Top Banner
Optics The Swing, Pierre- Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère, Édouard Manet Oil on canvas, 1882 What distortions can you find in this painting that give it an unusual “feel?” click for applet
9

Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Dec 18, 2015

Download

Documents

Annis Mason
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Optics

The Swing, Pierre-Auguste Renoir Oil on canvas, 1876

How does this painting give evidence that light carries information?

A Bar at the Folies-Bergère, Édouard Manet Oil on canvas, 1882

What distortions can you find in this painting that give it an unusual “feel?”

click forapplet

Page 2: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Mirrors and Reflection of Light

Plane Mirror Conclusions

Apparent path length of light equals actual path length of light

Image size is the same as the object, therefore heights are equal, ho = hi

Image orientation seems inverted horizontally (left/right), but is not.

Incident angle equals reflected angle. Law of Reflection means θi = θr

Image location (or distance) equals object distance, do = di

Image type is virtual. Rays of light appear to diverge from image point, and cannot physically converge onto a surface.

click forapplet

click forapplet

ho hi

do di

Page 3: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

mirror

objecteye

image

eye

θr θi

Virtual Images

A virtual image is formed when rays appear to diverge from a point.

For a mirror, a virtual image will form behind the mirror, and it is upright.

A virtual image cannot be cast onto a surface, but is seen in with the eye.

click for applet

click forapplet

Page 4: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Reflection of Light

click forapplet

Light always obeys the Law of Reflection but the surface irregularities (compared to the wavelength of light) determine whether the reflection is specular or diffuse.

Multiple mirrors produce many reflections!

click for applet

Page 5: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Real Images

A real image is formed when rays actually converge to an point.

For a mirror, a real image will form in front of the mirror, and it is inverted.

A real image often appears on a surface, and then seen with the eye, but can also be viewed in a mirror.(A virtual image is only seen in a mirror)

real image

virtualimage

Page 6: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Curved Mirrors

CONCAVE MIRROR CONVEX MIRROR

Light that reflects off a spherical mirror will not focus clearly.

A smaller mirror, or a parabolic mirror, avoids spherical aberration.

SPHERICAL MIRROR PARABOLIC MIRROR

Some variablesf = focal lengthF = focus (or focal pt)r = radius of curvatureC = center of curvature

Page 7: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Ray Diagrams - Mirrors

Principal RaysAn incident ray parallel to the principal axis, reflects back through, or from, the focal point.

An incident ray through, from, or towards the focal point, reflects back parallel to the principal axis.

An incident ray through, from, or towards the center of curvature, reflects back along itself.

click forapplet

click forapplet

click forapplet

click forapplet

Page 8: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Mirror & Magnification Equation, Sign Conventions

Note: magnification sign does not indicate image size. If |M| < 1 image is smaller, |M| > 1 image is larger.

Sign conventions Positive Negative

object distance

image distance

focal length

mirror type

image height

magnification

REAL object, in front of mirror VIRTUAL object

REAL image, in front of mirror VIRTUAL image, behind mirror

REAL focus, in front of mirror VIRTUAL focus, behind mirror

CONVERGING or CONCAVE DIVERGING or CONVEX

UPRIGHT INVERTED

UPRIGHT INVERTED

1

f=

1do

+1di

M =−dido

=hiho

Page 9: Optics The Swing, Pierre-Auguste Renoir Oil on canvas, 1876 How does this painting give evidence that light carries information? A Bar at the Folies-Bergère,

Type Size Orientation Location

PLANE

DIVERGING(convex)

MIRROR

CONVERGING(concave)

ImageObjectPosition

anywhere virtual same upright behind mirror| di | = do

between mirror and F virtual larger upright

behind mirror| di | > do

betweenF and C real larger inverted

in front, beyond C

di > do

at C real same inverted in front, at Cdi = do

beyond C real smaller invertedin front, btw F & C

di < do

anywhere virtual smaller uprightbehind mirror

| di | < do

Mirror Summary