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Neoclassicism 1780-1820
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Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Dec 17, 2015

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Page 1: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Neoclassicism

1780-1820

Page 2: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Neoclassicism• A clear reaction against the ornate Rococo Style• Inspired by the Enlightenment– Reason not emotion should dictate art– Use line to appeal to intellect, not color which appeals

to the senses.• Depicted tales of ancient history or mythology– As opposed to frivolous party scenes of Rococo

• Principle replaced pleasure• Paintings underscored the moral message of

patriotism

Page 3: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Characteristics

• Severe, precisely drawn figures• Figures in foreground without the illusion of

depth (like Roman relief sculpture)• Brushwork was smooth to appear polished• Backgrounds generally included roman

features (arches and columns)• Symmetry and straight lines replaced irregular

curves

Page 4: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Louis David• Considered the founder of neo-classicism• French• Traveled to Rome—breakthrough inspiration• Supporter of the French Revolution for which

some of his art served as propaganda• Thrown in jail after Revolution• Became the head of Napoleon’s art program• His advice: “Never let your brushstrokes show”

Page 5: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Louis David

Oath of the Horatii

1784oil on canvasapproximately 11 x 14 ft.

Page 6: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.
Page 7: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Louis David

Death of Socrates

1787oil on canvas51 x 77 1/4 in.

Page 8: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Louis David

The Death of Marat

1793oil on canvasapproximately 5 ft. 3 in. x 4 ft. 1 in.

Page 9: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.
Page 10: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Louis David

The Coronation of Napoleon

1805-1808oil on canvas20 ft. 4 1/2 in. x 32 ft. 1 3/4 in.

Page 11: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.
Page 12: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.
Page 13: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Louis David

Napoleon Crossing the Alps

1802-1803oil on canvas

Page 14: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jean-Auguste-Dominique Ingres

• Pronounced ANN gruh• Was a member of David’s studio at just 17• His use of line later inspired Picasso, Matisse,

and Degas (“draw many lines”-Ingres)• Competed with the new Romanticism

movement (sometimes straying from his strict neoclassical techniques), especially Delacroix and Gericault.

Page 15: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jean-Auguste-Dominique Ingres

Apotheosis of Homer

1827oil on canvas12 ft. 8 in. x 16 ft. 10 3/4 in.

Page 16: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.
Page 17: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jean-Auguste-Dominique Ingres

Grande Odalisque

1814oil on canvas2 ft. 11 in. x 5 ft. 4 in.

Page 18: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Neoclassicism: Architecture

• What do you recognize based on your knowledge of Greek and Roman architecture?

Page 19: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Jacques-Germain Soufflot

The Panthéon (Sainte-Geneviève)

Paris, France

1755-1792

Page 20: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Pierre Vignon

La Madeleine

Paris, France

1807-1842

Page 21: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Pierre Vignon

La Madeleine

Paris, France

1807-1842

Page 22: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Antonio Canova

Paulene Borghese as Venus

1808marblelife-size

Page 23: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Antonio Canova

Paulene Borghese as Venus

1808marblelife-size

Page 24: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Karl Gotthard Langhans

Brandenburg Gate

Berlin, Germany

1788-91

Page 25: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Richard Boyle and William Kent

Chiswick House

near London, England

begun 1725

Page 26: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

Richard Boyle and William Kent

Chiswick House

near London, England

begun 1725

Page 27: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

John Wood the Younger

The Royal Crescent

Bath, England

1769-1775

Page 28: Neoclassicism 1780-1820. Neoclassicism A clear reaction against the ornate Rococo Style Inspired by the Enlightenment – Reason not emotion should dictate.

James Stuart

Doric Portico

Hagley Park, Worcestershire, England

1758