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Other important info Arlie, Anne, Nitikia , Mamta
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Page 1: Other important info

Other important infoArlie, Anne, Nitikia , Mamta

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Art HistoryArt History

is an academic discipline dedicated to the reconstruction of the social, cultural, and economic context in which an artwork was created

Is closely related to other dicipline such as anthropology history, and sociology.

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AestheticsAesthetics

Philosophical inquiry into the nature and expression of beauty

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Art Criticism Art Criticism

The explanation of current art events to the general public via press.

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Formal AnalysisFormal Analysis

Focuses on the visual qualities of the work of art itself

Basic assumption: the artist makes decisions related to the visual aspects of the artwork that can reveal to the visual aspects that can reveal to something to us about the meaning

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Contextual AnalysisContextual Analysis

Involves looking outside of the work of art in order to determine its meaning

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Corinthian StyleCorinthian Style

Set figures against a floral, ornamented background

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““Contrapposto”Contrapposto”

Counter positioning, was involved to show the body to its best advantage

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Barrel VaultsBarrel Vaults

Romanesque churches: formed of a tunnel of arches

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VaultVault

An arch shaped structure that is used as a ceiling or as a support roof

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Ribbed VaultsRibbed Vaults

A framework of thin stone ribs of arches built under the intersection of the vaulted section of the ceiling

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Flying ButtressesFlying Buttresses

Additional bracing material and arches placed on the exterior of the buliding

Allowed larger windows many of which filled with beautiful glass, and higher ceilings

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Linear (single vanishing point)Linear (single vanishing point)

Developed by Brunelleschi Masaccio (also used aerial perspective) given

credit for putting it into practice

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SfumatoSfumato

Used in “Mona Lisa” Italian: “-fumo” =smoke Allows forms to blend subtly into one another

without perceptible transitions.

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Chiaroscuro Chiaroscuro

Dramatic contrast of light and dark Tintoretto (1518- 16594) Heighten the emotional impact of his

subjects

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ReformationReformation

Most important event that impacted the 16th century

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Counter ReformationCounter Reformation

Emphasized even more that before lavish church decoration and art of highly dramatic and emotional nature

Church’s reaction to Protestant Refromation

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Arbitrary ColorArbitrary Color

Used by a group of artists led by Henri Matisse (1869-1954)

Used color so intense that they violatied the sensebilities of critics and the public alike

aka “fauves” or “wild beasts”

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Positive SpacePositive Space

Objects shaped or forms that occupy

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Negative SpaceNegative Space

Area around the objects, shapes, or forms

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HueHue

Another word for color

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Color WheelColor Wheel

The organization of hues into a visual scheme

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ValueValue

The lightness or darkness of a color

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NeutralsNeutrals

White and blacks are not hues they are neutrals

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IntensityIntensity

Refers to the brightness or purity of a color

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Local ColorLocal Color

Refers to the “true” color of an object or area as seen in normal daylight

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Optical colorOptical color

Refers to the effect that special lighting has on the color of objects

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CompositionComposition

Refers to the artists organization of the elements of art

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RhythmRhythm

Is the principal that we associate with movement or pattern

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MotifMotif

Single element of pattern Ex: quilt design one or more motifs are

repeated to create and overall pattern

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PatternPattern

Involves the repetition of certain elements -color or line- or motifs within a work of art

Many patterns use regular repetition

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BalanceBalance

Refers to the equal distribution of visual weight in a work of art

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Approximate SymmetryApproximate Symmetry

Many artist use this, to avoid the rigidity and monotony that may accompany a symmetrical composition

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Asymmetrical BalanceAsymmetrical Balance

Visual balance that is achieved through the organization of unlike objects

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Focal PointFocal Point

Element that contrasts with the rest of a composition where the eye tends to rest

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ProportionProportion

The size and relationship among the parts of a composition

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ScaleScale

The dimensional relation of the parts of a work to the work in its entirety, and can refer to the overall sizr if an artwork

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shadingshading

Used to change values; Different types :

Hatching Cross-hatching Stippling

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Screen printsScreen prints

Other kinds of prints: includes relief prints, intaglio prints, lithographs,

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Relief PrintmakingRelief Printmaking

Artist cuts away parts from surface of the plate

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Intaglio PrintsIntaglio Prints

Works in the opposite manner as relief prints

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engravingengraving

Carving tools are used to cut lines into the surface of the plate

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EtchingEtching

Process in which the design is incised through a layer of wax or varnish applied to the surface of a metal plate

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LithographyLithography

Process in which the image is drawn with a waxy pencil or crayon directly on the plate, which can be made of stone, zinc or aluminum

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PigmentsPigments

Finely ground material that may be natural or synthhtic

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BindersBinders

Hold the grains of pigment together and allows the paint to adhere

Ex: Egg yolks, linseed oil, and wax

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SolventSolvent

Water or oil that can be added to change the consistency of the paint or alter its drying time

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FrescoFresco

Usually used to paint on ceilings and walls Artist mixes pure powdered pigments with

ater and applies them to a wet plaster, (Can’t be changed once applied)

Fresco Secco: the artist applies paints to a dry rather than a wet plaster

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GlazeGlaze

Thin transparent or semi-transparent layers that are applied over another color to alter it slightly

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EncausticEncaustic

Colored molten wax is fused with the surface via the application of hot irons

In Ancient Egypt grave markers were painted with this type of paint

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GouacheGouache

Is a water-based opaque paint that is similar to school-quality tempera, but of higher quality

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SlipSlip

Slab-built pots ar emade by rolling out clay and cutting carefully measured pieces , which are then assembled by applying liquid clay(slip) ti tge edges that are to be joined

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Post-and lintel constructionPost-and lintel construction

Technique in which a long stone or wooden beam is placed horizontally across upright posts