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Notes: Photography class
17

Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Dec 23, 2015

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Sheila Perkins
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Page 1: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Notes:Photography class

Page 2: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

High key photographs:

• Mostly whites with some darks

Lighting arrangements

Page 3: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Low Key Photographs

• Mostly Dark some lights

Page 4: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

High Contrast Image: Threshold filter Photoshop

Page 5: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Photographs: Silhouette lighting

Page 6: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Overexposed PhotographsWe say when there is no detail in the white value range that the lights are blown out

Page 7: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Filters

On some cameras you can put a filter on the lens

Page 8: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Portrait Tips• http://www.lightstalking.com/the-8-immutable-laws-of-sharp-portrait-photographs

http://www.lightstalking.com/how-to-capture-portraits-that-are-more-than-just-snapshots

Page 9: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Natural lighting

• Golden Hour lighting: at sunrise or at sunset• Diffused light: cloudy day• Backlight: subject silhouetted in front of sun• Harsh light: mid-day sun casts raccoon eye

shadows and is not very attractive• Dappled light: avoid this spotty lighting, not

flattering and difficult to expose properly• Window: indirect sun can be the best light for

indoor lighting

Page 10: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Golden HourLight: sunset

Overcast Diffused Light

Page 11: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Harsh Overhead Sunlight

Try to avoid this type of lightingno catch-lightsraccoon eyes

Page 12: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Underexposed PortraitsWhen there is no detail in the dark areas of the photograph and the mid grays are past Zone 5 we say that the image is filled in

This image is almost a silhouette but wasn’t intended to be one. Be careful that youBounce light back into the subject so there is detail in the face when backlit.

Page 13: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Dappled Light Portraits

Usually try to avoid dappled light on peoples faces unless it adds to the Story you are trying to tell.

Page 14: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

High Camera Angle

Page 15: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Low Camera Angle

creates empathy with the subject

EYE LEVEL

Page 16: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Low Contrast Image

When the image has no blacks and no whites and only mid range values weSay the Image is muddy.

To correct low contrast, muddy, images correct the levels in Photoshop.

Page 17: Notes: Photography class. High key photographs: Mostly whites with some darks Lighting arrangements.

Catch-lights

• Light reflected in the eyes show life. Try to have catchlights in both eyes by moving the lights or the model

• Catch-lights will be shaped like the lights.