1 • Explore why art must be intentional and representational in order to be called art. • Explore why subject matter was depicted a particular way (stylistic innovation) during the Paleolithic period. • Describe the roles of animals and human figures in Paleolithic art. Paleolithic Art in Western Europe and Africa
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1
• Explore why art must be intentional and representational in
order to be called art.
• Explore why subject matter was depicted a particular way
(stylistic innovation) during the Paleolithic period.
• Describe the roles of animals and human figures in Paleolithic
art.
Paleolithic Art in Western Europe and Africa
2
Goals
• Understand the origins of art in terms of time period, human development, and human activity.
• Explore origins of creativity, representation, and stylistic innovation in the Paleolithic period.
• Describe the role of human and animal figures in Paleolithic art.
• Examine the materials and techniques of the earliest art making in the Paleolithic period.
• Illustrate differences between the Paleolithic and Neolithic art as a result of social and environmental changes.
• Understand and evaluate the types of art prevalent in the Neolithic period.
YEARS 40,000 BCE - 2300 BCE
PALEOLITHICANDNEOLITHIC ART
Map of prehistoric Europe and the ancient Mediterranean
Hand stencilsfromEl Castillo Cavehttps://www.youtube.com/watch?v=NdlQxISNpwYSTONE AGE ART INTRODUCTION
Aurochs, horses, and rhinoceroses, wall painting in Chauvet Cave, Vallon-Pont-d’Arc, France, ca. 30,000–28,000 or ca. 15,000–13,000 BCE. Right rhinoceros 3’ 4” long.
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Neolithic Art
Compare and contrast artistic development as a result of
differences between the Paleolithic and Neolithic society
and environment.
The first “communities” started in the Turkey
Mesopotamian and Middle Eastern areas
Domesticated animals, farming, fixed dwelling.
The arts of weaving, pottery, metalworking
A type of currency based system is developing
Most buried their dead in/under their homes
Still rendering the “CONCEPT” or essence of humans or
animals
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Figure 1-14 Human figure, from Ain
Ghazal, Jordan, ca. 6750–6250 BCE. Plaster,
painted and inlaid with bitumen, 3’ 5 3/8”high. Louvre, Paris.
MORE COMPLEX BURIAL RITES WERE BEING PERFORMED
WITH VOTIVES AND TRINKETS SPECIFIC TO THE DEAD BURIED
WITH THEM. SOME HEADS HAVE BEEN COVERED WITH CLAY
AND DECORATED USED IN RITUALS. DEAD WERE BOUND
TIGHTLY THEN ENTOMBED IN THE HOME.
THESE HEADS HAVE BEEN FOUND IN OTHER REGIONS OF THE
WORLD AT THIS TIME A FORM OF ANCESTOR WORSHIP
Restored view of a section of Level VI, Çatal Höyük, Turkey, ca. 6000–5900
Bulls Heads found at Catal Hoyuk 5000-7000 BCE Found in many homes plastered into the walls. Only wild animals were honored
this way. Bulls are a recurring theme in art of this period from all over the world.
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Deer hunt, detail of a wall painting from Level III, Çatal Höyük, Turkey, ca. 5750 BCE. Museum of
Anatolian Civilization, Ankara.
Landscape with volcano eruption, wall painting
Landscape with volcano eruption, detail of watercolor copy of a wall painting from Level VII, Çatalhöyük, Turkey, c. 6150 BCE. Wall painting: Ankara Museum of Anatolian Civilizations, Turkey. Watercolor copy: Private collection
Gateways to Art: Understanding the Visual Arts, Second Edition, Debra J. DeWitte, Ralph M. Larmann, and M. Kathryn Shields
PART 3
HISTORY AND CONTEXT
Chapter 3.1 The Prehistoric and Ancient Mediterranean
Landscape with volcano eruption, wall painting
From Çatalhöyük, Turkey
Re-creates the design of the town
Rectangular houses are closely aligned
A volcano in the background appears to be
erupting
World’s first known landscape image-6100
BCE.
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Monumental Architecture
• Examine megaliths and henges along with the Western
European cultures that developed monumental architecture.
• Discover hypotheses about the purposes of such structures.
• Define architectural support techniques such as the corbelled
vault and post-and-lintel system and identify the usage of these
techniques in Neolithic architectural structures.
• Megalith a large stone that forms a prehistoric
monument or part of one (e.g., a stone circle
or chamber tomb). A Henge is a prehistoric
circular monument consisting of a circle of
stone or wooden uprights.
• The IDEA of COMMUNAL MONUMENT
Post-and-lintel construction
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Stonehenge, Salisbury Plain, England, ca. 2550–1600 BCE. Circle is 97' in
diameter The smaller Bluestones were transported from far away. 1000 henges
were constructed. Trilathons are the three rock gated-like structures.