
Now
G
G
F.F.
G G GO G
G
GG
G£
GGG£
30
is
G
G
FL FL
G
GGGL
the
G
GGGG
GG
G
G
31
time.
G
Z
F.F.
G
GGGG£
GGG£
32
G
G
FF
GO GGGG
G GGGG£
GGN
Z
GO
1
=
33
b
a
a
L
L
L
You
G
JGLG
F.
G
G
GN G
G£
GGG£
34
tell
GLGL
GL
F
G
GGO
me
G
GGL GGO .G.
G
G
G
35
your
G
G
F.
GO GN .
F
GGG
GG£
GG GG
36
dream.
G
Z
F.
G
GGGLG£
GGG£
37
I'll
G
Z
F.
GG
GGL GGG£
GGG£
38
tell
GG
Z
F
G
GGGG
you
G£GGG£
G39
mine.
F
GGG
F.
GGGGG
GGL G
40
b
a
L
L
pp
G
G G
G
G G
G£G G
41
G
F.
GG GG£
42
GL
FO
GGO
HGN
GG£
G 43
G
HG F
GG GG£G G
44
G
G G
GG
FO
GG£
45
b
a
L
L
G
F.GGG
GGG£
46
G
G
GGLG
G
GGG£G
47
G
F.GGG
GGG£
48
G
Y
GGGGGG£
G 49
G
G GO G F
GGGGGG£
50
b
a
L
L
G
FL
GGGGGG£G 51
G
F.
GGGGGG£
52
G
F.
GGGGGG£
53
G
G GGG
F
GG£
The Lure of the Lights Piano/Vocal Page 93
No. 25: You Tell Me Your Dream (I'll Tell You Mine)
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
54
b
a
L
L
G
G GOGO GG
FGGG£
55
G
GGGG
G
GGG£
G 56
G
G
GGGG
G
GGGG£
G 57
G
F
GG GG£
Z 58
G
FO
GGO
HGN
GG£
G
59
b
a
L
L
G
HG F
GG GG£G G
60
G
G GGGG G
GG£G G
61
G
F
GG GG£
G62
G
G
GL GG
G
GGG£
G63
G
F.GG GG
£
64
G
Z
G
GGG£GG£
65
b
a
L
L
G
G G
GG
G
GG£
G£66
GL
G GL
GGO
GL
GG£
G 67
G
F.
GG GG£
68
G
F.
GGLGGGG£
69
G
G
GL G
FL
GG£
70
G
G
GG
F
GG£
71
G
F.
GGG GL GG£
2
72
b
a
a
L
L
L
G
F.
X
GGmpGG£
73/
/
/You
G
Z
F.
Y
GG GG£
74
tell
GL
Z
F
GOG
G
me
GG£
G£
G75
your
F
Z
F.
GG
Z
GG£
76
dream
G
Z
F
G
GGL
and
G£
GG£
GG
___
G77
I'll
G
Z
F.F.
G
GL
G£
G£
=
=
78
b
a
a
L
L
L
tell
G
Z
FF
G
GG
you
G£
GG£
GG79
mine.
F
Z
F .F.
GGG
Z
GGL G£
80
G
FFF
X
GG GG£
G GO G
81
G
F
X
GG GG£
G GO G
82
F .F .F .
G
X
G G
83
pp
F
F
X
Z
Z
No. 25: You Tell Me Your Dream (I'll Tell You Mine)
The Lure of the Lights Piano/Vocal Page 94
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Sempre legato Õ=70
b
a
OO
OO
44
44pGG
G G
GOGO
GL GN
FGN
G
GGO
G
G
GO
GO2
G
GGG
G
GGG
GL
GO GG
G
GNG
GGN
GOGO
GNGNGG
GNGN
GG3
GG
G G
GOGO
GL GN
FGN
G
GGO
G
G
GO
GO
4
b
a
OO
OO
G
GGG
G
GGG
GL
GO GG
G
GNG
GGN
GOGO
GNGNGG
GNGN
GG5
G
GGL G
G
G GO GGJG GN GG
G
HGGGG
6
G
GGN G GGG
G
GGGGGG
G.G
FFFO
G G G[
7
GG
G G
GOGO
GL GN
FGN
G
GGO
G
G
GO
GO
8
b
a
OO
OO
G
GGGGG
GGGGGL
GO GGGOG
GNGGNGGN
GOGO GNGN
GG
GNGN GG
9
F
GGNGGGGGL
GGGN GGG
G
GGGG
G
GGGG
G
GGGGG10
G
G GN GGG
GG GG GG
G
GGG
G
GGG
GG G11
F
GGNGGGGGL
GGGN GGG
G
GGGG
G
GGGG
G
GGGGG
12
b
a
OO
OO
G
G GN GGG
GG GG GG
G
GGG
G
GG
GG
GG
13
GG
G G
GOGO
GL GN
FGN
G
G
GO
G
G
GO
GO14
G
GGG
G
GGG
GL
GO GG
G
GNG
GGN
GOGO
GNGN
GG
GNGN
GG
15
b
a
a
OO
OO
OO
mp
Good-Good-Good-Good-
GG
G
G
G
bye,bye,bye,bye,
GO GO
GL
GL
GN
Rose,Rose,Rose,Rose,
FGN
G
G.
GGO
G
G
thethethethe
GO
GO
HGL
16
Aut-Aut-Aut-Aut-
G
GGG
Gumn umn umn umn
G
GGG
Gleavesleavesleavesleaves
GL
GO GG
GNareareareare
G
GNG
Gfal-fal-fal-fal-
GGN
GOGO
GL
GNGN
ling.ling.ling.ling.
GG
GNGN
G
GG
17
b
a
a
OO
OO
OO
Win-Win-Win-Win-
G
G
G
GL G
terterterter
G
G
G
GO G
blowsblowsblowsblows
GJG
G.
GN GGG
herherherherHGGGG
JG18
trum-trum-trum-trum-
G
GGN G
Gpets pets pets pets
GGG
Gfrom from from from
G
GGG
Gthe the the the
GGG
Gsky.sky.sky.sky.
G.G
FFFO
F
G G G[
19
WhenWhenWhenWhen
GG
G
G
GG
thethethethe
GOGO
GO
GL
GN G
snowssnowssnowssnows
FGN
GN
G.
GGO
GG
shallshallshallshall
GO
GO
HGL
No. 26: Goodbye, Rose
The Lure of the Lights Piano/Vocal Page 95
1910 Herbet Ingraham and Addison BurkhartCUE: "Not so lucky after all."
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
20
b
a
a
OO
OO
OO
meltmeltmeltmelt
GG
GGG
Gatatatat
GG
GGG
GSpring-Spring-Spring-Spring-
GNGO
GO GG
GNtime'stime'stime'stime's
GGN
GNG
Gcal-cal-cal-cal-
GO GO G
GO
GL
GNGN
ling,ling,ling,ling,
GN GG
GN
G
GG
21
We We We We
F
GGNGG
Gwill will will will
GGGL
G
meet meet meet meet
GGGN
G
a-a-a-a-
GGG
Ggain, gain, gain, gain,
G
GGGG
Gsome some some some
G
GGGG
Gday,day,day,day,
G
GGGG
G
sosososo
G
G
Rit. ad lib.
22
b
a
a
OO
OO
OOgood-good-good-good-
G
G
G
GN G
bye,bye,bye,bye,
GG
GG
G
GG GG
Rose.Rose.Rose.Rose.
GG
GG
F
GG
G
G
GG G
23
WeWeWeWe
F
GGNGG
Gwillwillwillwill
GGGL
G
meetmeetmeetmeet
GGGN
Ga-a-a-a-
GGG
Ggain, gain, gain, gain,
G
GGGG
Gsome some some some
G
GGGG
Gday,day,day,day,
G
GGGG
Gsosososo
G
G
a tempo
24
b
a
a
OO
OO
OOgood-good-good-good-
G
G
G
GN G
bye,bye,bye,bye,
GG
GG
G
GG GG
Rose.Rose.Rose.Rose.
G
GGG
F
G
GG
GG
GG
25
GG
G
X
GG
GOGO
GO GN G
FGN
GN
G
GO
G
G
GO
GO
26
G
GGGG
X
G
GGGG
GL
GO GGGO
G
GNGGN
GGN
GOGO GNGN
GG
GNGN GG
¦molto ritardando
¦
27
b
a
OO
OO
F
GGNGGGGGL
GGGN GGG
G
GGGG
G
GGGG
G
GGGGG28
G
G GN G
GG
GG GG GG
GG
GG
GG
G
G
GG G29
F
GGNGGGGGL
GGGN GGG
G
GGGG
G
GGGG
G
GGGGG30
G
G GN G
GG
GGppp
GG GG
GG
GG
GG
G
GG
GG
The Lure of the Lights Piano/Vocal Page 96
No. 26: Goodbye, Rose
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
Õ=135
b
a
L
L
34
34
mp
Z
G
2
G
G
FFF
GG¤G G
3
G
G
FFF
GG¤G G
4
GL
GL
FLFL
GGL GL ¤GN G
5
G
G
FFF
GG¤G
6
FL .FL .
FL .F .G G G
7
b
a
a
L
L
L
F .F .
GGG
X
G G
8
G
ZF.
X
F
GGGGGG
9
FF
FFFF
Y
mf
In
Z
Z
GtheG
10
heart
G
G
F
FFF
GG
of
G
Gthe
G
G11
cit-
G
GGG
Gy
G
GGL G
Gthat
G
GGG
G12
has
G
FF
F
G
no
GLG
GG
G
13
b
a
a
L
L
L
heart,
G
ZF.
F.
GG
GGL
GG
GG
14
that's
G
G
F
FFF
GG
where
G
G they
G
G15
meet
G
FF
F
GGG
and
GGG
G
G
16
that's
GG
GGG
Gwhere
GNG
GGG
G they
GG
GGG
G17
part.
GG
FFF
F
GGG
The
GGG
G
G18
cur-
G
GGL
Grent
GGG
GG
G of
GGG
GG
G
19
b
a
a
L
L
L
vice
G
FFL
F
GGGGL
had
GGGG
GG
G20
proved
FF
G
F
GG
too
GG
GGL G
G21
strong
FF
G
F
GG
so
Z
G
G
the
G
G22
poor
GG
GLGGL
GL
lit-
GG
GGG
G
tle
GG
GGG
G23
girl-
G
GGL
Gie
GG
G
Gjust
GG
GG
G
24
drift-
G
F.G
Ged
G
G
Ga-
GN
GL
GL
No. 27: In The Heart of the City That Has No Heart, reprise
The Lure of the Lights Piano/Vocal Page 97
1912, Words by Thos. S. Allen; Music by Joseph M. DalyCUE: "There he is, officer! He’s . . ".
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
25
b
a
a
L
L
L
long.
GZF
F.
FF
GG GGG
26
No-
G
G
F
FFF
GG
bod-
G
Gy
G
G27
cared
G
GGG
Gif
G
GGL G
Gshe
G
GGG
G28
lived
G
FF
F
G
or
GLG
GG
G29
died.
G
ZF.
F.
GG
GGLGG
GG
30
No-
G
G
F
FFF
GG
bod-
G
Gy
G
G
31
b
a
a
L
L
L
cared
G
FF
F
GGG
if
GGG
GG
Gshe
G
G32
laughed
F.G
FFF
F
GN
or
G
GGG
G33
cried.
GG
FFF
F
FFF
She's
G
G34
just
GG¤
GGLG¤
G
a
G
GG
Glost
G
GG
G35
sis-
GN
GGL
G
ter
G
GG
G
and
G
GG
G36
no-
GG
¤
GGGG¤
G
bod-
G
GG
Gy's
G
GGL GG
G
37
b
a
a
L
L
L
missed
G
GGG
G
her.
G
GGL GG
G
She's
G
GGNGL
G38
there
G
G
F
FFF¤
GG¤
in
G
G
the
G
G39
ci-
F.F.
GG
Gty,
G
G F
G G G
40
where
G
G
F
FFF¤
GG¤
there's
G
G
no
G
G41
pi-
FLFL
GL GL G
GLty,
G
G G.
GL GL
GG
GLin
G
G
Gthe
G
GN
G
slower a tempo
Segue to No. 28
42
b
a
a
L
L
L
cit-
G
GG
Gy
G
GGG
G
that
G
GGG
G 43
has
FF
¤
GGGGL ¤
F
GGGGL
¤no,
GG¤
GGGGN ¤
G44
f
cit-
G
GGG
Gy
G
GGG
G
that
G
GGLG
G45
has
FF
¤
FFLFF¤
FFL
no
GG¤
GGGNG
¤
GGN46
heart.
GG
F.F.F.F.
¤
F.F.
GG
GG
47
ff
FF¤
FFFF
¤
FF
Z
Z
Z
No. 27: In The Heart of the City That Has No Heart, reprise
The Lure of the Lights Piano/Vocal Page 98
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Piano
fast
Õ=160
b
a
LL
L L
44
44
/
/
ff
GG
G.G. G
GG
G.G. G
GG
HGGG
GGG
GG
HGG2
GG
G.G. G
GG
G.G. G
GG
GG
GLGL ©
GGG©
3
GG
G .G . G
GG
G .G . G
GG
HGG
GG
GG
HGG4
GG
G .G . G
GG
G .G . G
GG
GG
GOGO ©
GGG©
VAMP ad lib
under bows
5
b
a
LL
L L
GG
G.G. GL
GG
GL .GL . G
GG
GN .GN . G
GOGO
GL .GL . G
6
GG
G.G. GL
GG
GL .GL . G
GG
GNGGN
GOGO ©
Z7
GG
G.G .G .
G
GG
G .G .G . G
GG
HGGG
GGG
GLGL
HGGG8
GG
HGGG
GGG
GG
HGGG
GGG
GG GG©
Z
/
/
Move ahead onfinal bow here
9
b
a
LL
L L
GG
G.G. G
GG
G.G. G
GG
HGGG
GGG
GG
HGG10
GG
G.G. G
GG
G.G. G
GG
GG
GLGL ©
GGG©
11
GG
G .G . G
GG
G .G . G
GG
HGG
GG
GG
HGG12
GG
G .G . G
GG
G .G . G
GG
GG
GOGO ©
GGG©
13
b
a
a
LL
L L
L L
GG
G.G.
X
GL
GG
GL .GL . G
GG
GN .GN . GL
GOGO
GL .G. G
14
GG
G.G.
X
GL
GG
GL .GL . G
GG
GNGGN
GOGO ©
Z
15
Ev-
GG
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
HGGG
JGstep
G .G .G .
G
GG
GG
[
No. 28: Bows/Playout Music
The Lure of the Lights Piano/Vocal Page 99
(Everybody Two-Step)(with Finale Ultimo)
1912 Wallie HerzerCUE: Segue from No. 27
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
ritardando
16
b
a
a
LL
L L
L LEv-
GG©
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
HGGG
JG
step
G .G .G .
G
GG
GG
[ 17
Ev-
GG©
G.G .G .
G.ery-
G
Gbo-
GG
G .G .G .
G.dy
G
Gtwo
GG
GGG
Gstep
GGG
Gin
G
G
Gthe
GL
G
G
slower Õ=120
rallantando
18
b
a
a
LL
L L
N L
34
34
34cit-
G¤
GG¤
G
y
G¤
GGG¤
G
that
GN ¤
GGG¤
GG19
has
FF¤
GGGG¤
FFLF
GGGG¤
no
GG¤
GGGGN ¤
GGNG20
heart.
GG¤
F.F.F.F.¤
F.F.F.
GG¤
GG¤
21
sfz
FF¤
FFFF¤
FFF
Z
Z
Z
No. 28: Bows/Playout Music
The Lure of the Lights Piano/Vocal Page 100
PERUSAL COPY ONLY - CONTACT AUTHOR FOR RIGHTS
Related Documents
