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Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES 6. RUBIN 7. WARRICK LUNCH THURSDAY 1. BANE 2. CORTLAND 3. GAZZE 4. NEUGROSCHEL 5. TANNENBAUM 6. TANOOS 7. TASBY
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Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

Dec 13, 2015

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Page 1: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

Music: Beethoven, Piano Sonata #23(Appassionata) (1805)

Performer: Emil Giles, Piano (1972)LUNCH TUESDAY

1. FOXHOVEN

2. GALLO

3. KINZER

4. MELIA

5. RAINES

6. RUBIN

7. WARRICK

LUNCH THURSDAY

1. BANE

2. CORTLAND

3. GAZZE

4. NEUGROSCHEL

5. TANNENBAUM

6. TANOOS

7. TASBY

Page 2: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ5. Should Courts Discuss Facts Not Before Them?

PROS• Helps Clarify

Reasoning• Instructions to

Lawyers for Future

Page 3: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ5. Should Courts Discuss Facts Not Before Them?

PROS• Helps Clarify

Reasoning• Instructions to

Lawyers for Future

CONS• No Experience With• No Atty Arguments• Not Judicial Role

Page 4: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ5. Should Courts Discuss Facts Not Before Them?

PROS• Helps Clarify

Reasoning• Instructions to

Lawyers for Future• E.g., Pierson: “Not

enough” v. “Here’s the Line”

CONS• No Experience With• No Atty Arguments• Not Judicial Role • E.g., adding death

penalty discussion to Pierson

Page 5: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

RATIONALES

• Doctrinal Rationales: Result required or strongly suggested by prior authorities

• Policy Rationales: Result is good for society

Page 6: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

TWO COMPETING RULES

• Majority: more than “mere pursuit” needed [More than Pursuit]

• Dissent: sufficient if pursuit “inevitably and speedily [would] have terminated in corporal possession” [Hot Pursuit]

Page 7: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ6. Certainty in Pierson

• Majority: Too Difficult to Determine How Much Pursuit is “Hot” Enough or Even if There’s Pursuit at All.

Page 8: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ6. Certainty in Pierson

• Majority: Too Difficult to Determine How Much Pursuit is “Hot” Enough or Even if There’s Pursuit at All.

• BUT: How do you tell if a wound is “mortal”?

Page 9: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ6. Certainty Generally

• Reduces Anxiety Related to Uncertainty

• Allows Planning

• Creates Stability

• Majority “Peace & Order”: May Reduce Quarrels

Page 10: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

Sample Policy Rationale

• The majority stated that its decision would provide “certainty” and “preserv[e] peace and order,” presumably because it would be difficult for a hunter that sees an animal to tell if another hunter had been pursuing it, and the resulting confusion would create “quarrels and litigation” if pursuit was enough to create ownership.

Page 11: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

THREE KINDS OF CERTAINTY

• Easy to apply at the time

• Easy to apply in court

• Everyone aware of rule

Page 12: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ6. Certainty Generally

• Reduces Anxiety Related to Uncertainty

• Allows Planning

• Creates Stability

• Majority “Peace & Order”: May Reduce Quarrels

• BUT: At cost of flexibility & sensitivity to particular circumstances

Page 13: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

BRIGHT-LINE RULES

v.

FLEXIBLE STANDARDS

Page 14: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

ANNOUNCEMENTS

• URANIUM: Liesner Brief Due Wednesday– Just Brief Appellate Opinion– Read Directions Carefully

• If we lose one or more days to storm:– Assignments slide to next actual class meeting– Lunches cancelled; Students sign up for new time

• Lunch Procedures & Etiquette

Page 15: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ7. LABOR

The majority suggests that it will confer property rights on those who, using their

“industry and labor,” have captured animals.

Page 16: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ7. LABOR

[E]ncompassing and securing such animals with nets and toils, or otherwise intercepting them in such a manner as to deprive them of their natural liberty, and render escape impossible, may justly be deemed to give possession of them to

those persons who, by their industry and labor, have used such means of

apprehending them.

Page 17: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ7. LABOR

Generally Understood: Good idea to provide rewards for industry & labor as an

incentive to encourage working hard.

Page 18: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ7. LABOR: Are there some categories of labor you would

not want to reward?

Page 19: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ7. LABOR: Are there some categories of labor you would

not want to reward?

• Ineffective Labor

• Harmful/Dangerous Labor

• Related Problem of Setting Optimal Reward

Page 20: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ7. LABOR

Suppose Post pays somebody to kill foxes for him? Who should get property in the foxes? Why?

Page 21: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ8. ECONOMIC BENEFITS

• Why does the dissent think its rule will result in more foxes being killed?

Page 22: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ8. ECONOMIC BENEFITS

• Why does the dissent think its rule will result in more foxes being killed? Unhappy Posts Choose Alternative Activity

• Argument that Majority’s Rule will result in more foxes being killed?

Page 23: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ8. ECONOMIC BENEFITS

• Why does the dissent think its rule will result in more foxes being killed? Unhappy Posts Choose Alternative Activity

• Argument that Majority’s Rule will result in more foxes being killed?

Posts Work Harder at Killing

Page 24: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

If you don’t get expected reward for labor, what happens?

• Substitution Effect: Choose different activity that pays more or costs less

OR• Income Effect: Increase labor until

you achieve desired reward

Page 25: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ8. ECONOMIC BENEFITS

• What Rule Would Be Appropriate if You Were Trying to Preserve Foxes Because They Were Commercially Valuable?

Page 26: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ8. ECONOMIC BENEFITS

• What Rule Would Be Appropriate if You Were Trying to Preserve Foxes Because They Were Commercially Valuable?

• Come Back to with Demsetz Excerpt in Two Weeks

Page 27: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ9. INTANGIBLE INTERESTS

• Is the right to hunt without interference a right society should protect?

Page 28: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ9. INTANGIBLE INTERESTS

“However uncourteous or unkind the conduct of Pierson towards Post … may have been, yet his act was productive of no injury or damage for which a legal remedy can be applied.”

Should a court take into account whether Pierson had “bad intent”?

Page 29: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

DQ9. INTANGIBLE INTERESTS

“However uncourteous or unkind the conduct of Pierson towards Post … may have been, yet his act was productive of no injury or damage for which a legal remedy can be applied.”

Should a court take into account whether Pierson had “bad intent”? How would you prove Pierson’s intent?

Page 30: Music: Beethoven, Piano Sonata #23 (Appassionata) (1805) Performer: Emil Giles, Piano (1972) LUNCH TUESDAY 1. FOXHOVEN 2. GALLO 3. KINZER 4. MELIA 5. RAINES.

PROOF OF INTENT

• Required in Intentional Tort & Criminal Cases

• Often Not Legally Relevant in Property Ownership Cases

• Proof of Intent Often Expensive/Complex

• Cheaper More Certain Results v. Fact-Specific “Justice”