Top Banner
Optical Mixtures the Bezold Effect
30
Welcome message from author
This document is posted to help you gain knowledge. Please leave a comment to let me know what you think about it! Share it to your friends and learn new things together.
Transcript
Page 1: Optical Mixtures the Bezold Effect. Bridget Riley.

Optical Mixturesthe Bezold Effect

Page 2: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 3: Optical Mixtures the Bezold Effect. Bridget Riley.

Bridget Riley

Page 4: Optical Mixtures the Bezold Effect. Bridget Riley.

Optical Mixtures

• Two or more colors next to each other to create a blending, blurring , or neutralizing effect.

Page 5: Optical Mixtures the Bezold Effect. Bridget Riley.

Blending: Two colors placed next to each other in small amounts will

seem to create their mixture, Blue+red= violet

Page 6: Optical Mixtures the Bezold Effect. Bridget Riley.

Size of color area and value of adjacent colors will determine how successful the illusion is.

Page 7: Optical Mixtures the Bezold Effect. Bridget Riley.

Blurring: Two colors of similar hue, value and saturation will seem to blur into one another, making it difficult to determine their edges. This works best with ANALOGOUS colors—

Colors next to one another on the color wheel

Page 8: Optical Mixtures the Bezold Effect. Bridget Riley.

Neutralizing: two complements will optically mix to produce gray. This

was the theory pointilists followed.

In actuality, it doesn’t always work. Many times complements produce OPTICAL VIBRATIONS, rather than

optically mixing

Page 9: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 10: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 11: Optical Mixtures the Bezold Effect. Bridget Riley.

Why use optical mixtures rather than just mixing paints?

Page 12: Optical Mixtures the Bezold Effect. Bridget Riley.

Creating Optical Mixtures using additive primaries creates an effect

similar to the light-based color system.

Red and Green seem to create yellow

Blue and red seem to create magenta

Blue and green seem to create cyan

Page 13: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 14: Optical Mixtures the Bezold Effect. Bridget Riley.

• Additionally, more luminosity is created than with pigment mixing----similar to the additive system.

• This was the intention behind movements like Pointilism and Impressionism—to create a sense of light by placing colors next to one another rather than mixing colors.

Page 15: Optical Mixtures the Bezold Effect. Bridget Riley.

Monet, Haystacks

Page 16: Optical Mixtures the Bezold Effect. Bridget Riley.

Monet

Page 17: Optical Mixtures the Bezold Effect. Bridget Riley.

George Seurat, Bathers

Page 18: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 19: Optical Mixtures the Bezold Effect. Bridget Riley.

Chuck Close, Agnes

Page 20: Optical Mixtures the Bezold Effect. Bridget Riley.

Chuck Close

Page 21: Optical Mixtures the Bezold Effect. Bridget Riley.

Chuck Close, Studio shot

Page 22: Optical Mixtures the Bezold Effect. Bridget Riley.

Richard Anuskiewics

Page 23: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 24: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 25: Optical Mixtures the Bezold Effect. Bridget Riley.

The Bezold Effect

• Wilhelm Bezold, a textile designer discovered that by changing one dominant color in a pattern or composition, it is possible to change the entire ‘look’ and ‘feel’ of the composition.

Page 26: Optical Mixtures the Bezold Effect. Bridget Riley.

Does the size of the red bricks seem to change? The size of the grout between the bricks? What about the white square?

Page 27: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 28: Optical Mixtures the Bezold Effect. Bridget Riley.
Page 29: Optical Mixtures the Bezold Effect. Bridget Riley.

Which seems ‘softer’? How is the Bezold effect related to simultaneous contrast in this example?

Page 30: Optical Mixtures the Bezold Effect. Bridget Riley.

• The Bezold Effect will be most effective if the changing colors are very different in hue and/or value—which is why so many examples showed a black/white change.