Merete Sanderhoff Inspektør for digital museumspraksis @MSanderhoff Nye perspektiver for museernes samlinger Riksutställningar Intensivdagarna Visby, Gotland 19. november 2014 C.W. Eckersberg (1783-1853), Udsigt gennem tre buer i Colosseums tredje stokværk, 1815 eller 1816. KMS3123
Forelæsning ved Riksutställningar Intensivdagarna, Visby, Gotland, 19. november 2014 i session med Lars Lundqvist, Riksantikvarieämbetet, og Filip Vest, kunstner. http://www.riksutstallningar.se/intensivdagarna #intensiv2014
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Merete SanderhoffInspektør for digital museumspraksis
@MSanderhoff
Nye perspektiver for museernes samlinger
Riksutställningar Intensivdagarna
Visby, Gotland
19. november 2014
C.W. Eckersberg (1783-1853), Udsigt gennem tre buer i Colosseums tredje stokværk, 1815 eller 1816. KMS3123
Åbne data og samlinger kernen i museets brand ved genåbningen 2012
190.000 billeder til fri download
Rijksstudio med >160.000 profiler
Åbent API
Et promiskuøst museum?
“The important thing is to put the data in places where people can find it — making the data, as it were, promiscuous. That means putting it on Flickr, Pinterest, that sort of thing; these are forums people are used to using and commenting on, which they already use to build datasets of their own.”
William Noel, Walter’s Art Museum
The wide open future of the art museumInterview med William Noel på TED bloggen, 2012
“Our primary mission is to ‘tell the truth’. We put as much quality in our work as possible. That is why we share the best quality we have. If people google ‘The Milkmaid’ by Vermeer then we want them to find our good quality image, not all the bad and deformed versions of this beautiful painting.”
Lizzy Jongma data manager, Rijksmuseum
Fra en email (2012) Gengivet med venlig tilladelse fra Lizzy Jongma
“If they want to have a Vermeer on their toilet paper, I’d rather have a very high-quality image of Vermeer on toilet paper than a very bad reproduction.”
Taco DibbitsSamlingschef, Rijksmuseum
Masterworks for One and AllInterview med Taco Dibbits, New York Times, 2013
"Everyone (…) wants to recoup costs but almost none claimed to actually achieve or expected to achieve this. Even those services that claimed to recoup full costs generally did not account fully for salary costs or overhead expenses."
De fleste museer taber penge på fotosalg
Reproduction charging models & rights policy for digital images in American art museumsRapport af Simon Tanner, King’s College 2004
C.W. Eckersberg (1783-1853), Udsigt gennem tre buer i Colosseums tredje stokværk, 1815 eller 1816. KMS3123
2012
Dele autoriteten
til at opleve kunsten
til at fortolke kunsten
til at genbruge kunsten
til at bygge videre på kunsten
– to eksempler
”Når SMK frigiver billeder af kunstværker under CCBY, betyder det at vi i Wikipedia er i stand til at skrive bedre artikler både om kunstnerne, værkerne og deres motiver.”
Ole Palnatoke, Wikipedia Danmark
Highlights from SMK, the National Gallery of DenmarkCase studie på Creative Commons wiki, 2012
Jan van Goyen, Prospekt af byen Arnhem, 1646, SMK, Public Domain
”Et eksempel: I 1646 malede Jan van Goyen et prospekt af byen Arnhem. Dette billede er ikke blot egnet til at illustrere artiklen om van Goyen, men også den om Arnhem, 1646, tonalt landskabsmaleri, og tulipomani – ikke kun på dansk, men på alle de sprog Wikipedia er tilgængelig på.”
“The process has been exciting and to some extent a bit frightening for them, but when asked if they would do it again they replied: ’Yes, but a lot faster’.”
Lizzy Jongma data manager, Rijksmuseum
Democratising the RijksmuseumRapport af Joris Pekel, Europeana 2014
“What do we want! Curated bundles of 300dpi images of cultural heritage content, freely and easily available with clear licensing and attribution guidelines! When do we want that? Yesteryear!”
Melissa Terras Director, UCL Centre for Digital Humanities
So you want to reuse digital heritage content in a creative context? Good luck with that!Blogindlæg af Melissa Terras, 2014