OBJECTIVES: a.identify the musical identity of Cambodia and Malaysia b.know the different musical instruments in each country c.show appreciation to own music through At the end of the lesson you must be able to:
OBJECTIVES:
a. identify the musical identity of Cambodia and Malaysia
b.know the different musical instruments in each country
c.show appreciation to own music through composing song
At the end of the lesson you must be able to:
MUSIC OF CAMBODIACambodian Court Music • Similar to Java Indonesia•Features choruses with large orchestras based on stuck keys and gongs
Pinpeat• Musical ensemble that usually accompanies ceremonial music of the Royal courts and Temple• Always part of court dances, masked plays, shadow plays, and religious ceremonies • Similar to phipat ensemble
Pinpeat Ensemble Instruments
a.Oneat – xylophonesb.Samphor – a double
headed drums played with hands
c.Kongvong – gong circlesd.Chhing – finger symbals
MYANMAR known as Burma until 1989
changed by military government that took over in 1988
Music has similarities to Chinese music and Thai music. China – longest land boarder
Hsaing Waing•Myanmar’s traditional folk music ensemble• It Is made up of many different gongs and drums as well as other instruments depending on the nature of the performance
Two Categories:Loud Sounding oMost of Hsaing waing instruments belong to loud sounding category
Soft Sounding
Loud Sounding Instruments
• Hne – double reed pipe• Chauk Lon Pat – a set of 8
tuned drums• Maung Hsaing – larger bronze
gongs in a rectangular frame• Pat Waing – a set of 21 drums in
a circle• Kyi Waing – small bronze gongs
in a circular frame• Siand wa – bell and clapper
SAUNG GAUK• Made of padauk – famous Myanmar Mahogany• The flat bar is made of cutch wood • Covered with the leather of a female deer• Strings – Made of Silk
Saung Gauk
SAUNG GAUK• The National instruments of
Myanmar• A 13-string angular harp with
soft sound• Used for formal and classical
performance that are performed indoor.
MAHAGITA • Classical song of Myanmar• Divided into different types like the oldest repertoires, royal court music, songs of longing, horses’ dance songs, worship songs for Burmese spirits, and song of sorrow• Accompanied by Saung Gauk