Peggy Brennan's Work Sample

m a r g a r e t b r i g i d b r e n n a n I w o r k s a m p l e

SECTION PERSPECTIVE I RECYCLE SQUARE PARK I P.2 I STUDIO VAN LENGEN I ARCH 3020 I BRENNAN

Wa s t e H e i g h t s P a r k BROADYWAY 1,000 STEPSARCH 3020 I SPRING 2012

KAREN VAN LENGEN + ERIN HANNEGANWaste Heights Park began as an in-depth research project on the topic of medical waste within New York City, more specifically, the area of Washington Heights. I focused on rerouting the non-infectious waste produced by hospitals, by localizing it within the neighborhood. In reaction, I de-signed a single stream sorting center within the confines of Mitchell Square Park, Washington Heights

M a r r i o t D o o m s d ay I n n ARCH 4010 I FALL 2012

MATTEW JULLThe prevailing attitude among our group of preppers is one of paranoia. They are tied together by their mutual distrust and contempt of those who are not preppers. They are driven primarily by a survival of the fittest mentality, which dictates their various activities, from hoarding to arming. Thus the idea of community is one that can only be loosely associated with these preppers, as it is not unity against the world, but a streak of individualism that results. This paranoia manifests itself in the architecture of the Marriott Doomsday Inn

ARCH 3010 I FALL 2011 I STUDIO KITCHIN I PROJECT 3 I HIGHLINE VIEW I BRENNAN

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MATERIAL PALLETE:

VENETIAN PLASTER

NATURAL LIGHT

REFLECTED LIGHT- TheVenetian plasterwhich lines the wall of theadjacent building provides are�ective surface for lightto be �ltered throughoutthe building

COOLING - The massiveconcrete �oor whichhouses the parkvegetation coolsthe large space during warmer weather.

1. BONEYARD OBSERVATORY 2. BIRTHING ROOM

3. WORKSHOP 4. LIGHT WELLS

5. STUDIO 6. LIVING SPACES

7. PUBLIC PARK 8. STRANDBEEST ELEVATOR

CONCRETE

STEEL

MAHOGANY

GLASS

OAK

WINTER I SUMMER LIGHT STUDYI SECTION PERSPECTIVE I ARCH 3230 I A.5 I BRENNAN

T h e o J a n s e n ’s S t r a n d b e e s t C e n t e r ARCH 3010 I FALL 2011

ALEXANDER KITCHINLocated a long the H ighL ine Par k in New Yor k C I ty, the s t r uc ture i s ded ica ted to the l i fe and death o f Theo J ansen ’s S t r andbees t c rea tures . The s t r andbees t a re a fore ign spec ie tha t i s re leased upon the inhab i tan t s o f New Yor k , t r y ing to dr aw v i s i tor s in to the center.

ARCH 3010 I FALL 2011 I STUDIO KITCHIN I PROJECT 3 I OBSERVATORY I WALKWAY I BRENNAN

Interior Perspectives I Project 3 I Studio Savage I Peggy Brennan I ARCH2020

EDU

CATION

MO

VEMEN

T

PROSPERITY

A series of displaced planes, intersected by verticalpieces create constricted spaces adjaecntto vast spaces. The visitor is encouraged throughout these ecclectic spaces by a consistent motif of a community bulletin board which is signi�ed by a material change and is �exible in order to preserve the ideaof adapting to a constantyl changingindustrial society.

Front I Back Facade Views I Project 3 I Studio Savage I Peggy Brennan I ARCH2020

“... in order to incorporate the alleyway, it is open to the back to encouragecommunity traffffc...”

Front I Back Facade Views I Project 3 I Studio Savage I Peggy Brennan I ARCH2020

“... in order to incorporate the alleyway, it is open to the back to encouragecommunity traffffc...”

R i c h m o n d R e f u g e e R e s o u r c e C e n t e rARCH 2020 I SPRING 2011

ALICIA CLARKE-SAVAGEA programmatic strategy defined by three groupings of spaces, ndividual instruction, group instruction, and groupwork....all surrounded by a dense, collaged community bulletin board.

Section Perspective I Project 3 I Studio Savage I Peggy Brennan I ARCH2020

“A PROGROMMATIC STRATEGY DEFINED BY THREE GROUPINGS OF SPACES, NDIVIDUAL INSTRUCTOR , GROUP INSTRUCTION, AND GROUP WORK...ALL SURROUNDED BY A COMMUNITY BULLETIN BOARD.”

floating farms and gardenshydrophyte

pondforestbarrier

resid

en

tial

channels expeditedtrail

rivercommericialcliff dwellings

the power line

run-off collectionrun-off + pedestrian crossing

run-off crossingrun-offfiltration

Pan

top

s

water circulation

return to river

R i v a n n a r e S t i t c h e dRIVANNA RIVER VORTEX COMPETITIONSPRING 2013SETH MCDOWELL

Rather than a simple boundary between city and county, this project seeks to understand the river as a restorative seam—culturally fertile and productively utilized.The result of RIVANNA RE-STITCHED is a fertile landscape of interconnective ecologies providing resources and enjoyment for the citizens of Charlottesville