Mondrian, Red Tree, 1908
Dec 30, 2015
Composition with Red, Yellow and Blue1921, o/c, 15 x 13”
Piet Mondrian “the struggle toward unity of cosmic dualities and the religious symmetry undergirding the material universe”
TheosophistLine and color
Composition with Red, Yellow and Blue1921, o/c, 15 x 13”
Piet Mondrian
Composition with Large Blue Plane, Red, Black, Yellow, and Gray, 1921, o/c, 23 x 19”
Mondrian, Lozenge Composition, 1921o/c 30 3/8 x 30 in.
vertical axis 42 1/2 in.
Lozenge Composition withRed, Black, Blue, and YellowOil on canvas 30 3/8 x 30 in.vertical axis 42 1/2 in.
Mondrian, Composition With Blue, Black, Yellow and Grey, 1920
Composition With Red, Blue, Black, Yellow and Grey, 1921
Architecture
The International Style
Holland, De Stijl - Gerrit Rietveld
Germany, The Bauhaus – Walter Gropius
France – Le Corbusier
USA – Mies van der Rohe
The International Style
DE STIJL
Gerrit Rietveld
dematerialization
Shroeder House,
Utrecht, Holland, 1923
UNESCO list of World Heritage Sites
"One of the outstanding achievements of the new constructional technique has been the abolition
of the separating function of the wall. Instead of making the walls the element of support,
as in a brick-built house, our new space-saving construction transfers the whole load of the structure
to a steel or concrete framework. Thus the role of the walls becomes restricted to that of mere screens
stretched between the upright columns of this framework to keep out rain, cold, and noise. ...
Systematic technical improvement in steel and concrete …. are steadily reducing the area occupied by
supporting members. This, in turn …. allows rooms to be much better lit. It is, therefore, only logical that
the old type of window—a hole that had to be hollowed out of the full thickness of a supporting wall—
should be giving place more and more to the continuous horizontal casement ….. And as a direct result
of the growing preponderance of voids over solids, glass is assuming an ever greater structural
importance....In the same way the flat roof is superseding the old penthouse roof with its tiled or slated
gables.”
Mies van der Rohe
German Pavillion, Barcelona (1929)
Meissenhof apartments, 1927
Barcelona Chair, 1927
“less is more”
Mies van der Rohe
German Pavillion, Barcelona (1929)
Barcelona Chair, 1927
“less is more”
Lake Shore Drive Apartment Houses,Chicago, 1950-52
functionalism
SCULPTUREConstantin Brancusi
"Mlle Pogany. version I" - (1913) (after a marble of 1912). Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm)
The Newborn. version I, 1920 (close to the marble of 1915)Bronze5 3/4 x 8 1/4 x 5 3/4" (14.6 x 21 x 14.6 cm)
"Torso" - (1917)
Beginning of the World, c. 1920Marble, metal, and stone30 x 20 x 20 in. (76.2 x 50.8 x 50.8 cm)Dallas Museum of Art, Texas
Torso of A Young Man, 1924Polished bronze on stone and wood bases18 1/8 x 11 1/2 x 9 1/8 in. on stone base: 6 1/4 x 8 1/2 x 6 3/4 in. on wood base: 34 1/8 x 11 1/2 x 11 1/2 in.
Maiastra (Bird Before It Flew)1912? Polished brass,
73.1 cm high, including base.
Bird in Space, bronze, 1928
Constantin Brancusi,
Bird in space, polished brass,1932-40, 60”