Music Sales Choral Binder 2011 Vol.2: SATB Sacred and Spirituals * With Accompaniment Page Title Catalogue Code SACRED 5 Mark Adamo: God’s Grandeur* HL50490268 15 Richard Blackford: I will sing to the Lord* NOV050270 29 Geoffrey Burgon: Conditor alme siderum* CH77297 37 Carson Cooman: Set me as a seal HL50490038 39 Patrick Hawes: Cantate Domino* NOV955988 49 Patrick Hawes: My dearest wish* NOV200519 63 Herbert Howells: God be in my head NOV959101 67 John Joubert: Pilgrimage Song NOV060093 87 John Joubert: Psalm 100* NOV060060 111 John Joubert: Responses NOV060082 121 Pawe ukaszewski: O Oriens CH75878 135 Pawe ukaszewski: O Radix Jesse CH75889 151 Pawe ukaszewski: Salve Regina CH77132 161 Paul McKibbins: Alleluia! HL50486692 167 Nico Muhly: Pater noster SRO100030 179 Tarik O’Regan: Jubilate Deo (Latin)* NOV958463 205 Tarik O’Regan: Martyr Dei NOV958331-02 215 Georgia Stitt: De profundis HL50486691 219 John Tavener: Awed by the beauty CH70411 225 John Tavener: The Founder’s Prayer CH76989 229 John Tavener: Mother of God, here I stand CH68068 235 John Tavener: Take him, earth, for cherishing CH74998 241 John Tavener: You mantle yourself in light* CH68486 255 Judith Weir: Psalm 148* CH75339 277 James Whitbourn: Alleluia Jubilate* CH77330 293 James Whitbourn: A Prayer from South Africa CH76208 297 James Whitbourn: Requiem Canticorum* CH77649 SPIRITUALS 323 Didn’t my Lord deliver Daniel? (arr. Allain) NOV959211 335 Go down, Moses (arr. Allain) NOV959255 339 Steal away (arr. Allain) NOV959299 343 Were you there? (arr. Allain) NOV959266 Members of our shop staff are happy to answer any enquiries about these featured titles or any of those listed in the full Music Sales Choral Catalogue. Please take this choral binder to one of our customer tills should you wish to purchase single or multiple copies of any of these featured titles. 3
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Music Sales Choral Binder 2011 Vol.2: SATB Sacred and ... - 2011 - VOL2.pdf · 67 John Joubert: Pilgrimage Song NOV060093 87 John Joubert: Psalm 100* NOV060060 111 John Joubert: Responses
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Music Sales Choral Binder 2011Vol.2: SATB Sacred and Spirituals
* With Accompaniment
Page Title Catalogue Code SACRED
5 Mark Adamo: God’s Grandeur* HL50490268 15 Richard Blackford: I will sing to the Lord* NOV050270 29 Geoffrey Burgon: Conditor alme siderum* CH77297 37 Carson Cooman: Set me as a seal HL50490038 39 Patrick Hawes: Cantate Domino* NOV955988 49 Patrick Hawes: My dearest wish* NOV200519 63 Herbert Howells: God be in my head NOV959101 67 John Joubert: Pilgrimage Song NOV060093 87 John Joubert: Psalm 100* NOV060060
111 John Joubert: Responses NOV060082 121 Pawe ukaszewski: O Oriens CH75878 135 Pawe ukaszewski: O Radix Jesse CH75889 151 Pawe ukaszewski: Salve Regina CH77132 161 Paul McKibbins: Alleluia! HL50486692 167 Nico Muhly: Pater noster SRO100030179 Tarik O’Regan: Jubilate Deo (Latin)* NOV958463 205 Tarik O’Regan: Martyr Dei NOV958331-02 215 Georgia Stitt: De profundis HL50486691 219 John Tavener: Awed by the beauty CH70411 225 John Tavener: The Founder’s Prayer CH76989 229 John Tavener: Mother of God, here I stand CH68068 235 John Tavener: Take him, earth, for cherishing CH74998 241 John Tavener: You mantle yourself in light* CH68486 255 Judith Weir: Psalm 148* CH75339 277 James Whitbourn: Alleluia Jubilate* CH77330 293 James Whitbourn: A Prayer from South Africa CH76208 297 James Whitbourn: Requiem Canticorum* CH77649
SPIRITUALS 323 Didn’t my Lord deliver Daniel? (arr. Allain) NOV959211 335 Go down, Moses (arr. Allain) NOV959255 339 Steal away (arr. Allain) NOV959299 343 Were you there? (arr. Allain) NOV959266
Members of our shop staff are happy to answer any enquiries about these featured titles or any of those listed in the full Music Sales Choral Catalogue.
Please take this choral binder to one of our customer tills should you wish to purchase single or multiple copies of any of these featured titles.
ture- is ne ver- spent; There lives the dear est- fresh
mp
ness-
42
Na
pp
ture- is ne ver- spent; There lives the dear est- fresh
mp
ness-
pp
S.
A.
T.
B.
Pno.
deep down things; And
pp
though the
46
deep down things; And
pp
though the
And
pp
though the
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pp
though the
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9
11
ONLINE P
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NOT FOR USE IN
PERFORMANCE
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A.
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B.
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last lights off
mf
theblack West went Oh,
49
last lights off
mf
theblack West went Oh,
last lights off
mf
theblack West went Oh,
last lights off
mf
theblack West went Oh,
mf
S.
A.
T.
B.
Pno.
mor
ff
ning,- at the brown brink
52
mor
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ning,- at the brown brink
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ning,- at the brown brink
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10
12
ONLINE P
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PERFORMANCE
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A.
T.
B.
Pno.
east ward- springs Be cause
p sub.
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54
east ward- springs Be cause
p sub.
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east ward- springs Be cause
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east ward- springs Be cause
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p sub.
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A.
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Ghost o
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ver- the bent World broods
57
Ghost o
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ver- the bent World broods
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11
13
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
8 78 4 0 8 8 5 2 6 6 2
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S.
A.
T.
B.
Pno.
with warm breast and with ah!
pp
bright
mppp
60
with warm breast and with ah!
pp
bright
mp pp
with warm breast and with ah!
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bright
mp pp
with warm breast and with ah!
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bright
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Pno.
wings.
63
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12
14
ONLINE P
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NOT FOR USE IN
PERFORMANCE
Richard Blackford
I will sing to the Lord Anthem for SATB chorus and organ������������������ ����
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NOVELLO
15
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Commissioned by Diana Woolley for first performance������ ������� by��loucester Cathedral Choir, conducted by Adrian Partington, Director of Music. ��������Duration: 4 mins. approx.
Conditor alme siderum, Aeterna lux credentium, Christe redemptor omnium, Exaudi preces supplicum. Qui condo lens interitu, Mortis perire saeculum, Salvasti mundum languidum, Donans reis remedium. Vergente mundi vespere, Uti sponsus de thalamo Egressus honestissima Virginus matris clausula. Cujus forti potentiae Genu curvantur omnia Caelestia, terrestria Nutu fatentur subdita. Te deprecamur agie, Ventura judex saeculi, Conserva nos in tempore Hostis a terra perfidi. Laus, honor, virtus, Gloria Deo, Patri et filio, Sancto simul paraclito In saeculorum saecula. Amen
Creator of the stars of night, Thy people’s everlasting light; Jesu, redeemer, save us all, And hear thy servants when they call. Thou, grieving that the ancient curse Should doom to death a universe, Hast found the medicine, full of grace, To save and heal a ruined race. Thou came, the Bridegroom of the bride, As drew the world to evening tide; Proceeding from a virgin shrine, The spotless victim all divine. At whose dread name, majestic now, All knees must bend, all hearts must bow; And things celestial thee shall own And things terrestrial, Lord alone. O thou whose coming is with dread To judge and doom the quick and dead, Preserve us, while we dwell below, From every insult of the foe. To God the Father, God the Son, And God the Spirit, three in one, Laud, honour, might and glory be From age to age eternally. Amen
CHESTER MUSIC CH77297
29
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
q = 76
Anon. 7th century
Commissioned by Marlborough College for the Chapel Choir
Patrick Hawes’ setting of My dearest wish was given its first performance on 6 March 2010 at Lincoln Cathedral by the Choir of Lincoln Cathedral, conducted by Aric Prentice. �
his per fect- wis dom,- trust his per fect- wis dom.-
��trust
f legato
his per fect- wis dom,- trust his per fect- wis dom.-
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trust his per fect- wis dom.-
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mf
(solo)
mp
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�� �dwell
mp sempre espress.
in his peace and u ni- ty;-
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Ped.
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7
57
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
�
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un poco meno mosso44
S.
A.
T.
B.
Org.
a tempo47
Org.
49
Org.
��hope
f
in him our dai ly- du ty.-
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in him our dai ly- du ty.-
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in him our dai ly- du ty.-
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in him our dai ly- du ty.-
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8
58
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
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51
S.
A.
T.
B.
Org.
53
S.
A.
T.
B.
Org.
���My
f
dear est- wish – be Christ like- Chris tians;-
���My
f
dear est- wish – be Christ like- Chris tians-
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My
f
dear est- wish – be Christ like- Chris tians-
���My
f
dear est- wish – be Christ like- Chris tians-
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���be re freshed- by him;
���be re freshed- by him;
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be re freshed- by him;
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9
59
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
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55
S.
A.
T.
B.
Org.
58
S.
A.
T.
B.
Org.
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���seek
mp espress.
his for giv- ing- grace; His
p espress.
gen tle- ness,- is
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mp espress.
his for giv- ing- grace; His
p espress.
gen tle- ness, is
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seek
mp espress.
his for giv- ing- grace; His
p espress.
gen tle- ness,-
���seek
mp espress.
his for giv- ing- grace; His
p espress.
gen tle- ness,-
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���gen tle- ness- will make us great,
���gen tle- ness- will make us great,
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His gen tle- ness, will make us great,
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(Man.)
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10
60
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
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60
S.
A.
T.
B.
Org.
63allargando
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A.
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make us great,
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gen tle- ness.- will
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make us
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11
61
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
�
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67molto maestoso
S.
A.
T.
B.
Org.
Ped.
71
molto rit.
Org.
Ped.
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great.
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12
62
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Herbert HowellsGOD BE IN MY HEAD
for SATB unaccompanied chorus
edited by Patrick Russill
Novello
63
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Herbert Howells · God be in my head Text: God be in my head and in my understanding; God be in mine eyes and in my looking; God by in my mouth and in my speaking; God be in my heart and in my thinking; God be at mine end, and at my departing. Richard Pynson’s Horae BVM, 1514. Notes: The unique source is a pencil autograph in the possession of Christopher Eaton Smith, to whom grateful acknowledgements are due. He recalls the piece was “written by Dr Howells in some spare minutes before the end of a theory lesson at the Royal College of Music in June 1966, following a ‘rather fair’ attempt at the same words by me!”. The underlay from b. 13 to the end is editorial. In the source bb. 13-15 lack text and bb. 16-17 are erroneously set to ‘keeping’: whatever words Howells had in mind were evidently one syllable less than the correct text. An alternative solution could be to split the semibreve in b.15 and for all to follow the soprano underlay. The F sharp in b. 5 is unclear and could possibly be a cautionary natural. The autograph has no indications of tempo or expression: these are all editorial as is the cautionary G natural in b. 7. Though intended only as an impromptu demonstration of melodic and harmonic control in the service of poetic text, the piece has delicate touches characteristic of Howells’s hymn-style of the 1960s. The beautiful consecutives between bars 14 and 15 that preface the quintessentially Howellsian final cadence are deliberately initialled ‘(H.H.)’. Patrick Russill December 2009 Order number: NOV959101 www.chesternovello.com www.musicroom.com All Rights reserved Printed in Great Britain No part of this publication may be copied or reproduced in any form or by any means without the prior permission of Novello & Company Limited.
for baritone solo and unaccompanied SATB chorus with divisions
Novello
67
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Words and music commissioned by Cappella Novocastriensis to celebrate its fiftieth anniversary, funded by a donation from the Estate of the late Mr and Mrs H.F.G. Andrews, Friends of Cappella. First performance on 13 November 2010 at St George’s Church, Jesmond, Newcastle upon Tyne, conducted by Eric Cross. Duration: c. 6 minutes
Cuthbert of Durham
We climb the strenuous slope to the far-seen ponderous pile that pins him down with its tons of stone stone stonily hewn from nearby hills hauled, shaped and set - This saint is set in echoing stone. Day or night, alone as seagulls cry I rest my head on stone. Here will I die. At Cuthbert’s shrine we are required to venerate these blackened chunks of coffin wood charred by the holocaust of time raked from the ash of thirteen hundred years as his sleepless eyes seek God in the stars from a windowless sea-girt cell on Lindisfarne.
Priest, bishop, prior or anchorite, I seek God’s holy fire, eternal light.
The iron rails of Telford’s permanent way close up behind us pilgrims or tourists from a northern shrine. How permanent are iron, wood, stone? Or prayer?
sea gulls- cry, a lone- as sea gulls- cry I rest my
20
SOLOBar.
head on stone, I rest my head on stone. Here
f
will I
22
5
73
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
SOLOBar.
S.
A.
Pno.
die,
fp
here
mf f
will I
25
ah ah
fp
ah ah
fp
SOLOBar.
S.
A.
T.
B.
Pno.
die.
fp28
ah
fp
ah At
p
Cuth bert’s- shrine
ah
fp
ah At
p
Cuth bert’s- shrine
At
p
Cuth bert’s- shrine, at
At
p
Cuth bert’s- shrine, at
fp
fp
fp
fp
6
74
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
we are re quired- to ven er- ate,-
cresc.30
we are re quired- to ven er- ate,-
cresc.
Cuth bert’s- shrine we are re quired- to
Cuth bert’s- shrine we are re quired- to
S.
A.
T.
B.
Pno.
we
mf
are re quired- to ven er- ate-
cresc.32
we
mf
are re quired- to ven er- ate-
cresc.
ven er- ate-
cresc.
we
mf
are re quired- to
ven er- ate-
cresc.
we
mf
are re quired- to
7
75
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
these
poco f
black ened- chunks, these black ened- chunks,
34
these
poco f
black ened- chunks, these black ened- chunks,
ven er- ate
cresc.
- these
poco f
black ened- chunks of cof fin-
ven er- ate
cresc.
- these
poco f
black ened- chunks of cof fin-
S.
A.
T.
B.
Pno.
these black ened- chunks of cof fin- wood
36
these black ened- chunks of cof fin- wood
wood, these black ened- chunks of
wood, these black ened- chunks of
8
76
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
charred
fp
by the ho lo- caust- of time,
38
charred
fp
by the ho lo- caust- of time,
cof fin- wood charred
fp
by the ho lo- caust- of
cof fin- wood charred
fp
by the ho lo- caust- of
S.
A.
T.
B.
Pno.
charred
fp
by the ho lo- caust- of time
40
charred
fp
by the ho lo- caust- of time
time, charred
fp
by the ho lo- caust- of
time, charred
fp
by the ho lo- caust- of
9
77
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
raked
mf
from the ash of thir teen- hun dred- years,
42
raked
mf
from the ash of thir teen- hun dred- years,
time raked
mf
from the ash of
time raked
mf
from the ash of
S.
A.
T.
B.
Pno.
più f cresc.
raked from the ash of thir
f
teen- hun dred- years
44
più f cresc.
raked from the ash of thir
f
teen- hun dred- years
thir
più f cresc.
teen- hun dred- years, thir
f
teen- hun dred- years
thir
più f cresc.
teen- hun dred- years, thir
f
teen- hun dred- years
10
78
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
as
cresc.
his sleep less- eyes seek God in the stars
ff
from a
46
as
cresc.
his sleep less- eyes seek God in the stars
ff
from a
as
cresc.
his sleep less- eyes seek God in the stars
ff
from a
as
cresc.
his sleep less- eyes seek God in the stars
ff
from a
SOLOBar.
S.
A.
T.
B.
Pno.
f
Priest, bish op,-
48
win dow- less- sea girt- cell on Lin dis- farne.-
win dow- less- sea girt- cell on Lin dis- farne.-
win dow- less- sea girt- cell on Lin dis- farne.-
win dow- less- sea girt- cell on Lin dis- farne.-
p3
p3
p3
p3
3
3
11
79
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
SOLOBar.
S.
A.
T.
B.
Pno.
pri or- or
p
an chor- ite,-
p cresc. poco a poco
I seek God’s
51
SOLOBar.
ho ly- fire, God’s ho ly- fire, e
f
ter- nal- light, e ter- nal-
54
SOLOBar.
S.
A.
T.
B.
Pno.
light, e ter- nal- -
57
ah ah ah ah
ah ah ah ah
ah ah ah ah
ah ah ah ah
fff
ff p
ff p
ff p
ff p
12
80
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
SOLOBar.
S.
A.
T.
B.
Pno.
light, e ter- nal- light,
59
f
ah ah ah ah ah ah ah
f
ah ah ah ah ah ah ah
f
ah ah ah ah ah ah ah
f
ah ah ah ah ah ah ah
f
pp mf p
pp mf p
pp mf p
pp mf p
13
81
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
SOLOBar.
S.
A.
T.
B.
Pno.
e
mp
ter- nal- light.
62
The iron rails of Tel ford’s- per ma- nent- way
ah
fp
ah ah ah
ah
fp
ah
p
ah ah
ah
fp
ah
p
ah ah
ossia
mp mf3
p
3
ossia
14
82
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
close up be hind- us, close up be hind- us
65
ah
mf
ah ah ah ah ah
ah
mf
ah ah ah ah ah
ah
mf
ah ah ah ah ah
S.
A.
T.
B.
Pno.
pil
f
grims- or tour ists,- pil grims- or tour ists-
68
ah
f
ah ah ah
ah
f
ah ah ah
ah
f
ah ah ah
3 3
3 3
15
83
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
from a north ern- - shrine.
ff70
ah
ff
ah ah ah
ah
ff
ah ah ah
ah
ff
ah ah ah
S.
A.
T.
B.
Pno.
How
f poco a poco dim.
per ma- nent,- how
mf dim.
per ma- nent,-
72
ah ah ah ah
ah ah ah ah
ah ah ah ah
f poco a poco dim. mf dim. p
f poco a poco dim. mf dim. p
f poco a poco dim. mf dim. p
16
84
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
S.
A.
T.
B.
Pno.
per
p dim.
ma- nent,-
74
ah ah ah ah ah ah
ah ah ah ah ah ah
ah ah ah ah ah ah
S.
A.
T.
B.
Pno.
are
pp
iron, wood, stone? Or prayer?
76
are
pp
iron, wood, stone? Or prayer?
are
pp
iron, wood, stone? Or prayer?
are
pp
iron, wood, stone? Or prayer?
pp mf pp
pp mf pp
pp mf pp
6'
17
85
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
86
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
John JoubertPSALM 100
(2009)for double SATB and piano/organ
Vocal Score
Novello
87
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
John Joubert PSALM 100
Commissioned for the 2010 Gloucester Three Choirs Festival.
First performance at the opening service of the festival in Gloucester Cathedral on Saturday, 7th August 2010, by the combined festival choruses of Hereford, Worcester
and Gloucester, the Gloucester Cathedral Choir and the Philharmonia Brass. Conducted by Adrian Partington.
Duration: 7 minutes
Novello & Company Limited part of The Music Sales Group 14-15 Berners Street, London
Exclusive Distributors: Music Sales Limited Newmarket Road, Bury St. Edmund, Suffolk IP33 3YB
serve the Lord with glad ness,- and comebe fore- his
4
serve the Lord with glad ness,- and comebe fore- his
Book of Common Prayer1662
John Joubert(2009)
To Anna and Rob
PSALM 100
Chorus I
Chorus II
89
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
pre sence- with a song. Be
p
ye sure
6
p
pre sence- with a song. Be
p
ye
p
p
I
II
that the Lord he is
9
sure that the
2
90
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
God, that the Lord he is God; it
mf
is
11
mf
Lord he is God; it
mf
is he
mf
mf
I
II
he, and not
14
who has made us, and not
3
91
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
we our selves:- we
mf cresc.
are his peo ple,-
16
mf cresc.
we, and not we our selves:- we
mf cresc.
are his
mf cresc.
mf cresc.
I
II
and the sheep, and the
19
peo ple,- and
f
the
f
4
92
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
sheep,
f
and the sheep, and the sheep,
ff21
f ff
sheep, and the sheep, and the sheep,
ff
and the
ff
f cresc. ff
I
II
and the
sheep
sheep
24
sheep, the
the
5
93
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
of
of
his
his
pas ture.-
Poco meno mosso26
sheep
sheep of
of
his
his
pas ture.-
dim. mf
Poco meno mosso
I
II
29
unis.
O
p
go your way in to- his gates with thanks-unis.
p
p
3 3 3 3 3
6
94
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
unis.
O
mf
go your way in to- his
32
unis.
mf
giv
mf
- ing,- with thanks giv- ing,- with thanks giv- ing,-
mf
mf
I
II
gates with thanks giv- ing,- with thanks giv- ing,-
34
3 3 3 3
3 3 3 3
3
33 3
3
3
3
3
3 3
3 3
3 33 3 3
3
7
95
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
with thanks giv- ing,-
36
f cresc.
I
II
and
p cresc.
in to- his courts, and in to- his courts,
38
p cresc.
and
p cresc.
in to- his courts, and in to- his
p cresc.
cresc.mf cresc.
3 3
3 3
L.H.
3
3
3
3
3
3
3
33 3 3 3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
p sub.
33
3
33
3
3
3
3
3 3
8
96
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
and
f
in to- his courts with praise,
ff
and in to- his
40
f ff
courts, and
f
in to- his courts with praise,
ff
f ff
f cresc. ff
3 3 33
3 3 3 3
3
3 3 3
3
3
3 3
()
( )
33
3
3
3
3
3
33 3 3
3
3 3
3 3
9
97
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
courts with praise:
mf p42
mf p
and in to- his courts with praise:
mf
mf
f dim.mf
I
II
44
p
p
p
3
3
3 3
3 3
3
3 33 3
33
3 3
L.H.
3 3 33
33 3
10
98
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
pp
Poco meno mosso (poco lento)47
Tr.
O
mp
be thank ful-
50
Tr.
un to- him, and speak
52
Tr.
good
mf
of his Name, of his
54
p
TREBLE (Solo ad lib.)
11
99
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Tr.
II
Name.
57
For
p
the Lord is gra cious,-
p
II his mer - - - - cy
59
L.H.
R.H.
12
100
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
II is ev er- - last
mf
- ing:- and his
61
mf
mf
IItruth en -
63
13
101
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
IIdur
cresc.
- eth- - from ge ne- -
64
cresc.
IIra- tion- to ge ne- - ra
f cresc.
- tion.-
65
f cresc.
cresc. f
)
(
14
102
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
Glo ry- be to theFa ther,-
Tempo I (Moderato assai)67
ff
ff
Glo ry- be to theFa ther,-
ff
Tempo I (Moderato assai)
I
II
and to the Son: and to the Ho ly- -
71
and to the Son: and to the Ho ly- -
unis.ff
unis.
unis.
unis.
( ) ( )
15
103
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
Ghost:
74
Ghost:
f
As it was in the be gin- ning,- is
f
f
I
II
is
f
now,
77
f
now,
f
3 3
16
104
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
79
is
f
now, and ev er- shall be, and ev er-
f
I
II
and
f
ev er- shall be:
81
f
shall be:
3 3
17
105
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
with out-
83
world with out- end, with out- end,
I
II
end,
86
with out- end.
3
3
18
106
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
with
f
out- end.
88
f
I
II
A men,- -
90
ff
ff
A men,- -
ff
ff
ff
19
107
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
a men,- - A men,- - a men,- -
92
a men,- - A men,- - a men,- -
I
II
ff
a men,- - a - -
95
ff
ff
a men,- - a - -
ff
20
108
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I
II
men,- a men.-
98
men,- a men.-
I
II
101
p ff
21
109
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
110
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
John JoubertPRECES AND RESPONSES
(2010)for unaccompanied SATB chorus
Novello
111
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
John Joubert PRECES AND RESPONSES
First performance on Wednesday,11th August, 2010, given by the Choirs of Gloucester Cathedral, Hereford Cathedral and Worcester Cathedral, conducted by
Adrian Partington, at the 283rd Three Choirs Festival.
Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Paul McKibbins(1992)
Bright and rhythmic q . = 120
e = e throughout
e = e throughout
DO NOT COPY. NOT FOR RESALE.
161
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
&
V
?
&?
###
###
###
###
###
###
83
83
83
83
83
83
86
86
86
86
86
86
4 .œ ‰
jœ œ jœAl - le - lu -
Jœ œ JœAl - le - lu -
jœ œ JœAl - le - lu -
.œ ‰Jœ œ Jœ
Jœœ œœ Jœœ
.œAl -
.œia!
.œia!
.œia!
.œ
.œ
.˙le,
jœ ‰ ‰ .œAl -
Jœ ‰ ‰ Œ .
Jœ ‰ ‰ Œ .
.Œ . .œJœ ‰ ‰ Œ .
.˙
.˙le,
Œ Jœ.œ
Al - le -
Œ . Œ jœAl -
.˙ .˙
Œ Jœ.œŒ Jœ
&
&
V
?
&?
###
###
###
###
###
###
42
42
42
42
42
42
83
83
83
83
83
83
86
86
86
86
86
86
8 .œ œ œ œAl - le - lu -
.œ œ œ œAl - le - lu -.œ œ
-
Jœlu - ia!
.œ œ Jœle - lu - ia!
.œ .œ œœ œœ œœ
.œ .œ œœ Jœœ
.œ ‰ia!
œ œia! Al -
œ œ œ œAl - le - lu - ia!
œ œ œAl - le - lu -
.œ ‰œ œœ œœœ œœ œ
.œAl -
œ jœle - lu -
œ œ œAl - le - lu -
œ jœia! Al -
.œœ Jœœ œ œœ Jœ
.˙le -
œ jœ œjœ
ia! Al - le - lu -
œ jœ œ jœia! Al - le - lu -
.˙le -
.œ Jœ œ Jœœ jœ œ jœ.˙
ALLELUIA!
4
162
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
&
V
?
&?
###
###
###
###
###
###
42
42
42
42
42
42
86
86
86
86
86
86
42
42
42
42
42
42
86
86
86
86
86
86
12 .œ .œlu - ia!
œ jœ œjœ
ia! Al - le - lu -
œ Jœ œ jœia! Al - le - lu -
.˙lu -
.œ .œœ Jœ œ Jœœ jœ œ jœ.˙
‰ jœ œ œAl - le - lu -
œ œ œ œia! Al - le - lu -
.œ ‰ia!
.œ ‰ia!
œ œœ œœ œœ..œœ ‰
Jœ ‰ ‰ Œ .ia!
Jœ ‰ ‰ Œ .ia!
œP œ œ .œAl - le - lu - ia!
œP œ œ .œAl - le - lu - ia!
Jœœ ‰ ‰ Œ .
œœ œœ œœ ..œœ
∑
∑
œ œ œ œAl - le - lu - ia!
œ œ œ œAl - le - lu - ia!
∑œœ œœ œœ œœ
&
&
V
?
&?
###
###
###
###
###
###
86
86
86
86
86
86
42
42
42
42
42
42
86
86
86
86
86
86
16 Œ . ‰ œPAl -
Œ . ‰ œPAl -
œ œ œ .œAl - le - lu - ia!
œ œ œ .œAl - le - lu - ia!
Œ . ‰ œœœœ œœ œœ ..œœ
œ œcresc.
le - lu -
œ œcresc.
le - lu -
œcresc.œ œ œAl - le - lu - ia!
œcresc.œ œ œAl - le - lu - ia!
œœ œœœœ œœ œœ œœ
.˙ia!
.˙ia!
œF œ œ .œAl - le - lu - ia!
œF œ œ .œAl - le - lu - ia!
..˙œœ œœ œœ ..œœ
Jœ ‰ ‰ ‰ œFAl -
Jœ ‰ ‰ ‰ œFAl -
œ œ œ .œAl - le - lu - ia!
œ œ œ .œAl - le - lu - ia!
Jœœ ‰ ‰ ‰ œœœœ œœ œœ ..œœ
ALLELUIA!
5
163
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
&
V
?
&?
###
###
###
###
###
###
42
42
42
42
42
42
43
43
43
43
43
43
86
86
86
86
86
86
20 œ jœ jœ œle - lu - ia!
œ jœ jœ œle - lu - ia!
œ œ œ .œAl - le - lu - ia!
œ œ œ .œAl - le - lu - ia!
œœ jœœ jœœ œœœœ œœ œœ ..œœ
œcresc. œAl - le -
œcresc.
œAl - le -
œcresc.œ œ œAl - le - lu - ia!
œcresc.œ œ œAl - le - lu - ia!
œœ œœœœ œœ œœ œœ
poco rit.
poco rit.
poco rit.
poco rit.
œ œ œf œ
lu - ia!
œ œ œfœ
lu - ia!
œ œ œAl - le - lu -
œpoco rit. œ œAl - le - lu -
œœ œœ œœ œœœœ( ) œœ œœ
.U ,
.˙U ,
.U ,fia!
.U ,fia!
..˙U..˙
U
&
&
V
?
&?
###
###
###
###
###
###
42
42
42
42
42
42
86
86
86
86
86
86
42
42
42
42
42
42
A
A
a tempo
a tempo
a tempo
a tempo
24
œP œ œ .œAl - le - lu - ia!
œP œ œ .œAl - le - lu - ia!
∑
∑
œ œ œ
a tempo
.œœ œ œ .œ
œ œ œ œAl - le - lu - ia!
œ œ œ œAl - le - lu - ia!
∑
∑
œ œ œ œœ œ œ œ
œ œ œ .œAl - le - lu - ia!
œ œ œ .œAl - le - lu - ia!
Œ . ‰ œPAl -
Œ . ‰ œPAl -
œ œ œ ..œœœ œ œ ‰ œœ
œ œ œ .œAl - le - lu - ia!
œ œ œ .œAl - le - lu - ia!
œ jœ jœ œle - lu - ia!
œ jœ jœ œle - lu - ia!
œœ œœ œœ ..œœœœ J
œœ Jœœ œœ
ALLELUIA!
6
164
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
&
V
?
&?
###
###
###
###
###
###
42
42
42
42
42
42
86
86
86
86
86
86
28
œcresc.
œ œ œAl - le - lu - ia!
œcresc.
œ œ œAl - le - lu - ia!
Œ œcresc.
Al -
Œ œcresc.
Al -
œ œœ œœ œœŒ œœ
œ œ œ œAl - le - lu - ia!
œ œ œ œAl - le - lu - ia!
Jœ .œle -
jœ .œle -
œœ œœ œœ œœ
Jœœ ..œœ
.œF .œAl - le -
œFœ œ œ œ œ
Al - le - lu - ia! Al - le -
.œ .œlu - ia!
.œ .œlu - ia!
.œ .œœ œ œ œ œ œ..œœ ..œœ
.œ .œlu - ia!
œ œ œ œ œ œlu - ia! Al - le - lu - ia!
œF jœ œ jœAl - le - lu - ia!
∑
.œ .œœ œ œ œ œ œœ Jœ œ Jœ
&
&
V
?
&?
###
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42
42
42
42
42
42
32
.œ .œAl - le -
œ œ œ œ ŒAl - le - lu - ia!
Œ . ‰ œ œAl - le -
œF œ œ œ œ œAl - le - lu - ia! Al - le -
.œ .œœ œ œ œ Œœ œ œ œ œœ œœ
.œ .œlu - ia!
∑
œ œ œ œ œ œlu - ia! Al - le - lu - ia!
œ œ œ œ œ œlu - ia! Al - le - lu - ia!
.œ .œ
œœ œœ œœ œœ œœ œœ
œcresc.
œ œ œAl - le - lu - ia!
œcresc.
œ œ œAl - le - lu - ia!
œcresc. œAl - le -
œcresc.œ œ œAl - le - lu - ia!
œ œœ œœ œœœ œœ œ œ œ
ALLELUIA!
7
165
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
&
V
?
&?
###
###
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###
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###
86
86
86
86
86
86
35 œ œ œ œAl - le - lu - ia!
œ œ œ œAl - le - lu - ia!
œ œlu - ia!
∑
œœ œœ œœ œœœ œ
∑
œf jœ œ jœAl - le - lu - ia!
Œ . Œ JœfAl -
.œf .œAl - le -
œ jœ œ jœœ.œ .œ
œfœ œ œ œ œ
Al - le - lu - ia! Al - le -
œ œ œ œ œ œAl - le - lu - ia! Al - le -
.˙le -
.œ .œlu - ia!
œ œœ œœ œœ œœ œœ.˙ .œ .œ
œ œ œcresc.œ œ œlu - ia! Al - le - lu - ia!
œ jœ ‰ Œlu - ia!
.œ Jœ ‰ Jœcresc.
lu - ia! Al -
.œcresc. .œAl - le -
œ œ œœ œ œ œœ.œ Jœ ‰ Jœ.œ .œ
&
&
V
?
&
?
###
###
###
###
###
###
39 ∑
∑
œ œ œ Œ jœƒ
le - lu - ia! Al -.œ .œƒlu - ia!
œ œ œ Œ .
Œ Jœ.œ .œ
Œ Jœƒ Jœ œAl - le,
jœƒ œ œ jœAl - le - lu - ia!
.˙le,
.˙
Œ jœ jœ œJœœ œ
Jœ.˙ .˙
œ œ œ Jœ ‰ ‰Al - le - lu - ia!
œ œ œ jœ ‰ ‰Al - le - lu - ia!
œ œ œ Jœ ‰ ‰Al - le - lu - ia!
œ œ œ jœ ‰ ‰Al - le - lu - ia!
œœ œœ œœ Jœœ ‰ ‰
œœ œœ œœ Jœœ ‰ ‰
8
ALLELUIA!
+84088-CBFGEe166
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Nico Muhly
PATER NOSTER (2008)
SATB chorus with soprano solo
ST ROSE MUSIC PUBLISHING
167
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Commissioned for the 2008 Edington Music Festival
ST ROSE MUSIC PUBLISHING Exclusive distributors: Music Sales Limited Head Office: 14/15 Berners Street, London W1T 3LJ Distribution: Newmarket Road, Bury St Edmunds, Ipswich IP33 3YB www.chesternovello.com
ter- nos ter,- Pa ter- nos ter,- qui es in cae lis:- sanc ti- fi- -
Pa
sempre mf - steady
ter- nos ter,- Pa ter- nos ter,- qui es in cae lis:- sanc ti- fi- -
Pa
sempre mf - steady
ter- nos ter,- Pa ter- nos ter,- qui es in cae lis:- sanc ti- fi- -
Pa
sempre mf - steady
ter- nos ter,- Pa ter- nos ter,- qui es in cae lis:- sanc ti- fi- -
6
S. Solo
S.
A.
T.
B.
Pa
mf
ter-
ce - tur No men- Tu um;-
p
Pa
sub. mf
ter- nos ter,- Pa ter- nos ter,- qui
ce - tur No men- Tu um
p
- Pa
sub. mf
ter- nos ter,- Pa ter- nos ter,- qui
ce - tur No men- Tu um
p
- Pa
sub. mf
ter- nos ter,- Pa ter- nos ter,- qui
ce - tur No men- Tu um
p
- Pa
sub. mf
ter- nos ter,- Pa ter- nos ter,- qui
169
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
12
S. Solo
S.
A.
T.
B.
nos ter- qui es
3
in
3
cae lis:- -
es in cae lis:- sanc
p
ti- fi- ce-
mp
- tur No
p
men-
es in cae lis:- sanc
p
ti- fi- ce-
mp
- tur
p
es in cae lis:- sanc
p
ti- fi- ce-
mp
- tur
p
es in cae lis:- sanc
p
ti- fi- ce-
mp
- tur
p
17
S. Solo
S.
A.
T.
B.
Reg
mp
num- Tu
f
-
Tu um;- Ad ven- i- at- Reg
mf
num- Tu um;-
p
No men- Tu um- Ad ven- i- at- Reg
mf
num- Tu um;-
p
No men- Tu um- Ad ven- i- at- Reg
mf
num- Tu um;-
p
No men- Tu um-
2
170
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
2+322
S. Solo
S.
A.
T.
B.
um;
Ad ven- i- at- Reg
mf
num- Tu um;-
p
Ad ven- i- at- Reg
mf
num- Tu um;-
p
Ad ven- i- at- Reg
mf
num- Tu um;-
p
Ad ven- i- at- Reg num- Tu um;-
Slightly Faster q = 7226
3+2
S. Solo
S.
A.
T.
B.
Fi
p mf
at- - - vo -
Fi
mf - energetic
at- vo lun- tas- Fi at- vo lun- tas- Fi at- vo lun- tas- Tu -
Fi
mf - energetic
at- vo lun- tas- Fi at- vo lun- tas- Fi at- vo lun- tas- Tu -
Fi
mf - energetic
at- vo lun- tas- Fi at- vo lun- tas- Fi at- vo lun- tas- Tu -
Fi
mf - energetic
at- vo lun- tas- Fi at- vo lun- tas- Fi at- vo lun- tas- Tu -
3
171
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
30
S. Solo
S.
A.
T.
B.
lun tas- Tu a;- Si
p
cut- in cae lo
mf
-
a. si
mp
cut- in cae lo
p
- et in ter ra.-
a. si
mp
cut- in cae lo
p
- et in ter ra.-
a. si
mp
cut- in cae lo
p
- et in ter ra.-
a. si
mp
cut- in cae lo- et in ter ra-
Faster Again q = 7835
S. Solo
S.
A.
T.
B.
Pa
mf - energetic
nem- nos trum- quo ti- di- a- num- da no bis- ho di- -
Pa
mf - energetic
nem- nos trum- pa nem- nos trum- quo ti- di- a- num- da no bis- ho di- -
Pa
mf - energetic
nem- nos trum- pa nem- nos trum- quo ti- di- a- num- da no bis- ho di- -
Pa
mf - energetic
nem- nos trum- pa nem- nos trum- quo ti- di- a- num- da no bis- ho di- -
Pa
mf - energetic
nem- nos trum- pa nem- nos trum- quo ti- di- a- num- da no bis- ho di- -
4
172
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Floating q = 7239
S. Solo
S.
A.
T.
B.
e,
e,
e, et
mp, insect-like, precise
di mit- te- no bis- de bi- ta- nos tra- si cut-
e, et
sempre mp, lean into downbeats
di mit- te- no bis- de bi- ta- nos tra- et di-
e, et
sempre mp, steady, drone-like
44
S.
A.
T.
B.
et
mp, insect-like, precise
di mit- te- no bis- de bi- ta- nos tra- si cut-
et
mp, insect-like, precise
di mit- te- no bis de bi- ta- nos tra-
etnos di mit- ti- mus- de bi to- ri- bus- nos tra- et di
3
mit te- no bis- de bi- ta- nos
sim.
tra- et di
ne
mfz - slight accent on all note changes
5
173
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
48
S. Solo
S.
A.
T.
B.
et
p
ne nos in du- -
et nos di mit- ti- mus- de bi- to- ri- bus- nos tra- et di
3
-
si cut- et nos di mit- ti- mus- de bi- to- ri- bus- nos
3
-
mit te- no bis- de bi- ta- nos tra- si cut- et nos di-
mit te- no bis- de bi- ta- nos tra- et di -
nos
52
S. Solo
S.
A.
T.
B.
cas
mf
- - - - - - -
mit te- no bis- de bi- ta- nos tra- si cut et nos di-
tra- Pa ter- nos ter- Pa ter- nos ter- et ne nos in du cas-
mit ti- mus- dede bi-- toto- ri- bus- nos tra- et di mit- te- no bis-
3
mit... et di mit- te- no bis- de bi- ta- nos -
in - -
6
174
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
56
S. Solo
S.
A.
T.
B.
in ten ta- ti3
- o- nem- et
p
ne nos in du- -
mit ti- mus- de bi- to- ri bus- nos tra-
3
in ten ta- ti- o- nem,et ne nos in du- cas- in
de bi- ta- nos tra- si cut- et nos di mit- ti- mus- dede bi- -
tra et ne nos in du- cas- in ten ta- ti- o- - -
du- - - - - cas-
60
S. Solo
S.
A.
T.
B.
cas
mf
- - - - - - -
et ne nos in du- cas- in ten ta- ti- o- nem,- et ne nos in du- -
ten ta- ti- o- nem, et ne nos in du- cas-
toto ri- bus- nos tra- si cut- et nos di mit- ti- mus- de bi- to- ri- bus-
3
nem,- -
in ten ta- - - -
7
175
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
65 Slowly q = 66
S. Solo
S.
A.
T.
B.
in ten ta- ti3
- o- nem-
cas in ten ta- ti- o- nem,
p
- sed
pp
li be- ra- nos a
in ten ta- ti- o- nem,
p
- nost ris.- sed
pp
li be- ra- nos a
nost ris
p
- -
sed
pp
li be- ra- nos a
- ti
p
o- nem,
mfz
-
71
S. Solo
S.
T.
B.
A
pp
- - - - - - -
ma lo.- sed li be- ra- nos a
ma lo.- sed li be- ra- nos a
ma lo.- sed li be- ra- nos a
nem,
8
176
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
76
S. Solo
S.
T.
B.
- - - - - - men.
ma lo.- A
mp
men.
p
- - -
ma lo.- A
mp
men.
p
- - -
ma lo.- A
mp
men.
p
- - -
A
mp
men.
p
- - -
9
177
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
178
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Tarik O’ReganJUBILATE DEO (LATIN)
for SATB chorus and organ
Novello
179
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
JUBILATE DEO [Latin setting]
Duration
5’
Instrumentation
SATB chorus organ
Text
Jubilate Domino omnis terra: servite Domino in laetitia.
Introite in conspectu eius: in exultatione.
Scitote quoniam Dominus ipse est Deus: ipse fecit nos, et non ipsi nos.
Populus eius, et oves pascuae eius, introite portas eius in confessione: atria eius in hymnis confitemini illi.
Laudate nomen eius, quoniam suavis Dominus: in aeternum misericordia eius, et usque in generationem, et generationem veritas eius.
Gloria Patri, et Filio: et Spiritui sancto. Sicut erat in principio, et nunc, et semper: et in saecula saeculorum. Amen.
Notes
Jubilate Deo was commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music, Cathedral of St John, Albuquerque New Mexico as part of the Cathedral Commissions series. First performed by the Cathedral Choir under the direction of Iain Quinn with Maxine Thevenot, organist.
Tarik O’Regan New York, January 2009
180
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Steady q = 72
Steady q = 72
Jubilate Deo
Commissioned by William and Elizabeth Bayne for the Friends of Cathedral Music, Cathedral of St John, Albuquerque, New Mexico as part of the Cathedral Commissions series
Martyr Dei is an extract from the larger work, Martyr, which was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was first performed by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24th January 2009, under the direction of John Gibbons.
Latin text sourced from MS 391, p. 271: Cambridge, Corpus Christi College (the Portiforium of St Wulfstan)
Martyr Dei, qui unicum patris sequendo filium victis triumphans hostibus, victor fruens caelestibus,
tui precatus munere nostrum reatum delue arcens mali contagium, vitae removens tedium.
Soluta sunt iam vincula tui sacrati corporis, nos solve vinclis saeculi. amore filii dei.
Martyr of God, whose strength was steeled To follow close God’s only Son, Well didst thou brave thy battlefield, And well thy heavenly bliss was won! Now join thy prayers with ours, who pray That God may pardon us and bless; For prayer keeps evil’s plague away, And draws from life its weariness. Long, long ago, were loosed the chains That held thy body once in thrall; For us how many a bond remains! O Love of God release us all.
Warning: Unauthorized reproduction of this publication is prohibited by Federal law and subject to criminal prosecution.
Georgia Stitt(b. 1972)
Christina Rossetti(1830-1894)
TenorBass
DO NOT COPY. NOT FOR RESALE.
215
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
?
bb
b b
22 ..˙P
One..˙P
˙ œœround mo -˙ œœ
œœ œœ ˙no - to - nousœœ œœ ˙
œœ ˙ofœœ ˙
..˙change;..˙
..˙ ,
..˙ ,
&
?
bb
b b
28 œœ œœb œœYet e - ven
œœbb œœ œœ
˙ œbshe re -
œb
˙b œœb
œœ œœb œœbpeats her tune
œœbb œœ œœ
˙ œbBe -
œb
˙ œbœb
&
?
bb
b b
32 ..˙nF
yond
..˙nF
..˙my
..˙
..˙range.
..˙
..˙
..˙
A
Œ Œ œPunis.
I
Œ Œ œP
Œ Œ œ
˙ œnev - er
˙ œunis.
&
?
bb
b b
38 œ œ œ œwatch the scat - ter’d
œ œ œ œ
.œ .œfire Of
.œ .œ
..˙F
stars,..˙F
œœ Œ œœorœœ Œ œœ
&
?
bb
b b
42 œœ œœ œœ œœsun’s far - trail - ing
œœ œœ œœ œœ
..˙train,
..˙
œœ Œ œBut
œœ Œ œ
..˙f
all
..˙f
.œ .œmy
.œ .œ
..œœ ..œœ
DE PROFUNDIS
4
216
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
?
bb
b b
47 ..˙nheart..˙n
˙ œœis˙ œœn
˙b œœone de -
˙˙ œœ
..˙sire,
..˙
œœ Œ œœNFAnd
œœ Œ œœF
&
?
bb
b b
52 ..˙all
..˙
..˙
..˙
..˙in
..˙˙n
..˙
..˙˙
&
?
bb
b b
56 ..˙vain:
..˙#
..˙
..˙
˙ Œ
˙ Œ
..˙-For
..˙# -
&
?
bb
b b
60 ..˙AfI ..˙f
˙ œœam
˙ œœ
..˙bound..˙
˙ œœwith
˙ œœ
˙ œœflesh - ly
˙n œœn
&
?
bb
b b
65 ..˙bands,
..˙n
..˙
..˙
..˙ ,
..˙ ,
..˙b -PJoy,
..˙b -P˙ Œ
˙ ŒDE PROFUNDIS
5
217
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
&
?
bb
b b
70 œœb œœ Œbeau - ty,
œœbb œœ Œ
˙ œœnlie be -
˙ œœ
˙unis. œyond my
˙N œœ
.˙scope;
..˙n
&
?
bb
b b
74
.˙
..˙
œ Œ œp
I
œœ Œ œp
˙ œœnstrain my
˙ œœ
..˙heart,
..˙
..˙,
..˙ ,
&
?
bb
b b
79
.˙I
.˙
˙bF œœA
stretch my
˙bF œœ
..˙bhands,
..˙
..˙,
..˙ ,
&
?
bb
b b
83
.˙And
.˙
..˙catch
..˙
..˙
..˙
..˙bat
..˙b
..˙
..˙
&
?
bb
b b
88 ...˙div.[
f
hope.
..˙f
...˙
..˙
...˙
..˙
...˙
..˙
...˙Up
..˙Up
DE PROFUNDIS
6
218
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
CHESTER MUSIC
JOHN TAVENER
AWED BY THE BEAUTYfor unaccompanied choir SATB
from
THE VEIL OF THE TEMPLE
219
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
JOHN TAVENERTHE VEIL OF THE TEMPLE
Patron: H.R.H. The Prince of Wales
The Veil of the Temple was commissioned by the Temple Music Trust. The world premieretook place on 27th June 2003 at the Temple Church, London, performed by the Choir of theTemple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by StephenLayton, as part of The City of London Festival, 2003. The anthem Awed by the beauty wasarranged in 2005.
Byzantine text, translated by Mother Thekla.
‘Oh’ should be sung as in the ‘o’ of ‘log’. Breathe when necessary, but not simultaneously. and represent microtones, the characteristic ‘breaks in the voice’ of Eastern chant.
Duration: c. 2 minutes
Score on sale: Order No. CH70411
Warning: the copying of any pages of this copyright publication is illegal. If copies aremade in breach of copyright, the publishers will, where possible, sue for damages.
A collection, Five Anthems from The Veil of the Temple, is also available,includingYou mantle yourself in light, Mother of God, here I stand, WhatGod is, we do not know, Awed by the beauty and O Mary Theotokos.
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
221
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
7poco rall.
S.
A.
T.
B.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
A little slower10
S.
A.
T.
B.
Al
pp
lee- -- -
loú- -- -
i--
a..
--
Al
pp
lee- -- -
loú- -- -
i--
a..
--
Al
pp
lee- -
- - loú- -
- - i-- .
a.-
-
Al
pp
lee- -- -
loú- -- -
i-
- a..
--
Oh.
pp
212
222
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Tempo I
With ecstatic breath (q = c.88)14
S.
A.
T.
B.
Awed
pp
by the beau ty- of thy vir gi- ni- ty,-
Awed
pp
by the beau ty- of thy vir gi- ni- ty,-
Awed
pp
by the beau ty- of thy vir gi- ni- ty,-
Awed
pp
by the beau ty- of thy vir gi- ni- ty,-
17
S.
A.
T.
B.
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
and the ex ceed- ing- ra diance- of thy pu ri- ty,-
22 3
223
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
20poco rall.
S.
A.
T.
B.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
Ga bri- el- called out un to- thee, O Ma ry- full of grace.
A little slower
23rit.
S.
A.
T.
B.
Al
f cresc.
lee--
--
loú i- -- -
a..
--
Al
f cresc.
lee-
--
- loú i- -
- -.
a.-
-
Oh.
f cresc.
Al
f cresc.
lee--
--
loú i- -- -
a..
--
Oh.
f cresc.
234
224
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
CHESTER MUSIC
JOHN TAVENER
THE FOUNDER’S PRAYERFOR UNACCOMPANIED CHOIR SATB
This work was written for the Choir of Eton College.
Domine, Jesu Christe, qui me creasti, redemisti, et preordinasti adhoc quod sum; tu scis quæ de me facere vis; fac de me secundumvoluntatem tuam cum misericordia. Amen.
[O Lord Jesus Christ, who hast created and redeemed me and hastforeordained me unto that which now I am; thou knowest whatthou wouldst do with me; do with me according to thy will, in thymercy. Amen.]
Text by King Henry VI, who founded Eton College in 1440.
Duration: c. 1½ minutesScore on sale: Order No. CH76989
re de- mis- ti,- et pre or- di- nas- ti- ad hoc quod sum;
et
p dolce
pre or- di- nas- ti- ad hoc quod sum;
et
p dolce
pre or- di- nas- ti- ad hoc quod sum;
* Breathe when necessary, but not simultaneously
Ah.*
p dolce
226
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Più7
S.
A.
T.
B.
9
S.
A.
T.
B.
12
Child OkefordApril 2010
1 2 3 4 5 6 7 8 9
rit.
S.
A.
T.
B.
tu scis quae de me fa ce- re- vis; fac de me se cun- - dum
tu scis quae de me fa ce- re- vis; fac de me se cun- - dum
tu scis quae de me fa ce- re- vis; fac de me se cun- - dum
(Ah.)
vo lun- ta- tem- tu am- cum
pp
mi se- ri- cor- -
vo lun- ta- tem- tu am-
vo lun- ta- tem- tu am-
(Ah.)
di- - - - - a.- A men.-
A
pp
men.-
A
pp
men.-
Ah.
pp
3
227
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
228
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
CHESTER MUSIC
JOHN TAVENER
MOTHER OF GOD,HERE I STANDfor unaccompanied choir SATB
from
THE VEIL OF THE TEMPLE
229
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
JOHN TAVENERTHE VEIL OF THE TEMPLE
Patron: H.R.H. The Prince of Wales
The Veil of the Temple was commissioned by the Temple Music Trust. The world premieretook place on 27th June 2003 at the Temple Church, London, performed by the Choir of theTemple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by StephenLayton, as part of The City of London Festival, 2003.
The anthem Mother of God, here I stand was sponsored by the Toulmin Family, and it isdedicated to the Choir of the Temple Church, its Director of Music, Stephen Layton, and theMaster of the Temple, the Rev. Robin Griffith-Jones. It was first performed on 13th May 2004,by the Choir of the Temple Church conducted by Stephen Layton.
Words by Mikhail Lermontov (1814–1841).
Duration: c. 3 minutes
Score on sale: Order No. CH68068
Warning: the copying of any pages of this copyright publication is illegal. If copies aremade in breach of copyright, the publishers will, where possible, sue for damages.
A collection, Five Anthems from The Veil of the Temple, is also available,includingYou mantle yourself in light, Mother of God, here I stand, WhatGod is, we do not know, Awed by the beauty and O Mary Theotokos.
* Bass 2 is optional throughout† Play only if necessary to keep the choir up to pitch
(Ped.) 16' Bourdon
pp
231
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
3
S.
A.
T.
B.
Org.
Be fore- this i kon- of your ra diant- bright ness,-
Be fore- this i kon- of your ra diant- bright ness,-
Be fore- this i kon- of your ra diant- bright ness,-
Be fore- this i kon- of your ra diant- bright ness,-
6
S.
A.
T.
B.
Org.
Not pray ing- to be saved from a bat tle- field;-
Not pray ing- to be saved from a bat tle- field;-
Not pray ing- to be saved from a bat tle- field;-
Not pray ing- to be saved from a bat tle- field;-
2
232
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ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
8
S.
A.
T.
B.
Org.
Not giv ing- thanks, nor seek ing- for give- ness- -
Not giv ing- thanks, nor seek ing- for give- ness- -
Not giv ing- thanks, nor seek ing- for give- ness- -
Not giv ing- thanks, nor seek ing- for give- ness- -
11
S.
A.
T.
B.
Org.
for the sins of my soul, nor for all the souls
for the sins of my soul, nor for all the souls
for the sins of my soul, nor for all the souls
for the sins of my soul, nor for all the souls
3
233
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
14
S.
A.
T.
B.
Org.
Numb, joy less- and de so- late- on earth;
Numb, joy less- and de so- late- on earth;
Numb, joy less- and de so- late- on earth,
Numb, joy less- and de so- late- on earth;
17 rit.
S.
A.
T.
B.
Org.
but for her a lone,- whom I whol ly- give you . . .
but for her a lone,- whom I whol ly- give you . . .
but for her a lone,- whom I whol ly- give you . . .
but for her a lone,- whom I whol ly- give you . . .
4
234
ONLINE P
ERUSAL SCORE ONLY
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PERFORMANCE
CHESTER MUSIC
JOHN TAVENER
TAKE HIM, EARTH,FOR CHERISHING
Adieu Roger...
FOR UNACCOMPANIED CHOIR SSATTBB
AND ECHO CHOIR SSAA
3.09
235
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
This work was first performed on 12th December 2008, at a Memorial Service forRoger Tavener held at Christchurch, Spitalfields, London, conducted by Martin Neary.
Duration: c. 4 minutesScore on sale: Order No. CH74998
This work was written in memory of my brother, Roger.
The five short phrases for choir and echo-choir, at once noble and solemn, tenderand mystical, should echo around a generous acoustic. The echo choir should beplaced high in a gallery, as far as possible from the main choir.
J.T.
TTTTTAKE HIM, EARAKE HIM, EARAKE HIM, EARAKE HIM, EARAKE HIM, EARTH, FOR CHERISHINGTH, FOR CHERISHINGTH, FOR CHERISHINGTH, FOR CHERISHINGTH, FOR CHERISHING
Take him, earth, for cherishing,To thy tender breast receive him.Body of a man I bring thee,Noble even in its ruin.
Aurelius Clemens Prudentius (4th century)translated by Helen Waddell
Noble, solemn, tender and mystical q = c.72Con molto intensità
eternal memory – Roger
TAKE HIM, EARTH, FOR CHERISHING
John Tavener
Adieu Roger . . .
All rights reservedPrinted in England
Sopranos
Altos
Sopranos
Altos
Tenors
Basses
poco
from
a d
ista
nce
EC
HO
CH
OIR
Take
pp
him, earth, for che rish- ing,-
poco
Take
pp
him, earth, for che rish- ing,-
Take
MA
IN C
HO
IR
pp
him, earth, for che rish- ing,-
Take
pp
him, earth, for che rish- ing,-
com’ eco
6
S.
A.
Take
pp
him, earth, for che rish- ing,-
poco
Take
EC
HO
CH
OIR
pp
him, earth, for che rish- ing,-
poco
237
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ERUSAL SCORE ONLY
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PERFORMANCE
11
S.
A.
T.
B.
To
p
thy ten der- breast re ceive- him.
poco
To
p
thy ten der- breast re ceive- him.
To
MA
IN C
HO
IR
p
thy ten der- breast re ceive- him.
To
p
thy ten der- breast re ceive- him.
com’ eco
15
S.
A.
To
p
thy ten der- breast re ceive- him.
poco
To
EC
HO
CH
OIR
p
thy ten der- breast re ceive- him.
19
S.
A.
T.
B.
Bo
mp
dy- of a man I bring thee,
poco
Bo
mp
dy- of a man I bring thee,
Bo
MA
IN C
HO
IR
mp
dy- of a man I bring thee,
Bo
mp
dy- of a man I bring thee,
2
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ONLINE P
ERUSAL SCORE ONLY
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com’ eco
23
S.
A.
Bo
mp
dy- of a man I bring thee,
poco
Bo
EC
HO
CH
OIR
mp
dy- of a man I bring thee,
Slower q = c.5627
S.
A.
T.
B.
No
poco f
ble- e ven- in its ru
sfp
in,
ten.
-
poco
No
poco f
ble- e ven- in its ru
sfp
in,
ten.
-
No
MA
IN C
HO
IR
poco f
ble- e ven- in its ru
sfp
in,
ten.
-
No
poco f
ble- e ven- in its ru
sfp
in,
ten.
-
com’ eco
30
S.
A.
No
poco f
ble- e ven- in its ru
sfp
in,
ten.
-
poco
No
EC
HO
CH
OIR
poco f
ble- e ven- in its ru
sfp
in,
ten.
-
3
239
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Tempo I q = c.7233
S.
A.
T.
B.
No
molto f
ble- e ven- in its ru in,-
poco
No
molto f
ble- e ven- in its ru in,-
No
MA
IN C
HO
IR
molto f
ble- e ven- in its ru in,-
No
molto f
ble- e ven- in its ru in,-
com’ eco
38
S.
A.
No
molto f
ble- e ven- in its ru in.-
No
EC
HO
CH
OIR
molto f
ble- e ven- in its ru in.-
4
240
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ERUSAL SCORE ONLY
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PERFORMANCE
CHESTER MUSIC
JOHN TAVENER
YOU MANTLE YOURSELFIN LIGHT
for SATB chorus and organ
from
THE VEIL OF THE TEMPLE
241
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
JOHN TAVENERTHE VEIL OF THE TEMPLE
Patron: H.R.H. The Prince of Wales
The Veil of the Temple was commissioned by the Temple Music Trust. The world premieretook place on 27th June 2003 at the Temple Church, London, performed by the Choir of theTemple Church and the Holst Singers, with Patricia Rozario (soprano), conducted by StephenLayton, as part of The City of London Festival, 2003.
The anthem You mantle yourself in light was sponsored by 39 Essex Street Chambers. It wasfirst performed on 29th April 2004, by the Choir of the Temple Church with James Vivian(organ), conducted by Stephen Layton.
‘Oh’ should be sung as in the ‘o’ of ‘log’. Breathe whennecessary, but not simultaneously.
Duration: c. 6 minutes
Score on sale: Order No. CH68486
Warning: the copying of any pages of this copyright publication is illegal. If copies aremade in breach of copyright, the publishers will, where possible, sue for damages.
A collection, Five Anthems from The Veil of the Temple, is also available,includingYou mantle yourself in light, Mother of God, here I stand, WhatGod is, we do not know, Awed by the beauty and O Mary Theotokos.
Order No. CH73656
242
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NOT FOR USE IN
PERFORMANCE
Solemn, awesome and sonorous (q = c.60)
YOU MANTLE YOURSELF IN LIGHTJohn Tavener
All rights reservedPrinted in EnglandCH68486
Soprano
Alto
Tenor
Bass
Organ
You
mp
man tle- your self- in light, stretch out the skies as a
You
mp
man tle- your self- in light, stretch out the skies as a
cur tain;- the clouds your cha ri- ot,- you tread the ways of the
cur tain;- the clouds your cha ri- ot,- you tread the ways of the
(Oh.)
243
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ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
10
A.
B.
Org.
wind, mak
mp
ing- winds
cresc. poco a poco
your mes sen- gers,-
wind, mak
mp
ing- winds
cresc. poco a poco
your mes sen- gers,-
(Oh.)
13
A.
B.
Org.
flam
(cresc. poco a poco)
ing- fire your ser vant,- on a firm base es -
flam
(cresc. poco a poco)
ing- fire your ser vant,- on a firm base es -
(Oh.)
2
244
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
16
S.
A.
T.
B.
Org.
poco f
The
tab
(cresc. poco a poco)
- lish- ing- the earth, which for e- ver- will not be moved:
poco f
The
tab
(cresc. poco a poco)
- lish- ing- the earth, which for e- ver- will not be moved:
poco f
The
mp sonore
Oh.
(Oh.)
19
S.
A.
T.
B.
Org.
deeps en robed- it; the wa ters- stood a bove- the
deeps en robed- it; the wa ters- stood a bove- the
(Oh.)
(Oh.)
3
245
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22
S.
A.
T.
B.
Org.
moun tains.- At your re buke- they flee,
moun tains.- At your re buke- they flee,
(Oh.)
(Oh.)
24
S.
A.
T.
B.
Org.
at the voice of your thun der- they rush a way.-
at the voice of your thun der- they rush a way.-
(Oh.)
(Oh.)
4
246
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ERUSAL SCORE ONLY
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26
S.
A.
T.
B.
Org.
Moun
p sub.
tains- rose, val leys- sank down
Moun
p sub.
tains- rose, val leys- sank down
Moun
p sub.
tains- rose, val leys- sank down
Moun
p sub.
tains- rose, val leys- sank down
Oh.
p sub.
29
S.
A.
T.
B.
Org.
to the place you es tab- lished- for them.
to the place you es tab- lished- for them.
to the place you es tab- lished- for them.
to the place you es tab- lished- for them.
(Oh.)
5
247
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PERFORMANCE
31
S.
A.
T.
B.
Org.
You
f
filled the bounds they may not pass, nor re turn- to co ver- the earth.
You
f
filled the bounds they may not pass, nor re turn- to co ver- the earth.
You
f
filled the bounds they may not pass, nor re turn- to co ver- the earth.
You
f
filled the bounds they may not pass, nor re turn- to co ver- the earth.
(Oh.)
f
(mf )
33
A.
T.
B.
Org.
You
pp cresc. poco a poco
made the moon for its sea sons,-
You
pp cresc. poco a poco
made the moon for its sea sons,-
You
pp cresc. poco a poco
made the moon for its sea sons,-
(Ped.)pp
6
248
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ERUSAL SCORE ONLY
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PERFORMANCE
35
A.
T.
B.
Org.
the
(cresc. poco a poco)
sun knows the hour of its set ting.-
the
(cresc. poco a poco)
sun knows the hour of its set ting.-
the
(cresc. poco a poco)
sun knows the hour of its set ting.-
(p)
37
A.
T.
B.
Org.
You
(cresc. poco a poco)
made dark ness,- and it is light
You
(cresc. poco a poco)
made dark ness,- and it is light
You
(cresc. poco a poco)
made dark ness,- and it is light
(mp)
7
249
ONLINE P
ERUSAL SCORE ONLY
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PERFORMANCE
38
S.
A.
T.
B.
Org.
young
ff
li ons- roar ing- for their
in
(cresc. poco a poco)
which beasts of the field prowl forth, young
ff
li ons- roar ing- for their
in
(cresc. poco a poco)
which beasts of the field prowl forth, young
ff
li ons- roar ing- for their
in
(cresc. poco a poco)
which beasts of the field prowl forth, young
ff
li ons- roar ing- for their
ff
40
S.
A.
T.
B.
Org.
prey, seek ing- food from God.
prey, seek ing- food from God.
prey, seek ing- food from God.
prey, seek ing- food from God.
8
250
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
43
A.
T.
B.
Org.
You
mp
man tle- your self- in light, stretch out the skies as a
You
mp
man tle- your self- in light, stretch out the skies as a
You
mp
man tle- your self- in light, stretch out the skies as a
You
mp
man tle- your self- in light, stretch out the skies as a
Oh.
mp sonore
(Ped.)
p
48
A.
T.
B.
Org.
cur tain;- the clouds your cha ri- ot,- you
cur tain;- the clouds your cha ri- ot,- you
cur tain;- the clouds your cha ri- ot,- you
cur tain;- the clouds your cha ri- ot,- you
(Oh.)
9
251
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
51
A.
T.
B.
Org.
tread the ways of the wind, mak
mp
ing- winds
cresc. poco a poco
your
tread the ways of the wind, mak
mp
ing- winds
cresc. poco a poco
your
tread the ways of the wind, mak
mp
ing- winds
cresc. poco a poco
your
tread the ways of the wind, mak
mp
ing- winds
cresc. poco a poco
your
(Oh.)
54
A.
T.
B.
Org.
mes
(cresc. poco a poco)
sen- gers,- flam ing- fire your
mes
(cresc. poco a poco)
sen- gers,- flam ing- fire your
mes
(cresc. poco a poco)
sen- gers,- flam ing- fire your
mes
(cresc. poco a poco)
sen- gers,- flam ing- fire your
(Oh.)
10
252
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
56
A.
T.
B.
Org.
ser
(cresc. poco a poco)
vant,- on a firm base es -
ser
(cresc. poco a poco)
vant,- on a firm base es -
ser
(cresc. poco a poco)
vant,- on a firm base es -
ser
(cresc. poco a poco)
vant,- on a firm base es -
(Oh.)
58rit.
A.
T.
B.
Org.
tab
(cresc. poco a poco)
- lish- ing- the earth, which for e- ver- will not be moved:
poco f
tab
(cresc. poco a poco)
- lish- ing- the earth, which for e- ver- will not be moved:
poco f
tab
(cresc. poco a poco)
- lish- ing- the earth, which for e- ver- will not be moved:
poco f
tab
(cresc. poco a poco)
- lish- ing- the earth, which for e- ver- will not be moved:
poco f
(Oh.)
11
253
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ERUSAL SCORE ONLY
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PERFORMANCE
254
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
CHESTER MUSIC
JUDITH WEIR
PSALM 148FOR SATB CHORUS AND TROMBONE
255
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ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
Commissioned to celebrate the 800th Anniversary of the University of Cambridge,and first performed on St Cecilia’s Day 2009 by The Choir of Gonville & Caius College,with Matthew Knight (trombone).
Duration: c. 6 minutesScore and trombone part on sale:
Score Order No. CH75339Trombone part Order No. 75339-01
PSPSPSPSPSALM 1ALM 1ALM 1ALM 1ALM 14848484848
Praise ye the Lord. Praise ye the Lord from the heavens: praise him inthe heights.
Praise ye him, all his angels: praise ye him, all his hosts.
Praise ye him, sun and moon: praise him, all ye stars of light.
Praise him, ye heavens of heavens, and ye waters that be above theheavens.
Let them praise the name of the Lord: for he commanded, and theywere created.
He hath also established them for ever and ever: he hath made adecree which shall not pass.
Praise the Lord from the earth, ye dragons, and all deeps:
Fire, and hail; snow, and vapours; stormy wind fulfilling his word:
Mountains, and all hills; fruitful trees, and all cedars:
Beasts, and all cattle; creeping things, and flying fowl:
Kings of the earth, and all people; princes, and all judges of the earth:
Both young men, and maidens; old men, and children:
Let them praise the name of the Lord: for his name alone is excellent;his glory is above the earth and heaven.
He also exalteth the horn of his people, the praise of all his saints; evenof the children of Israel, a people near unto him. Praise ye the Lord.
Requiem Canticorum is a five-movement work of 12 - 14 minutes’ duration. The title means ‘Requiem of Song’or Requiem of Canticles’, indicating that it is a commemorative piece, and sets texts associated with the Requiem mass rather than being a full Requiem. The scoring - for choir, soprano saxophone and organ – is shared with ‘Son of God Mass’. It can be performed as a concert piece or as a free-standing anthem within the context of a commemorative event or liturgy. The work may also be performed in conjunction with selected movements from the ‘Son of God Mass’ to make a full concert Requiem. The key-structure of the two works allows for a seamless intertwining, and in concert should be performed in the sequence indicated below. When performed in this way, the sequence can be given the title ‘Requiem’ or ‘Requiem, Son of God Mass’ in a concert programme. Introit (Requiem Canticorum) Pie Jesus (Requiem Canticorum) Kyrie (Son of God Mass) Alleluia (Requiem Canticorum) De profundis (Requiem Canticorum) Sanctus and Benedictus (Son of God Mass) Pax Domini (Son of God Mass) Agnus Dei (Son of God Mass) Lux Aeterna (Requiem Canticorum) Amen (Son of God Mass) Additionally, some of the work can be used within a Requiem liturgy, with the following movements having a liturgical role: Introit (Requiem Canticorum), until bar 68 Kyrie (Son of God Mass) Alleluia (Requiem Canticorum) or De profundis (Requiem Canticorum) Sanctus and Benedictus (Son of God Mass) Agnus Dei (Son of God Mass) Lux Aeterna (Requiem Canticorum) Amen (Son of God Mass)
JW
299
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
I. Introit Requiem aeternam dona eis Domine: et lux perpetua luceat eis. Te decet hymnus, Deus, in Sion; et tibi redetur votum in Jerusalem. 2 Esdras 2: 34, 35; Psalm 65, 2 Misereatur nostri omnipotens Deus et, dimissis peccatis nostris, perducat nos ad vitam aeternam.
Lord, grant them eternal rest, and may perpetual light shine on them. It is right, Lord, to sing a hymn to you on Mount Zion; and our vows shall be carried out for you in Jerusalem. May the omnipotent God have mercy on us and, wiping away our wrongdoings, bring us to eternal life.
II. Pie Jesu Pie Jesu Domine, dona eis requiem.
Gentle Lord Jesus, give them rest.
III. Alleluia Alleluia. Requiem aeternam dona eis, Domine: et lux perpetua tua luceat eis. 2 Esdras 2: 34, 35
Alleluia. Lord, Grant them eternal rest, and may light perpetual shine on them.
IV. De profundis De profundis clamavi ad te, Domine: Domine, exaudi vocem meam. Psalm 130, 1
From the depths have I cried to you, Lord; Lord, hear my voice.
V. Lux aeterna Lux aeterna luceat eis Domine, cum sanctis tuis in aeternum, quia pius es. 2 Esdras 2, 35 Requiem aeternam dona eis Domine: et lux perpetua luceat eis.
Light eternal shine on them, Lord, with your saints for eternity, for you are full of goodness. Lord, grant them eternal rest, and may perpetual light shine on them.
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>Did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
Did-n’t my Lord de - li - ver Dan - iel, de - li - ver
12
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š . Še Š Š Š Š Š . Še Š r Š Š Š Š Š Š Š Š>Dan - iel, de - li - ver Dan - iel? Did-n’t my Lord de - li - ver
15
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
32
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š . Šf Š Š Š Š>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver Dan - iel, de - li - ver
mp35
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š . Še Š Š Š Š Š . Še Š r Š Š Š Š Š Š Š Š>Dan - iel, de - li - ver Dan - iel? Did-n’t my Lord de - li - ver
38
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
Bbbb Šf Š Šf Š Š Š Šf Š Šf Š Š Š Š Š Š Š Š ‰ r t Šf Š Š Š Š Š Š Š Š>>>set my foot on the Gos-pel ship, and the ship be - gan to sail; it land-ed me o - ver on
B bbb ˆ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠ ŠŠŠf ŠŠŠ = ŠŠŠf ‰‰‰ ŠŠŠf t r Š . Šf Š ŠŠf Š Šf Š Š Š>>>>>
8
330
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ERUSAL SCORE ONLY
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PERFORMANCE
�
�
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
56
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š Š Š Š Š Š Š Š Š . Šf Š Š Š Š Š . Še Š Š Š Š>Did-n’t my Lord de - li - ver Dan - iel, de - li - ver Dan - iel, de - li - ver
mp59
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>Did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š . Še Š r Š Š Š Š Š Š Š Š Š . Šf Š Š>Dan - iel? Did-n’t my Lord de - li - ver Dan - iel, then
62
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
dim.68
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š>>>>>>did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver, did-n’t my Lord de - li - ver,
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š q t Še Š Š>>>>>>did-n’t my Lord de-li-ver, did-n’t my Lord de-li-ver, did-n’t my Lord de-li-ver? De-li-ver.
pp71
V bbb Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š Š q t Še Š Š>>>>>>did-n’t my Lord de-li-ver, did-n’t my Lord de-li-ver, did-n’t my Lord de-li-ver? De-li-ver.
V Še Š Še Š t Še Š Š Še Š . ‰ . r Š ‰ . Š ‰ . ‰ Š . ŠeŠ . Šf Š Šf Š Š Šf Š . ‰ . Š ‰ . Š ‰ . ‰ #Š . ŠfPha - raoh, to let my peo-ple go. Go down, Mo-ses, ’way down in
f
pp
46
B Š . Še Š t Še Š Š #Še Š . ‰ . r Š ‰ . Š ‰ . ‰ Š . ŠeŠ . Šf Š Šf Š Š Šf Š . ‰ . Š ‰ . Š ‰ . ‰ Š . Šf
�
�
V Š Š Š Š Š Š Š Š . ‰ Š Še Š Še Š r p pŠ Š #‰ Š ‰ Š Š . Šf Šp pV F
E-gypt’s lan’, tell ole Pha - raoh, let my peo-ple,
f
*52 rit. più mosso
B Š Š ‰ Š ‰ . Š . Še Š r p Š Š ŠŠe ŠŠ ..Š Š ‰ Š ‰ Š Š . Šf Š t Šf Š Š ŠŠf ŠŠ .. ˆ fp
to let my peo-ple,
Let my peo-ple, shout�
�
V p Š Š Še ŠŠ .. ˆ ‰‰ ‰‰ ‰‰ ‰‰ r a qŠ Š ŠŠf ŠŠ .. ˆ ˆ ‰‰ ‰‰ ‰‰ ‰‰ a>.-.-.-.->.-.-.-.-
let my peo-ple,let my peo - ple go!
fff
fp
57
B ˆ ˆ ˆ ‰‰ ‰‰ ‰‰ ‰‰ r a qˆ ˆ ˆ ‰‰ ‰‰ ‰‰ ‰‰ a>.-.-.-.->.-.-.-.-
fp
ff
* If only SATB are available, this section to the end may be sung by 1st soprano, 1st alto, 1st tenor and 2nd bass.
337
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
338
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
PERFORMANCE
arr. Richard AllainSTEAL AWAY
Spiritual (2006)for SSATB chorus unaccompanied
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339
ONLINE P
ERUSAL SCORE ONLY
NOT FOR USE IN
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44�
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V bbb 44 Š . Še ‰ Š . Še ‰ Š . Še ŠŠ ŠŠ ŠŠ ŠŠ ‰‰ ..Š . Šf ‰ Š . Šf ‰ Š ŠSteal a - way, steal a -way, steal a-way to Je - sus.
pp mfi = 56
V bbb 44 Š . Še ‰ Š . Še ‰ Š Š Š Š Š Š ‰ .Steal a - way, steal a -way, steal a - way to Je - sus.
pp mf
[V bbb 44 Š . Še ‰ Š . Še ‰ Š Š Š Š Š Š ‰ .
Steal a - way, steal a -way, steal a - way to Je - sus.
pp mf
Bbbb 44 Š . Šf ‰ Š . Še ‰ Š Š Š Š Š Š ‰ .Steal a - way, steal a -way, steal a - way to Je - sus.
V bbb Še Š Še Šf Š Še Š . Š Š . Š Še Š bŠe Še Š b( )Še Š . Še 32Š . Š Š Š .f
1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin-ner stands a - trem-blin’.
9Poco più mosso
V bbb Še Š Še = Še Š Še Š Š Š Š Še = Š Še Še bŠ Še Š Š 32Š . Šf
1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin - ner stands a - trem-blin’.
V bbb Še Š Še =( ) Še Š Še Š Š Š Š Še Š Še Še Š = Še Š Š 32Š . Šf
1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin - ner stands a - trem-blin’.
[V bbb Še Š Še Šf Š Še Š . Š Š . Š Še Š Še Še Š Še Š Š 32
Š . Š Š Š .f
1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin-ner stands a - trem-blin’.Bbbb Še Š Še #Šf Š Šf Š Š Š Š Šf Š Še Še Š Še Š Š 32Š . Šf
1. My Lord, he calls me, he calls me by the thun -der. The trum-pet sounds with -2. Green trees a-bend-in’, poor sin - ner stands a - trem-blin’.