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Neo-Classicism c. 1780 - 1820
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Neo-Classicism c. 1780 - 1820. A reaction against the frivolity of the Rococo Reflects the Enlightenment’s gospel of reason, logic & orderliness

Dec 28, 2015

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Iris Gaines
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Page 1: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Neo-Classicism

c. 1780 - 1820

Page 2: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

A reaction against the frivolity of the Rococo

Reflects the Enlightenment’s gospel of reason, logic & orderliness

Subjects are serious, deriving from ancient history & used to inspire civic virtue

Brushwork smooth, backgrounds include Roman arches

Archaeology mania swept Europe as Pompeii was uncovered & influenced buildings

Page 3: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Oath of the Horatii, David

Page 4: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

The Death of

Marat

Page 5: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

The Sabine Women, David

Page 6: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Napoleon’s Coronation, David

Page 7: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Details from CoronationNapoleon’s sisters & Josephine

Page 8: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Napoleon Crossing the Alps,

David

Page 9: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Princesse

de Broglie

Ingres

Page 10: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Odalisque, Ingres

Page 11: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Romanticism:The Power of

Passionc. 1800-1850

Page 12: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Emphasis on intuition, emotion and imagination: “Feeling is all!”

Inspired by the medieval eraSubjects include heroic struggle, the

macabre, landscapes, wild animalsCult of nature worship & the heroic

individualGothic revival in architecture

Page 13: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness
Page 14: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Raft of the Medusa, Gericault

Page 15: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Death of Sardanapolis, Delacroix

Page 16: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

Liberty Leading the People, Delacroix

Page 17: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

PaganiniIngres Delacroix

Page 18: Neo-Classicism c. 1780 - 1820.  A reaction against the frivolity of the Rococo  Reflects the Enlightenment’s gospel of reason, logic & orderliness

The Third of May, Goya