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on/off. ON! project of cultural development in rural communities TERRITORY OF THE MEMORY: Supporting artistic creation/research/exchange for the social and cultural development in the Ecuadorian Rural Areas. This program started as an artistic research project. We focused the investigation into contemporary problems that affects to rural communities and how the modern life has been taking advance over the natural development of the cultural heritage and the traditions of native citizens who live in these communities.
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on.off.ON! - Territorio de la memoria [dossier-inglés]

Jul 18, 2016

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Mauro Rojas

Proyecto "Territorio de la memoria" de la plataforma cultural on.off.ON! (versión en inglés).
Este es uno de los primeros documentos teóricos sobre la plataforma y su alcance como proyecto de investigación artística y sociocultural.
El documento está basado en intervenciones socioculturales desarrolladas en la provincia de Santa Elena, en Ecuador, y es el punto de partida para el desarrollo de propuestas de arte y diseño contemporáneos de la plataforma on.off.ON!
Autor: Mauro Rojas-Muñoz
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Page 1: on.off.ON! - Territorio de la memoria [dossier-inglés]

on/off. ON!project of cultural developmentin rural communities

TERRITORYOF THE MEMORY:Supporting artistic creation/research/exchangefor the social and cultural developmentin the Ecuadorian Rural Areas.

This program started as an artistic research

project. We focused the investigation into

contemporary problems that affects to rural

communities and how the modern life has been

taking advance over the natural development

of the cultural heritage and the traditions of

native citizens who live in these communities.

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The area which we think is the best choice for the project is the Province of Santa Elena, located in the Ecuadorian coast to the Pacific Ocean. In this territory are located such communities as Valdivia, that is known as the geographic point where ceramics and other cultural stuff began the high development of the art and culture of America before the irruption of the Spanish conquers.

At walking round in several communities of this province, we really understand that the government administration is, nowadays, obsolete. We understand that the government offers an impression of “things are running good” through massive propaganda, but this really is a fantasy perception. We have shared with this people and they are not being attended as they must/need, BUT, ALSO, they don’t have clear strategies for their own development. They need to stop dependency of the system; they need to start their own future, from their own TERRITORY, using their collective strong and MEMORY, through CULTURAL DEMOCRACY.

In this project we have the vision of experimentation with research: we share some activities with the people. We don’t order them to make a “kind of” visual production, but we start to guide them to use some creative stuff. We start these activities, at first, listening to them. We think this purpose have to INCLUDE THEM in the cultural movement, not saying them what to do, but sharing with them some stuff, guiding them to make the things they need and want to do. That is understood by us as CULTURAL DEMOCRACY: to appropriate of our own (natural/cultural) resources to make things we really need/want, not for doing things that other people repeat us to do (as the actual advertisment order us to do: TO BUY WITHOUT THINKING…) when we don’t know if we really need or want to do. CULTURAL DEMOCRACY: to act by our own, to stop dependency, to start our own freedom, in the possible it is.

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The project as an opportunity for social development through intercultural exchange

On/off.ON! offers a valuable opportunity for intercultural exchange joining with other projects. At first, we are organizing it as a cultural platform for contemporary art and design creation/research. We intend to launch this platform through internet in the first semester of this year (The second semester as late if the funds take the time to arrive).

As a program for intercultural exchange, we expect to make it an important project for cultural residency. This Cultural/Artistic Residencies Project has to be offered to people involved into social and cultural topics: art (traditional and new media), design (graphics, product, industrial, fashion, ceramics,concept…), gastronomy, architecture, anthropology, sociology, curatorial conception (…)

The Activities of the CARPs has to include the participation of the community where these are happening. As a sample, the participants can prepare workshops of 2 or 3 days with the people who live in these communities.

A SAMPLE REVIEW as a SHORT-RESUME of a Residency Project

Participants: 20 or 25(graphic designers, anthropologists, visual artists, performers, photographers, sociologist, etc…)

The intercultural exchange begins in Guayaquil city where participants involve in 3 days with different activities to meet each other, to share the culture of their

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countries. During these days participants have to meet each other so in the third day before rural residency they separate in about 4 or 5 teams. They will need their own stuff (laptops, photocameras, videocameras, etc) for the work.

The fourth day we move to the rural area (about 2 or 3 hours of traveling by land, depending of the location is finally chosen) and in one or 2 days we start to involve with the people.

Each team have to prepare (before coming to Ecuador, and as a pre-requisite asked in the call for submissions) a project of workshop for sharing with the people of the community (the topics can be displayed in the brief of the call for submissions).

For example: a team offers a workshop of 5 days for preparing bread or other meals, using the resources of the community and mixing with turkish technique. The participants share this activity, and the team have to organize by themselves: to guide the community in the activities, to study the human behavior at its very important details, to identify social conflicts or motivations, to identify traditions that people still recall but they don’t use it anymore and it is possible to rescue for using them again (as it helps for their social and cultural development), to make a photographic registry of the activities, etc… Other samples: workshops of design with textile, visual design to promote familiar business (with posters, etc), and other activities that the applicants could offer for being considerated to participate.

We intend with this kind of residencies to promote intercultural exchange by sharing some knowledge to the people who live in the rural areas, and the participants can make, by this activities, a lecture of the actual situation of the people into their relations with their cultural heritage.

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All the activities, workshops, community parties (and other activities which take part in the the rural area) could be completed in 10 days. The last day could finish with a party in the community, and then to return to Guayaquil.

When all the participants are in Guayaquil, after the workshops intervention, they will have about 3 or 5 days to prepare an inform of the activities, with slides and photos, to exhibit the results, but they can take advance of this work also while they are in the rural areas, so, they can make a better final presentation of the memory of their interventions. The last meeting is to show the process, the photos, a brief intervention of the experience (etc) with a party at the end, with the participants.

This project will need participants who speak Spanish at least in an intermediate level, so they can involve better with the people (even English is in the current curriculum of the academic preparation in Ecuador, it is not a pretty popular language to speak in here, they are some people who speak English but this don’t happen with everyone, so it could be better for the participants to get involved with the people speaking Spanish)

This project is cultural oriented, so the participants who attend the call for submissions need to have experience or to be university/college students of art, design, anthropology, sociology, and other related careers, even if it is youth-oriented.

The project will have a team of directing supporters, as: an international coordinator, a national coordinator, a curator (from the authors of on/off. ON!), an artistic director (from the authors of on/off. ON!). We inttend to prepare a little conference/forum about the project, and also a show of the results IN THE COMMUNITY and in Guayaquil.

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THE FIRST EXPERIENCE of workshops of the project

We started the intervention in Juan Montalvo, a rural community of Provincia de Santa Elena. The first intervention was with 2 workshops: a workshop of Art-Therapy, directed by María de los Ángeles Custoja (curator of the project) and the second day with a workshop of visual creation with Mauro Rojas in the direction (author of the project)

The activities were coordinated by Alfredo Moreira (executive coordinator of the project), and these first 2 workshops did take part in August 2th and 3th.

The participants were children from 7 to 13 years old.

These are a little collection of images about the activities and visual results:

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The second intervention did take part in August, from 23th to 26th. It was a workshop of Creation of Mask, and the participants were people from 55 to 85 years old (17 participants). This workshop was directed by Mauro Rojas and Alfredo Moreira was the general coordinator. We lived in Juan Montalvo those 4 days. Each day of the workshop was divided in 2 sessions of 1 hour and half, each one. While we were off the workshop sessions, we made different lectures talking with the people of the community, making photos, etc.

These are a little collection of images about the activities and visual results:

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Juan Montalvo, Santa Elena, Ecuador

During the workshop intervention we took a time to register the experience to make a documentary book with photographs of the life in Juan Montalvo. We show a brief of the photo-documentary with this little collection of images:

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What is happening actually with the first results of the project?;

and... What comes next?

We have the vision of making a long-term platform of cultural creation, promotion, research and interchange. The objective of the workshop interventions is to promote the intercultural exchange, with local people and foreign people, but we don’t want of this to make an interchange only for the participants, we want to include the people of the rural communities in the cultural movement, we want them to learn contemporary estrategies to ensure their own social and cultural development. Our plans is to design a program of cultural and artistic residencies, forums and conferences, art creation to promote them in galleries inside Ecuador and also for abroad, to prepare documentary stuff (books, etc)

Nowadays, we are preparing a collection of artworks using the results of the research, the documentary photographs, and we are including also the artworks made by the people from Juan Montalvo who participate in the workshops. This artistic production is actually in process, and curated by María de los Ángeles.

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A handmade hat, made with traditional technique by Ricardina, a woman of 80 years old who lives in Juan Montalvo and did participate in the workshop of Creation of Masks. Ricardina refers that in Juan Montalvo, till the 1980’s, it was very popular the production of these hats (made of paja toquilla) as a way of own business of families in Juan Montalvo and other communities around. Sadly, this actually doesn’t happen anymore. She is one of the last producers of this hats in the area (center-south of the province). We want to focus our activities on to rescue this traditional practice and others as traditional cooking, handmade fashion, etc.

At the right side: Alfredo Moreira and María de los Ángeles Custoja, during the activities of the Art-Therapy whorshop with about 42 children of Juan Montalvo.

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UP: The 17 participants (from 55 to 85 years old) in the beginning of the activities of the workshop of Creation of Masks, with Mauro Rojas.

DOWN: At the end of the last day, other people from Juan Montalvo joined to appreciate the final works and to talk about the activities the participants were involved in.

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UP: María de los Ángeles Custoja with the children who did participate in the workshop of Art-therapy, in the begining instructions.

DOWN: The participants with María de los Ángeles getting ready with the stuff.

We want to make of this a colaborative platform of intercultural exchange, professional research, and artistic creation, and to make a circuit of activities with other people from around the world who are interested to take part of this project, who are interested in the cultural heritage promotion.

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This dossier is a brief presentation of the interests of the authors to expande the possibilities of the project. We hope to make new collaborative friends who would like to get involved. We share the concept of the project with people who are interested in taking part into our intentions of expanding the project with other related activities. The concept can be mixed with other considerations of other projects while the main intention is not affected: we want to promote the cultural heritage of the people who live in rural areas, we want this people to learn strategies so they can plan their own development, using their own resources, and sharing their culture with people’s of other parts in the world.

STAFF

curatorsMaría de los Ángeles CustojaAlfredo Moreira

executive productionAlfredo Moreira

author of the project / art direction and art productionMauro Rojas

CONTACT

+ 593 8 3010 306 / [email protected] Moreira

+ 593 8 7982 981 / [email protected] Rojas

www.facebook.com/onoffon.plataformacultural(this is a site of the project which is actually in process of uploading information)

Guayaquil, Ecuador2011 - 2012

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Sponsor

We want to thank to NEXINDIO for their valuable support in the foundation of this project. We expect to make new networks for collaborative activities in this project and other related projects, with NEXINDIO and other enthusiastic collaborators.