Neil, Lindahl Named - World Radio History

I N S I D E: NBC CELEBRATES 60 Reed Bunzel chronicles NBC's six - decade history, while Hurricane Heeran looks back at the "Golden Age of Radio" and interviews Exec. VP /GM Bob Mounty about the NBC OBOs.

Page 32, 72

YBPC SALUTE A triple -barrelled tribute to the Young Black Programmers Coalition: YBPC President Tommy Marshall interviewed, B/U ratings races handicapped, and WDIA/Memphis 38th anniversary photos displayed.

Page 64

MIXED POST -ELECTION SIGNALS FOR BROADCASTERS Brad Woodward analyzes the probable consequences of the fall election, with a tougher Senate and easier House foreseen.

Page 16

IN THE NEWS THIS WEEK

Bruce Dodge VP /GM at WBYU; Kerry Lambert WIMZ -AM & FM VP /GM Garry Wall PD at KLZZ -AM & FM Jerry Ryan VP /GM at KLZI, Gayle Shaw VP /GM at KIXS & KIIZ Milton Benjamin President at UPI Harte -Hanks to sell R &R Bernie Howard forms consultancy Bob Wall arrested on sexual abuse charges John Reid directs AP Broadcast Division Kipper McGee PD at WRKR -AM & FM Mike Preston PD at KWSS Richard Smith Geffen black music head Chris Collins OM at KSFM, Les Tracy KSMJ OM Gerry Griffith Sr. VP at Manhattan Tom Kennedy VP /GM at KXXY Jim Une VP at PolyGram Jay Berman President of RIAA Don Richman dies Joe Schwartz VP /GM at WNVZ John Sebastian forms new consultancy Valerie McIntosh PD at new Gold KHIH KLBJ sold for $27.5 million

Page 3, 4, 6, 8, 12

CREATIVE ACCOUNTING FOR RADIO OWNERS With drastic tax law changes looming, broadcasters are scrambling to protect themselves financially within the new structure.

Page 15

TEST ROTATIONS UNDER FIRE Atlantic VP Lou Sicurezza rebukes CHR stations abusing test rotations.

Page 58

NEXT WEEK IN R &R Complete summer ratings scoreboards for AOR and Gold, plus a CHR summer book wrap -up.

Newsstand Price 55.00

1? a

RADIO & RECORDS

MORRIS CORPORATE VP

Bender Appointed GM At WHND & WMJC

Tom Bender returns to De- troit radio with his appointment as GM of Greater Media's WHND & WMJC /Detroit. He has been OM at KOA & KOAQ/ Denver since December 1984.

Prior to that he directed WFAA & KRQX /Dallas, spent nearly a decade with WRIF /Detroit (five years as PD), and was an air personality at WABX (now WDTX).

Greater Media Group VP/ Radio Herb McCord commented, "We set out to find a person who could combine the required programming, mar-

Neil, Lindahl Named New Cox Managers

Gregg Lindahl Cox Enterprises has hired

WYAY /Atlanta OM Bob Neil for the newly created position of Station Manager for WSB-AM & FM /Atlanta, effective Novem- ber 24. Neil had also been Pro- gram Consultant to all parent NewCity (formerly Katz) - owned stations.

Concurrently, Opryland USA Group PD Gregg Lindahl, who was named GM for the company's WKY /Oklahoma City

Bob Neil facility a month ago, will instead be moving to Charlotte to take over as GM for Cox's WSOC -AM & FM. Lindahl, whose first day on the new job was November 12, succeeds Lee Morris, who becomes VP /Mar- keting & Special Projects for the Cox Broadcasting Division. Morris has served nearly 38

years with Cox in all areas of radio broadcasting.

WSB-AM & FM VP /GM Mike

Atlantic Sets Ganis/ Nathan Singles Team

Andrea Ganis Andrea Ganis has been pro-

moted to Senior Director /Na- tional Singles Promotion and Marc Nathan has been appointed Director /National Sin- gles Promotion at Atlantic.

Ganis, with the label six years, was Director /National Singles Promotion. Nathan was Director /National Singles Pro- motion for Atco. Both report to newly appointed VP /National Promotion Judy Libow.

Citing Ganis and Nathan for

Marc Nathan their knowledge and respect in the industry, Atlantic Sr. VP Vince Faraci said, "Each boasts a great depth of past experience and has developed tremendously since joining the Atlantic /Atco family. Along with Manager /National Second- ary Promotion Joe [ anello, I believe we have in place the strongest pop singles team in the industry."

Ganis joined Atlantic in 1980

ATLANTIC /See Page 8

Faherty said that AM PD Walt Williams and FM PD John Chappell would report to Neil. Faherty told R&R, "Bob has experience in programming both AM and FM stations in three other formats in two other markets - all successfully. Both of our stations went up this past book; our effort now is to kick them up to a higher plateau

COX/See Page 4

Gillette PD At WHYT

B

Rick Gillette After a little over three years

as OM /PD at Duffy's KSFM (FM102) /Sacramento, Rick Gil- lette has been selected to program Cap Cities /ABC's WHYT (Power 96) /Detroit. He replaces Gary Berkowitz, who has turned his full attention to AM sister WJR. Acting PD Michael Waite will remain with the CHR station under Gillette, who takes over December 1.

President /GM John Cravens told R&R, "Rick's coming from a similar situation where he took a low -rated facility and turned it into a double-digit monster, and maintained it book after book. Power 96 is sit- uated for bigger and better things with Rick coming to

Gillette, who was Assistant PD at KGB /San Diego and an air talent at KWSS /San Jose, said, "John and I believe WHYT has the potential to ex- plode, and we have plans to de- tonate it together."

keting, and administrative skills with a successful track record in Detroit."

Bender told R&R, "It's not every day that you get the opportunity to go from programming to GM - and the real ic- ing on the cake is being able to go back to my hometown."

West Manages KQKT Longtime KISW /Seattle GM

Steve West has left to assume that post at crosstown KQKT December 1, when new owner Shamrock Broadcasting takes over from Behan. He replaces Stephen Jacobs, who has become GM and part-owner at AC KGMG /San Diego. No successor for West has been named at KISW.

West has been a Northwest- ern radio fixture over the course of three decades. He was an air personality at onetime Top 40 giant KJR in the '60s before leaving in 1970 to program KTAC /Tacoma. He was then PD at KJR sister station KJRB /Spokane before rejoin- ing KJR as PD. After a promotion to Assistant Manager at KJR, he was made GM at then - co -owned KISW in 1979.

West admits he probably wouldn't have left KISW if its ownership hadn't changed (Na- tionwide took over from Kaye - Smith last month). `But then I happened to run into (Sham- rock Radio Division President) Bill Clark, who has ideas about doing business, and cares and feels about people the same way that I do."

Asked for his feelings on leaving dominant AOR KISW, ranked third in the market 12+ with a 7.3 in the summer, for a station that has pulled no higher than a 1.2 in the last five books, West said. "There comes a time

WEST /See Page 4

Wilensky VP/GM At WMZQ

WMZQ -AM & FM /Washing- ton GSM Paul Wilensky has been promoted to VP /GM for the Viacom Country combo. He fills the vacancy left in late summer by the departure of Frank Byrne.

Wilensky joined WMZQ as GSM in February 1985, having previously been National Sales Manager at crosstown WASH. He earlier held Account Ex- ecutive posts at stations in Washington and Baltimore. "I'm excited that Viacom has given me the opportunity to aid in the growth of WMZQ," Wilen- sky said. "We've realized many goals in 1986, and the future for '87 looks bright."

Produced by Cyndi Lauper and Lennie fetze. Executive Producer: t>avkl Wolff. "Portrait: are trademarks of CPS Inc. r 198h CPS t -;

LPAGE THREE

NOVEMBER 14, 1986

KFYI STOKES ON -AIR CONTROVERSY Yvonne Olson talks to KFYIIPhoenix PD Tom Leykis about his staton's sometimes- explosive on -air

confrontations. page 53

Radio Business 12

Washington Report 16

What's New 18

Street Talk 20

Ratings 8 Research: Rip Ridgeway 26

Ratings Results 30

Networks: Reed Bunzel 32

Sales 44

Image 8 Marketing:

Harvey Mednick 46

Engineering 48

On The Records: Ken Barnes 51

Datebook: Sean Ross 52

News/Talk: Yvonne Olson 53

Calendar: Brad Messer 54

Records: Adam White 55

CHR: Joel Denver 58

AOR: Steve Feinstein 62

Black /Urban: Walt Love 64

Jazz: Barbara Barnes 70

AC: Donna Brake 72

Country: Lon Helton 74

Nashville: Sharon Allen 76

Marketplace 77

Opportunities 78

National Music Format 81

Jazz Chart 86

Country Chart 87

AC Chart 112

AOR Chart 112

Black /Urban Chart 112

CHR Chart 112

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LAMBERT WIMZ VP /GM

Stoner Transfers Dodge To WBYU VP/GM Post

WIMZ -AM & FM /Knoxville VP/ GM Bruce Dodge has transferred to the same post at Easy Listening outlet WBYU /New Orleans, ac-

quired earlier this year by Stoner

Broadcasting System. At AOR combo WIMZ, Station Manager/ Program Director Kerry Lambert advances to VP /GM. He is actively

Harte -Hanks To Sell R &R

Harte -Hanks Communications announced last week it planned to

divest 56 operating divisions, in-

eluding 26 newspapers, three ad-

vertising stoppers, one TV station, 25 cable TV systems, and Radio &

Records, which since Harte -Hanks Radio was sold a number of years ago is the company's only radio- oriented operation.

The moves are part of a drive to

concentrate on enterprises that fit Harte- Hanks's overall strategic plans and "core business" areas. Harte -Hanks Newspapers Presi-

dent Tucker Sutherland is leaving the company to form a media firm and plans to bid on many of the

newspapers to be divested. R&R's current management is

planning to propose a leveraged buyout of the publication.

seeking his successor as PD. Stoner President Glenn Bell said,

"We expect the promotions to

enhance the already -strong corporate structure of a growing broadcasting enterprise while con-

tinuing WIMZ's progress towards market dominance in Knoxville."

Dodge joined WIMZ in 1980 after

Duffy Sets Ryan, Shaw As Phoenix, Austin VP /GMs

Jerry Ryan

Duffy Broadcasting has appointed Jerry Ryan VP /GM of ICLZI/ Phoenix and Gayle Shaw VP /GM of KIIZ & KIXS/Kifeen- Austin, pending FCC approval of the prop-

erty purchases' Duffy President /COO Marty

Greenberg said, "Jerry Ryan comes to Duffy after nine years with two other fine broadcasting companies. He's received excellent training and exposure to all facets of the business, and I look forward

Gayle Shaw

to enjoying the fruits of his success

as our manager in Phoenix." Ryan told R&R, "I'm looking

forward to working and living in

Phoenix, and excited to be involved with such a young dynamic com-

pany as Duffy Broadcasting." He was previously GSM at KTKS /Dal- las, where he'd been since July 1984. Former stints include sales

positions at WLS-AM & FM /Chica- go and WJJD & WJEZ /Chicago.

DUFFY /See Page 6

Howard Resigns At HNWH To Consult

Forty-year broadcasting veteran

Bernie Howard, Chairman /CEO of

Interep's Hillier, Newmark, Wechsler & Howard, has announc-

ed his resignation effective Decem- ber 31 in order to form a consulting firm specializing in Black radio.

STEINFORT RETIRES

Reid Upped At AP

John Reid

John Reid, who has been Sr.

Deputy Director of Associated Press Broadcast Services and an

Asst. GM of AP since 1984, had

been named Director /AP Broad- cast Services. He succeeds former VP/Director Roy Steinfort, who

has retired after a 2'7-year career as reporter, broadcast marketing rep, and senior executive of the news cooperative.

REID /See Page 6

Bernie Howard Interep will be his first client.

Howard began his career as New York Regional Manager for W.S.

Grant & Co., a West Coast radio

HOWARD /See Page 15

STUDIO, SIGNAL UPGRADES

serving as VP /GM of WVEZ /Lou- isvitle. His 26 years in the business

include a GM stint at ICONO &

KITY /San Antonio and 11 years with Great Trails as an AE at WKLO (WCII) /Louisville. He said

he's excited by the challenge of

managing New Orleait's only Easy

Listening FM station, adding, "Since I came to Knoxville seven

years ago, WIMZ has risen to dom-

inate the ratings in its target demographic, and for two years has been ranked among the top sta-

DODGE/See Page 6

Benjamin New UPI President

Milton Benjamin was named

President /COO of UPI last week,

replacing Maxwell McCrohon, who

had served in the job only a few

months. Benjamin has been Presi-

dent of the management consulting firm Anderson, Benjamin, Read &

Haney, which had been retained to

advise UPI Chairman/CEO Mario Vazquez Rana, who bought the

news service in June for $41 million.

Benjamin's career includes four years as a UPI reporter, as well as

14 years as a reporter, editor, and

assistant to the chairman of the

Washington Post. Benjamin acknowleded that UPI

BENJAMIN /See Page 6

Garry Wall

Wall PD At KLZZ -AM & FM

Garry Wall, PD at Chase CHR WTIC-FM /Hartford for just over three years, has become PD at Edens Broadcasting's newest facilities, KLZZ -AM & FM /San Diego. He'll begin his new assignment at the Classic Hits simulcast combo when Edens closes the acquisitions in December.

President Gary Edens told R&R, "Garry's one of the most outstanding young PDs in America. He has

the knowledge, and total respect of his peers. We view these stations as

great technical opportunities, as

the AM (formerly KOGO, with 5

kw at 600 kHz) can be heard everywhere, and the FM (formerly KPRI, a Class B at 106.5 MHz) can be heard as well as any other FM in town. Combine Garry's talents with (newly named GM) Bob Bol- inger and we'll have a big winner in San Diego."

Edens Exec. VP and WRBQ -AM & FM /Tampa GM Michael Oster - hout said, "We have a great track record in hiring great people, and Garry's another one to add to the

GARRY WALL/See Page 8

WGCI's Wall, Wife Face Sex Charges

WGCI -AM & FM /Chicago morning man Robert Louis Harrison (known on -air as Bob Wall), 36,

and his wife, Deborah, 28, have

been arraigned in Will County Cir-

cuit Court in Joliet on charges of

criminal sexual assault, criminal sexual abuse, and ' unlawful re-

straint allegedly involving the cou-

ple's 15-year -old female babysitter in August.

According to Naperville Police Lt. Mark Robbins, Wall purported- ly sexually assaulted the girl August 14 after giving her alcohol and the substance Ecstasy. Rob-

McGee Named PD At WRKR -AM & FM

SRO has hired WEZB (B97)/ New Orleans PD Kipper McGee as

PD at CHR combo WRKR -AM & FM /Racine -Milwaukee, upgraded its 50-kw FM transmitting facilities with state-of-the-art equipment, and received an Arizona waiver to

relocate its studios to Milwaukee. SRO COO & Director /Broadcast-

ing Bill McMahon told R&R, "Kip- per's from Milwaukee, and comes

very highly recommended from our consultants, Al Peterson and Gary Guthrie. Grabbing someone

of Kipper's caliber will put us into

the thick of the competition." GM Paula Peden added, "Kip-

bins said that on August 22, the cou-

ple allegedly again gave the girl Ecstasy, as well as LSD, and as-

saulted her. Robbins said the girl told him that while hallucinating she had been momentarily hand-

cuffed, but was quickly released. The babysitter later informed

her parents about the alleged in-

BOB WAWSee Page 4

Preston PD At KWSS

Kipper McGee per's experience in other markets

McGEE /Sea Page 6

Mike Preston KSDO -FM (KS103) /San Diego

PD Mike Preston has accepted the PD post at Nationwidé s KWSS/ San Jose, beginning November 24.

He leaves the Gannett CHR after almost four years to fill the vacancy created by Dave Van Stone's return to Western Cities' newest ac-

quisition, KLMO /Longmont -Boul- der, CO.

KWSS GM Jim Smilla told R&R, PRESTON /See Page 6

I

4/ R&R FRIDAY, NOVEMBER 14, 1986

L NEWS

Collins, Tracy Appointed KSFM, KSMJ OMs

Les Tracy Duffy Broadcasting has promot-

ed KSMJ /Sacramento PD Les Tracy and co -owned KSFM (FM102) Assistant PD /MD Chris Collins to OMs of their respective stations. They fill the vacancy created by Rick Gillette's departure to WHYT /Detroit (see Page 1).

VP /GM Jerry McKenna told R&R, "Rick did a superior job. While we hate to lose Rick, the up side of the picture is we have Chris Collins with us.

"Chris's five years as morning personality, plus his involvement as Asst. PD /MD, have put him right into the heart of the programming department. As Chris will continue to do mornings, he won't have the time necessary for KSMJ.

Chris Collins As a result I'm very happy to promote Lea as well. He will handle everything pertinent to the day-today operations of our Heart & Soul station."

Collins told R&R, "There's a lot of new competition here; the market is very hot. Our work is cut out for us to maintain and build on our dominance. FM102 needs just a bit of fine- tuning, but as far as air talent and promotions are concerned, we're stronger than ever."

Tracy, who has been at KSMJ for the past six months and is still the owner /operator of the RockNet database on CompuServe, said he was "ready to take charge of everything to ensure a smooth- running facility."

Kennedy Upped To VP At KXXY

KXXY -AM & FM /Oklahoma Ci-

ty GM Tom Kennedy has been upped to VP for the Summit Country combo. Kennedy joined KXXY in June 1985 as GSM, was made acting GM in January, and became GM a few weeks later.

Kennedy told R&R, "This is a terrific radio station and I'm very proud to be associated with all of

the department heads and the entire staff roster. They've worked very hard to make KXXY not only the top station in Oklahoma City but the top station in almost every category among Summit stations."

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Geffen Black Music Headed By Smith

Richard Smith has been named to head Geffen's black music division. The 19 -year record industry veteran was previously VP /R&B Promotion for Arista.

Smith was given no formal executive title, in accordance with Gef- fen's usual practice. He reports to label President Ed Rosenblatt, who commented, "There is simply no one with more experience and ex-

Cox Continued frr.n Page 3

with superior programming ex- "

Cox Exec. VP /Radio Nick Tri- gony told R&R, "I've been trying to hire Gregg for a couple of years. I wanted him to come to KIKK /Houston, but he wouldn't do it because it was a lateral move - OM to OM. When I got this job, and when Lee Morris decided to step aside to join me in the corporate area, I knew who I wanted, and that was Gregg. He's exactly what we need there and we're both looking forward to great results."

Neil told R&R, "To be Station Manager at WSB is just too wonderful to pass up. It gives me a chance to move towards my career goal of being a GM and to work with two giant stations with fantastic staffs."

Neil joined WYAY in Decem- ber 1984, coming from WSYR &

WYYY /Syracuse, where he had been OM since March 1983. For five years previous he worked at WFLA -AM & FM /Tampa in programming management positions. At WYAY, Asst. PD Dave Foster has been named acting OM.

Lindahl told R&R, "I was very much looking forward to being GM of the Oklahoma City properties; it was difficult to end that relationship. But going to work for Cox and Nick is a dream come true. He's a human dynamo and has a terrific plan put together. The entire WSOC team is on a mission to win, and we'll continue to be fierce competitors."

Lindahl joined WSM -AM &

FM /Nashville as OM in Janu- ary 1983, later becoming Group PD before being named to manage WKY. He programmed KOMA /Oklahoma City between 1980 -83, and was MD at WDGY /Minneapolis from 1977 -80.

West Continued from Page 1

in life when you've got to look at a change. I think the change is going to be healthy not just for me, but for the people at KISW also. It's going to create a new, very competitive commodity in the marketplace."

KQKT's future format is un- determined; the Research Group is conducting a study. West claims KQKT, which currently employs a Gold -based AC

approach, has "the best FM signal in the market."

Richard Smith pertise in the field of Urban Con- temporary music than Richard."

Smith has spent most of the past ten years with Arista, coming aboard as Director /Regional R&B Promotion in 1976 and advancing to the VP slot in 1981. Before that he worked for Casablanca, Stax, United Artists, and Buddah.

Smith told R&R, "Geffen fully intends to staff up and move 100% in- to the black music area. Right now, we're formulating plans and getting organized, and then we'll be doing what's necessary to become a full- fledged Urban music department."

Geffen's B/U roster includes Donna Summer, Jennifer Hollida} Ray Parker Jr., and the Dai Band.

Bob Wall Continued from Page 3

cidents, which they reported to police on October 22. A warrant was issued October 24, and the couple surrendered to authorities the following day. Wall was released on $50,000 bond, his wife on $40,000.

According to a story in the Chi- cago Tribune, Wall said, "I can't make any comment other than I'm innocent." At presstime, WGCI President /GM Mary Dyson reported to R&R that he has decided to suspend Wall from his airshift pending the outcome of the case. "I believe he's innocent until proven guilty, and that's the only comment I'm going to make," Dyson told the Chicago Sun -Times. No trial date has been set.

Lt. Robbins told R&R that the police have corroborative evidence in addition to the girl's testimony. While acknowledging the possibility of probation for Wall and his wife if they are found guilty, Rob- bins reported that the criminal sexual assault and unlawful restraint charges are both felonies, with con- victions carrying 4-15 and 1 -3 year prison sentences, respectively, in the state penitentiary. Criminal sexual abuse is a misdemeanor in Illinois, which could mean a one- year prison term. However, Rob- bins said the district attorney is considering filing several additional charges, possibly including Class X felony charges involving the alleged drugs. A Class X.felony conviction requires a mandatory prison sentence of at least six years.

Presently among Chicago s top - rated morning talents, Wall gained national attention when he joined WGCI in 1979 as the station's first white air personality.

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6/ R &R FRIDAY, NOVEMBER 14, 1986

NEWS IN BRIEF

Jean - Pierre

K.C. ADAMS has replaced RICK

FLETCHER as PD at KUZZIBakers- field, MD as a result of the station's

second programming change in three

months. JRIFF.,WOODS is the new

MD.

ANNETTE ALVAREZ has been up-

ped to Co -op Advertising Manager at

KTAR & KKLTIPhoenix. Replacing

her as Director /Community Relations ïi,CHARLENE PEREZ.

JEAN- PIERRE BOMMEL has joined

Capitol Records as Director /Market-

ing & Promotion, International. For the

past four years he was Product Man-

ager, International for RCA Interna-

tional, prior to which he worked for

RCA in Paris for four years as head of

publicity.

Duffy Continued from Page 3

On Shaw, Greenberg noted, "I'm particularly pleased to announce Gayle's position, because it's the first GM promotion from within the

Duffy Broadcasting Corporation. She has grown enormously during her five years as GSM at KRZN & KMJI /Denver."

Shaw commented, "Austin is a

dynamic young market that I'm extremely excited to be a part of.

Duffy is looking forward to being a

vital part of the Austin market. I'm proud to be able to run this station."

Dodge Continued from Page 3

tions in America among its format."

Lambert joined WIMZ in 1979 as morning man after spending five years at crosstown WKGN, the last two as PD. He was named PD when Stoner purchased the stations in 1980, and was promoted to Sta-

tion Manager in March of this year. He told R&R, "The only changes will be in who sits in which office. WIMZ will continue to

operate as Knoxville's, and one of

the nation's, top contemporary music stations."

Ron Brandon

RON BRANDON has joined CHR

outlet WHKWIFayette, AL, which

serves the Tuscaloosa, AL/Columbus,

MS markets. Brandon was most re-

cently OM at WCAW & WVAFIChar- leston, SC.

BROTHER BARE has been named

PD at WZYOIFrederick, MD. He re-

places KEMOSABI JOE, who is doing

mornings at KHYIIDaIIas.

CHRIS COLLIER, veteran Country

programmer most recently at WOWI

Omaha, is the new PD at KTOM -AM &

FM/Salinas. He has named JEFF IL-

ER Asst. PD /MD.

McGee Continued from Page 3

makes him a strong candidate to

create some real excitement at WRKR."

McGee, who earlier programmed WZOK /Rockford, remarked, "I'm glad we've got B97 back to

double digits in the latest Birch. Milwaukee has a lot of good radio, but is wide open for the right CHR contender."

McGee, who begins his new as-

signment November 24, indicated a

call- letter change was being con-

sidered. Current PD /morning man PD Pat Shanahan will step

down but continue with his on -air duties.

Preston Continued from Page 3

"Mike's appeal comes from not on-

ly being involved at a winning situ-

ation but also his firsthand knowledge of this market. Under his di-

rection we're looking forward to

double digits." Preston, a San Jose native, re-

gards his homecoming as "an op-

portunity I just couldn't pass up." He said, "My challenge here is to

take KWSS all the way to the top,

and I will." He has worked as Asst.

PD /MD at KSFM /Sacramento, PD at KOKQ (now KMBY) /Monte- rey, and air personality at KDON /Salinas. No replacement was named at KS103.

Brad Fuhr

BRAD FUHR has been named PD at

KKRZIWIchlta, a Classic Rock sta-

tion. His programming background in-

cludes WZOKIRockford and WSPTI

Stevens Point, WI.

M. JONES FUOUAY has been nam-

ed GM at WVOT & WRDUIRaleigh-

Durham. Former GM BILL NASH has

moved back into sales at the station

as an AE.

DENNIS HAMILTON has been ap-

pointed Exec. Manager /Network Sta-

tions for Minnesota Public Radio. He

has worked at KCCM/Moorhead, MN

since 1973, where he was named

Manager in 1978. He has been GM of

KCCM and KCRBIBemIdli, MN since

1982.

CHARLIE HUFFMAN has joined

KCFXIHarrlsonville, MO as Region-

al /Retail SM. He was previously an AE

at WHB & KUDLIKansas City for sev-

en years.

Reid Continued from Page 3

Reid's early career included an ND /OM stint at WJOY & WQCR/ Burlington, VT before he joined AP in 1974 as a summer vacation relief staffer. He commented, "Our challenge is to keep AP in the forefront of [broadcasting] changes. But the

basic goal of the Broadcast Serv- ices Dept. is the same as it has

been during Roy Steinfort's distin- guished career: to provide out-

standing news coverage and pro-

gramming services to AP's broad-

cast members." While Steinfort headed the

broadcast division, AP introduced AP Newspower and APTV, the

high -speed radio and TV wires; merged the broadcast desk with the AP Radio Network; moved AP Broadcast Services to Washington; and introduced TV Direct, the first video news service available to all TV stations.

Irwin Katz

IRWIN KATZ has been appointed

VP /A &R at CBS Masterworks. He had

been Director /Marketing & Merchan-

dising for RCA Red Seal Records

since 1978, and was previously VP/

Operations for the 68 -store Discount

Records chain.

ANNE KELLY, PD at Reams Broad-

casting AOR WIOT/Toledo, has ad-

vanced to OM, while Asst. PD /Pro-

duction Director KEITH MASTERS

has been named PD. Kelly has been

with WIOT since April 1985, and was

named PD in June of this year. Mas-

ters started at WIOT in 1983 and was

named APD last June.

SUE RYAN is the new PD at

KYNOIFresno, where she will also do

morning drive duties. She was previ-

ously PD at KHYLIAuburn- Sacra-

mento.

SCOTT TOM has added MD duties

to his evening airshift at KOWIPort-

land. The nine -year station veteran

previously worked at KSWBISeaside,

OR as PM drive /Sports Director.

WFDFIFlint, MI, has switched from

AC to SMN's "Stardust" nostalgia for-

mat. No staff changes had been made

at presstime.

Benjamin Continued from Page 3

"has improved less over the past

decade than the media as a

whole." He added, "Now, UPI has

an owner with the resources and

commitment to make it a world-

wide news and information- gather- ing service unrivaled in com- prehensiveness and quality."

Vazquez Rana said he is convinc- ed Benjamin can "make UPI ab-

solutely essential to our newspaper and broadcast clients, and will enable us to become a viable and

profitable company." Since its ownership change, UPI

has filled 49 of 51 new editorial posi-

tions worldwide. It suffered a blow,

however, when the New York

Times recently dropped its $1 mil - lion -a -year contract.

Robin Sloane

ROBIN SLOANE has been pro-

moted to VP /Video at EIA. She had

been Director /Video Production for

the past two years, and continues to

be responsible for all aspects of the

label's video operations, including its

EleMra Entertainment home video

imprint.

JIM SWANSON, former KFREI

Fresno morning man, is the new OM/

morning man at KOUSIHot Springs - Little Rock.

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rd IiKei'o tune up

a Dream for you all

(a very Christmas radio special)

"It's irresistible. This will be a

Christmas programming staple for

years and years to come" (Chuck Blore /Hollywood)

"The first time we've ever had listeners request more airplay of a feature."

(WTQR /Winston Salem)

"Premier Christmas programming. We're delighted!

(KOST/ Los Angeles)

'A great way of saying 'I Love You'

to a radio audience." (Don Richman /Hollywood)

"The minute we heard it, we knew it

was right." (WKHX /Atlanta)

"The best we've ever heard." (KIDO /Boise)

"We listened to it once and bought it for every one of our markets."

(Sandusky Broadcasting /Denver)

This Christmas, I'd Like To Wrap Up A Dream For You All will be

heard on radio stations from Nome to New York, including WHTZ/New York, KFI, KOST -FM /Los Angeles, WJR /Detroit, WZGO /Philadelphia, WIRE /Indianapolis, WHDH /Boston, KDKB /Phoenix, WOKY /Milwaukee and nearly 100 others...so far.

The exclusive Canadian radio rights

have been wrapped up by McDonald's of Canada. And

Armed Forces Radio will air our

show on 400 radio stations in 44

countries and 150 ships at sea.

If you'd like to wrap up the exclusive

radio rights in your market to the - very Christmas radio special that

reaches out and gives listeners great big hugs, please call Beverley

McDonald at:

P.S. PRODUCTIONS (800) 231 -9208 or (805) 251 -4493

ri e ' I

...1 . ...J -i -1 J\-.1 BENJAMIN ORR

...I NJ

HOSTED BY BOB COBURN

SURVIVOR

MONDAY* NOVEMBER 24th = 11:30PM EST

GLOBAL SATELLITE NETWORK DISTRIBUTED IN THE U.S. EXCLUSIVELY BY

FOR MORE INFORMATION: CONTACT BEVERLY PADFRATZIK (212) 887 -5218

8 /R &R FRIDAY, NOVEMBER 14, 1986

NEWS

Griffith Rises To Manhattan Sr. VP /A &R

Manhattan Records VP /Black Music A &R Gerry Griffith has been promoted to Sr. VP /A &R. He'll supervise all pop, rock, and R&B activities for the label, including artist signings, talent budget administration, and the pairing of producers with roster acts.

Griffith continues to report directly to Manhattan President Bruce Lundvall, who commented, "Gerry has an excellent artist signing track record and becomes creatively involved with every project he's responsible for. He also ex- hibits

.

great administrative and leadership qualities."

Griffith has been VP of Manhat- tan's black music A &R department since the label was formed in mid -1984. He told R&R, "The label's approach has always been

Richman Dies At 55

Don Richman

Don Richman, President /partner at Chuck Blore & Don Rich- man, Inc., passed away Saturday (11/8) following a long bout with pancreatic cancer, at age 55.

Richman, with Blore, is credited with creating numerous radio and TV commercial campaigns, including the "Reach Out And Touch Someone" spots for AT &T, and the "Remarkable Mouth" campaign. He also helped create, wrote, and acted in the syndicated "Janitor" series of radio station commercials.

Blore told R&R, "He certainly left a standard for us all to live up to. It's such a shame to lose such a creative genius."

Richman teamed with Blore in 1968 to create broadcast and retail - oriented spots for both radio and television. Prior to this association he worked in both sports management and television writing. He served as Director /Sports Public Relations for the University of-

Southern California and was PR Director for both the San Diego Chargers and Los Angeles Lakers. He also was the founder and GM of the Seattle Supersonics, and is widely acclaimed as being responsible for putting players' names on the backs of professional football andt basketball jerseys. His writing credits include scripts for the "Donna Reed Show," "Gid- get," "I Dream Of Jeannie," "Mod Squad," and "The Man From U.N :C.L.E."

Gerry Griffith hands -ón, whether breaking new artists or dealing with unique situations such as Sun City.' Bruce Lundvall and I share a philosophy of striving to bring great music and unusual artistry to the public."

Previously Griffith held A &R posts at Arista and Motown, and from 1970 -79 worked at Columbia in sales, promotion, product management, and A &R.

Sebastian Starts `High -Tech' Consultancy

John Sebastian, who shuttered his previous "New AC" consultancy in August, has announced plans to open a new firm with a number of unusual features. First, he will not visit stations in person - all advice and information will be dis- pensed via phone, correspondence, or computer modem. Second, he will charge the same price - $500 per month on a one -year basis - for all stations, regardless of size. Third, all relationships will be strictly confidential and will not be disclosed to trades or any outside parties.

"It's a streamlined approach that I would call the first 'high - tech' consultancy where there's no travel into the market," Sebastian told R&R. "I'll be available at the beck- and -call of the PD because I won't be up in the air. Traveling to markets is outdated - it consumes too much time and is needlessly expensive for the client. There's no reason why we can't do almost all of our communication either by phone or through hooking up our computers."

The confidentiality, said Sebas- tian, will assure that "the program director gets all the credit. There'll be no attempt to usurp his success." The purpose of the flat fee "is to make it affordable for any radio station in any size market."

Plans are to offer the service on a market-exclusive basis to AC, AOR, CHR, FOR (his "Eclectic Oriented Rock" AOR /AC hybrid that Sebastian came to call "The New AC "), and Gold- formatted stations.

Sebastian claims to have landed three clients, and expects to sign many which already employ a more traditional -style consultant. He also intends to advise stations on other consultants and research devices.

Joe Schwartz

Schwartz VP/ GM AtWNVZ

Joe Schwartz, former VP /GM at WWDE /Hampton Roads -Norfolk, has been named VP /GM at Capitol Broadcasting's newest acquisition, WNVZ (Z104) /Norfolk. He replaces longtime VP /GM Paul Todd, who is pursuing ownership of WRFK /Richmond, pending FCC approval.

President Jim Goodmon remarked, "I have known Joe for several years and have long respected his management abilities and knowledge of the market."

"This is an excellent opportunity to take a good station and make it number one in the market," said Schwartz. "We simply need to foster and improve our image in the marketplace, as we've already got a strong staff on board. (PD) Chris Bailey and the airstaff will stay in place."

Schwartz has worked for CBS in a number of sales positions, including GSM at WBBM -FM /Chica- go and Midwest Sales Manager for CBS-FM National Sales.

Atlantic Continued from Page 1

as Director /National Secondary Pop Promotion. She advanced to Assoc. Director /National Singles Promotion, and was named Director /National Sin- gles Promotion last January. Previously, she held promotion slots at Infinity and Polydor.

Nathan came to Atco's promotion staff in 1983, and was promoted to Director /National Singles Promotion in 1984. Ear- lier, he was West Coast Office Manager for Modern Records and operated his own management firm, Between The Ears. His previous industry experience includes promotion posts at Sire, Bearsville, Casablanca, and Playboy /Beserkley.

Garry Wall Continued from Page 3

likes of the Mason Dixons, Randy Kabrichs, and Bob McNeills of the world." Regarding future format- ting, he would only say, "Our plans are in the hands of fate and fortune at this time. We do good radio and intend to become a strong part of San Diego. We are simply out to earn the market's respect."

A former PD at WMC -FM (FM100) /Memphis, Wall wouldn't shed light on his format plans either. "I can't evaluate our market positioning for the facilities yet; I'll need time to observe the market first. But it took this type of position for me to even consider making a move."

Urie Leads New PolyGram Sales Team

Jim Urie has been named VP/ National Sales & Branch Distribu- tion at PolyGram, a newly created post. He was with CBS for the past 12 years, most recently as Sales Manager of its New York branch.

Also, VP /National Accounts Jeff Brody has assumed additional responsibilities, and H. Peter Vel- ser and Karen Mattson have been appointed Director /National Ac- counts and Director /National Sales Development, respectively.

This restructuring of PolyGram's executive sales team falls under the jurisdiction of Exec. VP /Marketing & Sales Bob Jamie- son, to whom Urie reports. Com- mented Jamieson, "It's a professional and personal pleasure to see that Jim has accepted the opportunity and challenge of heading up sales and branch distribution for PolyGram."

Brody and Velser, who was the label's Minneapolis Branch Man- ager, now oversee sales and

GORTIKOV

CHAIRMAN

Berman President Of RIAA

Jay Berman has been elected President of the Recording In- dustry Association of America. He assumes the post officially in early January, succeeding Stanley Gor- tikov, who becomes Chairman.

Berman has been VP /Public Af- fairs for WCI in Washington, DC for the past six years. Previously, he operated his own PR /lobbying firm there, and was Administra- tive /Legislative Assistant to former Sen. Birch Bayh of Indiana. Berman was also Staff Director of the Senate Subcommittee on Con- stitutional Amendments.

The RIAA Board of Directors made the appointment as part of new strategy to emphasize and expand its relations with Congress and other branches of government. The association's New York headquarters are relocating to Wash- ington, DC in the spring.

Gortikov, who has been Presi- dent since 1972, will remain in New York as RIAA Chairman until his retirement in 1988 or 1989. On the new appointment, he commented, "Mr. Berman has the perfect mix of political and entertainment in-

dustry experience, and we feel he is an excellent choice as the new head of the association. Our entire board is impressed with the diver- sity of his Washington contacts and experience, and his sensitivity to the issues that constitute our future priorities."

Berman said, "The decision of the RIAA board to present a stronger recording industry presence in the public policy arena, both domestically and interna- tionally, is symbolic of a renewed industry commitment."

Jim Urie

marketing for the expanded national accounts list. Mattson, who was Director /Album Sales, oversees field sales and branch marketing activities.

With PolyGram for nine years, Brody now reports to Urie. Velser and Mattson, who both joined the company more than 15 years ago, report to Brody.

McINTOSH PD

KHIH To `Colorado Classics'

After a very brief period as a Transtar Format 41 affiliate, SRO's KHIH /Boulder has become "Colorado Classics, K -High 95," an AOR- skewing Gold outlet aimed at Denver. The station is consulted by Gary Guthrie. Valerie McIntosh, most recently PD for KFYI &

KKFR /Phoenix, will join the station as PD on November 21. McIn- tosh earlier programmed Phoenix AOR KUPD.

The switch makes KHIII the third SRO station to adopt a Gold - based approach recently, following the change to "Classic Soft Rock" at KLSQ /Las Vegas and Guthrie's Gold format at KZOK /Seattle. KHII-I GM Joe Heslet told R&R, "I don't know whether they found Gary for Denver and decided to do the format in Seattle also or vice versa, but I like what he's done here in such a short time. We'd like to see the station be top five 25-54

and skew about 60% male." Formerly Boulder's Classical

KBVL, KHIIi has not been a factor in the Denver market. Now SRO has obtained an Arizona waiver to serve the larger city and increased power to 100 kw. Denver currently has two Gold AMs, KLSC and KRZN, with a 3.5 share between them, but Heslet says this format will be different. "We're more AOR than (AC) KMJI but more AC

than (AOR) KBPI." To position the station, K -High runs promos en- couraging listeners who want to hear Anne Murray or Barry Manilow to listen to KMJI and (AC) KOAQ, and a similar promo with AOR artists.

Since late October, K -High has been using board operators to segue records in what it bills as its "preview month." Heslet expects all the pieces to be in place by December 1.

D"I MAY /I``/I`''`/I`"I`''"I``,R''"I``,l`''" ̀`,l ̀ ''"I``,l`''`/I``,l ̀,'`/I``,l`''"I``,l`''"I``,l`''"I `"I ̀ ''"I`"I ̀

The Mutual Broadcasting System has an extra -special holiday treat for your listeners this Thanksgiving weekend (November 27 -30) as James Stewart hosts. Moonlight, Memories &

Miller, a three -hour chronicle of the life and music of Big Band -era legend Glenn Miller. Stewart, the Academy Award -winning actor who portrayed Miller in the 1954 film biography, The Glenn Miller Story, will share his thoughts and reminiscences of this giant of the Big Band leaders, whose life and career were tragically ended when an airplane carrying him to Paris to entertain troops during World War II disappeared.

Stewart's impressions of Miller's music, in the overall context of the Big Band era, will be interspersed among many of the songs Miller and his band made famous, including his biggest hit, "In The Mood" and his theme song, "Moonlight Serenade" among many, many others. Jim Lange, host of Westwood One's Encore series, will narrate this special radio event.

Make sure your station is ready to swing into the holiday season with Moonlight, Memories & Miller, exclusively from Mutual. Contact your Mutual Station Relations representative today in Arlington at (703) 685 -2050, in Los Angeles at (213) 204 -5000 or Telex 4996015 WWONE.

($ll } MUTUAL BROADCASTING SYSTEM

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THE PICTURE PAGES 5 Million In Toto

Toto won Crystal Globe awards, signifying career sales of five million album /tape units outside their home territory. Pictur- ed at the L.A. presentation are (1 -r) Toto's David Paich, co- manager Mark Hartley, CBS Intl Sr. VP Bunny Freidus, group's Steve Lukather, Joseph Williams, Jeff Porcaro, Steve Porcaro, Michael Porcaro, and co- manager Larry Fitzgerald.

RCA Gives Lou Sendoff

Prior to Lou Reed's opening tour dates, he played the Ritz in New York, and was cheered by RCA promotion staffers. Pic- tured (l -r) are Butch Waugh, Larry Van Druff, Reed, Alan Wolmark, Mike Becce, Erica Linderholm, and Jeffrey Naumann.

Generous Peer Group

i 1 "Hands Across America" composers Larry Gottlieb, Marc Blatte, and John Carney were presented the 1986 Ralph S. Peer Award for creative excellence, being cited for their "outstanding work" for "America's hungry. "Pictured (l -r) are USA For Africa, Hands Across America Exec. Director Marty Rogol, a co-presenter of the award; Carney; Blatte; Peer-South- em Organization President and co- presenter Ralph Peer ll; Gottlieb; USA For Africa/HAA President and co- presenter Ken Kragen; and Peer Southern's Allan Tepper.

Morgan Party

Melisa Morgan played the Universal Amphitheatre in L.A. recently, with Capitol hosting a party for her. Pictured (I -r) are Capitol Sr. VP Walter Lee, VP Don Grierson, Morgan, Capitol President Don Zimmermann, CEMA Exec. VP Dennis White, and Capitol VP Kick Van Hengel.

Et'k' -f 13!Ir.11,r'(IFrl=:.fL,N'

!hfìe 7i&Jcìr, THE

BEST MAN IN THE WORLD

The theme song from the forthcoming

EDDIE MURPHY movie

THE GOLDEN CHILD

THIS YEAR'S CHRISTMAS MOVIE

SMASH DOESN'T OPEN UNTIL DECEMBER 12. THE FIRST HIT

SINGLE FROM IT IS READY FOR

PLAYING TODAY


TRANSACTIONS

RADIO BUSINESS

Lady Bird Sells KLBJ For $27.5 Million

KLBJ-AM & FM /AUSTIN, TX PRICE: $27 5 million

BUYER: The Chase Group, Anthony Chase, President. SELLER: The LBJ Corp., Lady Bird Johnson, Chairman. Donald Thomas, President. DIAL POSITION: 590 kHz; 93.7 MHz POWER: 5 kw days/1 kw nights; 100 kw at 1725 feet FORMAT: News, Talk, AOR BROKER: The Jamar -Rice Co.

WBYR /BUFFALO PRICE: not disclosed BUYER: Buffalo Broadcasting Limited Partners, Garrett Communications, Inc., and Burbach Broadcasting, Jack Laubach, Robert Burstein, and Larry Garrett. Burbach also owns WEYZ & WCCK/Erie, PA; WXIUParkersburg, WV; WIXV & WBMOISavannah, GA; and WMRNIMarion, OH, and has contracted to sell WKRT & WOKWICort- land, NY.

SELLER: Devine Communications, Chris Devine, owner. It also owns KBER/Salt Lake City and KKBRIAIbu- querque. DIAL POSITION: 107.7 MHz POWER: 10 kw at 800 feet FORMAT: AOR

GROUP SALE: HICKS COMMUNICATIONS (6 of 8 stations) PRICE: $20 million BUYER: Narragansett Broadcast- ing, John Franks, President. It is a

venture capital firm, and also owns KHTT & KSJO /San Jose. SELLER: Hicks Communications, Steven Hicks, President. It will retain

KEYI -AM & FM /Austin. BROKER: Norman Fischer & Asso- ciates KAYI /TULSA DIAL POSITION: 106.9 MHz POWER: 97 kw at 125 feet FORMAT: CHR

WYNK -AM & FMI BATON ROUGE DIAL POSITION: 1380 kHz; 101.5 MHz POWER: 5 kw days only; 100 kw at 400 feet FORMAT: Country

KLVI & KYKRI BEAUMONT, TX DIAL POSITION: 560 kHz; 93.3 MHz POWER: 5 kw; 100 kw at 480 feet FORMAT: Country

WXTR -FM /WASHINGTON, DC (LA PLATA, MD) PRICE: $14.5 million BUYER: Broadbased Communica- tions, Vincent A. Henry, President. Henry is a Rochester, NY attorney, and the son of NEWSystems President Ragan Henry, who has contracted to sell most of his stations. SELLER: The Dalton Group, William Dalton, President GM DIAL POSITION: 104.1 MHz POWER: 50 kw at 500 feet FORMAT: Oldies BROKER: Blackburn & Co.

WNDR & WNTQ/ SYRACUSE, NY PRICE: $6.5 million

BUYER: Osborn Communications, Frank Osborn, President. It also owns WMHEIToledo, OH; WKRZIWilkes- Barre, PA; WTJS & WKIR /Jackson, TN; and WBGA & WGIG /Brunswick, GA. SELLER: WN Broadcasting, Robert Wechsler, President. DIAL POSITION: 1260 kHz, 93.1 MHz POWER: 5 kw; 97 kw at 660 feet FORMAT: Oldies; CHR

Live Oak Broadcasting Company a subsidiary of Love Broadcasting Company

has acquired

KNAN (FM) Monroe, Louisianna

from

Hope Communications, Inc. for

$2,410,000 Our Associates Ernie Pearce and Randy Jeffery

represented the seller in this transaction, and assisted both parties in negotiations.

CHAPMAN ASSOCIATES' nationwide media brokers

E. L. Pearce 8425 Dunwoody Place

Atlanta, GA 30338 (404) 998 -1100

Randall E. Jeffery 7479 -C Conroy Road Orlando, FL 32811

(305) 295 -2572

TRANSACTIONS AT A GLANCE

Transactions So Far in 1986: $2,671,360,000 This Week's Transactions: $78,100,000

KLBJ -AM & FM /Austin $27 5 million Hicks Communications (6 of 8 stations) $20 million KAYI /Tulsa WYNK -AM & FM /Baton Rouge KLVI & KYKR/Beaumont, TX

WXTR /Washington $14.5 million

DKM Broadcasting (4 of 20 stations) $6 75 million KSAL & KYEZISalina, KS KOEL -AM & FM/Oelwine, IA

WNDR & WNTQISyracuse $6.5 million WBYR/Buffalo price undisclosed WFXR /Ravenel, SC $2 million WOKBIWinter Garden, FL $850,000

This chart lists transactions announced in 1986. Deals announced in 1985 but completed in 1986 are not included.

WFXRIRAVENEL, SC PRICE: $2 million

BUYER: Coastal Broadcasting, Inc., Richard Glover, President. It also owns WJTXIUrbana, IL.

SELLER: Sunshine Broadcasting, South Carolina, Inc., George Silver- man, President. It also owns WMGX /Portland, ME and WZIDIMan- chester, NH.

DIAL POSITION: 101.7 MHz POWER: 1 26 kw at 450 feet FORMAT: AOR BROKER: Blackburn & Co., Inc.

KERB & KRBLI KERRVILLE, TX PRICE: $1 1 million

BUYER: Stiles Communications Corp., Jerry Stiles, owner. It also is purchasing KEBQ /Ardmore, OK. SELLER: Kerrville Radio, Wayne Dayton and Joe Abernathy, owners, Abernathy also owns KTON & KTQN1

Belton, TX.

DIAL POSITION: 1230 kHz; 94.3 MHz POWER: 1 kw; 3 kw at 105 feet FORMAT: Nostalgia; Country BROKER: Jack Riley of Riley Representatives

WOKB /WINTER GARDEN, FL PRICE: $850,000 BUYER: Champion Broadcasting System of New York, Inc., Herbert Hoffman, owner. It also owns WORN /Brookline, MA. SELLER: Lesli Broadcasting, Arnold

Schorr, principal. DIAL POSITION: 1600 kHz POWER: 5 kw days FORMAT: Urban Contemporary BROKER: Norman Fischer & Associ- ates, Inc.

GROUP SALE: DKM BROADCASTING (4 OF 20 STATIONS) PRICE: $6.75 million BUYER: Independence Broadcast- ing Corp., John C. Goodwill and Peter Sulick, principals. SELLER: DKM Broadcasting, James W. Wesley Jr, President It

also owns KMEZ -AM & FM /Dallas; KLZ & KAZYIDenver, WAOK &

WVEE/Atlanta; WCAO & WXYVI Baltimore; WAKR & WONE1Day-

ton; WONE & WTUE /Dayton; KWTO -AM & FM /Springfield, MO; and KFOR & KFRXILincoln, NE.

BROKER: The Mahlman Co.

KOEL -AM & FMI OELWEIN, IN DIAL POSITION: 950 kHz; 92.3 MHz POWER: 5 kw days/500 watts nights; 100 kw at 370 feet FORMAT: AC; Country

KSAL & KYEZ/SALINA, KS DIAL POSITION: 1150 kHz; 93.7 MHz POWER: 5 kw; 100 kw at 510 feet FORMAT: AC; Country

1986 Radio Group Sales

Metromedia to Metropolitan (9 stations) $285 million

Blair to Reliance (8) $170 million (estimated)

Viacom to management (9) $142 million (estimated)

Outlet to management (4) $75 million (estimated)

Resort to Telstar (24) $70 million

Katz to NewCity Communications (1 1) $68.3 million

Affiliated to EZ (9) $65 million

Group One to DKM (8) $59.9 million

Doubleday to Emmis (3) $53 million

Josephson to Saga (6) $39.9 million

Capitol Cities to Encore (7) $38 million

Republic to Jacor (5) $34 million

NEWSystems to Panache (4) $28.5 million

Mid America to WIN (6) $25 million

Great Trails to President Alexander Williams and partners (9) $25 million

(estimated)

LIN to Heritage (6) $23 million

Hicks to Narragansett (6) $20 million

ELF to REBS (6) $15 million

Roden to Holt (6) $10.5 million

Sentry to Sage (8) $9.4 million

cc

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Your discovery of the stars of tomorrow will assure your station stronger community awareness today. This highly impactful program will build cume, involve your listeners, and generate extensive visibility in the local press.

So join these winning stations today: WRKS, New York- WBMX-AM/FM, Chicago - V -103, Baltimore.

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R &R FRIDAY, NOVEMBER 14, 1986115

RADIO BUSINESS

RADIO OWNERS SCRAMBLE

The Taxman Cometh: Creative Accounting Booms

The most heralded creative minds in

radio today are working not in the studio, but in the accounting department. Faced with the threat of large tax in-

creases next year, wrought by new tax legislation, station owners are scrambling.

Traders are selling and operators are restructuring, all with an eye toward minimizing the bite taxes take out of their profitability.

"Almost everybody in acquisitions and divestitures is going wacky," noted Bud Wertheimer, President of WBUFI Buffalo. Forgive Wertheimer's hyper- bole, but the impending changes in

taxes have had a marked impact on the business of radio.

"I've been involved in a dozen transactions over the past two- and -a -half months, representing $70 million in assets, where taxes are critically important" said Tom Gammon of Amerlcom Radio Brokers, the Washington, DC- based brokerage firm.

120% Tax Differential Possible

There is unanimity in the financial community: any company selling a ra-

dio station next year could owe the federal government as much as 120% more than they would have paid this year. "We examined one proposed purchase that would have netted our company $31 million in profits," Werth- eimer reported. "According to how the deal was structured, we could have paid between $9 million and $21 million in taxes."

Most sources agree that the greatest impact of the new tax scheme will be caused by the repeal of the General Utilities Doctrine. It stems from a 1935 Supreme Court case which held that a liquidating corporation could not be tax- ed on the distrìbition of profits to shareholders.

Double Tax Hit "The effect of the repeal of the Gen-

eral Utilities Doctrine will be that the li-

quidation of most corporations will result in a double tax - once at the corporate level and once again at the shareholder level," according to a tax advisory compiled by Frazier Gross & Kadlec, Inc., a Washington, DC -based consulting firm, and the Washington law firm Dow, Lohnes & Albertson.

The tax advisory added that "the change in the tax rates, when combined with the repeal of General Utilities Doctrine, will drastically alter the tax effect on corporate liquidations,"

Under one scenario outlined by Fra-

zier Gross & Kadlec, a company with assets worth $100 million would have ended up with an after -tax profit of $78.7 million under the current laws.

"Almost everybody in

acquisitions and divestitures is going wacky."

-Bud Wertheimer, W BUFIBuffalo

Under the new laws, the after -tax profit would be reduced to less than $53 million, a difference of almost $24 mil-

lion.

Most tax experts agree it's too late to

try to squeeze any more station sales in this year with the hope of enjoying the current, more favorable tax schedule.

However, the more creative financial planners are utilizing some innovative techniques that will protect their corn - panies from the full brunt of the tax

changes in the future.

Third Quarter Earnings Reports

Gannett - $689,059,000 ( +25 %) operating revenues; $65,530,000, net income; earnings per share of 81 cents.

Harris Corp. - $469,400,000 sales; $16.3 million, net income; earn-

ings per share of 40 cents. Herffage - $40.6 million reve-

nues (+13 %); operating cash flow of $9.7 million; losses of 20 cents per share

Jacor - $7,475,324 revenues; $455,014 net income; earnings per share of two cents.

LIN - $48,428,000 net revenues; $18,898,000 net income; earn-

ings per share of 68 cents. Viacom - $233,297,000 reve-

nues: $3,435,000 net earnings; earn-

ings per share of 10 cents.

Partnerships, Sub-S Corporations Gain Favor

Experts in the communications field have pointed to two methods (or "action steps" as Americom's Gammon likes to call them) - liquidation of corporate assets into a limited partnership, and transfer of the company from Chapter C to Sub -Chapter S status - that have gained popularity in recent months.

Under the first scenario, liquidation to a limited partnership, a corporation cre- ates a "taxable event' in 1986, locking the company into the 20% capital gains rates that are now in effect. Under this scenario, shareholders - and not the corporate entity - would have to pay the tax, and would avoid the double dip of the new regulations.

The tax benefits of the second scenario - liquidation of a Chapter C corporation into Sub- Chapter S - closely resemble those of the first: taxes are paid, not at the corporate level, but at the personal level by shareholders.

More Options For Small Companies

Tax experts caution, however, that li-

quidation to Sub- Chapter S has limita-

tions that may preclude some companies, particularly larger concerns, from enjoying its benefits. "The drop to Sub -Chapter S is not a panacea," Gam- mon stated, pointing out that only companies with one class of stock, fewer than 35 shareholders, and no subsidi-

aries are permitted to utilize the classifi-

cation. On the whole, larger companies "are

just going to have to tough it out," Gammon concluded. Most of the relief currently under consideration will benefit small -to- medium sized companies.

Very small companies, however, have more flexibility in assessing their tax situation. A "small, closely held

Reporting Transactions To have a radio station transaction

listed in R &R, broadcasters and brokers should contact the FMB Wash- ington Bureau (202- 662 -7484) as soon as details are available. Sale clos- ing photos and broker news, such as personnel and office announcements, are also welcome.

company" - that is, with assets of less than $5 million and 50% of its stock held for "a substantial period" by fewer than 11 shareholders, according to most definitions - has until Jan. 1,

1989 to sell its assets while enjoying the current tax schedule.

Careful Planning Critical The bottom line, all experts agree, is

for every station owner to immediately set his accountants or financial planners to the task of exploring alterna- tives such as those described. Several firms, including Frazier Gross 8 Kad- lec, now offer special services tailored to the new tax scheme, and could be tapped for expertise.

"People who are used to doing their homework on this issue now have a different, and more challenging, kind of homework to do," concluded Frazier Gross VP Jack Kane.

Howard Continued from Page 3

rep. After a stint as New York Sales Manager for Forjoe & Com- pany, he became President of Stars National, Inc. in 1952. Four years later he formed his own radio rep firm, Bernard Howard & Co., specializing in Black radio- In 1969 he sold the company to Son - derUng Broadcasting. It was then sold to Viacom in 1979 and to McGavren Guild in 1982. His firm merged with Interep's Hillier, Newmark & Wechsler to form Hil- lier, Newmark, Wechsler & How- ard.

"This is a turning point for me professionally," Howard commented. "After all these years having been directly involved in Black marketing, I would merely be changing the focus of my work from selling to consulting, and offering a much -needed service to broadcasters and advertisers alike."

Interep President Les Goldberg said, "Bernie has contributed to the success of HNW H and I am glad that Interep will continue to have a working relationship with him." Interep Chairman Ralph Guild added, "I look forward to working wth Bernie in our new client /consultant relationship -"

CALL SIGN CHANGES

Albuquerque, NM KOB-FM to KKOB- FM (effective 10/28)

Albuquerque, NM KOB to KKOB (10/28)

Alexander City, AL WRFS to WSTH (10/31)

Alexander City, AL WSTH to WSTH -FM (10/31)

Algoma, WI WOMA (new, 11/5) Austin, TX KLOT to KKMJ (11/7) Brewer, MA WMLI to WGUY (11/17)

Charlotte Amalie, VI WSTT to WSTE (requested)

Crested Butte, CO KIEG to KBUT (11/10)

Elloree- Santee, SC WMNY to WGZS (12/17)

Ennis, MT KKMT (new, 10/29) Fort Campbell, KY WABD -FM to WCVO

(requested)

Gaithersburg, MD WMTG to WMET (11/4)

Gladstone, MI WWUto WWTM(11/3) Greensburg, PA WXVX to WNVU

(10/29)

Hamlin, TX KRKS to KWZD (10/28) Hanford, CA KLTK to KCLO (10/27) Harbor Beach, Mi WWTM to WFMM

(10/24) Healdton, Of< KZEA to KTYX (11 /4) Huntingdon, TN WPSE to WHIZ-FM

(requested)

Ketchikan, AL KGTW (new, 10/29) Lompoc, CA KXCCfM to KBOX (11/1) Luray, VA WOAA to WYFT (requested) Melbourne, FL WYRL to WMMY (re-

quested) New Bern, NC WAZZ to W1KS (re-

quested) New Bern, NC WWMG to WSNO (re-

quested) New Bem, NC WRNB to WLOJ (11/3) Newport, OR KNPT-FM to KYOT

(11/10)

Palmer, AL KUZN (new, requested) Pikeville, KY WJSO (new, requested) Pittsburg, TX KXAL -FM (new, re-

quested) Placerville, CA KILL (new, 11/4) Pompano Beach, FL WBSS to WWHR

(12/8) Ravenswood, WV WRAU (new, 11/4) Riverside, CA KSLD (new, requested) Southwest City, MO KCTE to KLTK (re-

quested) -- St. Johns, Ml WLNZ to WWSJ (re-

quested) Strasburg, VA WESI (new, 11/4) Topeka, KS KSKX to KEW! (11/4) Tullahoma, TN WCWY to WKOD

(11/15) Tullahoma, TN WKOD to WKOD-FM

(11/15) Westfield, MA WNNZ (new, requested) Wichita, KS KNNN to KICT (11/4) Wichita, KS KICT to KICT-FM (11/4)

Radio's blue -chip broker for Major and Medium Markets.

New York: 914 -779 -7003 Bob Biernacki Bob Mahlman gosh Mayberry

California: 619- 341 -0855 Lou Faust

THE MAHLMAN COMPANY One Stone Place, Bronxville, NY 10708/73.981 Highway 111, Palm Desert, CA 92260

WASHINGTON REPORT 16/ R &R FRIDAY, NOVEMBER 14, 1986

r

HOLLINGS. MARKEY LIKELY CHAIRMEN

Radio's Election Outcome: Tougher Senate, Looser House

Last week's election appears likely to have a mixed impact on radio's fortunes in Congress over the next two years. Democratic control of the Senate by a 55-45 seat margin bodes ill for further deregulation, especially Fair- ness Doctrine reform. But the guarantee of a new House Telecommunications Subcommittee Chairman offers hope for a break in a longstanding stalemate on broadcast issues in the House.

It's a virtual certainty that Sen. Ernest (Fritz) Hollings (D-SC) next week will be named Chairman of the Commerce Committee, which oversees broadcasting. He takes over from John Danforth (R -MO), who had little impact on the industry during his short tenure.

As Commerce Chairman, Holl- ings becomes the Senate's key communications player. The panel's Communications Subcommit- tee is largely ceremonial, with most real work done at the full committee level. Subcommittee Chairman Barry Goldwater (R -AZ) is retiring, and Hollings may take over the subcommittee chairmanship, also.

Moderate Hollings Befriends Fairness

Doctrine Hollings's communications coun-

sel, Tom Cohen, describes his boss as "middle of the road." While sup- porting the broadcast deregulation bills that have passed the Senate in recent years - only to die in the House - Hollings is also a firm supporter of the Fairness Doctrine, political broadcast rules, and the multiple and cross -ownership rules.

"He's cautious about deregulation," said Cohen. "He wants to make sure competition truly exists" before handing more free- doms to the industry. Cohen declined to forecast what issues will get top priority in 1987.

FCC Faces Democratic Congress

Democratic control of the Senate may translate into rougher treatment of FCC Chairman Mark Fowler on Capitol Hill. One congressional staffer said the power shift could make the Commission more "risk -averse." As he put it, "They won't have the luxury of a

Phil Sharp

Who finally gets the job may depend largely on how the subcommittee survives an expected Com- merce Committee reorganization. In addition to broadcasting, the panel has jurisdiction over consumer protection and finance, including the hot issue of corporate takeovers.

elimination of the comparative renewal, NAB's top legislative priority; Swift's anti- trafficking proposal; preservation of minority licensing preferences, which the FCC is trying to eliminate; and possible "backlash" against the Commis- sion's easing of licensee "character" qualifications.

Ernest Hollings

Republican Senate to save their butts when they go too far."

On First Amendment issues, RTNDA Exec. VP Ernie Schultz said it's "too early" to make pre- dictions: "Let's wait and see who's sitting in what chair." Noting that even a GOP Senate was unable to chip away at the Fairness Doc- trine, he added, "I think we have a better chance in the courts."

Wirth Out Of Picture The leadership picture in House

communications policy making is less clearcut. After six years as Telecommunications Subcommit- tee Chairman, Tim Wirth (D-CO) gave up his House seat to run for the Senate. Despite opposition from Colorado broadcasters, who view Wirth as an enemy of deregulation, he eked out a 16,000 -vote victory in the race to succeed retiring Sen. Gary Hart (D-CO). Wirth isn't expected to seek a Commerce Committee seat in the Senate, or to remain active in broadcast issues.

Three Emerge As Contenders

To Succeed Wirth Based on their seniority on the

full House Commerce Committee, three men have emerged as possible Wirth successors as subcommittee chairman. The current frontrunner is Rep. Edward Mar- key (D -MA), who now chairs the Energy Conservation & Power Subcommittee. Most recently, Markey expressed outrage at the FCC's attempt to end minority preferences, calling the move "a shock and an insult."

Other possible replacements for Wirth, neither current members of the subcommittee, are Reps. James Florio (D-NJ) and Phil Sharp (D-IN). Florio chairs the Commerce, Transportation &

Tourism Subcommittee, while Sharp heads the Subcommittee on Fossil & Synthetic Fuels.

Ed Markey

Possible scenarios include cutting back the subcommittee to telecommunications only, or abolish- ing it entirely and folding it into another panel.

Markey Called Flexible, Constructive

Scott Johnson, legislative aide to subcommittee member Al Swift (D -WA), predicted that Markey would be a more "flexible, constructive" chairman than Wirth. He said that, on his Conservation Subcommittee, Markey has shown a willingness to "fight on issues," giving opponents a chance to make their case.

Wirth's style has been more aut- ocratic, using his power to completely block legislative proposals he opposes, notably broadcast deregulation.

Johnson predicted that, whoever becomes chairman, several issues are likely to "boil up relatively quickly," among them "more in- tensive" oversight of the FCC;

James Florio

"He's cautious about deregulation."

-Hollings Counsel Tom Cohen

Copyright Jurisdiction Falls To Biden

The elections also brought a shakeup in the Senate committee that handles critical copyright issues such as audio home- taping and TV music licensing Sen. Jo- seph Biden (D-DE) will take over from Strom Thurmond (R-SC) as Chairman of the Senate Judiciary Committee. And it's unclear whether the Copyright Subcommit- tee, formerly chaired by Charles Mathias (R -MD), who retired, will be abolished.

NEWS BRIEFS NTIA Studies AM

Stereo Marketplace The federal agency that advises the

White House on communications pol-

icy has launched a survey of AM radio

stations to determine whether the mar-

ketplace has adopted a de facto AM

stereo standard. Assistant Commerce Secretary Al-

fred Sikes said the survey is "a critical

element in our study of marketplace ac-

ceptance of the competing AM stereo

systems." The study is being con-

ducted by the National Telecommuni- cations and Information Administra- tion (NTIA), which Sikes heads.

NTIA is seeking information from AM

stereo stations, as well as those who

haven't adopted the technology. "We

hope to get an accurate picture of past,

present, and future marketplace ac-

ceptance of these systems," Sikes ex-

plained.

"Prompt marketplace acceptance of AM stereo is an important step toward improving the overall sound quality of

AM radio," Sikes added. Since taking office earlier this year Sikes, a former Missouri radio broadcaster, has taken a

keen interest in the growing movement to rescue the AM band.

Other Key Developments: Denial of an "equal opportunities"

complaint against KABCILos Angeles by a former U.S. Senate candidate has

been upheld by the FCC.

NAB has chosen "Broadcasters ... Serving Local America" as the theme for its annual convention, to be

held next March 28 -31 in Dallas. M- other convention theme will be next year's celebration of the U.S. Constitu- tion's 200th birthday.

ELECTIONEERING - NAB hosted an election -night reception for young political leaders from 30 nations, as well as

numerous Washington politicos. Addressing the group were former State Department spokesman Nodding Carter and

FCC Commissioner Mimi Dawson. They are Executive VP and Secretary General, respectively, of the American Coun-

cil of Young Political Leaders.

Also last week, NAB's Broadcaster Congressional Relations Committee (BCRC) heard from Sen. George Mitchell

(D -ME), who quarterbacked his party's recapture of the Senate last week as Chairman of the Senate Democratic Cam-

paign Committee. Mitchell (left) is shown with BCRC Co- chairman Gary Capps, Capps Broadcasting, Bend, OR.

Republic Radio Sales

Growing in the best tradition

Since becoming a Katz Radio Group Company Republic Radio Sales has:

Doubled its sales staff across its 13 sales offices

Tripled its research staff, expanding its research systems and sales support services

Quadrupled its client roster

Joined the No.1 billing unwired rep network

Acquired full resources of the Katz Radio Group

ea

épublic Radio Sales A Katz Radio Group Company

One of The Best


WHAT'S NEW Edited by Don Waller

Put Your Name On The Street

Whether it be South Street. where all the hippies meet: E Street, where

sparks fly; or Lonely Street, the location of Heartbreak Hotel, you can now

buy your own street sign from almost any of the most famous streets in

American music through the Chicago -based What's YOUR Sign? com-

pany. And if, say, Dead End Street wouldn't make a fabulous addition to the

bar, den. or office of any loyal Kinks fan, you can also personalize these

24" x 6" metal, reflective green street signs with your own name or any

other message of up to 11 letters. All signs sport white lettering and the

standard abbreviations for Street, Lane, Place, Terrace, etc.

The promotional potential of these items, which have holes for flush

mounting and optional wing brackets, is limited only by your imagination.

Each sign retails for $24.95, and quantity discounts are available. For addi-

tional information, contact the firm at (312) 341 -0057.

Ski Speedometer

Whether you're traveling downhill or cross -country, this skier's

speedometer uses a free -spinning Lexan wheel to track your progress

and a built -in microprocessor to calculate highest speed attained,

average speed, distance traveled, and elapsed time. And its accuracy

rate falls within two percent. All data is displayed on the gadget's LCD readout in either U.S. or

metric units and is retained in the unit's memory until manually cleared.

With a total weight of four ounces, the skier's speedometer attaches

easily via foam tape to the rear of your ski, where it can be activated by

-the touch of your ski pole.

Fully operational in temperatures up to 40 degrees below zero (Fah-

renheit), the skier's speedometer will not affect balance or weighting. Re-

quiring three A76 watch batteries, the item is available from the Ham -

macher Schlemmer catalog. Price: $64.50.

Executive Etiquette Good manners are a combination of

common sense and consideration for

others. They may also be the thread

upon which hangs the success or fail-

ure of a career. Etiquette not only det-

ermines a company's or an executive's

image, but also affects employee

morale. Other than in telephone conversa-

tion, perhaps nowhere is executive eti-

quette more important than at a busi-

ness lunch. Here, according to eti-

quette expert and author Letitia Bald -

ridge, are the social rules that govern

this potentially deal- breaking meal tak-

ing. Maybe you and your employees

are already known for your mastery of

the social graces, in which case you

may peruse the following with amuse-

ment (or refer to it for settling barroom

bets). To begin with, the person who sug-

gests "let's do lunch" is responsible for

setting the time and date, choosing the

restaurant, reserving a table, and

reconfirming with both the restaurant

and guest.

One Drink Minimum Never order more than one drink be-

fore lunch and two drinks before din-

ner. Even if you don't drink, as host

you should offer your guests the

privilege. Allow the waiter to take your guest's

orders before your own. Wine should

be ordered either in bottles or separate

glasses only after your guests have se-

lected their entrees and according to

their preference for white or red

In these days of controlled expense

accounts and a soon -to -be lessened

tax deduction, guests should never or-

der the most expensive thing on the

menu Guests and persons lunching

with a corporate officer of a lower rank

should never start the business discus-

sion. It is the host's responsibility to in-

itiate such conversation after approxi-

mately 15 minutes of "small talk" have

elapsed, giving everyone time to relax

and know each other better.

If you smoke, wait until everyone has

finished dessert and then ask permis-

sion. Don't use your plate as an ash-

tray. either. If you smoke a cigar, ask

permission from those at the surround-

ing tables before lighting up.

Lipstick Traces Women should blot their lipstick

twice before approaching the table, so

as not to leave unappetizing prints on

glasses or cups. Under no circum-

stances should makeup be applied at

the table. Bacon, french fries, and firmly -

cooked asparagus may be eaten with

the fingers. Chicken may be picked up

with one hand only, after the majority of

the flesh has been cut away with uten-

Mo. AM. i r >. / / \ ./ i II=11=

TOP 20 CONCERT PULSE

LW TW ARTIST 1 GENESIS

1 2 NEIL DIAMOND

2 3 ELTON JOHN - 4 BILLY JOEL

3 5 VAN HALEN

4 6 ZZ TOP

5 7 BOB SEGER

7 8 JOURNEY 6 9 STEVIE WONDER

8 10 KENNY ROGERS

9 11 WHITNEY HOUSTON

10 12 HUEY LEWIS & NEWS

11 13 NEIL YOUNG &

CRAZY HORSE

12 14 AC/DC 13 15 DAVID LEE ROTH/

CINDERELLA 14 16 ALABAMA 15 17 MOODY BLUES

17 18 RUN- D.M.C.IW HODINII

LL COOL J

16 19 MONKEES 19 20 38 SPECIAL

The CONCERT PULSE is a weekly computerized report ranking each artist by their average box office gross reported per venue Courtesy or POLLSTER. a publication

of Promoters' On.Line Listings (800) 344-

7383 or m California 12091 2242631

sils. Everything else should be eaten

with a knife and fork. Cutting an entree

entirely into bite -size pieces is strictly

for children. Sopping up sauce with a

piece of bread is permissable only after

tearing off the bread and impaling it on

your fork first. Upon finishing a course, place your

utensils next to each other in a vertical

position, fork tines or spoon bowl

down. This tells a properly trained

server you are finished eating.

Don't place your elbows on the table

while eating, although it's all right to do

so between courses. Don't punctuate

your gestures with your utensils, and

don't use a toothpick at the table,

either.

If you should fail to live up to these

standards or perform a faux pas such

as dropping an item while transferring it

from the serving platter to your plate,

quickly turn the episode into a self -

deprecating joke - before everyone

else does. Bon appetite

Remote Control Booster

As all good couch potatoes - and couch tomatoes - know, all

remote controls are not created equal. Some have to be aimed with near

marksman -like accuracy. Others have such limited range that they can be

considered remote controls in name only.

Now, thanks to Steve Wozniak of Apple computers and US Festival

fame, there's "Tyrone," an inexpensive, compact power booster that not

only allows you to operate any infrared remote control unit from any-

where in the room, but also completely eliminates the need to aim the

unit. Measuring 13/." by 23/4" by 31/2" and weighing less than four ounces.

"Tyrone" attaches in seconds without tools. The unit operates on a sin-

gle nine volt battery and sports an LED indicator to let you know whether

it's working. With a retail price of $25, "Tyrone" is available via the

Sharper Image catalog.

Scented Snapshots Imagine those photos you took on your last vacation smelling like a

forest of pines, or those family Thanksgiving portraits you take every year

smelling like a freshly roasted turkey with all the trimmings. The possibilities

are almost endless, thanks to a "fragrant photos" process recently

developed by New York -based Scentronlcs Industries.

As reported in the Wireless Flash radio news service, the process

uses a special night -light that illuminates a photo while simultaneously

releasing a fragrance. Although the company claims it can duplicate any

smell via its giant "fragrance library," right now the scented snapshots

available are limited to a picture of a baby's room that smells like baby

powder, a snapshot of a bubblegum machine that smells like bubblegum,

and a romantic photo of a man and woman that smells like musk.

Why Edens Broadcasting chose a rep instead

of a conglomerep. By Gary D. Edens. President and Chief Executive. Edens Broadcasting

Gary Edens (left), shown with Jerry Schubert. President, Eastman Radio

We pride ourselves on broadcasting quality programming, and needed a rep that knew how to sell more than just numbers.

Eastman captures the unique character of our stations- without reducing them to mere statistics in a ratings book. Eastman tells the whole story.

We've got nothing against numbers, but our award -winning stations have personalities and formats that stand out in a sea of statistics.

KQYT in Phoenix pioneered the easy listening format. KOY, Phoenix, has won more news awards than any other Arizona station. Tampa's WRBQ launched the Morning Zoo," becoming one of America's 10 most admired stations. In Richmond, WRVA is celebrating its 40th year with the same morning man. And Richmond's WRVQ dominates the contemporary format with its 200,000 watt signal.

These are stories worth telling, and Eastman makes sure they're told. Eastman sells radio. Only radio.

A lot of reps use radio sales as a training ground for TV. Not so at Eastman.

Their reps specialize in radio -only radio. They take the time to get to know our stations, earning a high share of national dollars by selling the quality that numbers alone can't reach. In Tampa, for example, Eastman just produced the highest single month of national billings in that station's history. Eastman treats us like family.

Eastman's never let us down by treating radio time as commodity trading. They're big, but they don't sell "supermarket- style" like those conglomereps. They treat us like family.

We've grown with them, and we're growing because of them. As long as they keep that momentum going, it's Edens and Eastman forever.

® EASTMAN = =- = _I __


SAM MOORE & LOU REED

MODELS

NU SHOOZ

MARTHA DAVIS & SLY STONE

RICKY

BRENDA RUSSELL

VESTA WILLIAMS

RAE DAWN CHONG

TOM SCOTT

SEE THE SMASH NEW WORLD PICTURE. HEAR THE MUSIC ON A &M RECORDS AND BASF CHROME TAPE

C1966 MM RECORDS INC. ALL RIGHTS RESERVED

STREET TALK It was a big week at Black Rock. Besides

the debut of the "Boss Live," rumors about the sale of CBS RECORDS were running rampant at the beginning of this week, fueled by the presence of people who looked like

financial evaluators. But CBS founder WILLIAM PALEY reportedly was adamant that the division should not be sold, and staffers were breathing somewhat easier by Tuesday. They were also waiting to hear what word might emerge from the company's monthly board meeting Wednesday (11/12).

Meanwhile, CBS has completed the $125 million sale of its music publishing division to CHARLES KOPPELMAN, MARTIN BANDIER, and STEPHEN SWID, whose partnership is

now known snappily as SBK ENTERTAINMENT WORLD. The buyers of CBS SONGS have also signed a separate, four -year deal with CBS RECORDS to administer whatever future copyrights the label

acquires in the course of signing and developing artists.

J. WALTER THOMPSON has signed a

multi -year agreement for full national service with BIRCH RADIO, becoming effective with the summer '86 survey. JWT VP /Media Research Director BOB WARRENS said, "J. Walter Thompson has always encouraged a

competitive media research environment. We have been watching with interest the progress being made by Birch Radio and I am pleased to report that Birch service has passed our preliminary evaluations."

RELIANCE, which has recently acquired the assets of BLAIR, is rumored to have come to the decision not to sell off the radio stations (as many have suggested).

From Nashville we hear that COMPLEAT RECORDS is picking up the ADVANTAGE label from MICK LLOYD, complete with its

three artists. Compleat President /CEO CHARLIE FACH says Advantage, like

Compleat, will be distributed by POLYGRAM.

Also along Music Row, the divestiture of

co -owned businesses by the OAK RIDGE

BOYS continues while their SILVERLINE- GOLDLINE publishing company is about to be

purchased by MEL TILLIS's MUSICPLEX group.

What major West Coast record label

President reportedly has held several

discussion with both partners of an L.A. -based

syndication company, with all three interested in a possible takeover? Stay tuned ...

WNEW- FMINEW YORK's new morning man is 16 -year station vet /midday man DAVE

HERMAN, who's returning to the shift he did

for many years until 1982. Weekender RAY

WHITE has been upped to middays, while

former morning cohost MARK McEWEN will

be handling parttime.

New to Classic Rock KLSX /LOS ANGELES: morning man KEN NOBLE, from crosstown KFI & KOST, and PM driver DAMION, onetime PD at rival KLOS and most recently wakeup host at KKCYISAN FRANCISCO.

Digital audio tape (DAT) will be the hot topic in Vancouver next month (12/11), when music industry heavies meet with officials from Japan's Electronic Industries Association. And we are talking heavy, with scheduled attendance by CBS's WALTER YETNIKOFF, CAPITOL /EMI's BHASKAR MENON, WARNER BROS.' MO OSTIN, CHRYSALIS's CHRIS WRIGHT, JAN TIMMER of POLYGRAM, and

NESUHI ERTEGUN of WEA INTERNATIONAL - among others. They want protection (preferably legislative) against the master - quality home taping which they say DAT's introduction will bring. The Japanese want labels to make their music available for DAT software.

From San Antonio we hear that soft AOR KESI has been sold for $9 million to a group consisting of JOHN HIATT (who's stepped down as VP /GM of crosstown AOR KISS), and a venture capital group from San Francisco.

The Smithsonian Institution appears set to acquire FOLKWAYS RECORDS, a label -

concentrating on international ethnic and folk recordings. Folkways's founder, MOSES ASCH, died last month at the age of 81 but

agreed to the transaction last summer.

Last week we mentioned that RICHARD SMITH will be heading up GEFFEN's Black

Continued on Page 22

The Boss Box A few "BRUCE SPRINGSTEEN /Live

1975 -85" box facts, according to COLUMBIA sources:

The first shipment included 1.5 million units (five albums, three cassettes, or three CDs per unit).

The boxed set consumed 773,000 pounds of vinyl and 172,000 miles of cassette tape (enough to circle the earth seven times).

Over 1 million pounds of paper was used to print the picture booklet alone.

If all the units were stacked in one place it would take storage facilities equal to five football fields to house them all.

Prices for the boxed sets are running from $19.98 to $28.00, depending on location. Sources indicate this represents an initial net billing of well over $30 million for Columbia. Merry Christmas, LAWRENCE TISCH (and to you too, Bruce!)

Great talent's hard to find! . But it doesn't have to be.

TALENTMASTERS 1554 Pinecreek Way Woodstock, GA 30188 (404) 926 -7573

LONE JUSTICE

SH E L T E R THE NEW SINGLE AND ALBUM. PRODUCED BY LITTLE STEVEN, JIMMY (OVINE AND LONE JUSTICE ICE CREAM MANAGEMENT

WATCH FOR LONE JUSTICE ON TOUR WITH THE PRETENDERS.

GEFFEN RECORDS

1966 THE DAVID GEFFEN COMPANY AVAILABLE ON LP, CASSETTE OR COMPACT DISC

22/ P&P FRIDAY, NOVEMBER 14, 1986

94Q KIIK WFXX KQCR PWR997 KIYS WKSF KFRX WRSR KSND WJAD WSPT K104 KQMQ WCGQ KTRS WERZ KXYQ Q104 KKAZ WPST WIGY WZYP KOZE WBBQ OK100 Q 101 KTMT WBCY 95XIL WPFM KZFN FM100 WVBS OK95

-GRAGFIAMY THE NEW SINGLE ANI) 12" FRI )M FI4 Al IA M,;R.It li 1\A

CMp V. wvv. MAR \II<IIRCI,R1,RITI\,

L STREET TAU( Continued from Page 20

Music Department, moving over from ARISTA. What we didn't say was that Smith left Arista 21/2 years ago, and TONY ANDERSON currently is VP /R &B there. More details on

Page 3.

Let's get the name straight! DALLAS COLE, who is leaving the VP /GM seat at WKTI /MILWAUKEE for VP /VH -1 (as reported last week), is going to drop his radio name "Dallas" - and will now be known simply as JEFFREY ROWE.

With KIPPER McGEE leaving B97 /NEW ORLEANS to program WRKRIRACINE- MILWAUKEE, EZ VP /Programming DAN VALLIE is looking for a killer replacement. Could that "killer" already be "rolling" around the hallways at B97?

As the original artwork from the 1985 Cartoonists' Thanksgiving Day Hunger Project ( "Comic Relief ") is set to be auctioned off November 25 at the United Nations, event organizers are preparing for a repeat performance later this month. This year's project, spearheaded by cartoonists JIM DAVIS, LYNN JOHNSON, and MORT

WALKER, is attempting to surpass the $50,000 raised in 1985. All proceeds will be

used to combat hunger and homelessness in

the U.S. For more information call (213) 556 -1812.

AOR KKDJ /FRESNO is threatening legal action against crosstown Gold KLCY. Seems KLCY wake- uppers DON FISCHER and DEAN OPPERMAN, who recently jumped ship from KKDJ, are airing a "Breakfast Club" featuring an "Aunt Penny" character - which KKDJ claims it has proprietary rights to. KLCY GM EDWARD HOYT says he has "taken the posture, under advisement of attorneys, to simply wait and see what KKDJ does next." Hoyt also points out that DON McNEIL aired the first "Breakfast Club" in the early 1930s, and says "if anyone has the rights to the concept it is he."

In other legal action, it looks like a $1 million lawsuit against WNVZ /NORFOLK Morning Zoo Masters COREY DEITZ and PD CHRIS BAILEY is the result of the pair being good samaritans at the expense of a judge's ego. According to local newspapers, the plaintiff is General District Court substitute Judge W. BRANTELY BASNIGHT Ill, who ruled in favor of destroying two dogs who had become public nuisances. Deitz and Bailey took up for the "underdogs," brought public pressure to bear, causing a reversal by another judge. Basnight is charging the dynamic duo with slander and libel. "No comment" from station management.

What Chicago sports personality was suspended for two days for alleged female posterior posturing (aka, pinching a fellow

worker's behind)?

Also in Chi -Town, DON DAVIS has exited as PD at WCKG, COX BROADCASTING's AOR outlet.

WDVE /PITTSBURGH has nabbed SCOTT PAULSEN from crosstown AC WHTX for mornings. This marks a return to AOR for Paulsen; he pulled huge shares in

WIMZ/KNOXVILLE PM drive until leaving for 'HTX afternoons 11 months ago.

San Diego powerhouse AOR KGB has moved PAT MARTIN into 10pm -2am and made BRYAN SCHOCK its overnighter and morning show producer. They replace ADRIAN BOLT and KEITH ROYER, respectively.

Though KCGL /SALT LAKE CITY recently dropped modern rock in favor of religious programming, don't be surprised if ex -KCGL GM RICHARD REES and PD DEL WILLIAMS install their new music format at another station in the market.

KROO /LOS ANGELES has countered KMET's new "94.7% New Rock" slogan by altering its own "Rock Of The 80s" slugline to "Rock Of The '80s And '90s."

In Baltimore, WWMX PD RALPH WIMMER is gone, with consultant JIM HERRON serving as acting PD until a permanent replacement can be found.

Joining the KSCS /DALLAS airstaff around December 1 will be ANGELA BROOKS, who's spent the last four years at KIKK /HOUSTON, and CHUCK EDWARDS (who's currently MD /afternoons at WGKX /MEMPHIS).

More movement:

HARV BLAIN, PD at KAY107 /TULSA is resigning to pursue other programming interests ... WLCS /JACKSONVILLE morning man JACK DIAMOND has departed to host "Good Morning Jacksonville" on the local ABC -TV affiliate ... HAAGAN HIGGINS has left his weekend fill -in position at TRANSTAR

WRON /TOLEDO OM WALT BENNETTI exits as DRAKE CHENAULT moves in as consultant ... WHYL/HARRISBURG names pm- driver RAY THOMAS PD and morning man MIKE KURT'S Promotions Manager ... New WVSRICHARLESTON PD JAY JARVIS is actually CAT SUMMERS, who previously was with (among others) KWKIST. LOUIS.

Heartfelt condolences to:

The friends and family of BOBBY NUNN, founder member of the COASTERS (and the ROBINS, before that), who died of a heart attack, at age 61.

The family of PRETENDERS soundman PETER GRANGER, who was killed in a hit -and- run accident when he pushed his daughter out of the way of an oncoming car.

LOS ANGELES

213 -459 -8556

JPC THE INNOVATORS

CONGRATULATES TAMPA /ST. PETERSBURG

ON A TERRIFIC SUMMER SWEEP JEFF POLLACK COMMUNICATIONS

THE PROGRAMMING & MARKETING LEADER

NEW YORK

212 -315 -5889

I

THEY HAVE DEFINED WHAT'S BEST

_IN ROCK'N'ROLL. THEY HAVE HAD

CLASSIC HIT AFTER HIT . .

REALLY GOT . . ALL DAY AND ALL

OF ... DEDICATED FOLLOWER Of .. .

TIRED OF ... LOLA ... COME DANCIN'..."

AND NOW, THEIR LATEST SINGLE

RELEASE

The

Originals

And

Still

The

Greatest

Ray Davies,

Dave Davies

an Gibbons

Bob Henrit

Jim- Rodtord

Mick Avory

-n

0

u=r r ns!i;

m_

X n

Produced by Ray Davies at Konk Studios, London

.MU RECORDS ON MCA COMPACT DISCS, HO CASSETTES AND RECORDS

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wmmo0---

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in

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debut #14

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NOW

BREAKING

IN THE

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KWK WZYQ KITS WQCM KS103 WJMX KATD 0101 930 99KG KITY WDBR KDON KOZE KITS KHTZ

5XXX OK95

the new single and twelve inch SUBUR IA PRODUCED BY JULIAN MENDELSSO,'.

from the platinum album please

PROMOTIONS Arista Appoints Prescott, Alter

Dave Prescott

Linde Alter Arista Records has elevated

Dave Prescott to the post of South- east Regional Promotion Manager. Linda Alter, most recently SE Re- gional Director for Motown Rec- ords, is the label's new Director/ Promotion, South.

WEA Promotes Cohen, Bledsoe

WEA International has promoted Jennifer Cohen to VP /Product Development and Tracy Bledsoe to

VP /Press & Public Relations. An eight-year WEA veteran, Cohen began as a management trainee, later becoming Acting Director /Press &

Public Relations, Product Manager, and eventually Director /Product Development. Bledsoe joined WEA in 1978 as Director /Public Rela- tions, advancing to Director /Press & Public Relations. Prior to that she was in Promotion /Black Music for Elektra Records, served as Direc- tor /Publicity for McCall's magazine, and was Production Asst. for ABC - TV News.

Three Promoted At Luckle StreeUNolen- Reeves

Luckie Street Records/Nolen- Reeves Music, Inc. has appointed Ed Lozano as Professional Manag- er /Nolen- Reeves Music, Inc. and Radio Promotion /Luckie Street Records. In addition, Cindy Lang- ston and Alicia Ferguson will share the duties of Office Manager for the companies.

R &R FRIDAY, NOVEMBER 14,1966/25

Chrysalis Ups Ritholtz Allen SESAC Director

Jennifer Cohen

Tracy Bledsoe

uli

Adam Ritholtz

Adam Ritholtz has been appointed Sr. Director /Business Affairs for Chrysalis Records. For the last three years he was Records Coun- cil for CBS, Inc., prior to which he was Director /Business Affairs for CBS Records International. Before that he was an attorney with Grub- man, Indursky and Shindler.

Kirnberger, Costabile Named At CBS Records

Andreas Kirnberger has been appointed Director /A &R Local, CBS Records, Germany, and the label has also named Thomas Costabile Director /Special Projects, CBS Records International. Kirnberger has been the label's A &R Manager since ì 981, prior to which she was its A &R Coordinator in Germany since 1978. Costabile was most recently CBSI's Director /Design &

Projects, Facilities Engineering.

Durpetti & Associates Ups Weggeland

011 Nothing improves the image of a local advertiser like a prime spot in the world's most respected radio news broadcast.. AP Network News.

AP gives you dozens of those prime spots every day. Our on -the -hour newscasts, hourly business, farm and sports reports, and our special interest features are all totally free of commercial inventory

You pay for the news. You sell it, during drivel

for example, for whatever your

quarter -hour ratings will bring on the open market Plus, perhaps, a little more.

After all, no matter what your format, every local advertiser wants his spot to run right after the #1 Hit On The Charts.

Call Jim Williams at 800- 821 -4747, or your local AP Broadcast Executive, for more information on the best way to help your clients look Big Period

Press OD ubCast Services

ciated ut A t- Wtth

Sandy Weggelend

Durpetti & Associates has named Sandy Weggeland Sales Man- ager. She joined the company a

year ago, and was previously an AE for Eastman Radio.

CHRONICLE Born To:

W RONIToledo midday personality Brad Hanson and wife Kathy, son Eric Elyse, September 28,

A&M National Director /Album Promotion Al Calera and wife Linda Feder, son Theodore Francis, Oc- tober 31.

Married:

WGARICleveland OM Jay Christian to Chihi. September 20.

Mac Allen

Mac Allen, a past president and

one of the founders of the Coun- try Radio Seminar, has joined SESAC as Director /Broadcast Licensing. His background in-

cludes positions with Acuti -Rose Music, Inc. and WKDA -AM & FMI

Nashville, and most recently as

Manager /Feature Programs for the Mutual Broadcasting System.

PROS ON THE LOOSE

Hare Blain - PD KAY707frulsa (918)250 -4935

Bob Burshay - MD /Air Person- ality WCXIIDetroit (314) 471- 1471

Mike Hammer - MD /Middays WKHKIRichmond (804) 733- 6627

Hasgan Higgins - Weekends/ Fill -in Transfer (213) 659- 2344

Tom Kant - Nights WAVAI Washington (703) 620 -5117

Tom McGuire - PD WXCL/ Peoria (309) 688 -5358

Michael McMillion - Late- nights WMKR(K106)1Baltlmore (301) 358 -2955

Brian Millar - Aftemoons/Sales KLPX/Tucson (602) 293 -4308

Wanda Ramos - Middays WVEE/Atlanta (404) 987 -8856

Don Rivers - PD /Middays WZZOITerre Haute, IN (912) 439 -0484

Brian Rogers - Swing Shift WHYN & WHFMISpringfletd, MA (203) 6734537 -°

Steve Rogers - PD KYXX/ Odessa (405) 672 -5767

Shane - Middays KCAL1RIver- side (7t4) 338.4811

Dave Shropshire - Mornings KSAO(096)ISan Antonio (512) 680 -4394

Andl Stevens - Managing Coor-

dinator Harriet Wasserman Man- agement (818) 905 -7441

John Sutton - OM WOSFIRIch- mond (804) 220-0111

Jodi Wilbur - Middays WGCU Cleveland (216) 861 -4844

Chuck Williams - Parttime KJYYIHouston (713) 785 -5891

Ralph Wlmmer - PD WMKR (K106)/Baltimore (301) 252 -3830

Woody Woodmeyer - Sports - talk North America -One Network (608) 647 -6387

Bob Young - MD /Air Personality KKGRIAnchorage (404) 234- 6957

26/ Re,R FRIDAY, NOVEMBER 14, 1986

RATINGS AND RESEARCH

RIP RIDGEWAY

Rhody Bosley: On The Record Rhody Bosley has been Arbitron's VP /Radio Sales

and Marketing for a little more than two years. During this time, there have been several significant changes in the Arbitron service and its plans for the future. The most significant recent change was continuous measurement and now, with the winter survey, comes the "redesigned" local market report. Reaction to this and other ideas and plans for Arbitron's future are two topics Bosley discussed in the following interview - which was conducted prior to the completion of the summer survey period.

R&R: The continuous measurement concept was a bold step. You developed a marketing plan which provided the subscriber with a large latitude for decision -making and essentially offered a see -now, buy -later concept with significant discounts to subscribers who act prior to December 31. What has been the pre- publication acceptance of the idea?

RB: Continuous measurement (CM) is being viewed as a valuable addition to Arbitron Services. We are gratified that more than a third of those eligible (current subscribers) have already signed for four nooks a year.

R&R: The CM concept seems to have several facets - it is a response to competition and at the same time a "carrot" to subscrib-

Rhody Bosley ers up for renewal. How do these factors affect your decisions?

RB: Those are really two different factors which don't interact.

Musicscan Plus is the HOT music rotation system

from TAPSCAN.

Even if you are already using

a "state of the art" music system,

you haven't seen the best... until you've seen

MUSICSCAN.

(205) 987 -7456

O

s._ ANTM

1986 TAPSCAN, INC. 2100 DATA PARK, SUITE 202 - BIRMINGHAM, Al. 35244

Arbitron's development of the CM service was an outgrowth of the agencies' requests for more measurement. We may have been a bit slow in hearing and understanding exactly what our agency community was saying to us, but with CM we open several more ways to serve them as well as radio. The competition only helped focus our attention on the agency community's needs. We strongly believe that with more measurement in both the winter and summer periods, radio will be able to better position itself to advertisers as stable, reliable, and efficient all year 'round. Agencies did not use a summer book in the past because there were so few markets measured. With 77 major markets measured four times per year, every survey period will have greater use at the agency level.

R&R: Birch has been gaining support from some agencies, and Arbitron seems to have taken a more aggressive competitive stance as a result.

RB: Our subscribers, both agencies and stations, have urged us and now are complimenting us on taking an aggressive marketing position. Although Birch is making many claims via the press, we are not seeing an erosion of Arbitron contracts or in the rise of Arbitron data for buying and selling radio. To assist our marketing effort, we created a promotional issues campaign which we believe puts a strong light on some areas that are not well understood or have been skillfully clouded. We're continuing to examine the issues, and we'll respond to them accordingly.

R&R: What can stations expect from Arbitron in terms of short - term improvements?

RB: We have implemented two modifications to improve response rates beginning with fall '86. Non - DST households with a male 18-24 will receive a $2 premium for each respondent, and the remaining non -DST households will receive a dollar bill in a follow -up letter. The research on each of these proce- dures indicates that we can expect a gain in response rate.

Winter '87 will bring us the redesigned local market report, and this project is on schedule. To help the transition in report formats, Arbitron will be releasing a micro- computer based "Radiotutor" in December. This will help the users become acquainted with the new format. It will also provide information and techniques a station can use to help sell more of the available time, which should make more money for the station.

R&R: What are your plans for the longer term?

RB: An important technical enhancement to the Arbitron audi-

ence estimates is called "calendar weighting," and it will be introduced in late 1987 or early 1988. With this procedure, each phase (month) of a three -month period will be given equal weight at the 12+ level. The significance here is that both the local market report (the printed book) and Arbitrends (our rolling -average report) will be produced the same way. Although some consultants continue to believe that the final month always has the largest sample size, the im- plementation of calendar weighting will guarantee each month is of an equal value in the audiences reported.

R&R: The NAB Task Force on Audience Measurement has been continued for another year. I understand Arbitron did not submit a proposal in response to its published request last spring. What was the rationale for that decision?

RB: This is not the first NAB Task Force on Audience Measure- ment. Previously, when NAB had a similar task force, Arbitron sub- mitted ideas and we were called arrogant for doing so. This time, we responded by informing the Task Force committee that we would meet with them at any time or any place to discuss the issues at hand. The Task Force ignored this offer.

R&R: The NAB has another group which I believe you are working with. What can you tell us about that venture?

RB: The Committee On Local Radio Audience Measurement (COLRAM) has suggested an improved diary design which it believes will increase response rates. We are discussing the details of the design. When there is agreement, we will test it in the hope of discov- ering a new diary design. This test could come early next year.

R&R: Birch recently announced a change in the survey periods of its quarterly service. Has this had any effect on Arbitron's survey periods or position?

RB: No. The Birch survey period, as it has been announced, includes two of the most atypical weeks of the year, during the winter holiday period. We don't believe this is good for radio. By measuring a total of 48 weeks a year we can properly exclude those atypical periods and provide more meaningful estimates to our subscribers.

R&R: A little over a year_ago, Arbitron released information about the effects of four -week curves and provided a means of making good estimates of their magnitude. Where does this project stand now?

RB: We believe the use of four - week cume information can be very beneficial for radio and for advertisers.

FOUR HITS...NO ERRORS

WPHD deb 38

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TINA TURNER "Two People"

SECOND "MOST ADDED" 80/80

CHR NEW & ACTIVE

BOB SEGER AND THE SILVER BULLET BAND

KBOS add

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TRACKS Q

PAUL McCARTNEY "Stranglehold" WEAG deb 25 WFXX add

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CHR NEW & ACTIVE

FREDDIE JACKSON "Tasty Love"

PRO -FM 34 -30 WLAN add 35 WCKN 34 -26 KITY add 95XXX deb 36

Y100 add WBBQ add KBFM 29 -25 WDLX 21 -16 WCGQ 32 -29 WCZY 26 -20 KZZB deb 38 Y106 add 34 KF95 add 27 Z102 deb 37

WHYT add 20 WROQ 33 -31 WRVQ add KRQ add WVBS add

O BLACK/ URBAN CHART (2nd WEEK)

"Grassland... pives up a groove so buoyant it could float a loan to Zimbabwe' -Village Voila, Robert Christgau

"A supple, seamless, piece of top -notch pop music. This is a brilliant bulls -eye for Simon..:' -San Francisco Chronicle, Joel tel ive

Graceland) is Simon's most

rhythmically infectious, dance -

inducing and delightfully upbeat

album ever...A rich tapestry of

familiar and unfamiliar sounds.

The result is an often hypnotic

and almost always fascinating

synthesis of African and Amen -

can roots.."

-Boston Globe, Susan Wilson

About Paul Simorfs "With his characteristic refinement, Simon has fashioned the rock album equivalent of a work of literature. Graceland is something new"

-New York Times, Stephen Holden

Graceland...is not about Elvis Presley or his Memphis estate. It is not about the faddish attempt

of a white American pop star to jump on the Third World bandwagon, but a remarkable recording effort

that truly synthesizes the music of two different places. The best pop records and adventure.

Graceland is something more: a journey. " - Newsweek On Campus, Bill Barol

"Weird and wonderful, Paul Simon's Graceland

neatly fuses the singer - songwriter's gentle, dis- passionate pop with the

modern music of South

Africa...lt seems like a

well- intentioned experi - ment that shouldn't really

get off the ground, but it

does- beautifully. " - Los Angeles Times

Chris Willman

i

"Commercially risky,

artistically daring,

Grace land is

surely one of

1986's terrific pleasures

and finest pop

achievements."- Musician, Chris Morris

Grae1and...

GRACELAND FEATURING THE TITLE TRACK SINGLE Produced by Paul Simon Engineer: Roy Halee

O I98E WARNER BROS. RECORDS INC.

une or the most ammtiou

albums of the year, Graceland i

also one of the best. The uniol

of Sirrlon's typically idiosyncrati

wordplay with South Africa]

zydeco a::d Mexican rhythm

is inspired. Simon has neve

sounded smarter or more vita

-Rolling Stone

"- Simon has never been bette

at mixng images of wonde

and fatefulness, and has neve

s'e:ned morn acute at voicin:

cclmplex characterizz.tions -oni

winds up marveling at the mus

c? sensation or it all. (Graceland

is ...mcin's most outgoing albun

no' to mentio,l his best :' -Lo.

Angele:; Herald. Lxamin.r, Mika

(;limns

I


O\LY CHCAGD KN011S

NEW & ACTIVE

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VA: Neu' Single From the Chicago Albuni 18 On Warner Brot. Records.

Produced By David Fatter

© 1986 Warner Bros. Records Inc.

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O

RATINGS

Summer Birch Results

Dayton- Springfield

WGTZ Slips, Still Leads; WTUE Stable; WBLZ Gains Three

Sp '86 Su '86

WGTZ (CHR) 17.2 15.9 WTUE (AOR) 11.0 11.1 WHIO -FM (B /EZ) 11.4 9.9 WBLZ (B /U) 5.7 8.7 WHIO (AC) 9.3 7.9 WSKS (AOR) 6.6 7.5 WWSN (AC) 5.6 5.0 WONE (Ctry) 3.6 4.3 WYMJ (AC) 5.0 4.2 WLW (AC) 2.8 3.7 WBZI (Ctry) 2.4 2.2 WBLY (Ctry) .4 1.8 WING (AC) 1.7 1.7 WVUD (Ctry) 2.4 1.5 WDAO (B /U) 2.4 1.3 WFCJ (Rel) .7 1.2 WIZE (AC) .2 1.0 WPTW (BBnd) .1 1.0 WPTW -FM (RIEZ) .6 1.0

Kansas City

KYYS Jumps Two Points; KFKF Increases;

Urban Stations Up Sp 86 Su '86

KYYS (AOR) 10.9 12.9 KBEO (CHR) 9.7 9.6 KFKF (Ctry) 7.8 8.9 KBKC (B/U) 5.3 8.3 WDAF (Ctry) 9.5 8.0 KCFX (Gold) 5.9 7.4 KMBZ (N/T) 5.2 7.0 KPRS (B/U) 5.4 5.6 KLSI (AC) 5.7 5.4 KMBR (B/EZ) 3.6 4.5 KCMO (N;T) 4.0 4.1 KZZC (AC) 4.3 3.6 KUDL (AC) 5.7 3.4 WHB (AC) 3.2 2.3 KJLA (BBnd) 2.3 1.3 KXTR (CIas) .9 1.3 KCUR (Misc) .8 1.1

Oklahoma City

KATT Climbs; KJYO Hits Double Digits; KPRW Makes Healthy Jump

Sp '86 Su '86

KATT (AOR) 17.0 18.3 KJYO (CHR) 8.4 12.0 KXXY -FM (Ctry) 11.5 9.3 KZBS (AC) 7.0 8.2 KTOK (N/T) 5.4 7.2 KIMY (AC) 5.1 5.6 KPRW (B /U) .2 4.9 KEBC (Ctry) 6.3 4.7 KOMA (AC) 3.7 4.5 WKY (Ctry) 4.3 4.5 KKNG (B /EZ) 5.6 4.0 KLTE (AC) 4.4 4.0 KMGL (AC) 9.9 3.6 KJIL (Rel) 2.6 1.6 KCSC (CIas) 1.0 1.2 KKLR (AC) 2.0 1.1

Houston- Galveston

KMJQ Widens Lead; KRBE- FM Edges KKBO Combo; Country Race Tightens

Sp '86 Su '86

12.0 12.2 6.1 8.8

11.2 8.7

6.0 6.3 6.2 5.7 7.1 5.4 4.7 5.0 2.9 4.1

1.9 4.0 3.5 3.7 4.6 3.5 4.7 3.5 6.2 3.1

.8 2.1

.6 2.0

.4 1.9 2.6 1.8

.8 1.8 1.5 1.6 1.1 1.3 1.0 1.2 1.8 1.1

1.1 1.1

.5 1.1

1.7 1.1

.7 1.0

KMJQ (B/U) KRBE-FM (CHR)

KKBO-AM & FM (CHR)

KLOL (AOR)

KSRR (AOR) KIKK-FM (Ctry) KILT-FM (Ctry) KPRC (N/T) KOUE (AC) KODA (B/EZ)

KFMK (AC) KLTR (AC) KTRH (News)

KLAT (Span) KXYZ (Span) KJOJ (Rel) KTSU (Jazz) KUHF (Jazz)

KJYY (AC) KILT (Ctry) KSBJ (Rel) KGOL (Rel)

KRBE (Gold) KHCB (Rel) KYOK (B/U) KEYH (Span)

Rochester WCMF Slips; CHR Stations Up; WKLX

Posts Strong Debut Sp '86 Su '86

WCMF (AOR) 18.0 17.3 WPXY -FM (CHR) 1 1.9 12.4 WDKX (B /U) 11.6 10.8 WMJO (CHR) 5.7 10.2 WVOR (AC) 9.8 9.6 WKLX (Gold) 4.0 5.8 WZSH (8 /EZ) 5.1 5.0 WHAM (AC) 5.3 4.8 WEZO (AC) 7.3 4.5 WNYR (Ctry) 3.8 3.3 WBBF (Gold) 1.4 2.4 WXXI-FM (CIas) 3.6 1.6 WFLC (Ctry) .3 1.3 WWWG (Rel) .5 1.3 WGMC (Jazz) 5 1.1

Formerly WZKC (CM) 'Formerly WYLF (BBnd)

Seattle- Tacoma KISW Retains First; KIRO Drops; KUBE Still CHR Leader

Sp '86 Su '86

KISW (AOR) 12.5 11.4 KIRO (N/T) 9.7 8.7 KUBE (CHR) 6.7 8.0 KMPS-FM (Ctry) 4.0 6.1 KPLZ (CHR) 4.3 4.8 KOMO (AC) 5.0 4.5 KIXI (AC) 4.0 4.2 KNBO (CHR) 4.5 3.7 KVI (Gold) 2.5 3.5 KKFX (B/U) 1.9 3.3 KLSY-FM (AC) 3.7 3.1 KMGI (AC) 3.0 3.0 KRPM (Ctry) 3.1 2.8 KBRD (B/EZ) 3.3 2.7 KING-FM (Clas) 2.1 2.7 KEZX (AOR) 2.1 2.6 KSEA (B/EZ) 2.9 2.4 KCMS (Rel) 1.3 2.3 KING (N/T) 2.3 2.1 KHIT (CHR) 2.3 1.9 KZOK (AOR) 2.5 1.8 KJR (AC) 1.8 1.7 KLTX (AC) 1.0 1.7 KMPS (Ctry) 2.2 1.4 KPLU (Jazz) .4 1.4 KNHC (CHR) .9 1.3 KUOW (Clas) 1.9 1.1

Cincinnati WEBN Extends Lead; WLW Goes Double

Digits; WUBE Up Sp '86 Su '86

WEBN (AOR) WRKQ (CHR) WLW (AC) WUBE (Ctry) WBLZ (B/U) WRRM (AC) WWEZ (B/EZ) WKRC (AC) WCKY (N/T) WCIN (B/U) WNK-AM & FM

(AC)

WSKS (AOR) WLLT (AC)

WGUC (Clas) WDJO (Gold)

WVXU (Jazz) WAKW (Rel)

WNOP (Jazz)

12.9 10.3

8.8 8.3 8.3 5.1 7.4 6.3 4.8 2.9

15.6 10.7 10.6

9.5 8.7 6.0 5.6 5.0 3.5 3.4

3.1 3,3 4.3 3.1 3.2 2.7 2.5 2.1 2.1 1.5 1.8 1.3

.6 1.0 1.0 1.0

Portland- Vancouver KKRZ Adds Three; KGON

Enters Double Digits; KEX Advances On KGW

Sp 86 Su '86

KKRZ (CHR) 13.3 16.6 KGON (AOR) 9.9 11.0 KMJK-FM (CHR) 5.4 7.0 KGW (AC) 8.0 6.5 KEX (AC) 5.3 6.2 KINK (AOR) 7.0 6.0 KXL (N/T) 6.9 5.7

KKCW (AC) KUPL-FM (Ctry) KWJJ-FM (Ctry) KXL-FM (B/EZ) KWJJ (Ctry) KYTE (Clas) KPDO-FM (Rel) KBOO (Misc) KXYO (CHR) KSGO (Gold) KKLI (AC)

4.4 6.7 2.7 5.1 2.6 3.2 1.8

.6

1.2 1.9 2.4

4.7 4.7 4.3_ 4.2 3.1 2.4 1.9 1.8 1.8 1.8 1.4

N w! Achieving great success in radio requires well- defined goals, decisive action, and strong support services...but most of all, it requires strategic planning.

Strategic planning is the reason KDWB -FM has become the highest -rated CHR station in Minneapolis, the reason WGC1-FM just achieved the highest urban share in Chicago history, and the reason KITS -FM has returned to the top in Los Angeles.

Strategic Radio Research is proud to be a part of the strategic planning process of all of these success stories -and many more, including WROR. WKTI. and WNEW -FM, in both medium and large markets from coast to coast.

We're the research firm of choice for America's most successful radio stations. For more information on the strategic planning process and our role in it, call Kurt Hanson or Greg Daugherty today at (312) 280 -8300.

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STRUT YOUR STUFF

FRIDAY, NOVEMBER 14, 1986

NETWORKS/PROGRAM SUPPLIERS

NBC: 60 Years Of Peacock Pride The average life expec-

tancy of the American peacock is twelve years. But the peacock fronting for the Na- tional Broadcasting Compa- ny - the oldest of all broadcasting networks - has broken all records as it struts up to its 60th birthday tomorrow (11/15).

NBC aired its first network programming November 15, 1926 with a four -and -a -half hour variety show broadcast from the grand ballroom of the old Waldorf Astoria Hotel. Newly elected NBC President Mer- lin Hall introduced the network to the 1000+ members of the live studio audience, then turned the mic- rophone over for an evening of live entertainment heard in over 4 million radio-equipped homes tuned to 25 stations in 21 markets. The program was heard as far west as Kansas City and featured a stellar lineup, including Walter Damrosch conducting the New York Sym- phony, the New York Oratorio So- ciety, Will Rogers, the comedy team of Weber and Fields, and a group of Metropolitan Opera solo- ists.

Birth Of A Network Commercial American radio had

flourished between 1920 and 1924. The number of radio stations had peaked at 1400 during this period, but two years later had declined to 620. A lack of program continuity and cohesivness was causing the industry to suffer, and a common programming source seemed one possible answer to radio's woes. Major stations in major markets had difficulty obtaining quality programming and maintaining a quality service; most entertainment had to be live - thus making the station dependent on the availability of good performers. Each station also had to maintain its own news staff, often duplicating similar efforts of other stations. This dearth of programming led to the concept of networking.

A few ad hoc networks had been established several years prior to 1926, but NBC was the first to set up a permanent system of distributing network programming. In 1923 a six- station network carried Presi- dent Calvin Coolidge's message to Congress, and in 1924 12 stations covered the events of the Republi- can National Convention. Other important news events were also distributed over a network of stations, but none of these hookups survived as a continuing programming service.

These early attempts demonstrated a need for common station programming, giving birth to NBC. This new company was a spinoff of the new Radio Corpora- tion òf America, which in turn was

INNAUGURAL BROADCAST - NBC's first network broadcast took place November 15, 1926 from the ballroom of the old Waldod Astoria. Present for this momentous occasion were (far left) Charles Lindbergh and Amelia Earhart.

AMOS 'N' ANDY - Freeman Gosden

(I) and Charles Correll were first featured as "Amos 'n' Andy" on the NBC Red Network August 19, 1929.

TWO TEAMS - Fibber McGee and Molly (Jim and Marian Jordan) mug

with celebrity guests Edgar Bergen and Charlie McCarthy.

DALLAS - "Stella Dallas," based on the novel of the same name, was one of radio's first daytime serials. The show premiered on NBC in June, 1938.

INAUGURAL DUO - Vaudeville comedy team Weber and Fields performed on the first NBC Radio broadcast in

1926.

an offshoot of American Telephone & Telegraph, General Electric, and Westinghouse. RCA had arranged to purchase WEAF /New York (later to become WNBC) from AT &T in 1925, and the transaction became official in June 1926. NBC was incorporated in Delaware on Sep- tember 9, 1926; half ownership went to GE, 20% was held by West- inghouse, and RCA held the other 30 %.

RCA announced the birth of NBC with a September 13, 1926 newspa-

per advertisement claiming "The purpose of this company will be to provide the best programs available for broadcasting in the United States." The goal of NBC - and, thus, all of networking - was clearly established from day one. The intent was "to provide a new and badly needed service to the American public." NBC's objec- tive was to make arrangements so "every event of national importance may be broadcast widely throughout the United States."

Creating An Identity Beginning in 1927 NBC incorpo-

rated one of its best -known trademarks, the three -note chime. This "audible trademark" consisted of the notes G, E, and C, and is still widely used today in both radio and television broadcasts. A fourth note was added shortly after the network's birth and was sounded by NBC News only when an important story was about to be broadcast. This "confidential alert" originally

signalled network staffers when an important event was occurring, but soon became known to the public as well. Such stories as the explosion of the Hindenburg, the attack on Pearl Harbor, and the first noti- fication of the Normandy invasion were introduced by this signal.

As the network concept took off NBC realized that owned and operated stations would become a major factor not only in the economic growth of the company but also as a source of programming. The company began purchasing stations, adding (along the way) WMAQ /Chicago, WRC /Washing- ton, WKYC /Cleveland, WJAS/ Pittsburgh, and KNBR /San Fran- cisco to a list which already included WEAF.

NBC was initially formed to provide a single network service, but demand soon led to the formation

"The goal of NBC - and, thus, all of networking - was clearly established from day one. The intent was 'to provide a new and badly needed service to the American public.' "

of an additional source of programming on January 1, 1927. NBC engineers referred to the two networks as the Red and Blue, primarily due to the colors designating them on company coverage maps. The original Red Network was comprised of 25 stations; the Blue Network served six. Although programming was supposed to be exclusive to each network, in practice programming on the Red Network could be used to supplement station affiliates to either system.

A seven- station Pacific Coast Network was also formed that same year. These three services enabled NBC to broadcast the Rose Bowl from Pasadena on New Year's Day 1927, which was the first network program carried coast -to-coast. Regular cross - country radio transmission, however, did not immediately become cost-effective; NBC leased a wire between New York and San Fran- cisco in late 1928 and eventually began regular coast-to-coast service the following year.

The network's first studios - and those of flagship WEAF - were located in the AT &T building at 195 Broadway. The equipment was so primitive that one hot afternoon announcer Graham McNamee survived a long broadcast only by setting up an electric fan so it blew across a large chunk of ice. State-of-the-art at that point meant instantly obsolete, and within a year NBC had to move to cus-


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R &R FRIDAY, NOVEMBER 14, 198 & / 35

NETWORKS /PROGRAM SUPPLIERS

NBC: 60 Years Of Peacock Pride Continued from Page 32

tom -built facilities at 711 Fifth Ave. The amateurish, improvised, noisy studios were replaced by acoustic- ally-engineered rooms designed specifically with audio quality in mind. These new facilities soon lent themselves to the studio audiences, which were allegedly the brainchild of Will Rogers. Rogers reportedly would step outside onto the street and invite everyone in- side for his next broadcast.

On January 1, 1930 RCA acquired the outstanding Westinghouse and GE interests in NBC. Within three years RCA had occupied a major portion of office space in the new Rockefeller Center building project, giving it the name "Radio Ci- ty." New studio space outdistanced even the state-of-the-art equipment at 711 Fifth Ave., and the massive Studio 8-H became home to many of the network's early comedy and variety programs. Even today 8 -H is an efficient color TV studio, home to the network's "Saturday Night five" and presidential election night headquarters.

The Early Days The fledgling network industry

was largely a trial-by-error affair. Radio was only a decade old and few people had clearcut ideas of what would or wouldn't work. Mu- sic was mixed with comedy and drama, creating wide -appeal variety programs which were so popular they survived long into the age of television. Comedies, drama productions, and (a few years later) serials - nicknamed "soap operas" because of their sudsy sponsors - also were a smash hit, throwing the radio medium into its "Golden Age."

"Collier's Hour" was one of the first regularly -scheduled programs. The show grew so quickly that it soon had to move to studios in the Ziegfeld Roof Theatre at the top of the New Amsterdam Hotel. One of the show's trademarks was an immense glass wall, which was lowered to separate the performers from the studio audience; this was before the applause of hundreds of listeners was seen as an asset. This partition was later removed as studio audiences became a staple of the network programming diet. Al Jolson, Rudy Vallee, and programs like "Real Folks and the "Voice Of Firestone" became early favorites.

News and historical events also quickly found their place on the network. Both the Democratic and Republican National Conventions were covered during the summer of 1928, and national election coverage that November provided the country with results faster than ever before. Franklin Delano Roosevelt's New York gubernatorial inauguration on January 1, 1929 was given national attention, possibly paving his way, for his presidential landslide victory less than four years later.

That same day millions of sports fans heard Roy "Wrong Way" Riegels lose the Rose Bowl to Georgia Tech. President Hoover's innauguration two months later set the standard for such events for many years. Public events pro-

THE BIG SHOW - Pictured (I-r) during a performance of NBC's "The Big Show" are George Sanders, Peggy Lee, Portland Hoffa, Groucho Marx, Fred Allen, and Tallulah Bankhead.

... HOPE SPRINGS ETERNAL - Bob Hope, who has been with NBC for more than a hall century, was one of many performers who made the successful shift from vaudeville to radio.

CRIME BUSTER - "Mr. District Attorney" debuted as a summer replacement for Bob Hope and remained in the Top 10 network programs for years.

COMEDY COUPLE - Vaudeville veterans Jack Benny and Mary Liv- ingstone were pioneers of "straight- man "radio routines on NBC.

ON THE SPOT - Noted radio commentator Ben Grauer (r) interviews Justice wRiem O. Douglas on the NBC Radio Network in 1953.

gramming became commonplace, and the network began using "studios on wheels" for remote broadcasts.

The Pre -War Decade As the network industry began to

mature and the number of homes with radio exploded, the medium became part of American life. NBC's "Amos 'n' Andy" and Rise Of The Goldbergs" became programming staples as families gathered around the radio set after dinner and listened, in now-stereo- typed fashion, to their favorite characters. Groucho Marx, Jack Benny, Fred Allen, Ed Wynn, and Jack Pearl all emerged as radio superstars with their own shows, while programs such as "Captain

Henry's Maxwell House Show- boat" helped shape the careers of Lanny Ross, Jules Bledsoe, and Charles Winninger.

In 1932 NBC premiered its first Monday -Friday serial, "One Man's Family," which paved the way for an entirely different type of program - the soap opera. This form of programming soon proved ad- dicting to the radio audience, and others soon followed suit. Many of the stars of these early serials and nighttime programs soon found their way to Broadway and Holly- wood, among them Burgess Mere- dith, Joseph Cotton, Everett Sloane, and Richard Widmark. Several personalities crossed over the other way ; among them was Broadway star Bob Hope, who

came to NBC in 1927 and who has remained loyal to the network ever since.

News and information was becoming an important factor in the success of network radio. Political conventions, elections, and inaugu- rations were major productions as were reports on prominent Ameri- can and foreign officials. Adolf Hitler's policies for Europe were outlined in an address rebroadcast in the United States, while Italy's Benito Mussolini spoke to his coun- trymen about "Foreign and Social Policy. Back home in the U.S., President Roosevelt's "Fireside Chats" placated an entire population worried over economic and social conditions during the Great Depression.

As the audience grew to view radio as less of a curiosity and more a part of its heritage, more and better regular programming became the norm. Meanwhile, the electronic news media came into its own as would be proven during World War H. NBC reached its tenth anniversary with little of the skepticism that accompanied its birth; at a birthday party held in the new Wal- dorf Astoria a number of engineering innovations were demonstrated. Trans- oceanic communica-

"As the audience grew to view radio as less of a curiosity and more a part of its heritage, more and better regular programming became the norm. Meanwhile, the electronic news media came into its own."

tion, mobile broadcasts, and even two-way conversations between airplanes demonstrated the extent of network radio's - and NBC's - maturity.

The following year NBC founded the NBC Symphony Orchestra, re- calling Arturo Toscanini from Italy to serve as maestro. The Sym- phony quickly garnered an elite reputation of quality and style, and first performed under Toscanini's tutelage on Christmas Day. Tos- canini conducted the orchestra for 17 years. It was lauded not only for quality but also for its contribu- tions to America's victory effort in World War H.

Sight & Sound While radio was progressing by

leaps and bounds, NBC engineers were experimenting with pictures. Television station W2XBS debuted early in the '30s and was tested per- iodically, but technology had not yet reached the point of commercial feasibility. Radio was still light -years ahead of TV's cave - drawing status and was chided by many critics with the same criti- cisms faced by the automobile in its early days. Television's 'Miss- ing fadism" was barely a threat to radio and was largely viewed as a novelty - which at that point it was.

Until 1937, that is. That's when NBC's mobile video station appeared on the streets and beamed a 3 "x4" picture from a transmitter atop the Empire State Building (erected on the sight of the old Wal- dorf Astoria Hotel) to a receiving screen in Radio City. The following year the network aired selected scenes from "Susan and God," a Broadway production starring Gertrude Lawrence. It was for this broadcast that NBC's chief engineer invited a bevy of journalists to his home in suburban Connecticut to witness a picture transmitted over a distance of 50 miles.

Still, regularly -scheduled TV was a long way off. Radio was king .. and there was a war approach-

¡GS. Continued on Page 36


NETWORKS /PROGRAM SUPPLIERS

NBC: 60 Years Of Peacock Pride Continued from Page 35

The Electronic War World War II was the first time

the public was informed, on a regular and relatively immediate basis, of the country's battle status. These reports began several years before the bombing of Pearl Har- bor; the story of Germany's invasion of Austria and the network's reading of the script of Hitler's Nuremburg talk a week later proved to be "scoops" for NBC and gave early warning of the magnitude of the brewing war. In 1939 the Duke of Windsor addressed "the world"- from Verdun and asked for peace. But sensing an ever -growing conflagration, NBC sent the first network war reporter to Eur- ope. Hilmer Baukhage presented translated reports of Hitler's de- mands for settlement of Danzig and the Polish corridor; he followed up the next day with Germany's declaration that it was prepared to take both by force, if necessary.

As war erupted in Europe NBC broadcast regular reports on radio, but its progress on TV was halted. America's impending involvement in the war was somewhat fueled by the immediacy of the battleground reports, leading to a divided Amer- ican public. That division over what America's role should be ceased the morning of December 7, 1942, as NBC carried news of Ja- pan's attack on the U.S. at Pearl Harbor. The following day the network broadcast Roosevelt's war declaration to Congress, and on December 9 Roosevelt used radio to conduct his 17th "Fireside Chat" - this one prepping America for the next few years of wartime.

Reports from the front became frequent, and a new breed of jour- nalist - the war reporter - was born. John MacVane, Don Hollen- beck, and Merrill Mueller were three of NBC's top newsmen, and the American audience grew accustomed to their regular, sometimes eyewitness, accounts. The network also sent producers to mil- itary bases in the U.S. and over- seas to promote the war effort. "The Army Hour" featured on -the- spot stories from army camps and the battlefront. Late in 1942, however, the Office of War Information assumed control of all shortwave operations, limiting this kind of coverage.

Through 1943 and into '44 NBC traveled around the world to Casa- blanca, London, Guadalcanal, New Caledonia, and the South Pacific for "Army Hour" segments and other reports. When the network first flashed a report about the allied invasion of Normandy on June 6, 1944, all commercial broadcasts were preempted to provide continuous airtime for information coming from the front. President Roosevelt also used this time to lead America in a D-Day prayer.

As the war wound down NBC reported on Roosevelt's death on Ap- ril 12, 1945; 16 days later Mussolini was reported executed by Italian partisans, and on May 1 NBC broadcast reports of Hitler's death. One week later NBC again cancel- led its regular programming for the observance of the end of the

NOTHING BUT THE TRUTH - Ralph Ed- wards was the emcee of the original "Truth Or Consequences," which aired on NBC from 1940 to 1950.

CONTRACEPTIVES - Dr. Ruth Westheimer made history with onion rings and prophylactics as NBC Radio stepped into the '80s.

TWO ANNIVERSARIES - As NBC celebrates its 60th birthday, Walt Disney World marked its 15th anniversary with a

special edition of "Live From Walt Disney World." Network radio has come a long way since 1926.

war in Europe; the Japanese sur- render on September 1 was also broadcast directly from Tokyo Bay.

Into The TV Age Immediately following World

War II television began to take root. What was once strictly the do- main of radio now was shared with TV, and while radio survived intact into the '50s, the advent of the picture tube began to change the face of broadcasting. Successful radio programs made the switch to television, and at last thé audience could see their favorite performers as well as hear them. As TV networking became more sophisticated the family audience gathered around the five -inch screen rather than the radio set. At this point radio climbed into the back seat as TV took control.

As NBC's regularly- scheduled entertainment programming virtually disappeared, the radio network became a more news-oriented service, providing affiliate stations with headlines and newscasts. Radio itself became highly music -oriented and, except at

"Program syndication - which had been minimally (even moderately) successful for several decades - was beginning to turn a real profit. While news was still the bread and butter of radio networks, a few visionaries at NBC (and elsewhere) were beginning to take notice."

News/Talk stations, even news larLcly served only in an ancillary fashion. Rock and roll had little place for hard newscasts longer than five minutes, and as music programming evolved into a modern day science even five minutes seemed an eternity. The NBC Radio Network joined its competitors',in a period of stagnation and simply drifted its way into the '70s. NBC launched "Monitor" during this period, offering stations a weekend marathon of news, infor-

mation, interviews, and live remotes. The program, billed as radio's "window on the world," remained on the network for 20

years. Meanwhile, several elements

that would change the face of radio networking were taking shape. FM was edging out of its pigeonholed "progressive, experimental" status and was beginning to surpass AM in both quality and audience responsiveness. Also, audience tastes were leading to seg- mentation. In addition, program syndication - which had been minimally (even moderately) successful for several decades - was beginning to turn a real profit. While news was still the bread and butter of radio networks, a few visionaries at NBC (and elsewhere) were beginning to take notice.

The Transformation NBC launched its News Informa-

tion Service June 18, 1975 - and pulled the plug less than two years later. While MS was viewed as less than successful in its direction, its purpose was recognized. The network breathed a little life into its

radio news operation, broadcasting live on location and focusing on stories with a more direct impact on the listeners. Also, as audience diversification became recognized, the innovative minds at 30 Rock saw a need for serving a younger listener core. On May 28, 1979 the network fed two-minute newscasts targeted to the 18-34 audience to 21

test stations. The Source - the first "young adult network" - was born.

The Source was not designed to be just a news source for the younger audience. It was established as an alternative programming source for radio stations that didn't necessarily have the resources to provide quality programming on its own. The following year it began offering rock concerts and simul- casts, as well as a host of other long -form rock -oriented programming. This experiment appeared to pay off, as RADAR 23 in 1981 showed the Source #1 in its target audience.

With this success under its belt, NBC then decided to approach the News/Talk front. On November 2, 1981 Talknet was launched, with Bruce Williams and Sally Jessy Raphael providing live, call-in programming from 10pm -2am each_ weeknight. The service debuted on 23 stations, but in the five years since its birth expanded that number to 283 and almost doubled its programming schedule. Program hosts Bernard Meltzer and Dr. Harvey Ruben were also added to the lineup.

In 1985 NBC took several steps to ensure its place in the forefront of network radio. Having established NBC Radio Entertainment at the end of '84, it broadcast its first "Live From The Hard Rock Cafe" program at the end of January. At virtually the same time the network moved into its new studio complex (originally built for ABC SuperRadio) at '1700 Broadway, and two months later won the rights to a two-year exclusive contract for NFL Monday Night Foot- ball. Expanding its programming to a younger audience (through its new long -form programming wing), moving into state -of- the -art studios, and building its sports audience through football were moves calculated to maintain the network's long history of audience commitment.

As NBC reaches 60 tomorrow and as 1986 draws to a close, it seems ironic that the network - and its parent company - is once again back in the hands of one of its original founders: General Elec- tric. The irony is doubled by the possibility of another original founder - Westinghouse - working a deal to pick up the stations and possibly the radio network from GE. Whatever the outcome of this "merger mania," however, one thing is certain: after 60 years shaping the industry, NBC's pride is still showing.

Happy Birthday, NBC!

This column was compiled with the considerable help of Cathy Lehrfeld in the NBC Radio Press Department, and research material written by Samuel Kauf- man.

WHAT A WEEK TUESDAY

.MCA RECORDS

`. \'" S

CQPI\vC.' W Qo 318 - FRID V . 1 4\.,-

1. 12'49


NETWORKS /PROGRAM SUPPLIERS L

Y

Nothing But Cream It wasn't the best of times. The Depression and World

War II saw to that, but it was called the Golden Age of Ra-

dio. NBC had the creme de la creme during this period and here for your review is a humble summary of the ethereal stars who shone then.

Check And Doublecheck ION' The firsts superstars of radio

were "Amos 'n' Andy." They were `v so popular that most of America stopped for their show. Still, it has remained a very controversai series, largely because the two stars - Freeman Gosden and Charles Correll - were white men doing black characters. They came to NBC after doing similar characters for WGN /Chicago's "Sam &

Henry," joining the network's WMAQ on August 29, 1929.

In 1948, William Paley got them to jump to CBS as part of a major raid on NBC nicknamed "Paley's Comet." The duo eventually found themselves working more as DJs than radio characters, and the program finally disappeared from the airwaves in 1960.

F,ßgER

teat ``y and MO ts tuesday

N`9 It

Nec

Jello Again The highest -rated radio program

during the Golden Age of Radio be- longed to Jack Benny. It's been said that Benny sold so much Jello for sponsor General Foods that the company started pitching Grape Nuts instead.

Benny played himself in a show - within-a show format. His wife Mary Livingston played his girlfriend, Don Wilson was the announcer, Eddie Anderson portrayed Rochester, and for a time the or-

chestra was led by Bob Crosby (Bing's brother). The program also yielded a number of spinoff shows: singer Dennis O'Day had "A Day In The Life Of Dennis O'Day "; bandleader Phil Harris costarred in the "Phil Harris &

Alice Faye Show "; and Mel Blanc - who did a large number of sound effects and voices - had "Mel Blanc's Fix-it Shop."

Allen's Alley If anyone could match Jack Ben-

ny as the radio comedian it was Fred Allen. Allen started doing ra-

dio as emcee of the "Linit Salad Revue" for CBS, then became the host of "Town Hall Tonight" for

NBC on October 7, 1936.

Over the years Allen's program went through format changes. "Town Hall News" became "The March Of Trivia" and "The Work-

By Hurricane Heeran

with all visitors to 79 Wistful Vista), Marion did a wide range of

characters ranging from little girls to old matrons. Two characters, Beulah and Throckmorton P. Gil-

dersleeve ( "The Great Gilder-

sleeve" 1, were successfully spun off. The trademark of the show was McGee's closet, which first ap-

peared March 12, 1940 and required a full table of noisy junk (ending with a tinkling bell) for sound ef-

fects.

shop Players" became "The Mighty Allen Art Players." Some

features, such as "People You

Didn't Expect To Meet," were dropped when Allen went to a half - hour show in 1942.

Just as famous as the Benny -

Allen feud was "Allen's Alley," which debuted December 13, 1942.

The various characters inhabiting this show included Senator Clag-

horn, Mrs. Nussbaum, Titus Moody, Ajax Cassidy, and Falstaff Openshaw; playing them were Kenny Delmar, Minerva Pious, Parker Finley, Peter Donald, and Alan Reed. While some ethnic stereotypes were used for humor, this feature never was considered anti- Southern, anti -Semitic, or

anti- Irish.

Fibber McGee & Molly The two title characters in this

classic were played by Jim and Marion Jordan, who helped make Tuesday "Comedy Night On

NBC." The couple first worked for

NBC in 1931 on a serial called the "Smackouts," and in 1935 they were given the Fibber & Molly

characters. With Johnson's Wax as the sponsor they went on a streak that lasted until 1952.

While Jim Jordan was responsible only for Fibber (who interacted

Cast ensemble for "One Man's Family" in 1997.

One Man's Family Of the many dramas to grace the

airwaves, "One Man's Family" was one of the longest- running. It began on NBC's Orange Network on April 29, 1932 before going trans- continental on May 17, 1933. Aside

from being the city of origin, San

Francisco served as the base for the show's Barbour family and their lives.

The show was written and directed by Carleton E. Morse, who pre-

sented the show such that it avoid-

ed the pitfalls of soap operas and instead had the people look for hap-

piness in life. When it finally ended in 1959. the storyline was starting to

deal with the Barbour's great - grandchildren.

No Job Too Tough In his book "The Great Radio

Heroes," author Jim Harmon said

"I Love A Mystery" was the "greatest radio program of all time." This show, also a creation of Carle- ton E. Morse, was filled with the

exotic adventures and thrills from the pulp magazines. Some of the

worldly adventures included: "Temple Of Vampires," "Blood On

The Cat," "The Decapitation Of

Jefferson Monk," and "The Thing

That Cries In The Night." The

show was revived in the late '40s

with Tony Randall taking over as

one of the characters. Soap

Network radio created soap op-

eras. Produced mainly in Chicago, they were 15- minute dramas which

targeted the housewife, with soap

companies as the sponsors. The queen of soaps was Irna

Phillips, who was the writer /creator of many of these daytime dra-

mas. Her bubbling start was with

1933's "Today's Children." follow-

ed in 1938 by "The Guiding Light" and in 1939 by "The Right To Hap-

piness." Other network serials included

"Backstage Wife" (swiped from Mutual, which started it in 1935)

"John's Other Wife" - which had

no mention of extra -marital affairs (1936); tear-jerker "Stella Dallas" (1937) ; and "Young Widder Brown"

(1939).

Four -Color Radio After Mom was done with the

soaps, it was the kids' turn for ad-

venture. Some of the 15- minute shows were created expressly for radio. while others were adapta- tions.

"Little Orphan Annie" began her

radio career on NBC in 1931 and lasted until 1940. During that nine-

year period Annie sold plenty of

Ovaltine. and with the tin wrapper

S ri ̀/ 9AWNERS I RY YEAR Bia ER AND BETTER THAN EVER f

and one thin dime, anyone could get a special premium.

"Popeye, The Sailor" began in

1935, with Wheatena cereal as the sponsor, so spinach sometimes took a backseat as health food.

"Terry And The Pirates" started its radio run in 1937.

Jack Webb /Ben Alexander

Dum-de -Dum -Dum It was Saturday, July 9. A hot

day in Los Angeles. "My partner's Ben Romero. The boss is Ed Back -

strand. Chief of Detectives. My

name is Friday." To many crime story aficionad-

os, the previous paragraph represents the beginning to one of the

finest police shows ever made.

"Dragnet," which debuted in 1949.

became a major hit for NBC Radio and later made a successful transition to both television and the

movies. Jack Webb was Sgt. Joe Friday.

as well as the star and creator of

the serres. Previous to this, he had been the tough -talking lead character in "Pete Novak. For Hire." In "Dragnet," " Webb portrayed Fri- day as a no-nonsense cop who went

by rules, solved cases with his part-

ner through old- fashioned foot-

work, and rarely had to shoot it out

with the criminals. In honor of Jack Webb's positive

portrayal of police work, the Los

Angeles Police Department retired #714 (his badge number in the TV

series) when Webb died.

The Secret Word "You Bet Your Life" was not the

first radio show Groucho Marx did, but it was his first successful one. It began on ABC before moving to

NBC in 1950, and was one of the first shows to utiliww magnetic tape for recording and editing for tight- ness.

Stories Of The Future Science fiction and horror /fan-

tasy have rarely been considered safe for the electronic media, yet NBC still carried a few shows in

this field. "Lights Out" began in 1934. run-

ning late at night with ominous background chimes warning, "It

.. is ... later ... than ... you

... think." For science fiction fans there was "Dimension X" (which ran for one season) ; in 1955, the more successful "X Minus One" began with Galaxy magazine as the sponsor. Both shows normally used stories which ran in the magazines.

The Big Show As television began to erode the

audience for network radio, NBC

introduced "The Big Show." Rim-

ing 90 minutes, it carried a large number of guests with Tallulah Bankhead as the hostess and Mere- dith Wilson as orchestra conductor and foil.

The opening show on November 5, 1950 had Fred Allen. Jimmy Dur-

ante, and Danny Thojnas among the guests. After reading all the guests' names and telling the audience that it was the cream of show

business they would hear. Bank - head said. "That's NBC. Nothing But Cream."

So it was. And also in the words of Miss Bankhead. "Goodnight. dahling "

A Countdown to Ecstasy with Oedipus 1

ep a close watch on your listeners. They're about to do something ex- traordinary. They're going to multiply ... just as soon as you begin airing the new United Stations Program- ming Network AOR show, ROCK WATCH, starring OEDIPUS, the reigning mon- arch of on -air AOR personalities, and Billboard's 1985 Program Director of the Year.

Every week, OEDIPUS will take listeners on a 3 -hour trip to the heart of AOR, via R &R's Top 30 tracks. He'll even take them behind the scenes to hear brief insightful comments directly from the top artists.

It's a show with such phenomenal drawing power it was already cleared by many of the nation's leading AOR stations.

So don't wait another second to reserve this AOR show in your mar-

New York Washington, D.C. Chicago Detroit

ket. Call today. And reserve the one program that can count down the top tracks with the top AOR artists ... and multiply your listeners ... and ensure their un- divided attention from now on.

Dallas . Los Angeles London

ROCK WATCH is available on a swap /exchange basis to stations in the top 170 Arbitron -rated metro markets. There are 10 commercial minutes per hour, evenly divided between local station and network.

For station clearance information call United Sta- tions Programming Net- work Affiliate Relations in Washington, D.C. at (703) 276 -2900.

For national sales information call United Sta- tions Programming Net- work in New York at (212) 575 -6100.

E PA MakesliurProgr

"What About Love" NOW ON OVER 160 CHR REPORTER

FLASH - WLS ADD AT 371

"Heartache Away' 50125

ONE OF THE MOST ADDED

WPHD Q100 KQMQ

Y100 WKRZ KCAQ

WMMS WROQ KXYQ

KWK WNOK KCPX

KITS KZflU

Produced by Chas Sanford

MIAMI SOUND

MACHINE r

"Falling In Love

(Uh-Oh)" 104122 - 44°.

INCLUDING

B104 CK01 Y100 KITS

WXKS B94 0105 - KKRZ

WBEN PRO-FM KBEQ KS103

WKSE KRBE WLOL

#3 MOST ACTIVE!

L

ammingDecisions a -s "Stop To Love"

8104 29-23

WKSE on

CK01 on

8106 add

WAVA on

940 deb-32

Z93 35-31

KRBE on

Y100 on

CHR: 49118

INCLUDING:

B96 add -35

99DTX on

WCZY deb-36

KHTR add

KKRZ add

KMEL deb -31

KATD add -34

KPLZ add

BLACKIURBAN:

.

"Brand New Lover"

WMMS add KITY 23 -18

KATD add KIYS deb -39

KRBE on KYRK add

Q100 40 -32 WFXX add

WNNK on KSMB add

r WPOW 21 -18 KNAN deb -40

"Is This Love" CHR CHART: ®- e

NOW ON OVER 210 CHR REPORTERS!

AOR TRACKS:

LUTHER

VANDROSS

;71-

Í

The Week Of

L_ COMEDY


NETWORK FEATURE FILE -1

MUSIC FEATURES

LThe Weekend

November

American Eagle (DIR) Southern Pacific

Christian Countdown America (CCA) John Fisher

Dick Clark's Rock, Roll & Remember (USP) Cady Simon

The Countdown (WO) Mtume Bobby Brown

Countdown America With Dick Clark (US) Toto

Country Report Countdown (WRN) Reba McEntire. Dwight Toakamr

T.G. Sheppard

Country Today (MJI) Gattins

Dr. Demento (WO) '505 dementia

Future Hits (WO) JourneyrEric Clayton

Great Sounds (USP) Robert Goulet

The Great Star -Ship (BRE) Billy Joel:Paul Simon /Beach Boys

Highlights (DIR) Michael Jamal Warner

Hot Rocks (USP) Toto

Hot Spots (BRE) Genesis Steve Winwood Cameo

Jazz Show with David Sanborn (NBCE) Crusaders

Just The Gravy (ABCR) Thanksgiving special: Oak Ridge Boys.

Judds Merle Haggard /Ricky Skaggs

King Biscuit Flower Hour (DIR) Eddie Money

John Leader's Countdown USA (CUSA) Survivor

Metalshop (MJI) Saxon

Motor City Beat (USP) Diana Ross

Musical! (WO) Ben Vereeni "The Unsinkable Molly Brown"

22 - 23

National Howard Stern Show (DIR) Stewart Copeland

National Music Survey (WO) Berry Gordy /Human League /Daryl Hall

On The Beat (BRE) Anita Baker /Jeffrey Osborne

On The Radio (NSBA) Jermaine Stewart

Pioneers In Music (DIR) Alice Cooper New York Dolls'Tubes

Lou Reed

Powercuts (GSN)

(RI) Kansas /Steve Miller

Reelin' & A Rockin' Robert Palmer /Whoopi Goldberg

Reelin' In The Years Kinks/Norman Greenbaum

Rock Chronicles (WO) Ric Ocasek/KBC /Paul Simon

Rock Of The World (BRE) Steve Miller Band Genesis KBC

Rock Watch (USP) Genesis

Scott Muni's Ticket To Ride (DIR) Mike RutherfordlPaul Stanley /Billy Squier

Scott Shannon's Rockin' America Countdown (WO) Talking Heads ,.Ben E. King /Bon Jow

Sinatra Special (CRS) Classic Capitol

Sittin' In (WRN) Gary Morris

Solid Gold Saturday Night (USI Four Tops /Temptations

Star Beat (MJI) Howard Hewett

Street Beat (BRE) Jesse Johnson /Patti LaBelle

Superstars Rock Concert (WO) Robert Palmer

That's Love (WO) Luther Vandross /Ray "Boom Boom" Mancini/

Paul Simon

Top 30 USA (CBSR) Hands of time

Urban Music Magazine (SI) Luther Vandross

Weekly Country Music Countdown (USP) Merle Haggard

(GSN)

r

November 24 - 28

The Concert Hour (WO) Natalie Cole

Country Report (WRN) T G Sheppard.O'Kanes

Earth News (WO) Barn Moore. "Soul Man" Mark Linn- Baker.

"Perfect Strangers" Miriam Birch. PBS

"A Day In The Life 01 America"

Encore With Jim Lange (WO) 1948: Guy Lombardo

In Concert (WO) Alarm /REM

Line One (WO) Big Country

Live From Gilley's (WO) Kendalls

Off The Record (WO) Bad Compeny.Wang Chung /Paul Simon

Off The Record Special (WO) Robert Palmer

Pop Concerts/ Star Trak Profiles (WO) Paul Simon profile, Pt. 2

Reelin' & A Rockin' (RI) Robbie Knegepoors

Rockline (GSN) Ben Orr/Survivor

Rock Over London (RI) Cutting Crew

Rock Today (MJI) Steve Winwood

Shootin' The Breeze (WO) Peabo Bryson /Isaac Hayes /Gregory Abbott

Solid Gold Country (USP) Stars in the news (11/24) "The Memory" (11/25) Eddie Rabbitt birthday salute (11/26) Family traditions (11/27)

This week in 1974 (11/28)

Solid Gold Scrapbook (US) Always a bridesmaid (11 /24) This week in 1964 (11/251 Heart of rock and roll (11/26) This week in 1970 (11/27) Profile: Berry Gordy, Jr. (11/28)

Special Edition (WO) James Ingram

Star Trek (WO) Billy Joel/OMD/Wang Chung

NEWS & INFORMATION FEATURES

November 17 - 21

GENERAL INFORMATION

The Blimp (PM) Biking /Coast Guard drug busters new age

music /freeze dried food; successful

career women are romantic failures

Car Show Coast -To -Coast (SCGI) 137 Toyota MR2; Nissan designer

Jerry Hirschberg

Computer Program (PM) Employment in computers /TV newspaper

computer furniture & fashions/computer

banking /tomorrow's home computer

Health Care (PIA) Surgery to see

NBC Extra (NBC) Tuned in to America. Pt. 2 (60th Anniversary

special)

Personal Finance Digest (JBP) Interest deductions /used cars personal debt'

borrowing /tax reform & credit cards David Horowitz :auto ads /storage

Public Affairs (PIA) "Rainbow. or status quo"

Reviewing Stand (PIA) "Paying for it later ". Dean Victor Lindquist:

"Dental Implants" Dr. J. Crystal Baxter

"She's a maniac, Marine Jahan

Sound Advice (PM) Oxide agitators /tape backing /tape differences

E. types: tape storage

Sports Explosion (PIA) Jim Palmer /Jerry Kramer Doug Collins

Sports Trivia (SM) Leading Jockey Chris McCarron

Wireless Flash (CN) Roy Scheider: "52 Pickup" Jonathan Demme

"Something Wild " /Southern Pacific.

"Killbilly Hill

Next Week:

Network Transactions, Part i -

United Stations One Year Later

NETWORKSIPROGRAM SUPPLIERS

AA = Audiophile Audition (416) 457 -2741 ABC = ABC Direction Net (212) 887-7777 AP = Associated Press (202) 955 -7200 ASR = All Star Radio 1213) 850 -1189 BRE = Barnett- Robbins (818) 788 -2331 CB = Continuum Broadcasting (212) 580-

9525 CBS = CBS Radio (212) 975 -4321 CBSR = CBS RaMoRadlo (212) 975 -4321 CCA = Christian Countdown America (312)

820-1369 CRS = Creative Radio Shows (818) 787-

0410

Network Directory CUSA Countdown USA (415) 383 -7302 CW = Clayton Webster (314) 361 -3186 DCA - DC Audio (202) 638 -4222 DIR = DIR Broadcasting (212) 371 -8850 ESG = Emfana Syndication Group (209)

578 -6747 GSN = Global Satellite Net (818) 906-

1888 IN = Innerview 1213) 652 -8710 KSE = Kris Stevens Enterprises (818) 981-

8255 LBP = Lee Bailey Prod. (2t3) 256 -2778 LW = London Wavelength (914)981.7800 MBS = Mutual Broadcasting (703) 685-

2000

MJI MJI Broadcasting (212) 245-5010 MS - Musical Starstreams (415) 383-

7827 NBC - NBC Radio (212) 884.4444 NBCE = NBC Radio Entertainment (212)

664 -4444 NP - Narwood Productions (212) 755-

3320 NSBA = NSBA Network (213) 306 -8009 PRC = Plain Rap Countdown (213) 460-

2012 PRN - Progressive Radio Network (212)

585-9400 PIA - Public Interest Affiliates (312) 943-

8888

RI = Radio International (212) 302-1670 SBS = Strand Broadcast (213) 318 -1666 SC = Syndicom (4151 366.1781 SI = Syndicate It (8l a) 841 -9350 SIP = Steve Lehman Productions (213)

4672346 SP = "The Spirit" Productions (518) 371 -

SPI = Spin Publications Inc. (212) 496- 6100

TRAN - Transtar (213) 480.8383 USP = The United Stations (703) 276-

2900 WRN = Weedeck Radio Network (213)

4625922 WO = Westwood One 1213) 204 -5000

i

Amatellin U (DD) Tag team boxing athletic supporter

pawn shop management. Mark 'n Al s

defensive clnving, mall law enforcement

Bobby Jo Ambergey's Bar & Grill (DD) 999 -SPAM /ovatine chaser /Snow White digs

midgetsgee whiz Spot up your alley

Comedy Hour (MJI) Live Guest: David Steinberg Bill Cosby/

Uly Tomlin /George Carlin Peter Cook/ Dudley Moore

Comedy Show with Dick Cavett (CW)

Halloween: Robert KlelnAbbott & Costello/ Bob Newhart /Fljp Wilson, Gene Wilder/ Jonathan Winters

Daily Feed (DCA) Democrats won ? /Stassen regroups/

Iran, you're kiddin', right? /employer surveillance kit/Gorbachev's favorite protantties

Hlney Wine (DD) Recycle your can :frosty hiney /stretch your

hiney slam dunk/split second hiney

Irving Loblolly (DD) It's not who wins /exclusive interview listener

hotline'sideline preview /stump the experts

Jackie The Joke Man (OHR) Started bucking /backseat exams Ben her'

housetrain King Kong /two a- breast

Laugh Machine (PM) Kip Adotta/Phyllis Diller Bob Hope.

David Steinberg. Erno Philips :Gallagher Steve Wright /Steve Martin'Pat Paulsen Henny Youngman /Rodney Dangerfielo

Live From The Improv (DIR) Kevin PollackJohn Mendoza' Maureen

Murphy Rick Corso:Jim Aleck

Mel Blanc's Blankety Blancs (ASR) Celebrity interview, Mr. Physics. the mummy's

curse /nostalgia time :discussion show

National Comedy Wireless (DD) Stadine- Rodney.Tessie s tale /Elmer Fudd

sings Cyndi Lauper /Miami Advice/ Andy Looney

National Lampoon's True Facts (SLP) Getting the blues,cut and run /the elephant

waltz /bingo bange bongo /bad bird

Party Drop -Ins (ASR) Party with your food /surgery by numbers'

hold on please /purple mud wresting/ party line Ivory soap

Radio Hotline (ASR) I called you. right?.'contagious virus /secret

agent'I wanna be a groupie zip codes

Stevens & Grdnic's Comedy Drop -ins (ASR) I Don't Care beer /Das love boat camera shop/

believe it or else /Robert Young at a

funeral

Tap Dancing Newscaster (ASR) U S. spies,Chevy Chase. South Africa

Japanese yen

United Spots Of America (ASR) Petrovich beer/frivolous litigation unpleasant

wetness /scummark'scum -tone 3000

Give Your Air Staff Christmas Off!!! From Alabama to Al Jarreau

McCartney to Mannheim Steamroller The Carpenters to the Swingle Singers

The definitive 18 -hour Christmas special Delivered on reel -to- reel /most cuts on CD

Ordering deadline November 15th

Four 2- minute breaks per hour for local content and commercials As heard on great radio stations like KVIL -FM /Dallas -F(. Worth

18 Fresh Hours Of Christmas!

(214) 357 -8297 (214) 841 -3109

On The Rhodes Productions

6102 East Mockingbird Lane Suite 544

Dallas, Texas 75214

cDON ̀ IICHMAN 1931 -1986

Dear Don, `Dance on...

Chuck & Bill & Will & Sel & Peter & Anne & Hal & Audrey & Allison & Wendell &

Kathy & Kris & Robert & David

Chuck Blur e 3Don ̀ rcliman Lrcoípomted Axá .%C á/Iryylr. gl'allyraroaJ. Gann:rnia gook (213) 4e2-0944

Y


SALES

The Importance Of The Continuity Director

The continuity director position is not a me- nial, minimum wage job. But because it's not universally recognized as a highly- skilled position, it has been relegated to a lowly status at many stations.

The duties of the continuity director are comparable to those of an air traffic con- troller, adroitly maneuver- ing copy and tapes in an environment where one mis- take can mean disaster. The CD can be compared as well to an assembly line worker, churning out pieces of copy faster than General Motors produces cars. He's also part psychiatrist, pla- cating nervous clients and hyper salespeople on a daily basis.

The CD is all of these - and more. In fact, the CD's duties and responsibilities are such that he can have a direct and profound effect on your ratings and sales.

Here are some examples of why this staff member is so important:

If your station sells a fair amount of local spots, its overall sound is hamper- ed or enhanced by the quality of spots that are produced in- house. A CD who consistently writes creative copy and utilizes imagina-

five production aids and voice techniques is instru- mental in keeping your station sounding fresh and entertaining, and in keeping listeners tuned in during stopsets.

A CD operates much the same as a one -person ad agency and creative department. He is often responsible for developing entire marketing strategies for a variety of clients - and this is no lightweight task. If you have a skilled and talented CD, this function works much to your benefit. Your station's reputation as a source for effective, high quality advertising will proliferate throughout the business community, strengthening your sales position for years to come.

The CD can become the key to clinching new accounts month after month by providing salespeople with an arsenal of creative spec spots and advertising concepts for a variety of clients

By Martin Snead

An Elevated Position The smart broadcaster

will realize the potential of the CD position by considering its effect on station ratings and sales success, and elevate it to a higher level.

Once you have recognized the high degree of skill and talent the CD must pos- sess, budget a healthy salary. It should reflect what the position entails, not what you can get away with

"The Continuity Director can have a direct and profound effect on your ratings and sales."

-Martin Snead

paying. This will fairly reward and keep a good CD if you already have one, or re- cruit a qualified candidate if necessary.

As for CD qualifications, here's what to look for:

1. Organizational ability. A good CD will devise his own organization system and stick with it. This includes being responsible for all forms, master reels, copy filing systems, and related details. Some CDs

Martin Snead

Martin Snead is VP of Ott &

Snead, a Richmond, VA -based

management, programming, and

sales consultancy serving stations

in a variety of formats and market

sizes. Snead is responsible for stra-

tegy development, on -air formatics,

music selection, and sales organi-

zation for client stations. He can be

reached by writing 300 Turner Rd.,

Suite 514, Richmond, VA 23225, or calling (804) 320 -5223.

even keep all written copy on a computer disk so it can be recalled within minutes.

2. Creative ability. Some- times this quality is hard to find in combination with the one mentioned above. But, believe it or not, these individuals do exist ( and will come out of the woodwork if there's a good salary of-

fered). Examine an appli- cant's portfolio, looking for both new and interesting ideas combined with knowledgeable disciplines.

3. Coolness under pressure. The ability to exercise patience while maintaining productivity is necessary. A

CD also has to be able to deal calmly with a variety of personalities and egos - not only those of clients, but also those of people in your station's own sales and production departments.

4. Professionalism. In many cases, the CD will be the link between the salesperson and the client, sometimes dealing directly with

the client. A professional appearance and demeanor is a prerequisite in such a situation.

By recognizing the importance of the continuity director position, budgeting a healthy salary, and treating the CD with respect and appreciation, you will at- tract and keep a highly qualified, experienced individual. You will also realize payoffs far and above your investment.

Put It In Writing

Guest contributors are encour-

aged to submit queries or finished

articles to R &R for use in the

Ratings & Research, Sales, Man-

agement, and Engineering col-

umns. Articles should be approxi-

mately 1250 words, or five to six

typed, double- spaced pages. For

more information, contact Special

Assignments Editor Jim Dawson,

R &R, 1930 Century Park West,

Los Angeles, CA 90067; (213) 553-4330.

Hosted by: FRANKIE CROCKER and GILLIAN HARRIS

LET'S YOU KNOW WHAT'S HOT & WHAT'S NOT .e

...crud LUTHER VANDROSS

is Hot!

Don't miss this URBAN MUSIC MAGAZINE Special, it's available for airing November 22 -23, 1986. Call Station Relations at 818 - 841 -9350. URBAN MUSIC MAGAZINE is always a step ahead of the competition to bring the HOTTEST programming to hit the airwaves!

SYNDWAJ[ IT PRODUCTIONS, INC.

2000 W. Magnolia Blvd., Suite 206, Burbank, CA 91506, 818 -841 -9350

L

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3


IMAGE & MARKETING

HARVEY MEDNICK

LINER NOTES

Making The Stars Shine For You

All of us have a collection of sound tips we've received during our careers that we carry around with us and to which we constantly refer. One I particularly like has paved the way for a bright young man's business.

First though, the tip. It came from Bob Henabery, who was PD tween you and the competition that at WRKO /Boston when I served as makes your station more memora- Promotion Director for the then- ble (remember unaided recall?). Top 40 giant. We were talking and you receive an indirect en-

about the competitive situation in dorsement of your station from art-

our market, and how the music ists who make up your program sounded the same no matter which base. As an added bonus, you have station you were listening to. He a bunch of additional voices on

said, "That was not important - your air. This gives your station

what was important was what size and scope. In a small staff/ came between the records. That long shift situation, this also pro-

was what supplied the degree of vides relief for the jocks. difference we were seeking and, A Happy Accident ultimately, the station that gave its

good ideas ether, peni- listeners the most between the rec

cillin vulcanizing, and the like - ords became the market leader."

have been the result of happy ac- Star Value cidents. Add to that list Radio Ar-

At a music station, one of the tist Development, founded by

most desirable elements you'd Mark Carney. Carney was working want between the records is the at KITS -FM /Los Angeles getting voices of the artists you feature. artist interviews for the Rick Dees

This is a good idea for a couple of and Ron O'Brien syndicated pro-

sound marketing reasons: it sup- grams. During an interview ses-

plies a degree of difference be- sion earlier this year with Sting of

ONE YEAR AGO TODAY KFRCISan Francisco cancels "Game Zone" format

Richard Gilbert President Park Communications Howard Stern joins WXRKINew York #1 CHR: We Built This City" - Starship (Grunt /RCA) (2 wks)

#1 AC: "Separate Lives" - Phil Collins & Marilyn Martin (Atlantic)

(3 wks) #1 BIU: "Who's Zoomin' Who" - Aretha Franklin (Arista)

#1 COU: "Nobody Falls Like A Fool" - Earl Thomas Conley (RCA)

#1 AOR Track: "Tonight She Comes" - Cars (Elektra)

#1 LP: "Afterburner" - ZZ Top (WB) (3 wks)

FIVE YEARS AGO TODAY Frank Osborn WYNYINew York VPIGM

Jack Kiernan Sr. VP /Marketing at Polygram

#1 CHR: "Waiting For A Girl Like You" - Foreigner (Atlantic') (2 wks)

#1 AC "The Old Songs" - Barry Manilow (Arista)

#1 BIU: "Take My Heart" - Kool & The Gang (De- Lite /Polygram)

(5 wks) #1 Country: "All My Rowdy Friends ... " - Hank Williams Jr.

(Elektra/Curb) #1 LP: "Tattoo You" - Rolling Stones (Rolling Stones /Atlantic)

(6 wks)

TEN YEARS AGO TODAY NBC Radio drops News & Information Service #1 CHR: "Tonight's The Night" - Rod Stewart (WB)

Ni AC: "Muskrat Love" - Captain & Tennille (A &M) (2 wks)

#1 Country: "Somebody Somewhere" - Loretta Lynn (MCA)

#1 LP: "Songs In The Key Of Life" - Stevie Wonder (Tamla/Motown)

(5 wks)

the Police, he asked the artist if he'd be kind enough to do a liner for 1{894 in St. Louis. Sting agreed, and the station was overjoyed.

"I got to thinking - maybe there was something in this," Carney said. "So I went to Motown, which is located in the same building as the station, and asked Lee Wilder if the label ever received any requests for artist liners. Imagine my astonishment when she showed me hundreds." The label was eager to fulfill the requests, but Wilder told Carney the label was limited in what it could do because it had no one specifically assigned to the task.

Some Labels Try In his further investigations,

Carney discovered that some labels, notably EMI, try to provide this service but are unwitting vic-

tims of one of the peculiarities of our industry - slogans! Stations constantly change their positioning statements, and a liner that IDs you as "WXXX" is of little value if you call yourself "The New FM104." Also, artists normally came in and did phoners which are generally of poor quality and don't create the necessary illu-

sion that the artist actually visited your station and cut the liner. As Carney amplified, "The labels mean well, but they don't have accurate rails or slogans. They just don't have the time or personnel, and have other interests which rightly take precedent.

"I talked to virtually every label, asking all of them basically the same question: 'If I opened a service, could I get the artists to come to me ?' The response was universally enthusiastic. The only qualifi- er was that the station lineup had to be strong enough to justify the ef-

fort." In February of this year he made

the go decision. "Once I had two clients and had spoken to others, all of whom told me that this could be a great venture, I decided to go for it." He left KITS and opened his doors as RAD, Radio Artists Devel- opment. He immediately went through SRDS and selected 500 stations, predominantly CHR, for a targeted mailing introducing the service. The result was very en- couraging: he received 95 responses and conditional commit- ments from eight major markets. He used the 95 responses as a research base and spoke with all the PDs to find out more about their interests and needs. "The response was incredible! All 95

were positive, but they wanted a demo tape, which I didn't have. I rushed one together using cuts I

Sting (I)

is caught in

the studio doing a liner for Mark Carney.

had on hand and sent it out. In retrospect, I only committed one error - I priced it wrong, and it scared a lot of people. You see, I viewed this service as a necessity, and it's not. It's really a luxury."

Carney had hit the proverbial pinch in the hourglass and set about finding a way to get the sands flowing smoothly. "GMs and PD5 see this as a service labels should provide. Unfortunately, it doesn't work that way. Since it has never been done before as a business, the customers didn't have anything to base the new service on. I adjusted the price, establishing a flat fee regardless of market size, and presto - five immediate contracts."

How It Works Carney does it all. He gathers the

station information including slo-

gans, special promotions or activities, and personalities. He con- ducts the interviews, writes the liners, and assembles the tapes. "The stations trust me. They give me the basic information and I come up with the material. I'm proud to say that to this point I've never had a complaint. PDs have confidence in me."

Among the artists he has supplied to his score of clients are the Fabulous Thunderbirds, Isaac Hayes, the Hooters, Journey, Ed- die Money, Nu Shooz, the Pet Shop Boys, Survivor, Toto, Deniece N il-

liams, and Luther Vandross. What do his customers say? Gar-

ry Wall, PD at WTIC -FM /Hartford and one of Mark's earliest clients, said, "Mark's service offers a radio station a number of fantastic dimensions. I don't have the resources at the station to obtain what he supplies for just pennies a day. He's extremely responsive. The service keeps improving - it gets better and more useful every day. I'm really rooting for him!"

Future Plans Carney has a great deal of en-

thusiasm for his new enterprise. "Since May we've moved up to 20

stations. The time up to now has been experimental time. Now that I know what I'm doing, we can really start to grow. I'd like to add 50 stations in '87, one or two a week, with some group involvement with accompanying discounts. And as our roster grows, so will our staff. I really haven't had time to promote what we're doing, but now I'm pre-. pared to let the industry know."

Carney has thoùght out the fu-

ture well, and acknowledges his debts. "I owe it all to the West Coast labels. They've been great. I

couldn't have done it without them. I also recognize that this service is of promotional value to the artists by getting their voices on the radio. I think I've made the right decision in not making this market -exclu - sive or requiring affidavits of performance from the PDs. This way there's maximum flexibility to the programmers and no adverse reaction on the part of the labels." -

For more information on Radio Artist Development, give Carney a call at (213) 278 -8142.

DATELINES November 14-16 Young Black Programmers Coali-

tion, Inc. 9th Annual National Meet-

ing Hyatt Regency Hotel, Houston

1987

February 1-4

National Religious Broadcasters 44th Annual Convention

Sheraton Washington, Washington,

DC

February 7 -10

Radio Advertising Bureau 7th An-

nual Managing Sales Conference Hyatt Regency, Atlanta

March 28 -April 1

National Association of Broadcast-

ers 65th Annual Convention

Dallas Convention Center, Dallas

April 1 -5

Alpha Epsilon Rho 45th Annual

Convention Clarion Hotel, St. Louis

April 26-29 Broadcast Financial Management

Association Annual Meeting

Marriott Copley Place, Boston

June 6-9

American Advertising Federation

Annual Convention Buena Vista Palace Hotel, Orlando

June 10-13 - American Women in Radio and Tel-

evision 36th Annual Convention

Beverly Hilton, Los Angeles

June 10-14 Broadcast Promotion and Market-

ing Executives/Broadcast Design-

ers Association Annual Seminar

Peachtree Plaza, Atlanta

- ENI ÑR R

pICKS ¡,dal before

July 4th to

ball P'. 0 ce tuN ILos Angeles, CA 9

gase- ords

Winner Of The

United Stations Radio Networks

N.L East

NI.. West

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Pennan

1 World Series Champions l.K Iv

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The Mets are the World Champions and Brian Minbiole of WQLZ, Cheboygan, Michigan picked all the winners in the first annual United Stations Radio Network/ R &R Baseball Picks Contest.

Hey Brian, bone your bat, sharpen your spikes and oil your glove - 'cause come next February you're going to Florida during spring training season!

Brian and a guest will enjoy five days and four nights at the luxurious Marriott Harbor Beach Resort in Ft. Lauderdale, Florida. Plus they'll receive round -trip air transportation, a rental car and $300 in

cash. All on US - United Stations Radio Networks.

Our congratulations go out to the pros as

well - Tim McCarver of the Mets broadcast team and USRN's premiere sports commentator, and Richard Agata, R &R Breaker second baseman and Sports on Radio Editor for Radio & Records. Tim and Richard also picked the Mets to finish first ... good work guys!

THANKS TO OUR PARTICIPATING SPONSOR

_MAARIOtTS

Harbor Beach A FORT LAUDERDALE RESORT


L ENGINEERING

KKGO'S NEW FACILITIES

Designing. A Workable Construction Plan Hundreds of radio stations across America need to im-

prove or move their studio facilities. Some have outgrown their studios due to additional equipment, increasing music libraries, and larger sales and administrative staffs. Others occupy rental space and face problems from nearby tenants and inflexible landlords. This article ex- amines the considerations and decisions which go into building a new facility by way of a real -world example: KKGO /Los Angeles.

For most radio stations, the best solution to their facility problems is the construction of their own studio facilities. No more overcrowding. No more troublesome tenants. No more landlord. Yet many stations have not taken this step because of the high land and construction costs in cities where the most lu- crative radio markets are located.

Consider the example of Jazz - formatted KKGO /Los Angeles. "We started thinking about having our own building 15 years ago," said KKGO President /owner Saul Levine, "but we didn't go ahead with the project because of construction costs and hassles. Be- sides, our rent was low, and we had a great location on Wilshire Boule- vard in the Westwood district."

By the early 1980s, however, KKGO's 3000- square -foot facility was seriously overcrowded, in part because it served as corporate

"Ownership is more expensive than renting in

the short run, but with our own building, the station is paying off a mortgage on a piece of real estate that should increase in

value."

headquarters for several affiliate radio and television stations. Fur- thermore, a nearby tenant kept complaining about noise from the studios, the landlord wouldn't let KKGO place a satellite dish on the roof, and the office rent was scheduled to increase sharply at the end of the lease in several years.

Location "All these problems came to-

gether, and we decided something had to be done," said Levine. "So we took some time and figured out what we wanted in a new facility in terms of location, owning or renting the building, exterior appearance and image, and interior layout.

"Regarding our new location, KKGO could continue to stay in a high density, centrally- located office area," continued Levine. "Or we could save money by moving to a retail or industrial district in town, or save even more money by relocating to an outlying area. But we opted for a centrally- located office aria, specifically to remain in the Westwood district, even though it has some of the highest land costs and rents in Southern Califor- nia It offers a prestigious location

"For most radio stations, the best solution to their facility problem is the construction of their own studio facilities."

for our station; it's convenient for our clients and employees. Be- sides, we want the station employees to work in a nice area, one with plenty of amenities such as good restaurants and shopping at lunch- time."

Owning Vs. Renting "When it came to the question of

owning or renting KKGO's new facility, we decided to own the building," he added. "One reason was financial. Ownership is more expensive than renting in the short run, but a better deal in the long run. At our present location, we have paid well over $1 million in rent over the past 20 years - and we have nothing to shów for it but a stack of rent receipts. With our own building, the station is paying off a mortgage on a piece of real estate that should increase in value."

Saul Levine

Independence "Besides the financial considera-

tions, ownership offered a second advantage: the ability to control our destiny. No nearby tenants would complain about noise, because there wouldn't be any with only our station in the building. Employees and visitors could easily come and go at all hours. We could put a satellite dish on the roof and not worry about getting the landlord's permission, and we

could someday add new technolo- gies or equipment we haven't even thought about. These needs are all part of a radio station's normal course of business, but they can

By Edwin Fields

present problems unless you own your building."

After making the location and building ownership decisions, KKGO determined what kind of facility it wanted, considering issues such as size, basic layout, room for expansion, security, and corporate identity.

The next step was hiring the right architect, who would prepare building plans and oversee the station's construction. Flexibility was one of the characteristics Levine wanted. "By flexible, I mean an architect who will work closely with the clients to create a building that meets their needs and desires, rather than an architect who prefers to impose his favorite approach or 'look' on a project," he said.

"As a closely -held corporation with one power structure, we could make decisions on the spot, rather than have to return to a corporation," said Levine. He noted that one reason why choosing the right architect is so important - especially for station owners with no experience in construction projects - is because the architect supervises the general contractor.

For the site of the new station, KKGO purchased a 50' x 100' lot in West Los Angeles. The location met several of the station's criteria: it was on the edge of the Westwood district, close to a major freeway (thereby providing easy access for the sales staff and business visitors), and it occupied a corner which offered the opportunity for a definitive architectural statement and greater corporate visibility.

The lot had one drawback: it was only 50 feet wide. "We would have preferred a wider lot, but that was out of the question economically in this high -priced Westwood location," said Levine. "So the ar-

chitects and I made the new building design work through a con- certed effort - and we didn't get it right until the third or fourth try."

Building Design Designing the KKGO building

and obtaining construction permits took a year. Ground was broken in August 1986 and completion is scheduled for mid -1987.

For the three -story building's exterior, Levine requested an architectural treatment that would express a dignified corporate image and reflect the station's sophisticated programming. He also wanted two levels of parking, more than required by city codes. The additional spaces rule out

"One reason why choosing the right architect is so important is

because the architect supervises the general contractor."

tandem parking, thereby offering easier access for clients and visitors. The extra parking spaces also will accommodate any additional KKGO employees in the future, an important issue to be considered in the planning of any new radio station.

KKGO's pedestrian entrance leads into the two-story -tall first floor lobby. In the interest of security, visitors must announce themselves via closed- circuit television camera to the station receptionist, who works on the sea

and floor. The receptionist opens the elevator doors by remote control, and visitors ride to the main reception area on the second floor.

The 6000 -square foot second floor contains two studios and control booths along the soundproofed west wall abutting another building, offices for sales and promotion staff overlooking the street, and a central "bullpen" lit by skylights. This floor also provides office space in KKGO's corporate headquarters for affiliates KRTR & KMGT -TV/ Honolulu and soon-to-open KSHO/ Los Angeles.

Planning For The Future The building's third floor con-

sists of another reception room, the engineer's office, and Levine's executive offices - plus a 3500 - square -foot outdoor garden, which is oriented to view the park across the street.

The third floor also has 1000 square feet of empty office space. Moreover, almost 3000 square feet of the outdoor garden is pre - engineered and designed to be enclosed for future office space. "With the empty third floor space and roof garden, we have almost 4000 square feet of space for future expansion," said Levine.

Edwin Fields is an architect with Fields & Silverman Architects, 116

N. Robertson Blvd., Los Angeles, CA 90048.

Put It In Writing Guest contributors are encouraged to submit queries or finished ar-

ticles to R &R for use in the Ratings & Research, Sales, Management, and Engineering columns. Articles should be approximately 1250 words, or five to six typed, double- spaced pages. For more information, contact Special Assignments Editor Jim Dawson, R &R, 1930 Century Park West, Los Angeles, CA 90067; (213) 553 -4330.

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ew Single By

BILLY SQUIER From

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ENOUGH NOUGH

Produced by Peter Collins for Jill Music Limited

R&R FRIDAY, NOVEMBER 14, 1986/51

ON THE RECORDS

KEN BARNES

A FOLLOW -UP STUDY

Building CHR Careers: Is It A Science Yet? It's obvious the industry (records and radio) is pretty

good at making hits. There are new ones all the time, a large number of them by new artists. (We're talking CHR here.) But how good are we at sustaining careers for these first -time hit artists?

Well, that's a question no one can the interior decoration and layout answer completely. How do you de- firm of Zumwalt, Agata & Thomas.

fine a successful career? Ideally The table at lower left basically at-

you have to factor in album sales, tempts to answer the question of touring, multimedia success, and how long it takes artists to follow about a half ton of intangibles. up their first hits.

But in an R&R context we can look at follow -up hits. Once an art- The interesting figures to look at ist scores that breakthrough hit here are the 6mos. vs. the Total col - (using Top 15 as a meaningful umns. The pattern is telling. After guideline), how many ever score a the first couple of years, where the hit again? How many ever score percentage of artists scoring a two more hits? How long does it chart follow -up within six months take them to follow up their first of their first Top 15 hit is above 30%

hits? (29 for 91 in '74, 24 for 68 in '75), the That sort of question can be an- quick follow -up percentages start

swered, along with a couple I nosediving. By 1977 and 1978, only might not have thought about ask- 17% of the first -time hit artists ing, via the two tables displayed so were scoring immediate follow -

elegantly elsewhere on this page by ups.

Follow -Up Timespans

The chart below shows where the timespans for follow-

ing up an artist's first CHR Top 15 hit fall. The first column shows the year, followed by the total number of artists who had their first Top 15 R &R hit that year. (The figures for 1974 -76 are higher because they're inflated by a number of artists who had hits before R &R started. I chose to start them off with their R &R eras, and it turns out the percentages are in line with later years.)

Next column shows the number of artists who followed up that first Top

15 hit with a chartmaking song (anywhere on the chart) within six months. Following, the number who followed up within six months to a year, then

one year to two years, then longer than two years. Finally comes the

number of artists who never hit the chart again, at least to date (by the time

we get to 1983 -85, that becomes more of an open question than a certain-

ty). et a\

.vi* N4-

1974 91 29 9 9 9 35 1975 68 24 5 8 6 25 1976 54 15 4 6 6 23 1977 47 8 4 5 9 21 1978 41 7 3 8 4 19 1979 42 10 3 3 5 21 1980 33 10 1 2 4 16 1981 34 14 1 6 1 12 1982 34 19 0 3 1 11

1983 30 12 2 3 0 13 1984 42 26 0 2 0 14 1985 34 18 2 1 - 13

Follow -Up Success Rate This table contrasts the percentage of acts who followed up their first CHR Top 15 hit vs.

the percentage who didn't. Recognizing that scoring one chart follow -up doesn't necessarily mean a longterm career has been established, this table also includes the total of acts in a

given year who never scored a second chart follow -up. (Two follow -ups doesn't guarantee a long career either, but it's a more reliable indicator.)

So reading the columns, the first one is the year, the second the total of artists who had their first R &R CHR Top

15 that year. Than comes the total number of artists who managed to follow up that hit with a chart record, no matter

how long it took. Then comes the number of artists who to date have not followed up that first hit. The next column is the number of

artists who to date have not had a second follow -up. The final column totals the two preceding, giving in a broad sort of

way the number (and percentage of the total in parentheses) of artists who didn't parlay a hit into a sustained career.

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1974 91 56 35 22 57 (62.6%)

1975 68 43 25 15 40 %)

1976 54 31 23 6 29 (53.7(58.8%)

1977 1978

47 41

26 22

21 19

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32 (. %

26 (6368.41 %) )

1979 42 21 21 9 30 (71.4%)

1980 33 17 16 4 20 .%) 1981 34 22 12 6 18 (52(60.69%)

1982 34 23 11 3 .2.7%%) (41(66) 1983 30 17 13 7 2014 .

1984 42 28 14 10 24 %

1985 34 21 13 10 23 (67.6(57.1 %) )

Then the pattern reverses: 24%

in '79, 30% in '80, 41% in '81, 56% in '82. My first thought was that the rise was related to R&R's expanding its CHR chart from 30 to 40 titles. But that didn't happen until June 1983, and '83 turned out to be a fallback year, down to 40 %. In 1984

the figure hit a high: 62% of artists hitting the Top 15 for the first time hit the chart again within six months. And 1985 was an impressive 53 %.

Pulling Off The Hit Trick My second thought, then, was

that the record industry is learning how to follow up hits reliably. Go- ing from 17% to 62% in six years is more than a random statistical wobble and also a highly impressive achievement.

The data on follow -ups within a year, two years, or longer probably does constitute random statistical wobbles, although as the number of within -six- months follow -ups increases, the other figures drop accordingly. Which leads to the other table, at upper right, which contrasts the percentage of artists that manage a follow -up at all (any old time) vs. those that can never pull off the hit trick again.

When you look at the number of artists who did eventually follow up that first hit, no matter how long it took, the extremes found in the six- month figures tend to even out. There's still a low in 1979 (only half ever had another chart record), and '78 and '80 aren't so hot either. 1984, the year of the brilliant six- month performance, is actually outstripped by 1982, when 68% of the first-time hitmakers were able to follow up. However, since it's on-

ly been two years since the end of 1984, the total number could even-

tually go up as comebacks occur. (The 1985 figures have to be considered in this light as well; there simply hasn't been enough time to measure the follow -up percentage accurately.)

Even with the understanding that some first -time hit artists from the most recent years who haven't yet followed up may still do so, it appears clear that the industry has improved its ability to follow up hits. That's vividly illus- trated when you compare 1979,

"It's clear that the industry has improved its ability to follow up hits."

when 50% of the debuting hit - makers never had another hit, to 1984, when only 33.3% failed to follow up (and that will probably shrink as time goes on).

A Slightly Gloomier Perspective

But there's another, less cheerful way to look at the situation. Even a 33% figure means an awful lot of artists with hits are falling by the wayside as far as further chart success goes. The 40-50% figures of earlier years are even more drastic. (Not compared to, say, movies or TV pilots, but still worth thinking about.)

And that's figured on the basis of never having one more chart record. Everyone knows there are scads of artists who've had a fol-

low -up and still vanished into ob-

scurity without establishing a sustained career. So for purposes of

generating further data and so forth, I totalled the number of artists in a given year who had one fol-

low-up chart record but never had a second, and then combined that total with the number who never had any follow -ups. That gave me the far-right column, artists who had no more than one follow -up, or total one -shot or two-shot artists - artists, in other words, who by no

stretch of the imagination were able to sustain careers.

And that figure is pretty alarm- ing. The worst year was 1979 again, when over 70% of the new hit artists took the downbound train. But there were a few other 60 %+ years: 1974, 1977 (68 %), 1978, 1980,

and 1983 and 1985, which as explained earlier have to be asterisk- ed because time hasn't run out on these artists yet; they still could score another hit.

Once again, 1982 is a freak year: Only 41.2% of the artists who scored their first hits in 1982 failed to score two or more follow -ups. The Class of 1982 seems to be sticking with us (John Cougar Mellen - camp, Glenn Frey, Don Henley, Human League, Huey Lewis, Lov- erboy, Michael McDonald, and Survivor are some of that year's graduates).

Summing up, it seems we're getting better at sustaining careers for new artists, but it seems inevitable that a high degree of turnover will continue to be with us, and an artist who scores a Top 15 hit is by no means assured of eternal stardom.

(Thanks to Motown's Terry Barnes for the idea and IS Inc.'s Jo Interrante and Rob Sisco for inval- uable research resources.)

LDATEBOOK 52/ R&R FRIDAY NOVEMBER 14, 1986

DAVID LEE ROTH THE NEW S!GLE PRODUCED BY TED TEMPLEMAN FROM THE SMASH ALBUM EAT EM AND SMILE

T.F.B. MANAGEMENT owl

ieab.wámecerns Records Inc

That's Airplay: WPHD WLRS WQCM WCIL

WCAU WHHY 100KHI WLRW

94Q KBFM WGAN WAZY

Z95 KTUX WFXX 99KG WMMS WNCX WJMX WDBR Q100 WRQN WZYP KFMW.

WERZ KIKX KNAN KGOT

WSPK KXYQ Z102 KBIM

93Q KRQ WGLF OK95 WBCY WIKZ KYYY

SEAN ROSS

Zilch I & Pia Triumphs MONDAY, NOVEMBER 17 1967/The Monkees' Davy Jones opens a Greenwich Village boutique, Zilch I.

1971 /Rod Stewart & Faces release "A Nod Is As Good As A Wink To A Blind Horse," featuring "Stay With

Me." 1977/Neil Diamond's "I'm Glad You're Here With Me Tonight" LP, featuring "Desiree" and the original "You

Don't Bring Me Flowers," is unveiled in a TV special, also showing glimpses of his private life.

/ 984/The Kinks begin their "Word Of Mouth" tour by appearing on "Saturday Night Live."

1985/As part of a new campaign to be amiable towards the media instead of having bodyguards attack them,

Prince grants an extensive interview to MTV.

Birthdays: Peter Cox (Go West) 1955, Gordon Lightfoot 1939, Gene Clark 1941, Jimmy Marinos (ex-

Romantics) 1953.

TUESDAY, NOVEMBER 18 1970 /But did she wake him up to say goodbye? Jerry Lee Lewis's cousin Myra Brown declares their marriage

"a nightmare," as the couple divorces in Memphis. 1972 /Into the black: Danny Whitten, former member of Neil Young's Crazy Horse, dies in L.A. of a heroin

overdose. I978/The Boomtown Rats' "Rat Trap" goes #1 in Britain.

1983 /McCartney & Jackson's "Say Say Say" #1 CHR; Deßarge's'Time Will Reveal" #1 B /U.

1985 /John Lennon's "Jealous Guy" is rereleased in Britain to go with the release of his concert film there.

But Roxy Music, which cut the song as a tribute following Lennon's death, has already had the British hit.

Birthdays: Kim Wilde 1960, Graham Parker 1950, Hank Ballard 1936, Jacky Ward 1946, Herman Rarebell

(ex- Scorpions) 1949.

WEDNESDAY, NOVEMBER 19 1968 /Diana Ross interrupts the Supremos concert at the Royal Command Variety Performance in London with

a plea for interracial unity. The crowd applauds for two minutes.

1976 /Queen's "Somebody To Love," Bread's "Lost Without Your Love," and the Sex Pistols' "Anarchy In

The UK" released. NME assails the latter as a "third -rate Who imitation."

1979 /Chuck Berry is released from Lompoc, CA's prison farm after serving two months for tax evasion.

1985 'Pia Zadora plays L.A.'s Beverly Theatre with a 41 -piece band. Two days later, L.A. Times jazz critic

Leonard Feather lauds the show: " Zadora left not a scintilla of doubt that she has something not all her

spouse's millions could have bought -a genuine gift in a sadly underpopulated field."

Note: Last week Freddie Garrity's name was mistranscribed as Ganitz.

THURSDAY, NOVEMBER 20 Gordon Lightfoot, Tina Weymouth, Norman Greenbaum, Kim Wilde

1954 /Gene Autry makes his first appearance at the "Grand Ole Opry." 1973 /Comedian turned writer Allan Sherman dies of apparent respiratory ailments at 48.

1984/Z100's Hollywood Hamilton appears on "One Life To Live "; KTFMISan Antonio's Steve Owens on

"General Hospital" the same day. 1985 /The first show of its kind on network TV, the fourth "American Video Awards" appear on ABC, seven

months after the third annual show. Bruce Springsteen wins three, two for "Glory Days." Eddie Murphy wins

"Best Urban Video." Clarence Clemons introduces "Weird Steve Yankovic," which is edited out.

Birthdays: Joe Walsh 1947, Norman Greenbaum 1942.

FRIDAY, NOVEMBER 21 1959/A day after being fired from its sister TV station, Alan Freed is fired by WABC (AM)INew York.

1974 /Marty Balin rejoins the Jefferson Starship, at first temporarily, on stage at San Francisco's Winterland.

1975/KC & the Sunshine Band's "That's The Way (I Like It)" #1 CHR. The Bee Gees' "Nights On Broadway"

peaks at #5, as the follow -up, "Fanny," is rushed out to head off a cover by Gino Cunico. David Bowie's

"Golden Years" also released. 1980 /When paramedics treat a nude 16- year -old girl suffering from drug intoxication at his home, Don Henley

is arrested for unlawful possession of marijuana, cocaine, and Quaaludes, and contributing to the delinquency of

a minor. Birthdays: Lonnie Jordan (War) 1948, Livingston Taylor 1950, David Porter (Stax songwriter) 1941.

SATURDAY, NOVEMBER 22 1955 /Elvis Presley signed by RCA. 1965 /Bob & Sara Dylan married, although they don't tell anyone until next February.

1968 /The Beatles' "White Album" released. 1974/BT Express's "Do It ('Till You're Satisfied)" peaks at #9 CHR. The song is later parodied by National

Lampoon as "Do It 'Till It Hurts" by the Pimps." 1985 / "White Nights," in which Gregory Hines returns to America because he misses soundtrack LP music,

opens nationally. Also, Richard Brooks's "Fever Pitch," with a score by Thomas Dolby and Quincy Jones as

Executive Music Producer, opens. Birthdays: Tina Weymouth (Talking Heads) 1950, Miami /Little Steve(n) Van Zandt 1949.

SUNDAY, NOVEMBER 23 1959/An RCA spokesman denies that Elvis Presley will change his style upon leaving the Army, which, if you

subscribe to Albert Goldman's theory that Elvis's real influences were MOR crooners, isn't too far off.

1964 /After they arrive late for two shows, the Rolling Stones are banned by BBC -TV.

1974 /Gary Wright leaves Spooky Tooth to go solo. Also, Frankie Valli's "My Eyes Adored You" finally

released on Private Stock after Motown turns it down.

19 76 /Jerry Lee Lewis is arrested outside Graceland, where he had been caught brandishing a pistol and

demanding to see Elvis. He's charged with public intoxication and possession of a weapon.

NEWS /TALK R&R FRIDAY, NOVEMBER 14, 1986/53

YVONNE OLSON

MAKING WAVES IN THE DESERT

All In The Name Of Controversy

While waiting on hold to speak with KFYI /Phoenix PD Tom Leykis, I heard him say, "And in just a few minutes, you'll have the chance to air your opinions on this issue. If you think Ronald Reagan is an S.O.B., I want to hear about it."

Then later on the listen line, I heard him moderate a debate between a local gay activist and perhaps his most conservative host, Bob Mohan. Mohan recently angered the gay community in Phoenix by ridiculing as well as taking some serious jabs at the homosexual lifestyle. In turn, the head of the local Gay Task Force went on -air to rebuke him. It didn't go very well, however. The debate had barely begun when Mohan implied that gays were to blame for the AIDS epidemic. The defendant asked in exaspera- tion, "Are you saying that gay people are the reason behind the spread of AIDS ?"

Mohan replied, "You bet, 68% of you."

Pursuit Of Free Speech

No lawsuits resulted, but a large amount of feathers have been ruffled in Phoenix. Accord- ing to Leykis, everyone is entitled to an opinion.

"One of the biggest misconcep- tions regarding controversy is that it involves slander. We don't slander anybody, we just air the issues."

The station also asks listeners to speak their minds. "We make it a point to concentrate on the most current social and political issues. But these are talk shows.

FYI RADIO 910 The KFYI Lineup 5 -9am: News with Joe Adems and

Lori Shepard gam -noon: Bob Mohan Noon -3pm: Jami McFerren 3 -7pm: PD Tom Leykis 7 -9pm: Dr. Toni Grant 9pm -lam: "Larry King Show" 1 -4am: John Giese

Tom Leykis

not news. It's just like writing a daily newspaper column. Our people are free to express their views and invite listeners to do the same.

"We call it 'Hot Talk'," continued Leykis. "Most young people perceive Talk stations as boring, something their parents or grandparents listen to. And in most cases, they're right. Talk

stations as a rule do not cater to younger demos, and that's what we're trying to do here. We don't want to do garden or cooking shows, we want to talk about what's affecting people in our community today. A new opinion is what people want to interact with, young. or old, and we want those phone calls."

Pursuit Of Excitement

"Sex, politics, religion - all the things that you're not supposed to talk about, we talk about," said Leykis. "We look everywhere for the best, most exciting and engaging topics, subjects that make people want to put down their work and get to a telephone."

The hosts on KFYI (see box) must adhere to a "12- minute rule ": for the first 12 minutes, they do a monologue of sorts to set the show direction.

"It took me a year to find the right people and put them in the right places," Leykis said of KFYI's hosts. "I felt you had to have hosts who could interact with each other's divergent politics, handle controversies, and be fun at the same time. I was looking for all those disen-

KFYI's "Hot Talk" Here are a few topics recently covered by KFYI:

1. Debate between two minis- ters, one homosexual, and one fundamentalist: "Can homosexuals be reformed?"

2. Debate between the leader of a white supremacy group and an in-

terracial couple 3. Crime Prevention Panel featur-

ing a police detective and a professional burglar

4. Wife -swapping: two couples who "swing" together

5. Drug Enforcement Panel fea-

turing people for and against the flow of drugs into the country

6. Debate between fundamentalist Christians and members of "Christianity Anonymous," a group

KFYI 910AM specializing in the "deprogram- ming" of Christians

7. Debate between tax protes-

tors and the IRS

8. Gubernatorial candidate de- bates

9. Show on escort services: in-

terview with two women who admitted selling sexual favors during work hours

10. After the Libya bombing, KFYI simulcast with a London radio station, allowing English and Ameri-

can audiences to confer on the

matter

franchised talk show hosts who, for years, had been beaten down by programmers: people who had something to say but were never allowed to say it."

Each host appears in a one- hour segment at least twice a week with one other host. Three times a year, KFYI presents "Battle Of The Talk Show Hosts," where all hosts appear

-together all day from 9am -7pm.

Pursuit Of Numbers

The station also nabbed Mutu- al's Dr. Toni Grant and Larry King shows from rival KTAR because KFYI agreed to run them live. All this and very cooperative management leave Leykis optimistic about the future.

It takes a great deal of effort, money, and, above all, patience to get a News /Talk station off the ground. KTAR is clearly the "News King" of Phoenix, but

WINS PITCHES IN - WINS/New York recently concluded a month- long fundraising drive for Save Am- ateur Sports, a program designed to support athletic programs in the city's schools. Teaming up with WINS for the campaign was New York Mets pitching star Dwight Gooden (right), shown above with WINS VP /GM John Waugaman.

TAKING A STAND - In conjunction with Detroit's aim to combat crime, WXYT has started "Talk To Me, "a listener call -in campaign. Listeners are invited to phone in their views and to relate personal encounters with danger. Calls are incorporated into news and features for airing.

KFYI is beginning to make slow but sure gains in the market. KFYI went from a .5 to a 1.9 in the summer Arbitron and actually garnered the highest time spent listening Monday -Friday 6am- midnight in its target demo (adults 18 -39). For Monday - Sunday 6am- midnight, it tied with a Spanish station for highest time spent listening and rated 3.2 to KTAR's 5.3.

Leykis noted that the dedica- tion of the station's owners, the Broadcast Group, is a big part of the station's success. "We couldn't accomplish what we've done without the cooperation and support of our owners, one of whom is GM Fred Weber," he said. "We decided to take this type of direction and they've given us total support, from promotion money to our new studios to our four fulltime producers. Whatever we have to do, they'll do.'

Editor's Note: Are there more excitement -stirrers out there? Reveal thyselves! Good angles keep my ears tingling.

TALK TAKES WCAU /Philadelphia introduces local

automobile mechanic John Cinque to

the airwaves with the Sunday evening "1210 Car Care Clinic" ... "The Art Dineen Show" is KTAR /Phoenix's new late -night addition ... KFBK /Sacra- mento welcomes Ken Yearwood to af-

ternoon drive and Tara O'Leary to

"Sunday Break" ... Larry King, whose show plays regularly on KING/

Seattle, will do two live broadcasts from

the city's Sheraton Hotel this month

KYW /Philadelphia appoints Camille Kearns Rudy Director /Re-

gional Affairs and Cathy Seward Ven-

dor Promotion Director, a newly created position ... WMRO /Aurora Sports Director Steve Klauke adds a sixth day

of Sportstalk: Saturday mornings live

from French's Restaurant, complete with weekly breakfast specials ... Charles Cohen is named Food Sales Representative at WOR/New York.


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1986 Warner Bros Records Inc

CALENDAR

BRAD MESSER

Facing A Midlife Crisis When all is not going well, the rules of the game say to

put on a happy face, keep your chin up, never let 'em see you sweat, put your best foot forward, and so on. Well, to heck with keeping up appearances. This week, I'm breaking the rules to share my feelings about my own career in radio news and why that career is now sidetracked.

Until recently, it was a good up- wardly- mobile career. In the '60s, I

was ND at Gordon McLendon's hugely successful stations in Hous- ton and Dallas, then ND in San Francisco before age 30. My sense of humor made me a morning show sidekick before the term was invented. I moved on to major stations in San Diego and Los Angeles in the '70s, and broadened my horizons by expanding into syndicated radio and writing for R&R.

Now I am in my mid -40s and, after more than 25 years in hands-on

radio, I am suddenly bored. That's plenty discouraging.

Where is the fun hiding these days? Is the excitement of hard competition missing because radio has surrendered journalism to television? Have the fun and games been erased by suit- wearing corporate pencil-pushers whose attention is directed only to the bottom line? Where are the people who poured imagination into radio? What has happened to the broadcasters whose motivation for community involvement grew from

love of their community? Too much of the radio I hear

these days seems to be a plain va- nilla product, precisely mixed according to a standard formula.

Recently I concluded yet another of my side projects and began looking around for à really challenging and interesting radio job. My effort has been so half -hearted that I have had no positive results.

Could it be that, in my heart of hearts. I don't really want another airshift because they have all become so uniform and predictable that they could have been stamped from the same cookie cutter?

Frankly, it appears to be a mid - life crisis of the first order. It's the sort of thing that happens to other people. Somehow, I thought I might be immune.

Congress Moved To Washington MONDAY, NOVEMBER 17 - The United States Congress - which had been meeting for several years in

various locations in New York, Pennsylvania, New Jersey, and Maryland - moved to Washington, DC on this date in

1800. The people of Philadelphia were particularly disappointed when the capitol was permanently established in DC.

Assuming their city would be headquarters of the federal government, Philadelphians had already built a President's

House. The Soviets landed an unmanned vehicle on the moon in 1970 and sent it on a remote -controlled 6.5 -mile trip across

the surface. Birthdays: Danny DeVito 42. Martin Scorsese 44. Gordon Lightfoot 48. Rock Hudson would have been 61.

William Tell Shot Straight TUESDAY, NOVEMBER 18 - William Tell became a legend in the year 1307 when he shot an arrow through

an apple which was balanced on the top of his son's head. Tell was demonstrating the accuracy of the crossbow, which

at that time was a new weapon. Morris Michtom, a Brooklyn candy store owner, saw a newspaper cartoon in 1902. It featured President Theodore

Roosevelt on a hunting trip refusing to shoot a female bear after seeing that she had a cub. The incident inspired

Michtom to design one of the world's most enduring toys ... the Teddy Bear.

Birthdays: Linda Evans 44. Brenda Vaccaro 47. Dorothy Collins 60. Alan Shepard Jr., who became the first American

in space in 1961, is 63.

People's Temple Mass Suicide WEDNESDAY, NOVEMBER 19 - At least 911 people committed suicide or were murdered at Jonestown,

Guyana in 1978 under the direction of 47- year-old Rev. Jim Jones, the leader of the People's Temple cult. Some were

shot, and many drank Kool Aid spiked with cyanide. The mass suicide was inspired by an incident the day before in

which cult members had murdered California Representative Leo J. Ryan and four other people who were attempting to

return to the USA after investigating whether some church members were being kept in Guyana against their will.

President Abraham Lincoln delivered his two- minute Gettysburg Address in 1863. The Chicago Times reported it was

"silly." The moon is at apogee, the point in its orbit farthest from Earth.

Birthdays: Jodie Foster 24. Calvin Klein 44. Ted Turner 48. Dick Caved 50. Roy Campanella 65.

100,000,000 View Nuke Movie THURSDAY, NOVEMBER 20 - Following several weeks of heavy promotion and publicity, ABC broadcast the

made - for -TV movie The Day After" in 1983. It depicted the aftermath of a Russian first -strike nuclear attack on the USA

and drew an audience of 100 million viewers.

President John Kennedy ended the naval quarantine of Cuba in 1962, formally ending the Cuban missile crisis.

A whale rammed and sank the American ship Essex in 1820, forming the basis of the novel "Moby Dick." Traditional end of Indian Summer. Birthdays: Bo Derek 30. Veronica Hamel 43. Dick Smothers 47. Estelle Parsons 59. Kaye Ballard 60. Alistair Cooke

78.

First Flight By Men FRIDAY, NOVEMBER 21 - The first men to fly were a couple of fellows from France, who went up in a hot air

balloon over Paris 203 years ago today in 1783. Jean -Francois Pilatre and Francois Laurent kept the oalloon aloft by

feeding wood into a small fire in their gondola. They staved up 23 minutes and flew ten miles. Benjamin Franklin

witnessed the flight. In 1980. the "Who Shot J.R. ?" episode of "Dallas" drew the largest TV audience to that time. Also in 1980. a fire at the

MGM Grand Hotel in Las Vegas killed 84 people. The 18.5- minute gap in the. Watergate tapes was revealed in 1973

Birthdays. Goldie Hawn 41 Marto Thomas 47 Stan Musial 66

1

R&R FRIDAY, NOVEMBER 14, 1966/ 55

RECORDS

ADAM WHITE

NARM CONFERENCE REPORT

Independently Speaking, A Good Year

There are "Rumors" that independent labels and distributors are "Raising Hell" this year - and they're true. Those two projects - the Timex Social Club hit (more than one million singles sold) and Run -DMC's third album (now past the two million mark) - are the most visible examples of what George Hocutt of California Record Distri- butors recently called "a year of rebounding and resound- ing success" for the indies.

Hocutt made that comment during the NARM Wholesalers Con- ference a couple of weeks ago in Scottsdale, AZ. Indie labels and distributors got together there in tandem with the association's annual rackjobbers /one -stop meeting for the first time. Also a first: the presentation of NARM awards specifically for independent labels based on member companies' unit sales.

Specialize And Succeed Reinforcing Hocutt's positive

comments was Bud Katzel of GRP Records, the contemporary jazz

.label. He spoke of "the incredibly broad spectrum of music being offered to the consumer" by independents, citing such examples as Tel - arc ( "kicking ass in the classical CD field "), Fantasy, Profile, and Dunhill. "Look at any of those companies," Katzel said, "and you see a common denominator, a clear - cut point of view: specialize and don't try to be all things to all men."

They've each carved a niche in a specific sector of music, he continued, just as GRP has done "with an emphasis on sound quality and an obsession to be out there on the cutting edge of any new technological breakthrough." In that context, Katzel mentioned digital audio tape (DAT), and said his label is committed to the format. "In fact, we've already made our first one," he noted.

There are advantages to being small, tough, and aggressive, in Katzel's book. "All of us have to recognize those advantages and opportunities, seize, and fully exploit them. GRP's success, or that of any label, can no longer depend simply on what happens in the studio or in the grooves of the record. To a great measure, it depends on the dynamics of the company's actions after that piece of music has been released "

Suspicion, Disregard All was not sunshine and light in

Scottsdale, however. Relationships between indie labels and distributors are less harmonious than they should be, judging by the corn-

ments of several conference participants. Relations between the distributors themselves are "even worse," according to Katzel. "What the hell happened," he asked, "to the regard you remaining distributors had for each other three years ago? Arista was gone, Motown had departed, and so had Chrysalis. Despite this, or maybe because of it, you seemed to bond together, to find a mutual resolve to survive. Was that a mirage? To- day, suspicion and a total disregard for each other's rights in the marketplace have set in."

The problems of trans- shipping have intensified, Katzel added, and this "complete lack of respect" for territorial rights threatens to erode

THE BOYS FROM NEW YORK CITY - Jerry Leiber, Mike Stoller, and Jerry Wexler were recently presented with A&R/Producers Honor Roll Awards by the New York chapter of NARAS. Pictured during the ceremonies are (l -r) Leiber, Wexler, Stoller, and Atlantic Records Chairman Ahmet Ertegun. Also honored were producers Henry Glover and Is Horowitz. and the late Russ Sanjek of BMI. (Photo by Joan Bright.)

further the independent distribution system.

As always, the conference's private meetings and "one-on-one" sessions between suppliers and customers were just as important as the panels and speeches, if not more so. Credit and payment, territorial rights and returns, catalog product and new releases - these were among the nitty-gritty issues discussed. One provocative question raised by Profile VP Steve Plotnicki was how to combat the majors' domination of the 12 -inch singles market, once almost exclusively the province of independents. Reportedly, there were few constructive responses.

Awards Presentation The conference concluded with

the awards presentation, underlin- ing how companies such as Profile have indeed given the indies a new profile in the pop market. For the 12 months from July 1985 through June '86, Run -DMC's "Raising Hell" was named best -selling album, and "I Wanna Be A Cowboy" by. Boys Don't Cry, also on Profile, was recognized as best -selling 7 -inch single. The Doug E. Fresh hit "The Show" on Reality /Fan- tasy was honored as best -selling 12 -inch, and the Timex Social Club on Jay /Macola was named best new act.

Handing out the awards was cel-

ebrity Tim Reid (aka Venus Fly- trap) of "WKRP In Cincinnati," who also talked about his own venture into the land of independents. He and producer Michael Stokes are partners in MS International Records, distributed by Macola, and the label has just shipped its first releases.

Reid joked that launching a new record company is like digging a bottomless pit "and filling it with money," but he said he was genu- inely enthused about helping develop and break new talent. looking at one of the crystallite awards he was presenting, Reid cracked, "Hey, you (independent) guys do spend your money. Oh, I see - it's my money!"

The Single: New Consumer Research During the one -stops segment of the NARM Wholesal-

ers Conference in Scottsdale Oct.28- Nov.1, WEA Sr. VP/ Marketing Development Russ Bach presented the results of consumer research into the single. It was timely, since just a couple of weeks earlier the RIAA had released statistics showing the configuration's sharp decline during the first six months of this year.

According to Bach, the research was conducted this past June /July with a representative sample of record buyers across the US. The questions were add-ons to the Chil- ton consumer studies done on a regular hacis for the RIAA.

Blacks Biggest Buyers In general, the survey found the

7 -inch single consumer to be predominantly female, "almost any age." and buying one or two singles at least every three months. The 12 -inch single consumer was predominantly male, age 15-24.

Based upon population, the data showed that blacks purchase twice as many 7 -inch singles as non- blacks, and four times as many 12 -inch singles as non -blacks.

In the last 12 months, 16.7% of record buyers purchased a 7 -inch single, while 8.7% purchased a 12 -inch. Among the former group, 17.8% purchased an LP, cassette, or compact disc of the same song:

among the latter, 41.2% did so. Those consumers said they acquired the album because they definitely wanted more songs/ music by the same artist: 81% in the case of 7 -inch buyers, 72.7% in the case of 12 -inch buyers.

Most surveyed (88.5 %) said they were dissatisfied with the single as a format. When asked why, more than one -third (36 %) said they only bought albums (on disc, racsette, or CD), while another 16.3% described singles as "inconvenient." A further 13% claimed to have no record player, and 11.2% said singles were insufficient value for the money.

Another Format Needed Given those responses, the sin-

gle's downtrend is hardly likely to be arrested. "We've got to get singles into another format," said Bach, "or else be prepared for the day when the record and radio in-

dustries won't have the single to count on anymore."

Of those consumers satisfied with singles, most (51.8 %) said they wanted to own only hit songs, or liked hits. The single was seen as value for money by 14.5% of these buyers, and convenient by 12.6 %.

Asked about future intentions, 41.3% of 7 -inch consumers said they were "very likely" to buy more singles in the future, 27% said it was "unlikely," 26.3% said "somewhat unlikely," and 5.4% said "not at all."

The data provided interesting in- sights into the state of the 12 -inch single. For example, only 42.1% of record buyers polled said they were aware of the configuration. Obviously, said Bach, the industry has to increase that figure, and ensure that the 12 -inch is both cor- rectly packaged and adequately displayed at retail'

Another insight: 61.5% of those record buyers who said they were aware of the 12 -inch single indicated they'd prefer it on coccette - underscoring Bach's point about the industry's need to develop an alternate, non -vinyl format. To date, very few labels have made any significant commitment to cassingles. This research suggests

they'd be wise to do so.

12 -Inch Breakdown The WEA presentation at Scotts-

dale included annual net unit sales of singles by RIAA reporting firms broken out into 7 -inch and 12 -inch - something the stats released by the RIAA don't do. The WF,A figures are also lower than RIAA published totals because they don't attempt to estimate the unit volume of non -RIAA reporting labels, as the accoriation does.

The 7- inch /12 -inch breakdown clarifies the growth of the larger single among RIAA companies, from 2.3 million in 1981 to 13.3 million in '85. Here's the data:

1985 - net unit sales of 101.1 million singles, comprising 13.3 million in 12 -inch (13.1% ) and 87.8 million in 7 -inch (86.9 %).

1984 - 109.9 million, comprising 11.9 million in 12 -inch (10.8 %) and 98 million in 7 -inch (89.2 %).

1983 - 106.1 million, comprising 8 million in 12 -inch (7.5 %) and 98.1 million in 7 -inch (92.5 %).

1982 - 114 million, comprising 5.5 million in 12 -inch (4.8 %) and 108.5 million (95.2 %).

1981 - 126 million, comprising 2.3 million in 12 -inch (1.8 %) and 123.7 million in 7 -inch (98.2 %).

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COLUMBIA RECORDS 0 1986, CBS Inc.


CONTEMPORARY HIT RADIO

JOEL DENVER

LANDER SPEAKS OUT

Labels Concerned About Test Rotation Abuses

One of the chief problems brought to the CHR department's attention on an almost daily basis is the continuing abuse of test rotations by a small, but influential, group of radio stations. The feedback comes from competing stations within the market and, naturally, record labels.

The problem involves putting a record into test rotation for a number of weeks, boosting airplay to four or more times a day, but continuing to hold back on reporting it to R&R and other trade publications.

This is a subject most record label executives are shy about discussing. Atlantic VP /Field Opera- tions Lou Sicurezza, however, was upfront and vocal. "It's okay to get a week's test rotation, or even two weeks'. But when the phones ring, the sales start and they still don't add the record, it kills us."

Catch -22 "It's grossly unfair when you get

into four or five plays a day, week after week, and the airplay goes unreported," Sicurezza added. "We have marketing specialists who check up on this kind of stuff, and they confirm the record is selling. That's something the station should already know."

As he described the problems that unreported airplay can cause, Sicurezza noted, "These guys are so quick to use the excuse, 'It

"It's grossly unfair when you get into four or five plays a day, week after week, and the airplay goes unreported."

-Lou Sicurezza

doesn't have a national picture yet.' The sad part is that the guys testing these records in good rotation week after week are the national picture.

"Then we have stations which may not be testing a particular record but are interested in adding it. As part of our efforts, we tell them about stations that are testing it. After a couple of weeks, if they fail to see those test stations report the record, they wonder why they didn't add it. So, unless stations that are willing to test records and move them up in rotation end up reporting the airplay, we are in a real Catch -22."

MOTION Production Director Joe Taylor is

promoted from nights to mornings,

joining MD Dena Yasner at 95XXX/ Burlington ... WFFX /Tuscaloosa morning man Tony Davis exits to

become PD at KVIC /Victoria ... Mike Milligan is now PD at WNKS /Colum- bus. He replaces Bear O'Brien, who stays on for mornings ... Brian Logan is doing swing at BJ105 /Orlan- do ... At Sly 96 /San Luis Obisbo, Mark Lyons moves from middays to

mornings ... Pat Whitehead of

KEZB /EI Paso exits to WNCI /Colum- bus and is replaced by Dr. Dave

Ferguson from KAKS /Amarillo ... Jock Blaney exits his PD /morning drive duties at KTRS /Casper. The sta-

tion is searching for a replacement. WGRD /Grand Rapids moves part-

timer Phil Kelly to overnights as overnighter Pete Bunch segues to evenings ... Dave Bridge leaves WCILJ

Carbondale production duties for morning drive at KWKH /Shreveport; he's replaced by air personality Todd Manley ... New to mornings and PD

duties at KRZQ /Reno is Eric Roy from crosstown KOLO. -

BITS Beach Blast - WPOWIMiami

hosted the first of a series of free

beach party weekends. It kicked off with a large dance party featuring free

concerts by Erotic Exotic, Nancy Mar-

tinez, and others. The beach parties

are part of a five -year festival tradition

that includes fishing, wind surfing, and

sailing competition.

Now That's School Spirit! - KMELISan Francisco held a high

school spirit contest, asking students

to write their school name on postcard

entries. The school sending in the most

postcards won a free concert by the

Jets and Nu Shooz. The winning

school sent in 2,160;000 postcards,

which is more than the entire popula-

tion of San Francisco KMEL PD Steve'.

Rivers commented, "Never before

have I seen such school spirit and en-

thusiasm. It truly has been astounding."

No Unreasonable Requests "None of us are asking anything

unreasonable here," he emphasized. "If you test a record, obtain the desired results, and move it up in rotation, then give us the report. Not doing so is a most unfair practice; it's spread to between eight and ten influential markets. This is holding all of us back, and all of us want to see it stop."

One of the stations that's been singled out in this controversy is KKBQ /Houston. I contacted PD John Lander to discuss whether his station indulges in this practice.

"Absolutely not," Lander stated. "We don't do anything different from anyone else. We are always honest with the record folks, and we've never tested anything longer than two weeks at the outside. As to when they're reported, it all depends on how much product is in front of it for fulltime airplay. But I'll tell you this: we don't hold back reports on test records. If they don't test out, we drop them. If they test out, they are added."

Labels Should Get Credit "We want the record labels to get

credit for our airplay," Lander continued. "We have no axe to grind with any record label. KKBQ doesn't play those kinds of games and would have nothing to gain by it. All the labels have been fair with us, and we want to provide the same courtesy. We enjoy a great relationship with the labels and don't want to jeopardize it."

Analyzing the problem from a programmer's perspective, he noted, "It's wrong for the record community to believe every record we test should be added the following week. That's an unfair and un- realistic expectation. While we don't test every record we add, it would be impossible to test every record we have an interest in programming. No radio station could."

Too Much Product "After all, each week RCA has

"We don't hold back reports on test records. If they don't test out, we drop them. If they test out, they're added."

-John Lander

five hits, MCA four, and Columbia has seven must -play records. The truth, I feel, falls in between the two situations. Everyone wants to get his stuff on the air, and the pressure on our end is immense.

"We understand the need to get airplay at this time of the year as everyone heads into the fourth quarter and Christmas sales. This is the time of the year when we should be closer together. But we end up building animosity and re- sentment until December 15. Then we hug, kiss, and say 'Merry Christmas."'

Follow The Leader Time If everyone followed everyone else, who would be the

leader? KBEQ /Kansas City PD Steve Perun and a few of his programming compatriots, nicknamed the "Brat Pack," are trying to shoulder that responsibility. Mem- bers of this networking group include KZZP /Phoenix PD Guy Zapoleon, B94 /Pittsburgh PD Nick Ferrara, FM102/ Sacramento PD Rick Gillette, B104 /Baltimore PD Steve Kingston, KMEL /San Francisco PD Steve Rivers and MD Keith Naftaly, and KIIS -AM & FM /Los Angeles MD Gene Sandbloom.

"We're just a group of programmers who are thinkers, not simply playing records just because others are doing it," explained Perun. "We're just selective about the type of music we program. We try to make adjustments and push past the hype. Unfortunately, 80% of the programmers are just following each other. Many times records with 20/10 have more validity than those at Breaker."

Variety And Balance Perun said this follow -the -leader

philosophy is the fault of programmers who only look at the national picture without taking their own markets' 'needs into account. "CHR has to have variety and balance, but on the other hand you have to be selective," he explained. "You can't play follow the leader.

"On a national basis, I look at the

Steve Perun

Parallels for the truth. Then I network with friends who are leaders in their markets. We're wrongly la- beled as being stubborn, but I'm not afraid to admit when I'm

wrong. If I'm late on a record, I'll still add it and learn from my error.

"I can't see the wisdom in throwing 30 records onto my station that all sound the same. Most of my competition leans Urban; I consider them more competition than the AOR (KYYS). I look at catering to the female audience more than the male audience, which is why I don't play too much rock out of the box."

Use Common Sense "We play music that's unfamili-

ar, so I'm not afraid of becoming too unfamiliar. I don't 'power' new records out of the box, and we hang on to records a bit longer than most. But our adult numbers are above average. I may not be a record industry favorite, but I'm here to please my company and get ratings."

He also urged other programmers to use their ears arid play the records which make sense for their stations. "Don't just add music by the numbers. For example, I'm amazed at how long it's taken the Ben E. King to develop into a national hit. It comes from a hit movie, it gets phones, and sells. A little common sense can go a long way."

fr- '

Portrait of Aretha Franklin by Andy Wahol 0 1986 Phonogroph. John Pinderhughes



More Reporter Music Profiles Here's the second install-

ment of CHR reporter musical profiles. As I suggested last week, take the time to pick up the phone, network - and learn.

Mt..

KNAN/Monroe, LA

(318) 387-3922

PD Brian Douglas

MD Steve Mc Vie

WJMX/Florence, SC

(803) 667-WJMX

KXX106/Birmingham

(205) 591-7171

PD Martin Green

MD Bob Boswell

I meet once a week and sometimes more often with my MD Bob

Boswell to listen to releases he thinks we should consider. We keep a close eye on the trades and sales at area record stores. Our basic

philosophy is: "Is this record something a listener (or potential listener) in Florence would like to

hear ?" Record reps who call and tell us a record is #1 in the San Di-

ego market don't get an automatic add. We feel our market is different. Apart from being a smaller market than most. we don't have a

lot of CHR competition. This allows us an aggressive playlist and the ability to rotate our music with less repetition.

r/ i-s= s-s+.

WDLX/Washington. NC (919) 9462162

MD Gary Lee

Our music is researched to incor- porate the musical preferences of

our region, including album, cassette, CD, and single sales. Also, requests and national trade papers are taken into account. Musically, the station leans Urban as the market is about one -third black. MD Gary Lee and I make the weekly music decisions. The coastal Carolina market is different from most medium markets because it's a series of small cities making up a metro of 400,000 people. This makes relating to the audience no

small task, but our jocks are required to be on top of all events and listener needs.

CAPE YV4- 7 WKPE /Cape Cod, MA

(617) 771 -2998

WKPE's music philosophy is unique. We have a 50 to 60 -song current playlist. The hottest rotation is four hours on power records. Sec- ondary hits come up a little more than five hours. The third and last current category is new music, which gets rotated between six and eight hours depending on the day - part - excluding late- nights, in

which the rotation is less than six hours. There are two gold cate- gories. One contains only the most recognized hits from '82 -'85. The other is strictly classic rock, span- ning three decades. Since we're the only station in Cape Cod doing CHR, and there are no AORs or classic hits. stations, we lean toward rock.

NOW BLENDING

Z100 /New York WROD /Charlotte

KHYI /Dallas WAPE /Jacksonville

WTIC /Hartlord WINZ /Miami

KRXY /Denver WERT /Providence

WDXI /Atlanta WZXL /Atlantic City

WWKK /Nashville

AMERICAN IMAGE PRODUCTIONS

PD Kris O'Kelly

We play 50% current, 25% recur- rent (within six months), and 25%

gold. We rely on the requests first because they give us immediate results on a song even before the retail sales have picked up. Of

course, the trades do have influence, and eventually retail sales do figure into our charts. We play a lot

of black crossover and tend to lean to more Urban music. Including currents, recurrents, and gold, we play about 250 records at any one time and rotate them on computer to maximize rotations and avoid burnouts.

Coming Next Week:

A look at some of the hottest con-

tests from the summer Arbitrons,

plus more CHR reporter music pro-

files.

PD Chuck Redden

At Magic -106 we've achieved quite a lot during the past nine months. Our ratings have been up, and much of this has been due to a careful selection of the right blend of music. We try to mix the right blend of CHR along with crossovers from AC and Urban, all day - parted toward the market's tastes. For instance, we're straight CHR

in mornings and afternoon drive, more of a softer sound in middays, and use a bit more Urban music in

the evenings. Because of the market, we're able to go on most Urban crossovers earlier than most CHRs.

MD Rich Stevens

KTMT/Medford, OR

(503) 779-1550

Z103 /Tallahassee

(904) 386-5141

Z103's approach is to focus on

new music added to the playlist with heavy rotation during the first weeks of airplay. This contributes to maintaining a fresh on-air sound as well as quickly identifying the "hits" and "misses." We study R&R's Parallels each week with an eye on specific moves on certain stations. Overall, our strategy is to

appear musically fresh, "riding the wave" of audience taste without getting too far ahead or behind. We

are aided in this by callout re-

search, local sales figures, request tabulations, and "street" research.

PD R. Charles Snyder

KTMT plays a mix of 75% current records to 25% gold. I chart 40

currents, 15 extras, and selected cuts from current albums. I feel it's important to be a leader in the market, not a follower. In order to do this, I take the time each week to listen to every record that comes across my desk. Because we add music so early, I don't believe in playing recurrents. By the time a record falls off our charts, we've beat it to death. So it deserves a 90-day resting period before it becomes a gold, which spans from the mid -'60s through 1985.

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AOR

Picture Parade As you read this, your faithful AOR Editor is poring

over the summer books, preparing a comprehensive ratings scoreboard. Watch this space next week.

JOURNEY TO THE CENTER OF MODESTO - Journey's live video "Girl Can't Help It" was shot at the Mountain Aire Il music festival near Modes- to, CA. On hand for the event are (1 -r): CBS's Bert Baumgarten; Journey- men Steve Perry, Jonathon Cain, and Neal Schon; and KDJK MD Mark Davis.

AUCTION ACTION - KCFX!Kansas City linked with a local record store, Autograph's, to raise $700 for Muscular Dystrophy by auctioning off 50 autographed albums. PM driver Mike White is pictured with the store's owner, who donated the discs.

LOVE & HOPE & SEX & 'IZN - The BoDeans' bodacious Burlington gig brought (front, l -r) Sammy and Bob Bo-

Dean and (rear, 1 -r) Guy and Beau BoDean together with WIZN Promotion Director Elise Brown and MD Tom Van

Sant (far right, back).

FROM URBAN BEACHES TO PACIFIC SHORES - At Cactus World News's Los Angeles date are (in back; I -r)

MCA's Nan Fisher, Newsman Eion McEvoy, KMET's Cynthia Fox, the label's Tim Devine, and Frank Kearns of the

band. In front are the group's Wayne Sheehy and Fergal MacAindris.

IN YOUR WILDEST, KINKIEST DREAMS - KINK/Portland listeners' wildest dreams came true when they met the Moody Blues. From left, weekender David Shutt, Moody Justin Hayward, Promotion Associate Traci Walton, the

band's John Lodge, winner, Patrick Moraz of the band, weekender Roger Mason, and the group's Ray Thomas.

LIVE GONZO AT WLLZ - Ted Nugent filled in for WLLZ/Detroit's J.J. & The Morning Crew for a week of lewd, rude, and crude radio. From left, VP /GM Dana Homer, Terrible Ted, staffer Kathy Aune, Assistant PD Jim Pember- ton, PD Doug Podell, and News Director Leslie Quinn.

SEGUES WIOT /Toledo PD Anne Kelly is up-

ped to OM while Assistant PD Keith Masters advances to PD ... Four -year

WGIR -FM /Manchester PD Bob Cox re-

signs ... KTAL/Shreveport PD Tom

Michaels exits ... WYMG /Springfield, IL PD Mike Thomas leaves to program

new AOR WYBR /Rockford, which will

be consulted by Jeff Pollack. KSTM /Phoenix Assistant PD Wendy

Naylor (Weston) replaces Zoe Zuest

on WCXR /Washington nights ... KOMP /Las Vegas Assistant PD Todd Fowler exits ... Jay Baker returns to the WFBQ /Indianapolis MD chair . .

Ross Goza is upped to MD at KNAC/

Long Beach ... At WRFX/Charleston, Mulligan replaces R.G. Jones as MD.

"Mellow Rock" WMRQ/Boston inks Jeff Pollack ... KFMF /Chico signs Burkhart/Abrams, whose pact with

WGTR/Miami is now official. Dave Herman moves from middays

back to mornings at WNEW -FM /New

York, where parttimer Ray White gets the nod for middays. Ex- morning co-

host Mark McEwen is back on week-

ends ... New at KLSX/Los Angeles is

Ken Noble in mornings while after-

noons feature Damson, onetime PD at

crosstown KLOS and most recently

morning man at KKCY /San Francisco

. . WDVE/Pittsburgh mornings go to

Scott Paulsen, former afternoon drive

dominator at WIMZ/Knoxville and most

recently PM driver at Pittsburgh AC

WHTX.

Changes at KGB /San Diego: Pat

Martin takes late- nights, and Bryan Schock grabs overnights and morning

show producer duties. They replace Adrian Bolt and Keith Royer, respectively ... WSHE/Miamï s Steve Stan - sill crosses town to do nights at rival

WGTR. At KFOGISan Francisco, legendary

News Director Scoop Nisker leaves for

a three to four -month sabbatical in In-

dia, while traffic reporter "Metro" Dave Anthony adds weekend jock duties.

Shana leaves KCAL -FM /Riverside middays ... Shanna Lee from KRQR,

San Francisco takes on KSJO /San

Jose overnights ... Brian Miller exits

KLPX/Tucson afternoons .

Why wait for the mail? Get your chart

BEFORE Radio & Records goes to press.

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Updated SAME DAY reports close: AC, Country and Full- Service updated Monday evening; CHR, AOR and Black /Urban updated Tuesday evening.

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YBPC MEETS IN HOUSTON

BLACK/URBAN FRIDAY, NOVEMBER 14, 1986

Where Do We Go From Here? The Young Black Programmers Coalition (YBPC)

will hold its annual meeting November 14 in downtown Houston at the Hyatt Regency Hotel. This year's theme is "Where Do We Go From Here ?" The YBPC is answering that question with a stronger commitment to a major goal: the leadership position among the broadcasting and music industries' professional organizations.

Conventions, meetings, con- ferences, and workshops are plen- tiful in this business. Yet one major concern is whether anyone is learning anything from them. and whether anything is being accom- plished by the organizations and participants. The YBPC is one organization that's beginning to make a difference.

What Is The YBPC? To find out more about what is

happening, I spoke with YBPC President Tommy Marshall, PD /MD of WKXI /Jackson, MI. The 12 -year station veteran has been PD since 1979. He was installed as YBPC President in January

of this year and plans to run for the office again. Elections will be held during the Houston meeting. Cur- rently, there's a movement under- way to change the length of the President's tenure from one year to a longer period of time.

Asked to give a quick definition of what the YBPC is, who its members are, and what its function is within the industry , Mar- shall answered, "The YBPC is an organization of concerned people who want to see the industry get better for all those working in it. The organization's members are a cross -section of individuals from three related industries: radio, the

recording industry, and advertising agencies. Our members are PDs, MDs, some GMs, record promotion people, news directors, recording artists, students majoring in radio /TV and broadcast journalism, and a number of record retailers."

And what do all of these people want from the YBPC? "People expect us to try and help them understand the industry. They also expect us to address issues that concern us all. We try to help solve some of the daily problems. We know we can't accomplish that by ourselves, but we do have some good exchanges of ideas and conversations. When people are talking about what's wrong, no matter what it is, that means there is a chance for positive change. The national organization meets on the second Saturday and Sunday of each month," Marshall continued. These meetings are held either in Houston, Dallas, New Orleans, or Jackson.

BAU Fall Wars '86 As predicted, year -round measurement has smiled on

this format. Summers have often favored B/U radio; with more cities covered this summer, there was more B/U radio to favor. Witness Richmond, where WPLZ returned to #1, going 13.8 -14.5. In Memphis, where WHRK GM Ernest Jackson had opposed Arbitron's plans, K97 had a tremendous book (up 15.6- 18.1) . The only notable exceptions were B/U AMs, which mostly declined even with the kids out of school and increased hours for many outlets.

The big story this fall is the return of the zebra Urban format with large amounts of CHR or Dance crossovers. Stations such as WLUM /Milwaukee and WBLZ/ Cincinnati had kept this approach alive almost by themselves for several years. With the success of KPWR /Los Angeles, zebras are everywhere now ; they account for most of B /U's FM starts this year. Not all of these stations like being called Urban, but they are playing the music. And since they compete directly with B/U stations, they should be discussed when handi- capping the fall's battles.

The other effect of KPWR is that the word "power" has supplanted "strong songs" as the most -stolen slogan of the book. (Another KPWR liner, "fresh new music mix," is a runner-up.) The good news is that there actually seems to be some positioning creativity this time around; a check of these 12 markets actually turned up some ideas that hadn't been stolen ...yet.

Baltimore F85 w86 speli Su86

WXYV 6.8 6.6 7.7 8.7

WWIN -FM 3.5 3.6 2.8 2.7

WHUR 1.5 1.9 2.0 2.3

WEBB 2.2 1.8 2.3 2.0

WWIN 2.1 1.6 2.1 1.7

WXYV (V103) has been very healthy for the last year or so. Summer found it in third place, two shares ahead of CHR 8104. With Baltimore's other CHR, WMKR, gone, the outcome of the battle for top music station may depend on who can grab the most K106 listeners. Like other Don Kelly clients, V103's chief promotion is the "$24,000 power charge." Qualifiers win $103 in a three- times-daily cash -song contest. V103 still positions around the "a lot of music, not a lot of talk" slogan.

New WWIN PD Don Brooks is the third in as many years to try kick -starting WWIN -FM. The FM signal doesn't help. In some parts of town, dial- adjacent WHUR is louder. That plus WHUR's similar programming may explain why the DC station is third out of five. WWIN-FM's main fall prizes are a CD player and a trip to the Carib- bean. Its music, which had been fairly soft and LP-oriented, is becoming slightly more hit- oriented.

"Always Fresh" WWIN, like fellow AM WEBB, does best in teens; Brooks hopes to expand its demos to 12 -25. Charleston

F84 Sp85 F85 Sp86

WPAL 6.5 10.0 7.1 9.3

WWWZ 13.0 10.8 12.7 9.0

WWDM 2.4 1.7 2.5 2.3

In spring '85, WPAL, then a day - timer, stunned this market just by breathing hard on powerhouse FM WWWZ. This spring the "Soul of Charleston" finally edged past Z93.

Now WPAL is 24 -hours and PD Don Kendricks hopes to hold his lead with a trip to Atlantic City and "$100 payday Fridays." Musically, the differences between Z93 and WPAL are what you'd expect in a Southern AM /FM battle. WPAL powered Latimore's "Sunshine Lady" ; WWWZ resisted it for weeks. Z93 owner /GM Cliff Fletch- er, still doubling as PD, terms his station more uptempo and dance- oriented than WPAL. WWWZ, which positions as "serious fun," has trips to San Francisco and New Orleans this fall.

Chicago F85 W86 Sp86 Su86

WGCI -FM 5.3 6.4 7.2 8.4

WBMX -FM 6.4 5.6 5.3 5.9

WVON 1.6 1.5 1.3 1.6

WLNR - 0.7 0.8 0.9

WJPC 0.8 0.9 0.5 0.8

WGCI 1.0 0.5 0.6 0.7

Since WGCI -AM & FM simulcast all but a few hours each week, their true share is probably somewhere around a 9.0. And since WGN, at a 10.1 in the summer, won't have

Expansion: Slow But Sure

Expansion of the YBPC has been on the back burner for a couple of

years. Marshall said, "Expansion is something we all really want to see happen. Our organization has mostly been comprised of individuals throughout the Deep South. Well, I'm proud to say we're starting to move East and North. We now have a chapter in the South- east, primarily in the Carolinas. We've also gotten requests from broadcasters in Washington, DC

and Florida. I also understand that a group from Philadelphia would like a charter."

Of all the black organizations within the industry, only the YBPC gives scholarships to students interested in either broadcast journalism or music. "We give away seven scholarships worth $1500 to seven different black colleges located in the South," Marshall said. "Each year we try and do just a little bit more.

By Sean Ross baseball this fall, this could be the book in which Lee Michaels and WGCI finally take #1. "Power 107.5" is sticking largely to its spring gameplan with a "Count 'Em For Cash" contest continuing through the sweep. There's also a $50 mystery lyric daily and one of

this fall's more unusual promotions, a $107.50 cash giveaway with Popeye's for being able to match a restaurant's store number with its location.

At WBMX, Jerry Boulding, who's already reversed a year -long down trend, is countering with a "Double Play" contest. Two songs by the same artist or two versions of the same song pay up to $5000.

"The station that's on the money" is also giving away LPs with $100

attached and doing " #1 Week- ends." There's also been the return of Sonny Taylor in middays and Jay DuBard added to late nights. Both WBMX and WGCI have tightened musically over the last 15

months, with WBMX being slightly more conservative. Both lists are in the 45-50 song range.

The wild card here is CHR WBBM -FM (B96). In a market where the usually rock- oriented CHRs haven't approached the ratings of even the #2 B/U station for a while, B96 has gradually de- emphasized rock in favor of crossovers and added a Saturday night mix show. The new mix didn't seem to affect the summer ratings, but WDJX /Louisville, consulted by B96 PD Buddy Scott, has held off


Tommy Marshall

"When we were first able to give scholarships,' they were only for $500. That was all we could afford. We're not a large organization, but we're trying to give something back to our people." Some of the

schools benefiting from the YBPC's efforts are Jackson State University in Jackson, MS; Bishop

College in Dallas; Texas Southern University in Houston; and South- ern University in Baton Rouge.

A Helping Hand Marshall mentioned how his or-

ganization is helping Shaw Uni- versity, a predominantly 61ack school in Raleigh, NC which has had a number of financial problems. "Our Southeast chapter is

deeply involved. Each Black and Urban Contemporary radio station in the area is asking its listeners to help save Shaw University through donations. I also understand that the YBPC chapter there is planning some concerts to help raise even more money. I just hope we can help keep one of our colleges open. Our people need more educa- tion, and we certainly know the problems confronting our black youth."

If the organization charged peo-

ple more money to belong, it would have more operating capital. But it doesn't do things that way for a reason. The YBPC is a grass roots organization that hasn't lost touch with those who make the coalition live: the people within the industry who continue to seek positive change for the working class.

Most conventions within our in-

dustry cost you or your company a fortune to attend. And most of the black-oriented conventions make it tough for the people they claim to

serve to attend by setting high registration prices. Not so with the YBPC. A single room at the Hyatt in Houston, for example, is

available for only $49 if you men-

tion that you will be attending the national meeting when making your reservation.

Whereas many convention regis- trations cost in excess of $200, the YBPC's registration fee for members is $50; $60 for non-

members. YBPC members can also get discount air fares to coalition meetings. Get the message? They're real! Tommy Marshall and his YBPC Board of Directors deserve a lot of credit for service to the people they represent.

If you or your organization would like additional information about the YBPC, write to: YBPC, P.O. Box 11243, Jackson, MI 39213.

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BLACK/URBAN i

WDIA /Memphis Celebrates 38 Years

GRFAT

IT'S YOUR DAY - October 23 was proclaimed "WDIA Radio Day" by Shelby County and the city of Memphis. The proclamations were issued by Congressman Harold Ford and Shelby County Mayor Bill Mords. Shown (l -r) are WDIA 's Bob- by O'Jay, Morris, and WDIA's Ford Nelson.

ARE WE ON THE AIR? - WDIA's Jaye Michael Davis (I) shares the mike with former staffer Rufus Thomas.

FAMILY AFFAIR - WDIA staff members greeted guests at the party. Shown (bottom to top) are Ford Nelson, GM Ernest Jackson, and Arlene Terry; standing behind the group are (l -r) Mark Standbury, Betty Sanders, J. Mac's owner Jimmy Townsend, and Herb Kneeland (behind Sanders); on Terry's right are Fred Moore, Reggie Fine, Mike Jefferies, and Hender- son Davis.

HOW ARE YOU?- Ford Nelson (I) chats with former WDIA staffer Ro- berta 011ie. Standing with them is Mike Jefferies.

A SPECIAL LADY - Bobby O'Jay (I) talks with Denise LaSalle, one of the many special guest entertainers.

ARRIVING BY TAXI - Shown in the lobby of J. Mac's are (l -r) WDIA's Fred Moore, Mark Standbury, and Ford Nelson with-J. Blackfoot. .

THE FINEST TRIBUTE - Herb "The K" Kneeland joined the Su- preme Team for the last hours of the on -air salute. Shown (Fr, standing) are Bobby O'Jay and Knee- land; seated (Fr) are Reggie Fine and Michael Jeffenes.

WDIA HOMECOMING - Robert "Honey Boy" Thomas returned to the air along with the current WDIA "Supreme Team." Shown (Pr) are Thomas, Reggie Fine, and Michael Jefferies.

f

LET'S ALL SING - WDIA's Beverly Johnson sings "I'll Never Love This Way Again" in tribute to the station's listeners.

GLITTERING AND GLAMOROUS - Among the WDIA staffers who en- joyed the evening's festivities were II-r) Veda Beale and Kathy Dabney with her date.

PARTY TRAIN - Partying hardy are (Pr) WDIA's Bobby O'Jay, Beverly Johnson, James "D Train" Williams, Fred Moore, Reggie Fine, Ford Nelson, and Maxine Mackin.

WAITING IN THE RA N - Despite inclement weather, many lined up for WDIA's "Great 38 Family Reu- nion" party.

GRAB THE CAKES - WDIA's cake bore the names of former and current jocks. The list was so long that three cakes were needed. Shown (Fr) are Shirley Brown, Bobby OJJay, and Arlene Terry.

The Mayor of Memphis declared October 23, 1986 WDIA Day, and a full-scale celebration of the first Black radio giant's 38th anniversary ensued. Events included an on-air reunion of legendary jocks, as well as a birthday party at popular local nightspot J. Mac's.

It was a fantastic day," said PD Bobby O'Jay. "A.C. Williams did a two-hour show with me in the morning, because he did that shift at WDIA for 33 years. A.C. picked and played his own music, and people really responded well. Rufus Thomas once did middays here, and he did a two-hour show for us starting at 11am. Herb 'The K' Kneeland sat in with our afternoon team. Robert 'Honey Boy' Thomas did his thing, and 'Honeymoon' Garner, who worked here for approximately ten years, also did a two-hour show on the air."

WDIA's Tribute There were also tributes to the

late Nat Williams, generally considered America's first black DJ, and Theo "Bless My Bones" Wade. "We have tapes of these men and used them to help bring back some positive memories of WDIA's golden years," O'Jay said. "A.C. Williams and Ford Nelson actually did the tribute on the air. It was wonderful."

Ernest Jackson has been at WDIA since 1981 as GSM; he was promoted to GM in 1983. In April 1985 WHRK and WDIA became sister stations, and Jackson now oversees both. He is only WDIA's fourth GM in 38 years. Asked what managing a station with WDIA's legacy means to him, he said, "When I

came here one of my goals was to surround myself with people who understood WDIA's community commitment. People like Bobby and others have been here and know what we should and shouldn't be doing. I'm just thankful I can be a part of something that is so well thought of in this city."

Jackson is also heavily involved with the local community. He chairs the Memphis Private Indus- try Council, teaches radio business at a local high school, is President of the Ronald Ward Juvenile Defense Fund, heads the Mayor's Action Committee on Literacy, and also serves on the Mayor's Com- mittee for New Mass Transit. And these are just a few of his extracur- ricular activities.

Jackson sees his involvement as simply giving something back to the community. "1f it hadn't been for the people, WDIA wouldn't ex-

ist," he commented. "They've stuck with this station good, bad, indifferent, and through the FM crunch."

Growing Up With 'DIA PD O'Jay is a native Mississip-

pian who grew up 55 miles south of Memphis listening to WDIA. "A.C. Williams was a huge influence on my life," he said. "I used to listen to him every day. Back in the '60s, WDIA was one of the only radio stations we could pick up on the old radio we had in our home. It was the only station that we really knew anything about"

O'Jay said that arranging the WDIA birthday events was an hon- or. "As a kid I always wanted to work for WDIA, and my dream came true."

Which WDIA veterans are still active in radio and related industries? "There are more people than

you might imagine," O'Jay said. "Chuck Smith, who's now part of the corporate structure at KKDA/ Dallas ; Guy Broady at WTKL /Bat- on Rouge; Warren Epps, also at K189 /Dallas; John Preister in Chi- cago; and Jerry Boulding, now the OM at WBMX /Chicago. They all had some connections here.

"Earnest James, now owner/ GM of WCIN /Cincinnati, came through here ; so did Mark Chris- tian from KSD /St. Louis; Chris Turner, now PD /MD at WTMP/ Tampa ; Bobby Brown, a great morning man now working in Eur- ope; and Mike Frisbee, a Los An- geles music attorney. And one of the greats to pass through WDIA's doors was B.B. King. A lot of people don't know that he used to be a DJ in his early years."

Congratulations to WDIA on another year of service to the people of Memphis.


WDIA /Memphis Celebrates 38 Years

STARS ON PARADE - Rounding out the celebration was nonstop entertainment. Among the performers were Ruby Wilson, J. Blackfoot, Shirley Jones, and

Chic Rodgers.

A SPECIAL MOMENT - Natalyn

Williams joined the WDIA staff onstage to accept the Gold Mike

Award in memory of her father, Nat

D. Williams. Bobby O'Jay (I)

presented the award.

B/U Fall Wars '86 Continued from Page 64 that city's B/U stations with a similar music policy.

Cleveland F'85 W86 Spec Su86

WZAK 5.1 4.2 4.8 4.9

WDMT 4.3 4.8 4.8 3.5

WJMO 1.1 2.0 2.0 1.5

The most amazing thing about market leader WMMS has been its ability to function simultaneously as a CHR, AOR, and even Urban outlet in Cleveland. No CHR or B/U has gotten close to the Buz- zard since its format change in 1984; nobody has even tried AOR. Through heavy dayparting and sheer market presence, WMMS has been able to play the Pointer Sisters in middays and sneak in Funkadelic's "Maggot Brain" at nights. Now there's John Gorman's WNCX with an equally wide variety of music; first -week titles included everything from Carly Sim- on to Stacy Lattisaw to "Cokelife" by the Timex Social Club.

There's change on the B/U side too. WDMT is now known only as "Power 108." The mix is still uptempo, but there's considerably less emphasis on street music as new PD Jeff Kelly works to expand the demographics. WDMT will probably take shape through the fall but Kelly and MD Calvin Hicks have sworn publicly that the FM will remain B /U. At WZAK, Lynn Tolliver is giving away $93 prizes to listeners who hear "Celebration" and have the 93FM "Celebration Card." The slogan now is "Getting you up, getting you off." WJMO under Doug Harris seemed to tough- en up for a while, even playing Doug E. Fresh at night. Now "Famous 1490," celebrating its 27th birthday, has settled in a mix that's softer than the FMs but more hit -oriented than before. You can, however, still hear Phyllis Hy- man's "Old Friend" next to the Spinners' "How Could I Let You Get Away."

Las Vegas This is actually a battle that

can't be measured in Arbitron, but it's still fascinating. Noncommer- cial KCEP shows very well in the Birches despite a volunteer staff that changes yearly like college athletic teams. Recently, KCEP has positioned itself as "the true Urban FM," a seeming response to KYRK. "Y97" is even harder to peg than WMMS. When last heard in early October, its currents included "Amanda" by Boston; its re-

currents and gold have featured "The Show," "Itchin' For A

Scratch," and the long version of "Weekend Girl" by the SOS Band. On Saturday mornings Y97 runs a CHR countdown; on Sundays, it plays a syndicated B/U show. Whatever KYRK is, it got a 7.4 in the summer and seems to have af- fected CHR leader KLUC, which also plays a lot more crossovers (including "Everybody Dance" by Ta Mara & the Seen as a recur- rent) than it did 15 months ago.

Los Angeles F85 W86 Sp86 Su86

KPWR 1.9 4.4 6.0 6.6

KJLH 2.3 2.0 1.4 1.8 KDAY 2.2 1.3 1.1 1.5

KACE 1.0 0.9 1.2 1.0 The story here is still the race for

Ill between KPWR and KITS -FM. Where the two nearly matched each other song- for -song in the spring, both are now back in their own formats. KIIS's buscards herald the station's "new variety," which includes more AOR- imaged music in both the gold and currents. Power, meanwhile, is playing a few of the R&B ballads it would have avoided previously had they not crossed to KIIS. The songs that define KPWR, however, are still club records, among them "Diamond Girl" by Nice & Wild or "Dancing In My Sleep" by Secret Ties.

Through October there were no major cash giveaways on Power. Promotional efforts for Power's "new fall season" instead emphasized a listener party, "Power- house II," with Rebbie Jackson, Nu Shooz, and Stacey Q. There's also Jay Thomas, whose brashness sharply contrasts against both Rick Dees on KIIS and the "even more music and less talk" that Power now promises outside mornings. (A sample routine is Thomas's mother announcing she's slept with Dees to pick up trade secrets.)

When Power stormed into L.A., KDAY's "big switch back" promotion just seemed like wishful thinking. Now there's some evidence that KDAY and KJLH are getting some of their black core back, even if it's not a big switch yet. KJLH has bus sides now promising "better music and more variety" and promoting its 1987 Mercedes, for which any fall prize winner quali- fies. There's also a $1000 -a-day cash song and a lot more gold including occasional spikes such as

"Disco Lady" or `Boogie Oogie

Vie.,, KJLH's reemphasis on adults

seems to have prompted KACE's softening further, although PD Pam Robinson still terms her mix "adult hit music." There are lots of LP cuts on KACE including, it seems, the entire Phyllis Hyman LP. KACE's big prize for the fall is a trip to see Al Jarman in Hawaii. The mellowing of KACE and KJLH sets KDAY even further apart; roughly a third of the AM's A -stack now seems to be songs that aren't played anywhere else in the market. Recent examples include Salt 'N' Pepa's "I'll Take Your Man," Sir Mix-A -Lot's "Square Dance Rap," and UTFO's "Split Person- ality." Individual prizes in KDAY's "$100,000 winner -an-hour giveaway" include a trip to New York for a "Cosby Show" taping.

Mobile F84 Sp85 F85 Spas

WBLX 15.3 11.9 13.8 17.0

WGOK 9.4 11.6 10.6 9.7

For a while, Mobile looked a lot like Charleston, with AM WGOK suddenly on the back of FM WBLX. A lot of that was due to PD /morning star Mad Hatter, who's back now ... although that may be only temporary. WGOK should also get a charge this fall from a planned tribute to GM /gospel legend Irene Ware. At "Full Force 93 -BLX," new PD Alvin Stowe has made the music considerably more systematic. Ty Bell has also joined from Birmingham for mornings. WBLX's contest again this fall is "Pigskin Payoff." Winners who predict five college and five pro games split a $930 cash prize which, thus far, has gone to a single weekly winner.

New Orleans Sp85 F85 Sp86 Su86

WYLD -FM 16.8 14.7 14.5 15.5

WYLD 3.0 3.1 2.9 3.0

WQUE - - 5.5 6.6

Market leader WYLD -FM, billed as "the music FM, better than the rest," also has a football picks contest this fall with a total of $15,000 in prizes. There's also a daily "secret song" with $98 prizes and a recently started hi -lo game. The annual talent show, a major production for WYLD -FM, is also coming up. "FM98" has always been relatively mellow. Now "Continuous Mu- sic" WQUE (Q93) has segued to a very uptempo zebra approach under Jerry Clifton and PD Jay Stev- ens. Its mix, which recalls the late WAIL, ranges from Bruce Horns - by's "The Way It Ls" to RFTW's "Love You Down." The chief fall

promotion is a "Fantasy Ticket" promotion with Wendy's; prizes include a Toyota MR -2 and trips to the Bahamas and around the world. There's also a $10,000 six-in- a -row music guarantee.

New York F85 W86 Spec Suss

WRKS 5.5 5.6 6.2 5.1

WBLS 4.7 4.0 4.3 4.9 WQHT - - - 1.4

When Power 106 hit Los Angeles, it played so much club music that radio people often talked about how "New York" it sounded. Now Em- mis's WQHT is often compared to its L.A. sister. Joel Salkowitz, PD of "the fresh new Hot 103," is from KPWR. So is the "$50,000 Ameri- can Express Gold Card fantasy charge." So are a lot of Hot 103's image records. From New Yorkers who haven't heard KPWR, the most frequent comparison is to the old 92 -KTU, New York's last major outlet for disco music.

One of WQHT's selling lines, one which doesn't come from KPWR, is "New York won't stand still for the same old music" - an apparent slam at the CHRs and at WRKS and WBLS, both of which are tighter than ever musically. (This tightening is especially noticeable at WBLS.) Both stations are in the difficult position of trying to satisfy adult and teen constituencies with very different tastes. So in AM drive on WBLS, you might hear "Woppit" by B. Fats, but the next song will probably be George Ben- son's "Shiver" or something simi- larly adult. WBLS is still "in a class by itself," but it's also playing the "heavy hits."

WRKS has a cash -song promotion with prizes ranging from $100-

2000. The grand -prize winner will get 98.7 seconds in a bank vault to grab at a million dollars. It's also running 30- minute "no talk music sweeps." Both WRKS and WBLS have "thousand- dollar Thurs- days," the latter as part of its "touch of cash" contest. In addition, Hal Jackson has returned to the air at WBLS to host a Sunday morning gold program.

Richmond /Petersburg Sp85 F85 Sp86 Suss

WPLZ 11.4 14.2 13.8 14.5

WZZR - 2.7 5.4 5.2

WKIE 2.7 2.1 0.5 1.1

It's been a while since this market has had the same B/U players for more than a few months. WANT, an AM legend for years, is Gospel now with a handful of secu- lar music mixed in. WENZ has gone Oldies. And WZZR (93 Lazer), which didn't really get anything

going against CHR WRVQ until it increased its crossover quotient, has segued into a straight zebra approach.similar to PD Dave Allan's 0C104 /Ocean City. Steve Crumb - ley's WPLZ continues it year -long "Magic 99 is more than music" campaign. Prizes include trips to New York, Disney World, and the Caribbean, and 99- second run through Toys 'R' Us. Donnie Deane's adult -targeted WKIE is still a daytimer but has increased power to 10,000 watts - the signal stretches from Tidewater to Char- lottesville - and could profit from being the only AM.

Roanoke /Lynchburg Spec

WJJS 5.0 WTOY 2.4

This is only kind of a battle. Ever since the Roanoke and Lynchburg markets were merged, there hasn't been one B/U station that covers both cities. Even beforg - --

WJJS was exiled to an AM day - timer, it couldn't be heard in Roan- oke; on AM, it did considerably better in the spring than the CHR format that replaced it. At "13 -J," PD Lad Goins's promotional efforts center on LP giveaways. The J -list had been rather long on FM; now it's around 45 titles. At WTOY, PD Stan Thompkins targets 18-45 and has also tightened his list to around 50-55 titles. He'll be helped by another two hours of operating time. As you might expect, both PDs are most interested in the fall Birches for their markets; how the Arbi- tron comes out depends largely on diary placement.

St. Louis F85 W86 Spas Su86

KMJM 5.8 6.3 5.5 6.6

KATZ 1.7 1.8 2.1 2.1

WZEN 1.3 1.7 1.7 1.9

WESL 1.2 1.8 1.2 1.1

Summer was KMJM's best book since late '84; this will be its first ratings period under new ownership. Majic 108 is running a $5000

"Majic Gold Card" giveaway with a grand- prize winner chosen from hourly cash song qualifiers. It has also revived the "People's Station" slogan it was known for several years ago. By the time you read this, crosstown WZEN should finally have been taken over by Inter - Urban, which will change the calls to KATZ -FM. Whoever ends up as PD will be the fifth person to try to get the FM moving in less than three years. Because the market is

different, Dell Spencer says that the resulting station won't be as mellow as its New Orleans and Louisville sisters.

YBPf VIE llOOR lUIT

FOR PRO VIORG %EUTAI%D flPIRTIOAL DII1ECTIO.

YOUR CO%I%IITIIE%T TO EXCELLEFE

IX UORTIII OF EiI1ULATIOI

ANITA RAKER, Rapture

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MIDNIGHT STAR

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M U S I C C A S S E T T E S ,

R E C O R D S & C O M P A C T D I S C S

1986 EINM1dMylem Becer, o NM., of Wo.nerCommrniomm Irc..81

70/ R&R

JAZZ

BARBARA BARNES


Have A Swingin' Christmas They came upon a midnight clear, Requests for a jazz album list for the holiday so near. So I put one together for you to check twice. It's close to complete; as a reference it's nice. And off we go with heralding trumpets and horns. Be thankful that soon I'll stop stringing this corn!

Some of these may be considered marginal jazz albums. But there is enough product here to brighten up any jazz lover's spirits this holiday season. We can probably look forward to a few more new releases also, such as "Silent Night" from Stanley Jordan's new LP "Stan- dards" and "Welcoming" from Michael Manring's "Unusual Weather" album. Don't forget tunes from Nat King Cole. Ray Charles, Al Jarrean, and, of course (? ), the single whose name I used as the title of this column (by Sanders and Miles and the Jerry Citron Trio).

Thanks to Jazz reporters Helen Borgers, Jeff Gehringer, Rob Wil- son, and Jo Sabel for taking the time to go through their libraries, and to Los Angeles Tower Records jazz buyer Julie Remick for her assistance. HERB ALPERT & TIJUANA

BRASS /The Christmas Album (A &M SP 3113)

TONY BENNETT /Snowfall (Columbia CS 9739)

DAVID BENOIT /Christmas Time (AVI6149)

TERESA BREWER /At Christmas Time (Signature PW401 13)

KENNY BURRELL /Have Yourself A

Soulful Christmas (Cadet 779) CHARLIE BYRD /The Charlie Byrd

Christmas Album (Concord CC2004)

NAT KING COLE /The Christmas Album (Capitol SW 1967)

JIM CULLUM /'Tis The Season To Be Jammin' (World Jazz WJLP-S-21)

DUKE ELLINGTON /Nutcracker Suite (Columbia CL1541)

RON ESCHETE /Christmas Impressions (Bainbridge BT6267)

ELLA FITZGERALD /Ella Fitzgerald's Christmas (Capitol SM 11832)

'ELLA FITZGERALD /Ella Fitzgerald Wishes You A Swingin' Christmas (Verve VEI -2539)

KEITH FOLEY /Music For Christmas (DMP) CD only

HARRY GIBSON /Harry "The Hipster" Gibson Digs Christmas (Totem 1023)

EARL GRANT /Winter Wonderland (MCA 15001)

DAVID GRISMAN /David Grisman's Acoustic Christmas (Rounder 0190)

STAN KENTON /Kenton's Christmas (GNP /Crescendo ST 1001)

RAMSEY LEWIS TRIO /The Sound Of Christmas (Cadet LP 687)

RAMSEY LEWIS TRIO /More Sounds Of Christmas (Cadet 745)

BRUCE MALAMENT /Christmas (Maltone SM1025)

MANNHEIM STEAMROLLER/ Christmas (American Gramaphone(AG1984)

TONY MATTOLA /Have Yourself A

Merry Little Christmas (Project 3 PR5090)

JOHN McCUTCHEON /Winter Solstice (Rounder 0192)

KELLY McGILLIS & MICHAEL HEDGES /Santa Bear (Rabbit Ears /WH, WH -0700) CD

ROB MEURER /Synth For Christmas (Spindeltop SPT -110)

SANDY OWEN /Carols (Ivory IR9185)

DUKE PEARSON /The Merry Ole Soul (Blue Note BST 84323)

PLUNKETTS /Presents Jazz Christmas (Noran NRLP -001)

RAMPAL, LAGOYA, LEGRAND/ Pastorales De Noel (CBS FM 37205)

SHORTY ROGERS /Swingin' Nutcracker (RCA NL- 45976)

ROYAL PHILHARMONIC &

CHICAGO SYNTHESIZER ENSEMBLE /Turned On Christmas (Columbia FC 40441)

SANTA CLAUS, THE MOVIE

(Mancini) /Soundtrack (EMI

SJ17177) FRANK SINATRA /A Jolly

Christmas (Mobile Fidelity MFSL 1-

135) SINGERS UNLIMITEDiChristmas

(Verve MPS 821 859 -1) CD

JIMMY SMITH /Christmas Cookin' (Verve V6 8666)

BILLY TAYLOR /Merry Christmas From Billy Taylor & David Frost

(Bell 6053) VARIOUS /Christmas In Jazz (Holiday

HDY1930) VARIOUS /God Rest Ye Merry

Jazzmen (Columbia PC 37551) VARIOUS /Mistletoe Magic (Palo Alto

PA8032) VARIOUS /More Mistletoe Magic

(Palo Alto PA8047) VARIOUS /Mr. Santa's Boogie

(Savoy SJL1157) VARIOUS /The Stash Christmas

Album (Stash ST125) DUSTY WAKEMAN /Christmas

Becomes Electric (Tropical TR0840)

JAMES WILSON /Holiday Favorites On Guitar (Eagle SM1024)

PAUL WINTER & FRIENDS/ Winter Songs (Living Music /WH) LM00012) CD

WINDHAM HILL ARTISTS /A Winter Solstice (Windham Hill WH1045) CD

GEORGE WINSTON /December (Windham Hill WH1045) CD

WORLD'S GREATEST JAZZ BAND- Hark The Harolds Angels Swing (World Jazz WJLP 5 -2)

= new release

ALL THAT JAZZ WAER /Syracuse PD Felicia Otero

exits to pursue other interests; MD /Assistant PD Rick Wilkinson takes over ... KUHF /Houston OM Barbara Entman also exits to pursue outside interests; the station will relin-

quish all jazz programming by 1987 (we'll keep you updated on reporting status) ... KLON /Long Beach, CA ND Michelle Petersen has been nam-

ed Chairwoman of the Public Radio News Directors Association.

WLVE /Miami co- sponsors concert series "Jazz over Miami" .. WBEE /Chicago announces "Window To Africa," a weekly African music/ talk show hosted by Layi Akande . . .

TAM1A THE LADY

FROM BRAZIL

A

MOST 1St WEEK AT RADIO!

,USAN _ :..V (2121 54I-6401

ra ARIA

0 1986 Manhattan Records, a Division of Capitol Records. Inc

M A N

N

WCOD /Hyannis, MA expands its nightly Jazz show "Cape Cod After Dark" from 10pm -2am. Host Jack Brady requests record service (617) 775 -8600 ... KJAZ /San Francisco's

"Celebrity DJ" series features local and national celebrities with their favorite jazz records as co -hosts every Wednesday morning with DJ

Stan Dunn.

WKSU /Kent programs over 30 hours of new age music in a show called "Nightaire," running weeknights 10:30pm- 5:30am. Hosts are Jeff Es- worthy and Michael "Fitz" Fitzpa- trick . . WRTI /Philadelphia hosts Paxton Baki and Melonae Johnson, in conjunction with Temple University Leisure Services, seek musicians for

the Philadelphia Progressive Jazz Series, which showcases new and avant -garde music. Call WRTI .. .

"Music From The Hearts of Space" producers Stephen Hill and Anna Turner announce the signing of its

200th station ... Windham Hill pub-

licity director Margaret Johnstone segues to Mark Isham's Earle Tones

Music. In conjunction with the Reuben H.

Fleet Space Theater. KIFM /San Diego is currently presenting (through November 16) "Lites Out Laserium," a laser and light show choreographed to contemporary jazz on a digital master soundtrack programmed by station PD Bob O'Connor and JMD

Rob Wilson. (Note station's new ad-

dress: 5125 Convoy Street, Suite 304. San Diego, CA 921 1 1) . . .

KANU /Lawrence, KS activates trans-

lators in seven cities, improving and expanding the station's parent signal, which already covers a 90 -mile radius including Kansas City.

A NEW ERA FOR WBGO /NEWARK - After seven years of planning. WBGO celebrated the grand opening of its new studios last month. This

live performance broadcast facility promises great sounds and entertain- men;

COMMODORES+ PolyGram Records present the spectacular

f3 N y debut album

"UNITED" Nsvti

COMMODORES+ \1/40/ PolyGram Records=

"Goin' To The Bank" The Smash Debut Single!!!

R &R:

BB: m BRE: m GAVIN: Q IMPACT:

CASH BOX: e JACK THE RAPPER: C)

BEHIND THE SCENES: 4D

I A polvàor PolyGram Records


L ADULT CONTEMPORARY CHECKING THE NBC STATIONS

Overseeing The 0 Heeran

NBC is more than a network. It is also the owner of eight radio stations in five of the top ten markets. On the eve of NBC's 60th anniversary, we talked with Exec. VP /Radio Bob Mounty to see what makes them tick.

A quick glance at the programming of these stations shows a range of di- versity. As Mounty put it, "I have felt that we were always on the right track by fitting the format to a need in a marketplace, rather than becoming experts in a particular format and trying to make that work wherever it goes."

Clearing AM All three AMs are

50,000 -watt clear channels and are guided by a special philosophy. "When you're talking about AM radio, you're not going to win in music," said Mounty. "AM radio requires a common denominator which is based upon demographic and psy- chographic needs.

"You have to have an appropriate amount of service in the morning on any radio station relative to the format."

-Bob Mounty

"It doesn't matter a whole lot if you do Talk in one daypart and music in another if you remember who you're trying to reach and keep the material relevant, whether it be music or talk. That's what you have to do today.

"That's working for us very well in San Francisco.

Bob Mounty

When you see a station's market revenue shares run triple its audience shares, you know something's happening right. Of course (KNBR GM) Bill Dwyer is a master marketer.

"In Chicago what's happening, especially in the Northern tier, is that Coun- try has run its course. When I wanted to switch to personality I didn't want to totally abandon the core Country audience. As long as we're going to be playing music, I wanted it to be Country.

"We have completed a conversion there in almost every daypart. We have Talknet at night as well as `Sportsnet,' and they do very, very well." WMAQ also has acquired high-profile personalities in Drew Hayes and 'Mort Downey.

WNBC High -profile personality

abounds at WNBC /New York with its Don Imus, Soupy Sales, and Joey Reynolds lineup. The personalities are part of a plan, which started some years ago, to make the AM flagship "`Saturday Night Live' on radio." According to Mounty, "I don't mean that we copy the TV show, but the same philosophy exists: be outrageous while still being relevant. I think we have the right people in place and it's going to work fine."

A slight kink in the plan came with the dismissal of Howard Stern. "We knew when we decided to separate ourselves from Howard that it would take awhile to rebuild with the right person. Joey's looking good to us, and we think he can make it."

While WNBC is retooling for success in the ratings, the payoff with the sponsors is happening. "There's no question that advertisers can hear the station and are willing to pay a premium to be in an enviroment of high - profile personality shows," Mounty explained.

"With AM radio, I'm not trying to proffer any pat answers," he continued. "What makes me feel good is that the management of this company has allowed me to take some chances and experiment with creativity. I'm delighted that my boss Randy Bongarten supports me in that."

Hybrid FMs In San Francisco and Chi-

cago, the line between AC and CHR is walked by KYUU and WKQX. Mounty noted, "If you listen to them side by side, there is a difference. The oldies selection may be a bit different.

"Each has a key situation with a strong morning personality. You have to have an appropriate amount of service in the morning on any radio station relative to the format. That format

"There's no question that advertisers can hear the station and are willing to pay a premium to be in an- environment of high personality."

-Bob Mounty

leads itself to a strong personality in the morning - as does our Urban sound in Washington with Donny Simpson at WKYS. Even though it is Urban, it is phil- osophically speaking, not too different from Chicago and San Francisco." The summer Arbitron showed WKYS number one in 12+ and on top in the adult dem- ogrpahics.

The outlet's bottom line is also in great shape. Mounty said, "Our billing is con- comitant to our ratings. In other words, we're not the number one rated and number ten biller. I can assure you we're always one of the top three billers in the market."

Upscaling WYNY

If there is one black sheep in NBC's picture it is WYNY. It was highly rated five years ago, and it hired Dr. Ruth Westheimer before she became famous. So why the tailspin?

Mounty admitted, "We blew it.- The station was lucky to be the only good AC in the market for years. Why nobody came after us, I really don't know. It was Al Brady Law who really positioned that station so well.

"Suddenly we had a whole bunch of people come at us from different sides. Instead of looking at what made us strong and -refin- ing it a bit, we tried to react to everybody in town. Ev- eryone took a shot at 'YNY and we counter- program- med. In my opinion, that's not smart.

"I think today, we have .r found the niche we want to be in. We're sounding great. We have a great team in there with (PD) Chuck Crane and (VP /GM) John Irwin. I think we're back on target, but time will tell."

Told that the hiring of Chuck Crane from WYTZ/ Chicago, which then hired Ric Lippincott from KYUU, looked like a quar- terback swap with ABC, Mounty laughed and said, "I don't think we made a trade deal, but it's funny how that worked out."

Having been with NBC for 12 years, Mounty thinks the future will be as exciting and dynamic as it is today for at least the rest of the century. "I'm having a ball," he said. "What more could I want ?"

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SOMEWHERE OUT THERE Performed by Linda Ronstadt and James Ingram

THEME FROM

AN AMERICAN TAIL LARRY IRONS - KHYL "This record has all the elements of a perfect A/C record. It has more hooks than a Japanese fishing boot."

GREG KUYKENDALL - WNIC "Response to this record has been incredible. Adults love it."

PHIL WEST - WAEV "Ronstadt and Ingram make a great combination. It stands out in our music mix whenever it's played and lights up the phones instantly."

BRUCE GOLDSEN - WTFM The latest and best duet of the year."

CHARLIE RIVERS - WKYX "It's our most requested song by a landslide. It's the only record that has a shot of knocking "Glory of Love" out of the #1 spot for record of the year."

MIKE WATERMAN - WS 94 "Absolutly the best duet of the year. Will go all the way."

Produced by Peter Asher

Linda Ronstadt Appears Courtesy of Elehtra/Asylum Records

dame Ingram Appears Courtesy of Qwest Records

.MCA RECORDS

74/ R&R

- ... :,;,r

,,

f,


COUNTRY

LON HELTON-

WKHX'S NORM SCHRUTT; WYAY'S BOB GREEN

The Atlanta Generals Speak Out The two general managers in this classic Atlanta bat-

tle are very much "in- the -trenches" GMs. Both are intens- ly competitive individuals with winning backgrounds and are committed to winning in Atlanta.

Providing an overview from his perspective, WPLO & WKHX Pres. /GM Norm Schrutt said, "We know who we are. From the beginning we've believed that people who want to listen to Country on FM want to hear music. It's been proven in all formats of radio that playing music, running limited commercials, and providing services without a lot of inane jock chatter works. The listener has to make the decision of either talk - which includes a lot of self- serving BS - or country music. We believe they'll make the music choice, and we'll win."

Outlining the view from his chair, WYAY VP /GM Bob Green said, "For a while it seemed as if this was a battle between what used to work to make a successful Country station and what would work in the future. It was a battle between continuous Country and a more foreground, more aggressive, and more progressive personality format.

"Though WHKX has changed a little, there's still a clear distinction between a station which tugs at the heartstrings and becomes a part of listener's lives and one that is still just playing music. That's the battle."

In The Beginning Explaining ' KHX's early strate-

gy, Schnitt said, "Everyone says competition makes you better. That might be true, but if I had my choice I'd much rather not have it. When a competitor goes on, you have to immediately ask yourself `What is the acceptable damage to my radio station ?' The acceptable losses in this rase are for them to have less than a five.

"I must admit I feel good that our FM has consistently done better than WYAY. But books go up and down like elevators, and from the beginning, we never figured WYAY to be more than a five-share radio station. We figured our combination should consistently be in the sevens. We figured they'd be younger, while we'd be stronger in men 25-M. It's evolved into that."

Citing the summer Arbitren, Schnitt added, "The new guy always gets sampled, but the listeners are still voting. We like what we see in the face of the sampling. In 25-54 adults, 26.7% of our audience listens to them while 36.7% of theft audience listens to us. In 25-54 men, 29% of our audience listens to them, but 41 % of their audience listens to us. That's what gives us

.. the confidence to continue in the

direction we've set for ourselves. I believe they're at the level they will acheive. The WPLO & WKHX combo always be two or three points higher."

But what about the spring book, in which Y106 beat KD(? How did KIX react? "We didn't make

Norm Schrutt wholesale changes; we didn't fire the PD or make jock changes. We looked at ourselves and said, 'We could use a little tightening of that screw, and maybe this other one could be loosened up. We're not spending more than 10% more money than we spent when we were by ourselves. "'

Referring to 'KHX's on -air evol- ution, Schnitt added, "We couldn't

make many changes from the information we had from the spring book. We were already antici- pating the changes we made."

WYAY has been on the air just over two years, and the numbers question Schnitt's analysis because it may be too early in the game to know which way the listeners will settle. Says WYAY GM Green, "We believe that in the long term the station that becomes a part of people's lives is the one that will become the most successful. And that takes time. You just can't knock on someone's door and say `Hi, I'm your neighbor, let's be best friends.' That's something which requires time and a certain com- fort level; it has to be earned. That's the process we're in right now. We've made great strides over two years, but it's just the beginning."

On The Attack WYAY has been extremely ag-

gressive in the last few years, taking direct shots at WKHX both on and off the air. WYAY frequently turns up at WKHX's promotions and just as frequently is asked to leave by ' KHX's promotion organizers. The station complies, usually using such clashes as fodder for the morning show. Upset about its evictions, the Zoo -crew has attack- ed such venerable Atlanta institu- tions as Stone Mountain and the Omni.

Another avenue for these shots has been a sales /marketing newsletter written by Green titled "The

Green Sheet," in which WKHX is referred to as "Naptime Country Radio." Explaining the reasoning behind such efforts, Green said, "My philosophy is that when you find a chink in your competitor's armour you take the opportunity to exploit it. When we came into the market, we thought one of our opportunities lay in the fact that WKHX was a background radio station. The Greensheet took the stance that our competitor had the capacity to put listeners to sleep.

Bob Green We wanted to point out that when it comes to moving product for a client, the best place was on a personality station that talked to its audience, where the listener was accustomed to hearing someone talk to them in a conversational manner. We wanted to show clients they had an alternative."

As for showing up at KIX promotions, Green said, "To some degree that's been overplayed. In WYAY's

Atlanta Record Reps Rap After reading the PDs' stories last week and the GMs'

views elsewhere on these pages, it's evident the battle for Atlanta is as complicated as it is intense. Not surprisingly, sometimes it's difficult to sort through the opposing rhet- oric to get a handle on what's really going on.

While talking to yet another party with a vested interest in the pro- ceedings may not exactly clear things up, I thought it would be interesting to hear. what the Atlanta - based record reps felt about the skirmish.

For obvious reasons, there are no names with the quotes. I asked them to give me their views not only from the label/station standpoint, but from a listener stance as well.

The Battle "They're battlin'; they really

hate each other." "The intense rivalry can make it

tough to operate but you have to walk it right down the middle. I've got to throw bones to both stations,

but that doesn't mean I have to like them both."

"I prefer dealing with WPLO & WKHX. They've always shot squarely with me. I know where my records stand. I know what they'll add fairly soon and what they won't. Y106 never gives me those answers. I get very frustra- ted when some of my records have to reach top 15 before they'll get played on Y106. Regardless of that, I want to know the rules and criteria for adding a record."

"To them it's a battle. To me it's just two radio stations; one using one system and the other a different system."

"Y106 has come in and done a great job by being very entertain-

ing and incredibly visible. It's all over the streets, at every event there is."

"You can tune in the middle of three in a row on Y106 and not be sure if you're listening to a Country or CHR station."

"If you invite one station to something, the other won't show up. If you do a promotion with one, the other acts as if the concert or event doesn't exist."

"I don't particularly like WKHX, but they're really good for what they do. It's been a boring three -in- a -row station, but a good boring three -in-a row."

"There isn't one morning the Zoo-crew doesn't say something that makes me laugh out loud."

"WYAY uses its request line quite a bit to record people who have switched from KIX and who will often take a shot at KIX."

"I stay out of anything to do with setting concert dates. I'd get. my

early stages, we were in the business of conversion, and that's still a part of our strategy. Every country music fan has the capacity to be our listener, so we want to have a presence wherever large numbers of Country listeners gather. We're extremely aggressive when it comes to attracting new audience, so we go where the listeners are. That has included a number of events KIX has sponsored as well as other station's events."

What's WKHX's reaction? "We don't react at all," said Schrutt. "We do nothing on or off the air to draw attention to it. Sure, they've come to our promotions, and in every race we've been able to get them out without our doing it. The people running the event take care of it.

"Everybody has to do what they think is right. But I don't believe that's the right way to do business. And that's not the way I do business. Believe me, I could play that game with the best of 'em, but choose not to. I do the best I can, and that's what I ask of my people. Work as hard as you can, as smart as you can. Then let it fall where it may"

The Future The consensus is that the total

Country shares in Atlanta will not grow much beyond a 12. Historical- ly, as shown in last week's ratings box, that's what the totals have been - they're just shared differ- ently. Schnitt commented, "I can make a living on half the cake . . .

but I don't wanna. Ego comes into it." Bob Green probably shared the same sentiment.

This has been an intense war and will remain one well into the future. Schnitt pointed out that the role of WPLO should not be ignored, saying "It may not bring a lot to the table, but its one share (summer '86 ARB) makes us a 6.8 against their 4.3. I believe that's the edge."

He continued, "This is a long race. There ain't no finish line, and there's no time limit. We're here for the long haul, and I assume they're here for the long haul. That means we'll both be here a long time together. That's fine. They should get what they get and I should get twice as much."

The reason behind the intensity exhibited in these two views is clear. As Green explained, "There's a lot at stake. Next year there's a good chance this will be a $100 million radio market. When you're talking about that large a market, the shares become worth a lot of money."

You'd better believe this war is far from over. We'll keep you posted.

a.,


throat cut if I got into that." "Y106 went on the air telling peo-

ple - too soon - how good they were It got to be good with its personality and music mix. Once it had that good book, I heard a lot of my friends say 'I turned that morning show off because I can't stand to hear them constantly talk about how good they are.' ' "

"This battle is good for record sales, clubs, listening - everything related to country. There's a greater awareness of country in the marketplace that can't help but benefit all of us."

On The Record "Some labels will like WYAY

better because the station philosophy closely parallels the label philosophy. The same holds true for other labels and MGM."

"It's amazing to me how one station can go on a record and have a great deal of success with it while the other station won't play it 'til much later; in some cases, maybe not at all."

"Neither station bats an eye when told the competition is playing a record. Each one follows its basic plan with little concern over what the other guy is playing."

"Y106 is late, late, late, on an awful lot of records. More than once I'll have two or three in the top 20 they're not playing."

"KIX will wait to see national chart action on a new act. They'll look at it when it hits 90 with a bullet. WYAY will go with a record if it fits the sound they want. They're very partial to uptempo, positive songs."

"Y106 is tighter and tougher on records than KIX is. It plays a lot fewer records than KIX."

"WYAY is the slowest station I work. I've had records that have gone to number one they haven't even played."

"With KIX, I know that if I get a record to a certain point, they'll add it. At WYAY, if (0M) Bob Neil doesn't like a record, he won't ever add it."

"Since'YAY has come on, KIX has gotten a little looser. By that.I mean they'll add a major artist when it's only been on the chart two or three weeks. For them, that's loose. But it's a lot looser

"From a record company standpoint, we're not too thrilled with either one of them when it comes to being aggressive with the music. For being in the South. they're both

COUNTRY

real conservative." "The exciting station is Y106.

Personality stations can do more selling. It may not have more listeners, but the ones it does have are more motivated and more loyal. They go out to the station's func- tions in greater numbers."

"Whenever I do a concert with Y106, their staff shows up in force and makes it an event. They give away stickers and prizes, really making it special."

"Y106 is more contemporary. They'll go on the modern stuff earlier, because they want that 'cow - prep' sound, trying to reach the guy in his BMW with his loafers on. They'll play a set with Ronstadt. the Eagles, Anne Murray, and maybe one new artist which would most likely be Southern Pacific or Restless Heart."

Artist, Artist .. .

"KIX told me if I took an artist to Y106 first I shouldn't bother bringing them by KIX."

"I take my artists straight to WYAY's morning show. KC( has never believed in putting artists on the air live, though that stance seems to be easing a bit. WPLO isn't reaching the people so we have to treat it as second best. H

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WKHX decides to put artists on the air, I might end up giving it first shot."

Who Delivers "From both a sales and promo-

tion standpoint, I get better results with KIX, always have. I even had a free show with WYAY that flop- ped, so it's hard to be high on them. But in all fairness, that was not too long after they went Country."

"I prefer to deal with WPLO & WKHX on records because they

play more product. But, right now, there's no question that Y106 is the one I'd go to if I needed to deliver an audience. It's really a catch -22 for me. Here I am wanting to use Y106 because it's the active station, but it's not playing any of my music. Still. I occasionally throw them a bone. Even then a lot of times the stations make the decisions themselves by passing on an event I'm offering but which conflicts with one they've already scheduled. That helps."

CLOSE -UPS

RADIO, RECORDS & RETAIL - When KNIX /Phoenix brought Keith Whitley to town, they made sure hewent over in a big way. They teamed with RCA Records and the Phoenix Towers outlet by supply- ing concert-goers with various R8R8R items. Stuffing the Tower goodie bags are 0-r) Promotions Director Doug Brannon; local RCA sales rep Greg Delaurentis; Gen- eral Program Manager Larry Dan- iels; and Western Region RCA Pro- motion Rep Carson Schreiber.

POLITICKING PAYOFF - WORC/ Worcester listeners displaying station "campaign" signs in their yards were entered in the station's "Gov- ernor For A Day" contest. They became eligible to win the governor's salary for a day, tour the Boston State House, and dine at a political gathering spot. WORC campaign signs are now competing with the New England fall foliage landscape. Stumpin' for WORC, now celebrating its second birthday, is MD Tim Todd.

OUTDOOR OUTRAGEOUS -'KFRE -AM 8 FM /Fresno has implemented the largest short term single purchase of an outdoor billboard campaign in the city's history. New President/GM Al Crosby (back right) and advertising account executive associates show off one of the 258 billboards promoting the station from Fresno to Tulare.

The fact that KJNE /Waco PD Jay Kinder lost out as CMA Small Market "1986 Broadcast Personality of the Year" to WBHP /Huntsvillé s Dana Webb didn't Stop the station from celebrating his brush with fame. One hour before the awards show, a limousine pulled up to Kinder's home añd surprised him as staff members "kidnapped" their morning man for a seecial station party. They named him their own "KJNE Broadcast Personality of the Year."

KLACILOs Angeles morning funny - man Gerry House nad John Schnei- der sit in with him one day for music. talk, and high stakes. "At the souno of the tone." Schneider helped draw a

grand onze winner in the KLAC / Kaliber Ccmtr: Club promotion The 1.0v

L.A. listener won a cruise for two on the Queen Elizabeth II.

$9000 or nine -in -a -row is KMPS/ Seattle's guarantee that from 9 am to 9

pm they will begin with at least nine country favontes in a row. They have made two careful listeners $9000 richer since they started the promotion in

September. According to PD Jay Al- bright, KMPS intentionally plays less than nine in a row on occasion.

MTM artist Judy Rodman and

CBS's John Conlee took a short drive down to WDXE /Lawrenceburq for the Middle Tennessee Dismct Fair. wnere they spent time with on -air Interviews. meeting fans and signing autographs for the annual event.

76/ R8R FRIDAY, NOVEMBER 14, 1986

NASHVILLE THIS WEEK

SHARON ALLEN

NEW ACTS, NEW MUSIC

Compilation Albums On The Way

MCA /Nashville just released a compilation album it's referring to as a "New Edge Sampler." Called "You Can't Resist It," the album features Steve Earle, Lyle Lovett, T. Bone Burnett, Nanci Griffith, and Master Series artists Gils Reaves, Greg Carmichael, and Nick Webb. It was released to 1500 retail accounts in mostly urban areas. The label will also service 500 college radio stations.

The package contains each artist's bio and photo as well as a marketing questionnaire, and will ship with a "New Edge" sticker on a plain white cover. The inner sleeve will sport a mini version of each artist's album cover and include information about each per- former. "The purpose of 'You Can't Resist It, "' explains MCA Director /Marketing Walt Wilson, "is to show the eclectic range of these artists ... a completely different side."

MCA Sr. VP /GM Bruce Hinton adds, "As Nashville's music evolves, we're finding there's room for artists who have something to say but who don't necessarily con- form to the typical or safe parame- ters of the past. This in -store airplay campaign for our 'new edge' music, as well as our thrust to colleges, is part of our overall marketing efforts to expand the core audience we presently have."

PolyGram Intros New Acts

PolyGram Records is releasing a compilation album, "Trade Se- crets, Volume One," showcasing eight artists newly signed to the Mercury /Smash label. You'll find offerings from Georgia Brown, a Texan and former nurse; the Brit- ish duo Chas and Dave (Chas Hodges and Dave Peacock) ; Hilka Maria Cornelius, a Nashville songwriter and recording artist in Europe and Australia; Steve Alai- mo, known for his cut of "Every

Day I Have To Cry Some" and his 1965 ABC -TV music show "Where The Action Is; " Eddie Blazonczyk, known as the king of Polish polka; Bonnie Gallie, an experienced backup singer; Frankie Staten, a regular on Ralph Emery's morning television show; and the leg-

SAY THERE - Ricky Skaggs (r) pauses a moment in a London phone booth to present a copy of his new LP "Love's Gonna Get Ya!" to CMA European Director Martin Satterthwaite.

ALABAMA'S MUSIC - The Maypop Music Group makes room for newly signed writers Karen Brooks and Rick Bowles in its new Music Row offices. Celebrating with an open house is (1 -r) co-owner Jeff Cook, professional manager Chuck Neese, staff writer John Jarrard, John Schneider, co -owner Randy Owen, and VP Kevin Lamb.

THE SECRET'S OUT - The cover of PolyGram /Smash's compilation LP.

endary D.J. Fontana, Elvis Pres- ley's original drummer.

PolyGram Sr.VP /Nashville Steve Popovich says, "This album is our way of presenting some very talented people who should be heard. It's a compilation of some of the best music we've heard the last few months. We feel, given radio exposure, that the record buying public will respond just as enthusi- astically."

You've Got 30 Seconds Code -A -Phone answering ma-

chines have jumped on the opportunity to tie in a promotion with John Schneider's current song "At The Sound of the Tone." Thirty -five of its units will be given away along with Schneider's four -album MCA collection during November in nine different radio rparkets. 500 Code - A -Phone employees nationwide will be "serviced" with the single.

On the big screen, Schneider has been in Rome filming his part in "The Farm," a sci -fi movie produced by Transworld Entertain- ment and directed by David Keith. The recording artist plays the character Willis, which may include a singing part. This is the film in which T. Graham Brown plays a bit part. Schneider plans to continue his music career with a new songwriting focus, heading in- to the studio in early 1987.

Strait Shot George Strait is set for a holiday

TV appearance on "Perry Como's Christmas in San Antonio," an ABC special tentatively scheduled to air December 6. It's being taped in the Alamo city this month and includes a guest spot with Angie Dickinson.

Strait completed his ninth album for MCA in October, and for the first time his Ace In The Hole Band recorded two songs with him. The LP is scheduled for a January release. "#7" was just certified gold by the RIAA.

Australian Country Celebration

Irby Mandrell has finalized plans for "Down Home /Down Under Country Music Celebration," a concert featuring Australian and American acts at the Sydney Op- era House in April 1987. Scheduled

to appear are Louise Mandrell, [Ilene Mandrell, R.C. Bannon, and the LeGardes (also known as the group Australia). A taped television special of the concert is planned as well as a series of spinoff concerts.

This column co written by-Katy Bee.

BITS & PIECES

The Oaks' William Lee Golden plans a solo tour next spring which will highlight his current LP "American Vagabond." Meanwhile, Golden has been concentrating on his songwriting talents with pals Kris Kristofferson and Billy Joe Shaver ... The four

Oak Ridge Boys plan an appearance on a gospel cable special set for Cinemax. It will be hosted by pop singer /songwriter Paul Simon and will

also feature Jennifer Holiday, Luther Vandross, the Edwin Hawkins Singers, and the Mighty Clouds of Joy.

Steve Earle was invited to speak on an artist's panel at the New Music Report's symposium, geared to progressive album rock and college radio as well as the recording industry. He also performed on the group's award show, which will be cablecast at a

later date on the USA Network. Kenny Rogers has announced

his intention to record his next album in Nashville, his first in Music City since 1980. A producer has not been named, but Rogers did invite some of the city's top songwriters, producers, and publishers to a brunch to an-

nounce his plans. He told the writers what kind of songs he's looking for and is scheduled to begin working on

the LP in December. T.G. Sheppard's female fans will

probably want to plan a trip to John- son City, TN on December 3. He

heads the list of eligible professional men to be "auctioned off" to the highest bidder for a dream date. Monies raised will benefit the Big Brothers of America. Alright now, whaddaya wanna bid for 'im ... ?

Tammy Wynette was chosen as

a board member for the American Liver Foundation. Part of her respon-

sibilities as a director will include mak-

ing various personal appearances on

behalf of the ALF.

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End oJ .rur must/ research :ç doni tot VW tnmwt!' \a[tonal Lçtmrs

of Tup ]Ikl snng uf lQ.w, ulailuhle In the Jóllrxomg JonrwC:

a) Mass Appeal (12+)

b) Adult CHR (18-34)

c) Pop AC (25 -44)

K.P. Moore P.O. Box 1747 Doylestown, PA 18901

Each list $15 or all three for $40. Check or M.O. only.

STATIONS FOR SALE

- FOR SALE - ARIZONA FM

covers I-1 0 between two major cities. Potential major market sig-

nal. Radio & Records, 1930 Century Park West, #516, Las An-

geles, CA 90067.

NORMAN FISCHER & ASSOCIATES, INC. * Texas stand alone FMs, AM /FM combos $700K-$2.5*

* California resort area Class A FM - $2.1 (terms) *

1209 Parkway P.O. Box 5308 Austin, Texas 78763 512476 -9457

MEDIA BROKERAGE APPRAISALS - MANAGEMENT CONSULTANTS

SOUND EFFECTS

SOUND EFFECTS COLLECTION

3- record set with Ill sound effects for only $15 postpaid. Ghostwriters.

2301 Unity Ave. N., Dept. SFX, Minneapolis, MN 55422.

MN residents please add 901 sales tax.

Increase Sales Results Trre radio and record Industries are

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(2131553 -4330 ro, morenyamaoon

fit OPPORTUNITIES

OPENINGS OPENINGS

NATIONAL

NEWS -- NEWS - NEWS - NEWS Anchors - Reporters - Directors - M/F

We never seem to have enough to fill the many job orders we receive from stations all across the country - in all size markets. Our client stations are increasing the quality and quantity of their news departments. If you are ready for a move let NATIONAL help. We make the complete presentation for you. For confidential details and registration form enclose $1 postage /handling to:

q C NATIONAL BROADCAST TALENT COORDINATORS T %iv Dept. R., P.O. Box 20551 Birmingham, AL 35216 1205) 822 -9144

NATIONWIDE COMMUNICATIONS 41

is conducting a nationwide TALENT SEARCH ... to 4

update our files. If you have what it takes ... and : want to join America's Hottest Radio Chain ... send *

tape and resume to: * 4

* NATIONWIDE 4 COMMUNICATIONS INC.

e 4 4 4 One Nationwide Plaza 4

TALENT SEARCH 4 34th floor

Columbus, OH 43216 EOE

*

/ IN SEARCH

OF EXCELLENCE Do you ... have a strong track record in the development of medium to major market radio? ... think AM radio has a futute in broadcasting? ... believe in full service, informational radio? ... have the ability to motivate intelligent, talented people who are considered tops in their field? .

want a company and a future, not just a station? . .. want to be paid what

-you are worth? Then we should talk! Contact (in writing): Peter Shurman, President, Radio Divi- sion, Standard Broadcasting Cor- poration Ltd., 2 St. Clair Ave. W., Toronto, Ontario, Canada M4V I L6.

SALES JOBS. General Managers call Mediatine daily to list sales jobs. MediaLine gives you a doily report of job listings in small, medium and large markets. You get six

weeks of MediaLine listings for only $30. Learn more: 312 -855 -6779. MediaLine. P.O. Box 10167, Columbia, MO 65205 -4002

1

BE51 JOBS

ON THE LASE

1H

Newsperson. Entry level position for recent college grad or

person with small market experience. T &R: B. White, Box 799, Laconia, NH 03247 EOE 111/7/86)

Neweperson. Must have three years' commercial experience. Work & play in the beautiful lakes /mountains of New England. T &R: B. White. WLKZ, Box 799, Laconia. NH 03247 EOE

111/7/86)

OPENINGS

HAVE YOU GOT NEW CREATIVE IDEAS ? ? ??

We are looking to enhance a creative morning show ... So if you have new hits ... new voices ... new concepts

, scripts or creative writing .

We need to hear your tapes ... Send' to Radio & Records, 1930 Century Park West, +1521- Los Angeles, CA 90067.

EAST Z -104 /Frederick still seeking the right personalities to staff a

new station. Also seek high profile morning man. T &R: Z -104, 6633 Mt. Phillip Rd., Frederick, 'MD 21701 EOE

Ill/7/861

WGAN /Portland CHR seeking parttime jocks. Experience a

must! T &R: Todd Martin. Box 10139, Portland, ME 04104 EOE 111/7/861

WBAZ /Southold seeks Production Manager to effectively de-

velop an inexperienced staff. T &R: Joe Sullivan & Associates, 340 W. 57th St., New York, NY 10019 EOE 111 /7/861

Immediate opening for CHR talent at Southern MD's top - rated All Hit 98. T &R: Thomas Grooms, WMDM, St. Andrews

Church Rd., Lexington Park, MD 20653 EOE 111/7/86)

AOR in Northern Vermont is seeking sir personality. Know-

ledge of old & new music a must. Females encouraged. T &R:

Steve Cormier, WIZN, Stevens House, Vergennes. VT 05491 EOE 111/7/861

WOVU seeks experienced, self- motivated newsperson. At

least two years' experience a must. T &R: Jim Morgan, Route

1, Box 33, Ocean View, DE 19970 EOE 111/7/861

Central NY AM /FM seeking T &Rs for possible future openings. Production & automation experience helpful. T &R: Kim

Stevens, OM, WKXZ, #14 South Broad St., Norwich. NY

13815 EOE 111/141

East Coast radio market news leader seeks strong anchor /re-

porter /writer. Mature voice a must. Two years' experience. T &R /writing samples: ND, WMID, 1825 Murray Ave., Atlan- tic City. NJ 08401 EOE 111/141

WBAZ /Southhofd seeking Production Manager to effectively develop an inexperienced staff. Contact: Joe Sullivan & As-

sociates, 340 W. 57th St., NY, NY 10019 EOE 111/141

Directional AM /FM seeks CE who knows his stuff. Send quali-

fications to: Sandy Neri, WJAC, Box 309, Johnstown, PA

15907 EOE 111/14)

Powerhouse AM /FM seeks ND to oversee the small staff. Must know how to dig! T &R: Jack Michaels. WKYE, Box 309, Johnstown, PA 15907 EOE 111/14)

New England MOR seeking full /parttime announcers & ND.

One hour from Boston, Hartford, Providence, T &R: Alan Okun, WGFP, Douglas Rd., Webster, MA 01570 EOE 111/141

Seeking sir talent for new AM in metro Washington. No be-

ginners. Rush T &R: Bob Appel, WMET, 20201 Watkins Mill Rd., Gaithursburg, MD 20879 EOE (11/141

Hot CHR /AC combo seeking creative Production Director. Good voice & bladework. T &R: Todd Martin, WGAN, Box

10139, Portland. ME 04401 EOE 111/141

OPENINGS

admilizzlammemnaNSNK

SEASONED NEWSPERSON

NYC suburb. Gather, edit, anchor local re-

ports. Salary matches experience. Send TAR

to Box 91ond, Pomona, NY 10970. EOE

M/F

1021111111111MB10011111111110SUI

DRIVE TIME - CONNECTICUT Drive time personality needed for Connec- ticut AC AM. Must be workaholic, great f production skills, heavy remote schedule/ personal appearances. If you have the talent to win and win again, send T &R to Radio & Records, 1930 Century Park West, 4517, Los Angeles, CA 90067. EOE

°M.RTZ') o)Q Portsmouth N.H. Classic Rock seeks experienced AM Drive announcer- Will anchor two person show. Send tape, resume, and salary expectation to Program Director, WCDO, P.O. Box 631, Sanford, ME 04073. EOE

NORTHEAST ANCHOR Top rated, award winning News/Talk in

small- medium northeast market has open-

ing for experienced anchor /reporter. Must have good delivery and writing skills. Send tape /resume to apply for this position with growing company to Radio & Records, 1930 Century Park West, Box 525, Los

Angeles, CA 90067. EOE

ROCK 101/GIR -FM, a medium market #1 album -

oriented rocker, wants to connect with program direc-

tor who has a lot of creative energy to burn! Our well

established market position puts us in the limelight, and

we need someone to grab the reins_and aggressively

keep us flying high. An understanding of the close rela-

tionship between sales and promotion, plus the ability

to work hand -in -hand with a consultant is a must. Only

experienced, promotion -oriented PDs need apply If in-

terested in working for a company that prides itself or

being the very best, send resume to Judy Glovsky,

GM, ROCK 101, P.O. Box 101, Manchester, NH

03105. A Knight Quality Radio station and equal oppor-

tunity employer.

R &R FRIDAY, NOVEMBER 14, 1986/79

OPPORTUNITIES OPENINGS

NEW ALBANY FM PROGRAM DIRECTOR/AIR TALENT

Experienced Program Director Air Talent with creative production needed for New Al- bany FM. Strong administrative and people

skills required. Should be community involved and able to groom talent. Growing 14 station group. Tape, resume and references to Jeff Weber, Vice- PnroidentlGeneral Manager, WMVQ, PO Box 5, Albany, NY 12202.

EOE

FM 96

Our only female personality left radio. Rare

opening on WSRSIWorcester, 50K FM soft

hits. We're e1 in New England's second largest

city. Adult Communicators only. Three to

five years experience or sound like it. Send

T &R to PD, Box 96.1, West Side Station, Worcester, MA 06102. EOE

RADIO PRODUCTION PRO Your best is what we're looking for. This New England area News/Talk radio station believes spots and promos should be just as provocative as the programming. And if you can creatively make an ad stand out, and turn a promo into something unusual, then our state -of- the -an facilities want you to handle them! Opening is immediate and yours if you've got the talent it takes. Send resume and samples of your work to Radio & Records, 1930 Century Park West, #526, Los Angeles, CA 90067. EOE

lS107FM PRODUCTION DIRECTOR. Eastern Long Is-

land's Hit Music Station HB 107 seeking creative production director with ability to produce effective local spots and innovative station promos. If you have a strong production voice and traffic organization skills, HB 107 compen- sation includes salary, benefits, and profit sharing incentive. EOE

T&R to: WWHB FM 252 West Montauk Highway Hampton Bays, N.Y. 11946 ATT: SIMON

NYC FM AC PRO for 'NYC FM. Only the best. Tape & resume to Radio & Records, 1930 Cen- tury Park West, #518, Los Angeles, CA 90067. EOE

SOUTH

Seeking sales /service representatives for Kidsounds, e syndicated wend program marketed for women with preteen children. Small & medium markets targeted. Bill Reardon: 12141 373.6722. EOE 111 /7 /861

One of the 8W'. premier AOR stations is accepting TBRS for future afternoon opening. We era

S

ncouraging females to take advantage of this rare opening.TöR: KLAO, 943 Otter Way. Marietta. GA 30067 FOE 111/7/861

AOR Be Carolina Coast hiss Immediate opening for air personality. Production important. Rush TSR: Kris Kelly, WXOR, Box 1356, Jackonsville, NC 28541 -1356 EOE 111/7 /861

SE AOR Ms Immediate openbp for eepaenced morning per-

son. TBR: KBAT, Box 3282, Odessa, TX 79760 FOE

111 /7 /BBI

Suppe upportunhy In top 35 market for professional announcers. All shifts. TSR: Leo Vela. PD. KSJL, 217 Alamo Plaza, Suite 200. Sen Antonio, TX 78205 WE 111/7/861

OPENINGS Outstanding opportunity for confidant AE. Top three TX market. Resume & references: Lee Taylor, station Manager, KS. A. 217 Alamo Plaza, Suite 200, San Antonio. TX 78205 E0E 111/7/861

WJBO /Baton Rouge meeks news anchor /host for PM news /information radio magazine. Conversational delivery style re-

quired. TBR: Don Grady, WJBO, Box 496, Baton Rouge, LA 70821 -0496 EOE 111 /7 /881

Top CHR In Key West seeks energetic personalities, plus AM nostalgia station also seeking air talent. Prefer mature an-

nouncers. TSR: WAILIWKWF. 07 McDonald Ave., Kay West, FL 33040 EOE 111 /7 /861

Fug/parttime abshlfts now own In Dana.. Combo station. TSR: Jeff Bennett. 1440 Wheeler Drive, Denton, TX 76205 EOE 111 /7 /861

Top Wart TX boaduatsr lam immediate opening for skilled communicator with good voice. Should be sincere & conversational. AM contemporary MOR. TSR: Art Foster, KOSA,

19151653 -3387. 606111 /141

Combo weeded. Medium market. FL, killer salesperson & an-

r. Great deal for right person. ROBERT: 19041

787 -1410. FOE 111/141

Saskkro Production Dieseta. Write S produce commercials, spec spots 6 station production. TEA: Terrell Matheny, WWNC, Box 8447. Asheville, NC 28816 EOE 111/14)

Immediate openings for newswrson & saes. Future airshift openings also. TSR: WOLT, Box 932, Florence, AL 35631

EOE 111 /141

Seeking Production Director. Must be grast monism, copywriter & have good production skills. T &R: Steve Sutton, WLGA. 1001 West Gordon St.. Valdosta, GA 31601 EOE

111/141

FL CHR seeks creative. Saarasalva morning zoo producer. Overnight airshift included. Creative samples & TSR: Brian Douglas; 2103, Box 13549. Tallahassee. FL 32317 60E

111/141

FL AC FM seeks wit & warmth. Airahin. production, community appearances. Females encouraged. T&R /photo: Schulyer, WOVV. Box 3032, Ft. Pierce, FL 33448 EOE

111/141

Win @spetnding! Join G reenvillé s top-reted CHR. T &Rs: Jim Wilson, PO, WCKN, Box 650. Anderson, SC 29822 EOE

111/141

...di.. oeenings. Air pereonathias, engineers, news &

Production personal. Along with specialists in management, sales & promotion. 18131 7883603. EOE 111/141

Writer/producer for morning show. Charleston, SC. become

part of team destined to be #1. MICHAEL D. or ROGER: 18031

744.1779. FOE 111/141

KIX102 saebMg brat, mm-oriented adult communicator for mornings. TSR: Gary Brock, OM, 190 Cloverleaf Plaza, Ven Buren, AR 72956. EOE 111/141

Eswrlanaed female with scorro mower. skills. Immediate shift open. Rush TSR: J. Michael Pruett. Box 954, Tupelo. MS 38802 EOE 111 /141

Communkatcr with strong production ras & show prep for MOYL AM. Mature. natural- sounding. with good delivery. T&R: WAMR, 282 N. Auburn Rd., Venice, FL 33595 EOE

111/141

PERSONALITY Personality, hard working morning man needed for fast growing market in South Carolina. Must be team player with lots of creativity. If you like fun and hard work, send T &R to Radio & Records, 1930 Cen- tury Park West, Box 523, Los Angeles, CA 90067. EOE

OPENINGS

MILLION DOLLAR OPPORTUNITY! IF YOU ARE A TOP 5 MORNING TALENT IN

A TOP 10 MARKET OR A NUMBER 1 TA- LENT IN A TOP 50 MARKET WE ARE WILL- ING TO MAKE THE FINANCIAL AND PRO-

MOTIONAL COMMITMENT TO MAKE YOU NUMBER ONE IN A MAJOR MARKET. ANY APPLICATIONS WILL BE HELD IN THE STRICTEST OF CONFIDENCE. PLEASE RESPOND BY RUSHING TAPES AND RESUMES FOR AN OPPORTUNITY IN

AMERICA'S FINEST MARKET. SEND T &R TO RADIO & RECORDS, 1930 CENTURY PARK WEST, BOX #520, LOS ANGELES, CA 90067. M/F EOE

MIDWEST Top -rated musk AC seek. experienced, natural. creative

oing personality. TSR: Tracy West, WRRM, 205W. Fourth St., Cincinnati, OH 45202 EOE 111/7/861

KWLO -AM s.ring experienced morning anchor with strong delivery & newswriting skills. Heavy news commitment in.

volved. T&R: Kathy Flynn, Boo 1330, Waterloo, IA 50704 EOE 111 /7/861

Immediate openkg for announcer with good production skills

for afternoon /evening shift on "light" AC. TSR: David Whis- keymen. KRVR, 1706 Brady St.. Davenport, IA 52803 EOE

111 /7 /861

New Contemporary ACM seeks entertainers. All daypans available. Target dare of November 15. TSR in confidence to:

PD, Box 18322. Milwaukee. WI 53218 EOE 111 /7 /861

Do you have e proven AC teck record? Can you work the phones? Is haying fun your idea of good radio? T&R: Bill An-

thony, WKMI. Box 911, Kalamazoo, MI 49005 EOE 111/7/881

News anchor /reporter, Send tape, resume S salary requirements to: WKMI. Box 911, Kalamazoo, MI 49005 EOE

111/7/861

Regional tun -servke MOR seeks wean conversational morning personality. TSR: Dave Murdock, PD, KGNO, Box 1398, Dodge City, KS 67801 EOE 111/141

Teedo pas. Seeking creative. mature. morning man to work with witty cohost. TSR: Dan Dudley. WRON. 136 W. South Boundary, Perrysburg. OH 43551 EOE 111/141

Uptempo, personality-oriented Country team seeks fulltime talent with production skills. Enjoy appearances & big league

promotions. TSR: Dan Olsen. WXVO, Box 247, Stevens Point, WI 54481 EOE 111 /141

Regional FSA seeks PM drive personalfty. Must know how to be an entertainer. Great production a must. T&R: Darryl Perks, WIOU. Box 2208, Kokomo, IN 48902 EOE 111 /141

Dayton Public Schools seeking a Field Production Facilitator. 12-month assignment: BA in broadcasting or

or

-

required. T&R: Human Resources, Dayton Public Schools, 348 W First St.. Dayton. OH 45402 EOE 111 /14)

Seeking outrageous personality for major market. If you're another Howard Stern or Steve Dahl a can do phones, talk, etc. send TSR: Consultant, Box 881333, San Diego. CA 92108 EOE 111 /141

KOHT /Grand Forks seeking air talant for immediate owning. T &R: Ross Holland, Box 1037. Grand Forks. ND 58206 -1037 60E 111 /141

$500 REWARD!!! NATIONWIDE TALENT SEARCH Tip us to the next on -air personality we hire and collect our cash. Maybe you! K104FM got on top of Dallas /Ft. Worth ratings with determined, workaholic professionals who'll do ANYTHING to stay there. Big dollars when you produce! Urban contemporary. Minori- ties/women encouraged. Calls OK! Cass. & Bio. to Michael Spears, KKDA -FM, 621 6th St., Grand Prairie, TX 75050.

GREAT Talent Makes Our Difference,

AM STEREO 56 AM Stereo 56 in Columbia, South Carolina, is looking for an aggressive, take -charge, self -moti- vator for our Morning Announcer/Program Director. We need someone who can continue the

ratings strength and reputation achieved over 56 years of MOR, news, sports and information broadcasting. Columbia is a superb place to live and ideal for a family. If you have experience

and are ready for the challenge of this leadership position, send a cassette of the kind of morn-

ing show you would do along with all the reasons why you are right for this opportunity to:

Charly Jones, WIS Radio, PO Box 21567, Columbia, SC 29221. Do it today and include your salary requirements so we can move quickly. EOE

OPENINGS

Major Market Solid Gold One of the nation's top major market Solid Gold radio stations is seeking an air personality. Should be knowledgable in '50s, '60s and '70s music with strong air presence! Send T &R to Radio & Records, 1930 Century Park West, Box 522, Los Angeles, CA 90067. EOE

2 PRIME OPENINGS Afternoon entertainer. Can you entertain the 25 -44 Adult with brevity? Also a Pro- duction whiz. Creativity, organization, great voice a must. Short airshift. Join this Top 60 market leader. Send T &R to Radio & Records, 1930 Century Park West, Box #519, Los Angeles, CA 90067. EOE

TELEPHONE TALK Major market station wants personality with provocative, humorous, imaginative telephone finesse. Send tape and resume to Radio & Records, 1930 Century Park West, #508, Los Angeles, CA 90067. EOE

7y KRME 74KRMG is planning a staff expansion. We're looking for motivated air personalities and talk show hosts who are hard working, informative, and entertaining. 74KRMG is a landmark 50,000 watt clear channel, full service station in one of the southwest's most beautiful cities. If

you're good and understand the importance of community involvement, send T &R immediately to: Kelly Carls, PD, 74KRMG, 7136 South Yale, Tulsa, OK 74136. No calls, please. EOE M/F

WEST

Kuzz/Bakerslled has Immediate opening for Country with good production skills. Looking to grow with a solid or-

ganization. T &R: K.C. Adams, 1209 N. Chester Ave.. Bakers- field, CA 93308 EOE 111/7 /861

Production Director needed. Must be creative wrier with ex. ceptional production. Team player. TSR & writing samples: Jimmy Orr, KFBO, Cheyenne. WY 82001 EOE 111/7/861

AC station serving the second largest market in America seeks future talent. TBR: Tarry Shea, KWNK, 2136 Winifred St., Simi Valley. CA 93063. No calls, no beginners! EOE

111/7/861

New Con smwrary FM in Anchorage seeking experienced team players due to staff expansion. T &R: Susan Moore, Power 102, 3700 Woodland Drive, Suite 300, Anchorage. AK 99513 EOE 111/7/861

AC on the beautiful North Coast seeks MD/middays/produc- n whiz. If you can handle all three, KATA /Arcata. CA is the

place for you. Celt: Jill Henry 17071 8227223.

SE AK CHR seeks morning drive personality. Teamwork S creativity a must. No egos. T &R: Ron Davis, TAKU 105, 3161 Channel Or., Juneau, AK 99801 EOE 111/141

Seeking a ree dynamo wrsanWty for e dynamic station. To- tal freedom. State -of -art facility. Good Day. TSR: Dan Cole, K -95, Box 432. Kemmerer. WV 83101 FOE 111/141

- CM," FM marina AC communicator with good produc non skills for fulltime position. TSR: John Christopher, KLCE, Box 1197, Idaho Falls, ID 83401 FOE 111/141


OPPORTUNITIES OPENINGS

LEADER WANTED

Program Director with AC /MOR on -air experience, production & leadership skills to direct and motivate the staff of Seattle station. Prefer Northwest applicants, but all will be considered. Send T &R to Radio & Records, 1930 Century Park West, #513, Los Angeles, CA 90067. EOE M/F

Rare West Coast Morning Show Opening ,

Northern California major market AOR is offering a tremendous opportunity for the right morning show. We're looking looking for a highly visible team or solo talent with an entertaining relatable style intergrating topical humor and creative production. Tape and resume to Radio & Records, 1930 Century Park West, Box 524, Los Angeles, CA 90067. EOE

IIININOWNOWOMOWANWPOWNO LEGACY BROADCASTING

America's most aggressive broadcasting team is looking for the hottest night personalities in America for KPKE -FM, Den- ver's "1 Hit Music station. Are you creative, outrageous, topical, relatable? If so, we'll make you rich and famous! Mail cassette. resume and recent photo to:

Doug Erickson, 8975 E. Kenyon Ave., Denver, CO 80237. Absolute- ly no calls, please. EOE

MORNING PERSONALITY CLASSIC HITS FORMAT

California Top 75 in San Joaquin Valley requires a consistently entertaining morning personality to maintain and build within solidly positioned, heavily promoted and researched precision Classic Hits For- mat. 15,000- 25,000K with benefits. Send C &R to Radio & Records, 1930 Century Park West, #514, Los Angeles, CA 90067. EOE

PROGRAM MANAGER Iß'1

LOS ANGELES Must have knowledge of what it takes to win on AM radio in the '80s. Candi- date should have strong management skills and be able to motivate professional staff- If you can target adults in the most competitive market in the nation, contact: Jhani Kaye, Station Mana- ger, KM, 610 South Ardmore Ave- nue, Los Angeles, CA 90005. NO CALLS ... Please include resume, salary requirements and letter stating your programming philosophy for our 50,000 watt facility. EOE /M -F

CO ENTERPRISESINC'

POSITIONS SOUGHT

Chortlemaster & production wizard seeks morning drive slot in medium market. DENNIS STAPLES: 14191 255 -5665 or 255 -1221. 111/7/861

Hardworking young man in radio for two years seeking good on -air opportunity. Prefer sports. PBP skills, good personality.

' 30HN: 16081 635 -2558 or 635- 7341. (11/7/86)

POSITIONS SOUGHT

Vicious Vanessa is ready & wanting to whip your Arbitrons in- to shape. VANESSA: 1213)829- 3245.111/7/861

Seasoned, great voice & experience in Talk /interviews /production & DJ. Seeking small to medium market production. Prefer EZ /Jazz /CHR. DICK: 17141 493 -6927. 111/7/86)

Sniff & The Tears were to music what I am to radio. Let me land on your AOR nightshift. SAM: 15031 292 -8160. 111 /141

Sixteen -year pro ready for PD /ND /AT assignment. Experienc- ed in major, medium & small markets. Anywhere in the US. DON: 1507) 354 -1243. 111/14/

Air talent /MD /production position to fill? Want it to stay filled? Small /medium AC /CHR with strong PD please call ASAP. CHRIS: 19191 734 -2245. 111/141

Your Christman present is waiting if you want top ratings. Spring forward, don't fall back. Programmer /air talent in top 100 markets only. TOM: 12171 787 -6682. 111/141

Top ten market newswoman seeks new opportunity. MARY ANNE: 1713)782- 8919.111/141

Steph Christen, formerly of KYUU /San Francisco, seeking new position. Creative, zany, professional. Not your typical English personality. Relocation OK. 17071829-1865. (11/141

When numbers are down in the neighborhood, who ya gonna call? Cumebusters. Seven years' air /production /promotions. Also medium market PD. BEV DAVIS: 18041 730 -2249. 111/14)

Milwaukee sportscaster position with sports- minded station. Enthusiastic, hardworking. PBP experience. DAVE: 14141228 -1502.111/14)

Asst. PD /MD seeking gig. Pro with super references. Solid knowledge of AOR /CHR /New music. Excellent production & promos. Dedicated team player who's ready to rock. STEVE: 16151297- 0137.(11/14)

Tired of funeral announcements & hog reports. Have almost two years' experience. Seeking AC with MD slot in VA. BARB MICHELE: 17031236- 2921.111/141

British CHR pro with proven ratings in impressive markets. References back me up. DON: 19041 427 -4788. 111/141

13 years' experience, good track record. Would like to be your PD. AM radio is my specialty. MARK: 1305) 894 -1830 111/14)

Don't make me move back horn*. Letterman -type personality seeks fresh gig m MW medium market. AOR /CHR. Former PD, great numbers. BOGART: 13141 265 -5275. 111/141

Parttime jock seeks fuihime action. CHR /AOR /AC. BA with three yeárs' experience. Reasonable offers & will relocate. T &R: 17121 883.2418 or 883- 2411.111/141

Hardworking MD /Asst. PD seeks opportunity to work for your station. Available yesterday. MICHAEL: 1615) 729 -3844. 111/14)

Assistant PD /MD seeking same or PD. Promotion -oriented. People person, workaholic. Longterm commitment. Top 50 markets only. SCOTT: 13131 661 -2289. (11/141

1 wasn't cut out for 9 to 5. I'll give you 9 to 9. Seven years' on- air /production /promotion. BEV DAVIS: 18041 730 -2249. 111/141

Uptempo. good structured, non -yapper, CHR jock. Ten years' experience. SE markets. 1704) 684 -0221. 111/14)

SF Bay Area former major market driver seeking finger back in the pie for weekends. Money? Who cares! Just want a fun gig. PAUL: 14151 828-2957. 111/14)

Available now. A programmer who gets results the old -fashioned way ... he works for it. 1307) 362 -9022. 111/141

ND /Anchor. Twenty years' major market experience. Great pipes. Consientious administrator. Superb interviewer. Ma- ture, stable, hardworking pro. 16021 323 -9688. 111/14)

Sports position. Television /Radio. Six months' on -air TV experience. Two years' radio experience. Exciting PBP. South- ern IL graduate. Will relocate. SCOTT: 12011 859 -2655. 111/141

POSITIONS SOUGHT

Energy plus! Experienced MW jock with broadcast degree seeks fulltime position. Copy /production skills. Willing to travel. Fourth caller wins. DALE: 14141 658 -4690. 111/141

Eighteen years' solid experience. Morning man, news anchor, programming & production. Available today. Medium /large markets. Good voice, stable. LARRY KAY: 1717) 653 -2500. 111/141

Top 25 market veteran. AC /CHR seeks medium market. Pro- duction /promotions pro. Team player & ratings winner. US or Canada. BRUCE BRADY: 13121872- 4846.111/141

Former Dallas area SD seeks sports position with good corn - pany. BILL VAN NESS: 301 Coronado Drive, Suite 1069, Denton, TX 76201 111/141

13 -year veteran of CHR /BU radio seeking new position. Will- ing to relocate. Currently employed, but eager to advance to more challenging position. SHANNON: 18051 486 -5628. (11/14)

Morning talent with management experience seeking position in Sunbelt. Production, public appearances & promotions. Seven years' experience. Stable FMs only. MONICA: 1715) 878 -4170. 111/141

RESEARCH /NETWORKS Respected med. mkmt. 0.M. (currently employed w /same co. 10 yrs.) seeks position with Consultancy firm, Net, Re- search firm or Broadcast chain. 17 years programming contemp formats, research, local net operations and advertising sales. Mature, free to travel. Send T &R to Radio & Records, 1930 Century Park West, #502, Los Angeles, CA 90067. EOE

Seeking engineering tutor. Ten -year air veteran seeks career change. Technical background, many abilities, dedicated, hardworking. Prefer MW. 12171 287 -7626. 111/141

Many hats. Hardworking. aggressive with lots of experience. Sales, news, management. Seeks small /medium market programming /promotions position. BOB: 15051 881 -6004. 111/141

Two -year pro with character voices, phone bits & other humor. Currently employed at 30kw FM. Seeking move upl JIM KELLY: 14191797- 2202.111/141

Eager & experienced MD seeks medium market MD /Asst. PD. Knowledgeable in AOR /CHR /AC. Pro & winning attitude, de- pendable, responsible. GARY: 13011 759 -3264. 111/141

17 -year veteran of KCAL -FM /Riverside has done it all. Seek management /on -air position in Southern California. JIM JAMES 17141 825 -5020. 111/14)

Denver & COI Experienced & talented, versatile communicator for DJ, news, production, promotion or MD. Great remotes. Experience includes Twin Cities. R.K.: 13031 444 -1071. 11 1 /14)

Small market jock seeks opportunity to learn & grow at your MW medium /large market. ART: 1618) 397 -2521. 111/141

Versatile DJ seeks new challenge. Can do news & production. Medium market preferred. LISA: 1305) 743 -0471. 111/141

Ten -year pro, formerly of WMMS/WGCL /KOPA, seeking position out of AZ with a CHR /AOR winner. Prefer MW. BUDDY: 16021983- 0303.111/141

Natural. relatable AOR personality. Tight production seeks drive or evenings in medium /large market. Will relocate. JOHN: 13121262 -3773 or 14191 385-6975. 111/14)

Yes. this is the guy. Sharp, enthusiastic & creative. J.R. Silva seeking fulltime airshift in the West. Experienced in CHR /AC/ Classic Rock. Let's get together. 1707) 442 -1420. 111/141

OPPORTUNITY FORM

1: Please type or print clearly, using 24 words or less to include address /phone number, and attach to this form.

2. Do not use abbreviations. 3. All ads are subject to editing. Mail to: R &R /Opportunities, 1930 Century Park West, Los Angeles, CA 90067

OPENING

Region

PD Name.

GM Name:

POSITION SOUGHT

MISCELLANEOUS

NAME -

PHONE- ( )

POSITIONS SOUGHT

Australian announcer seeks position in American market. Ex- perienced with all shifts, plus OM /PD /MD. AOR /AC /Country formats. GARY: 1048) 21 -9369 or Box 344. Ashfield, 2131. Australia. 111/141

WCWD = warmth, creativity, wit & drive I Emerson grad returning to radio roots & seeking uptempo Country airshift. Ex ND, copywriter & more. DAVID: 14151 6612884. 111/141

Twenty years in agriculture, three years in radio. Seeking position in farm radio. Will relocate. LEONARD: 18011 528- 7956.111/141

PD in AOR /CHR. Eight years' experience. Billboard award winner. BSC. Stable, energetic & creative. MARK: 17031 533 -3581, 111/141

Major market take -charge ND. Excellent anchor /reporting skills. 20 -year pro. Hard- hitting interviewer. Great pipes. 16021323 -9688.

Hardworking young man in radio with two years' experience seeking good opportunity. On -air position (prefer sports). PBP

skills, good personality. JOHN: 16081 635 -2558 or 635-7341. 111/14)

Hey FL Suncoastl Stray jock seeks home away from fast pace. Eleven years' experience. 13051 923 -9515. 111/141

Asst. PD /MD seeking same or PD. People person, workaholic, very promotion- oriented. Willing to prove myself for no money! SCOTT: 13131661. 2289.111/141

Ten years' major market experience seeking new possibilities. Experienced in every aspect of radio. Seeking PD /MD! airshift in medium /major markets only! TODD: 1702) 435 -7026.111/141

Communicator who can make your Oldies /AC station a winner. Have personality, humor & music trivia. ROB: 13121 577- 5771.111/141

MISCELLANEOUS_

KXLP /New Ulm /Mankato is now AC. Record service desper- ately needed. Attn. B. Ziegler. KXLP, Box 368, New Ulm, MN 56073 111/14/86)

Important Notice When replying to R &R Blind Boxes, please keep the size of your packages limited to a 9" x 12" envelope.

Dates appearing at the end of each listing signify first week listed

R &R Opportunities Display Advertising

Display: $40 per inch per week (maximum 35 words per inch). Includes border and logo.

Blind Box: $50 per inch per week (maximum 35 words per inch). In- cludes border, box number and postage /handling

Payable In Advance! Display & Blind Box advertising orders must be typewritten or printed and accompanied by check mailed to our office In advance.

Deadline To appear in the following week's issue, we must receive your ad by Thursday noon (PST) prior to issue date. Address all ads to: R &R /Opportunities,

1930 Century Park West, Los Angeles. CA 90067.

R &R Opportunities Free Advertising

Radio & Records provides free (24 words or 3 lines) listings to radio stations and record companies in Openings. Free listings of the same length are also available to individuals seeking work in the industry under Positions Sought. All other advertising must run display.

Deadline To appear in the following week's issue, we must receive your ad by Thursday noon (PST) prior to issue date.

For opportunities you must place your free listings by mail only. Address all 24 -word ads to:

R &R /Opportunities, 1930 Century Park West, Los Angeles, CA 90067.

NATIONAL MUSIC FORMATS ,.RFR'IDA1', I.OVE

Added This Week Bonneville Broadcasting

_ . Jr , my ratai 631 -1600

Alpha HOWARD HEWETT "rm For Real' MIAMI SOUND MACHINE' Falling In Love (Uh Ohl'.

Easy Listening CRYSTAL GAYLE Cry" RON DSCHETE "We're All Alone" SUZANNE CIANI "The Velocity Of Love' JOHNNY MATHIS "I Had The Craziest Dream"

Broadcast Programming John Sherman Jay Albright ,800, 426-9082

Adult Contemporary PAUL SIMON "Graceland" BILLY JOEL "This Is The Time"

Modern Country DWIGHT YOAKAM "It Won't Hurt" KEITH WHITLEY "Homecoming '63" JANIE FRICKIE "When A Woman Cries" CRYSTAL GAYLE "Straight To The Heart" NITTY GRITTY DIRT BAND "Fire In The Sky" C. McCLAIN & W. MASSEY "When Love Is Right"

Century 21 reg Stephens '210)930-2121

The Z Format TINA TURNER "Two People" CHICAGO "Will You Still Love Me" CARLY SIMON "Coming Around Again"

The AC Format BILLY JOEL "This Is The Time" CHICAGO "Will You Still Love Me" ANITA BAKER "Caught Up In The Rapture"

Super- Country MOE BANDY "One Man Band" KEITH WHITLEY "Homecoming '63" RONNIE MILSAP "How Do I Turn You On" CRYSTAL GAYLE "Straight To The Heart" KATHY MATTEA "Walk The Way The Wind Blows"

Concept Productions vin Ichlyama '916: 78254

CHR BOB SEGER "Miami" TINA TURNER "Two People" BILLY JOEL "This Is The Time" GREGORY ABBOTT "Shake You Down" CHICAGO "Will You Still Love Me" MIAMI SOUND MACHINE "Falling In Love (Uh Oh)"

Country LEE GREENWOOD "Morning Ride" DWIGHT YOAKAM "It Won't Hurt" NITTY GRITTY DIRT BAND "Fire In The Sky" EARL THOMAS CONLEY "I Cant Win For Losing You'

AC TINA TURNER "Two People" BILLY JOEL "This Is The Time" PRETENDERS "Don't Get Me Wrong" CHICAGO "Will You Still Love Me" ANITA BAKER "Caught Up In The Rapture" EVERYTHING BUT THE GIRL "Don't Leave Me Behind"

Drake -Chenault Bob Laurence (800) 24) -3303

XT -40 JANET JACKSON "Control" GENESIS "Land Of Confusion" DON JOHNSON "Heartache Away" PAUL McCARTNEY "Stranglehold" TALKING HEADS "Wild Wild Life" GREGORY ABBOTT "Shake You Down"

Contempo 300 BOSTON "Amanda" OMD "(Forever) Live And Die" BILLY JOEL "This Is The Time"

Great American Country LYLE LOVETT "Cowboy Man" CRYSTAL GAYLE "Straight To The Heart" TANYA TUCKER "I'll Come Back As Another Woman'

Media General Broadcast Services Bob Downs (9011320 -4433

ACtion GLASS TIGER "Someday' PAUL SIMON "Graceland" MICHAEL McDONALD "Our Love" AMY GRANT "Stay For Awhile" BILLY JOEL "This Is The Time" EURYTHMICS "Thorn In My Side" CHICAGO "Will You Still Love Me" Your Country

LYLE LOVETT "Cowboy Man" WILD CHOIR "Heart To Heart" KEITH WHITLEY "Homecoming '63" GIRLS NEXT DOOR "Baby I Want It" ADAM BAKER "Weren't You Listening" NITTY GRITTY DIRT BAND "Fire In The Sky" TANYA TUCKER "I'll Come Back As Another Woman" LARRY BOONE "She's The Trip That I've Been On"

Hit Rock JANET JACKSON "Control" KOOL & THE GANG "Victory" GREGORY ABBOTT "Shake You Down' DAVID & DAVID "Welcome To The Boomtown" MIAMI SOUND MACHINE "Falling In Love (Uh Oh)"

Peters Productions, Inc. George Junak (8001255 8511

Country Lewin' DWIGHT YOAKAM "It Won't Hurt" CRYSTAL GAYLE "Straight To The Heart" EARL THOMAS CONLEY "I Can't Win For Losing You'

The Ultimate AC BILLY JOEL "This Is The Time" LUTHER VANDROSS "Stop To Love" MIAMI SOUND MACHINE "Falling In Love (Uh Oh)"

Radio Arts John Benedict 818 i 841 -0225

Country's Best EDDY RAVEN "Right Hand Man" DWIGHT YOAKAM "I Won't Hurt" JANIE FRICKIE "When A Woman Cries" RONNIE MILSAP "How Do I Turn You On" NITTY GRITTY DIRT BAND "Fire In The Sky"

Soft Contemporary BILLY JOEL "This Is The Time" ANITA BAKER "Caught Up In The Rapture" Sound 10

BOB SEGER "Miami" KOOL & THE GANG "Victory" POINTER SISTERS " Goldmine" BILLY JOEL "This Is The Time" CHICAGO "Will You Still Love Me" ANITA BAKER "Caught Up In The Rapture"

Satellite Music Network Pa! Clarke '214) 991 9200 Country Coast -To -Coast JOHN CONLEE "The Carpenter" DAN SEALS -You Still Move Me" T.G. SHEPPARD "Half Past Forever" KATHY MATTEA "Walk The Way The Wind Blows" LIONEL RICHIE & ALABAMA "Deep River Woman" JUDY RODMAN "She Thinks That She'll Marry"

Rock 'N ' Hits ROBBIE NEVIL "C'est La Vie" PAUL McCARTNEY "Stranglehold" BENJAMIN ORR "Stay The Night" JOHN FOGERTY "Change In The Weather" BURNS SISTERS BAND "I Wonder Who's Out Tonight"

The Programming Consultants Danti Graupner (800)843 -7807

Stereo Rock KOOL & THE GANG "Victory" BILLY JOEL "This Is The Time" GREGORY ABBOTT "Shake You Down"

AC BEN E. KING "Stand By Me" SERGIO MENDES "Take This Love" L. RONSTADT & J. INGRAM "Somewhere Out There" Country LYLE LOVETT "Cowboy Man" EDDY RAVEN "Right Hand Man" JANIE FRICKIE "When A Woman Cries" CRYSTAL GAYLE "Straight To The Heart" NITTY GRITTY DIRT BAND "Fire In The Sky'

rUITIT1111ICS `Thorn In My Side"

55/17

WXKS WRSR WPHD WMMS CKOI KWK PRO-FM KPKE

PWR997 KKRZ KTKS KPLZ

.. ALSO ADDED THIS WEEK:

WNNK KITS WPFM WPST WWFX KTRS

WSSX WOMP KBIM KIYS WZYP KXYQ KSBM

From The Gold Album "Revenge"

DflRTL IIÏILL `Foolish Pride"

CHR CHART:

NOW ON OVER 167 CHR REPORTERS!

WXKS 28-20 WLAN 3 WBEN 31-26 WZPL 2 WCAU 33-26 KRQ 28- PRO-FM 31-27 WFBG 1

PWR997 28-25 KBOZ 31

Y97 25-18 KRBE

WHYT add-29 WKSE WKTI 23-19 WPHD WLOL 17-14 CK01

5-25 B94

4-17 940 22 Z93

9-14 KEGL

-24 KTKS

WRSR

Z95

WMMS 92X

WNCI

99DTX

WCZY

KHTR

Y108

KIIS

KMJK

KPLZ

The hot new "FOOLISH PRIDE" remix by

Shep Pettibone

ON YOUR DESK THIS WEEK!

;IUT 1!C/1

Listen To These Lessons In Love.

101 O 11116 Witme r Ms.'eta& lar.

Warner Bros. and Qwest Records Salute Young Black Programmers Coalition and The Ninth Annual YBPC National Meeting '86

R &R FRIDAY, NOVEMBER 14, 1986/83

RADIO & RECORDS NATIONAL AIRPLAY

BLACK/URBAN BREAKERS.

JAMES "D TRAIN" WILLIAMS Misunderstanding (Columbia)

65% of our reporters on it. Rotations: Heavy 4/0, Medium 20/2, Light 34/12, Total Adds

14, WEDR, WIMP. WBMX, WJIZ, WAN, JET94, WFXC, WKGN, KOKY, WLOU, WCKX,

WKWM, KBUZ, KDKO. Debuts at number 37 on the Black /Urban chart.

NEW & ACTIVE

MANHATTANS "Where Did We Go Wrong" (Columbia) 505 Rotations. Heavy 0 /0, Medium 21/0, Light 29/8. Total Adds 8, WYLDFM, WNKO, WPEG. JET94, WHYZ. WZAZ. WLOU.

WXLA. Medium. WDAS. WAMO, WDIA. KACE, KSOL, WAOK. WTKL, WAN, WFXC, WKXI, KIIZ. KJCB, KOKY, WBLX. KAPE.

WWDM, WANM. WAAA. WTLC. WWWS. KOKO. Debuts at number 38 on the Black/Urban chart.

SHIRLEY MURDOCK "M We Lay" (Elena) 41/12 Rotstroms: Heavy 13/0. Medium 17/3, Ught 18/9. Total Adds 12, WWINFM, WVEE, KMJO. WVKO. 00104. WDKX. WAN,

WPDO, WZAZ, KAPE, KDKS. KBUZ. Heavy 1(104. WYLDFM, WZAK, WFXA. WXOK, WPAL. KDLZ, KIIZ. KOKY. WLOU,

WPLZ. WWDM, 2103. Debuts at number 34 on the Black/Urban chart.

ARETHA FRANKLIN "Jimmy Lee" (Arista) 46/30 Rotations. Heavy O /O. Medium 12 /8, Light 34/31. Total Adds 39, WWINFM, WXW. WDAS, WHUR. WVEE, KMJO, WOWI,

WTMP. WBMX, WDMT, WZAK. WLUM. KMJM. KACE. KJLH, %HRM. WDKX, WAOK, KOXL, WTKL. WXOK. WF)(C, WOMG,

WHYZ. WJMI. WKXI, KIIZ. WKGN. KOKY, WOOK, KAPE. WWDM, WANM, WGPR; WTLC, WVOI. KBUZ. KDKO, KMYX.

AL JARREAU "Ten Me What I Gotta Do" (WB) 452 Rotations. Heavy 110, Medium t9 /1. Light 26/7. Total Adds 8, WDMT, WLUM, WFXC. WHYZ, KOKY, WLOU, WPLZ, KAPE_

Heavy. WIMP. Medium. WHUR. WYLDFM. WVKO, OCt04. WJIZ. WAOK, WFXA, WAN. WENN. KDLZ, WOFX, WJMI,

WZAZ, KDKS. WAAA, WXLA, WWWS WVOI.

WHODINI "Growing Up" (Jive /Arista) 46/3 Rotations: Heavy O /0. Medium 19,1, USE 26/2, Total Adds 3, KSOL, WZAZ, WKGN. Medium: K104, WDIA, WBMX, WGCI,

KDAY. WJ12. WFXA. WTKL, WOMG, WBLX, KAPE. WWDM. WCKX, WGPR. WWWS, WZEN, KBUZ. KOKO.

GEORGE BENSON "Shiver" (WB) 44/19 Rotations. Heavy 0 /0. Medium 17/3, Light 27/16, Total Adds 19. WDAS, WUSL, WVEE, WGCI, KACE. OC104. WJIZ. WAOK,

WPEG. WOMG, WHYZ. WOFX. WKGN, WLOU, WOOK, WCKX, Z103, WVOI. KBUZ. Median: WWINFM. WXW. WILD,

WYLDFM. WIMP, WiLD. WKND, WFXA, WJMI. WALT, WBLX, WPLZ. WANM. WAAA.

MAZE "When You Love Someone" (Capitol) 44/3 Rotenone'. Heavy 2/0, Medium 26/1. Ught 16/2, Total Adds 3, WFXA, WAN. WHYZ. Heavy: WDJY, WAOK. Medium: WHUR,

WVEE. K104. WDIA, WEDR, WIMP, WBMX. WGCI, WZAK, KACE. WJIZ. WENN, WPAL, KIIZ. WLOU. WBLX. WPLZ, WWDM,

WAAA, WCKX, Z103. WXLA, WWWS, WZEN. WVOI. Dells at number 39 on the Black/Urban chart

SMITH "You're My FIN, My Last, My Everything" (Rendinens) 44/1

Rotations Heavy 6 /0. Medium 26/1, Light 12/0, Total Adds 1, WAMO. Heavy. WDIA, WEDS, WTKL. WAN. WKXI, WZAZ.

Medium. WOWI. WIMP, WZAK. WJIZ. WAOK, WXOK, WENN. WPAL. WPEG, JET94. WOMG, WOFX, WPDO. KOKY. WALT,

WOOK, WORL. KHYS, WPLZ. KAPE, KOKS, WGPR, WWWS. WZEN. KDKO Debuts at number 40 on the Black/Urban chan.

GWEN GUTHRIE "Outside In TM Rain" (Polydor/P8) 435 Rotations. Heavy 3 /0, Medium 22/1. Light 18/5, Total Adds 6. WDMT. 00104, WAN. WZAZ, WEDS. WCKX. Heavy: WKND,

WNHC, WPLZ. Medium. WOWI. WTMP, WZAK, WJLB, WDKX, WENN. WPAL. WPEG. WOMG. WOFX, WJMI, KIIZ, WJYL,

WLOU. WOOK, KAPE, WARM, WAN. WGPR, WXLA, WWWS.

DONNELL PITMAN "CMnIte Lover" (After Fin) 35 /10 Rotations. Heavy 0 /0. Medium 12/0. Light 26 /10, Total Adds 10. WIMP, WGCI. WXOK, WOFX. WJJS, WORL. WCKX, WZEN,

KBUZ. KDKO. Medium. WDJY. WDIA, WOWI, WAOK, WFXA, WENN. WPEG. WOMG. WKXI, WBLX, KHYS, WGPR.

KEITH PATRICK "Night To Remember" (Omni /AtinntiC) 375 Rotations. Heavy 6 /0, Medium 18 /1. Ught 13/4, Total Adds 5. KMJO. WEDR, WBMX. WJIZ, WFXC. Heavy: WPAL, WKXI.

WZAZ. WBLX. WTLC, WVDI. Medium: WDIA. WZAK, WNHC. WFXA, WXOK, WOMG, WOFX, WPOO. KOKY, WALT, KHYS,

KDES. WANM. WCKX. WWWS, KBUZ. KDKO.

GAP BAND "Mg Fun" (Total Experience/CA) 35 /10 Rotations: Heavy 3 /0, Medium 17/4. Ught 15/6. Total Adds 10. WDAS, WIMP, WGCI, WFXA, JET94, WOOK, WCKX. WKWM.

WZEN, KBUZ. Heavy: WDIA, WZAK, WAOK. Medium: WDJY, WHRK, WEDR, WBLZ, KMJM. KJLH, WPAL, KIIZ. KAPE,

WANM. WTLC. WWWS. KMYX.

FORCE MD'S "1 Wanne Know Your Name" (Tommy Boy/WB) 32 /17 Rotations. Heavy O/0, Medium 5/2. Light 27/15, Total Adds 17, WUSL. WDJY, WEDR, WYLDFM, WAOK, KOXL, WXOK.

WPAL. WPEG. WOMG, WHYZ. WKXI. WPOO. WALT, WWDM. WAAA, 2103. Medium. WDAS, WZAK. WCKX.

GLENN JONES 'Bury" (RCA) 30/1 Rotations. Heavy O/0, Medium 16/0. Light 14/1. Total Adds 1. WXLA. Medium'. WDAS. WAMO, WHRK. WEDR, KACE, WTKL.

WENN. KDLZ. WLOU, (APE, KDKS, WAAA, WCKX. WWWS, WZEN, KDKO.

JENNY BURTON "Do You Want N Bad Enell" (Affinity) 28/14 Rotations'. Heavy o /0, Medium 4/2. Light 24/12. Total Adds 14, WDAS. WOW, WHRK, WOWI. WJIZ, KOXL. WTKL. WAN.

WOMG, KIIZ, WGPR, WWWS. KBUZ, KUKO. Medium: WIMP. WANM.

ROBBIE NEVIL " C'est La Vie" (Manhattan) 215 Rotations'. Heavy 110. Medium 9 /1. Light 18 /8. Total Adds 9, WAMO. WVEE, WHRK. WNHC, WFXC. WZAZ. KIIZ. KAPE,

WGPR. Heavy. WLUM. Medium: WILD. K104, WelZ. KMJM, OC104. WCKX, WXLA, KMYX.

NOCERA "Summertime, Summertime" (Sleeping Bag) 27/7 Rotations. Heavy 4 /0. Medium 10/3, Light 13/4. Total Adds 7, WXW. WJLB. KSOL, WDKX. WAN, WPAL, WALT. Heavy:

WILD, WRKS. XHRM, WJIZ. Medium WOAS WDIA, WOWI WTMP. WZAK, 293, WZEN.

CAPTAIN SKY "You Bring Me Up" (Triple T) 275 Rotations: Heavy 0/0. Medium 5/1, Light 22/5, Total Adds 6, WHUR, KSOL, WPAL. WOMG, WALT. WVOI. Medium: WDJY,

WYLDFM. WAN. WBLX.

JAMES ARTHUR JOHNSON 'Teo Much Is Never Enough" (Toledo) 27/4

Rotations. Heavy 1/0, Medium 7/0, Light 19/4. Total Adds 4. WPDO, WAAA. WGPR. WWWS. Heavy: WKXI. Medium: WDJY,

WADE, WTKL. WPEG. WOMG WBLX. WTLC.

o'BRYAN "Tendered" (CaphoU 26/12 Rotations' Heavy 0 /0. Medium 7/2, Light 19 /10, Total Adds 12, WTKL, WENN, WFXC, WHIZ, WOFX, KIIZ, WLOU. WPLZ.

WWDM. Z103. WGPR. KDKO. Medium. WHUR, K104. WZAK, WKWM, WWWS.

DONNA ALLEN "Serious" (21 /Alto) 25/5 Rotations. Heavy 0/0 Medium 10/0, Light 15/5, Total Adds 5, WYLDFM, WBMX. WAOK. KIIZ, WW. Medium. WWINFM.

K104. WZAK, WJIZ, WZAZ. KOKY, WOOK. KAPE. WANM, WTLC.

L SIGNIFICANT ACTION

TEASE ' I Wish You Were Hero" (Epic) 24/5 Rotations. Heavy 1 /0. Medium 8 /0, Light 15/5, Total Adds 5. WDIA. WILDEM. WIMP, WJIZ, WTKL. Heavy: WAMO. Medium:

JET94, KDLZ, WOFX, WKXI. WZAZ. KOKY, KDKS, WZEN.

BEASTIE BOYS "It's The New Style" (Del Jam/Columbia) 23/7 Rotations. Heavy 3 /0, Medium 9/3, Light 11/4. Total Adds 7, WHRK, WIMP, WJIZ, WHIZ. KIIZ, WBIX, WORL Heavy: KMJO,

KDAY, WWDM. Medium: WDIA, Walt, WPEG. WFXC, WOMG, WKXI.

JANICE CHRISTIE "Neat Stroke" (Supertonic) 23/5 Rotations. Heavy 0 /0. Medium 9/O, Light 14/5. Total Adds 5, WXW. WDIA, KJLH, OC104, WW, Medium'. WWINFM.

WAMO, WHUR, KDAY. WOMG, WZAZ, WPLZ. WWDM. WTLC.

ORAN "JUICE" JONES "Curiosity" (Del Jam/Columbia) 22/16 Rotations: Heavy 0 /0, Medium 4 /0. Light 16/15, Total Adds 15, WWINFM, WXW, WUSL, WHUR, KMJO, XHRM. KSOL.

KOXL, WTKL, WFXC, WOFX, WKXI, KIIZ, KOKY, WOOK. Medium: WEAK, KMJM. KDAY. WHIZ.

LYN ROMAN "Don't Look Beck" (minion) 22/2 Rotations: Heavy O/0. Medium 3/0, Light 19/2, Total Adds 2, WORL. WGPR. Medium: WPDO. WTLC. KDKO.

MELBA MOORE "Felling" (Capitol) 21/20 Rotations: Heavy 0/0. Medium 6 /5. Light 15/15, Total Adds 20, WAMO, WDJY, KMJO, WDIA, WHRK, WLUM. KJLH, KOXL,

WTKL, WXOK, WZAZ, KIIZ. KJCB. WBLX, KAPE, KDKS, WKWM. WXLA, YAMS. KOKO. Medium: KACE.

MOST ADDED ARETHA FRANKLIN (39)

RAY, GOODMAN, 8 BROWN (20)

MELBA MOORE (20)

GEORGE BENSON (19)

FORCE MO's (17)

EL DeBARGE (15)

ORAN "JUICE" JONES (15)

JENNY BURTON (14)

JAMES ''D Train" WILLIAMS (14)

HOTTEST FREDDIE JACKSON (69)

JESSE JOHNSON I /SLY STONE (48)

LIONEL RICHIE (36)

COMMODORES (29) ONE WAY (27)

READY FOR THE WORLD (22)

MILLIE JACKSON (21)

ANITA BAKER (19)

STACY LATTISAW (19)

RAY GOODMAN 6 BROWN "Tab O To The Limit" (EMI America) 21/20 Rotatons. Heavy 0/0, Medium 0 /0. Light 21120, Total Adds 20, K104, WEDR, WYLDFM, WOWI, WGCI, WZAK, WLUM,

WNHC. KOXL, WTKL, WXOK, WENN, WOFX, KIIZ. KJCB. KOKY, KAPE, KDKS. WCKX. WZEN.

CAMEO "Candy" (Mints Adicin/PO) 21/0 Rotations. Heavy 3/1, Medium 9/1, Light 9/7. Total Adds 9, WILD, K104, WYLDFM, WLUM, KJLH. KSOL, WNHC, WFXA,

KAPE. Heavy. WHYZ, WWDM Medium. WBLZ, WZAK. WJLB, KDAY, WLOU, WBLX, WOOK, WPI2,

BOBBY WOMACK "(I Minna) Make Law To You" (MCA) 215 Rotations. Heavy 0/0. Median 11 /3, Light 10/3, Total Adds 6. WDAS, WOW, WOWI, WPAL, WKWM, WZEN. Medium. WZAK.

KSOL WJIZ, WAOK, KOKY, KDKS, WXLA, WWWS

YOUNG 1 CO. "Such A Feeling" (Atlantic) 21/3 Rotations. Heavy 0/0. Medium 3/0, Light 10/3, Total Adds 3, WPEG, WOES, KDKS. Medium: K104, WFXC, WZAZ.

JETS You Got It All" (MCA) 20/7 Rotations. Heavy 0/O. Medium 4/1, Light 16/6. Total Adds 7, WAMO, WJIZ, WHIZ, WOFX, WWDM. WWWS, WVOI. Medium:

KACE KSOL WAOK.

GEORGE DUKE "Good Friends" (EleMro) 195 Rotations. Heavy O /0, Medium 5/0, Light 14 /6. Total Adds 6. WYLDFM, WJIZ, WFXA, WENN, Z103, WTLC. Medium: WILD.

WUSL, WHUR, WPAL, WANM.

JEAN CERRONE 8 LA TOYA JACKSON "Oopsl Oh No (Mania) 19/1 Rotations: Heavy 1/0, Medium 4/0. Light 14/1, Total Adds I. WAAA. Heavy. WIMP. Medium: KSOL, WKXI, WWWS, KUKO.

SHANNON "Prove Me Rigid" (Atlantic) 19/1 Rotations. Heavy 1/0, Medium 10/0. Light 6/1 Total Adds 1, WKXI. Heavy: WAN. Medium. WEDR, WIMP, WNHC, WPAL,

WPEG, WFXC, WOMG. WZAZ, WANM, WTLC.

JANICE McCLAIN "Passion 8 Pain" (MCA) 165 Rotations'. Heavy 0/0, Medium 3/0. Light 15/9, Total Adds 9, WXW, WHUR. WBMX, KSOL, KDKS. WANM, WTLC, WZEN,

WVOI. Medium. WDAS. (ACE. WXLA.

OCTAVIA "2 no Limit" (Pow Wow) 17/9 Rotations' Heavy I/O. Medium 10/0, Light 6/3, Total Adds 3, WVEE, WHRK, WOWI. Heavy: WPEG. Medium: WWINFM.

WXW, WDAS, WUSL. WAOK, WFXA, WENN, WPAL, WOMG, WBLX.

JAKI GRAHAM "Set Me Fm" ( Capito» 17/1 Rotations: Heavy 0 /0, Medium 4/0, Light 13/1, Total Adds 1, WCKX. Medium: WEDR, WIMP, WWWS, WVOI.

TRINERE "I Know You Love Me" (Jampacked) 165 Rotations. Heavy 1/0, Medium 3 /0, Light 12/6. Total Adds 6, WEDR, KDAY, XHRM, WFXA, WFXC, WVOI. Heavy WJMI.

Medium. WTKL, WXOK, WTLC.

HEAVY TRAFFIC STARRING 'W" "Jealousy" (Atlantic) 15/1 Rotations Heavy O /0, Medium 4/0, Light 12/1, Total Adds t, WGPR. Medium: WFXC, WOMG, WZAZ, VOILA.

R. JUSTICE ALLEN "Creclon' Up" (Manta) 15/4 Rotations. Heavy 0 /0, Medium I /O, Light 14/4, Total Adds 4, WVEE, WIMP, WFXC WBLX. Medium: WOFX.

SOURCE teetering CANDI STATON "You Got The Lon" (Scum) 145 Rotations: Heavy 0/0, Medium 2/0, Light 12/6, Total Adds 6, WHRK, WPAL, WOMG, WBLX, WANM, WGPR. Medium: WDIA.

KAPE.

KENNY G "Don't Make Me Well For Lon" (Arista) 14/5 Rotations. Heavy 0 /0, Medium 3/1, Light 11 /4, Total Adds 5. WWINFM. WXW. WDAS, WHRK, WPEG. Medium: KACE,

WANM

CLAUDIA BARRY "Down I Counting" (Epic) 142 Rotations. Heavy O0 Medium 3/0. Light 11/2, Total Adds 2. KO %L, WTKL. Medium. XHRM. WPAL, WKXI.

SCHERRIE PAYNE/PHILIP INGRAM On 8 On" (Superstar IM'I) 14/2 Rotations. Heavy 0/O. Medium 6/0. Light 8/2, Total Adds 2. WTLC. WZEN. Medium KACE. KOXL, WTKL. WXOK, KHYS,

WCKX.

PRIVATE POSSESSION featuring HUNTER HARRIS 'This Time" (4m 6 Broadway/Island) 14/1

Rotations Heavy 0/0 Medium 2/0, Light 12/1, Total Adds 1. WJIZ Medium. WGPR. WXLA.

TINA TURNER "Two People" (Capitol) 1310 Rotations. Heavy O /0, Medium 1O, Light 12 /t0. Total Adds 10, WEDR, KMJM, XHRM, WKND, WAOK, WOFX, WLOU, WCKX.

Zt03, WVOI. Medium KACE.

GIVENS FAMILY "Someway Somehow" (P.J.) 135 Rotations'. Heavy 0/0. Medium 0 /0, Light 13/9 Total Adds 9, WJIZ, WAOK, WFXA. WPAL, WPEG, WFXC, WOMG, WAS.

WELX

SYLVESTER "Someone Lib You" (WO) 135 Rotations. Heavy 0/0. Medium t /0, Light 12/5, Total Adds 5, WWINFM, WOWI, WGCI, KSOL. WJIZ. Medium: WVOI.

SHOWBOYS "Dreg Rep" (Profile) 13/4 - Rotations: Heavy 0 /0. Medium 2/0. Light 11/4, Total Adds 4, WAN. WFXC, WKXI, KOKS. Medium WIMP, WZAZ.

B. FATS "Minn" (Posse) 13/2 Rotations: Heavy 0/0, Medium 8/1, Light 5/1, Total Adds 2. WDAS, WHRK. Medium' WRKS, WHUR, KMJO, WZM, WZAZ,

WANM. WTLC

WIWE CLAYTON "Show And Tell" (KIM.) 13/2 Rotations' Heavy 0 /0, Medium 4/0. Light 9/2, Total Adds 2, WOMG, WZAZ. Medium: WJIZ, WENN, WPDO. WBLX.

J. BLACKFOOT "U Turn" (Edge) 12/11 Rotations- Heavy 0 /0, Medium 1/1 Light 11/10, Total Adds 11, WAMO, WHRK, WIMP, WTKL, WKXI. KOKY, WLOU, WBLX,

KDKS, WTLC, WZEN.

NEW KIDS ON THE BLOCK "Stop It Giri" (Columbia) 125 Rotations. Heavy O/0, Medium 3/1. Light 9/7, Total Adds 8, WDAS, WDIA, WHRK, (SOL. WAOK, WPEG, WBLX. WZEN.

Medium WIMP. WFXC.

BABYFACE "You Make Me Feel Brand New" (Solar/Capitol) 125 Rotation. Heavy O/0 Medium 411. Light 8/5, Total Adds 6, WDAS, WZAK, KOXL. WTKL, WXOK, KJCB. Madam. WDJY,

WHUR, WTLC.

JOESKI LOVE "My BIN" (Vlntertalnment/ENMre) 12/4 Rotations: Heavy 1/0, Medium 3/0, Light 6/4, Total Adds 4. KMJM. KOKY, WAN, WVOI. Heavy: K104. Medium: WZAK,

WHIZ. WWDM.

ASHFORD 8 SIMPSON "What Becomes Of Love" (Capitol) 12/3 Rotations. Heavy 0IO, Medium 4/0, Light 813, Total Adds 3, WOWI, WPEG, WVOI. Medium: WAMO, WIMP, WAOK, WBLX.

HEAVY D. 6 THE BOYZ "Mr. Big Stuff" (MCA) 115 Rotations: Heavy 1/0. Medium 2/0, Light ele, Total Adds B. WXOK, WAN, WKXI, KOKY, WTLC, WZEN. Heavy: KDAY.

Medium. KMJO, WWWS.

FAT LARRY'S BAND "Teach Me (There Is Something...)" (Omni/Mantle) 11/3 Rotations. Heavy 0/0, Medium 2 /0, Light 9/3, Total Adds 3, WTKL, WFXC, WCKX. Medium: WZAZ, KDKS.

TASHAN "Chain' A Dream" (Columbia) 105 Rotations Heavy 0 /0, Medium 0/0, Light 10/6. Total Adds 6, KSOL, WAN. WPAL, WFXC, WKXI, WTLC.

PHIL FEARON "I Can Poe It" (Cool Tempo/Chrysalis) 10/4 Rotations' Heavy O /0, Medium 1 /0, Light 9/4, Total Adds 4, WEDR, WIMP, WPDO, WTLC. Medium: WAMO.

JAMES INGRAM "Never Felt So Good" (Owest/WB) 105 Rotations. Heavy 1/0, Medium 2 /1, Light 7/2, Total Adds 3, WJIZ, WFXA, WWWS Heavy. WJMI. Medium: WPLZ.

NAYOBE "Good Things Come To Those Who Wan" (Fever) 10/3 Rotations. Heavy 0 /0, Medium, 1 O. Light 9/3. Total Adds 3, WIMP, WPAL, W W NS. Medium. WDAS.


BLACK/URBAN ADDS & HOTS

WXYVIBaltImore Roy Sampson

NOC ERA BI ILIE EL DEBARGE JANICE CHRISTIE ARETHA FRANKLIN JANICE MCCLAIN KENNY G

CONTROLLERS ORAN JUICE JONES Hottest: CHICO DEBARGE ANITA BAKER FREDDIE JACKSON ONE WAY COMMODORES

WW INFMIR. Minors Don Brooks

ARETHA FRANKLIN SYLVESTER SHIRLEY MURDOCK BOBBY BROWN

KENNY G ORAN JUICE JONES ISAAC HAYES Hottest: JANET JACKSON MOORE L JACKSON PHYLLIS HUMAN LIONEL RICHIE FREDDIE JACKSON

WILD/Boston Elroy Smith

LUTHER VANDROSS GENERAL KANE KOOL L THE GANG CAMEO K RYSTOL LOOSE ENDS Hottest: GREGORY ABBOTT FREDDIE JACKSON READY FOR THE WOR BOBBY BROWN ANITA BAKER

WKNDIHartlord Jordan/McLean

LOOSE ENDS TINA TURNER GRACE JONES Hottest: FREDDIE JACKSON ONE WAY ANITA BAKER CHICO DEBARGE COMMODORES

WNHCIN.w Haven Deed Dickenson

ROBBIE NEVIL LOOSE ENDS CURTIS HAIRSTON CAMEO RAY GOODMAN L BR Hottest: FREDDIE JACKSON JESSE JOHNSON MILLIE JACKSON ONE WAY STACY LATTISAW

WRKS/Now York Tony Grey

LUTHER VANDROSS SYBIL Hottest: GREGORY ABBOTT ANITA BAKER CAMEO ORAN JUICE JONES FREDDIE JACKSON

OCt0410e.an City Btd.eIFUOpp.m

GEORGE BENSON SHIRLEY MURDOCK CYNDI (AUPER ISAAC HAYES GWEN GUTHRIE JANICE CHRISTIE LADY PEACHENA FORCE MD'S Hottest: GREGORY ABBOTT HUMAN LEAGUE PATTI LABELLE HOWARD HEWETT FREDDIE JACKSON

W USUPhlledelph. Tony Owr.rone RUN D.M.C. FORCE MD'S ORAN JUICE JONES GEORGE BENSON ISAAC HAYES JANET JACKSON Hottest: GREGORY ABBOTT FIVE STAR HUMAN LEAGUE CAMEO TEMPTATIONS

WDASPhlled.lphie Joe Temburro

JENNY BURTON BOBBY WOMACK ARETHA FRANKLIN GEORGE BENSON GAP BAND KENNY G NEW KIDS ON THE BABYFACE B. FATS SYBIL Hottest: RUN D.M.C. READY FOR THE NOR ISAAC HAYES FULL FORCE MILLIE JACKSON

WAMOIPIttsburgh Woodson/Anthony

MELBA MODRE KRYSTOL J. BLACKFOOT O.C. SMITH ROBBIE NEVIL Hottest: MILLIE JACKSON JESSE JOHNSON DURAN DURAN JANET JACKSON LUTHER VANDROSS

WDKX/Rochssler Andre Marcel

ARETHA FRANKLIN KLYMAXX NOCERA JANET JACKSON NEW EDITION SHIRLEY MURDOCK GRACE JONES RUN D.M.C. Hottest: ONE WAY ANITA BAKER FULL FORCE CHICO DEBARGE LUTHER VANDROSS

NHL/Ft/Washington Mike Archie

GEORGE HOWARD ARETHA FRANKLIN CAPTAIN SKY BEASTIE BOYS

ORAN JUICE JONES JANICE MCCLAIN Hottest: STACY LATTISAW LIONEL RICHIE ANITA BAKER GRACE JONES JEFF LORBER

W DJY/Washington Brut. Bailey

RAIN D.M.G. ERIC B

FORCE MD'S MELBA MOORE COMMODORES EL DEBARGE ANITA BAKER Hottest: FIVE STAR HUMAN LEAGUE MILLIE JACKSON BOBBY BROWN READY FOR THE NOR

SOUTH WJILAlbany Tony Wright

GEORGE BENSON BEASTIE BOYS JAMES INGRAM SYLVESTER JENNY BURTON GIVENS FAMILY KEITH PATRICK TEASE PRIVATE POSSESSIO GEORGE DUKE JETS D TRAIN Hottest: STACY LATTISAW LIONEL RICHIE JESSE JOHNSON ONE WAY COMMODORES

WVEE/Atlanu Ray Boyd

LUTHER VANDROSS ARETHA FRANKLIN SHIRLEY MURDOCK JUSTICE ALLEN KRYSTOL ROBBIE NEVIL OCTAVIA GEORGE BENSON Hottest: COMMODORES FREDDIE JACKSON ONE WAY LIONEL RICHIE JANET JACKSON

WAOKIAt.nta Larry Tinsley

ARETHA FRANKLIN TINA TURNER GEORGE BENSON DONNA ALLEN FORCE MD'S NEW KIDS ON THE B GIVENS FAMILY GLORIA D. BROWN Hottest: FREDDIE JACKSON ANITA BAKER LIONEL RICHIE JESSE JOHNSON MOORE L JACKSON

WFXAIA Ugusta Charlotte Logan

MAZE CAMEO TR IN ERE CARL ANDERSON GEORGE DUKE RJ'S LATEST ARRIV GAP BAND JAMES INGRAM GIVENS FAMILY TEMPTATIONS Hottest: CHICO DEBARGE FREDDIE JACKSON BOBBY BROWN LIONEL RICHIE STACY LATTI SAW

KOXLJBaton Rouge O.L. Hayes

JANET JACKSON RAY GOODMAN 6 BR MELBA MOORE BABYFACE CAPTAIN JAM ARETHA FRANKLIN CLAUDJA BARRY JENNY BURTON FORCE MD'S RJ'S LATEST ARRIV ORAN JUICE JONES Hottest: JESSE JOHNSON LIONEL RICHIE FREDDIE JACKSON ONE WAY READY FOR THE NOR

WXOKBa.nRoug. Neel/Morton

FORCE MD'S DONNELI. PITMAN MELBA MOORE ARETHA FRANKLIN BABYFACE HEAVY D L BOYZ RAY GOODMAN L BR U VEE HAYES BILLY PRESTON Hottest: FULL FORCE FREDDIE JACKSON LIONEL RICHIE JESSE JOHNSON MILLIE JACKSON

WTKVBaton Rouge -

E .Rodney Jones

ARETHA FRANKLIN TEASE U VEE HAYES JANET JACKSON GRACE JONES COMMODORES KOOL 6 THE GANG MELBA MOORE RAY GOODMAN 6 BR BABY FACE J. BLACKFOOT JENNY BURTON FAT LARRY'S SAND ORAN JUICE JONES O 'BRYAN 1 :10H1L RICHIE CLAUDJA BARRY Hottest: FREDDIE JACKSON ISAAC HAYES ANITA BAKER VOLTAGE BROTHERS KRYSTOL

WEN NBIrm Ingham Dave Donnell

GEORGE DUKE CON FUNK SHUN RAY GOODMAN 6 BR O'BRYAN Hottest: FREDDIE JACKSON JESSE JOHNSON MILLIE JACKSON COMMODORES ONE WAY

WATVBirmingham Ron January

GWEN GUTHRIE MAZE SHIRLEY MURDOCK HEAVY D L BOYZ NOC ERA TASHAN SHOWBOYS JENNY BURTON D TRAIN Hottest: COMMODORES FREDDIE JACKSON FULL FORCE LIONEL RICHIE HUMAN LEAGUE

WPALICh.rteaton Don Kenddcks

BOBBY WOMACK NAYOBE GIVENS FAMILY CAPTAIN SKY FORCE MD'S BUNNY SIGLER EGYPTIAN LOVER CAPTAIN JAM CANDI STATON /SOUR NOC ERA TASHAN PRINCE PHILLIP MI Hottest: FREDDIE JACKSON COMMODORES SHIRLEY MURDOCK KOOL 6 THE GANG LUTHER VANDROSS

Z93lCh.rteaton CIMI Fletcher

none Hottest: FREDDIE JACKSON JESSE JOHNSON STACY LATTISAW ONE NAY. LIONS. RICHIE.

WPEG /Cherlotte Michael Saunders

FORCE MD'S KLYMAXX ASHFORD 6 SIMPSON MANHATTANS GIVENS FAMILY KENNY G YOUNG I CO. BUNNY SIGLER CURTIS HAIRSTON GEORGE BENSON NEW KIDS ON THE B

Hottest: FREDDIE JACKSON JESSE JOHNSON MILLIE JACKSON LIONEL RICHIE KOOL 6 THE GANG

WEST KOKOPhoeml/ Rick Thomas

JENNY BURTON Hottest: GREGORY ABBOTT FREDDIE JACKSON STACY LATTISAW READY FOR THE NOR JESSE JOHNSON

KAM/Los Angeles Winston/Torres

CAMEO BILLY OCEAN MELBA MOORE KRYSTOL NEW EDITION POINTER SISTERS ARETHA FRANKLIN JANICE CHRISTIE Hottest: CHICO DEBARGE FREDDIE JACKSON READY FOR THE NOR LIONEL RICHIE COMMODORES

KDAYILoa Angeles PattersoniCanning

BIZ MARIClE RON 6 THE D.C. CR TRINERE Hottest: READY FOR THE NOR BOBBY JIMMY BOBBY BROWN ERIC D

ANITA BAKER

KACEILoa Angles Pam Robinson

NAL EE MIKI HOWARD LEVERT GEORGE BENSON PATTI AUSTIN GEORGE HOWARD EARL KEOGH CHAKA KHAN JEFF LORBER ARETHA FRANKLIN MICHAEL MCDONALD JOHNNIE TAYLOR Hottest: FREDDIE JACKSON MOORE L JACKSON ONE WAY VESTA WILLIAMS PATTI LABELLE

KMYXqaI Howard "HT" Thames

NEW EDITION ARETHA FRANKLIN MICHELLE GWLET Hottest: CHICO DEBARGE HUMAN LEAGUE '

FREDDIE JACKSON READY FOR THE NOR LIONEL RICHIE

KOKO/Denver Danny Harris

CHAKA KHAN EL DEBARGE O'BRYAN D TRAIN ARETHA FRANKLIN MELBA MOORE DONNELL PITMAN Hottest: FREDDIE JACKSON JESSE JOHNSON ANITA BAKER KOOL 6 THE GANG BOBBY BROWN

XHRMISan Diego L.D. McCollum

SOS BAND TINA TURNER TRINERE ORAN JUICE JONES ARETHA FRANKLIN STACEY 0 Hottest: JESSE JOHNSON LIONEL RICHIE NOC ERA KLYMAXX JANET JACKSON

KSOLISan Francisco Robinson /Moody

ORAN JUICE JONES JANICE MCCLAIN NOC ERA CAPTAIN SKY SYLVESTER WHOD INI TASHAN CAMEO NEW KIDS ON THE ß Hottest: STACY LATTISAW JESSE JOHNSON FREDDIE JACKSON READY FOR THE NOR CHICO DEBARGE

JET941ChattaBoog. Frank St. James

POINTER SISTERS D TRAIN MANHATTANS GAP BAND Hottest: FREDDIE JACKSON READY FOR THE WOR COMMODORES LIONEL. RICHIE BILLY OCEAN

K104JDellaa Terri Avery

CANED ERIC B MIKI HOWARD HUMAN LEAGUE JEFF LORBER RAY GOODMAN L BR Hottest: CAMEO SHIRLEY MURDOCK FREDDIE JACKSON JESSE JOHNSON PATTI LABELLE

WFXC /Durham Doc H011ldae

KEITH PATRICK ARETHA FRANKLIN O 'BRYAN ORAN JUICE JONES SOS BAND TASHAN SHOWBOYS FAT LARRY'S BAND ROBBIE NEVIL D TRAIN TRINERE GIVENS FAMILY AL JARREAU GEORGE EDWARD TEMPTATIONS JUSTICE ALLEN Hottest: JESSE JOHNSON FREDDIE JACKSON CHICO DEBARGE LIONEL RICHIE COMMODORES

KDLLFt. Worth-Dallas Tuck.rlMadleon

none Hottest: FREDDIE JACKSON ONE WAY GREGORY ABBOTT MILLIE JACKSON SHIRLEY MURDOCK

WONGIOreensboro Doc Foster

FORCE MD'S GIVENS FAMILY CURTIS HAIRSTON JENNY BURTON CAPTAIN SKY GEORGE BENSON ARETHA FRANKLIN CANDI STATON /SOUR WILLIE CLAYTON CAPTAIN JAM Hottest: FREDDIE JACKSON JESSE JOHNSON ONE WAY CHICO DEBARGE COMMODORES

WHYLOrNnvlll. TaykrlCarson

KLYMAXX PATTI LABELLE READY FOR THE WOR O'BRYAN BEASTIE BOYS MAZE GEORGE BENSON FORCE MD'S MANHATTANS AL JARREAU JETS EL DEBARGE ARETHA FRANKLIN Hottest: CAMEO COMMODORES LIONEL RICHIE RUN O.M.C.

W OF % /Gulfport- BIiOnI

Al Luv

DONNELL PITMAN JETS TIMECODE TINA TURNER O'BRYAN CARL ANDERSON GEORGE BENSON RAY GOODMAN S BR ORAN JUICE JONES YOUNG S CO. Hottest: FREDDIE JACKSON JESSE JOHNSON COMMODORES STACY LATTISAW LIONEL RICHIE

KMJO111ouston AtklnslMlChaNs

GRACE JONES EL DEBARGE POINTER SISTERS ARETHA FRANKLIN MELBA MOORE SHIRLEY MURDOCK KEITH PATRICK ORAN JUICE JONES Hottest: FREDDIE JACKSON JESSE JOHNSON READY FOR THE NOR ONE WAY CHICO DEBARGE

WJMI/Jeck son Carl Haynes

EGYPTIAN LOVER JEFFREY OSBORNE JERMAINE JACKSON CON FUN% SHUN LUTHER VANDROSS ARETHA FRANKLIN LOOSE ENDS POINTER SISTERS DOUG E. FRESH L.A. DREAM TEAM

Hottest: WHISTLE SOS BAND CHAKA KHAN BOBBY BROWN FREDDIE JACKSON

W K XIIJackson Tommy Marshall

ONE WAY KURTIS BLOW HEAVY D L BOYZ ORAN JUICE JONES K RYSTOL SHOWBOYS TASHAN FORCE MD'S SHANNON J. BLACKFOOT ARETHA FRANKLIN Hottest: FREDDIE JACKSON JESSE JOHNSON STACY LATTISAW COMMODORES MILLIE JACKSON

WZALJacksonvIll. NM Jackson

MELBA MOORE GWEN GUTHRIE ROSE ROYCE

SHIRLEY MURDOCK WHOD INI WILLIE CLAYTON ISAAC HAYES ROBBIE NEVIL GRACE JONES MANHATTANS Hottest: COMMODORES LIONEL RICHIE MILLIE JACKSON LEVERT PATTI LABELLE

WPDO/Jacksonvlll. BrodylH.nry

ISAAC HAYES MIKI HOWARD SHIRLEY MURDOCK GRACE JONES FORCE MD'S PHIL FEARON JAMES ARTHUR JOHN Hottest: FREDDIE JACKSON JESSE JOHNSON STACY LATTISAW LIONEL RICHIE READY FOR THE NOR

KIIZIKItleen BIII St. John

ROBBIE NEVIL O 'BRYAN DONNA ALLEN BEASTIE BOYS

ORAN JUICE JONES EL DEBARGE RAY GOODMAN L BR MELBA MOORE KRAFTWERK JENNY BURTON ARETHA FRANKLIN Hottest: FREDDIE JACKSON ANIT:. _.....' LUTHER VANDROSS SHIRLEY MURDOCK KOOL s THE GANG

WKGNIKnoevlll. Bill Clary

RJ'S LATEST ARRIV GRACE JONES POINTER SISTERS WHOD INI GEORGE BENSON K RYSTOL ANTHONY 6 CAMP D TRAIN ARETHA FRANKLIN Hottest: READY FOR THE NOR BOBBY BROWN ANITA BAKER GHETTO STYLE LIONEL. RICHIE

KJCB/ alay.tt. Horero Handy

JANET JACKSON KOOL L THE GANG MELBA MOORE BABYFACE RAY GOODMAN 6 BR BILLY PRESTON Hottest: VESTA WILLIAMS MILLIE JACKSON CHICO DEBARGE JANET JACKSON KOOL L THE GANG

KOKYILItt. Rock Frazier/Earl

D TRAIN ARETHA FRANKLIN AL JARREAU JOHNNIE TAYLOR HEAVY D L BOYZ RAY GOODMAN L BR J. BLACKFOOT CHAKA KHAN TEMPTATIONS JOESKI LOVE RJ'S LATEST ARRIV ORAN JUICE JONES Hottest: FREDDIE JACKSON RUN D.M.C. COMMODORES UTFO BOBBY BROWN

WLOUILAuISVIlI. Tony Fields

LOOSE ENDS O'BRYAN GEORGE BENSON D TRAIN ROBERT BROOKINS AL JARREAU EL DEBARGE TINA TURNER NEW EDITION PRINCE PHILLIP MI MANHATTANS J. BLACKFOOT EGYPTIAN LOVER MAIJA Hottest: FREDDIE JACKSON SHIRLEY MURDOCK BEAU WILLIAMS JEAN CARNE ANITA BAKER

WJYULoulmBe Williams/March

Hottest: FREDDIE JACKSON JESSE JOHNSON STACY LATTISAW RJ'S LATEST ARRIV GREGORY ABBOTT

WJJSILynchburg Lad Oolns

K LYMAXX GRACE JONES EL DEBARGE RUN D.M.C. MIKI HOWARD DONNELI. PITMAN Hottest: CAMEO HUMAN LEAGUE CLUB NOUVEAU ONE WAY COMMODORES

WDIAMernphis Bobby O'Jay

JENNY BURTON EL DEBARGE CHICO DEBARGE BOBBY WOMACK MELBA MOORE NEW KIDS ON THE B

TEASE JANICE CHRISTIE Hottest: VESTA WILLIAMS JESSE JOHNSON READY FOR THE NOR KOOL L THE GANG FREDDIE JACKSON

WHRKM.mphls Wells/Smith

BEASTIE BOYS KENNY G B. FATS ROBBIE NEVIL MIAMI SOUND MACHI JENNY BURTON MELBA MOORE NEW KIDS ON THE B

CANDI STATON /SOUR OCTAVIA J. BLACKFOOT Hottest: FREDDIE JACKSON JESSE JOHNSON LIONEL RICHIE COMMODORES ONE WAY

WALTMMd.n Aundra Russell

NOC ERA JANET JACKSON CAPTAIN SKY BILLY DAVIS JR. FORCE MD'S GIVENS FAMILY Hottest: CAMEO KOOL L THE GANG HOWARD HEWETT LIONEL RICHIE HUMAN LEAGUE

WEDRM.mI JacksonlJones

D TRAIN CHICO DEBARGE TRINERE RAY GOODMAN S. BR FORCE MD'S PHIL FEARON ANTHONY S. CAMP DOUG E. FRESH TINA TURNER KEITH PATRICK Hottest: FREDDIE JACKSON STACY LATTISAW MILLIE JACKSON ONE WAY JESSE JOHNSON

WBLXIMobII Tony Brown

MELBA MOORE EL DEBARGE GIVENS FAMILY J. BLACKFOOT CURTIS HAIRSTON GWEN GUTHRIE BEASTIE BOYS EGYPTIAN LOVER NEW KIDS ON THE B JUSTICE ALLEN CANDI STATON /SOUR Hottest: FREDDIE JACKSON JESSE JOHNSON COMMODORES ONE WAY LIONEL RICHIE

NOOK/Nashville J.C. Floyd

ARETHA FRANKLIN GEORGE BENSON GAP BAND ORAN JUICE JONES K RYSTOL EL DEBARGE FOCUS Hottest: B.A.D. BAND GREGORY ABBOTT FREDDIE JACKSON LIONEL RICHIE

WYLDFMINaW Orleans DNI Spencer

DONNA ALLEN CAMEO GEORGE DUKE FORCE MD'S RAY GOODMAN S. BR TEASE MANHATTANS Hottest: FREDDIE JACKSON JESSE JOHNSON ONE WAY MIILIE JACKSON SHIRLEY MURDOCK

WOWIINOAbik Don Allen

JENNY BURTON ARETHA FRANKLIN BOBBY WOMACK SYLVESTER ASHFORD 6 SIMPSON RAY GOODMAN S. BR JANET JACKSON OCTAVIA Hottest: FREDDIE JACKSON ONE WAY STACY LATTISAW JESSE JOHNSON CHICO DEBARGE

KIM/Norfolk ScottMNeon

CHAKA KHAN LUTHER VANDROSS GRACE JONES EL DEBARGE Hottest: VESTA WILLIAMS JESSE JOHNSON STACY LATTISAW ONE WAY CHICO DEBARGE

WORE/Orlando Earl James

DONNELL PITMAN LYN ROMAN CHICO DERANGE JANET JACKSON BEASTIE BOYS Hottest: FREDDIE JACKSON MOORE L JACKSON READY FOR THE WOR BEAU WILLIAMS LIONEL RICHIE

KHYSIPort Arthur PetryID.vls

none Hottest: HUMAN LEAGUE FREDDIE JACKSON MOORE L JACKSON JESSE JOHNSON STACY LATTI SAW

WPLZPet.raburg Crumb.ylDanlNs

AL JARREAU LOOSE ENDS TEMPTATIONS O'BRYAN Hottest: ANITA BAKER ONE WAY FREDDIE JACKSON SHIRLEY MURDOCK LEVERT

KAPEISan Antonio Mike Kelly

JANET JACKSON CAMEO ROBBIE NEVIL ARETHA FRANKLIN RAY GOODMAN 6 BR AL JARREAU MELBA MOORE SHIRLEY MURDOCK EL DEBARGE Hottest: LIONEL RICHIE

JESSE JOHNSON READY FOR THE NOR

ONE WAY ANITA BAKER

KDKSIShr.e.pert C. Erwin Daniels

JANICE MCCLAIN KRYSTOL MELBA MOORE RAY GOODMAN F. BR RUN D.M.C. SHOWBOYS ROBERT BROOKINS BILLY PRESTON SHIRLEY MURDOCK J. BLACKFOOT YOUNG 6 CO. Hottest: FREDDIE JACKSON JESSE JOHNSON MILLIE JACKSON JEAN CARNE COMMODORES

W W DMBumter Tony Dean

FORCE MD'S O BRYAN ARETHA FRANKLIN POINTER SISTERS RJ'S LATEST ARRIV JETS UTFO EGYPTIAN LOVER Hottest: ANITA BAKER CAMEO COMMODORES FREDDIE JACKSON RUN D.M.C.

WARM/Tallahassee Joe Bullard

CRUSADERS ARETHA FRANKLIN BEASTIE BOYS

ORIGINAL CONCEPT ROBERT BROOKINS CURTIS HAIRSTON JANICE MCCLAIN CANDI STATON /SOUR Hottest: FREDDIE JACKSON CLUB NOUVEAU JESSE JOHNSON LIONEL, RICHIE ONE WAY

MIDWEST WOCI /Chicago Lea Michaels

MIKI HOWARD SYLVESTER RAY GOODMAN L BR DONNELL PITMAN GEORGE BENSON GAP RAND CAT MILLER Hottest: LIONEL RICHIE JESSE JOHNSON SOS BAND STACY LATTISAW ONE WAY

WEB/IX/Chicago BouldinglSpoon

JANICE MCCLAIN ARETHA FRANKLIN RON PREVER D TRAIN KEITH PATRICK DONNA ALLEN Hottest: COMMODORES HUMAN LEAGUE MOORE L JACKSON STACY LATTISAW FREDDIE JACKSON

WBLZlCInclnnatl Brian Cast.

none Hottest: JESSE JOHNSON HUMAN LEAGUE STACY LATTISAW CHICO DEBARGE ANITA BAKER

WDMTICieael.nd KNIyMkka

EL DEBARGE KRYSTOL AL JARREAU ARETHA FRANKLIN RUN D.M.C. GWEN GUTHRIE Hottest: FREDDIE JACKSON LIONEL RICHIE JESSE JOHNSON MILLIE JACKSON COMMODORES

WZAKICieea.nd TNIlverlP.rry

ARETHA FRANKLIN BABYFACE RAY GOODMAN L BR Hottest: ANITA BAKER FREDDIE JACKSON MILLIE JACKSON RUN D.M.C. GAP BAND

WCKXIColumbus Rick Stevens

GWEN GUTHRIE GAP BAND BUCKEYE POLITICIA DONNELL PITMAN EGYPTIAN LOVER JAKI GRAHAM RAY GOODMAN S. BR TINA TURNER GEORGE BENSON D TRAIN FAT LARRY'S BAND Hottest: FREDDIE JACKSON JESSE JOHNSON ONE WAY READY FOR THE WOR LEVERT

WTMP/T.mps Chris Turns

JEFF LORBER ARETHA FRANKLIN NAYOBE D TRAIN TEASE JUSTICE ALLEN DONNELL PITMAN BEASTIE BOYS GAP BAND J. BLACKFOOT PHIL FEARON ANTHONY L CAMP ORIGINAL CONCEPT Hottest: JESSE JOHNSON COMMODORES RUN D.M.C. LIONEL RICHIE CHICO DEBARGE

WAAAIWInetospss.m Tony Rkhards

JOESKI LOVE NU SHOOZ RUN D.M.C. CONTROLLERS CERRONE 6 JACKSON RJ'S LATEST ARRIV DONNA ALLEN JANICE CHRISTIE FORCE MD'S JAMES ARTHUR JOHN Hottest: ONE WAY JESSE JOHNSON FREDDIE JACKSON MILLIE JACKSON FULL FORCE

VP/KO/Columbus KC Jones

LUTHER VANDROSS BOBBY BROWN VESTA WILLIAMS KLYMAXX SHIRLEY MURDOCK MANHATTANS Hottest: CHICO DERANGE FREDDIE JACKSON MILLIE JACKSON JESSE JOHNSON COMMODORES

Z103/Columbus Mike Davis

O BRYAN TINA TURNER GEORGE BENSON FORCE MD'S LUTHER VANDROSS POINTER SISTERS JESSE'S GANG GEORGE DUKE KLYMAXX Hottest: FREDDIE JACKSON SHIRLEY MURDOCK JESSE JOHNSON COMMODORES ISAAC HAYES

WJLB /Detrolt Alexander/Whitmore

NOC ERA JANET JACKSON BILLY OCEAN Hottest: ANITA BAKER FREDDIE JACKSON READY FOR THE NOR LIONEL RICHIE SWEET DREAM

WGPR /Detrolt Joe Spencer

O'BRYAN JENNY BURTON ROBERT BROOK INS ARETHA FRANKLIN HEAVY TRAFFIC STA ROBBIE NEVIL

CANDI STATON /SOUR LYN ROMAN Hottest: FREDDIE JACKSON READY FOR THE NOR JESSE JOHNSON ISAAC HAYES

MILLIE JACKSON

WKWMIOrand Rapids Grent/Frenklln

GAP BAND D TRAIN MELBA MOORE BOBBY WOMACK Hottest: FREDDIE JACKSON CHICO DEBARGE LIONEL RICHIE PATTI LABELLE JESSE JOHNSON

WTLCAnd.napola Jay Johnson

GEORGE DUKE JANICE MCCLAIN PHIL FEARON TASHAN HEAVY D L BOYZ J. BLACKFOOT ARETHA FRANKLIN PAYNE 6 INGRAM Hottest: FREDDIE JACKSON JESSE JOHNSON FULL FORCE LEVERT JEFF LORBER

WXLAILansing Casey MCMlchaels

ELLIOT L DEBARGE EL DEBARGE ISAAC HAYES MELBA MOORE MANHATTANS KOOL L THE GANG GLENN JONES Hottest: JESSE JOHNSON GREGORY ABBOTT FREDDIE JACKSON PATTI LABELLE READY FOR THE WOR

W LUMIMIIW aukee Bernard Miller

JANET JACKSON CAMEO MELBA MOORE BOBBY BROWN HOWARD JONES DURAN DURAN ARETHA FRANKLIN RAY GOODMAN S BR ONE WAY MIKI HOWARD AL JARREAD Hottest: FREDDIE JACKSON BRUCE HDRNSBY ANITA BAKER JESSE JOHNSON LIONEL RICHIE

W WW SISeg In.W David Rous

JETS JAMES INGRAM MELBA MOORE JENNY BURTON NAYOBE JAMES ARTHUR JOHN Hottest: FREDDIE JACKSON COMMODORES MILLIE JACKSON JESSE JOHNSON LIONEL RICHIE

KMJMISt. Louis Mike Stredlord

HOWARD HEWETT TINA TURNER JOESKI LOVE BILLY PRESTON ARETHA FRANKLIN RJ'S LATEST ARRIV Hottest: JESSE JOHNSON FREDDIE JACKSON CHICO DEBARGE READY FOR THE NOR STACY IATTISAW

WZENISI. Louis Andre Fuller

GAP BAND HEAVY D L BOYZ RAY GOODMAN 6 BR DONNELL PITMAN J. BLACKFOOT PAYNE L INGRAM BOBBY WOMACK JANICE MCCLAIN PRINCE PHILLIP MI BILLY PRESTON NEW KIDS ON THE B

Hottest: MILLIE JACKSON FREDDIE JACKSON JEAN CARNE COMMODORES LUTHER VANDROSS ì

WVOIITNedo Peul Brown

GEORGE BENSON ASHFORD L SIMPSON JOESKI LOVE JANICE MCCLAIN ARETHA FRANKLIN TRINERE CAPTAIN SKY TIMECODE TINA TURNER JETS Hottest: LIONEL RICHIE FREDDIE JACKSON KEITH PATRICK JESSE JOHNSON READY FOR THE NOR

KBUZIWIchlte Rochst Wright

JANET JACKSON GAP BAND KURTIS BLOW

GEORGE BENSON DONNELL PITMAN SHIRLEY MURDOCK D TRAIN KRYSTOL JENNY BURTON ARETHA FRANKLIN Hottest: COMMODORES ONE WAY FREDDIE JACKSON KOOL L THE GANG JEFF LORBER

89 Station Reports 84 Current Reports

WBLZ /Cincinnati, Z93 /Charleston, KDLZ/Ft. Worth -Dallas. WJYLí

Louisville and KHYS /Port Arthur called in frozen playlists this week.

THE FALL SWEEP IS RIGHT FOR THESE RECORDS:

ON OVER 73 BLACK /URBAN STATIONS

RADIO & RECORDS: m BILLBOARD:e

ON OVER 78 BLACK /URBAN STATIONS

RADIO & RECORDS: ® BILLBOARD:

RADIO & RECORDS: Auf

[BLACK/URBAN BREAKERS

One Of The MOST ADDED 2 WEEKS IN A ROW!

BILLBOARD: CD - CID

"Where Did We Go Wrong" RADIO & RECORDS: LhEeur

BILLBOARD: -0

ON YOUR DESK 11-11S

W EEK THE NEW SINGLE

FROM

'TOO Walt "ION O%

FROM THE TRIPLE

PLATINUM

TOP GUN SOUNDTRACK

--_

One Of The MOST ADDED (11 -7 -86)

Oo COLUMBIA RECORDS - RADIO'S BEST FRIEND - SUPPORTS THE YOUNG BLACK PROGRAMMERS COALITION - 100 %!

Oo



JÁ77 L TOP 30

Las,

MOW

1 WYNTON MARSALIS /J Mood (Columbia) s Q MILES DAVIS/Tutu (WB)

6 Q BRANFORD MARSALIS/Royal Garden Blues (Columbia)

4 0 ROUND MIDNIGHT/Soundtrack (Columbia)

2 5 DIANE SCHUUR/fimeless (GRP)

3 6 KEVIN EUBANKS/Face To Face (GRP)

7 0 BEN SIDRAN /On The Live Side (Windham Hill)

14 0 TOM SCOTT /One Night /One Day (Soundwings)

9 9 HARVIE SWARTZ/Smart Moves (Gramavision)

11 ID TONIGHT SHOW... w /DOC SEVERINSEN/Tonight Show... w /Doc Severinsen (Amherst)

8 11 MEL LEWIS/20 Years At The Village Vangua (Atlantic)

lo 12 J. BLAKE/D. LOCKWOOD/M. URBANIAK/Rhythm & Blu (Gramavision)

13 13 THE LEADERS /mudfoot )Black -Hawk)

20 MULGREW MILLER/Work! (Landmark)

18 FREE FLIGHT /Illumination (FM /CBS)

16 16 AL JARREAU /L Is For Lover (WB)

17 17 MIKE STERN/Upside Downside (Atlantic)

24 STANLEY CLARKE/Hideaway (Epic)

29 e HANK MOBLEY/Straight No Filter (Blue Note)

20 LENI STERN /Clairvoyant (Passport Jazz)

I DEBUT ® JEFF LORBER/Private Passion (WB)

25 e ETTA JAMES/EDDIE "CLEANHEAD" VINSON/Blues In The Night (Fantasy)

23 ® TERRY GIBBS/The Latin Connection (Fantasy)

26 e) GEORGE RUSSELL & LIVING TIME ORCHESTRA/So What (Blue Note)

21 25 CHRIS HUNTER /Chris Hunter (Atlantic)

I DEBUT e BILL MEYERS /Images (Spindletop)

27 ff/ KENNY BARRON/Scratch (Enja)

I DEBUT HENRY w JOHNSON/You're The One (MCA Impulse!)

DEBUT e DENNY ZEITLIN/Homecoming (Living Music/Windham Hill)

DEBUT e DIZZY GILLESPIE with MITCHELL -RUFF DUO/Enduring Magic (Black -Hawk)

NOVEMBER 14, 1986

Black/Urban stations contributing to Jazz: KJCB /Lafayette. Horatio Handy, WYLD -FM /New Orleans, Dell Spencer:

WDMT/Cleveland. Dean -Dean Rufus

NEW & ACTIVE TANIA MARIA "Lady From Brazil" (Manhattan) 15 14 Rotations Heavy 3.3 Mean r / h Lght 33 Erna nods . sads "14. WGBH. WBGO, WOTB. WRTI. WYRS, WCLK. WBEE. WNOP. KTCJ. WNEW WLVE. KLCC, KLSK, KERA M1', ' KKGO

BOB THOMPSON "Brother's Keeper" (lefts/Enigma) 15/7 Rotations Heavy 3/0. Medium 3/2. Light 6/2, Extra Adds 3. Total Adds 7, WBGO, WYRS, WCLK, WMOT, KTCJ, KJZZ, WNUR Heavy WAER, WLOO, KIFM. Medium: KLSK.

KENT JORDAN "NIgM Aire (Columbia) 12/8 Rotations Heavy 1/0. Medium 1/0, Light 7/5, Extra Adds 3. Total Adds 8. WBGO, WCLK, WJZZ, KJAZ, WFSS, WHVE. KLCC, KLSK. Heavy. KPLU Medium. KKGO.

FRANK MORGAN "Lament" (Contemporary/Fantasy) 12/3 Rotations Heavy 6/1. Medium 2/0. Light 4/2. Extra Adds 0. Total Adds 3. KJAZ, WNEW. WNUR. Heavy. WRTI. KANU, WMRO, KWMU. KCNR Medium WDET. KPLU

BILL WATROUS "Someplace Else" (Soundwings) 12/2 Rotations Heavy 4/0. Medium 4/0, Light 4/2. Extra Adds O. Total Adds 2. WFPL, KMHD. Heavy. WEBR. WYRS, KADX. KPLU Medium WOTB. KKGO, WFSS WVPE

FLORA PURIM & AIRTO "The Magicians" (Concord) 12/1 Rotations Heavy 3/0. Medium 4/1, Light 5/0, Extra Adds 0, Total Adds 1. WNUR Heavy WAER, WBEE. KPLU. Medium. WBGO. WJZZ, KLSK

BOB JAMES "Obsessions" (WB) 11/8 Rotations Heavy 4/1 Medium 6 /4. Light O /0, Extra Adds 1, Total Adds 6. WAER. WBEE, WNOP, WBBY, KUOP. WNEW Heavy WJZZ, KTCJ. KIFM Medium KKGO. KLCC

ERNIE WATTS "Sanctuary" (Owest/WB) 11/2 Rotations Heavy 6/0. Medium 2/1, Light 3/1, Extra Adds 0, Total Adds 2, WNEW, WVPE. Heavy- WAER, KUHF, WJZZ. KKGO. KIFM, KLSK Medium- WEBR

GIL EVANS A MONDAY NIGHT ORCHESTRA "Live At Sweet Basil" (Gramavlsion) 11/1 Rotations Heavy 2/0. Medium 5/0, Light 3/0, Extra Adds 1. Total Adds 1. WCLK. Heavy. WRTI. WFPL. Medium WNOP. KADX WVPE. KWMU. KXPR.

TRPTS. 'Transforming Tradition" (Black -Hawk) 11/1 Rotations Heavy 5/1. Medium 2/0, Light 4/0, Extra Adds O. Total Adds 1, KLON Heavy. WOTB. WCLK. WVPE, KXPR. Medium. KUOP, WHRO

THE NEW DIRECTION .. David Boruffrs

"DREAMSTREET"

WLOQ WOTB WAER WCLK WMOT WLVE WNUR KBEM WVPE KMHD KUOP KLCC KIFM KLSK

lsso4 ° e I l s 5308 DERRY AVENUE. AGOURA HILLS. CA 91301 18181889-9022 OUTSIDE CA18001 223-7479

MOST ADDED HENRY JOHNSON 114)

TANIA MARIA (14)

JEFF LORBER (12) KENT JORDAN (8)

BOB THOMPSON (7) DENNY ZEITLIN (7)

BOB JAMES (6) BILL MEYERS (6)

MULGREW MILLER (6)

HOTTEST MILES DAVIS (26)

BRANFORD MARSALIS (18) ROUND MIDNIGHT (17)

WYNTON MARSALIS (16) DIANE SCHUUR (14) KEVIN EUBANKS (10)

TONIGHT SHOW BAND ... (7)

BEN SIDRAN (7)

STEPHANE GRAPPEW "Live In San Francisco" (Black -Hawk) 102 Rotations, Heavy 1/0, Medium 6/0, Light 3/2. Extra Adds 0, Total Adds 2, WGBH, KMHD. Heavy. KXPR. Medium: WRTI. WFAE, WMOT, KLON, WHRO, WVPE.

DREAMSTREET "Dreamstreet" (Artful Balance) 10/1 Rotations: Heavy 3/0, Medium 4 /0, Light 3/1. Extra Adds 0, Total Adds 1, KTCJ. Heavy- WOTB, WMOT, KMHD. Medium

KUOP, WLVE. WNUR, KIFM

M. ALEXANDER/24.H. PEDERSEN/G. TATE "Threesome" (Soul Note) 10/0 Rotations Heavy 4/0, Medium 6 /0, Light 0 /0, Extra Adds 0, Total Adds O. Heavy. WGBH, WBGO, WUWM, WHRO. Medium WRTI. WYRS, WBEE, KADX, KJAZ, WUSF.

CROSSING POINT "Listener- Friendry1' (City Pigeon/Optimism) 9/1 Rotations Heavy 2/0. Medium 3/1, Light 4/0. Extra Adds 0, Total Adds 1, WBBY. Heavy WAER, KUOP. Medium: WFAE. KIFM

STEVE SLAGLE "Rio Highlife" (Atlantic) 9/1 Rotations. Heavy 2/0. Medium 4/0, Light 3/1. Extra Adds 0, Total Adds 1, WAER. Heavy KJZZ. KWMU. Medium KUOP

WUSF. KLCC, KLSK

CRUSADERS "The Good A Bad Times" (MCA Impulsei) 8/5 Rotations: Heavy 4/2, Medium 1/1, Light 21. Extra Adds 1, Total Adds 5, WAER, WNOP, WJZZ. KTCJ. WLVE. Heavy KKGO. WHEW.

WINDOWS Is It Safe" (Intima/Enigma) 8/5 Rotations Heavy O/0, Medium 42, Light 2/1, Extra Adds 2, Total Adds 5. WAER, WDET, KJZZ, KPLU, WVPE. Medium WLOO, WNOP.

NAT ADDERLEY QUINTET "Blue Autumn" (Theresa) 8/0 Rotations. Heavy 2/0. Medium 4/0, Light 2/0, Extra Adds O. Total Adds O. Heavy: WUSF, KXPR. Medium. WBGO. WBEE KADX, KREM.

RANDY BERNSEN "Mo' Wasabi" (Zebra/MCA) 7/2 Rotations: Heavy 2/0, Medium 211, Light 3/1, Extra Adds 0, Total Adds 2, KLSK, WDMT. Heavy: WNOP. KPLU. Medium WLVE

JACKIE COON "Jaule' Around" (Sea Breeze) 7/2 Rotations. Heavy 0 /0, Medium 3/0, Light 3/1. Extra Adds 1, Total Adds 2, KANU. KPLU, Medium: KLON. WNUR. KBEM

MAX BENNETT & FREEWAY "The Drifter" (TBA/Palo Alto) 7/1 Rotations Heavy 2/0, Medium 4 /0, Light 1!1. Extra Adds 0, Total Adds 1, WNEW. Heavy: WYRS, WAER. Medium: WLOO KPLU, KBEM, KIFM

SATHIMA BEA BENJAMIN "WlndSong" (Black -Hawk) 7/1 Rotations Heavy 1/0, Medium 4/1, Light 2/0, Extra Adds 0, Total Adds 1, WRTI. Heavy: KWMU. Medium WGBH. KERA. WUWM

MORGANA KING "Simply Eloquent" (Muse) 8/1 Rotations. Heavy 1/0, Medium 3/0, Ugh! 1 /0, Extra Adds 1, Total Adds 1, WBEE. Heavy: KLON. Medium WYRS, KKGO.

KXPR.

RICHARD ELLIOT "Trolltown" (Intima/Enigma) 6/0 Rotations Heavy 3/0. Medium I/O. Light 2/0. Extra Adds 0, Total Adds 0. Heavy WAER, WLOO. KLSK. Medium. KIFM.

DAMON RENTIE "Don't Look Back" (TBA/Palo Alto) 6/0 Rotations. Heavy 1/O. Medium 3/0, Ligh62 /0, Extra Adds 0, Total Adds O. Heavy. WOTB. Medium: WLOO, KKGO. KUOP

WORLD SAXOPHONE QUARTET "...Plays Duke Ellington" (Nonesuch) 6/O Rotations. Heavy 1/0. Medium 1/0. Light 4 /0, Extra Adds O. Total Adds 0 Heavy: WRTI. Medium KJAZ.

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1

RaR FRIDAY, NOVEMBER 14,1986/ 87


COUNTRY NOVEMBER 14, 1986

Total

TOP 50

web, Reports/Adds

Ms

Heavy Medpm Lght

a w3 O BELLAMY BROS. w /FORESTER...froo Much Is Not Enough (MCA /Curb) 155/0 135 78 2 n 2 6 0 T. GRAHAM BROWN /Hell And High Water (Capitol) 157/0 127 23 7 a 2 , 3 GEORGE STRAIT/It Ain't Cool To Be Crazy About... (MCA) - 151/0 128 17 6 2 t 2 4 ALABAMA/Touch Me When We're Dancin' (RCA) 150/0 178 24 8

14 12 a O HANK WILLIAMS JR./Mind Your Own Business (WB /Curb) 154/O 113 35 6 5 4 e 6 GATLIN BROTHERS/She Used To Be Somebody's Baby (Columbia)

is 13 9 Q MICHAEL JOHNSON /Give Me Wings (RCA) 150/0 158/1

109 95

31 58

10 5

to 15 m O JUDOS /Cry Myself To Sleep (RCA/Curb) 158/1 82 70 6 7 6 5 9 JOHN SCHNEIDER /At The Sound Of The Tone (MCA) 145/2 103 31 11

16 u u ® HOLLY DUNN /Daddy's Hands (MTM) 149/1 94 42 73 22 v 12 ® REBA McENTIRE/What Am I Gonna Do About You (MCA) 155/2 67 83 5 19 16 13 ® RICKY SKAGGS/Lovè s Gonna Get You Someday (Epic) 153/0 71 73 9

24 20 ld ® DON WILLIAMS/Then It's Love (Capitol) 157/7 56 93 8 20 le 15 ® WAYLON JENNINGS/What You'll Do When I'm Gone (MCA) 150/1 56 83 11 30 26 le ® CONWAY TWITTY/Falliñ Fa You For Years (WB) 154/6 31 104 19 23 21 n ® SAWYER BROWN /Out Goin' Catlin (Capital /Curb) 129/0 56 58 75 25 n r9 ® GEORGE JONES/Wine Colored Roses (Epic) 126/0 56 55 15 22 24 20 ® MEL MCDANIELStand On It (Capitol) 136/2 35 79 22 40 31 25 DAN SEALS/You Still Move Me (EMI America) 150/4 11 107 32 29 25 22 a PAKE MCENTIRE/Bad Love (RCA) 146/4 18 94 34

36 29 23 ® T.G. SHEPPARD/Half Past Forever (Columbia) 147/4 16 100 31 31 27 24 ® JUDY RODMAN /She Thinks That She'll Marry (MTM) 137/4 16 89 32 46 39 32 ® LIONEL RICHIE á ALABAMA/Deep River Woman (Motown) 123/20 26 68 29

t 3 r 24 MARIE OSMOND á PAUL DAVIS/You're Still New To Me (Capitol /Curb) 178/0 79 28 11 33 30 27 ® KATHY MATTEAJWalk The Way The Wind Blows (Mercury/PG) 127/5 21 73 26 39 34 n O'KANES /Oh Darlin (Columbia) 131/9 14 82 35 26 n 21 27 BILLY JOE ROYAL/I Miss You Already (Atlantic America) 111/0 38 57 16

4e ev 3s ® GARY MORRIS/Leave Me Lonely (WB) 135/9 5 79 57 43 se 33 a JOHN CONLEE/The Carpenter (Columbia) 127/10 10 76 41 42 37 34 a MERLE HAGGARD /Out Among The Stars (Epic) 720/6 7 82 31 - 41 36 ® EDDIE RABBITT /Gana Have You (RCA) 122/8 3 61 58 - 42 37 ® LYLE LOVETT /Cowboy Man ( MCA/Curb) 715/12 6 61 48 lz ro 15 33 BARBARA MANDRELL/No One Mends A Broken Heart... (MCA) 78/1 21 42 15 -- as 39 © GIRLS NEXT DOOR/Baby I Want It (MTM) 109/10 1 65 43

BREAKER ® TANYA TUCKER /I'll Come Back As Another... (Capitol)

BREAKER Cs STEVE EARLE /Someday (MCA) 104/18 97/8

2 3

45 48

57 46 BREAKER ® MITT! GRITTY DIRT BAND/Fire In The Sky (WB) 106/33 2 33 77

BREAKER © KEITH WHITLEY /Homecoming '63 (RCA) 99/24 0 39 60 4 9 26 39 RESTLESS HEART/That Rock Won't Roll (RCA) 65/2 15 29 27

I DEBUT D RONNIE MILSAP/How Do I Turn You On (RCA) 85/68 7 21 63 I DEBUT 10 EDDY RAVEN/Right Hand Man (RCA) 89/41 2 23 64 - so 4s ® WILD CHOIR/Heart To Heart (RCA) 89/12 0 45 44

DEBUT 10 CD CRYSTAL GAYLE/Straight To The Heart (WB) 88/64 1 73 74 DEBUT jk 0 JANIE FRICKIE/When A Woman Cries (Columbia) 78/25 0 30 48 - - ae DWIGHT YOAKAMAt Won't Hun (Reprise/WB) 72/22 1 29 42 - - tau ADAM BAKER/Weren't You Listening ( Avista) 68/8 2 23 43

6 e 26 47 STEVE WARINERStarting Over Again (MCA) 57/7 15 29 13 9 9 30 48 RANDY TRAVIS/Diggin' Up Bone (WB) 51/0 9 23 19

I DEBUT ) Q WHITES/It Should Have Been Easy (MCA/Curb) 59/73 0 21 38 ro ti 31 50 JUICE NEWTON /Cheap Love (RCA) 36/0 8 18 10

BREAKERS. NITTY GRITTY DIRT BAND

Fire In The Sky (WB) On 87% of reporting stations. Rotations: Heavy 2, Medium 33, Light 71, Total Adds 33 Including WTSV, WTCR, WAJR, WXTU, CHOW, KEAN, WGTO, WESC, WSIX, KYXX, WSLR, KJJY, KWMT, KTTS, K102, KRKT, KIK -FM, KNEW, KSON, KRPM. Moves 43 -37 on the Country chart.

TANYA TUCKER I'll Come Back As Another Woman (Capitol)

On 66% of reporting stations. Rotations: Heavy 2, Medium 45, Light 57, Total Adds 18, WYRK, WTCR, CHOW, WWVA, KKRV, WKHX, KLLL, KJNE, WSLR, WUBE, WFMS, KXXY, KIK -FM, KUUY, KYGO, KFRE, KSOP, KIIM. Moves 41-35 on the Country chart.

MOST ADDED

RONNIE MILSAP (68) CRYSTAL GAYLE (64)

EDDY RAVEN (41) NITTY GRITTY DIRT BAND 133)

JANIE FRICKIE (25) KEITH WHITLEY (24)

LEE GREENWOOD (23) DWIGHT YOAKAM (22)

LIONEL RICHIE á ALABAMA (20)

HOTTEST

GEORGE STRAIT (82) ALABAMA (73)

BELLAMY BROS. w /FORESTER... (72) GATLIN BROTHERS (57)

HANK WILLIAMS JR. (49) T. GRAHAM BROWN (44)

JOHN SCHNEIDER (39) HOLLY DUNN (38)

JUDOS (31) MICHAEL JOHNSON (25)

MOST ADDED HOTTEST fist those songs achieving the most adds nationally. and the songs reported 'Mown' comgled tram all our ropglps. The number in parentheses immediately lollgwng the songs in Most Added a Hottest Indicate the total number or Country reponer, adding the song Mis week or noting that the song is among their Me InIktst.

Breakers are those records that have achieved concurrent airplay at 60% of our reporting stations. New a Active records are those receiving airplay at 30-59% of the stations. Records M Significant Action are receiving airplay at 5-29% of the stations. Records do not have to reach Breaker in order to chart. However, once a record charts, it must reach the 60% airplay level within the two following weeks to achieve Breaker status.

KEITH WHITLEY Homecoming '63 (RCA)

On 83% of reporting stations. Rotations: Heavy 0, Medium 39, Light 60, Total Adds 24 Including WVAM, WRK2, WTCR, CHOW, WXBO, KPLX, WESC, WSIX, KYXX, WWKA, WONE, KJJY, KSO, WFMS, WTSO, WBCS, KKCS, KUGN, KRAK, KGA. Moves 44 -38 on the Country chart.

STEVE EARLS Someday (MCA)

On 61% of reporting elation.. Rotations: Heavy 3, Medium 46, Light 46, Total Adds 8, WYRK, WOKO, CHOW, WKHX, WVMI, WITL, KOHL, KYGO. Moves 4038 on the Country chart.

BREAKER BREAKER BREAKER TANYA TUCKER "I'll Come Back As Another Woman'' From The Album Girls Like Me R&R ® BB



COUNTRY NEW & ACTIVE

r

EDDY RAVEN "Right Hand Man" (RCA) 89/41 Rotations Heavy 2. Medium 23, Light 64, Total Adds 41 including WCAO, WTSV, WAJR, WDSY, WCVR, WWVA, WYNK,

KHEY, WKSJ, WSIX, WUSO. WUBE. WMNI, WKCO, KWEN, KFRE, KRAK; KIIM. Debuts at number 41 on the Country chart.

WILD CHOIR "Heart To Heart" (RCA) 89/12 Rotations. Heavy O. Medium 45, Light 44, Total Adds 12. NOSY, WXBO, WESC. KSSN, WOOR, KBMR, WUBE, WMNI,

WBCS, WOW, KIK -FM, KIIM. Medium: WUSY, WKSJ, KRKT, KUGN, KCCY, KOLO. KSOP, KMPS. Moves 50-45-42 on the

Country chart.

CRYSTAL GAYLE "Straight To The Heart" (WB) 8884 Rotations Heavy t, Medium 13, Light 74, Total Adds 64 including WOKO, WTCR, WWVA, KASE, KYKR, WEZL, WAMZ,

WCMS, WODR, KJNE, WONE, KFKF, WDAF, WOW. K102, KRST, KLZ, KOLO, KSAN, KGA. Debuts at number 43 on the

Country chart

MILSAP "How Do I Turn You On" (RCA) 8588 Rotations. Heavy 1. Medium 21, Light 63. Total Adds 68 Including WBOS. WHN, WXTU, WNYR, WWVA, KEAN, WKHX, KASE, KPLX. WGKX. WTOR, WIL, K102, WTCM, KVOO, KOHL, KLZ. KUPL, KCCY, KTOM, KSAN, KIIM. Debuts at number

40 on the Country chart

FRICKIE "When A Woman Cries" (Columbia) 7825 Rotations: Heavy 0. Medium 30. Light 48, Total Adds 25 including WOBE, WRKZ, WTCR, WAJR, WXKX, KHEY, KIKK, KYKX,

WUBE. KSO, WKKQ, WFMS. KTPK, KUUY, KLZ, KFMS, KMPS, KIIM. Debuts at number 44 on the Country chart.

DWIGHT YOAKAM "It Won't Hurt" (Reprise/WB) 7222 Rotations: Heavy 1, Medium 29. Light 42, Total Adds 22. WAJR, WIXL, WWVA, KRRV, WEZL, KSSN, WLWI, WCMS, WMNI,

KSO. WKKQ, WAXX. WTHI, KTPK, KFDI. KRKT. KVOC, KYGO, KFRE, KSOP, KMPS, KRPM. Moves 48-45 on the Country

chart

ADAM BAKER "Weren't You Listening" (Arista) 58/8 Rotations: Heavy 2, Medium 23, Light 43, Total Adds 8, WUSY, KIKK, WOW. KGHL, KFRE. KFMS, KTOM, KSOP. Heavy:

WXKX. WCVR. Medium: WCAO. KEAN, KASE, KSSN, WLWI, KXXY, KITS, KOLO. Moves 49-46 on the Country chart.

WHITES "It Should Have Been Easy" (MCA/Curb) 59/13 Rotations. Heavy 0, Medium 21, Light 38. Total Adds 13, WGNA, WAJR, WWVA, KEAN. KASE, WESC, WLWI, WQYK, WTOR,

WSLR, WXCL, KRWO. KGA Medium WELL.. WBCS. KITS, KFDI. KOIL, KTOM, KSOP. Debuts at number 49 on the Country

chart

DONNA FARGO "Me á You" (Mercury/PolyGram) 52/11 Rotations: Heavy 0, Metlwm 17. Light 35, Total Adds 11, WNYR, WWVA, KEAN, WGTO, WONE, KWMT, WGEE, WXCL,

KFMS, KOLO, KRAK. Medium WTSV, KYKX. WLWI, KBMR, WKCQ, KANT. KEIN.

JOHNNY PAYCHECK "Don't Bury Me Till I'm..." ( Mercury/PolyGram) 49/8 Rotations. Heavy O. Medium 17, Light 32, Total Adds 8, WYOU. WIXL, WYNK. KYKR, WEZL. WWKA, WKKQ, WKCO. Medium. KRRV, WUSY, WTVY, KKYX. WOW, KITS. WTCM, KRKT, KOLO. KIGO i SIGNIFICANT ACTION

MOE BANDY "One Man Band" (MCA /Curb) 46/14 Rotations Heavy 1, Medium 13, Light 32, Total Adds 14. WGNA. WIXL, KRRV, WUSY, WMNI, KSO, WKKQ, WAXX, WYNG, KWMT, KXXY, KTPK. KALF, KIGO Heavy KFDI

LARRY BOONE "She's The Trip I've Been On" (Mercury/PolyGram) 398 Rotations Heavy 2, Medium 16. Light 21, Total Adds 0 Heavy WCVR. KIKK. Medium. KRRV, KYKX, KKYX, KWMT, WOW,

KITS. WTCM. KFDI, KRKT, KTOM, KSOP.

KEITH STEGALL "Ole Rock & Roller ..." (Columbia) 36/14 Rotations. Heavy 0, Medium 5, Light 31, Total Adds 14, WYOU, WIXY, WEZL, WUSY, KYKX, WLWI, WPAP, KSO, WKKQ, KFGO. KWMT, KITS, KFDI, KUUY.

RODNEY CROWELL "When I'm Free Again" (Columbia) 34/15 Rotations. Heavy 1, Medium 5. Light 28, Total Adds 15. WYOU, WWVA, KRRV, KASE, WLWI, WSM, KRMD, WAXX, KFGO.

WOW. WKCQ. KVOO, KCCY. KALF, KMPS. Heavy. WAMZ.

BUTCH BAKER "Your Loving Side" ( Mercury/PolyGram) 31/10 Rotations. Heavy 0, Medium 5, Ught 26, Total Adds 10, WYOU, WOBE. WUSY. WTVY, WOKK, KJNE, KFGO. WOW, KVOO,

KFDI. Medium. WCVR, KRRV, KIKK, KITS, KTOM.

ALMOST BROTHERS "1 Don't Love Her Anymore" (MTM) 28/14 Rotations: Heavy 0. Medium 3. Light 25. Total Adds 14. WIXY, KRRV, WTVY, WLWI, WKKQ, WOW. WXCL, KUUY, KQIL,

KEIN. KALF, KOLO. KTOM, KSOP. Medium: WTCM, KRKT, KILO.

ORLEANS "You're Mine" (MCA) 28/8 Rotations Heavy 1, Medium 4, Light 21, Total Adds 8. WYOU, WOKE, WOKO, WPOR, WCVR. WWVA, KJNE, KFDI. Heavy:

KRKT Medium WGNA, WKSJ, KVOC, KCCY.

LEE GREENWOOD "Momin' Ride" (MCA) 2423 Rotations Heavy 0, Medium 5, Light 19, Total Adds 23, WTSV, WXTU, WNYR, WWVA, WYII, WVMI, WUSY, WGTO, WTVY,

KKIX. KIKK, WDXE. WKSJ, KBMR, WRAF. WBCS, KXXY, WTCM, KUZZ, KQIL, KEIN, KTOM, KCBQ. UgM: WCAO.

DOBIE GRAY "From Where I Stand" (Capitol) 24/10 Rotations. Heavy 0, Medium 4, Light 20. Total Adds 10, WXKX, WIXY, KEAN, WTVY, KSSN, KFGO, WXCL, KITS, KFDI, KOIL.

Medium WOYK, WTCM, KSOP.

A.J. MASTERS "1 Don't Mean Maybe" (Bermuda Dunes) 24/1 Rotations. Heavy 0, Medium 1, Light 23. Total Adds 1. KOLO. Medium: WTCM. Light: WVAM, WIXY, WWVA, WGTO, WTVY, WLWI, KKYX, WAXX, KFGO, WOW, KITS. KVOO, KFDI, KOIL. KALF.

LEON EVERETTE "Still In The Picture" (Orlando) 23/3 Rotations. Heavy 0, Medium 8, Light 15, Total Adds 3, KEAN. KSO, WAXX. Medium: KRRV, WTVY, WOKK, KKYX, WOW,

KTTS, KAKI, KIGO. Light WCAO. WLWI. KJNE. KVOO.

SWEETHEARTS OF THE RODEO "Midnight Girl/Sunset Town" (Columbia) 21/18 Rotations Heavy O. Medium O. Light 21, Total Adds 18, WYRK, WOKO. WNYR, WYII, WEZL, WGTO, WOKK, WCMS. KRMD,

WXCL, WWJO. KVOO. KRKT, KKCS, KUGN. KOIL, KCCY, KTOM.

MARTY STUART "Do You Really Want My Lovin "' (Columbia) 20/11 Rotations Heavy 0, Medium 3, Ught 17, Total Adds 11. WBOS, WIXY. WEZL. WTVY, WLWI, KKYX, KJNE, KITS, KVOO,

KFRE, KOLO Medium KLLL. WCMS

JIM COLLINS "Romance" (TKM) 19/3 Rotations Heavy 0, Medium 5. Light 14, Total Adds 3, KVOC, KFMS, KTOM. Medium. WTVY, KIKK, KKYX, KFDI, KSOP.

Light WCMS, KJNE. WOW. KITS, KQIL.

PATTY LOVELESS "Wicked Ways" (MCA) 16/14 Rotations Heavy 0, Medium 1, Light 15, Total Adds 14. WIRY, KRRV. WTVY, WOKK, WCMS, WPAP. KKYX, WAXX, KITS,

KVOO. KRKT, KRST, KFRE, KOLO. Light. WTCM, KQIL.

CANNONS "Do You Mind N I Step Into...." ( Mercury/PolyGram) 16/4 Rotations: Heavy 1. Medium 2, Light 13, Total Adds 4, KRRV, WLWI, WSLR, KQIL. Heavy: KIKK. Medium: KFDI, KIGO. Light:

WYII, KKYX, KFGO, KWMT, KITS. KVOO.

TIM MALCHAK w/DWIGHT RUCKER "Easy Does It" (Alpine) 162 Rotations Heavy 0, Medium 1. Light 15. Total Adds 2, WCAO, WYOU Medium KRKT. Light: WIXY, KRRV, WTVY, KYKX,

WLWI, KKYX. WXCL, KVOO, KALF. KIGO

CHARLY MC CLAIN & WAYNE MASSEY "When Love Is Right" (Epic) 13/7 Rotations Heavy 0, Medium 3. Light 10, Total Adds 7, WCVR. WGTO, KKYX, KTTS, KRKT, KTOM, KIGO. Light: WIXY, WVMI,

WAXX, KXXY, KVOO. KQIL.

JERRY NAYLOR "For Old Time Sake" (West) 13/1 Rotations: Heavy 0, Medium 2. Light 11, Total Adds 1, KKYX. Medium: KRKT, KSOP. Light: WOKK, KITS, KIK -FM, KKAL,

KUUY, KRWO.

EARL THOMAS CONLEY "I Can't Win For Lain' You" (RCA) 10/10 Rotations Heavy O. Medium 2. Light 8. Total Adds 10, KKIX. WIVK. WBCS. KXXY, KRKT, KUGN, KNIX, KCKC, KCBO, KRPM.

TOM T. HALL "Down At The Mall" (Mercury/Polygram) 10/9 Rotations. Heavy 0, Medium 0, Light 10. Total Adds 9, WYII, KRRV, KYKX, KTTS, KTPK, WTCM, KRKT, KOIL. KIGO. Light:

WCVR

JILL HOLLIER "Sweet Time" (WB) 10/2 Rotations Heavy 0, Medium 2, Light 8. Total Adds 2, KLZ, KSOP. Medium: WCVR, KRKT. Light: KKYX, KJNE, KFGO. KTPK,

KVOO, KOIL.

RAY CHARLES "Dixie Moon" (Columbia) 108 Rotations. Heavy 0, Medium 3, Light 7, Total Adds O. Medium: WPAP, KTOM, KILO. Light: WVAM, WYOU, KKIX, KCJB,

WWJO, KRWO, KALF

RAY STEVENS "Southern Air" (MCA) 98 Rotations. Heavy 1, Medium 3, Light 5, Total Adds O. Heavy: WTVY. Medium: WWVA, WEZL, WPAP. Light. WVAM, WTCR,

WLWI. WWKA, WUSO

KENDALLS "Little Doll" (MCA/Curb) 88 Rotations Heavy 0, Medium 0, Light 8. Total Adds 8, WCVR, WNYR, WYII, KYKR, WTCM, KQIL, KALE, KTOM.

BETH WILLIAMS "These Eyes" (BGM) 8/3 Rotations Heavy 0, Medium 0, Light 8, Total Adds 3, KRRV, WGTO, WTCM. Light: WOKK, KKYX, KJNE, KRKT, KIGO._

i ALBUM TRACKS r

ARTIST/Song Title (Label)

LIONEL RICHIE & ALABAMA!Deep River Woman ALABAMA /Let's Hear It For The Girl (RCA)

REBA McENTIRE/Why Not Tonight (MCA)

MEL McDANIEL/Just Can't Sit Down Music (Capitol)

GARY MORRIS /I'm So Lonesome I Could Cry (WB)

HANK WILLIAMS JR. /Montana Cafe (WB /Curb)

GEORGE STRAIT /Rhythm Of The Road (MCA)

RANDY TRAVIS /My Heart Cracked (WB)

RANDY TRAVIS /Messin' With My Mind (WB)

SAWYER BROWN/The House Won't Rock (Capitol)

RANDY TRAVIS /No Place Like Home (WB)

REBA McENTIRE/Take Me Back (MCA)

FORESTER SISTERS /Drawn To The Fire (WB)

GATLIN BROTHERS /Changin' Partners (Columbia)

KATHY MATTEA /Back Up Grinning Again (Mercury/PG)

Album Title

(Motown) Dancing On...

The Touch

What Am I Going To Do...

Just Can't Sit Down

Plain Brown Wrapper

Montana Cale

#7 Storms Of Lite

Storms Of Lite

Out Goin' Cattin'

Storms Of Life

What Am I Gonna Do...

Perfume, Ribbons, & Pearls

Partners

Walk The Way The Wind

The Legend Continues . .

"Fire In The Sky7.2 5

BREAKERS R&R® BB

From The Album "Twenty Years Of Dirt' . 0- 2s382)

The New Tradition Nim' GRITtY

DIwrBìND


COUNTRY ADDS & HOTS -

MOST AWED EAST HOTTEST MOST AWED SOUTH HOTTEST HOST A..... MIDVVEST HOTTEST

Eddy Raven (RCA) Bellamy Brothers .. (MCA Corh) Ronnie neap (RCA) George Strait (MCA) Crystal Gayle (WE) Alabama (RCA)

Crystal Gayle (WE) George Shall (MCA) Crystal Gayle (WB) t Graham Brown (Capitol) Ronnie Milsap (AGA) George Strait (MCA)

Ronnie Wise! (RCA)

MOST ADOED WEST HOTTEST

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158 Reporters 152 Current Reports

The following stations reported no change in their rotations

this week: KWJJ/Portland WYAY/Atlanta

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WKLO/Danyille WPTR/Albany

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BREAKERS® I

90/ R&R FRIDAY, NOVEMBER 14, 1986 .


FULL -SERVICE AG L TOP 20 r

NOVEMBER 14, 1986 MOST ADDED

three two With Weeks Week

4 2 1 0 LIONEL RICHIE /Love Will Conquer All (Motown) 1 1 2 2 PETER CETERA with AMY GRANT/Next Time I Fall (Full Moon /WB)

12 5 4 0 BRUCE HORNSBY & THE RANGE/The Way It Is (RCA)

9 7 6 0 KENNY ROGERS/They Dont Make Them Like They Used To (RCA)

2 3 3 5 T0T0 /l'll Be Over You (Columbia)

17 11 8 0 HUMAN LEAGUE/Human (Virgin/A&M)

13 10 7 MADONNA/True Blue (Sire/WB)

17 10 BILLY OCEAN /Love Is Forever (Jive /Arista)

3 I 5 9 CARLY SIMON /Coming Around Again (Arista)

14 12 9 10 BEACH BOYS /California Dreamin' (Capitol)

20 MIAMI SOUND MACHINE/Falling In Love (Uh -Oh) (Epic)

20 16 13 e CHRIS DeBURGH/The Lady In Red (A&M)

20 19 ® RIC OCASEK /Emotion In Motion (Geffen)

6 6 11 14 GLADYS KNIGHT & BILL MEDLEY/Loving On Borrowed Time (Scotti Bros/CBS)

19 16 ® CHRISTOPHER CROSS/Loving Strangers (Arista)

s 6 12 16 ANITA BAKER/Sweet Love (Elektra)

BREAKER e SERGIO MENDES BRASIL '86/Take This Love (A&M)

7 9 14 18 CYNDI LAUPER/True Colors (Portrait/CBS)

Total Reports/Adds

46/0 44/0 42/3 38/2 40/0 37/3 35/1 39/5 33/0 25/0 33/7 27/1 27/5 23/0 23/2 22/0 25/3 19/0 22/8 19/0

Heavy

42 37 32 32 21 26 26 19 20 14

6 9 8 6 5 5 4 5 3 2

Medium

4 5

10

5 15 11

8 17 9

11

21 16 15

14 16

13

15

8 11

11

Light

0 2 0 1

4 0 1

3 4 0 6 2 4 3 2 4 6 6 8 6

BILLY JOEL (11) LINDA RONSTADT d JAMES INGRAM (8)

ANITA BAKER (7) CHICAGO (7)

MIAMI SOUND MACHINE (7) TINA TURNER (7)

HOTTEST

LIONEL RICHIE (36) PETER CETERA w AMY GRANT (27)

BRUCE HORNSBY & THE RANGE (24) HUMAN LEAGUE (19)

MADONNA (19) KENNY ROGERS (18)

( DEBUT k LINDA RONSTADT & JAMES INGRAM/Somewhere Out There (MCA)

DEBUT e BEN E. KING/Stand By Me (Atlantic)

SERGIO MENDES BRASIL '86 Take This Love (A &M)

54% of our reporters on it. Rotations: Heavy 4, Medium 15, Light 6, Total Adds 3, KOY, KJR, KBOI. Debuts at number 17 on the Full - Service chart.

NEW & ACTIVE

BILLY JOEL "This Is The Time" (Columbia) 22/11 Rotations: Heavy 0, Medium 10/3, Light 12/8, Total Adds 11, WDBO, WTMJ, WCHS, WELL WGY, WJDX, WROK, WWNR, WTKO, WJBC, WCIL Medium including WFBR, WICC, KBOI, KUGN, KSL, WPOE, KTWO.

LINDA RONSTADT & JAMES INGRAM "Somewhere Out There" (MCA) 221 Rotations. Heavy 3/0, Medium 11/1, Light 8/7. Total Adds 8. KJR, WCHS, WTIC, WGOW, WROK, KBOI, WMTR, KFOD. Heavy WELT, WHEY, KSL Medium including WFBR. WGY, WJDX, KUGN, WPOE, WJBC, KTWO, KVEC.

AMY GRANT "Stay For A While" (A&M) 201 Rotations Heavy 0. Medium 13/2. Light 7/4, Total Adds 6. WCHS, WJDX, WHBC, WWNR, WMTR, WASK. Medium including WFBR, KFMB, WBT, WHBY, WSPD, KUGN, KSL, WGBR, WJBC, KTWO, KVEC. Ught including WCCO, WIBA, WTKO.

BEN E. KING "Stand By Me" (Atlantic) 191 Rotations: Heavy 2/0, Medium 11/0, Ught 6/0, Total Adds 0. Heavy: WPRO, KNOW. Medium: WFBR, WTAE, WCCO, KOY. WCHS, WGY, WGOW, WROK, WSPD, WPOE, WSTU. Light: WHBC, WWNR, WTKO, WMTR, WGBR, KFOD.

AIR SUPPLY "One More Chance" (Arista) 181 Rotations Heavy 1 /0. Medium 11/0. Light 4/0, Total Adds 0 Heavy WEU. Medium: WFBR, WISN, WJDX, WHBC, WIBA, WSPD, KUGN, WPOE, WGBR. KFOD. KTWO. Light WCHS, WROK, WWNR, WMTR.

GREGORY ABBOTT "Shake You Down" (Columbia) 15/1 Rotations Heavy 0, Medium 9/0, Ught 6/1. Total Adds 1. KUGN. Medium. WHBY, KBOI, WWNR, WPOE, WTKO. WMTR, WSTU, WCIL, KTWO. Ught including WCCO, WCHS. WROK, WGBR, WJBC

RITA COOUDGE & RUPERT HOLMES "Touch And Go" (Polydor/PolyGram) 14/1 Rotations: Heavy 1/0, Medium 11/1, Ught 2/0, Total Adds 1, WSPD. Heavy: WIBC. Medium including WFBR, WTMJ, WHBY, KUGN, WPOE, WGBR, WJBC, WASK, KTWO, KVEC. Light: KFMB, WCHS.

CHICAGO "Will You Still Love Me?" (WB) 12/7 Rotations Heavy 0, Medium 4/2, Light 8/5, Total Adds 7, WFBR, WGY, WIBA, WTRO, WSTU, WJBC. KFOD. Medium including WPOE, KTWO Light including WCCO, WICC. WMTR.

BENJAMIN ORR "Stay The Night" (Eiektra) 12/3 Rotations Heavy 3/0, Medium 7/1, Light 2/2. Total Adds 3, KJR. WGOW, KTWO. Heavy: WELL WGY, KUGN. Medium including KOY. WSPD. WWNR, WPOE. WMTR, WSTU.

MICHAEL McDONALD "Our Love" (WB) 122 Rotations Heavy 0, Medium 7 :1. Light 5.1, Total Adds 2, WCHS, KSL. Medium including WCCO, KFMB, KUGN, WPOE. WJBC, KTWO. Light including WIBA, WWNR, WTKO, WGBR.

ALABAMA 'Tough Me When We're Dancing" (RCA) 121 Rotations: Heavy 1/0. Medium 11/0, Light 0, Total Adds 0. Heavy WGBR. Medium: 55KRC, WTMJ, WCCO, WHAS, WHBY, WSPD, WTKO, WJBC, WCIL, KFOD, KVEC.

WILLIAM LEE GOLDEN "You Can't Take H With You" (MCA) 121 Rotations Heavy 0, Medium 7/0. Ught 5/0, Total Adds 0 Medium WISN, WCCO. WHBY, KSL, WPOE, WGBR, KVEC. Ught: WCHS, WIBA, WTKO. WMTR, WJBC

OMD "(Forever) Live And Die" (Ylrgin /ABM) 10/3 Rotations. Heavy 1/0, Medium 4/0, Ught 5/3, Total Adds 3. WICC, WGOW, WGBR. Heavy: KTWO. Medium: KUGN, WWNR, WMTR, KVEC. Light including WHBY, WTKO.

GLORIA LORING "Don't Let Me Change The Way You Are" (Atlantic) 10/0 Rotations: Heavy 0. Medium 4/0, Light 6/0. Total Adds 0. Medium. WHEY, WSPD, WPOE, WASK. Light WCCO, KUGN, WTKO, WGBR, WJBC, KTWO.

HUEY LEWIS 8 THE NEWS "Hip To Be Square" (Chrysalis) 9/1 Rotations. Heavy i/0, Medium 5/0. Light 3/1, Total Adds 1, KFOD. Heavy. WICC. Medium: WHAS, KUGN, WSTU, WJBC, KTWO Light including WGOW, WWNR.

BOSTON "Amanda" (MCA) 9/1 Rotations Heavy 3'0. Medium 5,1. Light 1/0, Total Adds 1. WHAS. Heavy: WICC. WMTR, WSTU. Medium including KFMB, WWNR, WPOE. KTWO Light. WTKO

ANITA BAKER "Caught Up in The Rapture" (Elektra) 8/7 Rotations: Heavy 0, Medium 4/3, Ught 4/4, Total Adds 7, KOY, WELL KUGN, WWNR, WPOE, KTWO. KVEC. Medium including WSTU.


TINA TURNER "Two People" (Capitol) 7/7 Rotations Heavy 0, Medium 212, Light 5/5, Total Adds 7, WICC, KUGN, KSL, WPOE, WMTR, WCIL, KTWO. PAUL SIMON "Grecelend" (WB) 7/3 Rotations Heavy 0, Medium 2!0. Light 5/3, Total Adds 3, WHBC, WJBC. KTWO. Medium: WSPD, KUGN. Light including WCCO. WTKO.

PRETENDERS "Don't Get Me Wrong" (Slre/WB) 72 Rotations Heavy 1/0. Medium 3/1, Light 3:1, Total Adds 2. WHBC, WSPD Heavy. KTWO. Medium including WMTR. KVEC. Light including WWNR. WTKO

DARYL HALL "Foolish Pride" (RCA) 7/1 Rotations: Heavy 0, Medium 4/0, Light 3.1. Total Adds 1, KBOI. Medium: WELL WWNR, WMTR, WSTU. Ught including WICC, WTKO.

GLASS TIGER "Someday" (Manhattan) 71 Rotations Heavy 0. Medium 2/0, Light 5,0, Total Adds 0. Medium: WFBR, KUGN. Light: WCCO, WHBC, WTKO, WGBR, WSTU

PHYLLIS HYMAN "Old Friend" (PIR/Manhattan) 8/1 Rotations Heavy 0, Medium 0, Light 6,/1, Total Adds 1. WTKO Light including WCCO. WHBY, WHBC, WPOE, WGBR.

BOB SEGER 8 THE SILVER BULLET BAND "Miami" (Capitol) 52 Rotations Heavy 0, Medium 3/1, Light 2:1, Total Adds 2, WSPD, WSTU Medium including WPOE, KTWO. Ught including KUGN

MATT BIANCO "More Than 1 Can Bear" (Atlantic) 5/1 Rotations. Heavy O. Medium 2/0. Light 3:1. Total Adds i. WGBR. Medium: WTKO, KVEC. Ught including WCCO, WHBY.

VANGELIS "Hymne" (Polydor/PolyGram) 51 Rotations Heavy 0, Medium 3 /0, Light 2,0. Total Adds O. Medium: WFBR, KSL, WGBR. Ught: WJBC, KVEC.

POINTER SISTERS " Goldmine" (RCA) 4/2 Rotations Heavy 0, Medium 1:0, Light 3/2, Total Adds 2, WTKO, WSTU. Medium: WICC. Ught including WPOE.

AL JARREAU "Tell Me What I Gotta Do" (WO) 4/1 Rotations Heavy O. Medium 3/1, Light 1/0, Total Adds 1. WSPD. Medium including WCCO. KSL Light: WJBC. HOWARD HEWETT "I'm For Real" (Eiektra) 41 Rotations Heavy 0, Medium 4/0, Light 0, Total Adds 0 Medium: WGY, KUGN, WWNR, KTWO.

JEFFREY OSBORNE "In Your Eyes" (A&M) 3/3 Rotations Heavy 0, Medium 1/1, Ught 2/2, Total Adds 3, KSL, WPOE, WGBR

ORAN "JUICE" JONES "The Rain" (Del Jam/Columbla) 3/1 Rotations Heavy O. Medium 1/0. Light 2/1, Total Adds 1, WSTU Medium WCIL Light including WWNR

LIONEL RICHIE "Deep River Woman" (Motown) 3/1 Rotations. Heavy O. Medium 2/1, Light 1 /0, Total Adds 1. KVEC Medium including KSL. Light WROK

Keep Yourself Informed The Industry's H N ON

Weekly Newspaper Fogi Call 213 -553 -4330

For Subscription Information

adio & Records

RáR FRIDAY, NOVEMBER 14, 19861 -91


ADULT CONTEMPORARY BREAKERS

BILLY JOEL

This Is The Time (Columbia) 69% of our reporters on it. Rotations: Heavy 0, Medium 37, Light 32,

Total Adds 35, WSB -FM, KVIL, WOMC, WMYX, KS94, KMJI, KIFM,

KEZR, WKGW. Debuts at number 21 on the AC chart.

ANITA BAKER

Caught Up In The Rapture (Elektra) 63% of our reporters on it. Rotations: Heavy 2, Medium 35, Light 26,

Total Adds 20 Including WPIX, WSNI, WSB -FM, WOMC, WMYX, KS94,

KIFM. Debuts at number 23 on the AC chart.

AMY GRANT Stay For A While (A &M)

56% of our reporters on it. Rotations: Heavy 0, Medium 30, Light 26,

Total Adds 10, WARM98, B100, WKYE, WEZC, WTFM, WIZD, KVUU,

KWAV, WTNY, WEIZ. Debuts at number 30 on the AC chart.

BEN E. KING

Stand By Me (Atlantic) 54% of our reporters on it. Rotations: Heavy 9, Medium 32, Light 13,

Total Adds 9, WMJI, WNIC, WAEB, U102, KELT, KDUK, WCKO, WFFX,

KALE. Moves 30 -22 on the AC chart.

AIR SUPPLY

One More Chance (Arista) 50% of our reporters on it. Rotations: Heavy 0, Medium 27, Light 23,

Total Adds 5, WARM98, WLHT, WFMK, WHNN, 3WM.

NEW & ACTIVE WHAMI "Where Old Your Heart Got" (Columbia) 482 Rotations. Heavy 5/0, Medium 33/0, Light 10/2, Total Adds 2. WIVY, WHNN. Heavy: KEY103, WGLL, WOHO, WCHV, KALE.

Medium including KVIL, WITS. KOST, K101, WAEB, WKYE, WLACFM, KIOA, K099. KKUA, KWFM, WKNE, WSKY.

CHICAGO "WIS You Still Love Mel" (WB) 47/22 Potation. Heavy I/O, Medium 25/8, Light 21/14, Total Adds 22 including WSNY, WMYX, KMJI, KKLT, KIFM, WKGW, WTFM, WIZD, 9099, WTRX, WMGN, KMZO. Heavy: WSKY. Medium including KOST, WKYE, U102, WEIM. WOHO, WTNY, WWPA.

POINTER SISTERS "Ooldmine" (RCA) 44 /15 Rotations. Heavy 0, Medium 21/6, Light 23/9, Total Adds 15 including KHYL, WKYE, WIZD, WMGN, WGLL. WTNY, WCKO,

WGSV. WOOS. KOSW. KMGO. Medium Including KYKY, U102, WSFL, KIOA, WSKI, WWPA, WOW, WBGM, KTYL.

HUEY LEWIS 8 THE NEWS "Hip To Be Siouan" (Chrysalis) 39/2 Rotations. Heavy 1311, Medium 21/1, Light 5/0, Total Adds 2, WFFX, NOUS. Heavy including 2WD, 8100. WKYE. WY. WRKA. WIZD. WAVE. WGLL, WSKI, WWPA. WCKO. KALB. Medium including WSNI. WHTX, KVIL, WLLT, WMJI. K101.

ROTATION BREAKOUTS

O BRUCE HORNSBY & THE RANGE 2 LIONEL RICHIE

3 HUMAN LEAGUE

0 MADONNA

o BILLY OCEAN

6 PETER CETERA with AMY GRANT

o RIC OCASEK

O BENJAMIN ORR

O MIAMI SOUND MACHINE

m KENNY ROGERS

11 TOTO

® BOSTON

® GREGORY ABBOTT

DARYL HALL

O SERGIO MENDES BRASIL '86

16 BEACH BOYS

17 CARLY SIMON

18 CHRIS DeBURGH

UNDA RONSTADT & JAMES INGRAM

C' HOWARD HEWER

BILLY JOEL

BEN E. KING

C ANITA BAKER

C OMO

25 GENESIS

26 CYNDI LAUPER

S HUEY LEWIS & THE NEWS

C WHAM!

29 JANET JACKSON

C AMY GRANT

Total Reydm1/Adds

99/0 99/0 980 96/1 99/2 89/0 92/2 93/4 92/8 80/1 67/0 73/5 79/8 78/5 77/5 66/1 60/0 67/0 689 65/2 69/35 54/9 63/20 59/8 39/0 41/0 39/2 48/2 38/0 56/10

Heavy Medium Light

96 2 1

93 6 0 91 5 2 72 20 4 70 26 3 66 16 7 67 29 2 49 38 6 29 54 9 53 18 9 30 30 7 35 33 5 13 50 16 17 52 9 17 52 8 22 35 9 14 35 11

30 33 4 12 40 16 15 36 14 0 37 32 9 32 13 2 35 26

11 32 16 6 23 10

5 27 9 13 21 5 5 33 10

7 23 8 0 30 26

MOST ADDED

BILLY JOEL (35) L. RONSTADT 8 N. RIDDLE ... (30)

CHICAGO (22) JETS (21)

ANITA BAKER (20) TINA TURNER (18)

EVERYTHING BUT THE GIRL (17) POINTER SISTERS (15)

AMY GRANT (10) ICEHOUSE (10)

HOTTEST BRUCE HORNSBY 8 THE RANGE (86)

LIONEL RICHIE (79) HUMAN LEAGUE (72)

MADONNA (42) PETER CETERA w /AMY GRANT (38)

BILLY OCEAN (30) RIC OCASEK (25)

BOSTON (21) KENNY ROGERS (14) CHRIS DeBURGH (9)

KOOL 8 THE GANG "Victory" (Mercury/PoyGram) 34/7 Rotations: Heavy 1 /0. Medium 17 /1, Light 16/6. Total Adds 7. 8100. WSFL. WING. K099. KALB, WBOW, K99. Heavy. WWPA. Medium including KVIL. WAEB. WKYE, WRKA, KIOA, WGLL. WSKI. WSKY. WOW, WGSV. WORG. WZLO.

RITA COOLIDGE 8 RUPERT HOLMES "Touch And Go" (Poydor/PoyGram) 32/0 Rotations: Heavy 4/0, Medium 19/0, Light 9/0, Total Adds 0. Heavy: WPIX, WEIM. WBGM. KOSW. Medium including WAEB, WTFM, WSFL. WNAM, WGLL. WOHO. WSKY. WCHV, WAHR. KTYL, KWEB, WJON, WBOW. KKLV. KMGO.

L RONSTADT 8 N. RIDDLE ORCHESTRA "When You Wish Upon A Star" (Elelere) 30/30 Rotations. 0, Median 6/6, Light 24/24. Total Adds 30 including WPIX, WNIC. KHYL, WTFM, WAVE, WTRX, WEIM, WKNE, WGLL, WSKY, WCKO, WCHV. WGSV, WI/tx, WAEV. WBGM, WZLO, WJON. WBOW, KKLV, KYJC.

PAUL SIMON "Grassland" (WI) 3019 Rotations: Heavy 3 /0, Medium 13/3. Light 14 /6. Total Adds 9. KEY103, WAVE. WSKI. WTNY. WGSV. WAHR. WAEV. KTYL, KYJC. Heavy. WSFL. WSKY, KALE Medium including KHYL. KIFM. WMGN. KWAV. WEIM. WKYX, WMTFM. KANO.

EURYTHMICS "Thom In My Side" (RCA) 3019 Rotations. Heavy 1 /0. Medium 9/0, Light 20/8. Total Adds 8, WING. KIOA, KMV, KVUU, WOW, WAGE, WORG, WBOW. Heavy. KALE. Medium. WKYE. WSFL. WEIM, WGLL. WSKY WCKO. KTYL, WJON, KOSW.

EVERYTHING BUT THE GIRL "Don't Leave Me Behind" (SIreWS) 29/17 Rotations: Heavy 0, Medium 7/3. Light 22/14, Total Adds 17 including KIFM, WIZD. WNAM, KIOA, WOHO, WTNY. WWPA, WGSV, WKYX. KTYL. KFSB. Medium including WSKY. WBGM, (MOO, KALE. Light including WAEB, KWAV. WSKI, WORG_

MICHAEL MCDONALD "Our Love" (WB) 20/1 Rotations Heavy 0. Medium 11/0, Light 15 /1, Total Adds 1, WSFL. Medium: KHYL, KIFM, WTFM. WEIM. WSKY, WOW, WBGM, KYJC. KRNO. 905W. KALE Light including WKGW. WXTC. WAVE 9099, WSKI, WOHO, WAGE, WORG.

SIGNIFICANT ACTION ICEHOUSE "Fondles" (Chrysalis) 24/10 Rotations. Heavy 0, Medium 3/0, Light 21/10. Total Adds 10, WSFL, WNAM, WOHO, KRLB, WKYX, WAEV, KFSB, WJON, KYJC, KMGO. Medium: WSKY, KTYL, KALE. Light including WAEB, WEIM, WSKI, WORD, WBGM, WZLO. GLASS TIGER "Someday" (Manhattan) 24/6 Rotations: Heavy 1 /0, Medium 9/1, Light 14/5. Total Adds 8, WKYE, WOHO, WTNY, WCHV. WGSV, KKLV. Heavy. WCKO. Medium including WHTX, WTFM, WEIM. WGLL. WSKI, WBGM, (99, KALE. Light including 8100, WIVY, U102, KIOA, WTRX.

PRETENDERS "Don't gat Me Wrong" (81re/WB) 22/4 Rotations. Heavy 5/0, Medium 11/1, Light 6/3. Total Adds 4, 8100. WIZD, KWAV, KYJC. Heavy: KDUK, WSKY, WFFX. KOSW, KALE. Medium including KVIL, 2W0, (101, WKYE. WAVE. WSKI, WCKO, WORD, WZLO. KFSB.

JETS "You Got H All" (MCA) 21/21 Rotations: Heavy 0. Medium 2/2, Light 19/19. Total Adds 21. KHYL. WAEB, WNAM, WEIM. WKNE. WSKI, WOHO, WWPA, WCKO, WCHV. WGSV, WAGE, WBGM, WZLO, KTYL, KFSB, WJON. KKLV, KYJC, KOSW, KMGO.

WILLIAM LEE GOLDEN "You Can't Tale N With You" (MCA) 1919 Rotations Heavy I/O, Medium 6 /0, Light 12/0, Total Adds O. Heavy' WBGM. Medium. WNAM. WGLL, WOHO, WOW, WAHR, WJON. Light: WEIM, WKNE, WSKI, WWPA, WORD. WKYX, WAEV, W2LO, KFSB. KWEB, WBOW, KOSW.

TINA TURNER "Two People" (Capitol) 18 /10 Rotations: Heavy O. Medium 10/10, Light 8 /8, Total Adds 16, WHTX, WNIC. WOMC. KOST, KHYL, KIFM, WTFM, WMGN. KWAV, WWMJ. WOHO, WWPA, WKYX, WFFX, KTYL, K99, KMGO, KALE.

KANSAS "AN I Wanted" (MCA) 1519 Rotations. Heavy 0, Medium 5/1, Light 10 /2, Total Adds 3, 2WD. WMJI, WAEV. Medium including KDUK, WBGM, KOSW, KALE. Light including WKYE, W RE, WCKO, WAGE. WZLO, WMTFM. K99. KYJC.

CARL ANDERSON "Can't Slop This Feeling" (Epic) 14/2 Rotations: Heavy 1/0. Medium 3/1, Light 10 /1, Total Adds 2. KIFM. KKLV. Heavy: WEIM. Medium including WAEB, WBGM. Light including KELT. WHNN. WAEV, WZLO, KTYL, WJON, KOSW. KMGO. KALE.

VANGEUS "Hymns" (Poydor/Pelyßram) 13/5 Rotations. Heavy 0, Medium 2/0. Light 11 /5. Total Adds 5, WAEB. WCKO, WAGE, WKYX, WBOW. Medium: WOHO, WCHV. Light including WNIC, WEIM, WSKI, WBGM, WZLO. KOSW.

DON JOHNSON "Heartache Away' (Epic) 1119 Rotations'. Heavy O. Medium 1 /1, Light 10 /7, Total Adds 8, WKYE, WEIM, WSKI, WSKY, WORG, WAEV, KYJC, KALE. Light including KMV, WBGM. KTYL.

PHYWS HYMAN "OM Friend" (PIR/Manhafan) 11/7 Rotations: Heavy O. Medium 3/2, Light 8/5. Total Adds 7, KOST, WSKI, WOHO, WSKY, WCHV, KKLV. KMGO. Median including WBGM. Light including WEIM. WJON, KOSW.

MATTHEW SWEET "Save Time For Me" (Columbia) 1119 Rotations: Heavy O. Median 0, Ugh, 11/6, Total Adds 6, WNAM, WTRX, WCHV, WAEV. WJON. KYJC. Light including WAEB, WEIM, KTYL, KOSW, KALE.

MATT BIANCO "Moro Than I Can Bear" (Atlantic) 11/1 Rotations: Heavy 1 /0, Median 4/0, Light 8 /1, Total Adds 1, WEIM. Heavy: WCHV. Medium: WOHO, WSKY, (MOO, KALE. Light including WKNE, WSKI, WBGM, WMTFM, KOSW.

UONEL RICHIE "Deep River Woman" (Motown) 102 Rotetldna: Heavy 2/1), Medium 5 /1, Light 3 /1, Total Adds 2, 3WM, KWFM. Heavy. WMJI, 0102. Medium including WLTF, WEZS, WSKY, WAHR. Light including KS94. WTRX.

GLORIA LORING "Don't Let Me Change The Way You Are" (Atlantic) 112 Rotations: Heavy 0, Medium 4/1, Light 4/1, Total Adds 2, KGW, WBOW. Medium including WPIX. WEIM, WBGM. Light including KIOA. WOHO, KKLV.

STEVE MILLER BAND "I Want To Make The World Turn" (Capitol) 6/1 Rotations. Heavy 2/0, Median 4/0, Ogro 2 /1, Total Adds 1. WMJI. Heavy: WEIM. WSKY. Medium: KDUK, WCHV, KOSW. KALE. Light including KIFM.

BOB SEGER 8 THE SILVER BULLET BAND "Miami" (Capitol) e/1 Rotations: Heavy O. Median 3/1. Light 5/0, Total Adds 1, WEIM. Medium including WBGM, KALE. Light: WWMJ, WOHO, WKYX, WZLO. KTYL.

CROWDED HOUSE "Don't Dream N's Over" (Capitol) 819 Rotations: Heavy 2/0. Medium 5/0, Light 1/0, Total Adds 0. Heavy: WCHV, KOSW. Medium: WEIM, WOHO, WSKY. WBGM, KALE. Light: KTYL.

Breakers are those records that have achieved concurrent airplay at 50% of our reporting stations. New A Active records are receiving airplay at 25 or more stations. Records in Significant Action are receiving airplay from

8.24 stations. Records with substantial heavy and medium rotation airplay activity do not have to achieve Breaker status to enter the A/C chart. Rec-

ords which have achieved Breaker status must also have sufficient heavy

and medium rotation airplay to enter the chart.

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One station reported a frozen list this week:

WMT-FM/Cedar Rapids

One station did not report a playlist this week, so the

rotations were frozen. KYKY/St. Louis

i

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Three stations reported a frozen list this week:

WCCO /Minneapolis W PRO /Providence WTVN /Columbus

Two stations did not report a new playlist, therefore their

rotations were frozen: 55KRC /Cincinnati

WSB/Atlanta

R&R FRIDAY) NOVEMBER 14- ,1989(93.


AOR ALBUMS Weeks Wee. Wet. 172 REPORTS

I DEBUT )0 BRUCE SPRINGSTEEN & E STREET... /Live/1975 -85 (Co 1 I 1 0 BOSTON/Third Stage (MCA)

3 2 2 3 PRETENDERS/Get Close (Sire/WB) 6 4 3 4 BILLY IDOL/Whiplash Smile (Chrysalis)

23 9 5 COLOR OF MONEY/Soundtrack (MCA) - - T Q STEVE MILLER BAND/Living In The 20th Century (Capitol) 5 5 6 7 JOHN FOGERTY/Eye Of The Zombie (WB)

13 12 10 0 KBC BAND/KBC Band (Arista) 4 6 9 9 RIC OCASEK/This Side Of Paradise (Geffen)

8 7 8 10 BRUCE HORNSBY & THE RANGE/The Way It Is (RCA) 2 3 4 11 HUEY LEWIS á THE NEWS/Fore! (Chrysalis) 7 8 11 12 STEVE WINW00DBack In The High Life (Island/WB)

as 16 15 ® GEORGIA SATELLITES/Georgia Satellites (Elektra) 9 13 12 14 BON JOVI/Slippery When Wet (Mercury/PG)

24 18 n BENJAMIN ORR/The Lace (Elektra) 12 14 16 DAVID á DAVID/Boomtown (A &M) to 10 13 17 TALKING HEADS/True Stories (Sire/WB) 16 17 18 m EDDIE MONEY /Can't Hold Back (Columbia) 21 19 19 GENESIS /Invisible Touch (Atlantic)

- 28 22 KANSAS/Power (MCA) 14 15 20 21 PETER GABRIEL/So (Geffen)

n 11 14 22 'TIL TUESDAY/Welcome Home (Epic)

28 27 26 ® STABILIZERS/Tyranny (Columbia) 27 26 25 m R.E.M./Lifes Rich Pageant (IRS /MCA) '

DEBUT ® STEVIE RAY VAUGHAN & DOUBLE TROUBLE/Live Alive (Epic) 29 LONE JUSTICE/Shelter (Geffen)

36 31 27 SURVIVOR/When Seconds Count (Scotti Bros. /CBS) 31 29 2B m PAUL SIMON/Graceland (WB)

25 25 24 29 TRIUMPH/The Sport Of Kings (MCA) 18 23 30 m BAD COMPANY/Fame And Fortune (Atlantic) 22 21 23 31 WANG CHUNG /Mosaic (Geffen)

0 22 32 t9 BILLY SOUIER/Enough Is Enough (Capitol)

21 33 POLICE/Every Breath You Take The... (A &M) 32 33 35 Q SMITHEREENS/Especially For You (Enigma)

I OEeuM ® ROBERT CRAY BAND/Strong Persuader (Mercury/PG) I DEBUT 0 JASON & THE SCORCHERS/Still Standing (EMI America)

39 34 37 37 HOWARD JONES /One To One (Elektra) 15 20 31 38 TINA TURNER/Break Every Rule (Capitol)

37 36 39 39 CINDERELLA/Night Songs (Mercury/PG) 38 35 38 40 OUTLAWS /Soldiers Of Fortune (Pasha/CBS)

BREAKERS BRUCE SPRINGSTEEN & THE E STREET BAND

Live/1975 -85 (Columbia) 90% of our reporters on It.

STEVIE RAY VAUGHAN & DOUBLE TROUBLE Live Alive (Epic)

74% of our reporters on It.

NEW & ACTIVE PAUL YOUNG "Between Two Fires" (Columbia) 61/15 (53/12) Adds Inc uding WBCN. 0107. WSHE. WNOR, WZZO. WEZX, WKOO, W0I2, KZEL. Powers 2. Heavy 6 including WXRT, 910. WLIR, KANA, KGRO. Medium 50 including WBYR, WBAB WNEW, WKLS. KINK. KFOG, WCCC. WKDF, WTUE, WXKE. BOB SEDER á THE SILVER BULLET BAND "Lib A Rosh" (Capitol) 07/9 (51 /19) Adds- KORS. WDHA. WEZX. KNCN, WEGR, WORZ, KESI, KOWB, KOZZ. !Navy 7. WZZO, WTPA, WPDH, WAOX, KLBJ, WRXL. Medium 51 including WIVV, WHJY, WKLS, WNOR, WRIF. KLOS. KGON, WCCC. WFYV, WKDF. WORLD PARTY "Private Revolution" (Chrysalis) 64 /16 (49 /10) Adds including WHJY, KYYS. WPDH. WEZX. WTUE. KILO. KOWB, KOZZ. 14eavy 2: KLBJ, KTCL. Medium 40 including WNEW. WXRT, KROO, 915, KROR, KNCN, WFYV, KZEL. KRNA, KFMF. JOHN PARR "Running The Endless MIN" (Atlantic) 62/9 (51 /19) Adds'. KLOL, WCCC, WKDF, KBAT, WDIZ. WKGR, KODS. KJOT. WWWV, Heavy 6: KOME. WPYX, WPLR, KRIX, KRNA, KROU. Medium 45 including WBYR, WBAB WNEW. WOVE, WHJV, WLVO. KYYS, KORS, KSHE, KZAP. DAVID LEE ROTH "Eat 'Em And Smile" (WI) 59 /10 (54 /13) Adds. W1375, KZEW, KYYS, KDJO, WTUE. WKOZ. KFMOI K285, WMGM, WXRC. Powers 1. Heavy 9 WNOR, KGB, KISW, W012. KISS. KNAC, KEZE, KRIX, KTAL. Medium 36 including WNEW, WORK, WMMR, WOVE, WHJY, KTXO, WSHE, WRIF, KEPI, KOME.

JOHN LENNON "Manlove Ave." (Capitol) 50/5 (45,21) Adds.. WNEW. 0107. WSHE, WEZX, WFBO. Heavy 5: KTCZ, WPDH. WTUE. WXRC, KWHL. Medium 39 including WIYY, WHJV, WORT, KORS, KGB, KOME, WPYX, WCCC, WRXL, KISS. BILLY JOEL "The Bridge" (Columbia) 47 /15 (35 /10) Adds including WOVE. KZEW. WKLC. KWIC. KNCN, WKOO, WWCT, KJOT, KKDJ. Powers 5. )bevy 14 including WBAB. WRIF, KTCZ, KINK. CFOX, WCCC. WPLR, WPDH. Medium25 including WNEW, WMMR, KTX0, WZZO, WOUR, WRXL, WFBO, KRNA.

EURYTHMICS "Revenge" (RCA) 45/4 (42/4) Adds. 6101, KWIC, KMOD. WFXR. Powers 2 Heavy 8. KROO, KINK. CFOX. WPLR, KAZY, KIEL, KTCL. Medium 30 including WXRK. WDVE, 91X, KGB, KNCN, WLAV, KDJK, WWWV. KRNA. KTYD. ZEBRA "3.V" (Atlantic) 44 /10 (33 /14) Adds. WORK, KTXO, KZEW, KGB, WKLC, WOWE, KNCN, WOKE, KOWB, KROU. Powers 1. Heavy 3. WBAB, WCCC. WHMD. Medium 27 including WNEW, WVNF. WLLZ, KOME, WPVX, WPDH, KISS, KILO. KNAC.


NOVEMBER 14, 1986 Total

Reports/Adds Power Heavy Medium

I.) 'War" (134) "Fire" (88) "Because" (49) "Ready"

154 /154 38 113 35 (142) "Engines" (121) "Can'tcha" (41)

"Don't 154 + /0 68+ 143+ 9-

Get" (143) "Baby" (130) "Room" (45) "Love"

168 + /O 50+ 148- 19+ (144) "Gun" (85) "Soul" (27)

"Who 157+/3 47- 127= 26+

Owns" (155) "N's In" (136) "Two Brothers" (3) "I

159 + /0 28+ 92+ 67- Want To Make" (163) "Nobody " -(19) "Ain't" (13)

"Change" 166 + /5 37+ 117+ 46-

(139) "Headlines" (29) "Knockin "' (15) "It's

147 -/2 23- 107- 37+ Not (146) "America" (29) "Hold Me" (5)

"True" 158 + /0 29+ 94+ 58-

(133) "Emotion" (40) "Keep" (11) "The

155+/3 13- 78- 74+ Way It" (101) "Western" (32) "Road" (20)

"Whole 130 -/2 31- 93- 35+

Lotta" (56) "Jacob's" (53) "Hip" (53) "Back"

124 -/3 22- 70- 49+ (95) "Freedom" (56) "Take It" (10)

"Keep" 136+/12 13- 68- 62+

(154) "Railroad" (1) "The Myth" (1) "Wanted

155 + /4 18+ 91+ 59- Dead" (108) "You Give" (47) "Livin- (14)

"Stay" 132+/2 13- 68- 61+

(145) "Too Hot" (9) "Circles" (4) "Swallowed"

152 + /4 13+ 76+ 74- (135) "Welcome" (28) "Ain't" (3)

"Puzzlin "' 144+/3 5- 55+ 85-

(107) 'Wild" (35) "Love" (21) "We

123 -/1 10- 57- 60+ Should" (115) "Endless" (15) 'Take Me" (14)

"Land" 128 + /10 20+ 49- 75+

(102) "Tonight" (8) "Deep" (8) "All

109 -12 19+ 67- 38- I Wanted" (126) "Power" (25) "Silhouettes" (2)

"That 136 + /9 9+ 41+ 86-

Voice" (74) "Big Time" (49) "In Your Eyes" (5) 'What

111 -15 3- 48- 55- About Love" (94) "Coming" (7) "Sunday" (1)

"One 97 -/O 19- 67- 22-

Simple Thing" (127) "Underground" (2) "Superman"

127 +14 4+ 33+ 87- (124) "Fall" (2) "These" (2)

"Superstition" 125+/11 4+ 36+ 75+

(127) "Look" (1) "Pride" (1) "Shelter"

127 /22 3 19 101 (122) "I Found Love" (7)

"Is 123 + /10 3+ 23+ 89= This Love" (107) "How Much" (1) "Keep It" (1)

"Graceland" 108+/4 15+ 40+ 58-

(96) "You Can Call" (9) "The Boy" (5) "Tears"

99 +/6 5+ 29+ 58+ (109) "Somebody's" (11) "Night" (3)

"Fame" 112 -/1 8+ 22- 81+

(78) "This Love" (14) "Burning" (2) "Everybody"

91 -16 2= 16+ 70- (61) "Eyes" (6) "Let's Go" (4)

"Shot 69 -/0 12- 43- 20-

O' Love" (87) "Hero" (6) "Powerhouse" (4) "Don't

95 +/7 1- 14- 72+ Stand So" (71)

"Behind" "Blood" 71 -/3 5- 30 -. 35- (66) (21) "Lonely Place" (3)

"Smoking 85 +18 1= 9- 59+

Gun" (90) "Golden

90 /24 1 4 65 Ball" (86) "19th Nervous" (3) "Crash)n'" (2) "You

90 +/21 0= 1= 68+ Know" (53) "All I Want" (3) "The Balance" (3) "Overnight"

57 -/1 5= 25= 29- (33) "Back" (23) 'Two People" (3)

"Nobody's 59 -/0 1- 15- 37- Fool" (71) "Shake" (1) "Somebody" (1)

"Soldiers" "Ride" 73 +13 2+ 7- 50+

(58) (11) "Night" (5) 75 -/2 0- 6+ 53-

r


L NEW ARTISTS

Albums Reports/Adds

1 ROBERT CRAY... /Strong... (Mercury /PG)

2 CINDERELLA /Night Songs (Mercury/PG)

3 WORLD PARTY/Private Revolution (Chrysalis)

4 RAINMAKERS/The Rainmakers (Mercury/PG)

5 EUROPE/The Final Countdown (Epic)

6 GENERAL PUBLICMand To Mouth (IRS /MCA)

7 BRIAN SPENCE/Brothers (Polydor /PG)

8 DON DIXON /Most Of The Girls Like... (Enigma)

9 LOVE & ROCKETS/Express (Big Time /RCA)

10 TOBY REDD/In The Light (Nemperor /RCA)

90/24 73/3 64/16 37/2 35/10 32/1 25/2 22/4 15/6 13/5

Tracks

1 ROBERT CRAY BAND /Smoking...(Mercury/PG) 90/24 2 CINDERELLA/Nobody's Fool (Mercury/PG) 71/3 3 SMITHEREENS/Behind The Wall Of Sleep (Enigma)* 66/9 4 WORLD PARTY/Ship Of Fools (Chrysalis) 56/16 5 EUROPE/The Final Countdown (Epic) 31/9 6 RAINMAKERS/Downstream (Mercury /PG) 31/3 7 KBC BAND /America (Arista)* 29/6 8 BRIAN SPENCE/Hear It From The... (Mercury/PG) 25/2 9 GLASS TIGER/Someday (Manhattan)* 23/3

10 DON DIXON/Praying Mantis (Enigma) 21/3 New Artists are those who have never had an AOR Breaker. Tracks with asterisks are from

albums which have already been Breakers and thus no longer appear among the albums

listed.


AOR TRACKS Three TWO lait

Weeks Weeks Week 172 REPORTS Reports/Adds Power Heavy Medium

21 B 4 Q STEVE MILLER BAND /I Want To Make... (Capitol) 163 + /4 37+ 117+ 45- 1 1 1 2 PRETENDERS/Don't Get Me Wrong (Sire/WB) 143 -/o 48= 133- 9= 2 2 2 3 BILLY IDOL/To Be A Lover (Chrysalis) 144 -/1 47- 126- 16-

10 6 5 Q BOSTON/We're Ready (MCA) 142 + /4 46+ 125+ 15- 22 10 8 0 DON HENLEY/Who Owns This Place? (Geffen; MCA) 155 + /O 25+ 85 + 68 - 14 11 9 O GEORGIA SATELLITES/Keep Your Hands To Yourself (Elektra) 154 + /3 18+ 91+ 59 - 11 7 7 KBC BAND /It's Not You, It's Not Me (Arista) 146 + /1 26+ 89+ 52 -

BRUCE SPRINGSTEEN & THE E STREET BAND /War (Columbia) 134 /134 35 101 28 I DEBUT Q

5 3 3 9 JOHN FOGERTY /Change In The Weather (WB) 139 -/2 21- 101- 36 +

17 13 11 e BENJAMIN ORR /Stay The Night (Elektra) 145+/3 13+ 76 + 67- 4 4 6 11 BRUCE HORNSBY & THE RANGE/The Way It Is (RCA) 1o1 -/o 30 - 85 - 14-

24 17 12 RIC OCASEK/True To You (Geffen) 133 +16 5= 59 + 70+

29 18 14 DAVID & DAVID/Swallowed By The Cracks (A &M) 135 +15 3= 47+ 84= - 48 27 e) ERIC CLAPTON /It's In The Way You Use It (WB; MCA) 136 + /29 7+ 44+ 89+

53 30 16 ® PRETENDERS /My Baby (Sire/WB) 130 + %15 2+ 55 + 71+

25 23 18 BOSTON /Cool The Engines (MCA) 121 + /10 14+ 63 + 50 =

26 21 13 17 GENESIS /Land Of Confusion (Atlantic) 102 =/4 19+ 64= 35+ 42 32 24 KANSAS /All I Wanted (MCA) 126 +18 8+ 40+ 79 - 32 27 20 e,

32e) STABILIZERS /One Simple Thing (Columbia) 127 + /4 STEVIE RAY VAUGHAN & DOUBLE TROUBLE /Superstition (Epic)127 +/22

4+ 3+

32 +

19+ 88-

101+

35 29 22 ® R.E.M. /Superman (IRS /MCA) 124 + /11 4+ 36 + 74=

30 25 19 22 TALKING HEADS/Puzzlin' Evidence (Sire/WB) 107 + /2 4- 40 - 62 +

36 28 26 ® EDDIE MONEY/We Should Be Sleeping (Columbia) 115 + /16 11= 33 + 76+

7 5 10 24 'TIL TUESDAY/What About Love (Epic) 94 -10 18- 65 - 20 - 45 39 31 ® BON JOVI/Wanted Dead Or Alive (Mercury/PG) 108 + /11 1- 38+ 67+

39 31 29 SURVIVOR /Is This Love (Scotti Bros. /CBS) 107 + /4 15+ 40+ 58 - 48 37 30 LONE JUSTICE/Shelter (Geffen) 122 + /9 3+ 2347 88 - 37 33 28 e TRIUMPH/Tears In The Rain (MCA) 109 =43 6+ 21+ 78 - DEBUT Q BRUCE SPRINGSTEEN & THE E STREET BAND /Fire (Columbia) 88 /88 5 40 45

- 60 40 E< STEVE WINWOOD/Back In The High Life (Island/WB) 95 +/26 2= 35+ 54+ 56 38 BOB GELDOF/This Is The World Calling (Atlantic) 105 + /19 3= 11+ 74+

44 40 34 ® PAUL SIMON /Graceland (WB) 96 +/6 4+ 24 + 60+

56 44 35 ® BILLY IDOL/Don't Need A Gun (Chrysalis) 85 +/11 0= 23 = 57+ 18 15 17 34 PETER GABRIEL/That Voice Again (Geffen) 74 -/0 2- 33 - 37- 8 14 25 35 STEVE WINWOOD/Freedom Overspill (Island/WB) 56 -/2 9- 40- 13-

- - 43 BILLY SQUIER /Shot 0' Love (Capitol) 87 +/15 O= 11- 68+

13 12 15 37 POLICE/Don't Stand So Close To Me '86 (A &M) 71 -/4 5- 30 - 35 - - 52 47 Q BAD COMPANY /Fame And Fortune (Atlantic) 78 +/10 0= 11+ 63+

- 52 e ROBERT CRAY BAND/Smoking Gun (Mercury/PG) 90 +124 1+ 4= 65+

20 20 23 40 WANG CHUNG/Everybody Have Fun Tonight (Geffen) 61 -/0 12- 42 - 15- 3 9 21 41 HUEY LEWIS & THE NEWS/Hip To Be Square (Chrysalis) 53 -/0 14- 41- 9- DEBUT JASON & THE SCORCHERS/Golden Ball And Chain (EMI America) 86 +/24 0= 1+ 66+

12 22 33 43 BON JOVI/You Give Love A Bad Name (Mercury/PG) 47 -/1 9- 32 - 11- 31 34 39 44 HUEY LEWIS & THE NEWS /Jacob's Ladder (Chrysalis) 53 -12 4- 29 - 23=

47 46 45 CD CINDERELLA /Nobody's Fool (Mercury/PG) 71 +13 2+ 7- 48+ 50 47 46 Q HUEY LEWIS & THE NEWS/Whole Lotta Lovin' (Chrysalis) 56 -/8 2+ 17= 37- 49 45 44 47 HOWARD JONES/You Know I Love You ... Don't You ?(Elektra) 53 -/1 5= 25 = 25-

I DEBUT Q BRUCE SPRINGSTEEN & THE E STREET BAND /Because (Col.) 49 /49 1 21 26

9 19 37 49 RIC OCASEK/Emotion In Motion (Geffen) 4o -4 7- 29 - 8- s4 BOB SEGER & THE SILVER... /Miami (Capitol) 66 +/9 O= 6= 51+ 59 ® PAUL YOUNG /Some People (Columbia) 67 +/15 2+ 6- 49+

58 SMITHEREENS/Behind The Wall Of Sleep (Enigma) 66 +/9 0= 5= 46+ - 54 53 ® PRETENDERS/Room Full Of Mirrors (Sire/WB) 45 =/4 0= 14+ 30 -

I DEBUT Q PETER GABRIEL/Big Time (Geffen) 49 +/31 1+ 15+ 26+

57 49 50 55 BOSTON /Can'tcha Say /Still In Love (MCA) 41 -/1 5+ 17+ 21- --6o JOHN PARR/Blame It On The Radio (Atlantic) 60 +/9 O- 6+ 43+

6 16 36 57 BOSTON /Amanda (MCA) 35 -/0 11 - 24 - 7+

I DEBUT C) BRUCE SPRINGSTEEN & E STREET.../Raise Your Hand (Columbia) 37 /37 2 13 22

40 42 49 59 RATT /Dance (Atlantic) 49 -/2 1- 7- 33 - 28 41 51 60 TALKING HEADS/Wild Wild Life ( Sire/WB) 35 -/0 3- 19- 13-

BREAKERS. II

BRUCE SPRINGSTEEN & THE E STREET BAND

War (Columbia) 78% of our reportera on N.

BON JOVI Wanted Dead Or Alive (Mercury/PolyGram)

63% of our reporters on K.

BOB GELDOF

This Is The World Calling (Atlantic) 61 % of our reporters on It.

RER FRIDAY, NOVEMBER 14, 1986/ 95


AOR TRACKS MOST ADDED

BRUCE SPRINGSTEEN.. ./War (134) BRUCE SPRINGSTEEN ... /Fire (88)

BRUCE SPRINGSTEEN ...Because (49) BRUCE SPRINGSTEEN... /Raise (37)

PETER GABRIEL /Mg (31) BRUCE SPRINGSTEEN ...NSA (30)

ERIC CLAPTONAWay (29) BRUCE SPRINGSTEEN .../Hungry (28) BRUCE SPRINGSTEEN ... ,Tenth (28)

HOTTEST PRETENDERS /Don't (48) BILLY IDOL /Lover (47)

BOSTON /Ready (46) STEVE MILLER BAND,World (37)

BRUCE SPRINGSTEEN ...NJar (35) BRUCE HORNSBY .../Way (30)

NBC BAND/You (26) DON HENLEY /Owns (25)

JOHN FOGERTY /Change (21) GENESIS/Land (19)

CHART CLIMBERS PAUL SIMON "Oronetand" (W1)1111/11 (911) Adds. WSHE. WLVO, WKGR, WGIR, KSOY, WZZO. Hemy24 including WBCN, WLUP, WXRT, KBCO, KLBJ, WRXL, W WWV. KFMO. Medium 60 including WIYY, WBAB, WNEW. WXRK, WDVE. WKLS, KTXO. KYYS, KINK, KFOG. Moves 34-32. STEVE WINWOOD "Back In The High Life Again" (Island/WI) 1626 (7046) Adds including WNEW. WHJY, WSHE, KYYS. KINK. WZZO, WCCC, WCMF, WEZX, KNCN. Heavy 35 including WDVE. WXRT, WLVO, KOME. KISW, WKRR, KAU. KJOT, KILO, KKDJ Medium 54 including WLLP, KLOS. KGON, WPVX, WPDH. WFW. WKOO, WROK. WLAV, KEZO. Moves 40 -30.

ROBERT CRAY BAND "Smoking Ben" (Mercury/Polygram) 9024 (0524) Adds including WNEW, COME. KISW, WCCC, KNCN. WTUE, KKDJ, WOW, KRNA, KFMO. Heavy4: WBCN, WXRT, WOWE, KIEL. Medium 65 including WBAB, WOVE, WHJY. KYYS. KORS, KSHE, KGON, KZAP, WEZX, WKRR. Metres 52 -39. BRUCE SPRINGSTEEN a THE E STREET BAND "Fire" (Columbia) 11/61 (0/0) Adds including Ways, KOPI, WZZO, WCCC. WKRR, KMJX. WKDF. WRXL, WAPL. WXKE. Heavy 40 including WBCN, WNEW, WOVE, WHJY, WSHE, KINK, KFOG, KROR, KOME. KISW. Medium 45 including MK', WBAB, WMMR, WKLS, KTXO. WNOR, WRIF, KORS, KGON. WCMF. Debuts at #29. BILLY SGUIER "Shot 0' Love" (Capitol) 67/15 (7142) Adds including WYNF, KSHE, KZAP, KROR. KSJO, KNCN, WFW, KFMO. I4eavy 11 including WXRK, KZEW, KUPD, KGB, COME. WPLR, KISS. KNAC. Medium 68 including WIYY, WNEW. WOVE. WHJY, WKLS, KTXO, WRIF. KORS, WCCC, WPDH. Moves 43-38.

JASON a THE SCORCHERS "Golden Ball AM Chain" (EMI America) 1024 (1141) Adds including WNEW. WSHE, KLOS. COME. KISW, WZZO. WPDH, WCMF, KISS, KATT. Heavy I: WOFM. Medium 66 including WHJY, WKLS, KTX0. WORT. KWS, KORS, KSHE. WPVX. Debuts at #42. BILLY IDOL "Don't Need A Gun" (Chrysalis) 115/11 (77 /13) Adds including KZEW. KMET, KSJO. WADY, KNCN, WTUE, KATT, WIXV. Heavy 23 including WERK, WMMR. WOVE, 91X. KFOG, KROR, WPDH, WEZX, WFW, WAPL, WWCT. Medium 57 including WIYY, WBAB, WNEW, WKLS. WNOR, KYYS, KSHE, KZAP, KGB. Moves 3533. BAD COMPANY "Fame Aad Fortune" (Atlantic) 71 /0 (7121) Adds: KZEW. WDWM, WAGE', KISS, WFBO, KMBY, WMGM, WXRC. KFMO, KROU. Heavy 11 including WBCN, WLLZ. WOFM, KORS, KDJO, WAGS. KWIC, CRAG. Medium 63 including WIYY, WERK. WMMR, WOVE. WSHE, WEBN, WRIF, KLOS. KGB. KROR. Moves 47.38.

CINDERELLA "Nobody's Fool" (Merwrylolyßrem) 714 (6M) Adds. WBCN, WSHE, WKLC. Heavy 7 including KWIC, KOJK, KFMX, KRIS, KTAL KROU. Medium 48 including WBAB, WMMR, WHJY, KTXO, WRIF, KSHE, KEPI, KGB. COME, KISW. Remain. M I45. -

PAUL YOUNG "Some Poodle" (Columbia) 67/15 (6241) Adds including WBCN, WSHE, WNOR, WZZO, WEZX, WKOO, KIEL. Heavy 6: CHOM, WERT. 91X. WLIR. KRNA. CORO. Medium 49 including WBAB, WNEW. WKLS, KFOG, W000, WKDF, WTUE, WXKE. WLAV, WWCT. Moves 5951. SMITHEREENS "Behind The Wall Of Seep" (Enigma) NI (5521) Adds: WIJ2, WHEB, WAOY, COON, WEGR, WAPL WKFM, WHMD, KZOO. Heavy 6: WBCN. WARE. WXRT. WHFS, KTTO. Medium 46 including WNEW. WHJY, WOFM. HORS, KGB, KROR, WCCC. WPDH, KOOS, KE20. Move. 5852. BOB SEGER a THE SILVER BULLET BAND "Miami" (Capitol) N1 (67 /11) Adds KORS, WDHA. WEZX, KNCN, WEGR. WORZ, KESI, KOWB. KOZZ. Hoary 8: WBCN, W520. WTPA, WPOH, WAOX. KLBJ. Medium 51 including WIW. WHJY, WKLS, WNOR, WRIF, KLOS. EGON, WCCC, WFW, WKDF. Moves 54-50, JOHN PARR "Blame It Oa The Radio' (AWnde) 101 (50 /11) Adds: KLOL, WCCC. WAOX. WKDF, COAT. WDIZ, WKGR, KJOT, WWWV. Heavy 6: COME. WPYX, WPLA, KRIS, KRNA, KAOU. Medium 43 including WBAB, WNEW. WOVE, WHJY, WLVO, KWS, KSHE, KZAP, WEZX. Moves 8056. HUEY LEWIS a THE NEWS "Whole Leib Levin "' (Chrysalis) 551 (N1) Adds. WBRU, WIOO, WEZX, MOO, WNE. KFMG. KILO, WZZO. Heavy 17 including WOVE. KZAP. KFOG, WZZO. WCCC, WPDH, WEW, KIEL Medium 37 including WBAB, WNEW. WNOR, WLVO. COON, KGB. KNCN. WRXL, WROK. Remains at #46. BRUCE SPRINGSTEEN a THE E STREET BAND "laeuse The Night" (Columbia) 49/49 (0/0) Adds Including 91X, WAPL. KATE. KEZO, KILO, KKDJ. KLPX, WGIR, YA WV, ETYD. Heavy 21 including WOVE. WHJY, KFOG. KROR, COME. KISW, WCCC, WFW, WRXL, KISS. Medium 26 including WNEW, WMMR. WKLS, KTXO, WNOR, WAIF, WZZO, WKDF, WOKE, WLAV. Debuts al 648. PETER GABRIEL 'Big Thu" (Geffen) 4941 (154) Adds including WORK, WKLS. WSHE WLUP, WCCC, WEZX, WRXL WROK. WWCT, WWWN. Heavy 15 including ETOO, KZEW. WORT, 91X, WFW, WEGR, KILO. Medium 26 including WITT, WBYR, WNEW, KBCO, KFOG, WdU, WMPA, WOWS. Delos at a54. PRETENDERS "Room Fell Of Mirrors" (0Ire/ V) 45/4 (45/4) Adds. COCO. KGB, KLBJ, KPOI. Heavy l4 including WMMR. KLOL, WORT, KFOG, WEZX. KISS. WAPL, KTYD. Medium 30 including WNEW, ETXO, WNOR. KZAP, 910. KROR, WROK. KEZO. Remains al #53. BRUCE SPRINGSTEEN 6 THE E STREET MID "Reiss Your Hand" (Columbia) 3747 (0/0) Adds including WBYR. 0107, WLLZ, COCO, KMET, 91X, WKLC. KJOT. KRNA. Heavy 13 including WXRK, WOVE. WHJY, KGB. KFOG, KISW, M UE, KILO, KKOJ, KFMF. Medium 22including WBAB, WNEW. WMMR, KTXO. WRIF. KORS. WZZO. WKDF, KATT, KEZO. Debuts M #58.

NEW & ACTIVE WORLD PARTY "Ship Of Fue" (Chrysalls) 511/11 (42/11) Adds including WHJY, 0107, KYYS. WPDH, WEZX, WNE, KILO. KOWB, KOZZ. Heavy 2: KLBJ, KTCL. Medium 33 including WNEW. WBRU, WORT, KROO, KROR, KNCN, KRNA. KFMF. JOHN LENNON "Rock B' Bag People" (Capitol) 461 (4321) Adder. WNEW, 0107, WSHE, WEZX. WW, WFBO. Heavy 4. WPDH. WTUE, WXRC, KWHL Msdhen 37 including WIYY. WHJY, WORT KORS, KGB, KOME, WPyX, WCCC, WRXL KISS. EURYTHMICS "Thom In My SIM" (RCA) 441 (391) Adds. KLOL, WZYC. KWIC, KMOD, WFXR. Prows 2. Heavy 7: KBCO, KROO, CFOX. WPLR. KAZY, KIEL KTCL Median 29 incl.rg VOW. 9IX. KGB, KNCN, WLAV, KDJK, WWWV, KRNA, KTYD. ZEBRA "Cut Liu Wheel" (Adeetlo) 434 (53 /14) Adds: WXRK, KTXO, KGB. WKLC, WOWS, KNCN. WXKE. KOWB, KROU. Poems 1. limey 3: WBAB, WCCC, W19Á0. Medium 26 including WNEW WYNF, WLLZ, COME, WPYX, WPDH, KISS, KILO. KNAC. BILLY JOEL "Ibis Is The Team" (Cohmrbta) 40 /15 (20/17) Adds Including WDVE, KZEW. WKLC, KWIC, WOWS, KNCN, WKOO, WWCT, KJOT, KKDJ. Powers 3. Heavy 11 inchdhg WBAB, KINK. CFOX, WCCC, WPLA, W100, KKCY, WORK. Medium 20 including KTXO, WZZO. WPDH, WOUR, WRXL WFBO, KRNA.

DAVID LEE ROTH 'That's LNB' (WI) 31/14 (27/15) Adds Including WBYR, KZEW, KWS, KNCN, KLAO, WKRR, %TUE, KONC. Heavy l: WOOS. Madam 27 Including WNEW. WMMR, WHJY, WSHE. KW, KGB, W720. WCCC, KLPX. KRNA. TINA TURNER "Morel M Sensation" (CapNeq 33/12 (24 /11) Adds including WKLS, M405, WOMA, WCCC, WRAF, KILO. KOJK. KFMF. Powers 1. Heavy 4: WORT, CBCO. WPLR, KPOI. Medium 25 including WNEW, KTXO. KZAP, WKDF, KCOO, KEZO, KIEL. WWWV, KOZZ. BRUCE HORNSBY A THE RANGE "On The Western Skyline" (RCA) 32 /17 (15/S) Adds including WOVE, (MET, KSJO, WCCC, KNCN, WRXL, KZEL. KOZZ. Heavy 9 including KZEW, KLOL COCO. KLOS, WZZO. KSTM, WXRC. Medium 21 including WBRU, KTXO, KORS, KFOG, KLBJ, KWIC, KATT, KILO. EUROPE "The Final Countdown" (Epic) 31/9 (24/5) Adds. WXRK. WSHE, CROP, WOHA, KBAT, WKOZ, KMOD, KDJK, WMGM. Heavy O. Medium 17 Including WLLZ, WOFM, KGB, WPYX, WPLR, KNCN. WGIR, KRNA.

RAINMAKERS "Downstream" (MamryNelyfrem) 314 (2M) Adds: WHFS, WXRC, WZZO. Powers 1. Heavy 3. WKOZ, WMRY, KIEL. Medium 18 including KZEW, KYYS WKDF, WAPL, KGGO, KODS, KEZO.

BRUCE SPRINGSTEEN I THE E STREET BAND "Born In The USA" (Columbia) 3140 (0A) Adds including WIW,KBPI, WCMF, WEZX, WEGR, WXKE, WLAV, KATT KPOI. Heavy 12 including WLVO, COON, KGB, KROR, WZZO. WTPA, WROL. WFBO, KKOJ. Medium 16 including WETS. 0107. WKLS. WL12, WAIF, KOJO, W SICK, KRSP, KEZE.

KBC BAND "America" (Arista) 291 (242) Adds: WOWS. KISS, KATT, KATP, WFXR, W 6WV. Heavy 7 including KFOG, KROR, WAPL KAZY, KRIX, KSPN. Medium 17 including WORT, KGON, KZAP, COME. WPYX, WEZS, WIVE. KFMF. BRUCE SPRINGSTEEN S THE E STREET BAND 'Tenth Avenue Freine -Out" (Columbia) 2621 (01) Adds including WAIF. KMET, WZZO, WHEW, WONE, WSICK, KATT, KLPX. WGIR. Powers 2 Heavy 12 including WLVO. KROR, COME, CFOX, WEGR. WRXL. WKGR. Medium 12 including WIYY, 0107, WKLS, WLLZ, KUPO, WCMF, WHTF. WZYc

BRUCE SPRINGSTEEN a THE E STREET BAND "Hungry Heat" (Columbia) 2021 (0A) Adds including WLVO, KEPI, WONE, WXKE. CROP, KEZE, KLPX, WKLT, KWHL. Powers 1. Heavy 12 including WEBN. KFOG, KROR, CFOX, WRXL, WKOZ. KPOI, KOJK, KMBY, WGIR. Medium 14 including WIYY WBYR, 0107, WKLS, WLLZ, WRIF, WZZO. WAGY. WWCK.

BILLY IDOL "Soul Standing By" (Chrysalis) 272 (272) Adds. KGB, KLPX. Powers 1. Heavy 7 including KLOL, KROO, WPLR, WBLM, ETYO. Medium 17 incldi g ETXO. KUPO. WTPA, WCCC. WHCN. WDIZ. WROK, KKDJ, WIXV, KOZZ.

BRUCE SPRINGSTEEN a TUE E STREET BAND "Seeds" (Columbia) 2026 (00) Adds including WLLZ, KMET, KFMG, KKOJ. WORK, W WTR. KFMX, KRIX, KTYD. Powers 1. Heavy 10 including WNEW, WOVE, KGB. KFOG, KROR, KILO, KPOI, KMBY. Medium 14 including WMMR, 0107, KTXO, WNOR, WZZO, WEZS, WTKX, KATT, KEZO

BRUCE SPRINGSTEEN a THE E STREET BAND "Cadillac Ranch" (Columbia) 2525 (M) Adds including KMET, WONE. WXKE, KATT, KLPX, WELT, WZZO. Powers 1 Heavy 9 including WEBN, WLVO. COON, KROR, WEGR, WAXL, WKOZ, KOJC. KMBY. Medium 12 including WBYR. WKLS, WLLZ, WRIF. WZZO, W2VC, WOWS, WXLP. MUCK.

KANSAS "Power" (MCA) 25/7 (191) Adds' WONA. KWIC, WOLF. KICT, KIEL, KMBY, KWHL. Powers 1. Heavy 3 including KISS. WAPL. Medium 18 including KIEW. KORS, KROR, KLBJ, KGGO, CODS, KJOT, KFMZ.

BRIAN SPENCE "Hear It From The Heari' (PolydorNOlyOram) 252 (231) Adds: KWIC. WWWV. Heavy T: KIEL Medium 17 including WYNF, WLLZ, WAIF, KSHE. KGB, COME. WEZX, WGIR. BRUCE SPRINGSTEEN a THE E STREET BAND 'Thunder Read" (Columbia) 2424 (01) Adds inCludlrg KUPD. WHCN, WHIP WWCK, KAn, WKFM, WKLT. Heavy 9 including WEBN. KBCO, KFOG, KROR, WZZO, WFW, WEGR. WRXL Medium 14 including WIYY, WBYR, 0107, WKLS. WRIF, WXKE, WLAV, KIPS, MVO. GLASS TIBER "Someday" (Manhattan) 234 (234) Adds. WKDF, KSPN, KZOO. Powers 2 Heavy 6: KLAO. WXLP, WWCT, UMW), KRNA, CORO. Median 14 including WSHE. KTCZ, WCCC, WPLR, WRAF, KGGO, WMRY. KFMZ.

VAN HALER "Rock a Roil" (W6) 2222 (M) Adds including KNCN, WAPL, KJOT, KEZE, KATP, WXRC, KSOY, KZ00, KOZZ. Heavy 5: WPTO, WKOO, KISS. KNAC. KRIX. Medium 15 including WMMR, WHJY, KTXO, KZEW. WLLZ, WRIF. KGB. WHIT. TALKING HEADS "Love For Sale" (SirsAN6) 214 (19/1) Adds. KZEW, KLOL, KGON. Powers 1. Heavy 12 including WMMR, KROO, KFOG, WPDH, CENT, KIEL WWWV, KTYO. Medium 9 including WBAB, DC101, KIXO, WHOA, 91X, CODS. KSTM. DON DIXON "Praying Mantis" (Enigma) 214 (19/4) Adds. WORT, WEGR. KSTM Heavy 0 Medium 6 WHEB, WROU, SITUE, KZEL KTCL, ETYO. BRUCE HORNSBY a THE RANGE "Down The Road Tonight" (RCA) 204 (204) Adds. COME, WEZX, KFMF. Powers 1. Heavy 5- KLOL, WLUP, WEGR, KIEL KPOI. Medium 15 including KZAP, KFOG, WPYX, WROK, WFBO, CEZO. KKDJ KOZ2.

STEVE MILLER BAND "Nobody But You Baby" (Capitol) 191 (11/11) Adds. WOFM, KROR, KOME, KWIC, KSTM, WGIR, WRUF, KFMF. Powers 1. Heavy 5 inchding KZEW. KMOD, MSC. WWWV. Medium 13 including KTXO. KORS. KLOS, KGON, KATT, (KDJ, WKLT. DOKKEN "WIN The Sue Rica" (EMldss) 192 (101) Adds: KOJO. COME, WHEB, Heavy 2: KISS. KRIX. Medium 12 including KGB, KWIC. WOWS, KFMG, KILO, KEZE. WGIR. BOSTON "Hofyann" (MCA) 11/1 (17/1) Adds. WOBH. Powers 1. Heavy 11 including WBYR. KLOL. WFW, WKOO, CODS. MAV. WLNZ, KPOI. Medium 7: WKLS, WRAF, WKDF. WROK, KICT, WWTR, WKFM.

BRUCE SPRINGSTEEN a THE E STREET BAND 'The Rear" (Columbia) 1046 (0/0) Adds including WLAV. WWIB. WKLT. Wary 4: KROR, WIPA, WOWE, KDJK. Medium 12 including WLLZ. WRIF, 10)P0. WZZO, WI CH, WEZX, WAOY, WXLP, MUCK. ROBIN TROWER "No Time" (GRP) 161 (134) Adds: KLBJ, WEGR, KSTM. KATP, COOT. Heavy 0. Medium 5: WBAS, KSHE, SINE, KZEL WZEW.

AOR ALBUMS MOST ADDED

BRUCE SPRINGSTEEN & THE E ... (154) ROBERT CRAY BAND (24)

STEVIE RAY VAUGHAN 8 DOUBLE ... (22) JASON 8 THE SCORCHERS (21)

WORLD PARTY (16) BILLY JOEL (15)

PAUL YOUNG (15) STEVE WINWOOD (12)

R.E.M. (11)

HOTTEST BOSTON (68)

PRETENDERS (50) BILLY IDOL (47)

BRUCE SPRINGSTEEN 8 THE E ... (38) STEVE MILLER BAND (37)

BRUCE HORNSBY 8 THE RANGE (31) NBC BAND (29)

COLOR OF MONEY (28)

JOHN FOGERTY (23) ' HUEY LEWIS 8 THE NEWS (22)

NEW & ACTIVE Continued from Page 93 RAINMAKERS 'The Rainmakers" (Merssry/PolyGrem) 37/2 (31/4) Add.: WXRC, WZZO. Powers 1 Heavy 3. WKOZ, MARY. KZEL Widow 23 including KYYS. 915, WFYV, WOOF, WAPL KGGO, KOOS, KEZO, COWS.

EUROPE The Final Countdown" (Epic) 35/10 (271) Add.: WSRK, WSHE, KROR, WOMA, KBAT, WKOZ, KMOD, KOJK. WHOM, WRUF. heavy O. Medium 19 including WOFM, KGB. WPYX, KNCN, KNAC, WGIR, CANA.

GENERAL PUBLIC "Hand To Mouth" (RS/MCA) 32/1 (332) Adds. WMGM. Powers 1. Heavy 14 including WBCN. WERK, WORT. KROO, 91X, WUR, KIEL, ETTO. Medium 15 Irchd'ag WNEW KFOG, CFOX, WHFS. WOHA WCCC, WRKI. ORIAN SPENCE "Brothers" (Polyda/POlyOrem) 252 (234) Add.. KWIC, WWWV. Heavy 1: KIEL. Medium 17 including WYNF. WLLZ, WAIF, KSME, KGB. COME. WEZX, WOW. DON DIXON "Most 01 The Girls Like To..." (Enigma) 22/4 (19/4) Adds. FART, WEGR, KSTM, KKCY. Heavy O. Medium 7 Including WHEB. WADI). WILE, KIEL KTCL KTYO. ROBIN TROWER "Passion" (GRP) 20/4 (1M) Adds: KLBJ, WEGR, KSTM. KSOY. Heavy 2 WMRY, KIEL. Medium B: WBAB, KSHE, KNCN, WTLJE, KAZY, KNAC, KATP, WZEW.

DOKKEN "Under Lock AM Key" (Elaht)) 204 (171) Adds: KDJO. COME, WHEB. Heavy 3. KBPI, KISS, KRIX. Medium 12 including KGB, KWIC. WOWS, KFMG, KILO. KEZE. WGIR.

JOHNNY WINTER "3rd Delon" (Alligator) 104 (132) Adds. WOWE. KILO, KSTM. Heavy 1. WMRY. Medium 8 including WXRT. KDJO, WHFS, KICT, KZEL KNIT, KTCL LOVE AND ROCKETS "Express" (Big Time/RCA) 151 (I/1) Adds: WDHA KWIC. KIEL WORK. KATP. KRIS. Heavy 3: KROO. wen, WLIR. Medium B including WORT. 91X, OFNY, WFNX, KTCL.

ELTON JOHN "Luber Jackets" (Geffen) 154 (151) Adds. KAZY, KKGR. KSPN. Heavy 3 including KINK. WHMD. Medium 9 including KTCZ, WOO. WKGR, KATP, KESI. KORO. KROU

96/ R&IR FRIDAY, NOVEMBER 14, 1986

L .. GV. V.., -.i. ,- ..i/.11 ,-.` r .. I I

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or light). An artist's name with no abbrevi-

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A "frozen" list indicates that a

report was not received, last week's rotations are in-

in the data base. - Stations arranged 9 market size, according to Arbi-

RASA population figures. Parallel One: 1,000,000 +. Parallel Two: 200,000 -

Parallel Three: under 200,000. at a significant ratings dis -

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next page

PARALLEL THREE WOBK.FWAlbeny

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172 Reporters 167 Current Playlists

Three stations failed to report. Their rotations were frozen.

CHEZ/Ottawa WOUR/Utica

WYMG/S rin fleld,IL Two stations reported

B frozen list. CHOM/Montreal WRKI/Danbury

The following stations are new AORIepOrtefs:

KDJO/Jacramento WBYR/Buttalo

WKGR/West Palm Beach WORZ/Orlando

WOWS/Chattanooga

Three stations are no longer AOR reporters: K97/Edmonton

KZEP/San Antonio WCKG/Chicago

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B104 ""'"B Baltimore PD: Steve Kingston MD: Amy Kronthel

New York

WWEJ-FM RADIO PD: Larry Berger MO: Use Tonaca

ngton D.C. PO: Chuck Morgan MD: Pam Tricken

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8Philadelphia

PD. Smn Walker MD. Glenn Kaline

(NCAU-fM

MI Hie WKSE -FM PD Scott Robbins MD: Dave Gillen

Buffalo

Bu//al0

Ops. Director John Hapax MD: Mindy Michaels

92 PROF Providence

OM Manager: Tom Cuddy

MD: Vic Edwards

c]r4FT Montreal

Bob Beauchamp MD: Guy BroullaN

(CFTR0Y2; Toronto

VP/Programming: Sandy Sanderson MD: Bob Saint

WXKS -FM Boston

10 8 F M PO: Sunny Joe White MD: Susan O'Connell

wp. PD: Ba Tony Long Island MD: Ruth Tolson

I F Pittsburgh 1ìe4 B94FM

PD: Nick Ferrara MD: Lori Campbell

Buffalo

WBEN -FM PD: Hank Nevins MD: Roger Chlsaen

Washington PD: Bob Kaghen MD Many Dempsey

PEI

SOUTH

PD: Sheldon Borgen

MD: Doc Michaels

WRSR Norfolk

Dallas ailhiF

Acting PD: Joe Folger

POWER KRBE

Houston

PO Paul Christy MD: Helene Pine

I

100 / R&R FRIDAY, NOVEMBER 14, 1986


IOW OM PD: Bob Case MD: Lindsey Burdette

Atlanta

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New Orleans

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inneapolta PDtL1O: Gragg Swsmarg

KBE() rt< n tarrIa¢sr tau PD: Steve Penn Kansas City MD: Karen Barber

YVAN-804 LS Chicago

VAN-804 Opa Manager John Gahm Asst PD/MD: Rich McMillan

Cleveland rwmms 0.00.9 ß1u7

Ops. Manager. Kid Leo

WEST

101.5 FAI Seattle KPLZ

PD: Casey Keating MD: Mark Allan

AO! MIS! VP/Operations: Dave Parks PCs Ma Preston San Diego

Chicago

PD: Ric Lippincott MD Brian Kelly

IaZPIOCAM Phoenix lit mom on mac tina PD: Guy Zapoleon MD Kevin Weatherly

Seattle Ops. Manager Gary Bryan MD: Wendy Chrieopher

Sacramento Ops. Manager/PD: Rick Gillette

Assl. PD: Chris Collins

San Francisco

PD. Steve Rivers MD: Keith Na/laly

PD: Sean Lynch Portland

- Los Angeles

QKIIS 7 VP/Programming: Gerry Music Dept: Mike Schaefer, Gene Sandbloom

DIN NI

KRXY Denver

PD: Mark BoBe MD: Dom Teste

CWD Sacramento

Chase wriló%iM: MD: Mr. Ed

Denver Ops. Director: Doug Erickson MD: Dee Ann

Metzger

KATDSan Jose PD: Bob Harlow MD Gary Weinstein

SOL/ TB-11

102 / R&R FRIDAY, NOVEMBER 14, 1986

MOST ADDED EAST Bruce Springsteen Tina Turner Billy Joel Gregory Abbott

Georgia Satellites

BREAKOUTS Rod Stewart Grace Jones

KBC Band

Billy Vera .. .

Bob Geldot Peter Gabriel

Nancy Martinez

CHR ADDS & HOTS L

MOST ADDEO SOUTH BREAKOUTS

Bruce Springsteen Tina Turner

Bilty Joel Georgia Satellites

EAST

PARALLEL TWO WPLYIAArOT. My cNktYtVO'.M.n

BANGLES MLLE JOIEL BRUCE SPRI.STE. CAMEO CARLY SIMON GLASS TIGEP JANET KANSAS

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WANG CHUM 13 -11

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TRUMAN BRICE NESTION

BOSTON EDDIE MONEY 2 -2 BON JEAN 4-3

HU. LEWIS THE 7-5 PETER CETERA 11-7

KIDrlelmw. TX S akerUsalmen

POINTER SISTERS

BILLY VERA 6 HEAT KANSAS

PETER Mttt

2 -1

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Jeck Dw.M

KOOL THE GAM GEORGIA SATELLITE LUTHER VANDROSS

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BRUCE RI GSTEES K. SID

MADONNA

GEORGIA SATELLITE GENESIS ROD STEWART DON JOHNSON

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BON JOVI 1-1 PETER CETERA 8-5 MET LEWIS a THE 18-8 BANGL. 22-13 ROBBIE NEVIL

OtaRSAIrInRMNqK9NC EdwadMWMSM

DAVID DAVID TINA TURN

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KAMLEI Roo. TX Roo. Mom/Warn.

BILLY VERA a BEAT BON JOVI

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REZONE POW. TX Pt.ntrYlYlten

MIAMI IIDUND BRUCE NPRIWR M E

M<D 3-2 BOSTON 10-7 NAM CRUMB 19-13 BANGLES 11-15 SON .JOVI 22-17

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EUXENIMICS 6 -24 LABAN D-34


The following station reported e frozen playlist this week:

W RON/Totedo

The following stations felled to report this week, therefore their playlists were frozen:

W KEE /Huntington WOID/B(ioEI

Note: WARM /Atlanta is now known as PWR997.

Music Key: (DP) indicates the song is getting play during certain parts of the day and /or night. (RA) Indicates the song was dropped from the playiist then readded

J

I MOST RODEO MIDWEST BREAKOUTS Bruce Springsteen Georgia Satellites Tina Turner Peter Gabriel Billy Joel Van Halen Janet Jackson Cool B The Gang Billy Vera... Miami Sound Machine

R8SI FRIDAY, NOVEMBER 141,6986/108+K

CHR ADDS & HOTS MOST ADDEO WEST BREAKOUTS Bruce Saringsleen

NBC Band Tina Torher

Rod Stewart Billy Joel Van Haben Billy Vera, . .

Luther Vandross Grace Janes Gregory Abbott Debbie Harry

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Breakouts are records not included in the re. gional most added. but which have five or more adds in a region. and fewer than 50 stations overall

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CALL STARSTREAM COMMUNICATIONS GROUP, 713 -781 -0781 , -A

104/:FMR FRIDAY, NO.VEMBER.14;1986

L PARALLELS

Please note, frozen playllsts an Indicated with an "fr" next to the previous week's chart position.

RAR's CHR reporters are chosen on the basis of location, ratings, and ability to report current, timely music information.

Parallel I Reporters: Selected stations that are format- dominant and /or exert significant national influence, in major markets with a metro 12+ population, according to Arbitron, of 1 million or more. Parallel 2 Reporters: Selected stations that are format- dominant and /or exert a significant local or regional influence, in secondary markets with a metro 12+ population, according to Arbitron, between 200, 000 -1 million. Parallel 3 Reporters: Selected stations that are format- dominant and /or exert a significant local or regional influence, in smaller markets with a metro 12+ population, according to Arbitron, of 199,999 and below.

239 Reports

JOHN DOE "Hit Song" lAny/abel)

LP. Hrt Song

100/25 44%

Mach 33% E

M 21% 66%

w 19%

Na0Wm1 mWnm.Y

Up 61

1382. 20

Brn Clown 6

66a x6

EXAMPLE 100/26 - 100 CHA reporting stations oD

t this week including 25 new adds.

44% - Percentage of this weeks re-

porters paying it.

Regional Reach - Percentage of reporters playing the song within each region.

National Summary

Up 51 - Number of stations moving it up on the charts.

D oMns 20 - Number of stations debuting the song this week.

Same 4 - Number of stations report- tng no movement this week. (On to On, Add to -On. 31 -31, etc.)

Down 0 - Number of stations moving it down on their charts.

Add. 26 - Total number of stations adding it this week.

A GREGORY ABBOTT

Shake You Down (Columbia) LP Gregory Abbutl

1lä36 OM National

Regional e Summary Reach UP 77

E 771 IBREAICER DEBUTS 32

s 911 SAME 21

M 451 DOWN 0

W 71% ADDS 35

UST

}6-}0 WARS 1-19

B IS-33 21101 28-23 C201 4/9242 7-4 0.100 6-3 .211 a-36

PRO-274 20-26

SAV 226 21

Woe 940 10-4

-28

R9es-16 L 29-28 2100 3-1 1197

Own 10-10 0105 27.24

196 17-14 62X 31-25

99C72 4-16

MT 24-14

2 6 RIM e

K M. 14-10 2IO2

3:27 BE11 4-36

19 002 d-25 21101 a-20 KM. on NATD 32-27 2212 O P0. 32-25

11-104 a

6- 21-16

9330 a- 36 9t 2 9 15

WKx 68-65

ó1ä a

-5 WM 11-26 292 on

O 600 2.106

1 aR

--10 14 603 4-3 1.110K 34-28 0105 20-16 11222 14-13 1.211 24-19 2281 8-6 YAM 21-11

5>f

6-x5

ll 27141 -21 07.01.1 0-23 KOS -7 moo d-30 WPON 4-12 NABS KAM

K1121 -40 W2OS

36-30 Y 06 8-28 942 3 -11 KW 9-]0

30 KIIT -17 271.10

MK 30

á 2[L e 5

R00O1?

MU on AIIK ,a-35

W M 8-35 a-l6

R'OSrA . KKK

KNOX d-40 IMO 38-35

6Op22 -

XLIJC -31 mom) on

on

37-31

NOT

10i c19 66 95x10 m 14276 a-31

1401.2

001305

Vp1S 4-a8

66 15n WJAD MO 72-17 WM 11-7

a2ä 1 WW1 on MP

e- 4 35 a

WPWI 37-30

WOLP 2 66-23 e-35 mum

14101112117

IMO IL d-33

Ea] m KEW a-34

on 9120 636 IMO on

40-36

Row a-32

MST

FM FWD 604 - Continued On Next Column

tip ' asT

Oetxga Abboa CortEnad- 2TY a-)l RIM 36-13 140.1 a 2271 a 15912 4.34 210/ 4-34 20296 2.34 297 on

0100 39 -31 WVSK d-22 011187 27-20 WT1C 22-21 2226 30 fr WAN 4 -4)

D IM on E NS 16-11 KITS 413011 C )5

BANGLES Walk Like An Egyptian (Columbia) LP. Different Light

Regional Reach E 901 5 94% M 91% W 96%

223/l 113% National Summary UP 199

DEBUTS 9

SANE 13 DOWN 6

ADDS 6

tiv BAR

WX KS a-2 25 WKS. 27-17

-18 SKI a-21

5-10 r°13 25_15

894 21-13 1810-M4 29-25 11106 12-8 0107 19-14 WAVA 12-11

S Oon

P2r191? 20 -17 x98

12 24 15 K M

2100 -26 29 -14

217. 21-18

0105 11

105 26 -26

N IM6.?

6-=1

MM. 21-17

MM. 97X 22-13 WW1 28-21

WlC:i

s-14 9

2aW IS-11 28-26

v2nB 24-20 WM 21-18 10fOL 14-10

Win

e 55-11 oá

61-i K IM 1..11

17-1-11

5230 21-18 102103 6-4 101121. 19-5 KATD 2-1 MIMS 24-15 KPL. 7-11

UST

a-25 0100 6

2l 2104 12-14

R 21-17 WIC 10-11

e fr DI AN 1á

PE 34-30 RI -104 a-28 9aX2

4 WM 36411 930 24-18 WPST

.20 - Waco 1S-10 21.12 22-17 0106 26.24

2180 12-27 198 on

e-f2 RGM, 166-16

0ID25n -11

2201 WAPI

18-14 1.112 11-5 111. on 51100 l6

WW1 25-14 KM 22-13 GIOS

2 ii-ii 5

27-11 6-19

91/216 on

9-26 4 601 25-18 401rt 25-20

26-22 22-IS

1720U 24-1} KM 34-23 WM 22.18 WOG a-23 1.21 21-17 KAN 18-14 WRY 16-11

-29

' m11O520-13 2106

xáw 2002 d -29 217Y 5-12

4.1 wx 6 is-2 WOOL - 8

MIw09R

ROD 11-13

IS WM 16-10

22- 2 SOT/ »-i

o 64-18 21

RW 4-20 1/0110 25-23 2100 19-13 2170 20-14 1104

IDl '2 d5 ROBO 19-1l

RL06 18-12 21101 3 fr

05811 WORT ]2-16

WER

KIM 22-19

-5 23-13 29 -21

21 206 12-10 MX 26.17 YW0 29-26 194 12.6 209 1-4 FLOC 7-12 RORK -21 4r:v 10-9 RC2O 18-9 KIM 6-6 KG. 24-14 KCPX 4-2 FITS 4-3

6063 2 14

221 17-14

Orso 38 -21

6-520

5-3 IME 22-21

0190 2R -22 400 4-

1002N153 95 %1L 166114

5,x1 2 0.29

101116'

6018 20-IS RRA4 1e-3 a-21

RO50 28 fr 00 l4-

W JWx 18-13 198 25-20

ó2O9 29-24 WW2 22-20 WM 36-28 K B 21 lo -18 I0101 28-21 MOW 21-11

n24-15 02 25-18

WLr 26-19 1m 12-5

o 2- vol 012

mlowairr

E STT 2-14 W010 10-17

Ri 9l- 21201 B-2

9 66a 25-19

9 105X -

2272 L 3s-14

' 13 K IM 20- u

n-31 10/70 19-10 .162 26-10

NM FM 26-24 2

MKT 23-20 A 23-9

Wi ]1-16 KT. 16-13

MN WWL 26-N 2112 20-11

C 2)-17 B UM 0295 9-1-7

I

BON JOVI You Give Love A Bad Name (POlydor/ LP Slippery When Wei PolyGram)

Regional Reach E 94% S 91% M 931 M 90%

nom @% National

O Summary UP 150

DEBUTS 3

SAME 42 DOWN 19 ADDS 6

tip YR 13104 11-8 2222 11-9 Ina 2-2 101.10 3-1

W41á 1100 KAU 1-5

PRO-114 5-4 C7.1 38-28 1106 5-4 0107 11-9

S OUPS

iMM91 712-8 i9l 6

TR618

16-21 9372 3-3 0Y 5-4

2100 4-4 . 97 17-12 W W1 9-7 WRAP 7-4 0105 4-2

5t00fet

9-4 0102 a- n1016 6

922 7-1 MI l2 920.5 14-9 WM 11-7

2eW 1 2271 10-29

Tom 2-3 SacK

WM 1-2 0106 2-6

MOM

W M l-1 29921-6 M 0.6

930106 2-6 2471 7-5

4W14u®Ò

6-4

-3 MIME 1-1 0105 5-1 2221 1.18 22-17 WM 11 -11

VANS 4-4 2.001 15-13 9472X 1B-12

1021 7-7

WY6x333x

318 W W 9-7]] W OW 96 W as WsM 10-8

S-10 R511-3

05 6-4

E 133-24 0040 4 5%135 5-4

_ 13 W OLF 1-4 112.0 2-2

KDON 6-5 KCPX I-5 21173 11-12

53 O M

MDT

WOG 3-3 W. 2_3 1. 103018 7-6

6-5 90 2%%% 2141

5

ámu 2- wo21 6

0-8 95.0 KAN WM 3-1 wna 9-6

.san 2011 65 aESr 3-1 WAD -6 40D13 fr

WOO 25-11 O9 9-5 21211 3-2

0104 6-S MS MP 1

B_5

KM 010o1 14-8

n 14-8

2102 4-1 14012 11-7 1103 4-3 21101 2-2 MS 11-9

Continued On Next Column

K M ll-I5 na 4-3 11OL 11-11

MR

9i20á

s -1 23-21

KIIS 20-18 LP 6-2

Klan 9-7 51400

51460 10-4 K ATO

11

9úK URE -

ra6T

Bon Jovi Continued

WYLY 10-7 0100 1

WW1 26-21 14.11 10-7

K1C 1-I K AM 2-1 was 7 fr WAIr 6-Il

9-S

R1-104 14-1( 2 16

wow 930 9-5 WPS? 2-2

WKDD -5 MU 10-6 WICX 15-34

6- 7 a

R1010 8-7 7-3 M. -6

KLO 9-8 2050

15-u

2170 6-4

l-] K020 7-1 2191 a-15 WICK 6-5 ws I fr

2211XRTW 6-2

Rap 1

K M 1-1 KIKX 6. N60 2S-22 p 24-11

K AM 10_9 K NOX 10-10

R2ó é 24 urc 6-

20112 m-30 15,12 2.7 KCAO 3-

Rxn 2-1

BOSTON Amanda (MCA) LP. Third Stage

23110 Regional Reach E 04% S 99% MM 100%

92%

1

S i wryer

xYT 6-5 0p 35-23

WWII

R 5xM2i 2

5010 9-6 }4 2248-

WXPX MAZY 4 6-5 177. 11.9 22041 4-3 99110 9-7 565C 9.7 E Wro 4-2 8061 2-2

K M 5-1 KM/ Il-8

11007 on W 6-S Y 8-6

KKAZ 10-0

Rmrá6 Rira 3-2 E rn 23-11 MIT 9-8 291M 8-6

L W iv6 + 097

0295 x 2

-s

Sr* National Summary UP 62

DEBUTS 0

SAME 104 DOWN 65

ADDS 0

s-1 MDR I-1

KIM 1.10 D-3 O 2

2101 1 -1

15-9 661.3 6-5 0100 5-4 WCAU 094

3

rM 1-1 2-9

2106 1 -1

0107 S-5 WAw. 3-2

940 0917

-1 0118997'6- 8 193 -2

3

-5 1.26 1

9372 1-4 K IM 1.10

5100261 - l l

197 1-I

nú6 1 -3

0105 2 -1

O 1002M

216 1-1 W12 1-1 195 1-1 0102 3-2 1011411 1-4 920 1-3 WW1 1-1 9951-2 I-I

CxY 1_i WMT RBW 3-2 WTI e-5 K an K518 1-1

-1

WLOL 8-9

GUT

YI DS 1-I 6 -5

AM -5 2 l -3

9210217

-5 KM 16-26 K ATE/ 1-8 21422 1-3 K OLE 3-3 K M 7_4

Yat

1rr1.Y 1-1 1 ;-2

2104 -1

2-2 2-2

AIM -2

1 6CI013-

9330 1-1

WPST 1-1

2201 2-2 W ICK 1.1 2211 2-1 0106 1-1

sotma

DIM 1.2 R98 1-

-2 W001 1 -1

1118 l0.9 .3006 6.4

WROa I-7 WSS% 9- WerY 2-1 IMO 2-4

Maw 1;-, 010s -

L 20-26 LB 10-7 BR 1-1

12011 1 2

-)

TY16_2D W 2-2 MORI 2.1 2721 1-1 500U 3-2 ALUS 2.1 141.22 1-3 now SPOW

-1 2201 1-1 KAN 2-1 WW2

rr 61 51 8-)

_

.1 26

1805 4_1 TIO6 6-S

3-2

W M 1.1 V6

N IIMABT

2200 3-8 MU 2-2 WtA'% 2-7

-I

-1

R1:0 1_ xl 1-a

ROw 3-1 4 MORO

2100 1-1 MG -3

1 -3

204 6-16 RJ101 1-1 Ro90 1-1

Wr025 1-3

ir ta

1522107 2-6

?W x Ir 19 9

MIDST

27110 l

LD 12-0

9 6 KNOX - Krim -7 194 8-18 Epp 12 -7 KlaC 2-3

22112 6-5

áü7 0 6

IMO 3 -2 I

WY 3 -1

rx 2

ROSO 6 RIO I

Sor WPC 1.1 MX 7-7 AMY 1-1 103CI0 1-1

0;rá -_, Wim 2901 2-2

10632x '

-

100221 1-11 951.0 15 140/21 I-1 14027 1-4

600-1

Roll 1- 21017 1-2

WÓIÓ 2 tr WM 2- -i

19

2 i-

MTKS -6

0101 2-6 KIM l-1

00 1-1

WOLP 2-1

2112 1-1 WYBS I-I

520091?

KYCY WM -1 2

-5

Rái 1-1

' K 010 2-1 1-4

094 24

W YK 1-1 MATI I, Kinac 1, K KUI 1-4 9960 1, KKDC 1, RITTO 6_1 DODO

Knorr i -i Mir 2002 I-4

t_5 am ANTS 6-10 K M 3-3 21112 1-1

22712 14

CAMEO

Word Up (Atlanta Artists /PolyGram) LP. Word Up

20212 01696 National

Regional Summary Reach e UP 139 E 85% DEBUTS 4

S 83% SAME 33

M 79% DOWN 24 W 92% ADDS 2

1104 6-5

KNO d-24 CX01 14-

3 -10 10 -IC

1A0815í1 094

20 -1S W- 171 37 -11

D106 7 -S

8 WAVA 10 -9

S OOTTI

293 i 1514

7-7


2.2 12-16

0106 20 13

Shin .60 2-7

W2MT 5-182

10R08 6-5 RW 7-19 Rx 1s-17

WOK l-3 0105 1S-13

10222 3-2 SINK 21-18 142111 7-7

2

WAPE 8-14

RCA) 4-13 ROW 14-9

R3i e s R1120 24-17 KIM 24-19

YI't

WM 20_15 WW2 16-14 2102 17-11

- 103011 6 15 9w 11-9

14271 14-10

1220 2

5024 lo 100221 6-9

9]171 4 -2 6 -5

0100 2 -2 197 9 -26

01 05 24-20

2111111167

896 3-3

J _3 ls

92X 3-2 -9

o1Y 3-8 IGITT 10- q Ea. 12-9 m28 5 25á9

WwE 2S-il

Wear

l-9 208 5-5

15117 1S 1101/11 101/11 4-13

R55150a031-1 E910] : 1 EMm. ]0-32 MOSS 9-7 2701 RR 29i: KKR

Yat

0100 1-3 6 12-u

6 WALK 6-1 WIC 5-2

ñws 9-li EC12M1Oil 16-1

YS.ir 9-5D 6-11

193? 20-16

Cameo Continued

Sowr u-5 9-6

WWI ]-12

4-2

Rews4 2- 7-4 1I1I22 10-7 n 2-]

2-8 8868 4-1

5 311 s.70á

1

-8 2170 IS-10 MLA eq KIT( 9-16 itrn a-5 604]0 l -1 WEIL l -1

7150095?

Wa2;3 6-e15 2011 )-)

WM 26-16 Ra 6-55 WORD 2100 1-6 S LPL e--1

22 1104 9-8

03 6-5

á393 26-26 i -10 R 6 fr

1001.0 I 3-9

W69?

60110 16.13 11.5 8-4 K ITS 1S-12 KM 14-9 CHM 19-9 1.20 12-12

W % 1-1

1 94 24-29

1 ALM 4100111

3-2 9-10

WOW W 21-ï DM

21017 6-24 113. ll-9 M010 21 fr

6030 10-9 998 12-

0106 4 1 .x8 17-12 IMP 7.4

0101 14- 12 -15M 6 -6 WPM -2

.103 14-19

w 9á 23 -17

.110 15-26

OLwr 1i-24

RCIq 19-I4 KKK

Rw 13612 9920 21-19 O 52C 21-13 MOTO 11-9

ré 26-11

4211112 23-29

22.01 I3-12 KT163 17-12 2.2 17-14 20/2 21-23

13 K M KIM 4-4

a-2a Sal 2612 15-10 2201 10-9 6022

9

0295 16.15

PETER CETERA w/ AMY GRANT The Next Time I Fall (Full Moon/WB) LP Solitude /Solitaire

Regional Reach E 94% S 96% M 971 W 981

230/0 91% Notional Summery

UP ary DEBUTS 2

SAME 35 DOWN 13 ADDS 0

flR

104 12-10 Wen 3-3 14282 6 -5 WPBS 7 -5 MIMI 11-9

ás Inn, 24-17 1100 20-16 KAU

6 -

1

3

71

7-6 CPT1 21106 1 -3

0107 7

WAVA 7-6

940 1610 19) 7 -5 2200 6-3

9305 8-8 15122 4.3

0x16 -IS 197 6-4

009 17.14

N IDDRIFT

9 5 -5 irtal 4-4 295 0 -7 011002 1s -10

21 -20

iWI

1 W 10-5

9900x 10 -6

887., 99515 2BW

4-2 KOM 4 -2 K an 8-4 SLOE 3-2

1 -4

21. 14-13 21114 1-3

nú02'1 16-11

2 8103 8-6 moo. 31-22

é 2í ú 9 9 -

tiP flat

01040 1 -

IMP 4-4 '

4-10 IiY21Qr06x 2-1

5w5Eé10-7

2 l

W1AS 2-i 60101

6 ] é 6

sr%3 e-3

16-9

9 30 4-4

11.2 11.6 WICK 6-4

141512 9-5 0106 _5

R9R2-8

v-10 147147 -

9 2- 7 1

2621 06 5-5 6-3

6 R26atOR6 a 2-6

201m 6

DIM 0105 3-2

65-16

-2 -1

2022 B--5 TY%15 9

WAPE MOT S-4 2021 11.10

9

62051

Y 19-16 rmloo 3-3

1 r414q -

67Ar2

2061 6-5

WM 4-3

5 15

v 14570 19-12

KITT 6-4

WM 29-'1

52w-1.r

WEOD 6-10 KAU 4-1 WM 11-29 1E

t-1

11 RBW 7-4 2210 6-6 MGM 5-1

W 6014 11 6-35

14270

Y 21-15

1 JlO) O 16-I1 e-5

293 5-6 WWW 21 fr

222107 6-4 K 2= 107 MOT 9-5

KM 7.5 FNS 1

111.1 4-4 Kin 5-4 COW 23`17 MGM 1

0 -14 176011 14-6

0 27-25 14 4 Rog 10-

1 FLOC 5 -1

R CIO 1)-12 6X70 4 -2

5002 5.-4

R BÓ 5-1 RW 14-6

tip 611?

1/713G 5-5

14I.We 7-5 6-5

9510029

5é- 5aY0 7-4 4024 1- 02100 17.1) 94010 4-3 IMAM 9-7 20147 4-1 WM 6-5

SOOTS

2010 5-7 W2sr 12-5 WAD p0 8 fr

KIM 4-1 14

R9 7-<' as 618

010. _

MS sai IMP 4.3

0103 91-11

aAt 10-9 t9-20

oi± 16-

6103 1 ,

22121 6-6 voY 8-6

2120 6-4 WMI 2CI-10 ROCS 8_ K M E 24o 6 224 1.2 2210 3.2

5A2M 4_

2205 3-2 9920 7.6

IMO 2-2 WM 9-7 WSPT 10-10 1.221 4-4 K V. 4-3

WeR

K GOT 2-1

S TAB 3-3 ORBI 0.6 KOLE 3-5

227Z 10-7

10112 4-4 MR

7-3 BLY116 7-6

Y01io5415-11

CHICAGO Will You Still Love Me? (WB) LP. Chicago 18

Regional Reach E 48% s 29% M 31% W 24%

Tä1 l 33% National

Summary

IN&AI DEBUTS 22 SAME 31 DOWN 0

ADDS 19

liP SAAT

2.8 on

WCAU a-19

4E a1m -29 0107

aí651

m WFDR 4,29


Sani woo on

GI OS on WM )5-29 on

KM on 2011 a

áY40

I9

ó-

vOLX

14101.11.7

103C111 on 2272 on WV24 N-21 02100 cm

-l9 95%1L e5-14 WM 5

SCOTS

2012

14.1725 4-40 WKS a.

66701

O 10015?

9/X on K IM 4-12

Dam

lB

0100 on 2104 on IRK a-40 S AM a 2C101 on

WW1 on 142. d.40

Chicago Continued

o a-IS

v ia -35 2102 fr

KITS a-ll MX 0-)8

5x9 '0 e-)4 KCPX e-JB

UST

0101 en RW e-38

K V. on

on WOn6-17 IILPw 4-28

32--329

WAXY 403

IM P 4-40

DIST

1.102 on 1.917 on ran on MN on SO954aa

CINDERELLA

Nobody's Fool (Mercury /PolyGram) LP Night Songs

50111 23% National

Regional Summary Reach

¡

UP 12

TS 13 E 37% S 21% NEA DE5AME

23

M 19% DOWN 0

W 161 ADDS 11

LAST

CRá ]1-3) 710-1,14 on

SOOTS

146.52 40-36

RIMES?

96942 on KM on

KAM On

0100 26-20 O4 39-37

SPOT 27-21 11.2 d-31

SOM 21230 d-35 WOW a

22.011 on n-31

K M on

8060 3-31

np W 29 fr

KIVI 40-30

IMO 11-28 E CM on

.-19 95%10 12172 1115. 1G4 ñ-35 0

02100 on 1002111 or 94.0 on WAN on WOK on

2011 36-33 mar 16-35 MD on AMA on

FM on

32ói on

MN an

10 6411 a

22L12 on 9920 on 12082 on

20.1 14-11 0295 12 -21

DAVID 8 DAVID

Welcome To The Boomtown (ABM) LP BOOrl)10w0

Reg Reachnal E 29% s an M 69% W 57%

12111 61% National Summary UP 50

DEBUTS 15 SAME 40 DOWN 7

ADDS 9

N&A

tiP WM. on 212.111 17-17

992240

l' -21 l 293414 -16 MS on K M on W ut 6 -1e

WA 15-11 295 18-11 101616 I1-10 990.1 31-29 WC12 10-20

s

K. 1) 2000 ]0-IS

27. on Y108 on

2 210D a 22111 75-24

tiP MST

0i0ó 23-19 5 MRS

í 1m 3a1 2781 d-39

WRCK 40-37

souTO

MO 4-32

268X on

0450 14-I2 2821 6 -1)

l6 i0s 14261 on SANS d-29

WORT 27-28

KM WM qo-2i

WSJ s

l-ta

W twrsr MD 10-7 WKAU on

18-32

5

1

- 913 1y 20. 36-33

m ho 12-8 2104

131-2s 2.93 on 1202

RIM fr

R

K M on KITS 9 -16 2120 19 -37 5505 288 -25

í993m on

6060 on Kayo a-25 0015 34-33

11C711 on

áo0 15 -14

140 LAST

won ] 34

MPG on OM 4.15 S oon

1012 )0-21 WASP 34-31 1.211 32.29

10-16 32r2xt 2

63T9 d-17 O 665 29-24 0101 4-1

9 MI 9

wY -l9

2-29

r6á ! 27 WAIT 31-27 KIM cc 210.8 ani

on MR e 21-14 WM 26-21 RIK 17-13 RM 26-22

2002 on 1.101 on AVIS 21-16

eó-B K rnm 4-40 x7O

22-22

4]2-12 297 on 0X95 11-14

r

R&R FRIDAY; NOVEMBER 14,1986/ 105

PARALLELS

DURAN DURAN Notorrous (Capitol) LP hIatonous

2182 e9 Iona 1

90% m 11% Ma

SUIMY UP

DEBUTS

ADDS 2

SAME 15 KM 0

141

r41 41`

imam om 23:14

mo 2724

PORI 33-23

il

:41 gig

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Victory (Mercury/POlyGram) LP: Forever

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11710 10-8 14217 12-10 WIGM 5-7 103018 12-9 95/07 15-6

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2 :17 WM -

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2 -10 0056 14-12

PAUL NBCARTNEY

Stranglehold (Capitol) LP'. Press To Play

Regional Reach E 33% S 191 M 17% M 39%

n% National Summary UP 3


ADDS 16

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MADONNA Tore Blue (Sive/WB) LP: True 81ue

Regional Mach E 98% S 96% M 97% W 94%

2880 88% National Summary UP 124

DEBUT- 0

SAKE 71 D ora 35 ADDS 0

Y, 1004 3-7 WXFS 2-1

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MIDNIGHT STAR Minas Touch (Solar/EIektra) LP samosa

Memel

ell

INiAI Na t ions I

UP 33 DEBUTS 1

SANE 26 DOM 6

ADDS

ins0 21-30

ma Mae 30 33-31

14P

MOM 4-37

0194 14-30

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R&R FRIDAY, NOVEMBER 14, 1986/ 107.

L PARALLELS

MIAMI SOUND MACHINE Falling In Love (Uh -Oh) (Epic) LP. Primihre Lore

104/22 M%N.t'anal 9.9100.1 33

viii IN&AI D astis

M

341 11 ADDS 22

8/019 16-24 MM an 1711. 72-12

10180 27-72

max ra man an

na

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mor 277.24

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013 1-31

ROBBIE DEVIL C'est La Vie (Manhattan) LP DOOM Nero

201)5 Regional Reach

el\ 96

MS al 941

ts M% Nat ion/ 1

DEBters 17 same 25

ADDS 9

igj OSIM 34-20 MO 72-19

vrau 73-19

180-191 26-22

7:3 13-27 KIM oa 11282 37-IS

7105 cm

0107 11-29 MO 37-31 918 11-70 117172 3.35 Vat' 32-77

9319 2.25 94/21. 71-21

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KM 27-10

o SILLY OCEAN

Love Is Forever (Jive /Arista) LP: Love Zone

Milli n%451m.1 Regional Summary

35 DEBUTS E aáii

M 67% 30 SANE

ó 82% ADDS 19

0104 12-14

1033 31-33

=es 33-21

Er

98323 37-35

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74/111 35-11

11"2013' r9-75

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OMD (Forever) Live And Die (Virgin /ABM) LP- The Pacific Aga

Regional mach ó 936

]36 M 6\ M 966

10110 01% x

DEBUTS 8 SANE 25 MIN 0

ADDS El

mus 20.31 Iiim 1,16 me 13-11

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BENJAMIN ORR

Stay The Night (Elektre) LP: The Lace

4giaul 4agN S ne

33\ PI 31% 11 271

72117 N% National Sumaary

UP 16 DMIUTS

SANE 30 ROM 0

ADDS 17

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Golomine (RCA) LP. Nol Together

Regional Re e]\ e Sii WI 61%

140110 0296 x

DEBUTS 29 SAKE 65 DOOM 0

ADDS 19

IMRMAKMRI

Inam 73.11

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POLICE

Don't Stand So Close To Me 86 (ABM) LP. Every Brasil' You Take

S 501.

M isi

0M1 N% National

UP

SME 45 DOM 1

ADDS I

[MIN

man 22.23

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PRETENDERS

Don't Get Me Wrong (Sire/WB) LP. Gel Close

201)5 54% 5. 4g1 ones Maack S 68\ DEBUTS 17 al T\ SANE 10 PI 90% DOM 0

720-28 28-24 SIM M-76

MO 24-71

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11.06 31-33 ita103 21-14

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91.29 30-22

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1013 3.-23

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2101 4-32

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171170

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nos 31,31

=ii

nos 2,21 linela 27-21

R LIONEL RICHIE Love Will Conquer All (Motown) LP. Dancing On The Ceding

77610 Regional

S 911 x 97% M 94%

o 94% x

OP 200

Sara 17 Dow

ADDS 0

elm 12" am 24-1a on. ISM .01 17.14

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moi 22-30

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mt. km um 1,13

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male 16-13

mcm 72.11 02017 2. er melo. s-s

ame

arm 1711-13

RUN-0.14.C. You Be Min' (Profile) LP. Damao Hell

0M Regional Pasch

17%

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15%

(NIAI

maim 11.14

mkt ,6 onee 1S-ta

was 14-7 mat la-13

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DEBUTS 10

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I

108 / RAR FRIDAY, NOVEMBER 14, 1986

L PARALLELS

S

BOB SEGER 8 THE SILVER BULLET BAND Miami (Capitol)

LP Like A Rock

Regional Reach E 33% S 28% M 14% W 18%

B9/16 23% National Summary UP 1

DEBUTS B

SAME 31

DOWN 0

ADDS 16

P HD 7-18 PAU 7-33 P.O-F2 on

SOUP

2728 on

9S12í en Y100 on PP 7-38 0105 nn

P UMP 99nx

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MST

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2122 00.10019n

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20;:

14.110( on 2122 on WYIIe on

on 2212 W80en

252 a 112222

21912

WSW

P OT on 21102 on 2222 a

T95NY916 . O 2950

CARLY SIMON Coming Around Again (Arista) LP. Heanburn Soundtrack

Regional Reach E 48% S 40% M 28% W 471

sins 40%

INtA1


DEBUTS 12

SAME 36 DOWN 0

ADDS 28

.104 30-27 142128 d-35 PEN 38-22 WOOD 40-27 PRO-191 on PP 7-20 0107 on SAVA 7-28

940 28-22 293 a

21112 on

22 nn29 88

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TO 3310

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1 o 2

BRUCE SPRINGSTEEN 8 THE War (Columbia) E STREET WINO LP Bruce Spnngsleen Live/1875 -85

191/191 00%Matlonal

Regional Summary. Reach UP 0

79% DEBUTS 0

S 77% SAME 0

M 86% DOWN 0

W 78% ADDS 191

IBREAKERI

tip 8104 a

WX22 a-40 2220 4-22 14261 a

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86296 4

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SURVIVOR Is This Love ( Scotti Bros. /CBS) LP When Seconds Count

209/11 67%

Regional Reach E 90% S 87% M 90% w 82%

m National Summary UP 163


ADDS 11

ihsr 2104 22-26

11 13214 36-32 0222 19-19 WHO 33-20 CX01 on GU 40 -32

294 30-28

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32-29

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T TALKING HEADS Wild Wild Life (Sire/WB) LP True Stories

174110 73% National

Regional Summary Reach UP 124

E 73% DEBUTS 19

S 72% SAME 17

M 74% DOWN 4

W 73% ADDS 10

tiP 2228 1-15 1 27 -16 MPHO

a -21

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22 -20 MAYA 24 -22

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L BREAKERS.


110 / RB,R FRIDAY, NOVEMBER 14, 1986



BRUCE SPRINGSTEEN & THE E STREET BAND

War (Columbia) 80% of our reporters playing It. Moves: Up 0, Debuts 0, Same 0, Down

0, Adds 191 including Z100, PWR997, 93FM, 0105, B96, Z95, WMMS,

KITS. Complete airplay in Parallels.

GREGORY ABBOTT

Shake You Down (Columbia) 69% of our reporters playing it. Moves: Up 77, Debuts 32, Same 21,

Down 0, Adds 35 including CKOI, Q107, B97, WNCI, Y108, KMJK, KWSS. See Parallels, moves 36 -30 on the CHR chart.

KOOL & THE GANG

Victory (Mercury /PolyGram) 68% of our reporters playing It. Moves: Up 69, Debuts 34, Same 34,

Down 0, Adds 25 including WKSE, WPLJ, WHYT, KITS, WKRZ, WBCY, Z104. See Parallels, debuts at number 39 on the CHR chart.

BEN E. KING

Stand By Me (Atlantic) 64% of our reporters playing it. Moves: Up 81, Debuts 25, Same 21,

Down 5, Adds 22 including WBEN, WCAU, Q102, KDWB, WGGZ, G105,

KZZU. See Parallels, moves 30 -26 on the CHR chart.

KANSAS All I Wanted (MCA)

64% of our reporters playing it. Moves: Up 62, Debuts 31, Same 44,

Down 0, Adds 17 including B94, 0107, KPKE, KWOD, Q100, KZZB,

KDON. Complete airplay in Parallels.

POINTER SISTERS Goldmine (RCA)

62% of our reporters playing it. Moves: Up 36, Debuts 29, Same 65,

Down 0, Adds 19 including Q105, KZZP, KWSS, WNYZ, KXX106, 94Z,

WNCX. TIMBUK3 The Future's So Bright I Gotta Wear Shades (IRS /MCA)

62% of our reporters playing it. Moves: Up 75, Debuts 24, Same 32, Down 1, Adds 16 including WCZY, KS103, KMEL, KUBE, WVSR, WAPI, KAY107. See Parallels, debuts at number 40 on the CHR chart.

L NEW & ACTIVE DAVID & DAVID "Welcome To The Boomtown" (A&M) 121/9 Moves Up 50, Debuts 15. Same 40, Down 7. Adds 9, KWOD. WSPK. WAPI, G105, WCKN, WOUT, WDLX, KLO, WZOK, 940 12 -11. WMMS 13 -10, WLOL 20 -15. 0100 23 -19, WKDD 10 -7, WEAG 12-8.

ELTON JOHN "Heartache All Over The World" (Geffen) 107/0 Moves. Up 66, Debuts 1, Same 38, Down 2. Adds O Including WXKS 25 -19, CKOI 39 -32, WCAU 30 -22, PRO -FM 23 -19, WKTI

26 -23, 0100 34 -30, K104 16 -13, WNNK 33 -27. WGFM 38 -34, KWES 29-26, KBOS 40 -38, 95XXX 34 -27, 100KHI 24 -20.

WGAN 25 -20. WBNO 29.25.

MIAMI SOUND MACHINE "Falling In Love (Uh -Oh)" (Epic) 10422 Moves Up 23. Debuts 24. Same 35. Down O. Adds 22 including 8104, WREN, KBEO. WLAN, WGFM, KEZB, FM100, 94Z,

KF95. Y94, 0105 26 -23, KS103 33 -26. KBFM 22 -19, WRVO 27 -22, KKRD 32 -27.

BILLY JOEL This Is The Time" (Columbia) 102/48 Moves. Up 4. Debuts 21, Same 29, Down 0, Adds 48 including WREN, WKSE, CKOI, WRSR, KWK, KPKE, KZZP, KOBE,

0100, K98. KZIO, WIGY, KNIN, KHTR 34 -31, WKDD 37 -28.

CARLY SIMON "Coming Around Again" (Arista) 9828 Moves Up 20, Debuts 12, Same 36, Down 0, Adds 28 including Z93, 93FM, WMMS, KBEQ, KHTR, KKRZ, KMEL, B104

30 -27, WBEN 38 -23, 940 28 -22, WNNK 38 -31, WBBQ 40 -31, FM100 33 -27, KSND 34 -29, WZYP 35 -30.

POLICE "Don't Stand So Close To Me '88" (A&M) 94/1 Moves Up 43. Debuts 4. Same 45. Down 1 Adds 1, KEGL, WBEN 25 -22, 0102 30 -27, 92% 34 -31, WCZY 38 -35. 0100

33 -29. WSPK 17.11, WEAG 23 -19, KIYS 38 -34, 194 26 -20. WWFX 24 -21. 95XXX 29 -25, OK100 39 -36, WZYP 28 -24, 99KG

38 -32.

TINA TURNER "Two People" (Capitol) 80/80 Moves Up 0. Debuts 0, Same 0, Down 0, Adds 80 including WKSE, WPHD, B94, PRO -FM, KTKS, 897, B96, WMMS, WCZY,

KHTR. KKRZ, KPLZ, WGFM, WDLX, KBOS

STACY LATTISAW "Nall It To The Wall" (Motown) 79/8 -

Moves. Up 26, Debuts 8, Same 37, Down O. Adds 8, PRO -FM, 92X, KIIS, KWSS, WKPE, WOCM, WGAN, KHTZ, WXKS 30 -27,

WCAU 35 -20, KMEL 15-12, WSSX 30-27, WOJX 24-19, KMGX 39-35.194 14 -11. WCGO 23 -18.

CHICAGO "Will You Still Love Me?" (WB) 78 /19 Moves Up 6, Debuts 22. Same 31. Down 0, Adds 19 including WCAU. 0197, 0105, WLOL, WAMX, WOKI, WKDD, WZOK,

WIGY. WYKS, KWTO. WKSI 35 -29. WIXX 38 -35, WOCM 34 -22, Y94 38 -29.

BENJAMIN ORR "Stay The Night" (Elektra) 72 /17 Moves Up 16. Debuts 9, Same 30, Down 0, Adds 17 including WCAU. WKTI, WAMX, WCKN, WOKI, KZOU, KTUX, 0101,

WPHD 25 -15, KWK 21 -16, WLAN 34 -28, WKDD 14-6. WNCX 29 -20, KAY107 33 -26, KTRS 36 -30.

MIDNIGHT STAR "Midas Touch" (Solar/Elektra) 70/4 Moves Up 33, Debuts 1. Same 26. Down 6. Adds 4, WNCX, KSND, KFIV, KTMT, WXKS 18 -11, WCZY 9-8, KS103 36 -29.

WERZ 40 -34, KZZB 39 -35, KXX106 12 -8, KAMZ 6 -5. KBFM 9 -7, KLUC 16 -7, KDON 40 -36, WAZY 22.17.

RUN D.M.C. "You Be Illin'" (Profile) 6818 Moves Up 30 Debuts 10. Same 18, Down 2. Adds 8. WNCI, KBEQ, KPKE, KS103, WNNK, WBAM, WGLF, Z103. WAVA

19 -15, KZZP 14 -8. KMEL 4 -3. WKOB 34 -23, WFMI 16 -10, KITY 2 -1, 194 11 -2.

PAUL MCCARTNEY "Stranglehold" (Capitol) 82 /15 Moves. Up 3. Debuts 13, Same 30, Down 0, Adds 16 including WPHD, WCAU, WSPK, WGFM, WPST, WRCK, WNOK, WIXX,

KIYS. WFXX. Z93 36 -32, WRSR d -39, KIIK d -32, WEAG d -25. KIKX 37 -34.

PAUL YOUNG "Some People" (Columbia) 80 /16 - Moves Up 4. Debuts 4 Same 36. Down 0. Adds 16 including WSPK, 930, WKRZ, KITS, 95XXX, WFXX, KOTZ, 0101. KKAZ,

- PWR997 30 -27. Z93 d -36, WRSR 39 -35. WMMS d -39, KWK d -34, KIRS 40 -36.

JETS "You Got It All" (MCA) 5828 Moves Up 1. Debuts 3, Same 28, Down O. Adds 26 including WAVA, WNVZ, KDWB, WLOL, KPKE, KZZP, KKRZ, K98, WKSI,

BJ105 KEOS. WOCM, WGAN. B97 d -30. 194 d -23.

BOB SEGER 8 THE SILVER BULLET "Miami" (Capitol) 58 /16 Moves: Up 1. Debuts 8, Same 31, Down 0, Adds 16 including 99DTX, WKTI, KWK, WNNK, KEOS, KOIZ, WDBR, KKAZ,

S1Y96, WPHD d-38, WCAU d-33, WRSR d -38, WCZY d -40, FM100 d -29, WWFX 40-29.

MOST ADDED BRUCE SPRINGSTEEN (191)

TINA TURNER (80) BILLY JOEL (48)

GREGORY ABBOTT (35)

GEORGIA SATELLITES (31) ROD STEWART (29) CARLY SIMON (28)

JETS (26) KBC BAND (25)

KOOL 8. THE GANG (25) 110N JOHNSON (25) BILLY VERA ... (25)

T MOST ACTIVE

ELTON JOHN (65) DAVID & DAVID (58)

MIAMI SOUND MACHINE (47) POLICE (46)

RUN D.M.C. (38)

STACY LATTISAW (34) CARLY SIMON (32)

CHICAGO (28) MIDNIGHT STAR (28)

BILLY JOEL (25) BENJAMIN ORR (25)

HOTTEST BON JOVI (117)

BOSTON (98) MADONNA (92)

BRUCE HORNSBY ... (89) BANGLES (88)

HUMAN LEAGUE (88)

PETER CETERA ... (87) HUEY LEWIS. - . (74)

WANG CHUNG (66) CAMEO (51)

Most Active = Ups + Debuts - Downs EURYTHMICS "Thorn In My Sido" (RCA) 55/17 Moves. Up 7. Debuts 3, Same 28. Down 0, Adds 17 including PWR997, WRSR, KPKE, KKRZ, WNNK, WSSX, WOMP, KSMB,

KTRS, WPHD 37 -35, WMMS 40 -38, WROO d -34, 0104 d -38, WVBS 36-24, KOZE d-34.

CINDERELLA "Nobody's Fool" (MercuryiPolyßram) 54/11 Moves. Up 12, Debuts 8, Same 23, Down 0. Adds 11, WGFM, WINK, WEAG, WIGY, 95XXX, WWKPE, KISR, Z103, WVBS,

WBWB, KIRS, WCAU 31-23, WPST 27 -23, KIYS 40 -30, KOZE 14 -11.

SAMANTHA FOX "Touch Me (I Want Your Body)" (Jive/RCA) 52/9 Moves Up 21, Debuts 3. Same 19. Down 0, Adds 9. WCAU. PRO -FM. WGFM, 194, KYRK, WOMP, B98, WCIL. KHTZ, 93FM

23-17, WSPK 24 -12, WKGB 10 -3, KZOU 26 -21. KMGX 31 -21, WKSF 30 -25.

DON JOHNSON "Heartache Away" (Epic) 50/25 Moves. Up 0, Debuts 5. Same 20, Down 0, Adds 25 including Y100. WMMS, KITS, 0100, WKRZ. WROO, KZOU, KOM0.

KXYQ. KCPX, WOMP, WPFM, KNIN, KKAZ, WPHD d -30.

LUTHER VANDROSS "Stop To Love" (Epic) 49/18 Moves. Up 6, Debuts 4, Same 21, Down 0, Adds 18 including 8106. B96, KHTR, KKRZ, KATD, KPLZ, WBCY, KITY, KCPX,

8104 29 -23, 940 d -32, Z93 35 -31, WBBQ 39-34, WROO 22 -18, KKAZ 37 -34.

BILLY VERA & THE BEATERS "At This Moment" (Rhino) 4825 Moves. Up 11, Debuts 5, Same 7. Down 0, Adds 25 including WPHD, 8106, Z93, WMMS, WNCI, KITS, WRCK, WBBO, 8104

27 -22, KBEQ 18 -13, KATD 13 -5. KUBE 24 -17, KSND 19 -9, 194 1 -1, 103CIR 17 -12, WCIL 20-11.

NANCY MARTINEZ "For Tonight" (Atlantic) 41/12 Moves Up 15. Debuts 3. Same 11, Down 0, Adds 12 including WPLJ, 894, PRO -FM, 896, WLOL, KIIS, Z100 22.17, YT00

13 -12, KMEL 2 -2, KATD 22 -18, KAMZ 9-6, KEZB 5-4, WPOW 1 -1, KITY 8 -7. KMGX 5 -3.

GEORGIA SATELLITES "Keep Your Hands To Yourself" (Elektra) 39/31 Moves: Up 2, Debuts 2, Same 4, Down 0, Adds 31 including WPHD. WCAU, 940. Z93, KRBE, KWK, KMJK, 0100, K101,

WERZ, WAMX. KIKX, 95XIL, PWR997 18 -16. WPFM 34 -28

DAVID LEE ROTH "That's Life" (WB) 39 /13 Moves Up 3, Debuts 4. Same 19, Down 0, Adds 13 including WCAU, WLRS, KXYO, KRO, WOCM, 100KHI, WGAN, WJMX,

WZYP, WGLF. WAZY, WPHD 39 -34. Z95 40 -36. WMMS d -37, KBFM 40 -39.

LABAN "Love In Siberia" (Critique) 36/1 Moves Up 9. Debuts 4, Same 22. Down O. Adds 1, WZYP, WXKS 31 -28, WBEN 30 -28, WKSE 40-39, KRBE 35 -33, WERZ

26 -23. WKRZ 30 -24. 95XXX 24 -19, WKPE 33 -32, WOMP 40-36, 0101 d-40, WVBS d -34, 99KG d-40, KBIM d -40.

CHICO DeBARGE "Talk To Me" (Motown) 35 /15 Moves. Up 7, Debuts 4, Same 9, Down 0, Adds 15 Including KIIS, 0100, 98PXY, WSSX, WROO, WNOK, BJ105, Y106, KITY,

KTUX, Y100 15 -14, 896 28 -24, FM102 22 -17, KMEL 11 -9, WPOW 16 -14.

PAUL SIMON "Graceland" (WB) 35 /11 Moves: Up 3, Debuts 2, Same 19, Down 0, Adds 11, FM100, KIIK, WIGY, WKSF, WJAD, WCGQ. 0104, WZYP, KOCR, KFRX,

KIRS, 940 34 -30, PWR997 d -34, KIYS 39 -31, WSPT 40 -34.

FREDDIE JACKSON "Testy Love" (Capitol) 35 /10 Moves Up 7, Debuts 3. Same 15. Down 0. Adds 10 including Y100. WHYT, WLAN, WBBO, Y106, WRVO, KITY, PRO -FM

34 -30, WCZY 26 -20. KZZB d -36. WROO 33 -31, WCKN 34 -26, KBFM 29 -25, WDLX 21 -16. WCGO 32 -29.

STEVE MILLER BAND "I Want To Make The World Turn Around" (Capitol) 35/2

Moves Up 10, Debuts 3, Same 20, Down 0, Adds 2, 951NZ, WNOK, WPHD 35 -29, PWR997 35 -31. WRSR 33-30, KWK 33 -26,

WAMX 24 -23. WOKI 33 -31, WLRS d -39, WZYQ d -39, WOCM 40 -37, 0104 d -37, WPFM 39 -33, KTMT 39 -33, OK95 36 -34.

COMMODORES "Goln' To The Bank" (Polydor/Polyßram) 34/4 Moves: Up 13, Debuts 4, Same 13, Down 0, Adds 4, KZZP, 0100, WBBO, WKPE, WXKS d -33. Y100 34 -31, B96 29 -26,

KDWB 37 -33, KMEL 26 -24, WNNK 31 -23, WTIC 28 -26, WCKN 30 -28, WAPE 29-23, KBFM 35 -34, WNCX 28 -23.

ROD STEWART "Every Beat 01 My Heart" (WB) 29/29 Moves. Up 0, Debuts 0. Same 0, Down 0, Adds 29 Including WXKS, WPHD, WCAU, KRBE. KATD, 0100. K104. WERZ,

WKRZ, WROO, WNOK, WKSI. WANS, WNCX, KIIK.

DEBBIE HARRY "French Kissln'" (Geffen) 27 /14 Moves Up 1, Debuts 3. Same 9. Down 0, Adds 14, CKOI, PRO -FM, KTKS, 930, WROO, WHHY, KYRK, KITS, 100KHI, 0101.

WAZY, KZFN, KWNZ. SLY96

KBC BAND "It's Not You, It's Not Me" (Arista) 26/25 Moves: Up 1. Debuts 0, Same 0. Down 0, Adds 25 including WPHD, KKRZ. KATD, K104, WERZ, WBBO, WROO, WSKZ,

KTUX, KJ103, KIKX, KSND, 194, OK100, KWK 34 -28.

GRACE JONES "I'm Not Perfect (But I'm Perfect Enough)" (Manhattan) 22/22

Moves Up 0, Debuts 0, Same 0, Down 0, Adds 22 including WXKS, CKOI. KRBE, B96, KATD, 0100, WRCK, WKRZ, WKGB,

WSSX, WKSI, KIN, KTUX, KMGX, KCAO.

JESSE JOHNSON featuring SLY STONE "Crazay" (A&M) 22/3 Moves Up 12, Debuts 1. Same 5. Down 1, Adds 3, KIIS, KYNO, KYRK, WXKS 27 -23, KDWB 40-38, FM102 d -24, KMEL

17 -15, KWSS 23 -21, KXX106 24 -22, WKOB 23 -21, WSSX 23 -20. KMGX 19 -16, KFIV 29 -27. 95XXX 40 -35, WCGO 24 -20.

PETER GABRIEL "Big Time" (Geffen) 20/20 Moves- Up 0. Debuts O. Same 0. Down 0, Adds 20 Including WPHD, CK01, PWR997, WRSR, Z95, KS103, KMEL, 98PXY,

WPST, WSSX, KRO. WOCM WCGO, WJMX. KFMW

JOHN PARR "Blame It On The Radio" (Atlantic) 20/9 Moves: Up 3. Debuts 1, Same 7, Down 0. Adds 9, CKOI, KWK, WERZ, WKRZ, KIKX, WGAN, KOCR, 99KG, OK95, WOMP

d -39, Y94 40 -35, KFMW 39 -32, KKAZ 38 -35.

VAN HALEN "Best Of Both Worlds" (WB) 19 /18 Moves Up 1, Debuts 0, Same 0, Down 0. Adds 18 including WPHD, WRSR. WMMS, KKRZ, KMJK, WSKZ, WKDD, WEAG,

WZOK. KSND. KCPX, KZZU, WOBR, KFMW. KGOT.

PET SHOP BOYS "Suburbia" (EMI America) 18/8 Moves Up 1, Debuts 1, Same 8 Down 0. Adds 8. KWK. 930. KDON, KITS, 95XXX, WZYQ, WJMX, 0101, KIIS d-40, KS103

on KATD 35 -31, KITY on -dp.

BOB GELDOF "This Is The World Calling" (Atlantic) 14/6 Moves Up 1, Debuts 3, Same 4, Down 0, Adds 6, K104. WKRZ, ()MOO, 95XIL, WOMP, WBNO, WMMS on, KWK d -31, WPST

d-40. WGRD d -39, WOID on, KISR on, WPFM on, KOZE 34 -31.

BURNS SISTERS BAND "I Wonder Who's Out Tonight" (Columbia) 14/3 Moves Up 5. Debuts O. Same 6. Down 0, Adds 3, CKOI. KMGX, KYRK, KZZP 20 -17, WNNK on, WGFM 29 -27, KSND on,

KLUC 36 -33. KCAO on. KCPX on. KZZU 38 -35, KRO 25 -23, WKSF on -dp, KZFN on.

DEAD OR ALIVE "Brand New Lover" (Epic) 12/5 Moves. Up 3. Debuts 2, Same 2. Down 0, Adds 5, WMMS. KATD, KYRK, WFXX, KSMB, KRBE on, 0100 40 -32, WNNK on,

WPOW 21 -18, KITY 23 -18, KIYS d -39, KNAN d -40

READY FOR THE WORLD "Love You Down" (MCA) 11/7 Moves Up 2. Debuts 1, Same 1, Down 0, Adds 7. WAVA. KS103. KWSS, KAMZ. WPOW, KF95, KFIV, KMEL 27 -23, KMGX

d -37. 194 28 -22. KYRK on.

JEFF LORBER feauturing KARYN WHITE "Facts Of Love" (WB) 11/2

Moves Up 2. Debuts 2, Same 5, Down 0, Adds 2, KMEL, WNNK, KKRZ on-dp. KMJK on, FM102 on, KF95 d -31, KSND

35 -34. KFIV on, KXYQ 34 -31, KOZE on-dp, KTMT d -36.

JOHN FOGERTY "Change in The Weather" (WB) 11/1 Moves Up 2. Debuts 0, Same 8, Down 0, Adds 1, WLRS, WRSR on, WLS 37-33, WMMS on, KWK 32 -27, WZOK on, WZYQ

on, WJMX on, KISR on, 0101 on, KTMT on.

L

L

NBA Begins on Page 91

RADIO 8. RECORDS

CONTEMPORARY HIT RADIO nr.e Two i.a WeiU WMs WM

2 1 1 1 BOSTON /Amanda (MCA) _

s 2 2 0 HUMAN LEAGUE /Human (Virgin /A &M)

6 3 3 0 MADONNA/True Blue (Sire/WB)

9 7 4 0 PETER CETERA with AMY GRANT /Next Time I Fall (Full MooniWB)

15 10 6 © HUEY LEWIS & THE NEWS /Hip To Be Square (Chrysalis)

20 14 8 0 BRUCE HORNSBY & THE RANGE/The Way It Is (RCA)

12 9 7 O BON JOVI/You Give Love A Bad Name (Mercury/PG)

23 16 13 Q WANG CHUNG/Everybody Have Fun Tonight (Geffen)

16 13 11 Q LIONEL RICHIE /Love Will Conquer All (Motown)

14 12 10 m CAMEO/Word Up (Atlanta Artists /PG)

7 6 5 11 EDDIE MONEY/Take Me Home Tonight (Columbia)

31 23 17 ® BANGLES/Walk Like An Egyptian (Columbia)

27 22 18 0 BILLY IDOL/To Be A Lover (Ch'rysalis)

10 8 9 14 TOTO /I'll Be Over You (Columbia)

13 11 14 15 ORAN "JUICE" JONES/The Rain (Def Jam /Columbia)

28 24 19 41) STEVE WINWOOD/Freedom Overspill (Island/WB)

19 17 16 17 RIC OCASEK /Emotion In Motion (Geffen)

38 30 23 m HOWARD JONESAou Know I Lové You ... Don't You? (Elektra)

38 28 m DURAN DURAN/Notorious (Capitol)

40 31 24 G PRETENDERS /Don't Get Me Wrong (Sire/WB)

34 29 25 ® OMD /(Forever) Live And Die (Virgin /A &M)

3 4 12 22 ROBERT PALMER/I Didn't Mean To Turn You On (Island)

1 5 15 23 CYNDI LAUPER/True Colors (Portrait /CBS)

37 32 m SURVIVOR /Is This Love ( Scotti Bros. /CBS)

39 32 29 ® TALKING HEADS/Wild Wild Life (Sire/WB)

BREAKER a

BEN E. KING/Stand By Me (Atlantic)

- 34 31 ROBBIE NEVIL/C'est La Vie (Manhattan)

32 27 26 za 'TIL TUESDAY/What About Love (Epic)

- 40 34 Q GENESIS/Land Of Confusion (Atlantic)

BREAKER Q GREGORY ABBOTT /Shake You Down (Columbia)

39 35 ® DARYL HALL/Foolish Pride (RCA)

- - 37 ® BILLY OCEAN/Love Is Forever (Jive /Arista)

40 ® JANET JACKSON /Control (A &M)

17 19 22 34 LISA LISA & CULT JAM with FULL FORCE /All Cried Out (Columbia)

21 20 20 35 COREY HART /I Am By Your Side (EMI America)

I DEBUT Q GLASS TIGER/Someday (Manhattan)

8 18 27 37 ANITA BAKER/Sweet Love (Elektra)

4 15 21 3e TINA TURNER/Typical Male (Capitol)

BREAKER t KOOL & THE GANGNictory (Mercury /PG)

BREAKER (,^ TIMBUK3/The Future's So Bright... (IRS /MCA)


Y/NOVEMBER 14, 1986

AOR TRACKS Thin* Two tm WaMi WMIU WM

21 8 4 0 1 1 1 2

2 2 3

6 5 If;7

O o

BREAKER O 5 3 3 9

17 13 11 C) 4 4 6 11

29 18 14 ® - 4e 27 CB

53 30 ® 25 23

16

16

26 21 13 17

42 32 24 10 32 27 20

- - 32 e 35 29 22 ® 30 25 19 22

36 28 26 ® 7 5 10 24

2

lo

22

14

11

lo

11

7

8

9

7

24 17 12

BREAKER 39 31 29

STEVE MILLER BAND /I Want To Make... (Capitol)

PRETENDERS/Don't Get Me Wrong (Sire /WB)

BILLY IDOL/To Be A Lover (Chrysalis)

BOSTON/We're Ready (MCA)

DON HENLEY/Who Owns This Place? (Geffen; MCA)

GEORGIA SATELLITES /Keep Your Hands To Yourself (Elektra)

KBC BAND /It's Not You, It's Not Me (Arista)

BRUCE SPRINGSTEEN & THE E STREET BAND/War (Columbia)

JOHN FOGERTY /Change In The Weather (WB)

BENJAMIN ORR /Stay The Night (Elektra)

BRUCE HORNSBY & THE RANGE/The Way It Is (RCA)

RIC OCASEK/True To You (Geffen)

DAVID & DAVID/Swallowed By The Cracks (A &M)

ERIC CLAPTON /It's In The Way You Use It (WB; MCA)

PRETENDERS /My Baby (Sire/WB)

BOSTON /Cool The Engines (MCA)

GENESIS /Land Of Confusion (Atlantic)

KANSAS /All I Wanted (MCA)

STABILIZERS /One Simple Thing (Columbia

STEVIE RAY VAUGHAN & DOUBLE TROUBLE/Superstition (Epic)

R.E.M. /Superman (IRS /MCA)

TALKING HEADS /Puzzlin' Evidence (Sire /WB)

EDDIE MONEY/We Should Be Sleeping (Columbia)

'TIL TUESDAY/What About Love (Epic)

Complete Tracks Chart

Begins on Page 94

® BON JOVI/Wanted Dead Or Alive (Mercury/PG)

Ie SURVIVOR /Is This Love (Scotti Bros. /CBS)

48 37 30 ® LONE JUSTICE/Shelter (Geffen)

37 33 28 m TRIUMPH/Tears In The Rain (MCA)

[ DEBUT m BRUCE SPRINGSTEEN & THE E STREET BAND /Fire (Columbia)

- 60 40 STEVE WINWOODBack In The High Life (Island/WB)

I

ADULT CONTEMPORARY

6 4 3 0 2 2 1 2

s 3 2 3

8 5 5 O 16 9 6

1 1 4 6

19 14 9 0 22 15 11 0

23 13 0 14 11 10 ir 4 6 8 11

24 19 14

- 25 21

26 21 18 CID

29 22 19

9 7 7 16

3 8 12 17

17 16 15 18

- - 25

28 24

BREAKER BREAKER BREAKER

27 e 11 12 17 25

10 13 20 26

I DEBUT S -- 2e ei 7 16 16 29

BREAKER re

BRUCE HORNSBY & THE RANGE/The Way It Is (RCA) LIONEL RICHIE /Love Will Conquer All (Motown)

HUMAN LEAGUE/Human (Virgin /A &M)

MADONNA/True Blue (Sire /WB)

BILLY OCEAN /Love Is Forever (Jive /Arista)

PETER CETERA with AMY GRANT /Next Time I Fall (Full Moon/WB)

RIC OCASEK /Emotion In Motion (Geffen)

BENJAMIN ORR /Stay The Night (Elektra)

MIAMI SOUND MACHINE/Falling In Love (Uh -Oh) (Epic)

KENNY ROGERS/They Don't Make Them Like They Used To (RCA)

TOTO /I'll Be Over You (Columbia)

BOSTON /Amanda (MCA)

GREGORY ABBOTT /Shake You Down (Columbia)

DARYL HALL/Foolish Pride (RCA)

SERGIO MENDES BRASIL '86/Take This Love (A &M)

BEACH BOYS /California Dreamin' (Capitol)

CARLY SIMON /Coming Around Again (Arista)

CHRIS DeBURGH/The Lady In Red (A &M)

LINDA RONSTADT & JAMES INGRAM /Somewhere Out There (MCA)

HOWARD HEWETT /I'm For Real (Elektra)

BILLY JOEL/This Is The Time (Columbia)

BEN E. KING/Stand By Me (Atlantic)

ANITA BAKER /Caught Up In The Rapture (Elektra)

OMD/ (Forever) Live And Die (Virgin /A &M) .

GENESIS/Throwing It All Away (Atlantic)

CYNDI LAUPER/True Colors (Portrait /CBS)

HUEY LEWIS & THE NEWS /Hip To Be Square (Chrysalis)

WHAMI/Where Did Your Heart Go? (Columbia)

JANET JACKSON/When I Think Of You (A &M)

AMY GRANT /Stay For A While (A &M)

BLACK/URBAN

4 2 1 0 FREDDIE JACKSON/Tasty Love (Capitol) 5 4 2 0 JESSE JOHNSON featuring SLY STONE /Crazay (A &M)

8 7 3 © LIONEL RICHIE /Love Will Conquer All (Motown)

7 6 4 0 ONE WAY /Don't Think About It (MCA)

16 13 7 0 READY FOR THE WORLD/Love You Down (MCA)

15 12 9 0 COMMODORES/Goin' To The Bank (Polydor /PG)

13 11 8 O CHICO DeBARGE/Talk To Me (Motown)

26 17 12 Q ANITA BAKER /Caught Up In The Rapture (Elektra)

- 21 14 Q KOOL & THE GANGNictory (Mercury/PG)

- 23 15 m BOBBY BROWN /Girlfriend (MCA)

20 14 11 0 PATTI LABELLE /Kiss Away The Pain (MCA)

6 5 5 12 STACY LATTISAW/Nail It To The Wall (Motown)

12 10 10 13 MILLIE JACKSON /Hot! Wild! Unrestricted! Crazy (Jive /RCA)

24 20 16 le) LEVERT /Let's Go Out Tonight (Atlantic)

32 25 19 ® JEFF LORBER featuring KARYN WHITE/Facts Of Love (WB)

- - 28 I) JANET JACKSON /Control (A &M)

27 19 17 G) FULL FORCE/Unfaithful So Much (Columbia)

36 24 20 m VESTA WILLIAMS /Once Bitten Twice Shy (A &M)

- 34 21 0 NEW EDITION /Once In A Lifetime Groove (MCA)

26 0 LUTHER VANDROSS /Stop To Love (Epic)

37 26 23 ® ISAAC HAYES /Ike's Rap /Hey Girl (Columbia) - 28 25 ® BILLY OCEAN /Love Is Forever (Jive /Arista)

39 29 24 ® S.O.S. BAND/Even When You Sleep (Tabu /CBS)

- 39 32 m KLYMAXX /Sexy (Constellation /MCA)

2 1 6 25 HUMAN LEAGUE/Human (A &M)

- 35 31 1D CHAKA KHAN/Tight Fit (WB)

- 38 34 lÿ MIKI HOWARD /Come Share My Love (Atlantic)

- - 36 Q RUN D.M.C./You Be IIl'in (Profile)

34 32 29 e KURTIS BLOW /I'm Chillin' (Mercury/PG)

- - 35 a GRACE JONES /I'm Not Perfect (But I'm Perfect For You) (Manhattan)

- - 38 ® EL DeBARGE /Someone (Gordy /Motown)

39 ® POINTER SISTERS /Goldmine (RCA)

3 8 18 33 GREGORY ABBOTT /Shake You Down (Columbia)

I DEBUT Q SHIRLEY MURDOCK /As We Lay (Elektra)

1 3 13 35 MELBA MOORE featuring FREDDIE JACKSON /A Little Bit More (Capitol)

40 0 KRYSTOL/Precious, Precious (Epic)

BREAKER ffi JAMES "D TRAIN" WILLIAMS /Misunderstanding (Columbia)

I DEBUT Q MANHATTANS/Where Did We Go Wrong (Columbia)

I DEBUT ) C MAZE/When You Love Someone (Capitol)

I DEBUT a O.C. SMITH/You're My First, My Last, My... (Rendezvous)


Neil, Lindahl Named - World Radio History

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