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INTEREST RATES
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Army Gen. Mark Milley, chairman of the Joint Chiefs of Staff, testifies before the HouseArmed Services Committee on Wednesday on Capitol Hill in Washington.
nated.
“These data further indicate that
[coronavirus] vaccines offer better
protection than natural immunity
alone and that vaccines, even after
prior infection, help prevent rein-
fections,” according to the CDC.
The national Centers for Disease
Control and Prevention released
the results of a study in August that
found vaccination against corona-
virus offers higher protection than
a previous infection. The Ken-
tucky-based study found non-vac-
cinated coronavirus survivors
were twice as likely to be reinfect-
ed as those who were fully vacci-
Two service members filed a
class-action lawsuit against De-
fense Secretary Lloyd Austin to
halt a mandate that all troops re-
ceive the coronavirus vaccine and
create an exemption for those who
were previously infected with the
virus because they have “natural
immunity.”
Army Staff Sgt. Dan Robert, an
infantryman at Fort Bragg, N.C.,
and Marine Corps Staff Sgt. Hollie
Mulvihill, an air traffic controller
at Marine Corps Air Station New
River, N.C., filed the lawsuit Aug.
17 in the U.S. District Court of Col-
orado for themselves and on behalf
of all other similarly situated ser-
vice members, Defense Depart-
ment personnel and contractors
who are documented coronavirus
survivors ordered to get the vac-
cine.
The lawsuit named Austin as a
defendant alongside Health and
Human Services Secretary Xavier
Becerra and Janet Woodcock, act-
ing commissioner of the Food and
Drug Administration.
Not only did Robert and Mulvi-
hill state they have immunity from
a previous coronavirus infection,
they claimed “the DoD cannot
force them to take a [coronavirus]
vaccination under existing mili-
tary regulations, federal regula-
tions, federal law, and the U.S. Con-
stitution,” according to the lawsuit.
More than 1.2 million service
members are fully vaccinated, ac-
cording to the Defense Depart-
ment. Many of them began receiv-
ing the vaccine voluntarily, but the
number who have been vaccinated
has increased since Austin an-
nounced in August that the corona-
virus vaccine would be mandatory.
In September, the Pfizer vac-
cine, which requires two shots ad-
ministered three weeks apart, re-
ceived full FDA approval, and Aus-
tin called on the leaders of each
military service branch to layout
plans to fully vaccinate all service
members.
More than 372,000 cases of coro-
navirus have been reported among
Defense Department personnel,
including troops, civilians, de-
pendents and contractors, accord-
ing to the department. Of those
cases, 244,300 have been service
members and 58 troops died from
complications of the virus.
Service members file lawsuit overPentagon’s virus vaccine mandate
BY ROSE L. THAYER
Stars and Stripes
LUKE CUNNINGHAM/U.S. Navy
Two service members filed a federal lawsuit in August to stop a DODmandate that all troops receive the coronavirus vaccine.
Just over 10,800 American children were victims of socalledinternational parental child abduction from 2009 through 2019,according to a 2020 report by the Congressional Research Service.
PAGE 6 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
Two music-making sons in an
Army family in South Korea aim to
make the world a better place by
giving their violin and piano music
away to nursing homes and hospi-
tals.
Brothers David Lee, 17, a senior
at Osan Middle High School, and
Ralph Lee, 18, an Osan graduate,
started their music volunteerism
three years ago in Portland, Ore.,
after an elderly woman in a nurs-
ing home requested that David
perform at her funeral, he told
Stars and Stripes by email on Sept.
15.
The family moved to South Ko-
rea when their father, James Lee,
an Army Reserve warrant officer,
found a civilian job with the Air
Force at Osan Air Base.
“We had to come to South Korea
in 2019. Then COVID-19 hit, so I
couldn’t really travel to play for
her funeral,” David said. “Howev-
er, I really wanted to play for her
funeral, so I created Music Echoes
to send the violin audio and video to
her.”
That experience sparked a de-
sire to give more through their mu-
sic, so David and Ralph started
Music Echoes.
With David playing the violin
and Ralph on piano, the two set out
last year to record and produce
original tunes. They upload their
compositions to their Instagram
account, Music.Echoes.
The boys’ mission is simple, they
said: They want to deliver free mu-
sic to more than 100,000 hospitals
around the world, to help people
and to make a difference and bring
people together.
“We wish to be the global free
music provider for places in need
and be a music messenger to our
world,” David said.
Their parents fund their endeav-
or and David chips in his allowance
so they can record and produce
music at home. So far, they have
produced several songs and deliv-
ered them digitally to more than
1,000 hospitals, David said.
“Through music, we want our
organization to communicate with
the people in this world,” David
said. “I want the poor people, peo-
ple with disability, elders that have
hard time in their life and the for-
gotten people in our society to be
healed inside through our music.”
Osan Middle High School music
teacher Kristi Howell taught Da-
vid Lee at Osan, she told Stars and
Stripes in a recent email.
“David is a wonderful music stu-
dent and I’m honored to have been
his music teacher,” she said. “He is
one of the most talented violinists I
have ever seen, and I can’t wait to
see what his future holds.”
The reception to their work, thus
far, has been positive.
“David has sent us his pre-re-
corded performances, so often-
times folks here like to listen to it
on loop, because they really enjoy
his music,” Malisa Ratthasing, life
enrichment director at West Hills
Health & Rehabilitation in Por-
tland, Ore., told Stars and Stripes
by phone last week.
David hopes to grow the non-
profit and find more musicians to
join his global project to bring mu-
sic to hospitals, rehabilitation cen-
ters and clinics around the world.
Visit www.themusicechoes.com
for more information.
Army family in S. Korea shares gift of musicBY JONATHAN SNYDER
Stars and Stripes
Music Echoes
Brothers David Lee, right, a high school senior at Osan Air Base, South Korea, and Ralph Lee, an Osangraduate, are producing free music for hospital and nursing home patients during the pandemic.
Philippine marines observe their U.S. counterparts conduct a fire mission at ColonelErnesto Ravina Air Base, Philippines, during exercise Kamandag in 2019.
PAGE 10 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
AMERICAN ROUNDUP
Woman who sought beeraccused of pulling gun
NE MAYWOOD — A wom-
an was arrested over
the weekend in southwestern Ne-
braska after being accused of pull-
ing a gun after a store clerk re-
fused to sell her beer, authorities
there said.
The incident happened shortly
before noon Saturday, when a
business in the village of May-
wood called the Frontier County
Sheriff’s Office to report that a
woman who appeared to be high
on drugs pulled a gun when she
wasn’t allowed to buy beer, station
KRVN reported.
Deputies and the Nebraska
State Patrol later stopped a vehi-
cle on Highway 23 in which the
woman was believed to be riding.
Officers arrested Dixie Kaiser, 39,
of Wellfleet, on suspicion of mak-
ing terroristic threats.
Kaiser was being held in the Se-
ward County Jail on $15,000 bond.
Park ranger honored forsaving crash victim
NV BAKER — The head of
law enforcement at
Great Basin National Park is be-
ing recognized for his bravery and
credited with saving the life of a
visitor who was trapped in a burn-
ing vehicle.
Interior Secretary Deb Haaland
awarded the Citation of Valor to
Joshua Vann, a U.S. Park Service
ranger at the national park in east-
ern Nevada near the Utah line.
The department says the park
visitor crashed in a parking area of
Lehman Caves Center last No-
vember. The vehicle caught fire as
Vann arrived on scene, entered
the vehicle and pulled the visitor
to safety just as it exploded.
The department’s statement
said that without Vann’s heroic ef-
forts, the crash victim likely would
have died.
RNC sues 2 cities fornoncitizen voting
VT MONTPELIER — The
Republican National
Committee is suing two Vermont
cities for allowing noncitizens to
vote on local issues in their com-
munities.
The similar, but separate law-
suits against the cities of Montpe-
lier and Winooski ask judges to de-
clare noncitizen voting unconsti-
tutional.
The suits, filed Tuesday in state
courts in Burlington and Montpe-
lier, were brought by the national
GOP, its Vermont counterpart and
a number of individuals.
Last November, voters in Wi-
nooski authorized noncitizens to
vote in local elections if they were
in the U.S. legally. In 2019, the city
of Montpelier passed a similar
measure.
Earlier this year the Vermont
Legislature approved changes to
the charters of the two communi-
ties allowing noncitizen voting.
The initial bills were vetoed by
Republican Gov. Phil Scott, but
both vetoes were overturned by
the Legislature.
Kurt Vonnegut museumnamed literary landmark
IN INDIANAPOLIS — An
Indianapolis museum
that documents the life and writ-
ings of novelist Kurt Vonnegut has
been named Indiana’s first-ever
Literary Landmark by a national
group.
The designation by the Literary
Landmarks Association puts the
Kurt Vonnegut Museum and Li-
brary in company with sites asso-
ciated with Edgar Allan Poe, Mark
Twain and other noted authors.
Vonnegut was born in Indiana-
polis. He died in 2007, at age 84.
His novels included “Cat’s Cra-
dle” and “Slaughterhouse-Five,”
which was inspired by his experi-
ences as a prisoner of war in Ger-
many during the Allied bombing
of Dresden, which killed thou-
sands of civilians near the end of
World War II.
Homeowners sue countyover sinkhole risks
SD BLACK HAWK —
More than 150 home-
owners in a development outside
Rapid City are suing Meade Coun-
ty over risks to their properties af-
ter a sinkhole exposed an aban-
doned gypsum mine.
The federal complaint filed
Monday by Hideaway Hills resi-
dents in Black Hawk seeks dam-
ages to be determined by a jury
and other relief “allowed by law or
equity.”
The sinkhole forced about 40
residents from 15 homes in April
2020. Geotechnical studies show
there could be water flowing
through the abandoned mine and
toward Interstate 90 and there is
the potential for future sinkholes,
the Rapid City Journal reported.
The complaint alleges several
violations of the state Constitution.
It says the decision to approve the
subdivision by the county Plan-
ning Commission and the Meade
County Commission put home-
owners at risk.
Five teens accused ofrobbing delivery driver
NC HIGH POINT — Five
North Carolina teenag-
ers are accused of robbing a pizza
delivery driver, stealing his car
and leading law enforcement offi-
cers on a chase, police said.
News outlets report the driver
told High Point police he made a
delivery on Sunday to a home
where the five forced him inside,
assaulted and robbed him. Ac-
cording to police, the driver suf-
fered minor injuries.
Police said the teenagers were
spotted in the stolen car by depu-
ties with the Davidson County
Sheriff’s Office. The car collided
with another vehicle along N.C.
109 in Thomasville, after which
the teenagers ran, police said.
Three of the teens were found
and arrested in the search, and a
fourth was captured when he tried
to get a ride with a passing motori-
st, police said. A fifth teen was ar-
rested hours later.
Teaching cursive wouldbe required under bill
WI MADISON — All Wis-
consin elementary
schools would be required to teach
cursive writing under a bill passed
Tuesday by the state Assembly.
The bill’s sponsors say teaching
cursive will stimulate different
parts of the brain and improve the
education of students. But oppo-
nents, including groups repre-
senting school boards, superin-
tendents and administrators, op-
pose the measure, saying it could
be a costly mandate and that in-
structional time would be better
spent teaching more modern
forms of communicating, like key-
boarding.
Teaching cursive is included in
state standards for education set
by the Wisconsin Department of
Public Instruction. However,
those are a model and not a re-
quirement.
The Assembly passed the Re-
publican-backed bill Tuesday on a
59-39 vote. It now heads to the
Senate.
It would have to pass the Senate
and be signed by Democratic Gov.
Tony Evers in order to become
law.
Goats get loose in tonyBuckhead neighborhood
GA ATLANTA — A herd of
goats brought in to
clear weeds got loose Monday,
briefly becoming a thorn in the
side of Atlanta’s tony Buckhead
neighborhood.
Atlanta police responded after a
driver called to report the goats
were wandering in the road, news
outlets reported.
They had been brought in to eat
weeds at a nearby Kroger super-
market but got free, according to
police.
Television news footage showed
them grazing outside a furniture
store along a busy thoroughfare.
They were eventually caught and
removed.
Police said no one was injured.
RANDY HOEFT, THE YUMA (ARIZ.) SUN/AP
Yuma’s Chris Jester paddles his way up the Colorado River at Centennial Beach in West Wetlands Park, in Yuma, Ariz., on Monday. Jester saidhe was headed as far upriver as Gateway Park before he planned to turn around. He said the workout was relaxing after just getting off a longwork shift in the Yuma Regional Medical Center Emergency Department, where he is a registered nurse.
Navigating his workout
THE CENSUS
4 The number of names added to the New Hampshire FallenFirefighters Memorial, marking the first time the state is recog-
nizing a death caused by occupational cancer. Newington Fire Chief Darin Sa-bine died of cancer in 2019. His name was one of four added to the memorial inConcord on Saturday. Sabine’s wife, Jennifer, told WMUR-TV that the honorwas a step in the right direction. Also honored were Dover Chief James Smith,who died in 1925 while investigating a gas leak; Dover Lt. Earnest Leblanc,who died while fighting a fire in 1959; and Goffstown Capt. Steve Tower, whodied in 2020 during a training test. The memorial now includes 95 names.
From The Associated Press
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 11
MILITARY
Sen. Tammy Duckworth, D-Ill.,
introduced legislation on Thurs-
day to create an apolitical com-
mission to study 20 years of Amer-
ican war in Afghanistan, an effort
she hopes would keep the United
States from repeating mistakes
made during years of conflict af-
ter the 9/11 terrorist attacks.
The Afghanistan War Study
Commission would be charged
with taking a “deep dive” into ev-
ery aspect of the war, including
top level strategic decisions, com-
bat operations, efforts to train Af-
ghan forces, intelligence work,
diplomatic efforts, congressional
oversight and corruption in the
U.S.-backed Kabul government,
Duckworth said Wednesday. She
will offer the bill as an amendment
to the fiscal 2022 National Defense
Authorization Act, the must-pass
annual legislation that sets Penta-
gon funding and policy priorities.
“What we need to do is really
glean all the lessons learned,” said
Duckworth, an Army veteran.
“You know the war colleges are
going to be looking at this forever.
So, what I want to do is create this
commission that will not have any-
body leading it who was in a … de-
cision-making position [on Af-
ghanistan] during the 20 years.”
She said the commission would
be molded in the form of the inde-
pendent, bipartisan 9/11 Commis-
sion set up in 2002 to examine the
terrorist attacks that launched the
next two decades of war in Af-
ghanistan. The body would exam-
ine the entire war from the initial
U.S. invasion in the weeks after 9/
11 until the last soldiers left just be-
fore midnight on Aug. 31.
Commissioners would be “ex-
perienced policy professionals”
chosen by the chairpersons and
ranking members on the House
and Senate Armed Services, Intel-
ligence, and Foreign Affairs com-
mittees, according to the legisla-
tion. President Joe Biden would
also add one member to the panel.
Duckworth also noted the panel
would have to maintain a nonpolit-
ical nature, a lesson that she said
she learned from serving on the
Select Committee on Benghazi —
the congressional panel the spent
nearly two years probing the
deadly 2012 attacks on a U.S. facil-
ity in Benghazi, Libya. That com-
mittee, she said, became bogged
down in politics instead of a thor-
ough examination of the incident.
The Pentagon has said about
800,000 American troops served
in the war in Afghanistan. Among
them, 2,461 were killed in action
and more than 20,000 others were
wounded. Duckworth under-
stands those kinds of sacrifices.
The retired lieutenant colonel in
2004 was permanently crippled
when her Black Hawk helicopter
was struck by enemy fire in Iraq
and crashed.
The senator said there was sup-
port for her effort within the Dem-
ocratic caucus and she had begun
to reach out to Republican col-
leagues to pitch the idea.
There is at least some appetite
among House Republicans to
form a commission to study the
war. Reps. Elise Stefanik of New
York and Rob Wittman of Virginia
introduced legislation in August to
establish a 9/11-style commission
to probe the Afghanistan war.
The calls to study the efforts
come after the chaotic withdrawal
from Afghanistan, where the Tali-
ban took control of virtually the
entire country in a lightning offen-
sive in August, months after Biden
announced the withdrawal of all
U.S. troops by the end of that
month. The U.S. evacuated some
124,000 Americans and allies from
Kabul in a massive and dangerous
airlift operation in the final weeks,
as the Taliban returned to power
for the first time since American
troops ousted them in 2001.
In hearings this week before
Senate and House committees,
Pentagon leaders described the
outcome of the war in Afghanistan
as a “strategic failure,” but they
said American troops fought ad-
mirably throughout the effort, in-
cluding in its final days.
Army Gen. Mark Milley, the
chairman of the Joint Chiefs of
Staff, told members of the House
Armed Services Committee on
Wednesday that the war had been
stalemated at least six years be-
fore Biden decided to end U.S. in-
volvement in Afghanistan.
“Strategically, the war is lost —
the enemy is in Kabul,” Milley
said. “This was a 20-year war and
it wasn’t lost in the last 20 days or
even 20 months, for that matter.
This was the cumulative effect of a
series of decisions that go way
back.”
Duckworth’s commission
would study all of those failures,
from al-Qaida leader Osama bin
Laden’s 2001 escape from Ameri-
can troops at Tora Bora to the Aug.
26 bombing at Kabul’s airport by
Islamic State terrorists that killed
13 U.S. service members.
Duckworth calls for ‘nonpolitical’ probe into Afghan warBY COREY DICKSTEIN
Stars and Stripes
PAGE 12 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
NEW YORK — Ferocious tan-
trums. Family gossip. Petty nick-
names.
Stephanie Grisham, once a
White House press secretary and
chief of staff to first lady Melania
Trump, is out with a book next
week that paints a deeply unflat-
tering picture of Donald Trump —
a man with a “terrifying” temper
who ogled a young aide and tried
to impress dictators while presi-
dent, she writes.
Grisham, who holds the distinc-
tion of having never held a press
briefing while serving as White
House press secretary, charts her
path from low-level press wran-
gler to the Trumps’ inner circles,
and her gradual disillusionment
with the family and eventual re-
signation following the Jan. 6 in-
surrection.
As have the many books critical
of Trump, Grisham’s “I’ll Take
Your Questions Now: What I Saw
at the Trump White House” has
drawn Trump’s ire. He bashed the
book and its author in deeply per-
sonal terms, saying in a statement
that Grisham was “paid by a rad-
ical left-leaning publisher to say
bad and untrue things.”
Highlights of the book include:
On Melania Trump: Grish-
am describes the former first lady
as a Marie Antoinette figure who
refused to condemn the violence
at the U.S. Capitol on Jan. 6 as
Trump’s supporters stormed the
building to try to halt certification
of the 2020 election results.
Grisham writes that she texted
Melania Trump as the scene un-
folded. “Do you want to tweet that
peaceful protests are the right of
every American, but there is no
place for lawlessness and vio-
lence?” she says she asked. She
writes that “literally one minute
later and while she was preparing
a photo shoot of a new rug she had
selected — yes, you read that right
— Melania Trump sent me back a
one-word response: ‘No.’”
On Trump: “His temper was
terrifying. And it could be direct-
ed at anyone, whether he or she
deserved it or not,” Grisham
writes. “He questioned people’s
confidence, their looks, their intel-
ligence — whatever he thought
would do the most damage to
someone’s psych.”
Trump had particular con-
tempt, she says, for the White
House lawyers. “He didn’t like
them telling him that things he
wanted to do were unethical or il-
legal.”
Staff, she recounts, often de-
ceived Trump to avoid his wrath,
and tried to temper his worst im-
pulses by stalling or distracting in
a White House “where everything
was like a clown car on fire run-
ning at full speed into a warehouse
full of fireworks.”
#Metoo: Grisham writes
that, while serving as press secre-
tary, she noticed Trump “taking
an unusual interest in a young,
highly attractive press wrangler”
on her team, asking where the
woman was, whether she would
be traveling with him on foreign
trips, and asking Grisham to bring
the aide to his office cabin on Air
Force One.
“Put her on TV. Keep her hap-
py, promote her,” she claims
Trump would tell her. “Let’s bring
her up here and look at her ass,”
she says she was told he had once
said.
Grisham also recalls uncom-
fortable encounters she had with
the president, including him not-
ing one day that she didn’t wear
pantyhose. On one occasion, she
writes, he asked her then-boy-
friend whether she was “good in
bed.”
An awkward call: Trump al-
legedly felt compelled to respond
to adult film star Stormy Daniels’
charges about the size of his gen-
italia. Grisham says she received
an awkward telephone call from
the president from aboard Air
Force One, who assured her that
“everything down there is fine.”
“Uh, yes, sir,” she says she re-
plied. “Not in two million years
had I ever thought I’d have a con-
versation with the president of the
United States about his penis.
Thankfully the call ended shortly
after that.”
Dictators: “He always
seemed to want dictators to re-
spect him,” Grisham writes, point-
ing in particular to Russian Presi-
dent Vladimir Putin, whom staff
suspected of arranging for an at-
tractive interpreter and coughing
to throw Trump off-guard.
She described one encounter at
the meeting of the Group of 20 na-
tions in Osaka in 2019 when
Trump seemed intent on placating
the Russian leader. “Okay, I’m go-
ing to act a little tougher with you
for a few minutes. But it’s for the
cameras, and after they leave
we’ll talk. You understand,” she
recounts Trump saying.
Ex-Trumpaide tellsof chaos innew book
BY JILL COLVIN
Associated Press
JABIN BOTSFORD/The Washington Post
Former White House press secretary Stephanie Grisham in the RoseGarden in 2019.
NATION
WASHINGTON — The num-
ber of Americans applying for
unemployment benefits rose for
the third straight week, a sign
that the highly contagious delta
variant may be slowing a recov-
ery in the job market.
Claims rose unexpectedly by
11,000 last week to 362,000, the
Labor Department said Thurs-
day, though economists had been
expecting claims to go in the op-
posite direction. The four-week
moving average of claims, which
smooths out week-to-week ups
and downs, rose for the first time
in seven weeks to 340,000.
Since topping 900,000 in early
January, applications had fallen
fairly steadily as the economy
bounced back from last year’s
shutdowns. But they’ve been ris-
ing along with coronavirus infec-
tions.
The applications, which are a
proxy for layoffs, remain elevat-
ed: Before the pandemic hit the
United States hard in March
2020, they were typically coming
in at around 220,000 a week.
America’s employers have
rapidly increased their hiring
since they slashed 22 million jobs
in March and April 2020 as the
coronavirus outbreak brought
economic activity to a near-
standstill. Since then, the econo-
my has recovered about 17 mil-
lion jobs as businesses open or
expand hours and Americans re-
turn to bars, restaurants and ho-
tels.
But hiring, which has averaged
more than 585,000 jobs a month
this year, slowed to just 235,000
in August as the delta variant dis-
rupted the recovery. Restaurants
and bars cut nearly 42,000 jobs
last month, the first drop this
year. Hiring is expected to pick
up to more than 560,000 this
month; the Labor Department is-
sues the September jobs report
next week.
In a research note, Contingent
Macro Advisors said that techni-
cal factors — seasonal adjust-
ments and processing backlogs in
California, where claims soared
by nearly 18,000 — were respon-
sible for last week’s increase in
filings. “Overall, the jump in
claims in the last three weeks
bears close watching but is not
yet alarming,’’ Contingent said.
Unemployment claims risethird straight week to 362K
Associated Press
WASHINGTON — With Presi-
dent Joe Biden’s government
overhaul at risk, Democrats
charged into high-stakes trouble
Thursday as a promised vote on
the first piece, a slimmer $1 tril-
lion public works bill, faltered
amid stalled talks on his more am-
bitious package.
House Speaker Nancy Pelosi as-
sembled her leadership team for a
morning meeting and emerged
determined to push ahead, strike a
deal with Biden over his bigger
$3.5 trillion effort and avoid what
would be a stunning setback if vot-
ing on the public works bill failed
or had to be scrapped.
Democrats are deeply at odds,
trust torn, as progressive lawmak-
ers threaten to withhold votes on
the roads-and-bridges infrastruc-
ture bill they view as insufficient
unless it is paired with Biden’s
broader vision. In the narrowly
controlled House, Pelosi has no
votes to spare.
All this on a day that should be a
win for Biden with Congress
poised to quickly usher through
legislation to keep government
running past Thursday’s fiscal
yearend deadline and avert a fed-
eral shutdown that had been
threatened by Republican block-
ades.
The risks are clear, but so is the
potential reward as Biden and his
party reach for a giant legislative
accomplishment — promising a
vast rewrite of the nation’s bal-
ance sheet with an ever-slim ma-
jority in Congress. His idea is to
essentially raise taxes on corpora-
tions and the wealthy and use that
money to expand government
health care, education and other
programs — an impact that would
be felt by countless Americans.
The public works bill is one
piece of that broader vision, a $1
trillion investment in routine
transportation, broadband, water
systems and other projects bol-
stered with extra funding. It has
won broad, bipartisan support in
the Senate but has now become
snared by the broader debate.
Biden plan at stake, Pelosi pushes aheadBY LISA MASCARO
Associated press
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 13
WEEKENDRubik’s Cube
goes high-techPage 14
Video games — 18 Travel & Food — 19-25 Music — 28-29 Health — 32 Crossword — 34
SONY PICTURES
LET THERE BE
CARNAGEOne of Marvel’s darkest characters
returns in ‘Venom’ sequel, which doubles down on the outlandish action
Profile, Page 15
Review, Page 16
PAGE 14 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: GADGETS & TECHNOLOGY
The iconic Rubik’s Cube drove me nuts
during the time I had one. Fast forward a
few decades, and now I have Heykube, the
new generation technology-driven version
of the Rubik’s Cube. Much more fun and
much less frustrating.
Heykube is different because it’s smart.
The programmable six-sided, 3-by-3
smart cube puzzle does not require an
app, but there is the Heykube companion
app available for sharing with others and
watching tutorials.
Unlike most gadgets I try out, this one
forced me to read the directions. The way
it works is, players solve scrambles with
hints and different levels of difficulty,
which include quick solve, learn to solve,
and 16 patterns instantly ready to be
solved.
Heykube allows users to create, share
and solve their own algorithms via Python.
With a Raspberry Pi (not included), users
can access the HeyKube’s Python library
for controlling the lights and sounds in the
cubed smart toy.
Inside the Bluetooth-enabled Heykube
is a microprocessor, a long-lasting internal
battery and an included micro USB cable
that connects to the proprietary charging
adapter. The cube teaches you how to
solve it, which gives you a nice modern
technology advantage over the famous
’80s cubed toy.
Using it is the same as with the origi-
nal: turn the pieces up, down and side-
ways to get the puzzle solved. The outside
pieces rotate around the center one, which
determines the color for that side. At first,
it’s not that easy, though the tutorials and
the LEDs lend a helping hand. There are
tricks to know and learn, but solving it
does happen, and then the fun is trying to
solve it over and over. Sometimes the
solution was quick, but other times it
brought me the same frustration and de-
termination to persevere as the older
cube.
The lights on the center-piece rotate,
telling you the rotating direction. When
the sound changes, the mode has changed.
The
hints
can be
turned on or
off, making it
programmable to
a different level of
difficulty.
After a short time, the Hey-
kube gets to be obsessive and time-
consuming. Solving it once isn’t good
enough, neither is just a few times.
Online: heykube.com; $79.99
GADGETS
Heykube is a smart updateto the Rubik’s Cube puzzle
BY GREGG ELLMAN
Tribune News Service
Heykube is aprogrammablesixsided, 3by3smart cube puzzle.
HEYKUBE/TNS
Your palm could soon be
your ticket into a con-
cert.
Amazon says it is
bringing its palm-recognition
technology to the Red Rocks
Amphitheatre in Denver and it
will be available at other venues
in the coming months. It’s the
first time the technology, called
Amazon One, will be used out-
side some of Amazon’s stores,
where shoppers can pay for gro-
ceries and snacks by swiping
their palms.
Starting Sept. 14, concertgoers
at Red Rocks can sign up to con-
nect their palm to a ticketing
account by hovering their hand
over a device. They only need to
sign up once and then can use
their palm to get into other shows
and events at the venue. An Ama-
zon account is not needed to use
it.
Amazon signed a deal with
entertainment company AEG to
bring the technology to Red
Rocks, which sells tickets on
AEG’s ticketing site, AXS.
Bryan Perez, CEO of AXS, said
other venues plan to add the
technology in the coming months
but he declined to say where or
how many. AEG partners with
more than 350 stadiums and
theaters around the world.
Concertgoers can get to their
seats faster with their palm than
holding up their phone to an
attendant to scan a bar code,
Perez said. Those who want to
scan their palms will have a
separate lane to enter.
“You don’t have to fumble
around with your phone,” said
Perez. “Your hand is always
attached to your body.”
Privacy experts have warned
against companies using bio-
metric data, such as face or palm
scans, because of the risk of it
being hacked and stolen. Amazon
said it keeps the palm images in a
secure part of its cloud and
doesn’t store the information on
the Amazon One device. Users
can also ask for their information
to be deleted at any time, Ama-
zon said.
A handier wayto gain accessAmazon brings palm-swiping techused in stores to concert facility
BY JOSEPH PISANI
Associated Press
ED ANDRIESKI/AP
Amazon says it is bringing its palmrecognition technology to Denver’s Red Rocks Amphitheatre, and it willsoon be available at other venues. It’s the first time the technology, called Amazon One, will be usedoutside of some of Amazon’s stores, where shoppers can pay for groceries by swiping their palms.
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 15
WEEKEND: MOVIES
If there was one broadly agreed takeaway from
2018’s “Venom,” it was that when you let Tom Har-
dy run loose, good things happen.
Not everything worked in the film, a darker,
slimier spinoff adjacent to Sony Pictures’ “Spider-verse”
Marvel world. But “Venom,” led by Hardy’s Jekyll and
Hyde act, managed to break free of some of the pre-
scribed rhythms of superhero movies.
In its most talked-about scene, journalist Eddie Brock
(Hardy) is overcome by the alien symbiote living inside
him: Venom, a slimy, sinister-looking alien hulk also
voiced by Hardy. Venom has a ravenous appetite, so in a
scene set at a seafood restaurant, Hardy improvised that
Brock would, under Venom’s control, leap into a lobster
tank. What was supposed to be background set dressing
was rebuilt to support Hardy, and thus spawned the de-
fining moment for a weird and warped comic-book fran-
chise.
“That tone was what everyone universally agreed was
the epicenter of this world,” says Andy Serkis, director of
the sequel “Venom: Let There Be Carnage.” “That is
precisely the touchstone moment for where we started off
with this.”
“Venom: Let There Be Carnage,” now finally in thea-
ters after a year’s delay due to the pandemic, extends
what may be the oddest superhero series around. The
dominant conflict is less about world saving and more
about a very odd couple cohabiting one body. And given
that the two lead parts are played by the same actor, it’s
the comic-book film most centered on an actor’s free-
wheeling performance.
“What’s thrilling is to be able to delve through the hu-
man psyche and the paradox of the human condition and
play them in a farcical, superhero action thriller,” says
Hardy, speaking by phone from London. “The masks of
Eddie Brock and Venom are larger than life, but they’re
ultimately two sides of the same coin.”
In the dependable realm of superhero movies, the first
“Venom” was somewhat of a risk. Venom is a relatively
marginal Marvel character; the movies, Serkis says, are
“swimming in the darker end of the Marvel pool.” But
even though reviews weren’t very good, the film was a hit,
grossing $856 million worldwide.
“When it came out, critics didn’t like it — which is fair
enough — and the audience did like it. It did rather well,
enough for Sony to make another one,” says Hardy. “We
had to have a debrief and a wash up and say: What
worked here? What didn’t work? What can we do better?”
For the sequel, Hardy took firmer control. On the first
“Venom,” the actor has said some 30 minutes of scenes
were left on the cutting-room floor. This time, he sought
out Serkis, the actor-director best known for his extensive
work in motion capture performance, to follow the origi-
nal’s director, Ruben Fleischer. Hardy also took a hand in
shaping the follow-up; he and Kelly Marcel (co-writer of
“Venom”) are credited with the film’s story. Hardy is also
a producer, a first for him on a feature film.
“Putting your hat in the ring is a logical step. We asked
Sony, Kelly and I, if we could have a shot at pitching the
second movie,” says Hardy. “And they said ‘Of course.’”
“Let There Be Carnage” takes a gothic turn, bringing
Brock into the orbit of a serial killer, Cletus Kasaday
(Woody Harrelson). Kasaday attracts his own symbiote,
Carnage, enabling his prison escape. The sequel is also
about Brock and Venom undergoing what Serkis calls
“the seven-year itch” in their relationship, as both yearn
for independence. In one scene set to Louis Prima, Ven-
om makes breakfast for Hardy to cheer him up.
On set, Hardy typically retreats to a corner to record
his Venom lines, which are enhanced with a pitch-mod-
ulator. Then, while Hardy performs as Brock, Venom’s
lines are played through an earpiece. Serkis calls Hardy’s
system “mesmeric” to watch. To Hardy, acting against
himself has become a familiar process.
“I’ve gotten used to seeing myself as a piece of meat
and observing myself from outside as: What do I want to
do with my vehicle? OK, Tom’s not working properly.
What’s not working?” says Hardy.
“It may seem schizophrenic, and I do appreciate that I
do look mad when I’m doing it,” adds Hardy. “Hopefully
you see it on screen as well — the frenetic, manic nature
of someone judging two personalities.”
For Serkis, who directed 2018’s “Mowgli: Legend of the
Jungle,” 2017’s “Breathe” and is prepping an adaptation
of George Orwell’s “Animal Farm” for Netflix, it’s anoth-
er twist in a shape-shifting career. Serkis, who revolu-
tionized the use of motion capture in characters like Gol-
lum in “The Lord of the Rings” and Caesar in “Rise of the
Planet of the Apes,” has been increasingly drawn to the
nexus of filmmaking and technology.
“What I’m really interested in is the future of storytell-
ing, and how that is going to change over the next 10, 20,
30 years,” says Serkis. “At the moment, we’re standing at
a junction. We’ve had a pandemic, which has forced peo-
ple to watch things on a very small screen. But pretty
sure we’re going to go back to what was beginning to
burgeon before the pandemic.”
“Let There Be Carnage,” originally set for release last
October, will be one of the bigger releases to launch only
in theaters during the pandemic. After several delays,
Sony moved up its release by a few weeks. “Venom” will
effectively launch the fall movie season, with many care-
fully eyeing its performance.
“Now is definitely the time,” says Serkis. “There really
is a moment here, because there are some big films com-
ing out, and they’re daring to put their heads above the
parapets.”
Sony Pictures
Tom Hardy does double duty playing opposite himself as Eddie Brock and Venom in “Venom: Let There Be Carnage.”
A second chance at mayhemTom Hardy, director Andy Serkis unleash ‘Carnage’ on the world in ‘Venom’ sequel
BY JAKE COYLE
Associated Press
SONY PICTURES
Director Andy Serkis, left, and Tom Hardy confer on theset of “Venom: Let There Be Carnage.”
PAGE 16 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: MOVIE REVIEWS
Back in 2018, a delightful surprise was
smuggled inside what would otherwise
appear to be just another rote comic book
movie. It was Tom Hardy’s performance
in “Venom,” playing a San Francisco journalist,
Eddie Brock, who becomes the host body for an
alien symbiote affectionately known as Venom. As
the possessed Eddie and the voice of Venom, Har-
dy’s funny, freewheeling and frequently unhinged
performance felt like an alien parasite inside a
Marvel movie itself. As a result, “Venom” was that
much more entertaining, anarchic, and frankly
punk rock than any other comic book movie going.
Watching Hardy splash around in a lobster tanks,
ferociously chomping crustaceans, felt like we were
getting away with murder, because in a sea of
crushing sameness, Hardy dared to grab the wheel
and steer “Venom” straight into the land of weird.
It also seemed that “Venom” director Ruben
Fleischer was merely along for Hardy’s wild ride,
in the same way Eddie was shanghaied by his dark
passenger. The sequel, “Venom: Let There Be Car-
nage,” is directed by Andy Serkis, and now, host
and alien have achieved symbiosis. The person
quite obviously steering the ship is Hardy, who has
a “story by” credit on the film. The screenwriter,
Kelly Marcel, is his longtime friend and collab-
orator.
The sequel doesn’t have that sense of joyful dis-
covery and gleeful mischief that the first film did,
because it’s obviously now a comedy on purpose.
But with its Venom/Eddie dynamic, it remains the
best buddy action-comedy these days. Back in the
’80s, it was Mel Gibson and Danny Glover; now we
have Tom Hardy and Tom Hardy, and Tom Hardy
pulls it off and then some.
This time, there’s a lot more Venom, as the chee-
ky alien symbiote yearns to be free, eating as many
brains as he wants. A rebellious parasite would be
enough to deal with, but Eddie also wants to get his
journalism career back on track and move on from
his ex-fiancee Anne (Michelle Williams, the only
other actor as committed as Hardy to the gig, and
the wig). Living with Venom is like having a very
rambunctious, and hungry, roommate, with the
added complication of sharing one body.
The “Carnage” part of the title comes in the form
of Cletus Kasady (Woody Harrelson), a Bay Area
serial killer on death row. Harkening back to clas-
sic killers like Ed Kemper and the Zodiac, Cletus is
as hard and psychotic as they come, and he’s decid-
ed to tell his life story to Eddie alone. Cletus still
holds a torch for his teenage sweetheart, Frances
Barrison (Naomie Harris), who possesses a lethal
shriek. The two lovebirds were institutionalized
together before they were cruelly torn apart. Now,
all Cletus cares about is seeing his Frances again.
Opportunity arrives when a droplet of Eddie’s alien
blood curdles his own, transforming Cletus into a
many-limbed red alien, and Venom and Eddie will
need to learn to get along again in order to defeat
Carnage and save Anne.
The climax is predictably chaotic and cacoph-
onous, and while the action may be a mess, at least
it doesn’t overstay its welcome. “Venom: Let There
Be Carnage” dares to be a tight 90 minutes, unprec-
edented in these times. There’s some humor and
romance, a splash of comic book violence, refer-
ences to the lore and a story about friendship, all in
an hour and a half. Plus, the film allows Venom to
really shine. While he’s no longer novel, he’s still
just as outlandishly funny. Who knows if the joke
will have any staying power, but for the time being,
that alien remains as entertaining as ever.
SONY PICTURES/AP photos
Tom Hardy, left, and Michelle Williams are former lovers in “Venom: Let There Be Carnage.”
‘Carnage’ doubly crazyBuddy dynamic as funny, entertaining as ever in ‘Venom’ sequel
BY KATIE WALSH
Tribune News Service
“Venom: Let There Be Carnage” is rated PG-13 for intense sequences ofviolence and action, some strong language, disturbing material and suggesti-ve references. Running time: 90 minutes.
“Venom: Let There Be Carnage” contains doublethe crazy alien symbiotes of the original.
The 2019 animated feature
“The Addams Family” was a cute
refresh of the classic Addams
family characters for a new,
younger audience. Clocking in at
83 years young (Charles Addams’
cartoons debuted in The New
Yorker Magazine in 1938), it’s
amazing that the Addamses have
the staying power that they do.
The new films, shepherded by
directors Greg Tiernan and Con-
rad Vernon, stay true to the
Charles Addams aesthetic in
design and sensibility, and the
filmmakers have assembled a
talented voice cast to embody
this macabre and tight-knit fam-
ily and deliver the darkly punny
dialogue that is their hallmark.
The first film struck at the
heart of what makes the Addams
family unique: The way they
embrace being different is ac-
tually more inclusive and loving
than whatever usually passes for
“normal.” That sentiment is
repeated in the sequel, “The
Addams Family 2,” but the whole
endeavor unfortunately delivers
diminishing returns.
Lacking in narrative rigor,
“The Addams Family 2” is mere-
ly a series of loose vignettes knit
together by a family road trip
format. Patriarch Gomez (Oscar
Isaac) is inspired to take the
whole crew on a vacation in or-
der to encourage family bonding
after Wednesday (Chloe Grace
Moretz) starts to feel alienated
from the rest of the Addamses,
embarrassed by their overbear-
ing affections at her school sci-
ence fair. The suggestion, per-
petrated by a persistent lawyer
(Wallace Shawn) in hot pursuit,
that Wednesday may have been
switched at birth, has her ques-
tioning everything. Soon it comes
to light that this lawyer has been
hired by mysterious mogul Cyrus
Strange (Bill Hader), but his
conviction that Wednesday is his
true progeny could be hiding a
far more nefarious agenda.
While the family hits Niagara
Falls, Sleepy Hollow, Miami
Beach, the Alamo and the Grand
Canyon, it’s a chance for
Wednesday to consider what it
truly means to be an Addams.
But the plot structure just feels
like the opportunity for a series
of slapdash sketches with refer-
ences to other films like “Carrie,”
“Top Gun” and “Pee-Wee’s Big
Adventure,” plus, of course, lots
of random moments and montag-
es set to pop tunes. For example,
as Wednesday uses a voodoo doll
to marionette poor Pugsley (Ja-
von Walton) around to House of
Pain’s “Jump Around,” the open-
ing bars of the song will send any
elderly millennial or Gen-Xer
right back to a sticky beer-
soaked dive bar, and that nostal-
gia bait seems the only reason for
that sequence to exist.
“The Addams Family 2” feels
like it’s lost the spark of the first
one. The jokes that felt fresh in
the first film are stale here, the
story’s twists glaringly predict-
able. The film boasts five screen-
writers, and one can’t help but
wonder if this might be too many
cooks in the kitchen. The film
could be amusing for a very
young set, but alas, it’s not even
spooky enough to truly delight
the littlest horror hound.
METRO GOLDWYN MAYER PICTURES
Left to right: Oscar Isaac as the voice of Gomez Addams, Chloë GraceMoretz as the voice of Wednesday Addams, Nick Kroll as the voice ofUncle Fester, Charlize Theron as the voice of Morticia Addams,Conrad Vernon as the voice of Lurch, Javon Walton as the voice ofPugsley Addams, Bette Midler as the voice of Grandma and SnoopDogg as the voice of It in “The Addams Family 2.”
‘Addams Family 2’ deliverstrademark punny dialoguebut with diminishing returns
BY KATIE WALSH
Tribune News Service
“The Addams Family 2” is rated PG for macabreand rude humor, violence and language. Runningtime: 93 minutes.
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 17
WEEKEND: MOVIES
When “The Sopranos” is brought up
these days, it’s usually for the nebulous
way it ended: That now-famous cut-to-
black in a crowded diner while Journey’s
“Don’t Stop Believin’” plays. Whether
Tony Soprano lived or died is still hotly
debated.
The real death in 2013 of the great
James Gandolfini ended hopes of putting
that debate to bed, but David Chase, the
creator and showrunner of “The So-
pranos,” has intriguingly kept the show
alive with the new prequel film “The
Many Saints of Newark.”
It’s intriguing mainly because the film
conjures the greatest character ever cre-
ated for TV back to life, but doesn’t frame
him in the middle. Tony Soprano is a ca-
meo in his own origin film.
Instead, the guy in the center is Tony’s
so-called uncle, Dickie Moltisanti, played
with real verve by Alessandro Nivola.
Mafia boss Moltisanti is the guy young
Tony looks up to. But he’s riddled with the
same flaws Tony will soon share: posses-
siveness, quick to anger, methodical and
yet impulsive, prone to affairs and eager
to consume vast amounts of pork products.
In a stroke of genius, the older of two
young Tony Sopranos in the film is played
by Michael Gandolfini, the son of the late
actor who share his father’s wide, sad
expressive eyes and bearishness. He is
riveting.
All the old gang — now made young
with new actors, of course — are here:
Uncle June, Livia Soprano, Paulie Wal-
nuts, Silvio Dante, Pussy Bonpensiero,
Janice Soprano, Jackie Aprile, Carmela
and even Christopher Moltisanti, Dickie
Moltisanti’s son.
Michael Imperioli is back as the young-
er Moltisanti and he seems to have a bit of
a chip on his shoulder about his one-time
mentor, Tony Soprano, on account of the
older man choking him to death in 2007.
So he narrates unseen from the grave.
The danger here is that the new actors
have a template of what their characters
will look and sound like in the future. For
the most part, they avoid caricature — like
Vera Farmiga nailing Tony’s fearsome
mother and Corey Stoll brilliantly captur-
ing the petty, irritable Junior. But John
Magaro mugs a bit too much as Silvio,
Stevie Van Zandt’s consigliere.
One problem here is time, something
the film obviously plays with. “The Many
Saints of Newark” arrives 14 years after
“The Sopranos” ended, and that may be
too long for anyone but the most ardent
fans. The brain strains trying to connect
new faces with old ones.
The plot really is just a few slices of
years in and around Newark, N.J., in the
late 1960s and early ’70s. The DiMeo
crime family — of which the Sopranos are
a crew — is trying to stay afloat during
civil unrest that includes the deadly 1967
riots. But the film sags in many parts,
never achieving the focused tautness of
the series, and often seems aimless. If
you’re not a fan already, it might come
across as “Goodfellas” lite.
A terrific Leslie Odom Jr. plays Harold
McBrayer, a low-level debt collector who
will soon try to run his own crew. Ray
Liotta wonderfully plays not one but two
characters — Dickie’s dead-eyed father
and also Dickie’s philosophical, jailed
uncle. If you’re a fan of “The Sopranos,”
you’ll know that Dickie Moltisanti doesn’t
appear in the HBO series. You’ll learn
why.
But what about Tony Soprano? How
does he become the anxiety-prone mob-
ster and dad, caught in the old ways and
the new, as liable to brutally garrote an
informant as to break down and cry while
hearing The Chi-Lite’s “Oh Girl” on his
car radio?
We leave him on the cusp of manhood,
still teetering between criminality and
innocence.
Yes, he helps hijack a Mr. Softee truck,
but gives away all the ice cream. Yes, he
takes a pair of stolen speakers, but regrets
it.
“I try to be good,” he tells his uncle.
There’s a reveal of what will become his
hair-trigger temper, but also a willingness
to embrace mental health help, which will
one day lead to a psychiatrist couch. He’s
about 20 when the film ends, too soon to
see what really made him.
Credit “The Many Saints of Newark” —
screenplay by Chase and Lawrence Kon-
ner, and directed by series regular Alan
Taylor — for attempting to tackle gener-
ational violence and structural racism and
opening up a story to add more than just
Italian Americans shooting each other
while forking in plates of gabagool.
But it’s not enough. Tony is as myste-
rious at the end of “The Many Saints of
Newark” as he is at the sudden end of
“The Sopranos.” Perhaps that’s as it
should be. Perhaps there’s room for anoth-
er prequel.
‘Sopranos’ prequel too aimless for all but the most ardent fans BY MARK KENNEDY
The Associated Press
“The Many Saints of Newark” is rated R for strong violence,pervasive language, sexual content and some nudity. Runningtime: 120 minutes. Now in theaters and streaming on HBO Max.
More than a decade
after “The So-
pranos” cut to black,
a prequel movie is
here to shed light on the New
Jersey crime family’s backstory.
Leslie Odom Jr. and Michael
Gandolfini are two of the power
players in “The Many Saints of
Newark,” which showcases the
mobsters who molded Tony So-
prano and explores the race riots
of 1967.
Gandolfini portrays a young
Tony, stepping into the iconic role
originated by his late father,
James Gandolfini, on HBO’s
seminal “Sopranos” series.
“I was so surprised that Tony
wasn’t a gun-wielding 8-year-
old,” Gandolfini, 22, told the Daily
News. “You think about it and you
go, ‘Well of course he wasn’t. Why
would he be? That’s not how that
works.’
“But you think that he would be
sort of this tough, cool mafioso
since the age of, like, 3, but that’s
not reality. The reality is that he’s
this nerdy, goofy, sensitive, kind
of meek kid who, throughout the
arc of the movie, becomes hard-
ened by his surroundings.”
The film, now out in theaters
and on HBO Max, adds new con-
text to “The Sopranos,” which
aired from 1999 to 2007 and cen-
tered on the mob boss Tony re-
counting his hardships in New
Jersey and New York during
therapy sessions.
Created by David Chase, the
series is considered among the
most influential ever made, cred-
ited for ushering in a wave of
prestige TV via its captivating
depiction of the complicated Tony
and his Italian-American family.
The stars of the new movie
appreciate the series’ legacy.
“Anti-hero is ... an accurate
term,” Odom said. “A hero was
about perfection at a certain
point. A hero was about honor and
there was a rigidity to that, and
Tony certainly doesn’t fit into any
of that. But in many ways we did
kind of revere him as a hero, or as
one of us.”
Odom, an original “Hamilton”
cast member, plays Harold
McBrayer, an associate of the
mob family at the center of the
film.
“Harold is one of about 6 mil-
lion Black people who was part of
the Great Migration,” Odom, 40,
explained. “They moved from the
Southern states to the North and
the West from about 1910 to 1970,
looking to divorce themselves
from a plantation economy, look-
ing for good factory jobs and
higher wages and a relief from a
certain kind of oppression.
“There was a different kind of
oppression waiting for us in the
North, of course, but millions and
millions made that trip, my
grandparents included among
them. It is adding that American
story to this other American story
of the mafia and the Sopranos
family and Moltisantis.”
Odom’s character works close-
ly with Dickie Moltisanti, who is
Tony’s uncle and role model.
Throughout the film, Dickie grap-
ples with how to balance his mob-
ster lifestyle with mentoring the
impressionable Tony.
Gandolfini said it was impor-
tant to convey Tony at a different
emotional stage of his life than
what audiences saw on “The
Sopranos.” It was key, the actor
said, to still capture the charac-
ter’s trademark mannerisms and
give viewers the Tony they know.
Playing the character made
famous by his father, who died in
2013, was an honor, Gandolfini
said.
“On so many different levels,
it’s incredible,” Gandolfini ex-
plained. “I never really thought
about it, doing it with my dad,
until I watched (the movie). Then
I watched it for the first time and I
was like, ‘Wow, this is really spe-
cial; me and him got to do it to-
gether as artists, as father and
son, as two actors.’”
And like the original series,
“The Many Saints of Newark”
gives New Jersey a starring role.
“Being born and raised in New
Jersey taught (Tony) many amaz-
ing and many possibly complicat-
ed lessons, so it’s completely
necessary,” Gandolfini said. “A
lot of the cast had spent (time) or
had been from Jersey. I grew up
in Jersey. My whole family lives
up there. It’s in your blood.”
MATT LICARI, INVISION/AP
Michael Gandolfini poses Sept. 23 for a portrait in New York topromote the film “The Many Saints of Newark.” In the film, Gandolfiniplays a younger Tony Soprano, the role originated by his late fatherJames on HBO’s “The Sopranos.”
‘The Many Saints of Newark’molds Tony into a mobster
Film stars share howthe ‘Sopranos’ prequelexpands series’ legacy
BY PETER SBLENDORIO
New York Daily News
WARNER BROS. PICTURES/New Line Cinema
Leslie Odom Jr. appears in ascene from “The Many Saints ofNewark” as mob associateHarold McBrayer.
PAGE 18 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: VIDEO GAMES
Agirl, some dice and a boardgame world — those seeminglyincidental images came togeth-er in a painting, and from that
image, the idea of Lost in Random sprout-ed. For creative director Olov Redmalm, adistinct vision grew out of that inkling, butwhat’s remarkable is how the team atZoink Games managed to focus their ideas
through the prismof that concept andcreate a captivatingadventure.
It’s a title thattransports playersto a surreal butsomehow logicaldark fairy taleworld. It beginswith two sisters —Odd and Even —who live in One-
croft, one of the lowest slums of the King-dom of Random. This is where the cam-paign begins as Even’s sibling turns 12and by the evil Queen’s law, Odd has toroll the one true dice to figure out wherein the six realms she would go. She endsup in Sixtopia with the Queen and iswhisked away.
A year later, Even still misses Odd andhas dreams about her. After a particularlystrange dream, she’s visited by a ghost,and while pursuing an apparition that shebelieves is connected to Odd, she embarkson a quest to see her sibling. That takesher to other locales in Random; each placehas its own culture and problems as theQueen has tyrannized the kingdom.
A kingdom with 6 realmsOnecroft is the lowest rung. Two-Town
is helmed by a mayor who leads a constit-uency full of split personalities. Threedomis in the middle of a three-sided civil war
among noble siblings, each of whom sus-pect the others of regicide. Fourburg wasonce the site of a chivalrous city, but theQueen has reduced it to rubble. Amid theruins, a Las Vegas-like destination hasemerged. Fivetropolis, with its soaringskyscrapers, used to be where artisansmade cards, but it has been turned into theQueen’s war machine. Lastly, Sixtopia isballyhooed as a paradise but few haveconfirmed anything about the realm.
Dice play a huge role in the iconographyof Random as more citizens used to have apartner die and these dice wielders usedto compete in epic contests of chance. InLost in Random, dice act as spell booksthat allow users to materialize weaponryor play tricks on adversaries. After theQueen took over, she eliminated all dice —save for her own — in the No Dice War.She rules with absolute power.
What makes Even so special is that shebefriends a die named Dicey, and togeth-er, they venture through the diverse lo-cales solving the dramas that plague them.Each destination is filled with a forebod-ing whimsy. Visually, Lost in Random hasmuch in common with “The NightmareBefore Christmas,” and the game wearsthat influence on its sleeve with its spindlycharacters and outlandish architecture.
The best part of the gameThe gameplay is the most impressive
aspect of Lost in Random. During combat,Even must power up Dicey by using herslingshot to knock crystals off enemies,and it allows her to draw up to five cardsfrom a deck. Players can toss Dicey at anytime, and doing so sends Even to the Dice-mension where time freezes for nearlyeveryone except for her.
From there, she can grab weapons, setup traps and add perks. There’s one ca-veat: The number she rolls with Dicey isthe energy she can use to spend on cards.Each card has a cost, with the more pow-
erful ones requiring more energy.With 15 cards in a deck, players may not
always draw what they need. If they’relow on health, they need to hope they cangrab an elixir card. If they don’t haveweapons to fight enemies, they’ll need tocome across a sword or bow in their draw.Keep in mind, these cards have values,and in the beginning, Dicey is missingseveral pips. As players advance througheach kingdom, they’re rewarded with newdots.
Early on, Lost in Random’s combatfocuses on weapons and healing. It’s limit-ed because Dicey can’t roll numbers high-er than a three, but as the campaign ad-vances, players discover more options.
Depth in deck buildingMore power in Lost in Random leads to
more choices and it lets players enjoy thedepth of the combat. Using concepts fromHearthstone and other collectible cardgames, players can craft decks to empha-size a certain style of play. If players likemelee combat, they can throw in weaponsand cards that enhance that. If they liketraps and ranged combat, they can build adeck emphasizing that.
The ability to store cards from draws ishelpful. Players can pin up to three, whichlets them hold on to valuable cards if theydon’t have a high enough roll to use them.It’s an ingenious concept, melding actionrole-playing and card games to create aninnovative avenue of play.
Unfortunately, Lost in Random isn’t aperfect indie project. For instance, Evencan’t move back and forth from realm torealm. The adventure is one way. Thatmeans if players miss a side quest, there’sno way to return to it.
The other flaw is that though Lost inRandom starts off strong, it meanders inthe middle and has difficulty balancingthe lore and its themes. Chance, misfor-tune and sisterhood are all key subjects,but the realm’s disparate dramas don’texplore and feed into these themes untilthe powerful finale. It makes the game feelscattered halfway through.
Still, Lost in Random is a strong jump-ing-off point for a new style of game thatholds intriguing potential.
Platforms: PlayStation 5, PlayStation 4,Xbox Series X|S, Xbox One, PC and Nin-tendo Switch
Online: ea.com/games/lost-in-random
Even, left, and Diceyexplore the realms of
Lost in Random.
EA/TNS PHOTOS
Lost in Random: a dicey situationZoink Games mixes action RPG and collectible card game elements to create a compelling adventure
Fivetropolis is one the realms that Even ventures through in Lost in Random.
BY GIESON CACHO
Tribune News Service
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 19
WEEKEND: TRAVEL
Applying to be one of the
first workers at Walt
Disney World, high
school graduate Ge-
orge Kalogridis made a split-
second decision that set the
course for his life: He picked a
room where prospective hotel
workers were being hired.
Chuck Milam got a tip about a
job opening from a transplanted
Disney executive whose new
house he was landscaping. Earli-
ene Anderson jumped at the
chance to take a job at the new
Disney theme park in Florida,
having fallen in love with the
beauty of Disneyland in Cali-
fornia during a trip two years
earlier.
At the time, the three were
among the 6,000 employees who
opened the Magic Kingdom at
Disney World to the public for
the first time on Oct. 1, 1971. Now,
they are among two dozen from
that first day still employed at
the theme park resort as it cele-
brates its 50th anniversary.
Over those decades, Disney
World added three more theme
parks, two dozen additional ho-
tels and grew to have a work-
force of 77,000 employees as it
helped Orlando become the most
visited place in the U.S. before
the pandemic.
What never changed was the
original employees’ devotion to
the pixie dust, the dream ma-
chine created by Walt Disney
and his Imagineers.
“Disney has been my love, and
it still is,” Anderson said recently
before starting her shift in mer-
chandising at a Magic Kingdom
hotel. “I love Disney.”
The employees who make up
the 50-year club say the theme
park resort has allowed them to
grow their careers and try on
new hats. Kalogridis worked his
way up to be president of Walt
Disney World and Disneyland in
California. Milam went from a
warehouse worker to a buyer of
spare parts for rides and shows.
Forrest Bahruth joined the
workforce at Disney World in
January 1971 as a show director,
responsible for staging and cho-
reographing parades and shows.
He was also given the opportuni-
ty to help open other Disney
theme parks around the world
over the past five decades.
“There are people all over the
world who get up to go work.
They’re unhappy about it. They
don’t really like their jobs,” Bah-
ruth said. “As you can tell from
us, there’s an enthusiasm. We are
privileged to be at a place where
we love what we do.”
There was no guarantee that
Disney World was going to be a
success 50 years ago. Walt Dis-
ney, the pioneering animator and
entrepreneur whose name graces
the Florida resort, had died in
1966, just a year after announc-
ing plans for “the East Coast
Disneyland.” The company had
quietly acquired 27,000 acres of
scrub land outside Orlando for
around $5 million.
The job of shepherding the
project to opening day fell to his
brother, Roy Disney, who with
other company officials con-
vinced the Florida Legislature to
create a quasi-governmental
agency that would allow Disney
to self-govern when it came to
matters of infrastructure and
planning. Roy died almost three
months after Disney World
opened.
Just weeks before opening,
construction at the Magic King-
dom was controlled chaos, and it
seemed impossible that it would
all come together in time.
“It was like an army of ants.
Everything was under construc-
tion. Interiors were still being put
in. Roofing was still being put on
top,” Bahruth said. “There was
painting, landscaping. Things
were arriving by the moment. ...
Trucks going everywhere.”
Bahruth rehearsed performers
through parade choreography
down Main Street, which cut
through the center of the Magic
Kingdom and resembled a turn-
of-the-century small town from
Walt Disney’s childhood. Even
though he was a busser, Kalogri-
dis was drafted into laying down
sod outside the hotel he was
working in, hours before Disney
World’s grand opening.
Two things have stuck in the
memories of the longtime em-
ployees from that opening day.
The first was the photo. It was an
image of thousands of Disney
World workers standing in front
of the iconic Cinderella’s Castle
with Mickey Mouse and other
costumed characters holding
hands in front. Two weeks later,
it was featured on the cover of
Life magazine.
The second was the parade. It
featured a 1,076-member march-
ing band conducted by Meredith
Wilson, the composer of the
Broadway show “The Music
Man.” There were 4,000 Disney
entertainers marching through
the theme park, a mass choir and
trumpeters from the United
States Army Band. Hundreds of
white doves were released into
the air, and less environmentally
friendly, so were thousands of
multicolored balloons.
“It was the biggest thing I had
ever seen,” Bahruth said.
Only around 10,000 visitors
showed up on that first day —
which at today’s much larger
Walt Disney World would repre-
sent about 90 minutes’ worth of
visitors entering. It wouldn’t be
until Thanksgiving 1971 when
Disney executives had an answer
about whether their new resort
would be a success; that’s when
cars trying to get into the Magic
Kingdom stretched for miles
down the interstate.
“It was very clear after that
first Thanksgiving, that the pub-
lic definitely liked what we were
doing,” Kalogridis said.
PHOTOS BY JOHN RAOUX/AP
Above, Walt Disney World employees — from left, Chuck Milam, Earliene Anderson and Forrest Bahruth —gather at the Magic Kingdom Aug. 30 in Lake Buena Vista, Fla., to celebrate their 50year anniversary ofworking at the park.
Top, the newly painted Cinderella Castle at the Magic Kingdom is seen with the crest to celebrate the 50thanniversary of the theme park.
BY MIKE SCHNEIDER
The Associated Press
50 years of magicA few of the original Walt Disney World employees still working
at the theme park reminisce about its opening, their experiences
PAGE 20 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: TRAVEL
On the first morning of our vacation, I looked up
from my phone — and saw my wife on hers.
Before we set off 24 hours earlier, I vowed to
go on a tech diet. Since the start of the coro-
navirus pandemic, I’ve spent an increasing amount of
time with my phone, laptop and television. Vacation was
the chance to scale back and reconnect with the people
who matter to me, especially my wife, Sally.
But there we were in our Airbnb in Portland, Maine,
Googling away. I wanted to know how to turn on the fancy
countertop range. Sally was looking for instructions on
using the old-fashioned espresso maker. Google and You-
Tube had the answers. But did they have to be such a big
part of our vacation?
“Hey,” I said, “how about we promise to stay off Google
today?”
She looked at me, puzzled.
“Look at us: We’re engrossed in our phones, and we
haven’t even had breakfast,” I said. “Let’s just take a
vacation from Google for one day and see how it goes.”
Sally agreed. But if she hadn’t already figured out how
to brew her cup of coffee at that point, she probably
wouldn’t have.
We had left Arlington, Va., 24 hours earlier for our first
vacation since February 2020. Our goal was to relax and
leave our work behind. We stopped in Portland to explore
the city and the islands of Casco Bay on our bicycles be-
fore heading up the coast to visit friends for eating lobster
on docks, unwinding with meandering walks through the
Coastal Maine Botanical Gardens, and sitting in deck
chairs overlooking the water.
For the drive, we had Google Maps open all day, watch-
ing our projected arrival time get progressively later as
we ran into traffic. At the start, our estimated trip time
was nine hours and change. All was going well until we
hit the Bronx. As traffic slowed, the friendly voice of
Google Maps announced that the app was redirecting us
because of a traffic jam on Interstate 95. It led us into
traffic jams on I-84 instead.
We pulled into our Airbnb 11 hours later, not knowing
whether Google’s artificial intelligence led us astray or
bailed us out. We still had enough time to eat gourmet hot
dogs and sample some Maine beers on the touristy strip
along Commercial Street. On the walk home, we struck
up a conversation with a jazz musician outside a club
where he had just finished a set. We’d missed his show,
but he invited us to a weekly session at a kombucha brew-
ery the following afternoon.
In the morning, we left the car behind and rode away
on our bicycles. We decided to bike along Casco Bay on
the Eastern Promenade and head inland to ride around
Back Cove. We had no set plans aside from making the
late-afternoon jazz session.
Without Google Maps to guide us, we took a copy of the
city’s free Discovery Map, which has illustrations of the
streets of downtown on one side and of the city’s outer
perimeter on the other. It identified several stores and
restaurants, and we decided to take a detour off the Back
Cove bike trail to get a snack at one of them, Rosemont
Market and Bakery.
Finding the Eastern Promenade was easy enough,
because we’d been exploring Commercial Street the night
before. But getting to the bakery itself almost derailed our
experiment.
Once we got to Back Cove, we stopped to plan our
route. I held the admittedly limited tourist map, and Sally
leaned over my shoulder to look. I noted that the bike
path didn’t connect to the road that headed directly to the
bakery. As I looked for alternate routes, Sally took out her
phone and opened Google Maps.
“I thought we agreed we wouldn’t be using Google
today,” I said.
“I thought we couldn’t figure this out without the Maps
app,” she replied.
When we compared notes, we discovered that Google
had recommended the same route I’d found on the map.
But without consulting Google further, we struggled to
get there: Although the paper map got us to the approxi-
mate area, it couldn’t give us step-by-step directions to
the front door. We would have asked for help, but there
weren’t any pedestrians on the busy road. We did finally
stumble upon Rosemont, only to find that it wasn’t a retail
outlet at all; it was where people baked the goods served
at its cafe locations throughout the city.
Turns out we’d also stumbled upon the key to going
without Google: Be flexible. Things won’t always work out
the way you expect them to.
Later, we were reminded that technology can fail, too.
After we made it back to town for lunch at Flatbread
Company, the hostess took my name and cell number and
said it would be a 30-minute wait. The restaurant texted
me a link I could use to download its app and monitor our
wait time. Rather than hopping on our phones while we
waited, we wandered down to the ferry terminal to look at
the schedules for the week. I took a picture of the sched-
ule on the video board so I wouldn’t have to Google it as
we planned the next day’s itinerary.
After 40 minutes, we still hadn’t gotten a text about our
table. I tried to download the app, but the network was
overloaded, so I gave up and walked back to the hostess
stand. They couldn’t find my cell number in the restau-
rant’s computer system. Fortunately, the lunch rush had
subsided, and an outdoor table overlooking the dock was
ready for us in five minutes.
As Sally and I ate, we discussed our experiment. Even
though we’d used our phones to take pictures and text our
family, we’d avoided getting lost in them. Once you start
Googling, it’s easy to go down a rabbit hole. Even a few
minutes of that distracts from the purpose of vacation:
having a shared experience.
The size of a cellphone is another barrier to shared
experience. When one person is using a phone to navi-
gate, it creates a power differential. But when Sally and I
looked at our map together, we both had a say in how to
go forward. We could each hold one side, and our fingers
touched when we pointed to the same spot. You won’t
have that kind of experience with a small screen.
I also appreciated that abstaining from Google had
helped me stay off my phone in the moment. We agreed
that the best way to use the Internet was for advance
planning, while we were at home and able to set aside
time to do research, make reservations and create itiner-
aries. If you have a specific question, Google is almost
always better than even the most informed local. Looking
for a vegan restaurant? Good luck finding someone on the
street to name one, give you directions and tell you
whether it’s open.
Sally observed that our experiment would not have
worked if we had been traveling with our adult sons, who
don’t appreciate our tendency to wander in search of
unexpected pleasures or have much tolerance for wrong
turns and dead ends — especially at mealtime.
When we stopped at the Sock Shack to buy a birthday
present for our niece, we asked the clerk for directions to
our final stop: the jazz session our chance acquaintance
had recommended. She told us everything she knew
about the venue, the Urban Farm Fermentory, adding
highlights about the local music scene. She also knew
founder Eli Cayer, who launched the socially conscious
fermentery that now produces kombucha, cider, beer,
gruit, mead, vinegar and jun with seasonal and locally
sourced ingredients. In asking for directions, we had
learned more about the city than a turn-by-turn course
from Google Maps could ever tell us.
We wound our way through Portland’s neighborhoods,
stopping a couple of times to consult our map, which
eventually became useless. Even without detailed direc-
tions, we knew we’d be close if we found a cluster of
breweries. We may not have taken the most efficient
route, as we passed buildings such as Portland High
School, a stately century-old brick building the length of a
city block.
At the corner of Gould and Anderson, we noticed sever-
al eateries with crowded patios to our left. We knew we
were close, and then we heard live music, faintly at first,
then more loudly as we moved toward it. We had arrived.
Ensconced at the fermentory, we settled in under the
patio tents and ordered samples of its kombuchas and
ciders. As we enjoyed the live music — something we’d
both missed during months of isolation — we reflected on
our day. The weather had been perfect. We’d met in-
teresting people. And despite our missteps, finding our
own way had been more satisfying than following direc-
tions from our phones.
Would we continue the experiment? Nah, but we’d
think twice before pulling out our phones to ask Google
for solutions.
Go yourown wayAbstaining from Google opens yourvacation to a variety of possibilities
BY DAVID J. HOFF
Special to The Washington Post
DISCOVERY MAP INTERNATIONAL
The Discovery Map for downtown Portland, Maine. The illustrated street maps also contain ads for local businessesand offer an alternative to Google maps for finding your way around many cities in the country.
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 21
WEEKEND: TRAVEL
Leaning back in my
lounge chair, I enjoy the
heat of the sun on my
skin. A vibrant sea
spreads out before me, but it’s a
sea of wildflowers. I’m not at the
beach — I’m on a farm, looking
out on Europe’s largest high
alpine meadow, manicured by
munching goats and cows. In the
distance, stark snow-dusted
peaks tower boldly against the
blue sky. These are Italy’s Alps,
the Dolomites.
My soundtrack is the happy
laughter of Italian children en-
joying a petting zoo filled with
alpine critters. A few yards away,
their parents sip wine on the
veranda of their chalet guest-
house — thoroughly enjoying
that dolce far niente (sweetness
of doing nothing) ... like me.
The sky-high meadow called
the Alpe di Siusi (or “Seiser Alm”
in German) seems to float high
above the city of Bolzano, sep-
arating two of the most famous
Dolomite ski-resort valleys, Val
di Fassa and Val Gardena. Mea-
suring three miles by seven
miles, and soaring 6,500 feet
high, Alpe di Siusi is dotted with
farm huts and happy hikers en-
joying gentle trails. These moun-
tains differ from the rest of the
Alps because of their dominant
rock type — limestone — which
forms sheer vertical walls of
white, gray and pale pink rising
abruptly from green valleys and
meadows.
At the head of the meadow, the
Sassolungo mountains provide a
storybook Dolomite backdrop.
And opposite, Mt.
Schlern — a long
flat ridge ending
in spooky crags —
boldly stands
gazing into the
haze of the Italian
peninsula.
As a nature
preserve, the al-
pine meadow
cradled by the peaks is virtually
car-free. A cable car whisks
visitors up to the park from the
valley below. Within the park,
buses shuttle hikers to and from
key points along the tiny road all
the way to the foot of the pictur-
esque Sasso peaks. Meadow
walks are ideal for wildflower
strolls, while chairlifts serve as
springboards for more dramatic
and demanding hikes. Mountain
bikes are easy to rent, welcome
on many lifts, and permitted on
the meadow’s country lanes.
The Alpe di Siusi is my favorite
stop in the Dolomites because of
its views, but also its easy acces-
sibility and the variety of walks
and hikes. There’s also the charm
of the neighboring village of
Castelrotto, which I use as my
home base. Castelrotto is a fun
dollop of Germanic culture in
Italy. The region has long faced
north, first as part of the Holy
Roman Empire and then firmly
in the Austrian Habsburg realm.
After Austria lost World War I,
its “Südtirol” (South Tirol) be-
came Italy’s “Alto Adige.” Mus-
solini did what he could to Ital-
ianize the region, including giv-
ing each town an Italian name.
This hard-fought history has
left this northeastern corner of
Italy bicultural as well as bi-
lingual. Most locals still speak
German first. While most have a
working knowledge of Italian,
they watch German-language
TV, read newspapers auf
Deutsch, and live in Tirolean-
looking villages.
I love coming home to Castel-
rotto after a hike in the meadow.
It was built for farmers rather
than skiers, so it has more char-
acter than any town around.
Popping into the church, I enjoy
the choir practicing. Then, step-
ping outside the church at 3 p.m.,
the bells peal as I witness the
happy parade of parents bringing
home their preschoolers. These
idyllic moments may seem like
cultural clichés, but they’re au-
thentic. It’s moments like these
that make it easy to enjoy this
high-altitude Germanic eddy in
the whirlpool of Italy.
The Italian Alps: Lounging in the Dolomites
RICK STEVES/Rick Steves’ Europe
The Dolomites, ideal for hiking ... or just resting in a meadow of alpine wildflowers, thinking about hiking.
RickSteves
Rick Steves (www.ricksteves.com) writes Europe-an guidebooks, hosts travel shows on public TVand radio, and organizes European tours. You canemail Rick at [email protected] and follow hisblog on Facebook.
An encounter with the sounds that move a nation is one
of the absolute joys of travel. From unexpectedly stum-
bling upon locals singing and dancing in a park to attend-
ing a highly anticipated concert by a well-known artist,
music is one of the few languages we all speak. Here are
just a few of Europe’s traditional styles of music.
Bosnia and HerzegovinaSevda or Sevdalinka is a genre of music likened to a
Bosnian version of the blues. The genre’s name derives
from an Arabic word to describe a melancholy state of
mind, and its lyrics speak of forbidden
love, love affairs gone wrong and other
forms of suffering. Originally accompanied
by a gentle, lute-like instrument known as
the saz, its role was gradually taken over
by the more boisterous accordion. Follow-
ing decades of decline, young artists are
now breathing new life into the genre.
The Sevdah Art House is a museum
dedicated to sevdalinka and the artists who
have performed it. In a renovated store-
house in Velike Daire, one can see instruments once
played by the great masters, along with old concert post-
ers, archived recordings and costumes the artists wore
while performing. Online: tinyurl.com/ne4ajxk6
CroatiaThe Klapa singing tradition traces its origins to south-
ern Dalmatia. Multi-part, a cappella songs led by a tenor
voice sing of life, love and an attachment to one’s natural
environment and native soil. Once a tradition for males
only, a handful of all-female groups now perform as well.
Famous Croatian pop stars will often collaborate with
klapa groups to add an element of tradition to their songs.
Since 1967, a festival of Dalmatian klapa groups has
taken place annually in the resort town of Omiš. Held
over four weeks in June and July, it attracts a cappella
choirs from around the world.
ItalyThe Canzone Napolitano is a generic term for a tradi-
tional form of music sung in the language of Naples.
Many songs reflect nostalgia for the Naples of old. Well-
known songs of the genre include O sole mio and Funicu-
lì, Funiculà, a song composed in 1880 to commemorate
the opening of the first funicular railway on Mount Vesu-
vius.
The Napulitanata concert hall in the Galleria Principe
di Napoli is dedicated to traditional Neapolitan folk mu-
sic. Shows run an average of an hour and are offered on
most days of the week. Online: napulitanata.com/en/show
PortugalThe melancholy sounds of fado can trace its roots back
to the 1820s. Lisbon’s fado was the music of fallen and
restless souls, from sailors to prostitutes, and reflects the
emotion of the Portuguese word “saudade,” one of loss
and longing for that which is not to be. Voice is accompa-
nied by one or a pair of guitars and violas, and occasional-
ly by a small bass.
A second fado tradition hails from the university city of
Coimbra. Exclusively male musicians perform in the
streets or squares of the pretty town once darkness has
fallen. In contrast to the fado of Lisbon’s working-class
appeal, the fado of Coimbra belongs to a more sophisti-
cated class of listener.
Lisbon’s fado is associated with its bars and restau-
rants, meaning it is not necessary to attend a festival in
order to catch a performance. The Tasco do Chico in
Bairro Alto is a popular venue; other neighborhoods fa-
vorable for fado include Alfama and Mouraria.
SpainThe musical traditions of Spain spring from its diverse
regions. The ancient Guanche culture shows itself in the
music of the Canary Islands, while the bagpipes in the
Galician tradition speak of Celtic ties.
Flamenco, Spain’s best known musical style, is much
more recent, tracing back to the early 19th century. This
passionate form of music and dance is attributed to Anda-
lucía’s persecuted gypsy culture and influenced by Moor-
ish and Jewish musical tradition. Its oldest and most
profound form, the cante jondo, is characterized by pro-
found emotion and deals with themes such as death, de-
spair or religious insecurity.
Cities that celebrate flamenco with vibrant festivals
include Jerez de la Frontera, Madrid and Murcia. The
Bienal de Flamenco in Seville is a spectacular music
festival that takes place every second year in September.
It is next scheduled to take place in 2022, although exact
dates have yet to be determined.
Traditional music styles reveal the soul of a nation
iStock
A fado band performs its traditional sounds on the squareof the Alfama neighborhood in Lisbon, Portugal.
KarenBradbury
Just a short ferry ride across the
Bay of Naples, the peaceful island
of Procida offers a relaxing way to
spend a day, tantalizing visitors
with its colorful homes, picturesque
streets and stunning beaches.
Considered a commune of Naples, Pro-
cida is in the northwestern portion of the
bay between Cape Miseno and the island
of Ischia. It’s a speck of land just over 1.5
square miles with a population of about
10,298, according to Citypopulation.de.
Visitors arrive via ferry from Naples or
Pozzuoli, disembarking onto Via Roma.
Arrive in the morning if you can, and walk
west toward the Chiesa di Santa Maria
della Pieta.
The church, one of several on the island,
offers a charming visual backdrop as you
fuel up on a coffee and a lingua di Procida,
a puff pastry with a cream filling flavored
with the island’s lemons and offered at a
nearby cafe.
You can explore the ornate church,
which is small by Naples’ standards, and
then head up the hill toward the Santuario
Santa Maria delle Grazie Incoronata.
Look inside the sanctuary and continue
up for a vista of the fishing village of Mari-
na Corricella. This is the place to get that
perfect selfie with the village and its
homes in the background.
According to lore, the houses are paint-
ed striking colors so fishermen returning
from sea can easily spot their home.
Depending on your preferences and the
time available, you can head to one or all
of Procida’s five beaches; visit Terra Mu-
rata, a medieval village overlooking the
sea; or see the city center, known as San-
t’Antonio, and its famed Piazza Olmo.
The small open space has many alleys
leading from it, allowing for exploration.
From here, visitors can walk to all points
on the island, with no destination more
than a mile away, according to Visitproci-
da.com.
Marina Corricella should not be over-
looked. Full of cafes, restaurants and
shops, it is ideal for a slow-paced stroll
and exploration.
While you’re there, have lunch or dinner
at one of the restaurants by the marina.
You can savor seafood or a tempting pasta
dish while watching the fishing boats
come and go.
Try the insalata di limone, a specialty of
the island. It consists of sweet lemon rinds
marinated in olive oil, seasoned with salt
and pepper and served with arugula. It’s
surprisingly tasty.
While Procida may lack the fame and
luster of its big siblings Capri and Ischia,
it more than makes up for it with a casual,
unhurried atmosphere, friendly residents
and old-world charm.
PHOTOS BY ALISON BATH/Stars and Stripes
Marina Corricella, the oldest village on the island of Procida, is ideal for dining, shopping and strolling. The island is off the coast of Naples in southern Italy.
Local color without crowds
Relax and enjoy old-world charm with aslow stroll through Italian island of Procida
On the QT
How to get there: Ferries depart fromNaples and Pozzuoli. Fares rangefrom about 8 to 11 euros one way peradult passenger, and the trip takesfrom 40 minutes to about an hour. AnItalian green pass or a U.S. vaccina-tion card is required to ride a plane,high-speed train, ferry or interregionalcoach. Ferries include Caremar,online at shop.caremar.it; and Med-mar, online at at medmargroup.it.What to wear: Comfortable shoes(there’s plenty of uphill walking).Don’t forget sunscreen and a hat. Food: Skip the pizza and opt forseafood or pasta. The island is fa-mous for its lemons, so indulge in agranita di limone, lingua di Procida orinsalata di limone.Pro tip: Visit on a weekday, whenthere are fewer people and the restau-rants, shops and beaches aren’t ascrowded. Online: visitprocida.com
Alison Bath
Fishing boats are moored at MarinaCorricella in Procida, Italy.
The streets of Procida are filled withcolorful buildings, which serve asresidences, shops and businesses.
The waterfront near where ferries drop offvisitors to Procida is filled with cafes andbars, including some with humorous signsto attract customers.
Built in 1679, the Santuario Santa Mariadelle Grazie Incoronata is located near thePiazza dei Martiri in Procida, Italy.
PAGE 22 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: QUICK TRIPS
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 23
WEEKEND: FOOD & DINING
invested more than $230,000 to expand the
kiosk and build a playground. The expand-
ed facility opened last year.
People are welcome to bring their own
food and drinks to eat at the picnic tables.
On a recent evening, a children’s birthday
party was in full swing.
Those who wish to eat or drink on the
terrace next to the pond must order from
the kiosk, a sign says.
I highly recommend that option. One of
my favorites is the flammkuchen with
smoked salmon and green onions. I also
like the french fries, which come in a
paper cone and are crisp on the outside,
soft on the inside and salted just right.
Do take a few minutes to look at the
menu items before getting in line to order.
Food and drink staples, like currywurst,
goulash soup and the fish sandwich, are
listed on menus hung on either side of the
order and pickup windows.
There are also several displays with
handwritten menu selections. On an eve-
ning in late September, those items in-
cluded tomato and mozzarella paninis,
salad with tuna or chicken strips, brus-
chetta, and crepes with Nutella or ice
cream and raspberries.
A quick scroll through the Seewoogh-
utte’s Facebook page reveals some mouth-
watering specials, from meringue cup-
cakes on Mother’s Day last spring to
homemade gnocchi with ground beef.
The kiosk also offers a variety of Ger-
man beer, wine and cocktails, as well as
warm coffee drinks and seasonal drink
specials, such as strawberry champagne.
It’s also a good place to stop for a snack
with kids at the end of a bike ride or a
walk around the pond. Soft pretzels and
individually packaged ice cream treats are
also available. Be sure to have cash, as the
kiosk takes only euros.
If ever there was a perfect place to
dine during a pandemic, the See-
wooghutte is it.
Most of the seating at the kiosk is
outdoors, and it’s open year-round.
There’s a choice of picnic tables, terrace
seating overlooking a duck pond or bar-
stools under patio umbrellas. Elbow room
and fresh air are plentiful.
Adding to the rustic charm is a menu
that offers both typical German sausages
and fries as well as homemade dishes that
elevate this kiosk above the average local
street food.
The Seewooghutte has been around for
years, but it’s easy to miss for those not
familiar with the Seewoog recreation area,
a park with hiking and biking trails that
crisscross open fields and woods near
Ramstein Air Base.
The old kiosk was literally a hut with a
few picnic tables and limited indoor seat-
ing for colder months. But according to
Die Rheinpfalz, a local newspaper, the city
Fancy street food in a casual settingExpanded Seewooghutte in Ramstein has playground, homemade dishes that elevate it beyond mere snack shack
BY JENNIFER H. SVAN
Stars and Stripes
PHOTOS BY JENNIFER H. SVAN/Stars and Stripes
Flammkuchen with slices of smoked salmon and green onions is one of three varieties ofthe thin crust, pizzalike dish with creme fraiche available to order at the Seewooghutte,a kiosk with outdoor seating in RamsteinMiesenbach, Germany.
French fries at the Seewooghutte in RamsteinMiesenbach, Germany, come in a papercone. The kiosk is open throughout the year and offers snack food and meals.
Some of the outdoor seating at the Seewooghutte overlooks a duck pond. The kioskreopened with expanded seating and a bigger menu last year.
There’s plenty of outdoor seating at the Seewooghutte. The area also has a playground,and hiking and biking trails.
AFTERHOURS
GERMANY
Seewooghutte
Location: Waldstrasse, Ramstein-Miesenbach66877Hours: Monday to Friday, 11 a.m-10 p.m.; Sat-urday and Sunday, 10 a.m.-10 p.m.Prices: Sandwiches and snack food start at 2.70euros; flammkuchen and pizza cost 8 euros andsalads go for about 12 euros.English menu: No, but items are easy to identify.Information: Phone: +49 0178 363-5031;Facebook: search under “Seewooghutte.”
Hayate Maru is a northern-style Japanese ramen res-
taurant. There are just three employees: two cooks and
one waiter. It is hidden within the maze of Colonial Amer-
ica-themed buildings known as American Village in Oki-
nawa’s Chatan area.
I walked in and
was immediately
greeted with hot and
cold sensations car-
rying the fragrances
of noodles, vegetable
and meat, a breeze
courtesy of the air conditioning pushing the aroma from
steaming ramen pots blown outward from the kitchen.
An employee quickly ushered me to my seat, one of
seven bar-style seats facing the kitchen. The outside patio
accommodates three round tops able to seat up to eight
people per table. It’s a small place.
I sat down to look at the menu while listening to a light
but steady soundtrack of kitchen clatter, mixed with Ja-
panese modern pop music. Together it created an ideal
background for a private conversation with friends, and
to disguise any slurping-up of broth.
I caught the waiter mid-stride, grasping two bowls of
piping hot ramen. “Sumimasen,” I said, practicing the
Japanese word for “excuse me.” “What type of ramen
restaurant is this, Okinawan?”
“Hokkaido,” he answered. “Arigato,” I replied.
Hokkaido is Japan’s northernmost main island. The
cold winters there demand a bold, heartier bowl of soup.
The menu opens to reveal seven customizable ramen
soups, two rice bowls and sides including gyoza, kimchi,
grilled chicken and mackerel. The menu is written in
Japanese but includes entrée photos with English names.
It was easy to order. I tried two ramen soups and one rice
bowl, consuming one, then ordering the next.
First, I tried the white miso ramen, then the red miso
ramen and finished with the roasted pork fillet bowl.
Each ramen bowl consisted of a blend of ingredients
steeped together in a meaty broth crowded with vegeta-
bles and noodles.
The white miso ramen for 810 yen (about $7.40) was my
favorite of the three. I’ve never tasted ramen with this
flavor of barbecued meat smoke.
The red miso ramen was a typically hearty, satisfying
bowl of delicious ramen, at 800 yen.
The waiter described the roasted pork fillet bowl, for
330 yen, as a “rice bowl.” It had chunks of smoked pork,
the staple ramen vegetables and shredded red ginger,
topped off with a slightly cooked, runny egg and resting
on a bed of white rice. It was also tasty.
These three entrees each were more than enough to fill
up one person.
The staff spoke “chotto Eigo,” or little English, but it
was easy to order using the menu.
This bold Japanese ramen is for the sodium-starved,
hearty meal-seeking type. Well worth it. Priced right.
Hayate Maru offers dine-in and pick-up. To order on-
line or to see the menu completely in English, scan the
menu code titled “Multi Language Menu” with your
smartphone. It will take you to a third-party site where
you can place an order.
Ramen torememberHayate Maru brings northernJapanese cuisine to Okinawa
BY FRANK ANDREWS
Stars and Stripes
AFTERHOURS
JAPAN
PHOTOS BY FRANK ANDREWS/Stars and Stripes
The roasted pork fillet bowl from Hayate Maru in Okinawa’s American Village. Hayate Maru brings the northernstylesoup, ideal for the cold winters in the Hokkaido prefecture, to the southernmost island.
Hayate Maru Ramen
Location: 9-8 Mihama, Chatan, Nakagami District, Okinawa904-0115Directions: You’ll find this eatery in American Village, on the firstfloor of Seaside Square. Hours: Open seven days a week, 11:30 a.m. to midnight, with lastorders at 11:45 p.m. Price: Yen and dollars are accepted, but not credit cards.Dress: Casual Information: Phone: 098-926-0027; Online: hayatemaru.com;Instagram: @ramen_hayatemaru
Frank Andrews
Hayate Maru is a Hokkaidostyle ramen restaurant hiddenwithin the maze of Okinawa’s American Village.
Indoor seating is barstyle and can seat seven. There arejust three employees: two cooks and one waiter.
White miso ramen from Hayate Maru.
Red miso ramen from Hayate Maru in [email protected] Twitter: @FrankAndrews
PAGE 24 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: FOOD & DINING
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 25
WEEKEND: FOOD & DINING
Mushroom DumplingsIngredients
One (13.25-ounce) can mush-
rooms pieces and stems, drained
and rinsed
One (8-ounce) can bamboo
shoots, drained and rinsed
2 tablespoons hoisin sauce
2 teaspoons chili-garlic sauce
20 round wonton wrappers
(from one 4.8-ounce package)
2 tablespoons vegetable oil or
another neutral oil, divided
½ cup water, divided
Soy sauce with a sprinkling of
sesame seeds or your favorite
dipping sauce, for serving
Directions
Squeeze as much water as
possible from the mushrooms
and bamboo shoots. Add to the
bowl of a food processor and
pulse until finely chopped. (If
you do not have a food processor,
finely chop the vegetables by
hand.) In a medium bowl, mix
together the chopped vegetables,
hoisin sauce and chili-garlic
sauce until evenly combined.
To form the dumplings, fill a
small bowl with water. Place a
dumpling wrapper on the coun-
tertop and spoon 1 tablespoon of
the mushroom mixture into the
center of the wrapper. Dab your
index finger in the water and
dampen the edges of the wrap-
per. Fold in half, creating a half-
moon. Gently press the two
halves together at the center of
the curved edge. Then, working
your way down one side from the
center, make 2 small pleats and
press the edges closed. Repeat on
the other side of the dumpling.
When you’re done, the dumpling
will be closed, with 4 pleats and a
slight curve. Repeat until you run
out of the mushroom mixture.
You should get about 20 dum-
plings.
(Alternatively, you can simply
seal the dumplings without pleat-
ing by pressing the edges of the
folded wrapper together and
gently crimping the sealed edge
4 times.)
In a medium, lidded nonstick
skillet over medium-high heat,
warm 1 tablespoon of oil until
shimmering. Add half of the
dumplings, seam side up and
evenly across the pan so they
aren’t touching, and fry until
golden on the bottom, 2 to 3 min-
utes.
With the lid in hand, quickly
pour ¼ cup of water into the
skillet, cover, and steam for 5
minutes, until the dumpling
wrappers are cooked through;
remove from the pan.
Repeat with the remaining
dumplings, then serve hot or
warm with the dipping sauce.
Serves 2 to 4 (makes about 20
dumplings.)
Grabbing a bag of dum-
plings from the freez-
er is a routine that
many people — our
staff included — turn to regularly
to feed ourselves in a pinch.
While their convenience is un-
paralleled, the almost meditative
process of filling and folding
homemade dumplings yourself
can be a much-needed respite at
the end of the day.
Typically, pork dumplings are
my go-to when it comes to fill-
ings, but this pantry-friendly
version featuring canned mush-
rooms, bamboo shoots, hoisin
sauce and chili-garlic sauce has
shown me that there are other,
meat-free paths to dumpling
deliciousness.
One of the things I love about
coming up with these pantry
recipes each month is that it
forces me to try out new-to-me
ingredients, such as the canned
mushrooms used here.
You can sometimes find differ-
ent varieties depending on where
you shop, but the most common
are button mushrooms sold as
either slices or a mixture of piec-
es and stems (either is fine for
this recipe since the contents are
getting thrown in a food proc-
essor). They have a wonderfully
chewy texture compared to fresh
that I find works particularly
well in this application.
If you’re not familiar with
hoisin, sometimes referred to as
Chinese barbecue sauce, it adds
lots of depth and umami with just
a couple of tablespoons. And
chili-garlic sauce brings some
bright heat to the mixture, but
you can reduce or omit it if you
don’t like spice.
Dumpling folding can be an art
form, but don’t worry if you take
a simpler approach or yours look
more like a kindergarten art
project.
While we may eat with our
eyes first, these mushroom dum-
plings will taste delicious regard-
less of how they look.
This recipe makes about 20
pieces, but you can easily scale it
up to feed a crowd.
If you do, enlist their help with
the folding to turn it into a group
activity and get dinner on the
table faster.
Then fry, steam and serve
them up with your favorite dip-
ping sauce.
A dinner that’s pantry-friendlyThese vegetariandumplings showhow good cannedmushrooms can be
BY AARON HUTCHERSON
The Washington Post
PHOTOS BY SCOTT SUCHMAN/The Washington Post
Mushroom Dumplings are a vegetarian alternative to the typically meatfilled dough pillows that are fried briefly, then steamed. Hoisin sauceadds depth to the flavor, and chiligarlic sauce, which can be adjusted to suit your taste, provides a kick of extra spice.
Dumpling folding can be an art form, but don’t worry if you take a simpler approach or if yours look morelike a kindergarten art project. These mushroom dumplings taste delicious no matter how they look.
HOW FREE SHOULD WE BE?
Have you ever had one of those
days — that turned into weeks
— when you had approximate-
ly 645 things to do and not a
minute for leisure time?
Like many of us, Cassie Mogilner
Holmes sometimes feels like she lives in
that state. She also — and this will prob-
ably sound familiar — has entertained the
idea of trading all those obligations for a
desert island.
Instead, Holmes, a professor of market-
ing and behavioral decision-making at
UCLA’s Anderson School of Management,
decided to research whether extra free
time would actually make her happier. It
turns out that reclining alone on a beach
all day might not be as ideal as it sounds.
“To that initial question, shall we quit
everything and go live on a desert island,
the answer is no,” Holmes says. “We
would not be any happier.”
According to study results published
last month in the Journal of Personality
and Social Psychology, an individual’s
well-being increases in correlation with
their free time — but only to a certain
point. While having too little free time isn’t
healthy, having too much also diminishes
well-being.
“What we found is that a moderate
amount of free time or discretionary time
is kind of the sweet spot that people are
happiest with,” says lead author Marissa
Sharif, an assistant professor of marketing
at the Wharton School at the University of
Pennsylvania who collaborated on the new
study with Holmes and Hal E. Hershfield.
“Having a moderate amount of dis-
cretionary time leads people to be happier
than having a small amount, because it
relieves that time stress,” Sharif says.
“But perhaps the more interesting part is
that a moderate amount of discretionary
time leads people to be better off or hap-
pier compared to having a large amount of
free time. And that’s because with a large
amount of free time, people feel this lack-
ing sense of productivity and purpose.”
As Holmes puts it, “We, as humans,
don’t like to be idle.”
The researchers did not assign exact
numbers to the optimal amount of free
time per day. In general, it hovered
around two to five hours, Sharif says.
Those who had less than two hours experi-
enced stress around their tight schedules.
Once one’s daily free time exceeded five
hours, their well-being began to decline.
There were, however, exceptions: When
people with large amounts of free time
spent that time with others or felt like they
were passing the hours in a meaningful
way, they didn’t experience that same
drop in well-being.
The research is based on several data
sets, including from the Bureau of Labor
Statistics’ American Time Use Survey and
the Society for Human Resource Manage-
ment’s National Study of the Changing
Workforce. The researchers also conduct-
ed experiments in which they asked more
than 6,000 Americans to imagine having a
certain amount of free time every day for
at least six months, and to estimate how
much they would enjoy that time.
Selin Malkoc, an associate professor of
marketing at Ohio State, noted that the
findings might vary in countries “where
leisure is valued differently.” Americans
tend to be more obsessed with work than
people in other nations, she says.
Based on the results of the study, here
are a few tips from experts on how to
optimize your free time to increase your
sense of well-being.
If you feel like you have too much lei-
sure time:
Choose your optional activities wise-
ly. According to the new study, people who
spent their free time in “productive” ways,
such as developing new hobbies, lifting
weights, bowling or biking, experienced
optimal well-being. So, if you’re newly
retired or unemployed, and unsure what
to do with your suddenly empty days,
consider hitting the trails or, say, master-
ing a new language.
Fritz emphasizes that “productive”
means worthwhile or fulfilling, rather
than contributing to the greater good. “For
some people, it might be sitting on the
beach watching the waves, and for others,
it’s volunteering or renovating the house.”
Seek out other people. You’re more
likely to be happy if you spend some free
time engaged in social activities, the re-
search suggests. Activities that participa-
nts enjoyed sharing with others included
sports or playing billiards. When people
spend their free time together socially, the
study authors wrote, “more [free time] is
better.” As Sharif put it: “If you’re lucky
enough to have the opportunity to spend
that time with other people, that’s a great
way to not experience the drop-off” in
happiness that typically accompanies
copious amounts of leisure time.
Flip your perspective. Recent re-
search co-authored by Malkoc found that
viewing leisure time as wasteful under-
mines how much you enjoy it. People who
believed that free time was fundamentally
a waste were also more likely to be
stressed and anxious, she says. To shake
that attitude, she suggests focusing on the
higher end-goal of enjoying discretionary
time: It will improve your life. That might
mean telling yourself, “It will actually
make me a better person, a better parent,
a better friend,” she says. “Remind your-
self that everything serves a purpose,
including putting your feet up and reading
a book or doing nothing.”
If you feel like you have too little leisure
time:
Evaluate what’s most important to
you and what you can cut from your
schedule. Most of us could benefit from
pruning our schedules — but cramming
them full is often a reflex. Building in
leisure time requires establishing good
boundaries and a strong sense of prior-
ities, experts say. Make a list of things that
demand your time on the average day and
note which tasks could be outsourced or
scrapped. Malkoc suggests asking your-
self: “What is the busy work that we can
eliminate and replace with better things?”
Malkoc’s biggest piece of advice is to be
mindful and introspective about how you
use your time. “We need to know what
makes us happy and take a moment to
take stock of our activities, what we
choose to do and what really does contrib-
ute to happiness in our lives.”
Put your calendar away. Scheduling
takes the fun out of free time, says Gabrie-
la Tonietto, an assistant professor of mar-
keting at Rutgers Business School. Ac-
cording to her previous research, pencil-
ing in a date and time for leisure can make
it feel like a chore. It also decreases antici-
pation of that time. “Scheduled leisure is
less enjoyable than more spontaneous or
impromptu leisure,” Tonietto says. “It
makes it feel more like work once it’s on
your calendar. People start saying, ‘Well,
this is an obligation,’ as opposed to some-
thing that you want to do.” While some
scheduling is inevitable, “rough sched-
uling” is often best: Make loose plans to
meet someone for lunch or for a jog on a
Friday, for example, but don’t assign a
time until shortly beforehand. That’s one
way to leave room for spontaneity.
Focus on finding two hours. It can
feel impossible to steal even five minutes a
day for yourself. But two hours a day, the
minimum amount of time the study found
that people needed to feel less stressed, “is
actually quite feasible” for some people,
Holmes says. It doesn’t all have to come at
the same time — coffee breaks, short
walks and reading or watching TV count
toward your free time. “You don’t have to
quit everything,” she says. “The important
thing is that you carve out a couple hours
in your day, and that you’re spending it in
ways you want — not on obligations.”
iStock
Why having too much discretionary time can be as bad for you as having too little
BY ANGELA HAUPT
The Washington Post
PAGE 26 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: LIFESTYLE
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 27
WEEKEND: BOOKS
Of all confrontations between man and
beast, there are few as unforgiving as the
encounter between a moose and a motori-
zed vehicle. Picture it: A stubborn, cranky
and frankly enormous creature wanders
out of the forest for which it has been
exquisitely adapted since the early Pleis-
tocene and into a distinctly new envi-
ronment, a road, along which a car-bound
human is hurtling at a speed surpassing
that of any other North American land
mammal. The run-in is unlikely to end
happily for cervid or hominid.
In 1986, a group of Swedish bioengineer-
ing students carried out an experimental
collision with a living moose with the aim
of developing a “moose crash test dum-
my,” Mary Roach writes in her book
“Fuzz: When Nature Breaks the Law.” As
there is no good way to truss up a pre-
euthanized moose for simulated impact,
the students put an ailing moose to death
and then immediately hit it with a car —
specifically a Volvo 240, since it “goes
from 0 to 50 quickly enough to reach a
moose in the fleeting moments between its
death and the crumpling of its legs.”
Details like these keep “Fuzz” moving
breezily through a selection of ongoing
conflicts between humans and the species
that happen to get in our way.
“Of course, these are not literal criminal
acts,” Roach writes, since “animals don’t
follow laws, they follow instincts.” These
natural urges bring certain animals (and
plants!) into friction with human systems,
with consequences ranging from the dead-
ly to the merely annoying.
The result is a quixotic and somewhat
meandering journey, but one powerfully
propelled by the force of Roach’s unflinch-
ing fascination with the weird, the gross
and the downright improbable.
This keen eye for quirk runs through
Roach’s career — that, and a penchant for
catchy, single-word titles: “Bonk,” “Gulp,”
“Stiff,” “Spook” (2010’s “Packing for
Mars” being a garrulous exception). Like
haiku, these monosyllabic titles are dense
with meaning, and “Fuzz” follows the
pattern in evoking both the furry elements
and their attempted enforcement.
Roach subtly reframes what counts as
“wildlife.” The problem with wildlife is
that it’s not very wild. Bears peel open
minivans and stroll through patio doors
because they are part of an increasingly
human ecosystem, where food chains
include restaurant trash bins and empty
summer homes. Birds and elephants raid
corn fields, mice nibble the insulation off
engine cables and gulls mob landfills for
the same reason: because we are a part of
their world, and vice versa.
This dynamic is perhaps most neatly
summed up in India, where Roach travels
to investigate the rhesus macaques terror-
izing residents of New Delhi. The mon-
keys have learned how to raid mansions
and kidnap cellphones for banana ransom.
No one can decide whether they constitute
a city problem or a country one. Roach
meets with the city’s head veterinarian,
who refers her to the chief wildlife war-
den; when she calls the wildlife warden,
he refers her back to the city vet. Well?
Are we dealing with nature or society? The
distinction is, at best, a fuzzy one.
Animals, humanscollide in ‘Fuzz’
BY AMELIA URRY
Special to The Washington Post
JEN SISKA
Science writer Mary Roach explores conflicts between humansand animals in her latest book, “Fuzz.”
In the 17th century, delinquent animals’ futures were decid-
ed in a court of law. Seriously.
Mary Roach’s new book, “Fuzz,” opens with a retelling of
what had to be the most interesting legal case of 1659: A
bunch of felonious caterpillars were ordered to appear in court
on account of trespassing and then plundering gardens and or-
chards. Copies of the summons were nailed onto nearby forest
trees. Though the caterpillars failed to appear on the day of the
hearing, a judge ruled that they would
be relocated to a different patch of land,
presumably pleasing the defendants
and prosecution.
The case is part of what inspired
Roach — a science writer whose previ-
ous books include “Stiff” and “Grunt”
— to explore the conflict between hu-
mans and animals, and what happens
when hungry bears or big cats commit
murder, are caught breaking and enter-
ing, vandalize someone’s home or sim-
ply jaywalk.
“It cemented my fascination,” Roach
says of the caterpillar litigation. “When
people and animals get up in each other’s world, what’s the best
thing to do about it? How can science help?”
In “Fuzz,” Roach provides dispatches from such spots as India,
the Vatican and Colorado, as she tags along with animal-attack
investigators, specialists in human-elephant conflicts and manag-
ers of bears. It’s an engrossing look at how humans and wildlife
coexist, and how we could perhaps do so more humanely. “Fuzz”
is classic Roach: always witty, and so packed with facts you won-
der how she contains them all in her head. Yet the book reads like
fiction and is ultra-accessible.
During a phone interview, Roach described the time she was
mugged by a macaque and what it’s like to investigate animal
incidents. This interview has been edited for clarity and length.
The Washington Post: Did you have any exciting encounters
with the animals you were writing about?
Roach: I was always praying that there would be that encoun-
ter. In the case of the leopards, we were within — according to
the radio transceiver — 150 yards. It was close, but we didn’t see
them.
In Aspen, Colo., which is black bear country, I went out at 3
a.m. with one of the wildlife conflict researchers. As usual I was
hoping we would have some kind of encounter, but thinking, what
are the odds?
There’s an alley behind a lot of the restaurants in Aspen where
all the dumpsters are, and if you want to see a bear, you go out at
3 in the morning and often they’re there. And sure enough, we
saw this white garbage bag, kind of split open — it was the scene
of the crime. There was no bear around, but we pulled over and
waited. Within about 5 minutes, the bear came back, and I was
like, “Oh, my God!” Not scared, but excited.
Were there any moments when you actually did get scared?
Once, we were in the Middle Himalaya in India, where there’s
a problem with leopard attacks on people — sadly, often children
— and they tend to happen around dusk. Like an idiot, I said I
was going to go for a walk. I asked the researcher’s wife, who was
also a researcher, if she wanted to come with me. And she goes,
“No, are you okay alone?” I’m like, “Oh yeah.” (No, I’m not.) But I
did go for a walk. It’s getting dark, and it’s a paved road, but
there’s nothing around. And I was like, this is really stupid of me,
because the attacks are surprisingly common.
Looking back, what stands out to you the most about the
elephants in India?
I was surprised by the number of incidents where somebody is
injured with elephants. I don’t like to use the word attack, be-
cause attack suggests the animal initiated it. They’re often defen-
sive because what happens in India is there are herds of ele-
phants moving through the landscape, and sometimes they get
stuck in places where there’s not enough food for them. They go
into agricultural plots and villages — and even if they don’t eat
anything, a herd of elephants just walking through, like, “hello,”
can wipe out a season of work and the workers’ livelihood. So this
happens at night, and the people will come running, trying to
scare the animals away. The elephants panic, they disperse, they
break up and people get trampled. There are 500 deaths a year in
India from elephants.
What was the highlight of your time reporting on monkeys?
I was actually mugged by a macaque. I was asking for it. In the
hills around Bundi, there are a lot of monkeys — you can see
them up on the ridge where there’s fortresses, and I was like,
“I’m going to go up there.” And I’m carrying a bag of bananas,
just curious to see what would happen. Monkeys are an interest-
ing case because they get into a lot of mischief: They steal food,
but they’ve also figured out that if they take somebody’s sunglass-
es or their cellphone, the person will offer food to get the phone
back. So they do a kind of kidnapping. They’re very smart.
They’re often working in groups, like the monkeys that mugged
me — one of them came out onto the trail, and I was like, “Oh,
here we go.” Meanwhile, the monkey’s partner runs out from
behind me and grabs the bag.
I didn’t realize, before reading your book, that there are
forensic investigators for animal incidents. What does it take for
someone to excel in such a role?
What’s really heartbreaking about that job is they’re people
who, for the most part, got into this field because they love the
outdoors, and they love animals and want to work with animals.
But very often they’re the ones called to break up conflicts.
They’re the ones who have to destroy the animal. They get a lot of
abuse for that; people target them, and they get death threats.
The people I met were lovely, intelligent, caring people whose
jobs entailed really difficult things.
One of the things I love most about your books is learning new
words. What were some of the words or phrases that were new
to you that you most enjoyed?
Frass was a good one. I knew that one before — insect excreta.
I liked “flight initiation distance,” which I kept calling FID.
That’s the distance at which, if you’re walking down the street
and there’s a pigeon, how close can you get before that pigeon
takes off? And kronism: the eating of one’s own offspring. There’s
a need for that word.
Monkey thieves,caterpillar consMary Roach’s research for ‘Fuzz’ revealedmany interesting people-animal clashes
BY ANGELA HAUPT
Special to The Washington Post
PAGE 28 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: MUSIC REVIEW
The concept of “Spanish Model” is as
intriguing as its billing by Elvis Cos-
tello & The Attractions is at least
somewhat misleading. That seems par
for the course for an album as playful — and
playfully subversive — as “Spanish Model,”
whose release date was pushed back from last
year because of the COVID-19 pandemic.
The 16-song album repurposes Costello and
the long-defunct Attractions’ 1978 debut re-
lease, the new wave-era rock classic “This
Year’s Model,” along with several other num-
bers recorded during the same period.
All the original instrumental tracks have been
remixed and all of Costello’s lead vocals have
been removed. His singing is replaced with new
vocals — all performed in Spanish — by Juanes,
Luis Fonsi, Oscar-winner Jorge Drexler, Menu-
do alum Draco Rosa, Jesse & Joy and other
artists from across the Latin-music world.
They hail from Argentina, Spain, the United
States and seven other countries in between.
Nearly all of them were born years, or even
decades, after “This Year’s Model” was re-
leased. But no matter.
Because all of the guest artists profess to be
No longer the “angry young man” of his earlyalbums, Elvis Costello, 66, has stepped backfor a fresh take on one of his greatest works.
Paul Moore
Elvis as a secondlanguageCostello reimagines 1978 classic ‘This Year’s Model’ in Spanish, with help fromJuanes, Luis Fonzi and more
BY GEORGE VARGA
The San Diego Union-Tribune
Various artists/
Elvis Costello & The AttractionsSpanish Model (UMe)
The original cover art for the UK version of“This Year’s Model.”
SEE ELVIS ON PAGE 29
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 29
WEEKEND: MUSIC REVIEWS
big fans of Costello, 66. His status as a true
musical renaissance man with an unusually
broad creative range has placed him in a
category all his own, as befits an artist whose
previous recording partners range from Burt
Bacharach, Loretta Lynn and Paul McCart-
ney to The Roots, Tony Bennett and Allen
Toussaint.
All of “Spanish Model’s” guest artists
jumped at the invitation from Costello and
producer Sebastian Krys — a 16-time Gram-
my and Latin Grammy Award-winner — to
be on the album. Some of the guests were not
remotely familiar with the original 43-year-
old album.
Each worked directly with Krys and Cos-
tello, who gave them carte blanche to in-
terpret these songs any way they wanted,
with just one caveat. They had to sing over
guitarist Costello and The Attractions’ fero-
cious original instrumental backing tracks.
Whether the resulting album earns him
and his former band a new coterie of fans in
Latin America, or here, remains to be deter-
mined. If not, it won’t be for a lack of effort,
including a six-part film documentary on the
making of “Spanish Model” that debuted last
month on YouTube.
Nearly all of the album’s guest artists have
solid track records. The lesser-known per-
formers, such as former Texas band Girl in a
Coma singer Nina Diaz, 33, and Chilean solo
artist Cami, 25, are accomplished vocalists.
Having Cami do “This Year’s Girl” —
whose acidic lyrics skewer vapid young wom-
en — provides an unexpected and compelling
twist. So does her decision to retitle the song
“La Chica De Hoy” (“Today’s Girl”) and to
make its subject more simpatico and multidi-
mensional than in the Costello original.
The similarly unkind to women “Little
Triggers” is performed here as “Detonantes”
by La Santa Cecilia band vocal powerhouse
Marisol “La Marisoul” Hernandez.
Her impassioned delivery and pinpoint
dynamic control elevate the song in a way its
creator surely could not have previously
imagined. And by seizing control of the song
and inverting its sexual politics through the
sheer power of her performance, Hernandez
sets off a whole new batch of triggers.
Equally potent, if far different in tone,
“Night Rally” is recast here by Jorge Drexler
as “La Turba.” One of Costello’s most power-
ful early political commentaries, it takes
direct aim at fascism and the fomentation of
hate.
Having the song performed by Drexler,
who grew up in Uruguay when that country
was ruled by a military dictatorship in the
1970s and ’80s, is a canny move. He infuses
the lyrics with a palpable depth of feeling —
born from firsthand experience — that adds
welcome new poignancy.
Costello does not speak Spanish, although
he surely could learn to if he wanted. This,
after all, is an artist who taught himself to
read and write music specifically so that he
could make an ambitious neo-chamber-music
album with a string quartet, 1993’s “The
Juliet Letters.”
To ensure that the lyrics from “This Year’s
Model” were adapted into Spanish as accu-
rately as possible, producer Krys brought in
such veteran songwriters as Ximena Munoz,
Elsten Torres, Luis Mitre, Andie Sandoval
and Mercedes Mígel “Vega” Carpio to hone
Costello’s famously crafty wordplay. Conspic-
uously missing is famed Puerto Rican tune-
smith and singer Elvis Crespo, whose ab-
sence robs “Spanish Model” of the opportuni-
ty to have one artist with the initials E.C.
salute another E.C.
For some listeners simply reading the
translated titles on “Spanish Model,” whether
literal or idiomatic, will inspire smiles. “(I
Don’t Want To Go To) Chelsea” appears here
as “(Yo No Quiero Ir A) Chelsea.” “Running
Out of Angels” is now “Se Esta Perdiendo La
Inocencia” (which translates as “We Are
Losing Innocence”), while “Lip Service” is
recast as “Mentira” (literally, “Lies,” which
is close enough).
As for “Pump It Up,” which is given an
energetic reading by Juanes (with Costello
singing on the chorus), its title remains un-
changed on “Spanish Model.” That may be,
perhaps, because neither “Bombalero” nor
“Para Activario” quite fits the bill or the
cadence.
On the snarling, turbo-charged “Radio,
Radio,” Argentine rock hero Fito Paez, 58,
pokes fun at his and Costello’s senior musical
statesman status in an age of streaming and
bedroom TikTok sensations.
“I don’t know what music turns you on / I’ll
go back to Elvis Costello on my radio,” Paez
sings, before concluding: “I want to hear this
song on the (expletive) radio, man!”
What longtime Costello fans will hear for
the first time is then-Clash guitarist Mick
Jones’ guitar part at the conclusion of “Span-
ish Model’s” revamped version of “Pump It
Up.” Jones’ contribution was cut from the
1978 original by Costello and The Attractions.
Ultimately, “Spanish Model” will sound
foreign and familiar to non-Spanish and
Spanish speakers alike. It could also prove
strangely appealing to anyone who was put
off by Costello’s sneering, sometimes proudly
abrasive vocals when “This Year’s Model”
came out in 1978.
Then again, part of the charm of Costello’s
early work was how gleefully he embraced
the “angry young man” persona that was
used to market him and such kindred spirits
as Graham Parker and The Clash’s Joe
Strummer.
That bile-filled persona reflected the anger,
frustration and alienation of the young Cos-
tello, who — early in his career — told an
interviewer “the only motivation points for
me writing all these songs are revenge and
guilt. Those are the only emotions I know
about, that I know I can feel ...”
Some of those feelings sound pretty much
the same in Spanish. Others sound markedly
different, especially when sung by women
artists who reject and subvert the sometimes
bitter sexual jealousy of lyrics Costello wrote
when he was 23.
The pivotal difference here is the singers
much more than the songs, which — musi-
cally speaking — remain instantly recog-
nizable. That’s a tribute to the impressive
durability of Costello’s writing and the for-
midable instrumental skills of The Attrac-
tions, whose drummer, Pete Thomas, is also
featured on Juanes’ latest album, “Origen.”
What is lost, or gained, in translation on
“Spanish Model” ultimately comes down to
the talents of the guest artist on each song
and their ability to make it their own.
Beyond the change in language, “Despaci-
to” singer Luis Fonsi doesn’t bring anything
notably different to “Tu Eres Para Mi” (“You
Belong To Me”). That is, very likely, because
he is overly deferential to Costello’s original,
while adapting a more polite tone that doesn’t
really suit the hard-biting lyrics. Ditto Col-
ombian pop band Morat’s by-the-numbers
version of “Lipstick Vogue.”
An intriguing misfire comes from Peruvian
vocal star Gian Marco and his daughter,
Nicole Zignago. Their unison singing on
“Crawling to the U.S.A.” is so upbeat and
peppy it sounds like a TV jingle for a minty
breath freshener on a song that unabashedly
addresses issues of immigration and cultural
assimilation.
This may be precisely the kind of musical
subversion that Costello — and, perhaps, a
new generation of Spanish-speaking or bi-
lingual hipsters — will welcome.
If so, multilingualism could breathe addi-
tional new life into some of this 2003 Rock &
Roll Hall of Fame inductee’s recent and vin-
tage work alike.
(“Spanish Model” follows the March re-
lease of “La Face de Pendule a Coucou,” a
six-track EP of songs from Costello’s 2020
album, “Hey Clockface,” newly performed in
French.)
Next up (well, maybe): A Latin version of
his 1982 masterpiece with The Attractions,
“Imperial Bedroom,” snappily retitled “Im-
perialis Cubiculum.”
Elvis: For many of these Spanish remakes,something is gained – not lost – in translationFROM PAGE 28
AP photos
Chilean singer Cami offers a more simpatico,multidimensional take on Elvis Costello’s1978 song “This Year’s Girl,” whose lyricsskewer vapid young women. Its new title is“La Chica De Hoy” (“Today’s Girl”).
Jorge Drexler, who grew up in Uruguay whenthat country was ruled by a dictatorship,brings more depth and poignancy to the political commentary of “Night Rally.”
Lil Nas X
Montero (Columbia)
Anyone able to count had to
acknowledge months ago that Lil
Nas X was no longer at risk of
being remembered as a one-hit
wonder. Anyone, that is, except
for Lil Nas X.
Two years after “Old Town
Road” vaulted him to instant
superstardom — and nearly six
months after he topped Bill-
board’s Hot 100 for a second time
with “Montero (Call Me By Your
Name)” — the singer, rapper and
internet savant has finally re-
leased his long-awaited full-
length debut, “Montero,” which
is all but certain to end up one of
2021’s biggest commercial suc-
cesses (and which also stands to
pick up multiple Grammy nomi-
nations in the weeks ahead).
Yet here he is in “One of Me,”
a mournful pop-rap song that
arrives halfway through this
15-track LP, still hearing the
voices of those who’d assumed —
not unreasonably! — that “Old
Town Road” would be the last
we’d hear of Lil Nas X: “You’s a
meme, you’s a joke / Been a gim-
mick from the go,” he croons,
somehow capturing both his
haters’ scorn and the damage it
inflicted. “All the things that you
do just to get your face to show.”
Elsewhere on the album he
licks even older wounds, as in
“Dead Right Now,” where he
recounts being told by his father
that his chances of making it
were “one in a million.”
What’s remarkable about these
songs is that although they clear-
ly land as a flex — would a
flame-out be able to get Elton
John on the keys as Lil Nas X did
for “One of Me”? — they don’t
feel like the 22-year-old born
Montero Hill is inviting us to
apologize for doubting him. Even
now, his anxiety seems genuine,
which of course is precisely the
reason he outlived the viral phe-
nomenon that spent a record-
setting 19 weeks at No. 1.
He’s framed the steps in his
unlikely journey — as a Black kid
trying to break into country mu-
sic, as a gay man making hip-hop
— in richly emotional terms,
which means his audience shares
in his triumphs while his detrac-
tors come off like scolds.
“Montero” strikes an impres-
sive balance between craft and
heart. Produced by a team of
young studio wizards led by the
duo Take a Daytrip, the album
might be the year’s most beauti-
fully constructed, with crisp
beats, vivid textures and hooks
nestled inside hooks (nestled
inside hooks).
— Mikael Wood
Los Angeles Times
PAGE 30 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: TELEVISION
Big-screen talents such as Mi-
chael Keaton, Jeff Bridges,
Taika Waititi, Nicole Kidman
and Clive Owen can all be found
in various television projects this fall.
No one has yet cajoled Tom Cruise into
doing a TV series. But the way things are
going, it doesn’t seem like a mission im-
possible.
More and more movie stars are aban-
doning the notion that television is be-
neath them. Steve Martin has co-created
Hulu’s hilarious crime comedy “Only
Murders in the Building,” luring his
“Three Amigos” co-star Martin Short into
the high jinks. Kate Hudson is taking a
break from rom-coms to join Oscar-win-
ner Octavia Spencer for the second season
of Apple TV Plus’ “Truth Be Told.”
Jessica Chastain and Oscar Isaac, who
co-starred in “A Most Violent Year,” are
reuniting for a new adaptation of Ingmar
Bergman’s miniseries “Scenes from a
Marriage” for HBO.
And Kevin Hart, whose movies have
grossed more than $1 billion at the box
office, is starring in and developing Net-
flix’s “True Story,” his first dramatic TV
series.
“I did things for television here and
there, but not much. But it’s gotten so
much better over the past 10 years,” said
Michael Keaton, who stars in “Dopesick,”
an upcoming Hulu miniseries. “I don’t
think we’re ever going to go back to the
days where ‘I’m only a movie guy’ or ‘I’m
only a theater guy’ or ‘I’m only this kind of
guy.’ Forget all that.”
Keaton relied a lot on the small screen
in the late 1970s: A guest appearance on
“Maude,” sketch comedy with Mary Tyler
Moore, a forgettable sitcom with Jim Be-
lushi. But once he broke through as the
wisecracking morgue attendant in 1982’s
“Night Shift,” TV took a back seat.
At that time, actors who were popular
enough to wear the Batman suit consid-
ered TV a step down.
John Wayne famously rejected the lead
role in “Gunsmoke.” Jimmy Stewart
begged CBS to cancel his legal series,
“Hawkins,” after just one season. In his
upcoming autobiography, Ron Howard
recalls how Henry Fonda seemed down-
hearted when they co-starred in a short-
lived TV drama, “The Smith Family.”
Lucille Ball only committed to a sitcom
after she bombed at the box office.
But one show altered attitudes.
“I think people realized what TV could
be as soon as ‘The Sopranos’ came along,”
said writer/actor Sharon Horgan, who
appears in Starz’s upcoming series “Shin-
ing Vale” with Oscar-nominee Greg Kin-
near and Oscar-winner Mira Sorvino. “It
was a film in every single episode.”
Jeff Daniels also referenced that HBO
series, specifically its breakout star.
“The honest answer is that Jim Gan-
dolfini made it happen,” Daniels said.
“Back in the days of [Robert] Redford and
[Dustin] Hoffman and [Robert] De Niro,
you didn’t lower yourself. But ‘Sopranos’
changed television, as did HBO, Show-
time, Netflix, Amazon. All of a sudden,
you’ve got all these other places to go. And
as actors, you get to do more.”
Daniels had carved out a successful
career in theater and film, where he large-
ly played second banana to bigger names
in “Dumb and Dumber,” “Speed” and
“Something Wild.” But he didn’t become
one of the industry’s most celebrated ac-
tors until he committed to TV, a relation-
ship that started with HBO’s “The News-
room,” a series that earned him the first of
two Emmys in 2013.
He would go on to star in the miniseries
“The Looming Tower,” “Godless” and
“American Rust,” which premiered Sept.
12 on Showtime.
“I don’t know if I would get the roles I
get if it weren’t for places like Showtime
and others, because that’s where all the
writers went,” said Daniels. “I couldn’t be
happier, because it has kept me in this
business and allowed me to challenge
myself.”
Taika Waititi, who won an Oscar for
writing “Jojo Rabbit” and directed the
upcoming sure-to-be-blockbuster “Thor:
Love and Thunder,” remains involved in
television in large part because it allows
him to launch pet projects that wouldn’t
get made for the big screen. His latest,
Hulu’s “Reservation Dogs,” is a coming-
of-age comedy featuring Native Amer-
icans.
“The Hollywood things are fun, but this
is probably closer to my heart because this
means more to me,” said Waititi, who also
co-produces FX’s “What We Do in the
Shadows.”
Few writers have benefited more by the
migration of big stars to television than
Ryan Murphy. His various anthology
series have offered Jessica Lange, John
Travolta and Susan Sarandon some of the
richest roles in their long careers.
For “Impeachment: American Crime
Story,” which premiered last month on
FX, Murphy’s team was able to recruit
Clive Owen to play Bill Clinton.
For Owen, committing to a miniseries
probably wasn’t a big deal. European and
Australian actors have a long tradition of
bouncing between different media without
worrying about public perception.
“I see TV as an extension of film. It’s
just a longer version,” said Nicole Kid-
man, who got raves for her work in the
series “Big Little Lies” for HBO and “Nine
Perfect Strangers” for Hulu. “I did a cou-
ple of small films early on in my career,
but then I went straight into miniseries,
which is primarily how I became really
well known in Australia. So I’ve always
embraced it.”
Americans like Julia Roberts (“Home-
coming”) and Amy Adams (“Sharp Ob-
jects”) have been borrowing from that
playbook.
“I’m really glad that this moment is
happening where actors can move around
and not be penalized or pigeonholed for
it,” said Rosario Dawson, who co-stars in
“Dopesick” with Keaton. “It’s a huge,
huge sign of growth, and I hope it stays.”
Smaller screen, bigger opportunitiesImproved writing, fantastic roles drawing major movie stars to television projects
BY NEAL JUSTIN
Star Tribune
SHOWTIME/TNS
Jeff Daniels plays a police chief in a decaying small town in the rust belt in Showtime’s“American Rust.” He and other movie stars are expanding their horizons and havestarted to appreciate the challenges created by acting in a TV series.
“I don’t think we’re ever going to go back to the days where ‘I’m only a movie guy’ or ‘I’m only a theater guy’ or ‘I’m only this
kind of guy.’ Forget all that.”Michael Keaton
Star of “Dopesick”
HULU
Michael Keaton stars in the Hulu original series “Dopesick.” Keaton says conditionshave changed since 10 years ago, when television was looked down on by movie stars.
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 31
WEEKEND: TELEVISION
When you hit rock bottom, the
only way to go is up. In “La
Brea,” they take that litera-
lly.
The NBC drama, which premiered
stateside Tuesday, splits its time between
two worlds. The first: Los Angeles, where
a massive sinkhole opened up near the La
Brea Tar Pits, pulling parents, children,
teachers and co-workers into the sucking
void and leaving their loved ones behind.
The second: The bottom of said sink-
hole, a primeval land surrounded by
strangers with no idea what lies beyond
their grassy clearing.
“It’s ‘Lost’ meets ‘Stranger Things,’”
Jack Martin, who stars as Josh Harris, a
high school student pulled into the sink-
hole with his mother, Eve (Natalie Zea),
said.
“Lost,” at best, seems to be a guiding
light for “La Brea,” trying to re-create the
magic of ABC’s hit series about a crowd of
misfits whose plane crashes onto an ocean
in the South Pacific. But the showrunners
stressed that they want to focus more on
the characters than the sci-fi nature of
their new world.
“The story is about trying to get home
and trying to reconnect with their loved
ones,” creator David Appelbaum said.
“Who gets home and who reconnects?
That’s something the audience is really
going to want to know.”
While Josh and Eve are figuring out
their new reality down below, along with a
former Navy SEAL (Jon Seda), a psychol-
ogist (Chike Okonkwo) and dozens of
other stragglers, everyone above is trying
to cope with what just happened.
“I think when someone falls in a sink-
hole, they’re probably dead,” star Zyra
Gorecki, who plays Izzy Harris, Eve’s
daughter and Josh’s sister, joked.
The viewer knows that’s not true. Izzy’s
dad, Gavin (Eoin Macken), may know
that’s not true, too, thanks to what he and
doctors had written off as hallucinations
after he crashed his plane into the desert
years ago. Now, those same visions may be
the key to finding his son and estranged
wife, if only anyone would believe he’s not
just crazy.
“He’s trying to justify his craziness to
save his family,” Macken, 38, said. “The
possibility of something that has defined
you as being nuts and actually being sud-
denly a complete turnaround and being
able to use that to save your family ... is
such a huge concept to even consider.”
Okonkwo, the 39-year-old British actor
playing a psychologist trying to keep the
peace — or find it — inside the sinkhole,
paints a hopeful picture in the center of
chaos, one that doesn’t necessarily line up
with reality.
“There’s sometimes this ‘Lord of the
Flies’-esque idea that we would devolve
into wretched society, but when it comes
down to it, humans are really good to each
other when the chips are down, when
things get tough,” he said.
For some down below, that serves to be
true. For others, it won’t. And sometimes,
it depends on the situation.
“We’re seeing examples of the best and
the worst. People make choices,” show-
runner Bryan Wynbrandt said. “What do
you do when your family member is in-
jured and you have a choice between help-
ing them and someone else? That’s a moral
dilemma that’s really interesting to thrust
characters into. We do that. They don’t
always make the right decision. They
make choices that affect others negatively,
even if they’re doing it for the right rea-
son.”
Eve, introduced as a relatively boring
officer manager, has a few secrets up her
sleeve, Zea teased. But mostly, they sur-
vive because they have to.
“We’re able to watch these people take
what is arguably the worst day of their
lives and to build upon it, to make it some-
thing that’s livable and safe and sustain-
able,” she said.
Back in Los Angeles, Izzy and Gavin are
fighting to figure out what happened.
Down below, the survivors are fighting to
stay alive.
“This show strips everything away and
forces us to go to that square one envi-
ronment,” Martin said. “Who are you?
Who are we really? So often we get to
obfuscate that in real life. This situation
makes that impossible. We get to see peo-
ple as they really are. Who am I really?
What would I do in a situation like this? If
all of this was stripped away, who would I
be?”
NBC/TNS
In “La Brea,” Eve Harris (Natalie Zea) and her son Josh (Jack Martin) try to survive aftergetting pulled into a sinkhole while on the surface, her husband Gavin and daughter Izzyhave to cope with what happened.
Back to
basics‘La Brea’ star describesnew NBC thriller as ‘Lost’meets ‘Stranger Things’
BY KATE FELDMAN
New York Daily News
“This show stripseverything away andforces us to go tothat square oneenvironment. Whoare you? Who arewe really? So oftenwe get to obfuscatethat in real life. Thissituation makes thatimpossible. We getto see people asthey really are. Whoam I really? Whatwould I do in asituation like this? Ifall of this wasstripped away, whowould I be?”
Jack Martin
Josh Harris on “La Brea”
Former “Fuller House” star Lori Lough-
lin is returning to acting for the first time
since the 2019 college admissions scandal
torpedoed her career and sent her to fed-
eral prison.
Loughlin will reprise the role of Abigail
Stanton in “When Hope Calls: A Country
Christmas,” a spinoff to the popular Hall-
mark Channel series “When Calls the
Heart.” “When Hope Calls” is returning
for a second season on a new network,
GAC Family (formerly Great American
Country). Loughlin will guest star in the
two-part premiere set to air Dec. 18, the
network said Wednesday.
The actor was released from prison in
December after serving a two-month
sentence for her and husband Mossimo
Giannulli’s involvement in schemes to get
their children into the University of South-
ern California. She worked out a plea deal
to pay a $150,000 fine and perform 100
hours of community service and is serving
two years on probation.
Loughlin last appeared in Season 6 of
the Hallmark Channel series, but the
network severed ties with Loughlin in
March 2019 after she was arrested for her
participation in Operation Varsity Blues,
which revealed the elaborate scheme
aimed at getting students into elite colleg-
es.
The “Full House” veteran had been a
longtime regular for the Hallmark Chan-
nel’s programming, starring in a number
of original romantic holiday movies, in-
cluding “Homegrown Christmas” (2018),
“Every Christmas Has a Story” (2016) and
“Northpole: Open for Christmas” (2015),
as well as the romantic drama “A Soldier’s
Love Story” (2010).
Speculation that she could be returning
to work began last week after the Mercury
News reported that a Boston federal judge
gave her permission to travel to Canada
for about a week for “a filming production
project.”
FUTUREIMAGE, ZUMA PRESS/TNS
Lori Loughlin, right, with daughter OliviaJade Giannulli in 2018, returns to TV in“When Hope Calls: A Country Christmas,”a spinoff to a Hallmark Channel series.
Loughlin toreturn to TVfor 1st timesince scandal
BY NARDINE SAAD
Los Angeles Times
PAGE 32 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: HEALTH & FITNESS
In recent months, some European airlines have
banned the use of cloth face coverings to control the
spread of the coronavirus during air travel, instead
favoring surgical masks — sometimes referred to
as medical or disposable — and N95 respirators.
It’s another salvo in the debate over the effectiveness of
the ubiquitous cloth mask, which sprang into fashion
when surgical masks and N95s were harder to find in the
pandemic’s early days. The Centers for Disease Control
and Prevention still promotes cloth face coverings in its
guidance about masks.
And masks remain a critical mitigation tool because
people primarily become infected with SARS-CoV-2, the
virus that causes COVID-19, by inhaling small aerosol
particles that linger in the air or large respiratory drop-
lets produced in coughs and sneezes.
But the science is changing. Delta, currently the pri-
mary variant in the United States, is far more contagious
than the original coronavirus, so the density of virus in
the air is greater. Some experts have adjusted their ad-
vice proportionally.
“Given the delta variant that’s out there, you probably
need to upgrade your mask,” Dr. Ashish Jha, a leading
COVID-19 expert and dean of the Brown University
School of Public Health, said on “Fox News Sunday” last
month.
What type of mask should you wear?Don’t worry if you are confused. Mask guidance has
been mixed since the dawn of the pandemic, and new
research has altered conventional thinking. We decided
to dig in and sort out the latest developments.
First, people were told masking wasn’t necessary. Soon
after, this recommendation changed, but the public was
advised against purchasing surgical-style masks used by
health professionals because of dire shortages of such
protective gear. Americans instead were told to spring
for cloth masks or make do-it-yourself versions. Short-
ages do not appear to be as big a problem now, though
the CDC still advises against choosing N95 respirators.
As recently as late August, the nation’s top infectious-
disease doctor, Dr. Anthony Fauci, declined to recom-
mend higher-quality masks.
“Instead of worrying about what kind of mask, just
wear a mask,” he told “The Mehdi Hasan Show” on
MSNBC.
So, what gives? Dr. Peter Chin-Hong, an expert on
infectious diseases at the University of California, San
Francisco, said Fauci was taking a harm-reduction ap-
proach.
“It probably is more important to wear something that
you feel comfortable with, and you can wear for long
periods of time if you’re going into a particular envi-
ronment ... rather than saying you need to wear the gold
standard thing at all times,” he said.
“A baseline should be a surgical mask,” added Chin-
Hong. “It’s easier to implement. It’s cheap, albeit not
always environmentally friendly.” Personally, he wears
only N95s when wildfires are blazing.
“Even in the hospital, I’m mainly wearing a surgical
mask,” he said.
While he thinks government and public health officials
should emphasize wearing surgical masks, Chin-Hong
said cloth masks can offer enough protection in certain
circumstances. A lot depends on the context, so he pro-
vided these questions to help the decision-making proc-
ess: If you are going indoors, will the building be especial-
ly crowded? How long will you be inside? Will everyone
most likely be masked? Are you and others around you
fully vaccinated? Are you immunocompromised?
The riskier the situation, the more likely that the high-
er-quality mask is the best option.
“Nothing is zero risk, so it’s just a matter of risk reduc-
tion,” Chin-Hong said.
“So definitely, masks need to be stepped up to fight
delta, but it does not mean those who cannot afford N95s
have no options,” said Raina MacIntyre, head of the bio-
security research program at the University of New South
Wales in Sydney, Australia, who has conducted many
studies on masks.
MacIntyre said it is “possible to design a high-perform-
ing cloth mask.” An experimental lab study she co-au-
thored found a layered cloth mask can effectively block
droplets. The study, published in May in the journal ACS
Biomaterials Science & Engineering, recommends using
a minimum of three layers — a combination of cotton/
linen and polyester/nylon — to resemble the droplet-
blocking performance of surgical masks.
Not only is layering important to improve filtration, but
so is fit. A CDC-recommended technique for improving
the fit of either a cloth or surgical mask is knotting the
straps and tucking the sides. A mask is generally a good
fit if you feel warm air coming through the front of the
mask as you inhale and exhale.
What does the research say?A large-scale, real-world study published last month
found surgical masks especially effective at reducing
symptomatic infections. These types of masks prevented 1
in 3 infections among people 60 and older.
Researchers from Yale, Stanford and the nonprofit
GreenVoice monitored more than 340,000 adults in rural
Bangladesh for at least eight weeks. Roughly half the
Bangladeshis received interventions like free mask distri-
bution and promotion. Villages that received interven-
Villages where cloth masks were given out reported an
8.5% reduction in symptoms, while villages that received
surgical masks reported a 13.6% reduction. When a third
of adults with symptoms commonly associated with CO-
VID-19 agreed to get their blood tested for the virus, re-
searchers discovered an 11% reduction among those who
wore surgical masks. Researchers observed a 5% reduc-
tion in infections among those who wore cloth masks.
This study was conducted before the delta variant was
circulating widely in the country. The study has not yet
undergone peer review, but some experts have already
heralded its methodology and results.
“When I saw those results, I threw away my cloth
mask,” said Stephen Luby, a co-author of the study and
professor of infectious diseases at Stanford University. “If
delta is circulating and if you’re going to wear a mask,
why don’t you wear one that the data tell you is good?”
“We find very strong evidence that surgical masks are
effective,” added Jason Abaluck, an economist at Yale
who helped lead the study. “My read of that is that cloth
masks are probably somewhat effective. They are prob-
ably better than nothing.”
Abaluck suspects his study offers mixed evidence for
cloth masks because only about a third of those who re-
ported symptoms consented to blood testing for CO-
VID-19. In other words, the sample size was too small to
observe anything significant.
“The most likely interpretation of this whole constella-
tion of results is that [cloth masks] actually do help. They
actually do make you less likely to get COVID. That’s why
we saw fewer symptoms,” he said. A second possibility is
that cloth masks prevent other respiratory diseases that
have similar symptoms, he said.
Multiple observational studies and trend analyses
found community masking, which includes the use of
cloth masks, reduces the spread of COVID-19. The re-
searchers of the Bangladesh study said those studies had
drawbacks, which is why they conducted a randomized
clinical trial. However, they agreed with those studies’
overall assessment: People who wear masks are less
likely to get infected than people who don’t.
“This is the nature of science. Science evolves,” Luby
said. “We had evidence that we get some protection from
cloth masks, and we now have newer evidence that we get
better protection from surgical masks.”
iStock
An about-face
in mask debateSome experts have adjusted their guidance on the efficacy of cloth
BY AMANDA MICHELLE GOMEZ
Kaiser Health News
Test that mask
If you decide to keep wearing your multi-layer homemade orcloth mask, experts advise washing them every day. But pro-ceed with caution.A study published in July 2020 found that respiratory dropletstraveled about 2.5 inches after passing through a homemadecloth mask, about 8 inches with a cone-style disposable maskand a little over a foot with a folded handkerchief in a labsetting. But with a bandanna, cough droplets traveled about 3feet 7 inches — the worst of them all aside from no mask —even though the material had the highest thread count com-pared to the other coverings. There are two tests that infectious disease specialist Dr. RoyChemaly of the MD Anderson Cancer Center in Texas calls“flow and glow” to gauge the quality of your mask.One is to hold a lit match or candle about six inches in front ofyour face while wearing your mask and try to blow it out. If theflame goes out, you may need to upgrade your mask. Theother test is to hold your mask up to a bright light: If you seethrough it, your mask may not be thick enough to block respi-ratory droplets from other potentially sick people.
Tribune News Service
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 33
WEEKEND: FAMILY
“Have you ever heard of Columbine?” my 21-year-old
daughter asked my husband and me over stir fry last week.
She had watched a documentary about the incident on You-
Tube, and like the time she asked if I had ever heard the
Modern English song “I Melt With You,” she had no concept
of our lives before her birth. Of course we had heard of the
infamous school shooting, we told her, and we knew about
Dylan and Eric’s tragic plan to reenact the first-person shoo-
ter video game Doom.
Back then, I thought we could prevent our children from
being negatively affected by new digital technologies by
laying down clear rules and communicating frequently.
Surely our society, government and private companies
would study the Columbine shootings to prevent similar
tragedies from happening in the future. I felt comforted that
ratings systems, consumer protections and regulations
would be put in place to keep our children safe.
Or so I thought.
What I didn’t know was that there were emerging tech-
nologies that would negatively influence our children more
than video games ever could.
Friendster led to LinkedIn and MySpace in 2003. Face-
book started on Harvard University’s campus in 2004 and
became the largest social networking site in the world by
2009. Instagram launched in 2010, and was gobbled by Face-
book in 2012. WhatsApp was launched in 2009, and snatched
by Facebook in 2014. Today, Facebook is a trillion-dollar
conglomerate. Thirty-seven-year-old Mark Zuckerberg,
Facebook’s cofounder, CEO and controlling shareholder, has
a net worth of nearly $124 billion.
One would think that Zuckerberg would aim to use his
fortune to make the world a better place for his two young
daughters. But according to recent Wall Street Journal arti-
cles, Zuckerberg’s company has disregarded its own internal
studies showing that Instagram use makes body image issues
worse for one in three teenage girls, and more than 40% of
teenage users in the U.S. and U.K. began feeling “unattrac-
tive" while using Instagram. These findings were posted on
an internal Facebook message board in March 2020, but
rather than changing its policies, Facebook plowed ahead
with plans to release a new platform targeting children.
Zuckerberg watched a slide presentation on the findings,
but at congressional hearings a couple months later, he said
that Facebook researched the effects social media has on
children, and found that "Social apps ... have positive mental-
health benefits.” Fortunately, an unidentified whistleblower
has leaked damning internal documents to Congress, which
is holding hearings on the matter.
Having grown up in the ’70s and ’80s blissfully unaware of
the technology that would envelop my children one day, I
was at a disadvantage as a parent. My learning curve in
understanding technology was slower than its growth. In
other words, I didn’t learn fast enough to warn my kids be-
fore they were exposed to harm. We gave our three kids
smartphones when they were in high school, ironically be-
lieving that it would help us keep them physically safe. We
didn’t understand the dangers social media posed. Congress,
with a median age over 58, is also at a disadvantage.
However, it doesn’t take a tech expert to face these facts:
U.S. teens spend more than half of their waking hours on
screen media every day, not including screen time necessary
for school and homework. Research has proven that social
media has become a significant negative influence on the
mental development of our children. Parents prohibiting or
restricting social media use may be ineffective since the
technology is widely accessible on a variety of devices.
Greedy tech giants don’t care about our children.
And it’s time for Congress to take action to stop them.
Calling out tech giantsthat harm our children
Read more at themeatandpotatoesoflife.com, and in Lisa’s book, The Meat and Potatoes ofLife: My True Lit Com. Email: [email protected]
Spending time with a good friend feels easy and
uplifting: The conversation flows, hours pass
in a blink, and both parties walk away eu-
phoric, thanks to the release of feel-good hor-
mones that come with a few good laughs. However,
getting to this point of uncomplicated companionship
requires a significant time commitment. Research,
published in the Journal of Social and Personal Rela-
tionships, shows it takes more than 200 hours of time
spent with a person to consider them a close friend.
These hours shared over meals and meaningful con-
versations facilitate deeper connection.
The coronavirus pandemic has driven a significant
wedge in these friendships. Social distancing mea-
sures, ongoing child-care needs and varying levels of
personal risk have made it virtually impossible to
accrue the hours needed to develop a relationship. But
as friend groups were vaccinated this spring and
Americans began socializing with their confidants
again, many realized spending time with others wasn’t
as effortless as it once was — they were socially awk-
ward — and they were often left exhausted afterward.
As you emerge from months when you may have
lost touch with friends and are eager to reconnect, it’s
important to think strategically if you want to maintain
the level of effortlessness you had before. Here is
advice from friendship experts on how to optimize
these relationships.
Change your perspectiveWhile friendships are indeed high maintenance —
keeping in touch, scheduling time together — they
don’t need to be exhausting or scary. Instead of dread-
ing a happy hour meetup, think back on when you’ve
hung out with this pal pre-pandemic. Were they tiring?
Probably not. “Most of them have gone positive in the
past, so there’s no reason to expect that it’ll be any
different,” says William Chopik, an assistant professor
of psychology and director of the Close Relationships
Lab at Michigan State University.
However, if you’re still feeling drained after socializ-
ing, you are not broken, says Miriam Kirmayer, a
friendship researcher and clinical psychologist in
private practice in Montreal. Be compassionate with
yourself and friends if your hangouts don’t have the
same energy as before. You might need time to warm
up again in the social department. “We’re capable of
working through this,” Kirmayer says. “It’s not a sign
that anything’s inherently wrong with us or anything’s
changed as far as who we are in our friendships.”
Be choosyBecause the pandemic interrupted virtually every
relationship, you may feel the need to resume all of
them simultaneously. This can be overwhelming, both
to your schedule and your emotional bandwidth. In-
stead, be discerning about whom you spend time with
right now, Kirmayer advises. Maybe you’re not up for
a backyard bonfire with a handful of people, but a
one-on-one with the host would be okay. Make plans
according to your preferences. “Who do I feel like
connecting with right now? Who would it feel good to
speak with and connect with?” Kirmayer says. “Have
it come from a place of voluntary action as opposed to
... this feeling of it’s a necessity, it’s required.”
Voluntary hangouts can mean grabbing an im-
promptu lunch with a pal in the middle of a workday
or scheduling a call to catch up, says Jeffrey Hall, a
professor of communication studies at the University
of Kansas. So long as each person is choosing to invest
time in the other, you’re helping your relationship.
Build a routineAnother way to maintain friendships, according to
Hall, is to create a routine. Whether a monthly book
club or weekly workout class, knowing when and
where you’ll see a friend eliminates most of the leg-
work required in scheduling a get-together. “This
means things like old friendships tend to be actually
quite energy conservative,” Hall says, “because
they’re already people who we know; they’re already
people we know like us.”
The frequency of these routine hangouts should
depend on how much social interaction you get in your
day-to-day life, Hall says. If you live with a roommate
or have a partner and children, you don’t need to
schedule as many social events — maybe one per week
— he says, since you already regularly interact with
people. That one social interaction could be a long
phone call, a happy hour or a walk with a friend. Like-
wise, those with jobs in the service or retail industries
may not need as many friend hangouts. “If your rou-
tine involves children, or a romantic partner, or a job
that’s intensely social, chances are your social needs
are much lower,” Hall says, “but the importance of
having relationships doesn’t go away.”
Think outwardWhile the benefits of friendship are numerous —
they help you cope with stress, combat loneliness and
provide a sense of belonging — the ultimate goal of
these relationships is to enrich the lives of others, Hall
says. A key to maintaining our friendships is to think
externally: How can you support your friends today?
“Relationships are at their best when you know that
you’re valuable to other people and what you have to
share with them is worth sharing,” Hall says. “When
we give ourselves, your time or otherwise, that benefit
is what actually makes us feel good: the benefit it gives
to other people.”
iStock
Regularly scheduling time with those we want to stay close to can help ease social awkwardness.
Maintaining social bondsHere’s how to make time with friends feel more fun and less like effort
BY ALLIE VOLPE
Special to The Washington Post
PAGE 34 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
WEEKEND: CROSSWORD AND COMICS
NEW YORK TIMES CROSSWORD
NEW LOOK BY PETER GORDON / EDITED BY WILL SHORTZ
54 Body-shop fig.
55 Owing
56 Buddy of Buddy, maybe
58 What might whet an appetite
59 Taken down and put up elsewhere
63 Relative of cerulean
66 Scale for some judges
68 Possible reason for refusing to wear a tank top?
71 Worries about something
73 2018 crime biopic
74 ‘‘Potatoes done perfect’’ sloganeer
77 Shape of a doughnut
78 Shape of a canine ID tag, often
80 Fossil suffix
82 ‘‘Most miserable hour that ____ time saw’’: Lady Capulet
83 ‘‘Checkmate’’
85 Means of learning about Chiang Kai-shek?
91 Massachusetts’ College of Our Lady of the ____
92 Some post-pollution efforts
94 Become ticked off
95 Ready
96 Wielder of the hammer Mjölnir
98 Tools used by horologists
99 Inept dancers at Oktoberfest?
105 Express-line count
107 Mentor of 50 Cent
108 Valedictorian’s pride, in brief
109 Mag space seller
111 Smurf with a white beard
115 Dish at a traditional Bedouin wedding
116 New look provider . . . or a homophonic hint to this puzzle’s theme
33 Figure on Italy’s 2,000-lira note before euros were introduced
34 Common viper
35 Free
36 People can’t lie under it
38 Actor who delivered the line ‘‘Nobody puts Baby in a corner’’
39 Word with power or brakes
42 GQ V.I.P.s
44 Best
45 ‘‘____: Vegas’’ (TV reboot of 2021)
46 Revolted
47 Treat for Mr. Owl
48 Seward Peninsula city
49 Verve
51 ‘‘There was no choice’’
53 Person with star power?
57 Triangular piece in a party bowlful
60 Rentals that might come with dolly carts
61 ‘‘Wrong!’’
62 Nickname for someone whose full name is a calendar month
64 Spur
65 Letter two before tau
67 Obie-winning playwright Will
69 Defamed, in a way
70 ‘‘Indeed’’
71 Reason to see an ophthalmologist
72 Pea-jacket material
75 Caterpillar competitor
76 Thomas Jefferson or John Tyler, by birth
79 Org. that bestows the Community Assist Award
81 Liberal-arts sch. major
84 Certain curtain
86 On the ____ (no longer friendly)
87 Overseas speed meas.
88 Go from here to there . . . like *that*
89 Quark’s place
90 ‘‘It’s my hunch . . .’’
93 Pithy saying
95 Dish whose yellow color comes from saffron
97 ‘‘Rude Boy’’ singer,
to fans
99 Divisions of bushels
100 Like the Mideast
exclave of Madha
101 Long rides?
102 Used a prayer rug,
say
103 Literally, ‘‘works’’
104 Pieces of work
106 Traditional rivals of
the N.C.A.A.’s ’Hoos
109 Church part
110 There are three of
them in a Morse ‘‘O’’
112 Passing through
D.C.?
113 USD : dollar :: MXN
: ____
114 Part of 79-Down:
Abbr.
116 Frequent C.D.C.
collaborator
117 ‘‘____ Way’’ (Kitty
Kelley biography of
Sinatra)
118 Opponent
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19
221202
524232
92827262
33231303
04938373635343
948474645444342414
35251505
8575655545
59 60 61 62 63 64 65 66 67
079686
675747372717
281808978777
0998887868584838
49392919
89796959
60150140130120110100199
411311211111011901801701
811711611511
121021911
421321221
Peter Gordon is a puzzlemaker and editor from Great Neck, N.Y. He has been a puzzle editor for Games magazine, Sterling Publishing and the bygone New York Sun. Since 2010 he has edited Fireball Crosswords, a 45-times-a-year online-only super-challenger. One of Peter’s bugaboos as a constructor is partial phrases — multiword answers that would ordinarily require fill-in-the-blank clues (like ‘‘Getting ___ years’’ for ON IN). He hates them. You won’t find any of them here. — W.S.
ACROSS
1 Like the Rock vis-à-vis any of the Stones
8 Small doodles, perhaps
15 ____ pants
20 Surpass
21 Candy bar with an exclamation point in its name
22 To love, in Italian
23 Meticulous magical beings?
25 The land down under
26 Sharpen
27 Screams
28 Calendar column: Abbr.
29 Frenzied states
30 High-ranking figures, collectively
32 Like some cross-Caribbean flights?
34 Three-time Pro Bowl wide receiver in the New York Jets Ring of Honor
37 Biblical father of Eliphaz
40 CNN political correspondent Bash
41 Bushy-tailed rodents
43 Postseason tournament pick
46 ____ Reader (quarterly magazine)
50 Journals of a certain stunt performer?
52 Commuting arrangement
GUNSTON STREET
“Gunston Street” is drawn by Basil Zaviski. Email him at [email protected], and online at gunstonstreet.com.
RESULTS FOR ABOVE PUZZLE
BEEFIERLAPDOGSHAREM
ECLIPSEOHHENRYAMARE
THOROUGHFAIRIESHADES
HONERIOTSMONPANICS
BRASSPANAMAHAITI
ALTOONESAUDANA
DORMICEWILDCARDUTNE
DOUBLEDIARIESCARPOOL
ESTSHYFIDOAROMA
REHUNGAZUREONETOTEN
SHOULDERHAIRINESS
SWEATSITGOTTIOREIDA
TORUSBONEITEEER
YOULOSEBOOKSONTAIPEI
ELMSCLEANUPSGETSORE
PREPTHORLOUPES
POLKAIDIOTSITEMS
EMINEMGPAADREPPAPA
CAMELFRESHPAIROFEYES
KNOLLDARKISHPROCESS
SISTAAMASSESSTETSON
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 35
FACES
Kristen Bell and Kirby Howell-Baptiste
first met by chance on the set of Show-
time’s “House of Lies,” but the two actors
have made co-starring together a habit.
They’ve shared the screen in “The Good Place,” the
reboot of “Veronica Mars” and now, their first fea-
ture: “Queenpins,” available on Paramount+.
Loosely based on the real story of a $40 million cou-
poning scam, “Queenpins” features Bell as a de-
pressed suburban housewife who has struggled with
infertility and British actor Howell-Baptiste as a
small-time video blogger who devise a scheme to sell
counterfeit coupons. Filmed in the first fall of the
pandemic, the comedy also stars Vince Vaughn, Paul
Walter Hauser and Bebe Rexha. It was written and
directed by husband-and-wife team Aron Gaudet
and Gita Pullapilly.
Bell and Howell-Baptiste got together to talk about
the film and their friendship. Remarks have been ed-
ited for clarity and brevity.
AP: Kristen, you were on “Queenpins” first. Did
you give Kirby’s name to the filmmakers to consid
er?
Bell: I’ve texted Kirby about every project I’ve
done over the past five years and been like, “What
role do you want to play in this?” Kirby is one of the
most creative people and the most trustworthy safety
nets to have in an acting scene. I also just really enjoy
being around her on set. So selfishly, yes, I invite Kir-
by on everything, and I’m lucky when she says yes.
HowellBaptiste:But just so you know, how it came
around, it wasn’t like “I like Kirby; I’m going to call
my agent, have them call her agent, then we’ll pitch it
to Kirby.” It was a text at night that said, “Do you like
working with me, and can you do an American ac-
cent?” And that was the extent. And I said yes to both.
What was the draw?
Bell:The initial intrigue was that it was a husband-
and-wife directing team. I love working with my hus-
band, and I find I know exactly what that sort of rela-
tionship looks like. If it’s done well, it can be so, so
beautiful. It’s also very exciting to receive a script
that says “based on a true story” on the front ... I like
to do stories that I can relate to. And I do a lot of work
in the mom space and I have a very big spot in my
heart for what women who struggle with infertility
might be going through.
HowellBaptiste: I thought Jojo was hilarious. She
is an entrepreneur, and yet she also has, like, an over-
inflated sense of her entrepreneurship and that’s al-
ways really fun to me, to play a character that be-
lieves that absolutely anything is possible. She’s do-
ing her thing, but it’s just not enough.
When did you two realize you were real friends,
and not just colleagues who get along?
HowellBaptiste: We were on “The Good Place”
and we were, like, chatting, chatting and then we both
went off and were on our phones and had things to do.
It just felt comfortable. It wasn’t like, “Oh, can I use
my phone for a minute?” We were just sort of com-
fortable in each other’s presence. That, to me, is what
I consider a friendship.
Bell: I know Kirby has zero judgment in her entire
being. Like, if we make plans and one of us says at 11
a.m., “You know what? I’m not going to make it to
lunch. I’m just not feeling it.” That’s the end of the
conversation. We’re both like, “Cool, peace, next
week.” That’s just a real freedom and a real love.
There’s a theme of people underestimating your
characters in “Queenpins.” Could you relate to that?
HowellBaptiste: I was essentially told I couldn’t
be an actor. I think that what we’re trying to show in
this film and what I believe is true for myself, my
character and for other people is that, only you can
determine what you can or can’t do. You can’t buy
into someone else’s negativity or someone else’s inse-
curity about what they can or can’t do because people
are limited by their own imagination. So if someone is
telling you that you can’t do something, it’s often be-
cause they don’t see it’s possible for themselves.
Bell: The only person that’s really told me I
couldn’t or shouldn’t do something is my husband,
but it’s not in a bad way. Probably 10 years ago when I
was still hustling in so many different other ways be-
fore I found my lane and my joy and what I was good
at, I would be, like, desperate to get that gritty Mi-
chelle Williams indie. And he would look at me and
go, “Why are you doing this? Stop. That’s not you.
Like, I mean, you can try if you want to, but, like, you
have something different. Lean into your something
different.” He was like, you’re way quirkier than that.
Think about your quirks and how you could apply
them to entertainment. And then all of a sudden it
was, “Oh, I have a lane.” I didn’t even realize I had a
lane, and there is no traffic.
STX FILMS/AP
Frequent costars Kristen Bell, left, and Kirby HowellBaptiste are coupon scammers in “Queenpins.”
A working friendshipBell and Howell-Baptiste on ‘Queenpins,’ relationship off the set
BY LINDSEY BAHR
Associated Press
Q & A
Britney Spears has been freed
from her father. And she could be
freed entirely from court control
within weeks.
In a major victory for the pop
star, a judge on Wednesday sus-
pended the singer’s father from
the conservatorship that has con-
trolled her life and money for 13
years, saying the arrangement
“reflects a toxic environment.”
Los Angeles Superior Court
Judge Brenda Penny agreed with
a petition from Spears and her at-
torney that James Spears needs to
give up his role as conservator.
The decision comes months after
Spears pleaded for her father’s re-
moval in dramatic court hearings,
saying, “I want my life back.”
“The current situation is unten-
able,” the judge said after hearing
arguments from both sides. “It re-
flects a toxic environment, which
requires the suspension of James
Spears.”
And with no objections to end-
ing the conservatorship, Penny is
likely to terminate it at a Nov. 12
hearing, restoring the singer’s life
and money choices to her after
years of calls to #FreeBritney that
she eventually joined.
James Spears sought the con-
servatorship in 2008 and had been
its primary controller and biggest
champion. He reversed course in
recent weeks, asking the judge to
end the conservatorship immedi-
ately, arguing that would render
his removal
pointless.
The singer and
her attorney
agreed that the
conservatorship
should end, but
argued that
James Spears’
removal was an
essential first step.
The singer’s attorney, Mathew
Rosengart, said he planned to take
a “top-to-bottom look” at the ac-
tions of James Spears and his rep-
resentatives and suggested that
law enforcement should investi-
gate revelations in The New York
Times about a listening device
placed in his daughter’s bedroom.
The conservatorship was estab-
lished in 2008 when Britney
Spears began to have public men-
tal struggles as hordes of paparaz-
zi aggressively followed her ev-
erywhere and she lost custody of
her children.
Spears’ father removedfrom conservatorship
Associated Press
Spears
A judge dismissed a trademark
infringement lawsuit filed by Evel
Knievel’s son a year ago against
the Walt Disney Co. and movie
company Pixar over a “Toy Story
4” daredevil character named
Duke Caboom.
U.S. District Judge James Ma-
han in Las Vegas dismissed the
case against Walt Disney Studios
Motion Pictures on Sept. 23.
The judge wrote that while the
Caboom character was “reminis-
cent” of Knievel, “Disney’s use of
Evel Knievel’s likeness contains
significant transformative ele-
ments” and is not a literal depic-
tion.
The lawsuit filed in September
2020 accused Disney and Pixar of
intentionally modeling the “Toy
Story 4” character on Knievel,
whose stunts included motorcycle
jumps in 1967 over the Caesars
Palace fountain in Las Vegas and
in 1975 over a row of buses at
Wembley Stadium in London.
John Lennon interviewtape fetches $58,240
Acassette tape with a 33-minute
audio recording of John Lennon
being interviewed by four Danish
teenagers 51 years ago as well as
an apparently unpublished song
by the late Beatle fetched 370,000
kroner ($58,240) Tuesday at an
auction in Denmark.
The tape, recorded on Jan. 5,
1970, chiefly consists of Lennon
and his wife, Yoko Ono, speaking
about being in Denmark and
world peace. It also has the couple
singing two songs: 1969’s “Give
Peace a Chance” and “Radio
Peace,” which was made for a ra-
dio station in the Netherlands but
never released.
The cassette was put up for sale
by Bruun Rasmussen Auctioneer
in Copenhagen, together with 29
still photos and a copy of the
school newspaper for which the
teenagers had interviewed Len-
non and Ono.
The Danish teenagers did the
interview in northern Denmark at
the height of the Vietnam War and
the Cold War because Lennon and
Ono had “a message of peace, and
that was what was important to
us,” Karsten Hoejen, who made
the recording on a tape recorder
borrowed from the local hi-fi shop,
told The Associated Press.
Other newsTommy Kirk, a child star
who played in Disney films such
as “Old Yeller” and “The Shaggy
Dog,” has died. He was 79. Kirk’s
longtime friend and former child
star, Paul Petersen, said he was
found dead in his Las Vegas home
on Tuesday. The cause of death
has not been released.
Evel Knievel’s son loses DisneyDuke Caboom trademark case
From wire reports
PAGE 36 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 37
PAGE 38 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
ACROSS
1 Tours season
4 Admin. aide
8 Hawaiian coast
12 Prom rental
13 Rating unit
14 Done with
15 Dissertation
17 Took a bike,
say
18 Straighten
19 Born
21 Menlo Park
monogram
22 Some Emmy
winners
26 Fake drake
29 Wooden pin
30 Conceit
31 Piece of work
32 Wee bit
33 Gunk
34 Not ’neath
35 Web
address
36 Liberates
37 Period of
self-care
39 Winter ailment
40 — de deux
41 Holiday Inn rival
45 Low horn
48 Quivers
50 Eager
51 Ore deposit
52 Sweetie, slangily
53 Tatters
54 Seth’s son
55 Parseghian
of football
DOWN
1 Words to Brutus
2 Rotate
3 Corp. bigwig
4 Off-course
5 Subway entrance
6 Airline to Sweden
7 Was hot, on
Twitter
8 Seoul setting
9 Egg (Pref.)
10 Actor Beatty
11 Exist
16 Road runners
20 Work unit
23 Simple
24 Malaria symptom
25 Freshens lawns
26 Dire fate
27 Duel tool
28 Brusque
29 Chum
32 Bridge
support
33 Bread morsel
35 Ms. Thurman
36 Pilot lights
38 Apple tablets
39 A Corleone
brother
42 Goya’s
duchess
43 Beloved
44 On the
Baltic, say
45 Sailor
46 A.C.C. school
47 Huge
49 Director
Howard
Answer to Previous Puzzle
Eugene Sheffer CrosswordFra
zz
Dilbert
Pearls B
efo
re S
win
eN
on S
equitur
Candorv
ille
Beetle B
ailey
Biz
arr
oCarp
e D
iem
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 39
ACROSS
1 Man of morals?
6 Type of year
12 Big lizard
13 Actress Clarke
14 Place to get
a tattoo
15 Natural gift
16 — gin fizz
17 “Up and —!”
19 Noshed
20 City bond,
for short
22 — Juan
24 Chest muscle
27 Cavort
29 Sitarist’s music
32 Bedtime request
35 — Domini
36 Mystique
37 Fan’s shout
38 U.S. Army bases
40 Apprehends
42 Bedazzle
44 Curry and
Landers
46 Genesis
shepherd
50 Turn in
52 Do-nothings
54 Grid
55 Biblical hunter
56 Most crafty
57 Pesky insects
DOWN
1 “I’ve Got — in
Kalamazoo”
2 Modern money
3 Witch trial town
4 Music’s Yoko
5 Irrational
distrust
6 Lavish party
7 Mosque VIPs
8 Part of RSVP
9 Ecologist’s
concern
10 “If it — broke ...”
11 Overdue
12 URL addresses
18 “Project Runway”
mentor
21 Samovar
23 Deluge refuge
24 Links org.
25 Very long time
26 Festive sprinkling
28 Vocalist’s
concern
30 Fed. office
supplier
31 Bat wood
33 Speck
34 Indent key
39 Mumbai dresses
41 Hayek of “Frida”
42 Branches
43 Prosperity
45 On deck
47 Ernie’s pal
48 Love god
49 Leary’s drug
51 Rage
53 Cacophony
Answer to Previous Puzzle
Eugene Sheffer CrosswordFra
zz
Dilbert
Pearls B
efo
re S
win
eN
on S
equitur
Candorv
ille
Beetle B
ailey
Biz
arr
oCarp
e D
iem
PAGE 40 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
Ernie GatesThe Stars and Stripes ombudsman protects the free flowof news and information, reporting any attempts by the
military or other authorities to undermine the newspaper’sindependence. The ombudsman also responds to concerns
and questions from readers, and monitors coverage forfairness, accuracy, timeliness and balance. The ombudsmanwelcomes comments from readers, and can be contacted by
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‘Over the horizon’ insufficient for AfghanistanBY JAMES HOHMANN
The Washington Post
James Hohmann is a Washington Post opinion columnist.
French President Emmanuel Ma-
cron was right when he said Tues-
day that Europe should stop being
naive and quit relying primarily on
the United States for its defense. Indeed, it’s in
the interests of both the United States and Eu-
rope to realize that.
In one sense, this is nothing new from Ma-
cron. He has previously called for Europe to
aspire to “strategic autonomy” and has long
argued for a “true European army.” Macron
evidently believes that Europe weakens itself
by relying on U.S. arms and military might for
its defense, and thus is unable to push for its
own interests even in its own neighborhood.
The recent announcement that Australia was
ripping up a deal with France to build new sub-
marines to pursue a new deal with Britain and
the U.S. was thus only the spark that lit the fire.
The kindling of fundamental strategic dis-
agreement was laid long ago.
Traditional American thinking would resist
Macron’s call. The U.S. has long sought to
make European defense forces mere adjuncts
to American power, even if it was never formal
U.S. policy. During the Cold War, Europe’s
militaries had the distinct and limited purpose
to assist the Americans in the defense of West-
ern Europe and were expected to do little else
without U.S. tacit approval. It’s no wonder,
then, that NATO’s first secretary-general,
Lord Hastings Ismay, said the alliance’s pur-
pose was “to keep the Soviet Union out, the
Americans in and the Germans down.”
That may have been true once. But the end
of the Cold War meant there was no longer a
Soviet Union to keep out, and the expansion of
NATO and the European Union to include
most of the former Soviet satellite states in
Eastern Europe means that Russian forces
are now hundreds of miles away from West-
ern Europe. NATO’s old purpose has largely
been met.
NATO has struggled ever since because
American and European interests and per-
ceptions are increasingly divergent. This first
became obvious during the Iraq War, when
Germany and France refused to join Presi-
dent George W. Bush’s “coalition of the will-
ing.” These strategic differences have ex-
panded only further, as the old allies in West-
ern Europe prefer to conciliate Iran rather
than unequivocally back Israel; prefer a softer
approach toward Russia; and openly seek a
neutral stance in the standoff between the U.S.
and China. Meanwhile, European militaries
had deteriorated to the point that France and
Britain needed to enlist American aid when
they sought to destabilize Moammar Gadha-
fi’s Libyan regime in 2011. They are not much
stronger today.
This is the backdrop for Macron’s remarks.
Europe’s naivete, in Macron’s view, lies in be-
lieving that the United States can be persuad-
ed to provide the military muscle behind a
broadly European worldview. This is where
the recent submarine deal has proved deci-
sive, as it clearly shows that the United States
is willing to disrupt its relations with Europe to
pursue an alliance against China that Europe
does not want to fully participate in. Hopes
that President Joe Biden would mark a turn-
around from President Donald Trump’s pen-
chant for global confrontation have been
dashed. Instead, Macron rightly sees that the
U.S. will pursue its own interests even at the
expense of its stated fidelity to old allies.
Given that, it is in America’s interest for Eu-
rope to become militarily strong enough to re-
sist Russian ambitions without significant
U.S. involvement. The United States cannot
meet its formal obligations to both European
and Asian allies without massive rearma-
ment. But there is no political will to increase
U.S. defense spending to the level needed —
roughly 5 to 6% of gross domestic product,
comparable to spending during the Cold War
— for that to happen. This means U.S. forces
will increasingly be deployed to meet China,
which in turn exposes a militarily supine Eu-
rope to Russian aggression. U.S. forces will al-
so need to increasingly pull back in the Middle
East and in the fight against Islamist militants
in Africa, as those troops are needed to bolster
defenses in Asia. We need a strong Europe to
defend itself against Russia and pick up the
slack in Africa.
The alternatives to this effective devolution
of responsibility are unattractive. The U.S.
could try to use economic and military power
to enforce its will more effectively on the Eu-
ropeans, but this would make a mockery of
their democracies and independence. Main-
taining the status quo is also increasingly
problematic. The U.S. would weaken its inter-
ests if it deployed troops in Europe and wa-
tered down its own initiatives to cajole Europe
into half-hearted participation in endeavors
against China. Keeping Europe down and the
Americans in, to update the old saw, would dis-
sipate U.S. power without advantage.
The U.S. and Europe would both benefit
from an alliance of true equals rather than the
current imbalance. We are both stronger to-
gether if we are both strong separately.
Macron is right that Europe should defend itselfBY HENRY OLSEN
Special to The Washington Post
Henry Olsen is a Washington Post columnist and a senior fellowat the Ethics and Public Policy Center.
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 41
SCOREBOARD
ScheduleFriday’s games
EASTDartmouth (2-0) at Penn (1-1) Iowa (4-0) at Maryland (4-0)
SOUTHWESTHouston (3-1) at Tulsa (1-3)
FAR WESTBYU (4-0) at Utah St. (3-1)
Saturday’s gamesEAST
Stony Brook (1-3) at Rhode Island (3-0) W. Michigan (3-1) at Buffalo (2-2) Memphis (3-1) at Temple (2-2)St. Francis (Pa.) (1-3) at Morgan St. (0-3) Toledo (2-2) at Umass (0-4) Yale (1-1) at Lehigh (0-4) Sacred Heart (2-2) at Howard (0-4) Duquesne (2-1) at Merrimack (3-1) Columbia (2-0) at Princeton (2-0)Gardner-Webb (2-2) at Monmouth (NJ)
(2-2)Harvard (2-0) at Holy Cross (3-1)Colgate (1-3) at Georgetown (1-2)Albany (NY) (0-3) at Delaware (2-1)Ohio St. (3-1) at Rutgers (3-1)UCF (2-1) at Navy (0-3)
Texas Tech (3-1) at West Virginia (2-2) Cornell (0-2) at Bucknell (0-3)James Madison (3-0) at New Hampshire
(3-1)Fordham (1-3) at Lafayette (1-3)Brown (0-2) at Bryant (2-2)Delaware St. (1-3) at Wagner (0-4)Indiana (2-2) at Penn St. (4-0)
SOUTHDuke (3-1) at North Carolina (2-2) Arkansas (4-0) at Georgia (4-0) Pittsburgh (3-1) at Georgia Tech (2-2) Louisville (3-1) at Wake Forest (4-0) Robert Morris (1-1) at NC A&T (1-2) SE Louisiana (2-1) at McNeese St. (1-3) Davidson (2-1) at Stetson (2-1)Bethune-Cookman (0-4) at SC State (0-3) W. Carolina (0-4) at Chattanooga (1-2)Appalachian St. (3-1) at Georgia St. (1-3) Norfolk St. (2-2) at Hampton (2-1)VMI (3-1) at The Citadel (1-2) Dayton (2-1) at Morehead St. (1-2) Elon (1-3) at Richmond (2-2)Louisiana-Monroe (2-1) at Coastal Car-
olina (4-0) SE Missouri (1-3) at Tennessee Tech (0-4)Jacksonville St. (2-2) at Kennesaw St.
(2-1)
Alabama A&M (3-0) at Grambling St.(1-3)
Tarleton St. (2-2) at E. Kentucky (2-2)Wofford (1-2) at ETSU (4-0)FIU (1-3) at FAU (2-2) Mississippi (3-0) at Alabama (4-0)Tulane (1-3) at East Carolina (2-2) Troy (2-2) at South Carolina (2-2) Syracuse (3-1) at Florida St. (0-4)Houston Baptist (0-3) at Nicholls (1-2) Arkansas St. (1-3) at Georgia Southern
(1-3) NC Central (2-2) at MVSU (0-3)E. Illinois (1-4) at Murray St. (1-2) Alabama St. (2-1) at Florida A&M (1-2) Florida (3-1) at Kentucky (4-0) Louisiana Tech (2-2) at NC State (3-1)Samford (2-2) at Mercer (2-1)Incarnate Word (3-1) at Northwestern
St. (0-3)Marshall (2-2) at Middle Tennessee (1-3) Campbell (1-2) at North Alabama (0-4)Liberty (3-1) at UAB (3-1)Uconn (0-5) at Vanderbilt (1-3)Boston College (4-0) at Clemson (2-2)Louisiana-Lafayette (3-1) at South Ala-
bama (3-0)Tennessee St. (1-3) at Austin Peay (2-2)
Auburn (3-1) at LSU (3-1)MIDWEST
Minnesota (2-2) at Purdue (3-1) Charlotte (3-1) at Illinois (1-4) Michigan (4-0) at Wisconsin (1-2) Tennessee (2-2) at Missouri (2-2) Drake (1-3) at Butler (2-2) Marist (0-2) at Valparaiso (1-3) Missouri St. (2-1) at Illinois St. (2-2)E. Michigan (3-1) at N. Illinois (2-2) Cincinnati (3-0) at Notre Dame (4-0) N. Dakota St. (3-0) at North Dakota (2-1)Indiana St. (2-2) at South Dakota (2-2)Ohio (0-4) at Akron (1-3)Cent. Michigan (2-2) at Miami (Ohio) (1-3)Bowling Green (2-2) at Kent St. (1-3) Oklahoma (4-0) at Kansas St. (3-1)S. Illinois (3-1) at W. Illinois (1-3) Youngstown St. (1-2) at N. Iowa (2-1)Army (4-0) at Ball St. (1-3) Kansas (1-3) at Iowa St. (2-2)Dixie St. (0-3) at S. Dakota St. (3-0) Northwestern (2-2) at Nebraska (2-3)W. Kentucky (1-2) at Michigan St. (4-0)
SOUTHWESTTexas (3-1) at TCU (2-1) North American University (0-1) at Tex-
as Southern (0-3)
South Florida (1-3) at SMU (4-0) Sam Houston St. (3-0) vs. Stephen F. Aus-
tin (3-1) at Houston UNLV (0-4) at UTSA (4-0)Southern Miss. (1-3) at Rice (1-3) Baylor (4-0) at Oklahoma St. (4-0) Cent. Arkansas (1-3) at Abilene Christian
(3-1) Mississippi St. (2-2) at Texas A&M (3-1)Old Dominion (1-3) at UTEP (3-1)
FAR WESTSouthern Cal (2-2) at Colorado (1-3)N. Colorado (2-2) at Montana St. (3-1)Nevada (2-1) at Boise St. (2-2)Oregon (4-0) at Stanford (2-2)Idaho St. (0-3) at N. Arizona (1-3)St. Thomas (Minn.) (2-1) at San Diego
(0-4)Washington St. (1-3) at California (1-3)Air Force (3-1) at New Mexico (2-2)Portland St. (1-3) at S. Utah (1-3)Weber St. (1-3) at Cal Poly (1-3) Washington (2-2) at Oregon St. (3-1) Idaho (1-2) at UC Davis (4-0) Arizona St. (3-1) at UCLA (3-1) Montana (3-0) at E. Washington (4-0)New Mexico St. (1-4) at San Jose St. (2-2) Fresno St. (4-1) at Hawaii (2-3)
COLLEGE FOOTBALL
NFL
AMERICAN CONFERENCE
East
W L T Pct PF PA
Buffalo 2 1 0 .667 94 44
Miami 1 2 0 .333 45 82
New England 1 2 0 .333 54 51
N.Y. Jets 0 3 0 .000 20 70
South
W L T Pct PF PA
Tennessee 2 1 0 .667 71 84
Houston 1 2 0 .333 67 76
Indianapolis 0 3 0 .000 56 80
Jacksonville 0 3 0 .000 53 91
North
W L T Pct PF PA
Baltimore 2 1 0 .667 82 85
Cincinnati 2 1 0 .667 68 54
Cleveland 2 1 0 .667 86 60
Pittsburgh 1 2 0 .333 50 66
West
W L T Pct PF PA
Denver 3 0 0 1.000 76 26
Las Vegas 3 0 0 1.000 90 72
L.A. Chargers 2 1 0 .667 67 60
Kansas City 1 2 0 .333 92 95
NATIONAL CONFERENCE
East
W L T Pct PF PA
Dallas 2 1 0 .667 90 69
Philadelphia 1 2 0 .333 64 64
Washington 1 2 0 .333 67 92
N.Y. Giants 0 3 0 .000 56 74
South
W L T Pct PF PA
Carolina 3 0 0 1.000 69 30
New Orleans 2 1 0 .667 73 42
Tampa Bay 2 1 0 .667 103 88
Atlanta 1 2 0 .333 48 94
North
W L T Pct PF PA
Green Bay 2 1 0 .667 68 83
Chicago 1 2 0 .333 40 77
Minnesota 1 2 0 .333 87 78
Detroit 0 3 0 .000 67 95
West
W L T Pct PF PA
Arizona 3 0 0 1.000 103 65
L.A. Rams 3 0 0 1.000 95 62
San Francisco 2 1 0 .667 86 74
Seattle 1 2 0 .333 75 79
Thursday’s game
Jacksonville at Cincinnati
Sunday’s games
Carolina at Dallas Cleveland at Minnesota Detroit at Chicago Houston at Buffalo Indianapolis at Miami Kansas City at Philadelphia N.Y. Giants at New Orleans Tennessee at N.Y. Jets Washington at Atlanta Arizona at L.A. Rams Seattle at San Francisco Baltimore at Denver Pittsburgh at Green Bay Tampa Bay at New England
Monday’s game
Las Vegas at L.A. Chargers
NFL injury reportNEW YORK — The National Football
League injury report, as provided by theleague (DNP: did not practice; LIMITED:limited participation; FULL: Full participa-tion):
SUNDAYARIZONA CARDINALS at LOS ANGELES
RAMS — ARIZONA: DNP: OL Kelvin Bea-chum (ribs), WR DeAndre Hopkins (ribs),OL Rodney Hudson (not injury related-vet-eran resting), OLB Chandler Jones (not in-jury related-veteran resting), OL JustinMurray (back), DT Corey Peters (not injuryrelated-veteran resting), OL Justin Pugh(back). LIMITED: WR A.J. Green (not injuryrelated-veteran resting). LOS ANGELES:DNP: DB Robert Rochell (illness), WR TutuAtwell (illness), OL Andrew Whitworth(not injury related-veteran resting), DLAaron Donald (not injury related-veteranresting), OLB Leonard Floyd (ankle). LIM-ITED: RB Darrell Henderson (ribs).
BALTIMORE RAVENS at DENVER BRON-COS — BALTIMORE: DNP: S DeShon Elliot(quad), QB Lamar Jackson (back), T Ron-nie Stanley (ankle), T Alejandro Villanueva(not injury related-veteran rest), DE DerekWolfe (back/hip), CB Tavon Young (knee).DENVER: DNP: C Graham Glasgow (knee),G Dalton Risner (ankle). LIMITED: RB Mel-vin Gordon III (ribs), OLB Andre Mintze(hamstring), DL Mike Purcell (knee). FULL:DE Shelby Harris (wrist), OLB Malik Reed(ankle/thumb), ILB Justin Strnad (hand).
CAROLINA PANTHERS AT DALLAS COW-BOYS — CAROLINA: DNP: DT Phil Hoskins(not injury related - personal matter), RBChristian McCaffrey (hamstring). LIMIT-ED: DE Yetur Gross-Matos (ankle), G JohnMiller (shoulder). FULL: CB C.J. Henderson(groin), WR Terrace Marshall (thumb).DALLAS: DNP: DE Dorance Armstrong (an-kle), T Ty Nsekhe (illness), DE Carlos Wat-kins (knee), S Donovan Wilson (groin).
CLEVELAND BROWNS at MINNESOTAVIKINGS — CLEVELAND: DNP: CB GregNewsome (calf), C J.C. Tretter (knee), T Je-drick Wills (ankle). LIMITED: WR OdellBeckham (shoulder), T Jack Conklin(knee), T Christopher Hubbard (triceps),LB Sione Takitaki (hamstring). MINNESO-TA: DNP: CB Mackensie Alexander (not in-jury related - personal matter), TE TylerConklin (glute, elbow), T Rashod Hill (notinjury related - resting player), CB PatrickPeterson (not injury related - resting play-er), S Harrison Smith (not injury related -resting player), WR Ihmir Smith-Marsette(toe), WR Adam Thielen (not injury related- resting player). LIMITED: RB Dalvin Cook(ankle), CB Harrison Hand (hamstring), LBEric Kendricks (hip), S Xavier Woods(hamstring).
DETROIT LIONS at CHICAGO BEARS — DE-TROIT: DNP: LB Trey Flowers (shoulder,knee). LIMITED: DE Michael Brockers(shoulder), LB Romeo Okwara (shoulder),RB D’Andre Swift (groin). CHICAGO: DNP:DB Tashaun Gipson Sr. (hamstring), TEJimmy Graham (not injury related-restingveteran), LB Joel Iyiegbuniwe (hamstring),TE Jesse James (personal), LB Khalil Mack(foot). LIMITED: QB Andy Dalton (knee), DLEddie Goldman (knee), WR Darnell Moo-ney (groin). FULL: QB Justin Fields (rightthumb).
HOUSTON TEXANS AT BUFFALO BILLS —HOUSTON: DNP: WR Danny Amendola(thigh), CB Terrance Mitchell (concussion,illness), RB Scottie Phillips (illness), QBDeshaun Watson (not injury related - per-sonal matter). LIMITED: C Justin Britt(thigh), LB Kamu Grugier-Hill (knee), S Jus-tin Reid (knee). BUFFALO: DNP: DE MarioAddison (not injury related - resting play-er), WR Cole Beasley (not injury related -resting player), RB Taiwan Jones (not inju-ry related - resting player), S Jordan Poyer(ankle). LIMITED: G Jon Feliciano (illness),S Micah Hyde (quadricep), CB Taron John-son (groin).
INDIANAPOLIS COLTS at MIAMI DOL-PHINS — INDIANAPOLIS: DNP: TE JackDoyle (back), T Eric Fisher (not injury relat-ed - resting player), LB Darius Leonard (an-kle), G Quenton Nelson (ankle, knee), DEKwity Paye (hamstring), T Braden Smith(foot, thumb), S Khari Willis (ankle, groin),DT Antwaun Woods (back), CB Rock Ya-Sin (ankle). LIMITED: G Mark Glowinski(knee), RB Jonathan Taylor (knee), QB Car-
son Wentz (ankles). MIAMI: DNP: WR WillFuller (chest, elbow). LIMITED: LB JeromeBaker (hamstring), C Michael Deiter (foot,quadricep). FULL: CB Xavien Howard(shoulder), S Brandon Jones (ankle), WRDeVante Parker (shoulder).
KANSAS CITY CHIEFS at PHILADELPHIAEAGLES — KANSAS CITY: DNP: CB RashadFenton (concussion). LIMITED: T OrlandoBrown (groin), DE Frank Clark (hamstring),DT Chris Jones (wrist), CB CharvariusWard (quad). FULL: WR Mecole Hardman(hip), CB Chris Lammons (bicep), DT Der-rick Nnadi (elbow), WR Demarcus Robin-son (knee), CB L’Jarius Sneed (quad), WRTyreek Hill (rib). PHILADELPHIA: DNP: TJordan Mailata (knee). LIMITED: G LandonDickerson (hip), S Marcus Epps (shoul-der), T Lane Johnson (ankle), C Jason Kelce(foot, not injury related - resting player).FULL: S Rodney McLeod (knee), LB DavionTaylor (calf).
NEW YORK GIANTS at NEW ORLEANSSAINTS — NEW YORK GIANTS: DNP: G BenBredeson (hand), LB Blake Martinez(knee), WR Sterling Shepard (hamstring),WR Darius Slayton (hamstring). LIMITED:RB Saquon Barkley (knee), CB Keion Cross-en (elbow), S Nate Ebner (quadricep), RBCullen Gillaspia (ankle), WR Kenny Golla-day (hip), LS Casey Kreiter (knee), S LoganRyan (hamstring), TE Kaden Smith (knee).NEW ORLEANS: DNP: T Terron Armstead(elbow), C Erik McCoy (calf). FULL: CB Mar-shon Lattimore (hand), QB Jameis Win-ston (knee).
PITTSBURGH STEELERS at GREEN BAYPACKERS — PITTSBURGH: DNP: DT CarlosDavis (knee), T Chukwuma Okorafor (con-cussion), QB Ben Roethlisberger (pecto-ral), WR JuJu Smith-Schuster (ribs). LIMIT-ED: T Rashaad Coward (ankle), LB AlexHighsmith (groin), WR Diontae Johnson(knee), LB T.J. Watt (groin). GREEN BAY:DNP: LB Krys Barnes (concussion), G Elg-ton Jenkins (ankle), CB Kevin King (con-cussion). LIMITED: RB Aaron Jones (ankle).
SEATTLE SEAHAWKS at SAN FRANCISCO49ERS — SEATTLE: DNP: WR Dee Eskridge(concussion), G Gabe Jackson (not injuryrelated-resting veteran), RB Rashaad Pen-ny (calf), T Brandon Shell (ankle), DE KerryHyder Jr. (concussion), T Duane Brown(not injury related-resting veteran). LIM-ITED: WR Tyler Lockett (hip). FULL: T Ja-marco Jones (illness), SS Jamal Adams(ankle), DT Bryan Mone (elbow), CB D.J.Reed (calf), FS Marquise Blair (knee), DTPoona Ford (ankle), DE Rasheem Green(foot), LB Benson Mayowa (neck). SANFRANCISCO: DNP: DL Nick Bosa (not injuryrelated - resting player), DT Javon Kinlaw(knee), TE George Kittle (calf), CB JoshNorman (chest), CB K’Waun Williams(calf). LIMITED: RB Elijah Mitchell (shoul-der). FULL: DE Arik Armstead (adductor).
TAMPA BAY BUCCANEERS at NEW EN-GLAND PATRIOTS — TAMPA BAY: DNP: RBGiovani Bernard (knee), TE Rob Gronkow-ski (ribs), LB Jason Pierre-Paul (shoulder).LIMITED: CB Jamel Dean (knee), WR Jay-don Mickens (abdomen). FULL: CB CarltonDavis (abdomen, ribs), WR Chris Godwin(thumb). NEW ENGLAND: DNP: RB JamesWhite (hip). LIMITED: DE Henry Anderson(ankle), LB Ja’Whaun Bentley (shoulder), TTrenton Brown (calf), K Nick Folk (leftknee), LB Josh Uche (back), LB Kyle VanNoy (groin), T Isaiah Wynn (knee).
TENNESSEE TITANS at NEW YORK JETS —TENNESSEE: DNP: WR A.J. Brown (hamstr-ing), LB Bud Dupree (knee), CB Caleb Far-ley (shoulder), WR Julio Jones (hamstr-ing), T Taylor Lewan (toe), DT Larrell Mur-chison (elbow). LIMITED: CB Kristian Ful-ton (ankle), P Brett Kern (right groin), GRodger Saffold (shoulder), DT Teair Tart(shoulder). FULL: LB Jayon Brown (hamstr-ing), TE Anthony Firkser (knee). NEW YORKJETS: DNP: S Marcus Maye (ankle), WR Eli-jah Moore (concussion), WR Jeff Smith(concussion). LIMITED: WR JamisonCrowder (groin), TE Tyler Kroft (rib).
WASHINGTON FOOTBALL TEAM at AT-LANTA FALCONS — WASHINGTON: DNP: TCharles Leno (not injury related - restingplayer), G Brandon Scherff (chest), CBBenjamin St-Juste (concussion). LIMITED:DT Matt Ioannidis (knee). ATLANTA: DNP:DT Marlon Davidson (ankle), WR RussellGage (ankle). LIMITED: WR Frank Darby(calf), G Colby Gossett (illness), S Erik Har-ris (back). FULL: CB A.J. Terrell (concus-sion).
PRO FOOTBALL
Wednesday’s transactionsBASEBALL
Major League BaseballMLB — Suspended Chicago White Sox
INF Tim Anderson for 3 games and an un-disclosed fine for making contact withumpire Tim Timmons during the on-fieldincident with the Detroit Tigers on Sept.27.
American LeagueBOSTON RED SOX — Sent LF Danny San-
tana and RHP Phillips Valdez to Worcester(Triple-A East) on rehab assignments.
HOUSTON ASTROS — Reinstated OF Mi-chael Brantley from the 10-day IL. Op-tioned RHP Josh James to Sugar Land (Tri-ple-A West).
KANSAS CITY ROYALS — Agreed toterms with CF Michael A. Taylor to a two-year extension.
LOS ANGELES ANGELS — Recalled OFTaylor Ward from Salt Lake (Triple-AWest). Optioned LHP Packy Naughton wasto Salt Lake retroactive to Sept. 28.
MINNESOTA TWINS — Reinstated RHPJoe Ryan from the family medical emer-gency/bereavement list. Optioned LHPCharlie Barnes to St. Paul (Triple-A East).
NEW YORK YANKEES — Optioned LHPAndrew Heaney to the Florida ComplexLeague. Reinstated RHP Jonathan Loaisi-ga from the 10-day IL.
TORONTO BLUE JAYS — Selected thecontract of RHP Jacob Barnes and signedhim to a major league contract and activa-ted him for tonight’s game. Optioned RHPAnthony Castro to Buffalo (Triple-A East).Announced INF Jake Lamb has cleared re-lease waivers and is now a free agent.
National LeagueCHICAGO CUBS — Placed INF Patrick
Wisdom on the 10-day IL. Selected the con-tract of INF Trent Giambrone from Iowa(Triple-A East).
LOS ANGELES DODGERS — Sent LF BillyMcKinney to Oklahoma City (Triple-AWest) on a rehab assignment. ReinstatedINF Albert Pujols from the 10-day IL. Op-tioned LHP Andrew Vasquez to OklahomaCity.
MIAMI MARLINS — Optioned LHP DanielCastano to Jacksonville (Triple-A East).
MILWAUKEE BREWERS — Placed RHPDevin Williams on the 10-day IL, retroac-tive to Sept. 27. Selected the contract ofRHP Colin Rea Nashville (Triple-A East).Designated INF/OF Tim Lopes for assign-ment. Sent 1B Rowdy Tellez sent to Nash-ville on rehab assignment.
NEW YORK METS — Placed C Tomas Nidoon the 10-Day IL. Recalled C Patrick Mazei-ka from Syracuse (Triple-A East).
PHILADELPHIA PHILLIES — Named Pres-ton Mattingly director of player develop-ment.
PITTSBURGH PIRATES — Recalled RHPRoansy Contreras from Indianapolis (Tri-ple-A East). Placed INF Ke’Bryan Hayes onthe 10-day IL, retroactive to Sept. 28.
BASKETBALLNational Basketball Association
DENVER NUGGETS — Re-signed F Mi-chael Porter Jr. to a rookie scale extension.
DETROIT PISTONS — Waived F DeividasSirvydis.
MILWAUKEE BUCKS — Signed G ElijahBryant and F Johnny O’Bryant.
FOOTBALLNational Football League
NFL — Announced Las Vegas Raider’s DTGerald McCoy suspended without pay forsix games for violating the NFL policy onperformance enhancing substances.
ARIZONA CARDINALS — Promoted CBAntonio Hamilton from the practice squad
to the active roster. Placed S CharlesWashington on injured reserve. ActivatedDLB Dennis Gardeck from injured reserve.Signed OLs Shaq Calhoun, Danny Isidora,Michal Menet and CB Quinton Dunbar tothe practice squad. Released CB MazziWilkins from the practice squad. SignedCB Antonio Hamilton. Placed DB CharlesWashington on injured reserve.
BALTIMORE RAVENS — Activated DLsBrandon Williams, Justin Madubuike andOLB Justin Houston from the reserve/CO-VID-19 list. Activated WRs Rashod Bate-man and Miles Boykin from injured re-serve.
CHICAGO BEARS — Designated LB DannyTrevathan to return from injured reserveto practice.
DENVER BRONCOS — Designated RBMike Boone to return from injured reserveto practice. Signed G/Cs Harry Crider andjavon Patterson to the practice squad.
INDIANAPOLIS COLTS — Designated QBSam Ehlinger to return from injured re-serve to practice. Placed CB T.J. Carrie oninjured reserve. Promoted CB AnthonyChesley from the practice squad to the ac-tive roster. Signed S Jordan Lucas to thepractice squad.
LOS ANGELES RAMS — Designated OLBOgbonnia Okoronkwo and OL TremayneAnchrum to return from injured reserve topractice.
MINNESOTA VIKINGS — Designated WRDan Chisena and RB Kene Nwangwu to re-turn from injured reserve to practice.
NEW YORK GIANTS — Placed LB BlakeMartinez on injured reserve. Released WRMatt Cole, T Foster Sarell and DT WillieHenry from the practice squad. Signed LBOmari Cobb and G Sam Jones to the prac-tice squad.
NEW YORK JETS — Designated Ss AshtynDavis and Sharrod Neasman to returnfrom injured reserve to practice.
PHILADELPHIA EAGLES — Signed DLCameron Malveaux and T Casey Tucker tothe practice squad. Promoted G Sua Opetafrom the practice squad to the active ros-ter.
PITTSBURGH STEELERS — DesignatedOT Zach Banner to return from injured re-serve to practice. Promoted LB JamirJones to the active roster from waivers.
SAN FRANCISCO 49ERS — Designated DTMaurice Hurst and CB Davontae Harris toreturn from injured reserve to practice.Signed CB Buster Skrine.
SEATTLE SEAHAWKS — Placed TE GeraldEverett on the reserve/COVID-19 list.Signed DT Robert Nkemdiche.
TAMPA BAY BUCCANEERS — Placed WRScotty Miller on injured reserve. Designat-ed LB Cam Gill and G John Molchon to re-turn from injured reserve to practice.Signed DB Richard Sherman.
TENNESSEE TITANS — Signed DL Abdul-lah Anderson to the practice squad. Desig-nated S Brady Breeze and WR MarcusJohnson to return from injured reserve topractice.
WASHINGTON FOOTBALL TEAM —Signed WR Kelvin Harmon to the practicesquad.
HOCKEYNational Hockey League
EDMONTON OILERS — Released D SimonKubicek. Assigned D Max Wannere to Ju-nior Club Moose Jaw (WHL).
NEW YORK RANGERS — Assigned F Jus-tin Richards to Hartford (AHL).
SOCCERMajor League Soccer
NEW YORK RED BULLS — Signed D IssiarDrame for the remainder or the seasonwith an option for next season.
DEALS
WNBA playoffs(x-if necessary)
First RoundThursday, Sept. 23
No. 6 Chicago 81, No. 7 Dallas 64No. 5 Phoenix 83, No. 8 New York 82
PAGE 42 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
COLLEGE FOOTBALL
SOUTH BEND, Ind. — As line-
backer Drew White ran into the
Wisconsin end zone with the second
Notre Dame pick-six in two min-
utes, the identity of Marcus Free-
man’s defense had never been
clearer.
On full display at Soldier Field
was the style and approach that has
garnered so much praise from
Freeman’s players since he was
hired in January, all of it based on
the premise of being able to rely on
instinct and play more freely.
The first two games of the season
raised eyebrows. But for the third
week in a row, the Irish defense im-
proved from the previous game —
this time, in the form of a smother-
ing attack that helped turn a close
contest into a 41-13 rout of the Badg-
ers.
The trajectory bodes well for No.
9 Notre Dame, which on Saturday
faces its toughest test of the young
season: A visit from No. 7 Cincinna-
ti, where Freeman spent the last
four seasons as defensive coordina-
tor.
While with the Bearcats, Free-
man worked alongside head coach
Luke Fickell, his college lineback-
ers coach at Ohio State. On Satur-
day, Freeman and his mentor will
be on opposing sidelines.
“That’s the nature of the busi-
ness,” Fickell said. “I think there’s
kind of those little storylines within
every game, obviously this one be-
ing a little bit different and unique
because it is Notre Dame.”
This week, those storylines don’t
stop at Freeman and Fickell. Irish
coach Brian Kelly spent three years
at Cincinnati before leaving for
Notre Dame after the 2009 season.
Former Bearcats player Mike
Mickens left the team — and Free-
man, his former high school team-
mate — last year but now the two
have been reunited, with Mickens
handling the Irish cornerbacks.
Toward the end of spring prac-
tice, Freeman explained his defen-
sive philosophy and said the success
of his unit would be based on traits
already instilled by his predecessor,
Clark Lea.
“The effort and attitude you’ve
got to play with, the ability to get off
blocks, the ability to tackle, and the
ability to disrupt the ball — those
four things are why we’ll have suc-
cess,” Freeman said.
Freeman’s players emphasize
those same tenets. They repeat
common keywords: physical and
aggressive; effort and attitude; ur-
gency and intensity. And they stress
how much they enjoy playing for
Freeman, who has been described
as a “player’s coach” who encour-
ages meaningful conversations and
forges strong relationships.
Freeman’s defense struggled in
its first two games, allowing a com-
bined 67 points in narrow wins over
Florida State and Toledo. The Irish
made significant strides against
Purdue in week three, holding the
Boilermakers to 13 points. After that
game, Drew White acknowledged
the adjustment period but said the
unit was “getting really close” to
showcasing its capabilities.
Then came the dominant five-
takeaway performance against
Wisconsin last week, when Notre
Dame held the Badgers to 78 rush-
ing yards. Cornerback Cam Hart
had two interceptions, and line-
backers White and Jack Kiser each
added a pick-six in the final min-
utes.
“I knew that we can play better
than what we’ve been playing, and
everyone on the team, everyone on
the defense, all the coaching staff
knew that,” Hart said.
MICHAEL CATERINA/AP
Notre Dame defensive coordinator Marcus Freeman watches during practice in South Bend, Ind. Freemanwas the defensive coordinator at Cincinnati last season, this week’s opponent for the Irish.
Bearcats coming: Freeman,Irish defense on the spotNotre Dame’s defense has improved in past 3 games
JEFF DEAN/AP
No. 7 Cincinnati, coached byLuke Fickell, appear to be No. 9Notre Dame’s toughest opponentso far this season.
BY CAROLINE PINEDA
Associated Press No. 7 Cincinnati (3-0)
at No. 9 Notre Dame (4-0)AFN-Sports2
9 a.m. Saturday CET4 a.m. Sunday JKT
College athletes who earn mil-
lions for their schools are employ-
ees, the National Labor Relations
Board’s top lawyer said in guidance
released Wednesday that would al-
low players at private universities
to unionize and negotiate over their
working conditions.
NLRB General Counsel Jennifer
Abruzzo also threatened action
against schools, conferences and
the NCAA if they continue to use
the term “student-athlete,” saying
that it was created to disguise the
employment relationship with col-
lege athletes and discourage them
from pursuing their rights.
“The freedom to engage in far-
reaching and lucrative business en-
terprises makes players at academ-
ic institutions much more similar to
professional athletes who are em-
ployed by a team to play a sport,”
Abruzzo wrote.
In a statement, the NCAA disput-
ed the characterization of its ath-
letes as employees and said that its
member schools and conferences
“continue to make great strides in
modernizing rules to benefit col-
lege athletes.”
“College athletes are students
who compete against other stu-
dents, not employees who compete
against other employees,” said the
nation’s largest college sports gov-
erning body, with oversight of some
450,000 athletes. “Like other stu-
dents on a college or university
campus who receive scholarships,
those who participate in college
sports are students. Both academ-
ics and athletics are part of a total
educational experience that is
unique to the United States and vi-
tal to the holistic development of all
who participate.”
Abruzzo’s memo does not imme-
diately alter the dynamic between
the schools and their athletes, who
can receive scholarships and limit-
ed cost of attendance funding in ex-
change for playing sports. Instead,
it is legal advice for the NLRB
should a case arise.
That could be triggered by an ef-
fort by a team to unionize, a claim of
an unfair labor practice or even by
a school continuing to refer to a
player as a “student-athlete,”
Abruzzo said.
“It just perpetuates this notion
that players at academic institu-
tions are not workers that have stat-
utory protection,” she said. “It is
chilling workers’ rights to engage
with one another to improve their
terms and conditions of employ-
ment.”
Gabe Feldman, the director of
the Tulane Sports Law Program,
said the memo is “yet another
threat” to the NCAA and its busi-
ness model, which relies on unpaid
athletes to reap billions in revenue
that is distributed to its 1,200 mem-
ber schools.
“All signs point to an increasing-
ly at-risk and fragile system of col-
lege athletics,” he said.
Although football in the five
largest conferences is college
sports’ biggest money-maker, the
memo would extend protections to
all athletes who meet the legal defi-
nition of an employee: someone
who performs services for an insti-
tution and is subject to its control.
The NLRB has authority only
over private schools; public univer-
sity athletes would have to look to
state legislatures or Congress for
workplace protections. But the
NCAA and the conferences could
be viewed as co-employers, Abruz-
zo told the AP.
“If they’re engaged in commerce
in the private sector, they are sub-
ject to that statute,” she said. “We
believe that not only the college but
also the conference itself directly
and immediately controls the
terms and conditions of employ-
ment.”
The NLRB’s new stance — which
reinstates an old opinion that had
been rescinded during President
Donald Trump’s administration —
is the latest test for the NCAA and
the infrastructure of U.S. college
sports.
JEFFREY PHELPS/AP
Northwestern football players gather during practice in 2015, theyear after the team threatened to unionize. The National LaborRelations Board said college football players are employees.
NLRB: College footballplayers are employees
BY JIMMY GOLEN
Associated Press
AP college football writer Ralph D. Russo contrib-uted to this report.
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 43
COLLEGE FOOTBALL
LOS ANGELES — There were
many games during Chip Kelly’s
first two seasons at UCLA where
the Bruins would allow at least 70
rushing yards by the end of the
first quarter.
Times have changed.
The 20th-ranked Bruins go into
Saturday’s game against Arizona
State with the nation’s sixth-
ranked run defense, yielding only
64 yards per contest.
“I think our performance now is
what we should have done these
past few years. It’s been a long
time coming but we’ve started to
get to where we want to be,” senior
defensive lineman Odua Isibor
said.
In last week’s 35-24 win over
Stanford, the Bruins held the Car-
dinal to 67 yards on the ground.
Quarterback Tanner McKee end-
ed up leading the team with 42
yards and had the longest gain of
the day with a 30-yard scramble
during the fourth quarter.
Safety Qwuantrezz Knight and
defensive lineman Mitchell
Agude, who are the team’s top two
tacklers, are also among the high-
est-rated run stoppers at their po-
sition, according to Pro Football
Focus. Knight is fourth among
safeties and Agude fifth among
edge rushers.
“I feel like we have a great
group of guys up front that’s not
just pass rushers. They are litera-
lly just going to run to the ball all
the time,” he said. “That’s what we
do. Even on the back end, the sec-
ondary, the linebackers, everybo-
dy on the team is just going to run
to the ball.”
The Bruins have also benefited
from not facing teams with strong
rushing attacks. Stanford had only
one scholarship player at running
back due to injuries. LSU, which
was held to 49 yards, was also mis-
sing three of its running backs.
UCLA (3-1, 1-0 Pac-12) will face
its biggest rushing test so far
against Arizona State, which is
25th nationally and second in the
Pac-12 at 211.5 yards per game.
The Sun Devils (3-1, 1-0) have 29
rushing touchdowns over their
last seven games dating back to
last season, which is the most na-
tionally. Dating back to 2019, they
have also gone over 200 yards in
six of the last 10 games.
Not only do the Bruins have to
prepare for dual-threat quarter-
back Jayden Daniels, but a deep
running back group that features
Rachaad White, Daniyel Ngata
and DeaMonte Trayanum.
Daniels rushed for 125 yards
earlier this season against UNLV,
while White has the most touches
in the conference by a running
back. The senior leads the Sun
Devils in rushing and receiving.
Kelly said the Sun Devils have
evolved into a more run-oriented
team the past couple of seasons
under Herm Edwards. Even
though Arizona State is deep, the
first priority will be to contain Da-
niels.
“We just wanna make sure that
we’re acknowledging his ability to
run the ball as well,” Isibor said.
“But everything’s the same, we’re
still working hard, we’re still run-
ning to the ball, all things like that.
We’re not treating it too different-
ly, we just put emphasis on his
running ability as well.”
No. 20 UCLA’s defenseimproving against run
BY JOE REEDY
Associated Press
Stanford running back Nathaniel Peat is stopped by UCLA defensive back Qwuantrezz Knight, left,linebacker Ale Kaho, back, and defensive back Kenny Churchwell III during the first half of last week’sgame in Stanford, Calif. UCLA’s defense held Stanford to 67 yards rushing.
In his fourth season at UCLA,head coach Chip Kelly is 1322.
Matt Corral and Bryce Young
left Southern California as hotshot
prospects bound for Southeastern
Conference stardom.
The two quarterbacks convene
Saturday in Tuscaloosa, Ala., as the
early Heisman Trophy front-run-
ners.
Corral leads No. 12 Mississippi
and the nation’s top offense against
Young and No. 1 Alabama in an
SEC West clash that also has the
makings of a potential Heisman
showdown.
Not that the star passers are in-
terested in awards talk — not just
yet anyway.
“That’s cool, right? It’s awesome
that people are saying that, but it’s
not a point of focus,” Corral said.
“I’m not putting any energy into it
and the team shouldn’t either. And
they don’t. They don’t come up and
talk to me about it.”
A month into the season, Corral
is the +150 favorite for the Heis-
man according to FanDuel Sports-
Book. Young is next at +300, fol-
lowed distantly by No. 2 Georgia’s
JT Daniels (+1400), another SoCal-
to-SEC quarterback transplant.
“Being the top for some Heis-
man media talk now means noth-
ing,” Rebels coach Lane Kiffin
said. “It only matters if you win the
thing.”
For now, “the thing” is this game.
Both quarterbacks are coming
off huge performances against
lesser competition. Young com-
pleted 20 of 22 passes for 313 yards
and five touchdowns in a rout of
Southern Miss. He threw his first
interception of the season when the
ball bounced off the chest of Jame-
son Williams while his 15 touch-
down passes in four games is tied
for second nationally.
Corral became the first SEC
player to pass for three touch-
downs and run for four in a romp
over Tulane before an open date.
They’ve been the SEC’s two most
efficient passers and rank in the
Top 10 nationally. Corral has
passed for nine touchdowns with-
out an interception while running
for five scores through just three
games.
The two have crossed paths over
the years but this will be their first
game matchup as starters. Corral’s
Long Beach Poly team was clob-
bered by Daniels and Mater Dei
55-13 in 2017. Young transferred to
Mater Dei the following season,
succeeding Daniels.
Both ultimately headed South as
five-star prospects after initially
committing to USC. Young, the na-
tion’s top-rated quarterback two
years ago, said he wanted to “com-
pete against the best” in both prac-
tice and games.
Corral trumps Young, a first-
year starter, in experience. He be-
came the first SEC quarterback to
lead the nation in total offense last
season and has picked up where he
left off.
Corral had a huge game against
Alabama last season, going 21-
for-28 for 365 yards and two touch-
downs while also running for 40
yards.
Now, he’s thriving again in his
second year under Kiffin and of-
fensive coordinator Jeff Lebby,
putting up big numbers in three
nonconference games..”
Now, Kiffin talks about the intan-
gibles of leadership and says Cor-
ral regularly shows up at the foot-
ball building at 5:30 a.m. Then
there’s his on-field exploits.
“He shows plays every Saturday
that people don’t make,” Kiffin
said. “I’ve said it before: Ole Miss
fans need to appreciate this while
you have it. This is a generational
arm talent that your’e going to get
spoiled with, because not too many
people ever are going to make the
plays that he’s making.”
PHOTOS BY DANNY KARNIK, LEFT, AND VASHA HUNT, RIGHT/AP
Mississippi’s Matt Corral, left, and Alabama’s Bryce Young, right, aretwo quarterbacks who left Southern California as hotshot prospects tocompete in the Southeastern Conference.
SoCal QBs clashin SEC matchup
BY JOHN ZENOR
Associated Press
PAGE 44 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
COLLEGE FOOTBALL
Oregon’s Bennett Williams said
there’s nothing better for the
Ducks’ secondary than a take-
away. It’s something of a competi-
tion among the defensive backs.
The No. 3 Ducks have nine in-
terceptions this season, tied with
Kent State and Notre Dame for
most in the FBS.
That total was padded consider-
ably Saturday when Oregon (4-0,
1-0 Pac-12) intercepted Arizona
quarterback Jordan McCloud five
times, twice in the red zone.
“I mean, as a defense that’s the
best feeling, you know, getting
those takeaways and that’s what
we pride ourselves on. You know
we want three every game. And so
five, it feels pretty good,” Wil-
liams said. “It’s so much fun and it
fuels the whole team, not just the
defense, right? The offense comes
out there and they feel good. So it’s
big and we’re gonna try to keep
that going.”
The winless Wildcats surpris-
ingly got within five points head-
ing into the fourth quarter, but the
Ducks responded with 17 unan-
swered points, including Wil-
liams’ 68-yard interception re-
turn for a touchdown to seal a 41-
19 victory.
Bennett had a pair of intercep-
tions in the game, as well as eight
tackles. His touchdown return
was the longest for Oregon since
2017. Additionally, the team’s five
interceptions were the most since
the Ducks had six against Cal in
1999.
Teammate Verone McKinley
III has four interceptions this sea-
son, tying him for most in the na-
tion. Williams has three.
“They understand the game so
well, and have such a positive im-
pact on others,” coach Mario Cris-
tobal said about the duo. “They
are ballhawks. On top of that, too,
they are physical and in a hurry.
They get guys on the ground and
make tackles. They are exactly
what you want back there in the
secondary of your football team.”
McKinley said there’s some
good-natured jostling for take-
aways among the defensive
backs.
“It’s definitely been huge, be-
cause Bennett got his first, he’s
the first one in Arizona and he was
like, ‘I’m tied with you.’ And I was
like, ‘Oh no, not for long,’ ”
McKinley told reporters this
week. “And so, that competition is
something you want in the defen-
sive back room. Everybody’s
pushing to beat each other and
that’s what makes it fun. To have
that competitive spirit in our
room makes it even more fun.”
The Ducks rank atop the NCAA
in turnover margin (plus-12), with
nine interceptions and four reco-
vered fumbles through four
games.
Oregon was also among the top
FBS teams for interceptions in
2019. But the Ducks are on pace to
top that team’s total of 20. In fact,
if they keep it up, they could break
the team’s record of 26, set in
2012. George Shaw holds Ore-
gon’s single-season record of 13
interceptions, set in 1951.
The secondary’s success has
come despite a lack of consistency
overall on defense. The Ducks
gave up 233 passing yards to Ari-
zona last week and a season-high
202 rushing yards.
But part of the problem has
been injuries. NFL prospect Kay-
von Thibodeaux was injured in
the opener and returned for limit-
ed plays against the Wildcats.
Cristobal said the defensive end
will be at full strength Saturday at
Stanford.
Outside linebacker Mase Funa
is back to 100% after missing
Week 3, but edge rusher Bradyn
Swinson remains sidelined.
Stanford is known for its tall re-
ceivers, so McKinley said the
Ducks need to be prepared.
“Identifying who is in the game
because they run so many differ-
ent personnel sets with so many
different fullbacks, tight ends, re-
ceivers — some of the receivers
are bigger guys that are blockers,
some are speed guys that can real-
ly take the top off the defense — so
just really identifying who is com-
ing in and out of the game, and
knowing the situation when we’re
out in the field, those are probably
the biggest keys,” McKinley said.
Oregon DBs playingtakeaway this year
ANDY NELSON/AP
Oregon safety Bennett Williamsintercepts a pass intended forArizona wide receiver StanleyBerryhill III during a Sept. 25game in Eugene, Ore. The Ducksare tied for the FBS lead thisseason with nine interceptions.
BY ANNE M. PETERSON
Associated Press
Alabama and Georgia, the top-
ranked teams in the country and
the favorites to win their South-
eastern Conference divisions, are
preparing to face the league’s big-
gest early season surprises.
No. 12 Mississippi is heading to
Alabama to take on the top-ranked
Crimson Tide while No. 8 Arkan-
sas plays at No. 2 Georgia.
The matchups Saturday weren’t
necessarily penciled in as quite
such high-profile games leading
up to the season.
Now there all kinds of intriguing
storylines: national and SEC
championship implications; es-
tablished powerhouses hosting
ambitious fast risers; former as-
sistants against their old bosses.
“We’ll have our hands full,” said
Ole Miss coach Lane Kiffin, a for-
mer Crimson Tide offensive coor-
dinator under Nick Saban, whose
current team is a two-touchdown
underdog.
“I’m sure that’s why we’re a
huge underdog.”
Ole Miss is sporting its highest
ranking since rising to No. 12 dur-
ing the 2016 season. Arkansas,
which started to emerge from the
program’s doldrums in coach Sam
Pittman’s first year, hasn’t been as
high as No. 8 since 2012.
Wins over Texas and then-No. 7
Texas A&M helped the Razor-
backs become one of September’s
biggest college football stories.
They and Ole Miss are trying to
show they’re ready to perhaps un-
seat Alabama in the SEC West.
Pittman, a former Georgia as-
sistant, said the extra attention
hasn’t affected him or his team,
though getting an appearance on
CMT “was awesome.” But going
from Texas A&M to Georgia to Ole
Miss to No. 22 Auburn is a good
ego check.
“It’s hard to get the big head be-
cause one of them are going to
knock you out if you’re not pre-
pared for them,” Pittman said.
“Our team understands that.”
But he noticed more interest
from recruits since that win over
Texas, and figures the Razorbacks
program is worthy of their atten-
tion.
“It’s certainly an exciting time
to be at the University of Arkan-
sas,” Pittman said. “It kind of so-
lidifies our belief in what we can
do because we’re the University of
damn Arkansas.”
Of course, Ole Miss and Arkan-
sas have a long way to go to ap-
proach the sustained success of
the universities of Alabama and
Georgia. Those programs have
become old hands at these big
games in the regular season and
beyond.
Georgia has already faced then-
No. 3 Clemson and Alabama sur-
vived a visit to No. 10 Florida. The
Tide have beaten a record 22
ranked teams by 25-plus points
under Saban.
Bulldogs coach Kirby Smart
doesn’t necessarily think that big-
game experience gives any edge
for his team.
“We haven’t really even thought
about that, because I look at it
they’ve had two massive games as
well,” Smart said. “There’s no kid
that is going to say, ‘Oh man, this
game is bigger than that game.’
They’re all big. I mean they are all
tremendously big games and they
only get bigger from here. So, I
don’t think anybody has an advan-
tage when it comes to that.”
Kiffin is well acquainted with
Saban’s famed “Process” having
been the Tide’s offensive coordi-
nator in 2014 and 2015 when the
Rebels pulled off back to back up-
sets of Alabama under Hugh
Freeze.
Then there was the 2016 game
when Ole Miss scored on a fumble
by Tide quarterback Jalen Hurts.
Alabama did rally for the win. Kif-
fin said it takes some breaks to
beat a No. 1 team, along with play-
ing and preparing very well.
“That’s why they rarely hap-
pen,” Kiffin said. “Maybe we can
get one of those passes where the
quarterback gets hit and they drop
it and it tips up to us and we go
score. Call Hugh and ask him what
that play is called.”
VASHA HUNT/AP
No. 1 Alabama and quarterback Bryce Young play host to No. 12 Mississippi this Saturday. The Rebels,coached by former Alabama assistant Lane Kiffin, have their highest ranking since 2016.
SEC’s leading teams hostleague’s big early surprisesNo. 1 Alabama plays No. 12 Mississippi, No. 2 Georgia faces No. 8 Arkansas
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 45
MLB/NFL
ST. LOUIS — Milwaukee
Brewers reliever Devin Williams
fractured his throwing hand
when he punched a wall after his
team celebrated its NL Central ti-
tle, likely knocking him out for
the entire postseason.
Brewers president of baseball
operations David Stearns said be-
fore the Brewers’ Wednesday
night game with the St. Louis
Cardinals that Williams’ injury
likely will require surgery.
Stearns said there’s an “outside
chance” the 2020 NL rookie of the
year could be available for the
World Series if the Brewers get
that far.
Milwaukee clinched the divi-
sion crown Sunday by beating the
New York Mets 8-4 in its regular-
season home finale.
“After our celebration, I went
out to have a few drinks,” Wil-
liams said Wednesday. “On my
way home, I was a little frustrat-
ed and upset, and I punched a
wall. That’s how it happened.”
The injury leaves the Brewers
without their main setup man for
All-Star closer Josh Hader.
“I don’t think it’s going to be
one player who fills that role,”
manager Craig Counsell said. “I
think it’s going to be multiple
players that fill that role. And
when you say the role, don’t think
about the regular season is what I
guess I would say. It’s going to be
a pitcher. It’s not necessarily go-
ing to be a reliever. We have to
get 27 outs to win a playoff game.
That’s truly how we see it.”
Williams, a 27-year-old right-
hander, has an 8-2 record with a
2.50 ERA in 58 games this season.
He has struck out 87 batters in 54
innings. Opponents are batting
.186 against him.
AARON GASH/AP
The Brewers’ Devin Williamsfractured his throwing handSunday night when he punched awall after his team celebrated itsNL Central title, likely knockinghim out for the postseason.
Toronto 6, N.Y. Yankees 5Boston 6, Baltimore 0Minnesota 5, Detroit 2Chicago White Sox 6, Cincinnati 1Tampa Bay 7, Houston 0L.A. Angels 7, Texas 2Kansas City 10, Cleveland 5Seattle 4, Oakland 2Colorado 10, Washington 5Miami 3, N.Y. Mets 2Chicago Cubs 3, Pittsburgh 2Atlanta 7, Philadelphia 2Milwaukee 4, St. Louis 0San Francisco 1, Arizona 0L.A. Dodgers 11, San Diego 9
Thursday’s games
L.A. Angels at TexasBoston at BaltimoreN.Y. Yankees at TorontoTampa Bay at HoustonDetroit at MinnesotaCleveland at Kansas CityMilwaukee at St. LouisChicago Cubs at PittsburghMiami at N.Y. MetsPhiladelphia at AtlantaArizona at San FranciscoSan Diego at L.A. Dodgers
Friday’s games
Boston (Rodríguez 11-8) at Washington(Rogers 2-1)
Tampa Bay (TBD) at N.Y. Yankees (Cortes Jr. 2-2)Baltimore (TBD) at Toronto (TBD)Cleveland (Morgan 4-7) at Texas (Howard 0-4)Detroit (Peralta 4-4) at Chicago White Sox
(Lynn 10-6)Minnesota (TBD) at Kansas City (TBD)Oakland (Manaea 10-10) at Houston (TBD)L.A. Angels (Suarez 7-8) at Seattle (Gon-
zales 10-5)Cincinnati (Castillo 8-16) at Pittsburgh
(Crowe 4-8)Philadelphia (Suárez 7-5) at Miami (Al-
cantara 9-14)N.Y. Mets (Hill 6-8) at Atlanta (TBD)Chicago Cubs (Davies 6-12) at St. Louis
(Hudson 1-0)Colorado (Gray 8-12) at Arizona (Castella-
nos 2-2)San Diego (TBD) at San Francisco (TBD)Milwaukee (TBD) at L.A. Dodgers (Ker-
shaw 10-8)
Saturday’s games
Tampa Bay at N.Y. YankeesBaltimore at TorontoBoston at WashingtonCleveland at TexasDetroit at Chicago White SoxMinnesota at Kansas CityOakland at HoustonL.A. Angels at SeattleSan Diego at San FranciscoPhiladelphia at MiamiCincinnati at PittsburghChicago Cubs at St. LouisN.Y. Mets at AtlantaColorado at ArizonaMilwaukee at L.A. Dodgers
Scoreboard
PHILADELPHIA — The Phila-
delphia Eagles set a franchise re-
cord Monday night that they are
not eager to celebrate.
They handed the ball to their
running backs only three times
among 53 snaps in a blowout loss
to the rival Dallas Cowboys.
Fans and other observers were
dumbfounded.
Miles Sanders, who got two of
those carries for 27 yards, said his
goal in speaking with reporters on
Wednesday afternoon was to “just
quiet all that down.”
Sanders had his work cut out for
him.
As the Eagles picked up the
pieces from their 41-21 loss at Dal-
las and began preparing for this
week’s visit from Kansas City,
questions about first-year head
coach Nick Sirianni’s play-calling
led a long list of pertinent topics
arising from that NFC East deba-
cle.
Since the Eagles drafted Sand-
ers in the second round, 53rd over-
all, in 2019, he has produced the
fourth-most scrimmage yards per
touch among NFL running backs
with at least 300 touches.
In addition to the career-low
two carries, Sanders caught three
passes for 28 yards. The Eagles
couldn’t get much going with one
of their most potent playmakers
on a night when they struggled to
move the ball consistently.
“He’s a pivotal part of this of-
fense, one of the top running backs
in the league, he’s gotta get his,”
second-year quarterback Jalen
Hurts said Wednesday, when
asked about Sanders.
Earlier in the day, Sirianni said
he didn’t want to specify a target
number of touches for Sanders,
then added: “Does he need more
than five touches? Of course. The
way the game went, he didn’t get
that. … There’s no doubt, we’ve
got to get our playmakers the ball.
He’s a playmaker. He’s shown
that he’s a playmaker.”
Sanders said he “didn’t dwell on
it too much,” Monday night. “It is
what it is. I can only control what I
can control. The game was pretty
much out of hand early, so I could
see why the game plan ... didn’t go
as planned. It’s kind of like a panic
in there throughout the whole
team, you know, just based on the
way that the game went.
“I didn’t question it, didn’t show
any type of emotion, just kept
playing the game. ... I’m not over
here saying what y’all really want
me to say, I’m just here to (dead-
en) all this. It’s on to the next
week.”
Sanders said Hurts reached out
to all the running backs after the
loss, emphasizing that there are a
lot of games left.
“We’re not down on anybody on
this team,” Sanders said. “I’m not
down on my teammates, not down
on (Sirianni).”
The loss was troubling, though,
as Sirianni and Hurts attempt to
establish themselves.
“It starts with me,” Hurts said
Wednesday. “I’ll be better for this
team.”
Sanders stood up for his QB.
“It’s one week, man. Second-
year quarterback. He’ll be all
right,” Sanders said. “We’re all go-
ing to be all right. We’re all behind
him. We ain’t doubting nobody.”
Later on, Sanders said that “I do
believe, to have a successful of-
fense, you have to run the ball,”
and added that “I can sit here and
tell you what I think we should do,
but I’m not a coach.”
Hurts’ mistakes in his seventh
NFL start were among the most
notable problems Monday night,
and Hurts said afterward that the
loss was on him.
Asked about that Wednesday,
Sirianni said: “I don’t think that’s
fair for him to, say, take the blame
for a loss.” He added that he liked
Hurts’ willingness to be held ac-
countable.
“I don’t think he played his best
game. I don’t think he played a bad
game,” Sirianni said. “We all need
to improve. When you lose like we
lost on Monday night, everybody
needs to improve. Everybody
needs to look in the mirror, start-
ing with myself.”
Hurts said better times will
come for the 1-2 team, which faces
a punishing run of games against
the Chiefs, Panthers, Bucs and
Raiders.
“This whole nucleus we have
here, we’re all growing, we’re all
together, we’re all finding each
other and creating an identity,”
Hurts said. “It’s coming.”
MICHAEL AINSWORTH/AP
Eagles running back Miles Sanders, center, looks for room on a run as Cowboys linebacker Jaylon Smithgives chase. Sanders ran the ball only two times in Monday’s game, which led to criticism of quarterbackJalen Hurts and coach Nick Sirianni.
Eagles expect more fromrunning game than 3 carries
BY LES BOWEN
Associated Press
Tampa Bay Buccaneers (2-1)at New England Patriots (1-2)
thought about playing until he’s 50 and if anyone can
do it, he probably can.”
Grudge: Brady-Belichick rivalrygoes far beyond just the numbersFROM PAGE 48
PHELAN EBENHACK/AP
Brady waves to fans as he celebrates the Tampa Bay Buccaneers’Super Bowl victory over the Kansas City Chiefs with a boat paradeFeb. 10 in Tampa, Fla. It was Brady’s seventh Super Bowl victory.
QB Tom Brady, left, standswith coach Bill Belichick,right, in 2018.
PAGE 46 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
NFL
Friday, October 1, 2021 • S T A R S A N D S T R I P E S • PAGE 47
NFL
CHARLOTTE, N.C. — As the
Carolina Panthers were prepar-
ing to make their pick in the fourth
round of this past April’s draft,
coach Matt Rhule received an un-
expected text message from his
wife.
It read: “Please take Chuba
Hubbard!”
A few minutes later, Hubbard
was a member of the Panthers. Of
course, the Carolina scouting de-
partment had their eyes on Hub-
bard for a long time before Julie
Rhule’s endorsement, but it cer-
tainly made for a funny story —
one that team owner David Tep-
per shared with Hubbard when he
called to congratulate him on be-
coming a member of the Panthers.
“Julie, being a coach’s wife,
she’s sat through a lot of games
and seen a lot of people,” Rhule
said at the time. “It’s funny, I had
one former executive who texted
me and said, ‘It’s pretty simple.
When you play against guys and
you hate playing against them,
they’re people someday you want
to put on your team.’ ”
On Sunday, the Panthers (3-0)
will get an extended look at Hub-
bard as he’s expected to get his
first NFL start against the Dallas
Cowboys (2-1) with Christian
McCaffrey out for the next few
weeks with a hamstring injury.
Royce Freeman will also play
running back and the team could
promote Rodney Smith and/or
Spencer Brown from the practice
squad, too.
Quarterback Sam Darnold said
that while playing without McCaf-
frey is “not ideal,” he’s confident
the rookie will be productive if he
doesn’t try to do too much.
“He doesn’t have to do anything
special,” Darnold said. “He just
has to do his job every day. That is
what we ask of everyone. And we
aren’t going to ask him to do any-
thing more just because Christian
is out.”
Hubbard had significant play-
ing time last Thursday night after
McCaffrey pulled up while run-
ning a sweep play in the first quar-
ter of the team’s 24-9 win over the
Houston Texans.
Hubbard struggled initially, but
seemed to get his footing — litera-
lly — in the second half.
Rather than slipping and falling
as he had been doing in some of his
previous carries, Hubbard started
hitting holes hard and finished
with a respectable 52 yards on 17
carries. Freeman, who is consid-
ered a better pass-blocker, car-
ried five times for 17 yards.
But it was Darnold who ran for
two touchdowns while rookie
Tommy Tremble scored the other
on a tight end sweep.
“I told Chuba at halftime,
‘That’s why we drafted you,
man,’ ” Rhule said. “I thought
Chuba was outstanding. At the
end of the half, we didn’t give him
a ton of chances, but I thought he
got in there at the end and made
some key runs. When we can line
up in four-minute offense and run
and get the first down on two
plays, especially versus that stout
defense, that’s a credit to the of-
fensive line, credit to the tight
ends and fullbacks.”
Rhule said it would be unfair to
Darnold and the offensive line to
dramatically change the game
plan just because McCaffrey is
out.
Sure, there will be different for-
mations and Carolina may skip
some plays that McCaffrey runs
well. But for the most part Rhule
has told players they’ll continue to
do what they normally do against
the Cowboys.
Hubbard has shown the ability
to put up some big games while
playing at Oklahoma State, includ-
ing a 171-yard, two-touchdown
performance against the Rhule-
coached Baylor Bears in 2019.
That was the one that caught his
wife’s eye.
MATT PATTERSON/AP
Carolina Panthers running back Chuba Hubbard picks up yardage during last week’s game against theTexans in Houston. Hubbard finished with 52 yards on 17 carries while filling in for Christian McCaffrey.
San Francisco 49ers quarterback Jimmy Garoppolo has a 67.5passer rating in the first quarter, which ranks 28th, but he improvesto 11th at 106.6 the rest of the game.
49ers won’t changeQBs after slow starts
BY JOSH DUBOW
Associated Press Seattle Seahawks (1-2)
at San Francisco 49ers (2-1)AFN-Atlantic
10 p.m. Sunday CET5 a.m. Monday JKT
Out of the postseasonBrewers reliever sidelined after
breaking throwing hand ›› MLB, Page 45
PAGE 48 • S T A R S A N D S T R I P E S • Friday, October 1, 2021
SPORTS
Irish ‘D’ faces tough test in Bearcats ›› College football, Page 42
Without Bill Belichick, Tom Brady won his sev-
enth Super Bowl and is on pace to throw a ca-
reer-high 53 touchdown passes at age 44.
Without Brady under center, Belichick is
63-75 over his career, including 8-11 since the future Hall
of Fame quarterback left New England for Tampa Bay.
Brady vs. Belichick? The numbers don’t lie, but it’s not
that simple.
The ultimate NFL grudge
match takes center stage
Sunday night when Brady
returns to face the Patriots
(1-2) for the first time with
the Buccaneers (2-1).
For many, the Brady vs.
Belichick debate ended
when No. 12 led the Bucca-
neers to a convincing 31-9
victory over the Kansas
City Chiefs and earned his
fifth Super Bowl MVP award last February. Brady’s suc-
cess in Tampa and Belichick’s struggles since the GOAT
left Patriot Place proves the quarterback was more valua-
ble than the coach. It’s clear the Patriots wouldn’t have
won six Super Bowl titles without Brady.
Former Patriots cornerback Asante Samuel said
Belichick is “just another coach” without Brady.
However, it’s fair to say Brady wouldn’t have
earned six rings in New England without Belich-
ick. He drafted Brady in the sixth round with
the 199th overall pick and built a dynasty
around him led by a tenacious defense that
helped them tremendously during their
two decades together.
“What Brady has been able to do in
his career I’ll never take anything
away from him. Greatest athlete
in my opinion to ever play any
Buccaneers quarterbackTom Brady and Patriots
head coach Bill Belichickwon six Super Bowls
together in New England.
AP PHOTOSGrudgematchBuccaneers QB Brady has numbersedge in comparisons with Belichick
BY ROB MAADDI
Associated Press
SEE GRUDGE ON PAGE 46
NFL
8-11Patriots coach Bill Belichick’srecord since quarterback TomBrady left New England to playfor the Tampa Bay Buccaneers.Brady returns to face thePatriots (1-2) for the first timewith the Bucs (2-1).
SOURCE: Associated Press
INSIDE
Slow starts won’tlead to quick changeat quarterback for 49ersPage 47