NAA: SP173/1, POWELL, DAVID - RecordSearch

NAA: SP173/1, POWELL, DAVID

Series number: SP173/1

Control symbol: POWELL, DAVID

Barcode: 8773063

Number of pages: 23

David Powell - Violist [Box 23]

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w ‘ -'7 " - A * .K , V//A /-1 ' ‘ ' »/;;1' /I L" @>_ , ' 1/IOJ:I:IA.I824. Donia, 1940.DIVM Ponll, Elq-,118 Iulaott strut,IOUl1',IAILI.....PIlB.....I.A.Dar Ir. Ponll," ‘lo wish to nchoilodgo your lotto: at11th. Dunbar and ncto that you an pronoun;to lolbonnoon $11!, hbnury, with tho htcntlau of settling ll that State.In M10 written to our oful 1: I01-bouru and Mclnllo, interning tbnlpt um tut.Io doubt, if they an 1310 to nth: youIngngqlnntl, tiny I111 00111060 Iitl ya 41.30%-Yournfaithfully,AUSIRAI-IA! BRQLIBASTIIG GOIIISSIOI.V1.0. IAIISYIDIRAL GIIOLLH 0? IIIBIG.:-"J‘.4iv Ui

V_,._,____ 7;?’ —*— — — 7» » — — — ' **** ~ = — \ * ' *—'*f:*—'—-QQ7“ pIn1 Av 7‘?“REHA-V MYID PHI!-L Q VIOLET: 231-d. DGOIDOI1 IAIAG-R NI ‘mil nrtiut kn intax-pd lll oi’ his intontioa to‘ nttlo ing MBTRALIA: Inlbouu-noand I111 be leaving Port! cu Iebnury 811. Iroute hp I111 bu lpuding I tn days in Mobil: ud I0would race-and tht, ii’ program eo_itlonta pnrnit, hebi and in non my during thin pried. Bis audition ro-port in as fallen: '"Good round tom,intonation In good. The lurksportonpd did not gin one an opportunity oi’ gang-in; his facility. 11-on technical point or VinIQOII and luniuian, quito Iarthy or an agap-lut of lnnllor typo of viola |o1o. should be I, good orcloltx-:1 playa-Ityou are ublu to offer this artist ongugoncntmwouldyou kindly got in touch with hi! dinot? Hi! lddrouin: 118 Iuleott street,. I01-mt LII10y,PIER. . . . JBTEI AIBIRALIL.‘ I G JAIBI13;J.

IOJ’:KJ:IA.E! MANAGER I'M.VICTORIA DAVID POIIJ. - YIGLIST:23rd . Dioanbar, Ohe abovo artist is shortly settling in Ielbourao and willha laaving Perth tor your state on rabrury 3111- I wouldsuggest that Ir. Post gin hi: anaudition to sea whathar hain auitable as an orchestral Violiat.‘ma rnport on his audition ia as follows:‘Good round tom, intention was good. ‘ma worksporrornad did not give on an opportunity oi‘ gaug-ing hia facility. Iron technicalpoint of vial,aeana ao\m_d maician, quite worthy of an engage-lent of smaller typo of viola aolo. Should be agood orohaatral player."W.G. -TAKE.4

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Vp\ \t / /A14 HO WfI /"‘jL(A‘*‘-""/; L\_l,/_-. ' "I ‘ ‘ ,7~/ ' Cgoal M1 /ma 1sq” A1" ~_/—’<' "rdWGJ’:8C:llCA. W,//'26th. August, 1940-Proteaaor Bernard Heinze,Conservatorium of Music,The University of llelbourne,MELBOURNE. . . .41.3. . . . .VIC'l'ORIA.Dear Professor Heinze,We wish to acknowledge your letter oi’19th. August, together with Ir. Powell's application.We have already had some correspondencefrom llr.» Powell, when he applied through theManager for leat-ern Australia for tranafer to another State. Ir. Roberta'sreport states that ha is e good viola player, but no better 'than the one already peraanently employed - naaely, Ir. R.Stirling. I would appreciate your personalopinion ae to thecapabilities oi’ Ir. Powell. ’with -regard to your query concerning themethod of approach in such ceaea --- Ia agree that it is eleaya. Iiae to invite the eaaieat poaeible approach in these batters,but it haa been laiddown by the Coanieaion that all people onthe pay-roll oi’ the State Branehaa auat approach !ederal Ottioeraand the General llaaager through their State Ianagar. _—owever,we should always be glad to hear from you regardingany outaideartiata who nay wiah to aake application for tours or engageaantm'/ Yours faithfully,/ _ AUSTRALIA! BROADCASTING OOIIEISSIGI1/4//,/ 2 w.o. musFEDERAL CGZTIULLE 01' IUSIC/,777 i-

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Perth—we owe her special thanks.VIOLA AS SOLO nisrizumznr. ". . .no Mr. Bay: cl‘ _s Artist . ,kl" 12%‘! '1 1Mr. David Powell, iormerly wn as ‘one oi our leading violinists oi theyounger generation but now primarily de-voted to theviolins bigger and more‘ modest-voiced brother, the viola, made onSaturday his rst appearance as soloistsince his retum from England, a. iewmonths ago. He and Miss Gertrude Hut<ton shared the Kylie Club'sprogrammebetween them, with Miss Flora Bunningas collaborator at the piano.In addition to their separate perform-ances, Mr. Powell and Miss Hutton wereheard together, in the two lovely songs ofBrahms which include a violapart, “Ges-tllite sehnsucht" and "GelstlichesWiegenlied." Miss Hutton sang thesevery beautifully, and in particular thesecond, the "Cradle Song of the Virgin,"made a deeply satisfying impression. Thesinger's tender meme. voeehere, contrast-ing with passages of fuller-toned teeling.was most admirable.Mr. Powell, as always, the serious-minded, soundly equipped artist, deman-strated convincingly his mnstery oi theviola and the instrument‘;distinctiveeloquence and poetry as a solo voice. Hebegan with a ne sonata (originally forviolin) by Henry Eccles, s. contemporary0! Purcell. In the Brahms Sonata in Eat, Op 120, N0. 2, we were stirred especi-ally by the richnobility 0! s solemn long.like pasage which is I central featureoi the second oi’ the three movements.(This sonata. and its companion, No, 1of Op 120, were composed rst Io!‘ clarinetand piano, but Brahms provided alsoalternativeversions with the viola replac-ing the wind instrument). Later in theprogramme Mr. Powell played orange-ments oi’ pieces by three Frenchmen-Chausson, Debussy and Ravel—s.nd alsomusic conceived originally for viola, intheshape of three pieces trorn s suite byYaughan Williams, for viola and orches-ra.Miss Hutton sang also English songsand Lieder. For her masterly presenta-tion oi one oi Purcell's vigorous bravurasongs, “Hark, the echoingair"—which wecannot recall having heard before in_ __ _..._ _. -» __ _,

(By "Flllell|l.”)Many music-lover; gathered It theEpllnldo new lust night (or the houro! chamber music (followed by supper)which is provided onoe a mnniih, on 1Sunday evening, for member; oi the re-cently founded Ch-emberMusic Salon.Thie was the salon‘; second meeting, andthis time Brahma was the chmen oom-poeer, having the programme to himsell.It eonaisted oi his Pinno Quintet in 1'Minor. Op.» 34, end his two eonga withviolh ohhiignto(“Geltlte l"and "Geistlicheg Wiegenlied“)., In these latter Mia Gertrude Hutton,with Mr. David Powell playing the violapert, repeated the benutimi performancesgiven by them recently at the Kylie Club.nmithennotedinthl-neenlumn.s.0ti.hepowerful quintet, “the climax oi Brahma‘;rst maturity," ea Tovey cells it, and“the moat sonoroue at all extant work:for piano and strings," a most impres-sive and satisfying interpretation wasgiven. The artist; whocomprise thesa.1on‘s permanent ensemble, and whoat their rst recitll, n month ego, proveda right tn the title of the city’; out-standing chamber-music zroup. empha-tically strengthened such a claim withthis very ne achievement.Mr. YiamGlesstord Joined them for the oc ion.to provide the second violin part, andtted into the enmrnble admirably. Thepermanent members are Mr. MarshalSumner (pianist). Mr. Vaughan Hanly(violin). Ml‘. David Powell (viola)andMi-so Otti Veit ('cell0).Next month piano trio: by Beethovenand Albert Roueeel ere to be played, andMiss Alice Mellon will be the vocalist.ii‘ ---_.-___ _.. . _

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THE EANAGER FORWE$TERN AUSTRALIA-‘ 0-av -~-lijn0v:cJ : m :}.iGA.DAVID PONELL §VIOLA PLAYER) 29th. July, 40-Your memorandum of 25th. July (ANF.JGI)We note the further application from Mr. David Powell.In yourmemorandum of 25rd. April, Lr. Roberta stated:"Powell is quite a good player and would be egreat asset to our Orchestra, but he is nobetter than the man we have permanently, neme-ly R. Stirling".In view of this, I do not think wecould give him anywork of a permanent nature unless Mr. Roberta, in thelight of further knowledge of his work, would like toreconsider his report.Mr. Powell's cuttings are returned herewith.w.G. JAMES.\

_ _ AUSTRALIAN BROADCASTING COMMISSION /ANFJGI'__ FROM gm PERTH251111 July» 1940-To; LC. MUSIC:DAVID PQIELL (VIOLA PLAYER}:I am forwarding herewith an application from Mr.David Powell, who hasalready applied to you inApril of this year.\- ‘ 3"‘ I rgfer to our memorandum under the above heading\ \= J. ' at the 231-<1 April 1940.\A ‘V v '-\ A.N. FIITLAY A.a-nginnager 84:1? W.A.7 J

Q AUSTRALIAN BROADCASTING COMMISSIONARI‘ JGIGWFMEMORANDUM mom PERTH1'-C IIIBICDAVID PGNKJ. QVIOIA PLAYER]:I >"_:\‘_\ 1\\\_.‘ \'\-._ Q ‘ft .6 WN25th my. 1940I an forwarding herewith an applicationfrom Er.David P011011, who has already applied to you inApril of this year.I refer to our memorandum under the above headingof the 23rd April 1940-A£{. FDILAYActing lhnager for w.A.k Q5‘ V » -*6 Q.) ‘J ( A

COPYI' 112 Walcott Street,Mount Lawley.W-A-July 23rd 1940.The Manager,A.B.G.,§_E_B '1' H.Dear Sir,I hereby offer my services as a violist, for theconsideration of the Commission when discussing any opening that mayoccurin the permanent orchestras in any State, and will be glad if you would place'my application before the Federal authorities at the earliest opportunity.In a letter dated April 9th 1940 , addressed to the FederalController ofMusic, I outlined my experience both in Perth, and more recentlyin England, where I tudied viola playing under Mr. Bernard Shore, principalviolist in the B.B.C. Symphony Orchestra, so presume there is no need to repeatthoseparticulars. However, for Mr. James perusla, I am enclosing recent Presscritiques on my solo and ensemble work, and would be grateful if you will adda report on last week's broadcast performance (July 15th) of theconcertantefor Violin, viola and orchestra oi’ Mozart by the Perth Concert orchestra, withMr. W. Glassford and myself as soloists. Perhaps, also you would draw Mr. Jamesvattention to the fact that I an now violist in Mr. VaughanHanleyvs A-B.c.String Quartet, and the only member of that combination not in the A.B.C.At the moment, I am receiving a certain amount of work fromthe Commission, but much of that will disappear with the end of thecelebrityOrchestral Concerts, and it does seem unfair, that, with the generallyaclcnowledged lack of good violists in Australia, and after my having spentmuch time and money in specialising, there should be no opening forme.Thanking you for your consideration,I am,Yours faithfully,David Powell (Signed) ‘Y

COPY112 Walcott Street,Mount Lewley.\W.A.July 23rd 1940.The llanager,A.B.C.,P E R '1‘ H.Dear Sir,I hereby offer my services as a violist, for theconsideration oi’ the commission when discussing any opening that may occur‘ inthe permanent orchestras in any State, and will be glad if you would place\ my application before the Federal authorities at the earliest opportunity.‘ In a letter dated April 9th l940 , addressed to the Federal‘ controller of Music, Ioutlined my experience both in Perth, and more recentlyin England, where I sudied viola playing under Mr. Bernard Shore, principalviolist in the B.B.0. Symphony Orchestra, so presume there is no need to repeat3 thoseparticulars. However, for Mr. James perusla, I am enclosing recent Press\ critiques on my solo and ensemble work, and would be grateful if you will add‘ a report on last week's broadcast performance (July 15th) of theconoertantefor Violin, viola and orchestra of Mozart by the Perth Concert Orchestra, withMr. W. Glessford and myself as soloists. Perhaps, also you would draw Ln‘. Jamesv1 attention to the tact that I am now violist in Mr.Vaughan Hanleyve A.1a.c‘ String Quartet, and the only member of that combination not in the A.B.C.At the moment, I am receiving a certain amount of work fromthe commission, but much ct that will disappear with the and of thecelebrityOrchestral Concerts, and it does seam unfair, that, with the generallyacknowledged lack of good Yiolists in Australia, and after my having spentmuch time and money in specialising, there should be no opening forme.Thanking you for your consideration,I am,‘ Yours faithfully,David Powell (sigied ) i e w<3

‘GIG.JGIT°‘ F.C . MUSIC1I @~<1»<‘~<’/V56_ AUSTRALIAN ROADCASTING COMMISSION1/MEMORANDUM FROM 2 PERTH23rd April , 1940.DAVID PUIIELL IVIOLA PLAYER) Reference your memorandum WGJ/.TC 17thApril.. ~./. C .K’ {&‘;_L- ‘_(~<»"‘nA\.§{\J‘\QY . .F.$5q 0 ,» I//I have interviewed Mr. Roberts regarding thisplayer and his report is as follows:/P’*Powel1 is quite a good player and would be agreat asset to our Orchestra, but he isnobetter than the man we have permanently, namelyJ, R. Stirling."Mr. Roberts goes on to say that it would be apity if you took him away from Western Australia,because, as you know, we have great difficulty ingetting Viola andCello players for Celebrityconcerts.I note your reply to Powell saying that theorchestra at the present time is to remain asconstituted, and there is no decision regardingits augmentation.R. 'Acting Manager for W.A._ I‘ I,-I‘ I/ 15;»4,/

- 4 AUSTRALIAN BROADCASTING COMMISSION» -‘$.30!6WF_' MEMORANDUM FROM PERTH7°‘ r.c. HD8101DAVID PNEL ‘VIOIA PLAYER!.»-*""";' V,QU CU“'\‘.V“u9.&"=l\\’\\W‘1 r»\‘*“"';6 WN231-4 April, 1940.Roforonooyour nulcrandm WM/JG 17th April.I hnvo interriuwod Ir. Roberta regarding ihilplant and his report in al £0110":"Powell is qui a gocd playor and would be a31-at nut to our Orchestra, but ha is nobtor than the nan we ha"permanently, namelyR. Stirling."Ir. Roberta goes on to any that it would be apity it you took him any from Intern Auatralia,booause, as you know, In have great difficulty ingetting Viola and Gallo playnrs tor Oelebrityconcerts.I noteyour reply to Pcmell laying that theorchestra at tho prolont tint in to rennin anoonltitutod, and there is no dooilim regardingits augmentation.R.Aoting 301' for I.A.

‘GJ:J'C r/‘\ ./4rnn April, p 4°.mvxn POWELL (non/\ PLAYWR):T'.~.‘ ?!AN:\G .R I am att;.ch1ng copy of letter reoeivwd from t‘-is musician,170'! .A.together with copy of my reply. I shwuld bo rlud if---------------- you would let me havea ruport on his work. V':‘.', G. I./CTIS.~ |\

\ / I‘(‘J :J3' \-' .O\»17th April, 1960-Davl‘. ztmall, .tn<~,.,112 Tnlaont Jb1'60l, -Tfount tmulay,".=\;'§§. ‘- ..-1.Deer £11‘, ‘I an in receipt or jmur latter of the 11thmat. raj-pn‘l1n"~omhaatm1 work.liqypx-Jim the Yeah Orchestra, at thenomntas am not contemplating imreaalng the persozmol of thin unit-Aa I'll‘ as tho matanm iitutea are woncerned, at the present thatthere in no vacancy fora V103,: plqurand, not havlnghaatdyou P18!’ it 1: aarneulc for no to rivemu ma indicationan to the poaeibilly of utllllns W113‘ services in an my.Hovnem-, I an koqpug your letter m:"or<> no um,dnuld anything angers M0012, inch I think mlnht. be suitableto you, awry qonaddemtlon '11]. be given toyour application.Yours faltmhlly,I\U:‘l!V‘J.I‘-N B’7()A.'Yl'.. T .[_\_‘€‘. 0O'?!I,-'SIG!!¢Y‘. 0. IM5 E;Fademl Gon$:~o11er of Quo-\»

——< I ~ 1_ , _ con 12.1. ‘\ I.1 ll2 Walcott Street,~ Mount Lawley,Perth. ILA.April, llth 1960.I.G.J'ames Esq. ,Federal Controller of Music,Australian Broadcasting Commission.Dear Ir. James,I expect you will remember my meetingyou at the A.B.C.office at Australia House, at the end of August, last year.Unfortunately, owing to the outbreak of war, you were unableto grant me another interview before you left for America.With a good library of viola andchanber music, I returnedfrom Lond an about three weeks ago, and thought it better towrite to you direct, for advice regarding employment at thepresent time. Is there likely to be any increase in the PerthLight Orchestra, or if Itravel Bast, is there anywhere thatthe Commission can use my services? At the moment, I en en-Qaged for Professor Schneevoigt's season of three weeks. Hat-urally, Ir. Roberts wants me to stay in Perth, but six Cel-ebrityConcerts and a few odd studio engagements are not enoughto keep ne here, as there is no work outside the Commission'sactivities. As to chamber music, the lack of a capable 'cell-ist, outside of the permanent orchestra, sakes itpractically_ impossible to fom a combination for broadcasting or anything else.As regards aw experience, during the pest twelve years orso, I have practised as a violinist and violist, latterly concen-trating on the viola. When Ir.Hyman Leaner was in Perth, Ibecame violist in the string quartet which he formed, and whichgave a very successful public recital and a number of broadcastsfor the A.B.C. Prior to my sojourn in England, I hadbroadcastfrequently, both solo and chamber music, and had played in theorchestra for all the Commission's Celebrity Concerts, originallyas violinist, but in 1937, at Ir. E.J'.Robex-ta request, changedto viola. Apart from this, theCommission engag-d me as firstextra for all augnented studio performances. During the auditionsconducted by yourself in November 1937, Ir. I. Clesseford and Iplayed Mona:-t's Concertante for Violin Viola and Orchestra, and‘received a very favourable report.In 1938 I decided to go to London for extra study on theviola, and to gain further experience. This I did, studyingwith Ir. Bernard Shore, Principal Viclist in the B.B.C. Symphony Or-chestra, at thesame time doing work, playing on several occ-asions with the London Symphony Orchestra under Sir Henry Wood

-3-and Charles Halbourg, and the Brighton Symphonic Players, underits conductor, Herbert Henge: and also Sir Adrian Boult. Otheraxperionoe includod work at London theatres, and a season withthe Harrogato MunicipalOrchestra-I will be glad to hear from you at your oarliest conven-ionca.I remain,Your: faithfully,David Pololl.

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