SUBMITTED TO:- SUBMITTED BY :- MISS PRIANKA CHHIBBAR SACHIN KUMAR 614240829 B B A (Vth)
8/7/2019 Music Televission
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SUBMITTED TO:- SUBMITTED BY :-
MISS PRIANKA CHHIBBAR SACHIN KUMAR
614240829
B B A (Vth)
8/7/2019 Music Televission
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Brief Introduction
Music Television brought about a new era where music defined popular
culture. Never has music been so widely distributed and demanded by the
masses before the dawn The first video had ever aired last August 1981 was that
Video killed the Radio Star and this became true as video or visuals took music
to another level. More than its contribution and reshaping of music is how
redefined today’s youth, or the 12-34 year old demographic. They are suddenly
given the attention they want and all their demands and desires can be met and
used as basis, in the case of Music Television content and programming.
However, the youth are impulsive and chaotic in their interests. It is difficult to
track them down. As the world is fully digitalized, “globalized” and as it fully
integrates new technologies, the possibilities are endless and out of hand. The
question remains as to whether it can still be successful and competitive in the
following generations to come and whether it can still be able to define popular
culture and today’s youth as Generation X reaches their forties and as a new
Generation enters today. Undoubtedly the circumstances of the 80s are far
different than the 21st century where Music Television does not only meet new
inventions but also new competitions. Whether the Music Television concept will
survive and whether cable TV can sustain the onslaught of digital media and
wireless applications is still a question to answer.
This paper tries to bring understanding to the future of Music Television by
presenting a comprehensive analysis of the case so as to formulate strategic
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options for the business organization, generate sound recommendations and
develop feasible implementation plans that will address the issues that confront
the long-term operations of the company. As such, assumptions, SWOT analysis,
key industrial success factors, Porter’s Five Forces Model, company, financial,
stakeholders’ and strategic options that are significant to the success of the
company were discussed in the succeeding sections of this research activity.
Assumptions
Never has Music Television been so challenged until the dawn of the
1990s to the 21st century. It will meet several hungry competitions not only by
rival music channels but through other multimedia applications brought by
technology’s further innovations. As it diverts attention from the television to
mobile phone and the Internet, claim as one of the most influential television
channels is in peril until it finds a way to truly make a transition or integrate itself
to wireless and digital applications.
Music Television will need to be aggressive and dynamic in order to fit the
turbulent market's sensibilities. There needs to be a proper shift from Music
Television to Music in the Internet, Music in Wireless solutions such as those
provided by the Mobile Phone among other digital forms and substitutes.
Globalization had presented a wide scope of alternatives and possibilities
which will be Music Television challenge to meet. Music Television will need to
work on its multi-domestic strategy by providing more local content to their target
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include political, economic, social and legal. While not necessarily having a
direct, immediate impact on the business, these trends are important to the long-
run health and direction of the business. For example, the number of dual career
couples does not directly impact the short-run performance of the company, but
does certainly impact future policies and directions the company may take in the
long run. An analysis of the industry takes a look at factors that have a more
direct bearing on the business. Hence, in addition to analyzing the competition
other groups must be similarly evaluated to ascertain that no opportunities or
threats within the environment are overlooked (Buhler, 1994).
On the other hand, internal situational analysis focuses on the
identification of the company’s distinctive competencies, expected growth, their
assets as well as their liabilities. The internal analysis also illustrates the core
values of a company, and in what ways can these values be enhanced or
beneficial to the market plan (Cooper, 2002). The evaluation of the internal
environment of the company involves the analysis of the company’s structure,
culture and resources. When a strategy is selected for implementation, it must be
appropriate given the way the organization is structured or the way an
organization must be restructured. The strategy must be consistent with the
organization's culture. Finally the organizational resources must be available to
actually implement the strategy that was formulated. Without the proper people,
skills, abilities, finances and physical resources, the strategy cannot be
implemented (Buhler, 1994).
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The success of the business organization entails detailed understanding
and examination of political, social and economic factors that influence the
growth and continuous operations of the company. Studying the important
consideration relevant to the organization to serve the purpose and objectives of
the company will determine its success. Consequently, decision-makers of the
company should be sensitive of the general trends and changes that are taking
place in their industry. This will include efforts to maximize the opportunities
available while reducing the risks that confront the business organization. The
strengths, weaknesses, opportunities and risks that characterize the operations
of Music Television are detailed in the discussions that follow.
Strengths
Music Television association to popular culture means it also dominates
the young adult population who are some of the strongest money spenders.
MTV is able to appeal to this population not only through the music but also
through its coverage on lifestyle, film, fashion and other forms of leisure and
entertainment that captured this market. It is easy to be loyal as it gives the
young adults what they want and at the same time, this market determines what
should show them. Music Television is a channel that has a personal appeal that
cable networks and advertisers come knocking on Music Television door. The
demand of the market has no way to go but up. To the young adult market, is an
empowering vehicle which allows them to have a more pronounced self-esteem,
power and personality which allows to constantly claim the dominating position.
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Another strength is brought appeal to its advertisers. During its many
programs such as the Music awards, has been receiving sponsors from
companies that are confident to enjoy exposure in sought after programs.
PepsiCo and Ford are two of the companies that have taken the opportunity in
order to reach out to the young adult market. Many artists seek the alliance of
MTV knowing fully that this is a launch pad of present favorites and successful
artists.
Music Television has been constantly expanding and exploiting other
media and entertainment forms other than music such as those brought by films
and video games. Its constant mergers with companies such as the Philippines'
National Broadcasting Company will further localize and fit the interests of its
audience and bridging cultural as well as regional differences. has since
expanded to India and China and has been continuing its move towards alliances
and mergers for wider distribution and for tailored products. Partnerships will
allow to cement its influence in a fast moving insatiable consumer market.
Music Television constant support for social and political causes will allow
greater relevance and presence. Its involvement with such issues strengthens its
power and influence in the realm of entertainment media. Its expansion to other
media forms will allow it to deliver more services other than just mere music.
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Weaknesses
The weakness of Music Television is that it caters to instant fleeting on-
demand interests. As such is bound to lose its dominating position because
there are bound to be other interests the audience and market wants to be met.
Thus will need to find out what exactly these interests are and expand to this if
they would want to maintain a dominating position. Cable Television offers
several other choices that iremoved from its monopoly.
Music Television had encountered obstacles in reaching the local
audience through their cultural misunderstandings. It must understand the
cultural milieu they are penetrating by making appropriate aspects such as
advertising, brand, and cultural contexts.
Opportunities
The digital age may present an opportunity for to merge into mobile and
Internet companies with regards to the wider distribution of their products.
Information technology can provide better solutions in determining what the
market demands. Video Awards and Countdowns may hold polls through mobile
phone or websites. At the same time, may enjoy visibility in wireless
technologies allowing the market to when they want it. Music Television
presence in the web and mobile will allow an enhanced on-demand viewing
experience.
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Globalization has opened Music Television to international deals and the
emerging markets such as China, India and Brazil are definitely rich growth
opportunities to venture into. Up to two thirds of Asia's population belongs to the
12-34 age group which Target market. This will be a large market to explore and
cater to. Asia has also been increasingly interested in Western Products. It is
expected that MTV has up to 54 million homes in China. With China's
advertising also on an upsurge along with India, has marketing and advertising
revenue growth opportunities.
Threats
The emergence of Digital cable and other substitute platforms will be a
threat to MTV's current dominance. Different countries such as Germany had
created their own local music channels that would compete Their advantage is
their familiarity of the audience that must be able to match. Locally produced
content and the government reinforcing deregulation in several countries had
allowed global media to proliferate.
Music Television exists in the turbulent world of Popular culture. It needs
to constantly take risk and commit changes in order to curb to the fleeting
interests of its impulsive market. Digital platforms provide other alternatives for
the population to spend their past time and thus must know well to penetrate
this. For Music Television to continue setting trends, it must be open to other
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possibilities as its consumers are known to be demanding and possessing short
attention spans.
Many competitors also would like to try their hand in challenging success.
New cable networks and channels have been eager to take a chunk
However, the advertising revenue that has been sustaining has began to
decrease as cable networks lose their appeal. The presence of new digital and
media forms provide advertisers other new and emerging ways and alternatives
in marketing their products.
Key Industry Success Factors
One of the core characteristics of a successful organization is focus. Since
the business environments are fast becoming more and more complex added to
the fact that it changes rapidly and dynamically, businesses need to concentrate
on a few key elements that are most important to their organizations survival.
Thus, it is not surprising the critical success factors keep the organizations from
straying too far with external issues not relevant to their company’s success.
Critical success factors (CSFs) in business, are the limited number of
areas in which results, if they are satisfactory can ensure that successful
competitive advantage for the company (Thierauf 2001). Determining these
factors is an old concept in business because there were great leaders
throughout history who have identified and addressed key factors to achieve their
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successes. There is no one definition of CSF but it is considered that these are
the areas which the company needs to concentrate on to flourish. Therefore, the
activities should be carefully monitored and guided by the management.
Chung (1987) defined critical success factors as managerial factors that
create a competitive edge for a company in its respective industry. There is no
specific process in identifying and executing critical success factors in strategic
management planning. This is the reason why Thierauf (2001) asserts that
different companies which have similar structure can conduct its market entry
forming different strategies which lead to the development of various critical
factors. As the primary means for an organization to achieve its strategy, critical
success factors must take into account the differences in the environment and
organization that exists.