Nataša Drešić Samoozbiljenje
NatašaDrešić
Samoozbiljenje
naslovna strana / cover pageSjena, algrafija, 35x50, 2016.Shadow, algraphy, 35x50, 2016
Snojav, algrafija, 35x50, 2016.Dream/Reality, algraphy, 35x50, 2016
Prihvatajući i razumijevajući svu specifičnost i delikatnost grafike kao medija, u smislu jedinstvenosti njenog poimanja kao umjetnosti multioriginala, grafičarka Nataša Drešić svoj stvaralački izraz kreira njegujući i poštujući ono primarno shvatanje grafičke posebnosti, poniklo iz naslijeđa njene viševjekovne tradicije, koje podrazumijeva strpljivu i predanu posvećenost zahtijevnim tehničkim procesima litografije, algrafije ili serigrafije. U aktuelnom vremenu modernih tehnologija, brzog umnožavanja i masovne produkcije, takav pristup grafičkom djelu sve više postaje izuzetak, naročito u generaciji mlađih umjetnika kojima autorka pripada, pa u tom smislu posmatrano njeno djelo dobija još jednu nijansu ozbiljnosti u odnosu prema cjelokupnom procesu stvaranja.
Za idejnim podsticajima autorka traga kroz vlastite utiske o poimanju Života i Svijeta, promišljanjima o nutrini sopstvenog unutrašnjeg Bića, unutrašnjih pejzaža memorisanih u dalekim predjelima Nesvjesnog do kojih se stiže strpljivim i ponekad bolnim poniranjima u Sebe, kroz lutanja i otkrivanja onog iskonskog, jedinstvenog, početnog impulsa vlastite energije, sa kojom se svako od nas rodi, a koja ima moć da stvara. U ciklusu grafika Samoozbiljenje, autorka se gotovo filozofski bavi pitanjima spoznaje onog nevidljivog u nama, metafizičkog, zaumnog, nepoznatog. Skidanjem naslaga spoljašnjih utisaka i odjeka svakodnevnog života, sve intenzivnijim traganjem po dubini sopstvenih, intimnih značenja, otvaraju se nepregledni prostori zagonetnih naslućivanja i otkrivanja novih i višeznačnih sadržaja. U tom procesu neminovno se nameću najrazličitija kontemplativna raspoloženja prema ličnom ili opštem poimanju Čovjeka, prirode..., koje autorka dalje, shodno svojoj umjetničkoj duhovnoj konstituciji, u sebi osvješćuje, i još dalje likovnim jezikom opredmećuje, vizualizuje, prevodi u slike specifičnog, meditativnog, gotovo spiritualnog naboja. Intenzivnim crtačkim gestom uz odabrana grafička sredstva, autorka postiže utisak stvaralačke živosti kao sugestiju njene unutrašnje energije koja dominira cjelokupnim procesom rada. To uzbuđenje stvaralačkog procesa koje se prenosi u sliku i koje je očigledno u Drešićkinim grafikama, važan je činilac svakog kultivisanog, ostvarenog umjetničkog djela, iz razloga što svjedoči o njegovoj iskrenosti stvaranja. A to jeste potvrda jednog utemeljenog i odgovornog shvatanja Umjetnosti, u svim njenim sadržajima i značenjima. Vodeći se takvim duhovnim i umjetničkim načelima, grafika Nataše Drešić postaje mentalno i likovno artikulisano umjetničko djelo.
Milica Bezmarević
Dubine, algrafija, 35x50, 2016. Depths, algraphy, 35x50, 2016
Dvoje, algrafija, 35x50, 2016.The Two, algraphy, 35x50, 2016
Accepting and comprehending all the specificity and delicacy of graphics as a medium, in terms of the uniqueness of its understanding as an art of multi-originals, the graphic artist Natasa Dresic creates her artistic expression by developing and respecting the primary comprehension of graphic art particularity that emerged from the legacy of its centuries-old tradition, which includes patient and devoted commitment to demanding technical processes in the creation of lithographs, algraphys or serigraphs. In the current time of modern technologies, rapid multiplication and mass production this kind of approach to graphic artwork is increasingly becoming an exception, especially in the generation of younger artists to whom the authoress belongs; observed in that sense, her work obtains yet another nuance of seriousness in relation to the complete process of creation.
The authoress is searching for ideological stimuli through her own impressions on comprehending Life and the World, on reflections of the interior of her own inner Being, interior landscapes memorized in remote regions of the Unconscious which can be reached by patient and sometimes painful plunges into ones Inner Self, through wanderings and discoveries of the primeval, unique, initial impulse of one’s own energy, with which each of us is born and which has the power to create. In the series of graphics Self-Seriousness, the authoress deals in an almost philosophical manner with issues of perception of the invisible in us, of the metaphysical, estranged, unknown. By removing layers of external impressions and echoes of daily life and seeking all the more intensely through the depths of her intimate meanings, there open up immense spaces of mysterious anticipations and discoveries of new and polysemantic contents. Inevitably, during this process a wide variety of contemplative moods are imposed according to personal or general comprehension of Man, nature... that the authoress further on, according to her artistic spiritual constitution, makes sensible and by means of visual language reifies, visualizes, transfers into images with a specific, meditative, almost spiritual charge. By means of an intensive drawing gesture and together with selected graphic devices the authoress achieves the impression of creative vibrancy as a suggestion of her internal energy that dominates the entire work process. It is this thrill of the creative process, which is transmitted to the image and which is evident in Dresic’s graphics, that is an important factor of every cultivated, accomplished artwork because it testifies to the sincerity of its creation. This is the confirmation of a substantiated and responsible comprehension of Art, in all its contents and meanings. Guided by such spiritual and artistic principles, the graphic art created by Natasa Dresic becomes a spiritually and visually articulate artwork.
Milica Bezmarevic
Poljubac, 100 x 70 cm, tuš na papiru, 2017Kiss, 100 x 70 cm, Indian ink on paper, 2017
Poljubac, 100 x 70 cm, tuš na papiru, 2017Kiss, 100 x 70 cm, Indian ink on paper, 2017
Jato, algrafija, 35x50, 2016.The Flock, algraphy, 35x50, 2016
Podnožje nesvjesnog, serigrafija, 50x70, 2016.Foothill of the Unconscious, serigraph, 50x70, 2016
Tragovima nesvjesnog, litografija, 50x70, 2015.Traces of the Unconscious, lithograph, 50x70, 2015
Na horizontu, algrafija, 35x50, 2016. On the Horizon, algraphy, 35x50, 2016
Nataša Drešić je rođena u Baru 1987.godine. Osnovne i specijalističke studije završila je na Fakultetu likovnih umjetnosti na Cetinju, na grafičkom odsjeku u klasi prof. mr Anke Burić 2016. godine. Tokom 2015. godine bila je na studijskom putovanju na Ecole Superieure d’Art de Lorraine u Metz-u, Francuska. Dobitnica je brojnih stipendija i priznanja, među kojima je i stipendija CANU za podsticanje umjetničkog podmlatka Crne Gore za 2017.godinu.
Značajne kolektivne izložbe i radionice
2016 Kolektivna izložba, Festival umjetnosti “Virski”, Bar, Crna Gora
2015 17.Internacionalno bijenale grafike – Sarcelles, Pariz, Francuska; po izboru mr Anke Burić; organizacija: Fondacija “Petrović Njegoš”
2015 Mozaik malog formata X, Mala galerija ULUPUDS-a, Beograd, Srbija
2014 Kolektivna izložba studenata, “Galerija 42”, Cetinje, Crna Gora
2013 Mozaik malog formata – radionica mozaika, “Barski ljetopis”, Stari Bar, Crna Gora
2012 “Henri Mur kao inspiracija”, grafička radionica s britanskom grafičarkom Sarom Gilet, Galerija “Miodrag Dado Đurić”, Cetinje, Crna Gora
Samostalne izložbe
2016 Diplomska izložba, “Galerija 42”, Cetinje, Crna Gora
2015 Ecole Superieure d’Art de Lorraine – Metz, Francuska
Kontakt Tel: + 382 69 222 363Email adresa: [email protected]
Natasa Dresic was born in 1987 in Bar. She completed Basic and Specialist studies at the Faculty of Fine Arts in Cetinje, at the Graphic department in the class of Professor Anka Buric, MA in 2016. During 2015 she was on a study tour at the Ecole Supérieure d’Art de Lorraine in Metz, France. She is the winner of numerous grants and awards, including the MASA (Montenegrin Academy of Sciences and Arts) scholarship for encouragement of young artists of Montenegro for 2017.
Significant group exhibitions and workshops
2016 group exhibition, Art Festival “Virski”, Bar, Montenegro
2015 17th International Biennial of Graphics – Sarcelles, Paris, France;
selected by Professor Anka Buric, MA; organized by the “Petrovic Njegos” Foundation
2015 Small Format Mosaics X, ULUPUDS, Mala galerija, Belgrade, Serbia
2014 Students’ group exhibition, “Galerija 42”, Cetinje, Montenegro
2013 Small format mosaic – mosaics workshop, “Barski ljetopis”, Stari Bar, Montenegro
2012 “Henry Moore as an Inspiration”, printmaking workshop with British graphic artist Sarah Gillet, “Miodrag Dado Djuric” gallery, Cetinje, Montenegro
Solo exhibitions
2016 Graduation exhibition, “Galerija 42”, Cetinje, Montenegro2015 Ecole Supérieure d’Art de Lorraine – Metz, France
ContactTel: + 382 69 222 363E-mail address: [email protected]
www.csucg.co.me Nataša Drešić Galerija Centar Njegoševa 2, PodgoricaIzdavač Centar savremene umjetnosti Crne Gore Za izdavača Nenad Šoškić
Kustoskinja Milena Durutović Tekst Milica Bezmarević Prevod na engleski Darja Marija Vuletić Tehnička realizacija izložbe Novica Vuković, Nebojša Raspopović
Tiraž 150 Štampa DPC, Podgorica februar 2017.