Men's Passion #72 - November 2015

The Design EditionWhere form matches function - perfectly.

IFCS 2nd HALFRALPH LAUREN

D12910 PC Kuwait_Porsche_History-Men's passion 536x330 E - v3 - final.indd 1 10/12/15 7:53 PM

D12910 PC Kuwait_Porsche_History-Men's passion 536x330 E - v3 - final.indd 1 10/12/15 7:53 PM

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Kuwait_Mens_Passion_formal_double_adv_536x320.indd 1 21/09/15 15:21

ISSUE NUMBER 72 - NOVEMBER 2015

Dear Passionate Readers, This issue is a celebration of design, and those creative minds that can conceive flow and harmony and apply it on any and every angle of our lives. It is also a celebration of our spirit, the spirit that seeks evolution, appreciating all the intricacies of design, soaring with its every elevation. I am writing you this letter after meeting one of the greatest creator of watch movements at Jaeger Le-Coultre, surrounded by the falling autumn leaves of all colors, I cannot but pause and ponder... Living in the most beautifully, impeccably designed world of ours, what, as humans, are we meant to design or accomplish to feel that we have added or positively improved that which seems perfect already? As I ask myself this question, not for the first time and surely not the last time either, I cannot but hear the ticking of the newly re-introduced movement, the ‘True Second’. Previously known as a ‘Dead Second’, Jaeger Le-Coutre has revived it and renamed it. Ensuring that each second counts, as every second does matter. May we always remember to pause, even if only for a second, to appreciate the great design of our world, and may we always remember the importance of each and every second, whether or not we hear its passing... Till the next issue,

JUST A THOUGHT

Zeina MokaddamManaging Director

U LY S S E - N A R D I N . C O M

S a l h i y a C o m p l e x - 2 2 4 6 4 7 6 2A l H a m r a L u x u r y C e n t e r - 2 2 2 7 0 2 0 6

A v e n u e s M a l l - 2 2 5 9 7 7 2 7

Marine DiverSelf-winding movement. Water-resistant to 300m.

18 ct rose gold case. Also available in stainless steel.

EDITOR-IN-CHIEFAmera Al-Awadhi

LEGAL CONSULTANT Khaled Al-Kandari Al-Kandari Law Firm

PUBLISHED BY

MANAGING DIRECTORZeina Mokaddam

ACTING MANAGING DIRECTORNouf Al-Hajri

MANAGING EDITOR Simon Balsom

EDITORIAL ASSISTANTKamakshi Handa

CONTRIBUTORSYasmine Bandar (Editorial) Zeina Al-Ayoub (PR)MaryAnn D’Silva (PR) Cityscape (Real Estate)

CREATIVE DIRECTOR Tarek Kabbani

HEAD OF PHOTOGRAPHYMaher Al-Nouri

PRODUCTION MANAGERNidal Shaker

PH7 is a specialized publishing house based in Kuwait. Telephone +(965) 2572 0810 Fax +(965) 2572 0860 Website www.ph7-kw.com

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PH7 wishes to state that the opinions expressed in MEN’S PASSION are those of the authors concerned and not necessarily those of the publisher.

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ON THE COVER:

CONTENTS

14 A Question of Design with Raj Patel – Design Pr incipal , KEO Design Div is ion

18 Credit One Holding Company A Modern and Elegant Design

20 Tahir Sultan Fashion Designer

22 Studio AIO Al l- in-one

November 2015

Design defines civilizations. And in Kuwait today, we’re pretty good at it. This edition celebrates design and designers and we look at the processes involved, how the city and the society inspires what gets created, and look at what can be done to make things even better.

26 Nuqat The Kuwait Conference 2015

28 Abwab at Dubai Design Week

30 Dubai Design Week Wrap

32 A Day in the Life of Sheikh Dawood Salman Al-Sabah Brought to you by Range Rover

New Street: 22453927 :الشارع اجلديد • Marina Mall: 22244839, 22244882 :مارينا مولSalmiya Souq: 25718224 :سوق الساملية • Souq Sharq: 22433770, 22433500 :سوق شرق

The Gate Mall: 22056366 :اجليت مول • Behbehani Complex: 22406795, 22453863 :مجمع بهبهاني Laila Gallery: 25719780/1 :ليـلى جاليــري • The Avenues: 22597727, 22597728 :األڤنيوز

TIK TOK(SoKu, The Avenues): 22200726 :(تيك توك )سوكو، األڤنيوز

New Street: 22453927 :الشارع اجلديد • Marina Mall: 22244839, 22244882 :مارينا مولSalmiya Souq: 25718224 :سوق الساملية • Souq Sharq: 22433770, 22433500 :سوق شرقThe Gate Mall: 22056366 :اجليت مول • Behbehani Complex: 22406795, 22453863 :مجمع بهبهاني Laila Gallery: 25719780/1 :ليـلى جاليــري • The Avenues: 22597727, 22597728 :األڤنيوز TIK TOK(SoKu, The Avenues): 22200726 :(تيك توك )سوكو، األڤنيوز

New Street: 22453927 :الشارع اجلديد • Marina Mall: 22244839, 22244882 :مارينا مولSalmiya Souq: 25718224 :سوق الساملية • Souq Sharq: 22433770, 22433500 :سوق شرق

The Gate Mall: 22056366 :اجليت مول • Behbehani Complex: 22406795, 22453863 :مجمع بهبهاني Laila Gallery: 25719780/1 :ليـلى جاليــري • The Avenues: 22597727, 22597728 :األڤنيوز

TIK TOK(SoKu, The Avenues): 22200726 :(تيك توك )سوكو، األڤنيوز

New Street: 22453927 :الشارع اجلديد • Marina Mall: 22244839, 22244882 :مارينا مولSalmiya Souq: 25718224 :سوق الساملية • Souq Sharq: 22433770, 22433500 :سوق شرقThe Gate Mall: 22056366 :اجليت مول • Behbehani Complex: 22406795, 22453863 :مجمع بهبهاني Laila Gallery: 25719780/1 :ليـلى جاليــري • The Avenues: 22597727, 22597728 :األڤنيوز TIK TOK(SoKu, The Avenues): 22200726 :(تيك توك )سوكو، األڤنيوز

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TISSOT.CH

44 Porsche’s new all-wheel drive sports cars More eff ic ient and with greater spr int ing power

46 Bentley’s Desert Train Race

48 The New Audi Q7 The benchmark of i ts c lass

52 Frankfurt Motor Show 2015 Wrap

56 McLaren 650S Can-Am L imited Run

59 Ulysse Nardin at Dubai Watch Week

60 Bell & Ross Vintage Col lect ion

61 Carl F. Bucherer A watch l ike no other on earth

62 Omega + METAS World’s f i rst Master Chronometer

63 Richard Mil le RM 63-02 World Timer Automatic Watch

64 Tod’s Men’s Collection Autumn/Winter 2015-16

66 The Lanvin Shirts & their new col lars

68 Harvey Nichols Preview

THE LUXE REVIEW

72 Iron Man Benett i Vivace 125’ M/Y IRON MAN 76 Shanti Maurice Maurit ius

78 Mohammed AlKouh ‘Four Hands Can’t Clap’

81 Art Around Us Art Moments Fest ival In Budapest

84 The Protégés The Mentor – Yarub Bourhama

86 RunQ8 2000 runners – 10km – 1 cause

88 Zeitgeist Paul Smith x Caran d’Ache

90 Buying in Britain 94 Events

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THE DESIGN PRINCIPAL

A Question of Designwith Raj Patel – Design Principal, KEO Design Division

As Design Director, Raj seeks interaction with clients to fully understand their needs and requirements on intricate projects to deliver exceptional design solutions, which achieve functional goals while creating meaningful architectural spaces and forms. His meticulous design process continually seeks to test countless planning and design concepts for each project in the process of formulating a unique and inspirational design. His work has allowed him to travel extensively throughout the Middle East and Northern Africa and as a result, he has reaped the benefits of understanding clients, the culture, and the architecture of the region.

During his tenure at KEO International Consultants, Raj has created a contemporary design language which combines modern large-scale building programs with traditional aspects of form, pattern, and cultural space- perceptions related to Islamic Architecture. The continual exploration of the cultural meanings found throughout the region has provided inspiration throughout his work in an attempt to situate buildings within their environment.

What are the key projects you’ve worked on that you feel had the most posit ive impact on the people who used them? What were the elements of the design that made these projects so engaging?

While I hope all of our projects have unique qualities, I think the two most interesting ones are GUST University and Kuwait Investment Authority.

GUST was built in 2007 and dealt with how to transition into a new era of learning where connectivity between students to their professors, each other, Wi-Fi, cafes, and an outdoor environment is so paramount.

Raj joined KEO International Consultants in 2001 after six years of experience with leading design firms such as Skidmore Owings & Merrill, Perkins & Will, and Charles Correa. He obtained a Bachelor of Architecture from the University of Cincinnati in 1993 and a Master of Architecture degree from Yale University in 1997. His interest in the culture and the spirit of architecture during his educational years was mixed with the realities of building mega scale projects during his professional career. The result was an understanding of the delicate integration of the architect’s responsibility for creating spirit within the work and the client’s financial motivation.


Education is not just about sitting in a classroom anymore so we tried to recognize this by fusing a partial mall in between faculty offices and classrooms. The result has been amazing- a whole new level of interaction and excitement that augments the critical daily learning which is taking place. You find students who stay at school the entire day because the space, the facilities, and the University encourages them to do so. As a result, I believe learning becomes fun because we were able to address the need for social interaction, which is so vital to the Middle Eastern culture.

Kuwait Investment Authority Headquarters Building is the a design competition that we won and dealt with how to create a modern Headquarters Building for a dynamic futuristic organization without losing its connection to its past. We searched for timeless architectural themes found in Kuwait’s history and tried to create a vision around them that would generate a design solution for the project. The main themes we thought are important include the courtyard, the Mashrabiya, and Islamic Geometry. We transformed these into a modern skyscraper that has five - 8 story tall internal courtyards wrapped with office space.

More than being purely objects of beauty, or simply being the manifestation of an architect’s fantasy, how do you make such a building work on a human level? I think all employees will benefit from the internal courtyard arrangement as it distributes a softer ambient light to all the floor plates reducing glare and providing trees and planting as a means for the high rise to connect to the exterior world. The courtyard level has meeting rooms, prayer rooms, and breakout areas for employees to augment their daily professional work requirements with social and religious activities which are so vital to this culture. Air conditioning is delivered thru an underfloor plenum at a low velocity providing efficient and comfort to the inhabitants. Utilizing less energy thru its cooling system and minimal use of exterior glass, the building provides for a healthier and more productive working environment.

Islamic Geometry and the Mashrabiya inspired the creation of a 3 dimensional façade design that evoked a strong pattern while at the same time minimizing the amount of glass to protect the interior from the heat collected from the sun’s ultra violet rays. We challenged the notion that skyscrapers have to be completely clad in glass which in this part of the world does not really make sense. The façade creates a dynamic look as the sun moves throughout the day and evokes an image of a lantern at night as the warm interior light seeps out of its patterned windows.

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Does society drive changes in architecture, or does architecture drive changes in society?

History probably tells us that society drives changes in architecture. From man’s primordial need for shelter and protection from the environment, we created buildings as a means fulfill a functional purpose. As societies developed throughout the years, they demanded more than just shelter- they required civic, religious, educational and commercial buildings that fulfilled their aspirations and spiritual needs. From this, new building types emerged and I think the notion of ‘architecture’ was born as it began to serve more than just a functional role. Architecture created spirit which uplifted our senses and left people in awe as they experienced magnificent spaces. The architectural remains of the Egyptians, Romans, and Greeks ( just to name a few) are a result of the aspirations of those societies and not the other way round.

This region passed through a phase of, almost, denying its architectural roots. Buildings were created that had l it t le apparent context in regard to their surroundings. Perhaps there’s a change to this. Do you see Middle Eastern projects once again being created for the Middle East? What are the key elements of Middle Eastern design that you favour for inclusion in contemporary architecture?

This is really a great question and something most architects struggle with on a regular basis. It seems to be that the region went thru a massive transformation 20 years ago when its financial strength set it on par with large cities throughout the world. The need to quickly ‘jump’ a few decades ahead led to importing designs which really weren’t so suitable to this region. Massive glass towers emerged in the skylines but without the realization of how much energy they would require to cool them down as a result of their heat gains. We tried to offset this gain by using darker, reflective glass which then reflected glare throughout the urban setting and created dark interiors that required lighting during the day! It all seemed to have happened too quickly and out of control until enough of these buildings got built and we were able to realize the damage being done to the unique Middle Eastern urban context. Over the last decade perhaps, there has been


a shift and the region is now inventing its own distinct architecture rather than importing forms and styles from abroad. I think this is the right approach and I am very much in favor of this.

There are so many inspirational elements which can be found in this region such as patterns from the desert, waves of the sea, the courtyard of the insular traditional house that was built over and over again throughout the region, etc. One can find many elements which belong to this part of the world and challenge and modernize their meaning to create something that is much more meaningful than merely copying a style from another part of the world. I have found inspiration from some incredibly mundane things so I believe there is plenty out there, one just has to be hungry and eager to find it.

What are you currently working on, what’s inspiring you today and wil l inspire us tomorrow?

One of the most interesting projects we recently designed was Qatar University Administration Building in Doha. Our concept design is inspired by the original urban fabric of Qatar prominent several decades ago when building masses were 2 to 3 floors in height and intricately arranged to provide shade to adjacent walking paths. Their solid exterior facades kept out the harsh summer sun, while their beautiful inner courtyards welcomed light to filter into the rooms surrounding it.

In our design, we separated the administration program into 3 main department forms organized along a main entrance atrium. This atrium acts as a street linking all departments together and celebrating the gathering of the people within its space. All common areas for the building are located along the street. We have placed elegant open stairs adjacent to each courtyard to encourage movement between floors and maintain visual connection to the outside environment.

The façade is based on an undulating 3-dimensional repetitive wall pattern. The panels create a dynamically weaving and wrapping pattern that provides solar protection by casting shadows on the vision glass which reduces UV radiation into the space. I think it will be stunning when completed.

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THE PROJECT

Credit One Holding CompanyA Modern and Elegant Design

Project Name: Credit OneType: Office, 2,200 sqmLocation: KuwaitDate: 2012 — 2015Client: Credit One Kuwait Holding CompanyPhotography: Juan Roldán - www.apartamento22.com

The exterior of the building is streamlined with mirrored aluminum cladding to emphasize the industrial nature of the services offered. The bright surface creates a focal point which is used to attract visitors travelling by car along the adjacent highway. The front façade is lined with louvers that protect the building from the harsh southern sun. The louvers are oriented in two directions using two colors; silver mirror and Credit One’s corporate orange; this generates playful reflections off of the façade, changing the image of the building as the cars passing by change speed and direction. The building also shines at night; it is kept lit from the inside, symbolizing modernity and innovation.

The practicality behind operating a car is adapted to the internal function of the building. Each level is associated with a particular activity; the ground floor relates to the customers, the first floor is for management and the basement is for production.

Design TeamPrincipals:

Joaquin Pérez-GoicoecheaNasser B. Abulhasan

Architectural Team:

Bruno GomesSara BarrancoJosé del CampoAna LopezNima HaghighatpourHanan AlkouhMaría ÁlvarezSamer Mohammad

Credit One Kuwait Holding Company offers automotive and logistic services. The company’s association with the car inspired the design concept of the building which centers on the car in terms of scale, motion and mechanics. Similar to the characteristics defining a modern car, Credit One aims to be eco-friendly, built using innovative materials and technologies, functional and aesthetically appealing.

THE PROJECT

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The Man: Tahir Sultan’s unique Kuwaiti and Indian lineage gives him a deep understanding of different cultures and their rare heritage, which can be seen in his work. His exposure to fashion, arts, architecture and design has stirred his passion for pushing the boundaries of style, form and function. After a stint at the architectural association, he graduated from the prestigious Central Saint Martins School of Art and Design in London, Sultan interned with John Galliano and Alexander McQueen, before launching his own eponymous label in 2008. His talent was swiftly spotted, earning him accolades in the global press. He was the first Kuwaiti designer to be invited to showcase at London Fashion Week in 2012. Thereafter, he has done several other Fashion Weeks and started an art and lifestyle division of his company as well.

The Brand: Tahir Sultan is an all-encompassing lifestyle brand that continuously looks to bridge and re-interpret the design gap between the East and the West. It is modern, sophisticated, ethical and Sustainable.

THE DESIGNER

Tahir SultanFashion Designer

In recent years Kuwait has wi tnessed st rong growth amongst i ts creat ive community. What do you feel are the cont r ibutory factors to this growth?

I think there are a lot of factors that have contr ibuted to it. Apps l ike Instagram have had a huge visual impact. The amount of people one can connect to, the creative prof i les one can peruse, the l imitless ideas that one gets just looking at inspirational images have made a dif ference. The Internet has made people more aware of what’s going on in the world, the standard that they need to compete with and match, and boundaries they have to push in order to be taken seriously.

The Ar t Fairs and fashion shows in the UAE, as well as the music scene, have also had their ef fects on the creative population who travel in order to experience that which they cannot in Kuwait. I think the strong winds of change regionally, are blowing in our direction and have forced people to sit up and take stock. My opinion is the growth is born out of a si lent frustration rather than a natural interaction with ones environment. While yes we have a lot of galler ies and events, there is sti l l a cer tain amount of conservative censorship, that society conforms to, which makes al l our self-expression much harder. On the other hand these l imitations can be seen as challenging, a way of f inding new means of expressing ones self .

Simple economic factors determine that for many in the creative f ield, Kuwait does not possess a large enough business base to provide a stable income. At what point did you look across the border, and from where did you receive support as you grew regionally and internationally?

I have to d isagree wi th you there. The problem is not that we as a society do not compr ise a la rge enough bus iness base, i t i s that we are not patrons of the ar ts . Whether i t was the rena issance, or Modern Amer ican pop cul ture, there have a lways been patrons who have suppor ted var ious creat ive industr ies. There are unfor tunate ly ver y few forward look ing people who possess th is v is ion, and i t comes wi th a cer ta in amount of exposure, as wel l as a wi l l ingness to open one’s mind up to other peoples v iewpoint and way of th ink ing. I t boi ls down to va lues, and in Kuwai t unfor tunate ly there is s t i l l no rea l va lue p laced on inte l lectua l proper ty.

I r ece ive a l o t o f suppor t f rom the U. A .E and many o the r count r i e s who a re i n te res ted in my approach to des ign , the in teg r i t y I b r ing to p ro jec ts and the in depth resea rch tha t i s comp i l ed to make the f i na l p roduc t i n te res t ing . Peop le today a re ve r y we l l connec ted and more sav v y than eve r, w i th the wor ld a t a p ress o f a bu t ton , i f one i s s imp ly regu rg i t a t i ng what has been done be fo re , peop le w i l l ca tch on . I f I am to t r ace my b rand back to how i t r ece ived suppor t , I wou ld have to say the re we re bod ies who we re gene rous , l i ke the Tra fa lga r g roup KEO, Ag i l i t y and many more .

The re we re a l so ind iv idua l peop le who we re happy to l end a he lp ing hand as they be l i eved in the b rand’s v i s ion and to them I am e te rna l l y thank fu l . What one looks fo r today i s not suppor t , bu t syne rg ies w i th l a rge ins t i tu t i ons o r compan ies i n o rde r to fo rm a l l i ances . Th i s i s the key to sus ta inab i l i t y.

Do you fee l t he na t i on o f Kuwa i t has evo l ved i n i t s app recia t i on o f c rea t i ve sk i l l s and today ho l ds des igne r s and a r t i s t s i n h ighe r es teem t han be fo re?

I t h i n k t h e r e w a s a t r e m e n d o u s c r e a t i v e n a t i o n a l a n d r e g i o n a l m o v e m e n t i n t h e 6 0 s a n d s e v e n t i e s a n d e a r l y e i g h t i e s , a n d K u w a i t a c t e d a s a h u b . T h e r e w a s a n e x p l o s i o n o f c r e a t i v i t y i n a w i d e v a r i e t y o f f i e l d s n a t i o n a l l y a n d r e g i o n a l l y a n d K u w a i t w a s t h e p l a c e w h e r e i d e a s a n d d i f f e r e n t a e s t h e t i c s m e t a n d w e r e e x c h a n g e d , w e w e r e t h e c e n t e r o f a r t , c u l t u r e a n d w h a t s e e m e d l i k e g r e a t p o t e n t i a l . I f e e l t h e i n v a s i o n c h a n g e d a l l o f t h a t , a n d i n t h e a f t e r m a t h o f t r y i n g t o r e c o v e r a s a n a t i o n a n d a s a p e o p l e a l l t h a t w a s l o s t a l o n g t h e w a y. T h e r e a r e s t i l l m a n y t a l e n t e d s m a r t c r e a t i v e i n d i v i d u a l s i n K u w a i t , b u t p e r h a p s n o t a s m a n y t h a t a p p r e c i a t e t h e w o r k t h a t i s b e i n g c r e a t e d .

Tah i r a l so r uns f i ve d i f f e r ent women’s empowerment p rog r ams tha t push the bounda r i es o f c r a f t a t an i n te rna t iona l l eve l , and he r ecent l y l aunched the CSR p rog r am fo r W Hote l s i n the Ma ld i ves .

He i s bes t known fo r h i s f a sh ion , bu t i s f a s t g a in ing r ecogn i t i on fo r h i s l a rge - sca le and h igh p ro f i l e a r t i ns ta l l a t ions , wh ich have be en tou r i ng the Gu l f .

THE DESIGNER

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THE CREATIVES

Studio AIOAll-in-one

Established in 2012, Studio AIO is Moodhi Al-Ghanim and Ahmed Al-Refaie. As Creative Director and Art Director respectively, they set the tone for the studio. For a young company they’ve amassed an enviable client list. We met with these two switched-on creatives, and learned a little more about the business and art of design and branding.

THE CREATIVES

It may be possible for everyone to ‘learn’ the rights and wrongs of design, but we feel designers succeed or fail in the way they put their inspiration to good use. How do you work with clients to produce strong identities and branding? Where do you look for inspiration?

One of the biggest mistakes in design is creating a brand that looks good but doesn’t suit the business – this could do more harm than good. For example, if a client approached a firm for a mid-range restaurant but the logo design portrayed a fine dining feel, then the client would lose their target market. Therefore, all of our designs are based first and foremost on the identity and the brand direction that best suits the specific business.

Do you feel Kuwait’s value of good design is improving? Is good design appreciated?

Definitely, the design demand has grown extensively within the past 5 years mostly due to the increased interest in creating new businesses and the increased competition as a result. Business owners have come to appreciate design as an essential investment and not just a luxury, which is why more and more people have come to value design from a business point of view and not just from an artistic perspective.

As Kuwaiti designers, do you feel an obligation to reflect your heritage in your work? There has long been a rush to mimic western styles – are there signs of a change?

We believe that the western methods in design have exceeded the local ones in terms of appreciating simplicity and building on a solid foundation. That being said, our heritage is full of beauty and creativity, take Arabic typography for instance, its an art form in itself and offers something that we haven’t seen anywhere else. So our belief is that we should learn from the western methods but still be true to the unique artistic potential that’s already thriving in our heritage. Besides, catering to the western style tends to alienate the local market - this would be detrimental to the purpose of the design.

What do you feel are the three cardinal rules that must be obeyed in creating a strong design?

When we create any of our designs, one of our essential rules is to create something that caters specifically to the business. For weeks or months depending on the project, we put ourselves in the shoes of the client. Being in their position drives us to create something uniquely catered to their needs. Even before the first sketch, we spend hours researching the market to ensure that our designs provide a solid identity. Our second rule is originality, we do all kinds of research to ensure our concept and execution is different from anyone else, which includes studying the competition. Last but not least is appeal; the logo should still provide an artistic appeal and convey the message that the business wants to portray.

Branding and image are critically important today. Perhaps you look around you and see well-known , and sometimes large, companies ignoring this fact. How would you convince them of the importance of taking a fresh look at themselves?

Many companies stick to outdated logos for sentimental reasons. However, one pivotal rule to keep in mind is that your clients do not share that connection. People respond to good design regardless of the sentimental value to the owner. With any enterprise, a business-minded individual studies the market and caters to the demand, through the products and services. Yet when it comes to the logo and branding which is the foundation of any corporate identity, owners cater to their own preference and not that of the market which contradicts the very definition of the business. Therefore, entrepreneurs should invest in their identity just as they would in any other aspect of the business.

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يجب عّما المصّمم »يتعّلم« أن الممكن من يكون قد نشعر أّننا إّلا التصميم، عالم في عنه االمتناع أو فعله أسلوب في يخفقون أو بنجحون قد المصّممين بأّن هي ما جدوى. ذات مشاريع في البتكارّيتهم تجسيدهم وعالمة هوية إلنتاج العمالء مع العمل في طريقتكم

إلهامكم؟ مصدر هو وما قوية؟ تجارية

حقل في العاملون فيها يقع التي األخطاء أكبر إّن الواقع في غير أّنها إّل الشكل جّيدة من حيث تجارية إيجاد عالمة التصميم هو بالمؤّسسة الضرر يلحق قد هذا أّن حيث األعمال لمجال مناسبة تصميم العمالء أحد طلب ما إذا مثاًل، لها. النفع تحقيق من بدًل تصميًما له الشركة وأنتجت متوّسط مستوى ذي لمطعم شعار خسارة إلى هذا يؤّدي قد الفاخرة، المطاعم من بأّنه يوحي للشعار تكون أن على نحرص نا فإّن ولذلك، المستهدف. لسوقه المتعامل العالمة واتجاه المتعامل هوية على المبدأ في مرتكًزا تصميماتنا

له. المتخّصصة األعمال تناسب التي التجارية

من الكويت تقّدمها التي القيمة بأّن القول يمكننا هل من نجد هل التحّسن؟ طور في الجّيد التصميم ناحية

الجّيد؟ التصميم يقّدر

الخمس السنوات في ارتفع قد التصاميم على الطلب أن شّك ل إيجاد في أيًضا المتزايد الهتمام بسبب األغلب في وهو الماضية أدرك وقد . المنافسة في زيادة أنتج مما جديدة أعمال مؤّسسات مجّرد وليس أساسي كاستثمار التصاميم أهّمية األعمال مالكو للتصاميم األفراد تقدير في الزدياد نشهد نا فإّن ولذلك رفاهية.

ية. الفّن قيمتها بسبب وليس األعمال ناحية من

ثقافتكم تجاه بالتزام كويتيين كمصّممين تشعرون هل شهدنا قد فنحن عملكم؟ في الثقافي اإلرث هذا ليظهر استمّر ما وهو الغربية التصاميم لتقليد قوًيا اّتجاًها تغيير؟ لحصول تباشير أّي تالحظون هل – عديدة لسنوات

ناحية من الغرب في المعتمدة الطرق بأّن نعتقد بصراحة، للبساطة تقديرها حيث من الكويتية الطرائق تخّطت قد التصميم تراثنا أّن نجد نحن نفسه، السياق وفي راسخة. أسس إلى وارتكازها هو مثاًل، العربي فالخّط البتكاري. والحّس بالجمالّيات مفعم ل بما تتحفنا والتي ذاتها بحّد القائمة الفنون أشكال من شكل نا بأّن نعتقد نحن باختصار، العالم. في آخر مكان أّي في له نظير

الفّنية اتنا ّي إمكان إهمال بدون الغربية الطرائق من نتعّلم أن يجب األسلوب اعتماد أّن ذكره المجدي ومن تراثنا. بها يزخر التي الفريدة ما وهو – المحّلي السوق في الفاعلين تنفير إلى سيؤّدي الغربي

أساسها. من التصميم غاية ينسف

يجب التي الثالث األساسية القواعد هي ما برأيكما، قوي؟ تصميم إلنتاج بها االلتزام

متطّلبات يالئم ما إنتاج يكون تصاميمنا من ألّي تنفيذنا عند األساسية القواعد إحدى وهذه اتنا؛ أولوّي سّلم في الخاّصة األعمال وتدوم المتعامل مكان في أنفسنا نضع أّن هو نفعله ما لدينا. المشروع على يعتمد ما وهو حتى أشهر أو ألسابيع العملية هذه منتج إلنتاج بدافعية نشعر موقعهم، نتمّثل فعندما ذاته. بحّد نقضي األّول، الرسم تنفيذ قبل نا أّن حّتى احتياجاتهم. يلّبي فريد تصميماتنا توّفر أن لنضمن السوق عن البحوث إعداد في ساعات في نجهد حيث األصالة فهي الثانية قاعدتنا أّما متينة. هوية وتنفيذنا مفهومنا يأتي أن لنضمن البحث عمليات أنواع شّتى المنافسة. دراسة يشمل ما وهو آخر شخص أّي نتاج عن محتلًفا يّتسم أن يجب أّنه حيث بالجاذبية نهتّم نحن آخًرا، وليس أخيًرا رسالة عن تعبيًرا يكون وأن الفّنية الناحية من بجاذبية التصميم

نشرها. المؤّسسة توّد ما

عامالن هما والصورة التجارية العالمة بناء أّن ينكر أحد ال بعض إهمال تالحظان ولرّبما الراهن. وقتنا في أساسّيان كيف األمر. لهذا أحياًنا والكبرى المعروفة الشركات الصورة بخصوص النظر إعادة بأهّمية إقناعهم تحاولون

عليها؟ يظهرون التي

بسبب قديمة شعارات على تحافظ الشركات من العديد أّن نالحظ أهّميتها العاطفية. إّل أّن القاعدة المحورّية التي يجب عدم نسيانها هو اهتمام يجذب ما العاطفية. األهّمية بهذه يشعرون ل المتعاملين أّن القديم التصميم قيمة عن النظر بغّض الجّيد التصميم هو الناس العاطفية للمالك. تماًما كأّي مؤّسسة أخرى، يقوم أحد األفراد من ذوي خالل من الطلب ويلّبي السوق بدراسة األعمال على المرتكز التوّجه العالمة وبناء بالشعار األمر يتعّلق حين أّنه إّل والخدمات. المنتجات تفضيالتهم المالكون يأخذ شركة، ألّي الهوية أساس وهما التجارية، التعريف نقيض وهذا األسواق. توّقعات ويهملون بالعتبار الخاّصة في الستثمار األعمال رّواد على يجب ولذلك، لألعمال. األساسي هوّيتهم تماًما كما قد يستثمرون في أيِّ جانب آخر من جوانب األعمال.

THE CREATIVES

2012 على يد موضي الغانم وأحمد الرفاعي وموضي هي المديرة اإلبداعية Studio AIO في العام تأّسس اإلستديو بينما أحمد هو المدير الفّني. وقد أضافا لمستهما الخاّصة على اإلستديو. وال بّد من اإلشارة إلى أّن قائمة العمالءلديهم مجال عن عن حديث وجرى الوّقادتين فّنّيتين شعلتين بمقابلة سررنا وقد شركتهم. عمر لحداثة نظًرا األنظار تلفت

)والفّن(. التجارية العالمات وبناء التصميم في أعمالهم

Studio AIOاالحتياجات لكاّفة واحدة محّطة

THE CREATIVES

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NuqatThe Kuwait Conference 2015

12th — 18th November

Born out of frustration at their feeling that no real creative development existed in the Arab World, Nuqat was founded in 2009 by four people; Wakim Zeidan, Hussa Al Humaidhi, Sara Al Nafisi and Dana Al Hilal.

THE DESIGN CONFERENCE

Nuqat, first known as ‘Nuqat Ala Al Huroof’, started off with one objective in mind - to develop Arab creativity on all levels, encompassing design, advertising, architecture, fashion, production and all other pertinent social and cultural fields. Established out of frustration with the lack of spirited exchange in the Middle East, the Nuqat team is made up of like-minded cultural visionaries from Lebanon, Kuwait, Saudi Arabia, Bahrain, and Dubai who have a growing optimism about fueling creative dialogue in the region.

Nuqat identifies, tackles, and resolves creative issues with the aim of gathering and educating an empowered public who go on to enact change in the Middle East.

Its mission as a growing cultural force is to advance creativity and enrich society. Through initiating social design projects and connecting innovative powerhouses in the region, Nuqat blurs geographic and social boundaries and opens new frontiers for cultural and creative innovation.

Nuqat aims to establish Nuqat institutes in dif ferent cit ies across the Middle East and to develop a special ized educational curr iculum, in addition to organizing the ongoing annual Nuqat conferences for tackling a variety of pressing topics in the creative realm. Since 2009, Nuqat has hosted a yearly conference and a wide range of activit ies including workshops, exhibit ions and design competit ions.

Its uniqueness is due to a combination of many factors: educational content that is relevant to an Arabian audience; a high standard of event management; speakers of Arab Origin (although in some cases non-Arabs are invited, but priority has always been for Arab speakers) and the fact that is run by a purely Arab team from different nationalities and backgrounds.

Every year the team intensively researches a theme based on surveys and the team’s own understanding of the cultural dynamics of Arab societies. A good example is the theme of 2013, which tapped into the aspect of change and revolution based on events of the so-called ‘Arab Spring’, but in a positive way. This year’s theme looks at a common approach to a current cultural deficiency: copying. Although it may sound negative, Wakim and the team are tapping into it through both angles, positive and negative, and covering areas of design, education and entrepreneurship.

There is a full programme of lectures scheduled for 12th – 14th November at Al Amiricani, speakers include Rana Sadik, Leen Sadder, Saud AlZaid, Ghadah Alkandari and Danah Abdullah, plus workshops scheduled for 15th – 18th November at Al Yarmouk Cultural Center. For full details visit nuqat.me

Nuqat 2015Public Programme Highlights

• Thursday 12th November

Constant Caricature – political cartoonist Ali FerzatVenue: CAP GalleryAli Ferzat is a Syrian political cartoonist known for his satirical caricatures. More than 15,000 of his cartoons have been published in Arabic-language and international newspapers.

JAMM Art GalleryVenue: CAP GalleryThe exhibition will include 14 large-scale works by Iranian artist Salar Ahmadian. All works fall under the category of contemporary calligraphy, a subject matter that has been misused and misrepresented by some Western art practitioners and by some artists in the Middle East.

Islamopolitan ExhibitionVenue: CAP GalleryThis is an exhibition that puts forward a proposed conversation between Islam and design. It argues that this dialogue should be considered for its diverse and holistic implications, rather than only shedding light on its decorative characteristics. Islamopolitan (Islam + Cosmopolitan) is a term that was coined specifically for this exhibition. It connotates multiculturalism and diversity but also contextualism.

• Friday 13th November

A Designer’s Dream - Design Work Retrospective by Hilmi Al-TuniVenue: Al AmricaniCelebrating 60 years of creative work by Pan Arab and international award winning designer Hilmi Al-Tuni.

Monitor, Reflect, then ActVenue: MakanAn experience that aims to engage in the notion of being self aware of certain actions a person might with-take; to monitor, to reflect and then to act up on the actions.

THE DESIGN CONFERENCE

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Abwabat Dubai Design Week

A major Dubai Design Week initiative, Abwab is a series of six pavilions built to celebrate and showcase the work of the most exciting designers, studios and curators from six different countries in the MENASA region.

Abwab, which means ‘doors’ in Arabic, acts as a direct portal to the region’s local design talent. A curator from each participating country leads the designers to generate never before-seen design content under one unifying theme, this year being - Games: The Element of Play in Culture.

In 2015, Jordan, Kuwait, Pakistan, Saudi Arabia, Tunisia and the UAE were invited to present the best of their countries design. Integrated into the walkways of Dubai Design District (d3), the Abwab pavilions have been designed by Dubai-based architecture and design studio, Loci Architecture + Design.

The Kuwait pavilion was curated by Waleed Shaalan. Osama Hadeed and Aziz AlKandari were the designers. Liane Al Ghusain responsible for communications. The team’s most honorable and honorary member is art patron Rana Sadik. She cooked for them and organized us and contributed in too many valuable ways to list here.

THE PAVILION

What is the concept behind ‘tagga ib tagga,’ the Kuwait pavilion at Abwab Dubai Design Week?

During our research process we came across a boon of information in Ayoub Hussein Al-Ayoub’s book Our Traditional Kuwaiti Games. This wealth of research was interesting but dense and difficult to penetrate for a wider audience – so we took the things we learned and translated them into a format for the layman in today’s visual culture.

We sketched, designed, and created graphics and a visitor experience that could hold the attention span of highly oversaturated (read: distracted) people. We found that the games in Kuwait were part and parcel of the oral culture that has developed here. Our culture is relies heavily on the spoken word so we highlighted the oral elements of play – chants, counting and provocations.

Our visuals come from a number of inspirations such as the icons for Olympic sports and hieroglyphics.

THE PAVILION

THE DESIGN WEEK

Dubai Design WeekWrap

The f irst Dubai Design Week sought to ref lect the city’s enormous potential by of fer ing a level f ie ld for designers and design programmes from everywhere and al l over the city; residents and visitors were invited to explore, discover and interact with a diverse and convention-puncturing programme of exhibit ions, instal lations and events, with the newly developed creative hub d3 at the hear t of i t .

Cyr i l Zammit , D i rector of Des ign at Ar t Dubai Group says: “Thanks to Dubai ’s pos i t ion as an internat iona l hub, the r ich but under-acknowledged creat ive her i tage of the emirate and the growing appreciat ion of the ro le of des ign in the modern c i t y, Dubai Des ign Week has a unique oppor tuni t y to establ ish an inc lus ive landmark event that embraces and engages the imaginat ion – in a way that the wor ld’s t radi t iona l des ign centres, wi th the i r establ ished reputat ions and structures, of ten cannot.”

In addition, Dubai Design Week produced a programme of talks and workshops giving UAE based designers unique access to insights from some of the leading players in the regional and global design industry, through a series of engaging talks, panels and workshops that wil l take place in d3.

On the 26th of October, Dubai laid its claim to being one of the great emerging design cities of the world, as the very first Dubai Design Week kicked off across the city. Showcasing the best of contemporary design from both the Middle East and across the world, the inaugural Dubai Design Week cemented the city’s reputation as the design capital of the region, attracting professionals, aficionados and design-curious visitors to the city for a six-day celebration of ground-breaking ideas across a raft of creative platforms, spanning public installations, architecture, product, industrial and graphic design.

Nez Gebreel, CEO of the Dubai Design and Fashion Council comments: “The inaugural edition of Dubai Design Week will give us the opportunity to educate and support local talent, while working towards our commitment to raise the profile of Dubai as a key player on the global design scene. Design is an essential building block of innovation and a catalyst for change, and we look forward to six inspirational days filled with great work from all around the world and opportunities for creative collaboration and cultural exchange.”

Dubai Design Week centred on the third edition of Downtown Design to be held at d3, the region’s fastest-growing design trade fair, which will bring more than 90 designers from 24 countries to present their pioneering innovations in furniture, lighting, bathrooms, kitchens, textiles and accessories. The fair has also partnered with six of the world’s leading Design Weeks (Helsinki, Istanbul, San Francisco, Mexico, Beijing and Melbourne) to bring their emerging designers to Dubai, thereby helping make Dubai Design Week a place of global discovery.

Accompanying the fair was a packed calendar of public events and a host of cornerstone initiatives that offer insights into Dubai’s own creative energy and shine a light on the most remarkable developments in design thinking worldwide.

THE DESIGN WEEK

Highlights:

ABWAB

Emerging and established talent from six MENASA countries

Six purpose-built pavilions, integrated into the walkways of d3, invited visitors to journey through design from six nations of the Middle East, North Africa and South Asia region. United by the theme ‘Games: The Element of Play in Culture’, the content of each was selected by a curator from each country, enabling the pavilions to act as windows into the local aesthetic and immersing visitors in different design worlds.

Featuring: Jordan • Kuwait • Pakistan • Saudi Arabia • Tunisia • UAE

Creative director: Rawan Kashkoush

AROUND THE CITY

Satellite design showcases across the city

Alongside the core events of Dubai Design Week, stores, studios, universities and galleries all over the city staged independent exhibitions, workshops and open-door days, collectively underlining Dubai’s rich and multi-faceted design landscape.

Surprise, insight and creative expression awaited at every turn: from Ras Al Khor where design collective DRAK highlighted the neighbourhood’s value as both a creative district and wildlife sanctuary through projects in architecture, fashion, jewellery, food and product design, to Al Quoz where Caravan’s performance piece blended human gesture and origami-generative design.

ICONIC CITY: BRILLIANT BEIRUT

A Lebanese Design Showcase: 1950 — 2015

The first in a new annual series of Iconic City exhibitions, Brilliant Beirut explored the impact of local urban dynamics in the areas of design, production and creative culture. Tracing the development of Lebanon’s design scene from the 1950s to the present day, the exhibition straddled architecture, education, graphic design, fashion, furniture and cultural trends.

Drawing parallels with and distinctions from Western design movements, the far-reaching show considered the shifts in design thinking engendered by civil war and the transition to stability. In addition, it examined how Beirut’s complex social make-up helped nurture creativity, while its long-standing craft traditions and ample production resources contributed to the country’s pre-eminence in the global design scene.

Curator: Rana Salam

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THE SHOWS

A Day in the Life of

Sheikh Dawood Salman Al-SabahBrought to you by Range Rover

Photographed By:

Khalid Al Saleh

A DAY IN THE LIFE

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A DAY IN THE LIFE

Brought to you by Range Rover

9.00 A.M.

A DAY IN THE LIFE

Everyday at 9:00 AM, Sheikh Dawood, Attorney at Law specialized in Business law, heads to court to follow up on the cases and attend hearings.

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From 12:30 to 4:30, Sheikh Dawood takes his break and goes home to enjoy a quiet lunch, take a power nap and catch up on the latest news.

A DAY IN THE LIFE


A DAY IN THE LIFE

12.30 P.M. to 4:30 P.M.

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By 5:00 PM, the Sheikh is back to work at his own private practice office. There he works not only on his clients’ cases, but also on running his own restaurants business as he has successfully invested in developing his own concept and launched the first branch in Saudi Arabia.

A DAY IN THE LIFE


A DAY IN THE LIFE

6.00 P.M.

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A DAY IN THE LIFE


A DAY IN THE LIFE

WEEKEND

On the weekend, Sheikh Dawood pursues his hobbies. Shooting and Falconry. As both require focus, the Sheikh finds himself in that moment of tranquility where the mind is at a complete peace.

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A DAY IN THE LIFE

“Sharpness of the mind is one of the most inspiring attributes”


FUTURE LEADING PROJECTS

THE LUXE REVIEW

THE LUXE REVIEW

Our exclusive guide to the finest from the spheres of horology, automobiles, style, travel, design and much more.

In the Luxe Review we look at the best, and meet the people that are making it happen.

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A sports car with all-wheel drive is the first choice for more than one in three Porsche 911 buyers. With the new 911 Carrera 4 and 911 Targa 4, they now profit from an increase in sporting characteristics and comfort in the latest 911 generation: the innovative turbocharged engines are more powerful and consume less, with the improved all-wheel drive increasing dynamics and driving safety. In addition, the adaptive PASM chassis (Porsche Active Suspension Management) with its ten-millimetre lower ride height included as standard enables an even greater spread between sporty circuit and relaxed long-distance driving. Rear-axle steering, that is available as an option for the Carrera 4S models, further increases the dynamic spectrum considerably. Interior functionality is enhanced by the standard Porsche Communication connectivity and infotainment system with simplified operation and multi-touch display.

Porsche’s new all-wheel drive sports carsMore efficient and with greater sprinting power

THE LUXE CARS

THE LUXE CARS

The all-wheel drive models include numerous optical refinements of the new 911 Carrera generation. They range from the headlights with four-point daytime running lights, via door handles without recess covers, to the redesigned rear lid with vertical louvres and new rear lights, including the characteristic four-point brake lights. The new 911 Carrera 4 and 911 Targa 4 derivatives also have their own distinguishing characteristics. The distinctive light strip between the rear lights now produces an especially distinctive effect thanks to its consciously three-dimensional design. It also underlines the typical format of the all-wheel drive 911, with rear fenders that arch further outwards by 44 millimetres.

Faster sprint ing with up to twelve per cent less fuel consumption

Behind the re-engineered flat engines are more than four decades of Porsche experience with turbocharged engines from motor racing and production sports cars. The result is that all new 911 Carrera models impress with top values in terms of performance, driving fun and efficiency. Thanks to bi-turbocharging, the three-litre, six-cylinder engines in the 911 Carrera 4 and 911 Targa 4 achieve an output of 370 hp and a torque of 450 Nm, while output in the S models increases to 420 hp and torque to 500 Nm. This gives the driver an additional 20 hp of dynamic performance to convert into driving fun. The greater power of the Carrera S models comes from turbochargers with modified compressors, a specific exhaust system and tuned engine management.

In combination with the now electro-hydraulically controlled all-wheel drive, the 911 Carrera 4 achieves better acceleration values than its rear-wheel-drive counterparts for the first time. Equipped with the options of PDK and Sport Chrono Package, the 911 Carrera 4 sprints from zero to 100 km/h in 4.1 seconds (0.4 seconds less than its predecessor model), with the S model registering 3.8 seconds (0.3 seconds less). The 911 Cabriolet 4S and the 911 Targa 4, with comparable equipment, need just 0.2 seconds longer. Top speeds vary according to model and equipment between 287 km/h and 305 km/h.

Traditionally, every new generation of engines from Porsche combines more output with less consumption. Consequently, fuel consumption in the 911 Carrera 4 Cabriolet with PDK drops by 0.8 litres to 7.9 l/100 km. The models with the most significant improvements are the 911 Carrera 4S Cabriolet and 911 Targa 4S: average consumption decreased by 1.2 litres to 8.0 l/100km (when equipped with PDK).

Inherited from the 918 Spyder: Sport Chrono Package with mode switch

In conjunction with the optional Sport Chrono Package, the new 911 models feature a mode switch on the steering wheel for the first time, derived from the revolutionary 918 Spyder.

The mode switch consists of a rotary ring with four positions for choosing a driving mode, this includes: “Normal”, “Sport”, “Sport Plus” and “Individual”. The latter setting enables drivers to configure their own individual vehicle set-up, for example the PASM, active engine mounts, PDK shifting strategy and sports exhaust system. In combination with PDK transmission the mode switch has an additional button, the “Sport Response Button”. When this button is pressed the drivetrain is pre-conditioned for maximum acceleration for 20 seconds, for example before overtaking manoeuvres. For this, the optimum gear is engaged and the engine management adjusted to an even more spontaneous response for a short time.

Re-engineered PASM chassis with ten millimetre lower ride height as standard

A Porsche 911 with all-wheel drive stands for the commendable combination of traction and driving safety with sporty driving performance. In this new generation, Porsche reconciles these contrasts even further. The electro-hydraulically controlled all-wheel drive responds with more speed and sensitivity, thanks to the technology adopted from the 911 Turbo. This enhances directional stability during extremely sporty driving, without sacrificing agility. Harmony between the re-engineered all-wheel drive and the retuned PASM chassis with its ten-millimetre lower ride height is thus even better. It is fitted as standard to all 911 Carrera models and increases stability during fast cornering. At the same time, the new shock absorber generation enhances comfort and improves car body control during dynamic driving.

The active rear-axle steering, that is available as an option for all Carrera S models, is chassis technology adopted from the 911 Turbo and 911 GT3. It increases the turn-in agility of the 911, leading to even higher driving stability when changing lanes at high speeds and reducing the turning circle by 0.4 metres. The improved handling is transmitted to the driver via the new steering wheel design taken from the 918 Spyder. The basic steering wheel has a diameter of 375 millimetres, whereas the optional GT sports steering wheel measures 360 millimetres.

For everyday practical ity, Porsche of fers a hydraulic l i f t system with integrated l i f t ing cyl inders in the struts of the front axle. The vehicle’s ground clearance increases by 40 mil l imetres within f ive seconds at the press of a button.

The new Porsche 911 Carrera 4 and 911 Targa 4 models are available for order as of now and will be officially launched in Kuwait, April 2016.

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THE LUXE CARS

The dune train takes a 480 km route from Riyadh – deep in the heart of the Arabian Peninsula – to Dammam on the Ara-bian Gulf. The new Continental GT V8 S Convertible raced this unique locomotive on August 15th across the scorched, barren landscape and won, with six minutes to spare.

Bentley Team M-Sport driver, Steven Kane, said: “Four hours is the same time as a stint at Le Mans. But this was far more stressful. The heat, the conditions, not know-ing where the train was, while driving within the limits of the country’s regulations. It was a race like no other. I hope Barnato would be proud.”

Eighty-five years after three-time Le Mans winner Captain Woolf Barnato famously raced the ‘Blue Train’ from Cannes to Calais, modern day Bentley Boy, Steven Kane, has reinvigorated the legendary spirit in a tense four-hour 14 minute sprint against Saudi Arabia’s only desert passenger train.

Bentley’s Desert Train Race

Luxurious comfort, the largest interior in the segment and a weight saving of up to 325 kilograms – the new edition of the Q7 from Audi sets new standards. Its innovative assistance and infotainment systems take the large SUV to the front of the pack. Its new engines consume significantly less fuel than the previous model. How do we know all this? Because for two days last month, we put the new Q7 through its paces in Dubai. Here’s we we learned and liked.

The New Audi Q7The benchmark of its class

THE LUXE CARS

THE LUXE CARS

Dynamics as standard

A Powerful engines combined with an adaptive suspension and the lightweight body make the Q7 the dynamic car among large SUVs. Just a few years ago these performance data were still the prerogative of sports cars. The 45 TFSI with 333 hp bring the new Audi Q7 from 0 to 100 km/h in 6.3 seconds. The top speed of 250 km/h is a mere formality for the TFSI all the while with unusually low fuel consumption. The TFSI needs only 7.9 liters per 100 kilometers and emits only 183 grams of CO2 per kilometer.

Innovative operation and display

The new Audi Q7 also sets standards when it comes to operating concept, infotainment and connectivity. The second-generation modular infotainment platform is on board, as is the optional Audi vir tual cockpit. The new MMI all-in-touch control unit with large touchpad makes operation intuitive and simple. The Audi tablet for rear passengers and the two sound systems with 3D sound are further innovations.

Another highlight is the extremely broad and graduated range of new driver assistance systems – including adaptive cruise control with traffic jam assist and the cross-traffic assist in the rear. Lounge of the luxury class: The most spacious interior in the segment

On opening the door, the driver encounters a lounge of the luxury class. All colors and materials are careful ly coordinated. In the front passenger area a continuous air vent str ip stretches across the instrument panel and emphasizes the width of the inter ior. Restrained str ips frame two-par t decorative moldings; in the dark, optional, slender l ight guides fol low the contours of the inter ior.

For the driver all switches and controls are ideally placed ready at hand. The numerous setting options afford a very comfortable seat position. The new Q7 offers numerous seat variants up to the individual contour seat with air conditioning and a massage feature. The versatility of the Audi Q7 is also revealed by the standard three-piece backrest in the second row of seats, which can be separately folded down, and by the standard third row of seats, which is now operated electrically. Another option is the Audi vir tual cockpit, in addition to the Audi MMI monitor – the 12.3-inch diagonal TFT monitor displays elaborately computed graphics, and is operated at the multifunction steering wheel. In addition, the head-up display projects key information onto the windshield.

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THE LUXE CARS

G r o u n d b r e a k i n g : I n f o t a i n m e n t w i t h t h e M M I a l l - i n - t o u c h

On the console of the center tunnel lies the newly developed and optionally available MMI touch. Driver and front passenger can write, pinch-to-zoom, or scroll through lists on the system’s large glass surface, which gives a haptic response to the operator’s finger. The simple MMI operating logic affords intuitive use, including intelligent free text searching. The voice control system can recognize input made using everyday language, such as: “Where can I refuel?”

The top-of-the- l ine infota inment system in the Q7, MMI navigat ion p lus, uses the second generat ion modular infota inment module wi th i ts f i r s t-c lass comput ing power.

For hi-fi aficionados there are two sound systems from Bose and Bang & Olufsen featuring the new 3D sound, which exploits the spatial dimension of height. The top system from Bang & Olufsen integrates 23 speakers and delivers 1,920 watts of sound. Each of the front seat backrests is designed to take an Audi tablet, which functions as a versatile Rear Seat Entertainment system – another pioneering solution from the brand.

Engines: Three-liter V6 engine

The new Q7 enters the Middle East market with a greatly modified V6 engine. The 45 TFSI with 333 hp accelerates the large SUV from 0 to 100 km/h 6.3 seconds.

A superior engines, a new eight-speed tiptronic,

THE LUXE CARS

improved quattro permanent all-wheel drive, a low center of gravity and a completely redesigned lightweight chassis – the technology package of the new Audi Q7 allows drivability that is both agile and comfortable. Its electromechanical power steering and the versatile Audi drive select system are standard features; on request, adaptive air suspension is also available. Completely new is the all-wheel steering: the rear wheels turn a few degrees in the same or opposite direction of the front wheels, depending on the situation.

High-tech excellence from Audi: Driver assistance systems

The new Audi Q7 currently of fers a wide range of assistance systems, with many systems total ly new on the market. The adaptive cruise control with traf f ic jam assist rel ieves the chore of dr iving in slow-moving traf f ic on roads in good condition. Other innovations include the exit assist. The large SUV bearing the four r ings emblem is an al l-rounder for family, business and leisure, and a superior companion on al l roads and thoroughfares.

Design: Expressive and striking

The large SUV interprets characteristic design features of Audi and the Q family. A sculpturally molded Single-frame grille with a solid frame is the defining element at the front. In the optional LED and Matrix LED headlights, the daytime running lights feature striking double-arrow graphics. Intense wheel arches and the shoulder line emphasize the wheels, while the tailgate extends around the D-pillars. They’re complemented by new solutions such as inlay strips at the bottom of the doors.

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The 2015 Frankfurt Motor Show delighted car fans and the automotive industry alike with some huge new car launches, exciting announcements, world record attempts and the latest technology to push the car industry forward.

Frankfurt Motor Show2015 Wrap

THE LUXE CARS

As Frankfurt battles to become the biggest motor show in the world, manufacturers lined up to out do one another to take the headlines.

German manufacturers were out in force to outdo one another and to dominate the show. However the Brits put up a good fight, debuting some exciting new models as well - and of course the rest of the world wanted a look in, too.

Jaguar broke the world record with the world’s largest loop the loop as they unveiled their new all-terrain Jaguar F-Pace SUV. Although we’re not sure that was the terrain originally foreseen at concept stage. Bentley joined the SUV market with its sector creating super-luxury Bentley Bentayga.

Supercar headlines went to Lamborghini and Ferrari for their new Lamborghini Huracan Spider and 488 Spider. Mere mortals can look forward to a new Alfa Romeo Giulia and Renault Megane.

There was much, much more too, with the Mercedes IAA and Porsche Mission E concepts lifting the curtain on the future design and tech thinking for their respective brands. On top of that, we saw a string of launches from Audi, BMW, SEAT, Nissan, Mazda and others.

THE LUXE CARS

Alfa Romeo Giulia - The Giulia is a crucial car in Alfa’s bid to re-establish itself as a premium player.

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THE LUXE BIKES

Jaguar F-Pace - Another new SUV arrival from Jaguar, will the British marque have a hit on its hands?

THE LUXE BIKES

Rolls-Royce Dawn - Craftsmanship and cachet come at a price but the Rolls-Royce Dawn looked well worth it.

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McLaren established itself throughout the 1960s and 70s as a world-beating force in one of the most extreme forms of motorsport, Can-Am, winning five consecutive championships between 1967 and 1971. In honour of the 50th anniversary of the 1966 inaugural season, McLaren Special Operations (MSO) has created the limited production 650S Can-Am which takes its inspiration from the race cars of this golden age of motorsport. The 650S Can-Am can be commissioned now with deliveries set to commence in the spring of 2016, 50 years on from the first race at Mont Tremblant, Canada. Just 50 examples will be produced globally, all based on the 650S Spider.

McLaren 650S Can-AmLimited Run

THE LUXE CARS

THE LUXE CARS

The Can-Am series, or Canadian-American Challenge Cup, was a no-holds-barred battle of power and speed around some of the most iconic circuits in North America and Canada. It attracted the best drivers of the time including Graham Hill, John Surtees, Jackie Stewart and, of course, Bruce McLaren. The championship started in 1966, only a year after Bruce McLaren Motor Racing was established and in the series that followed, the young Kiwi became one of most successful names in the sport.

Key to the success of the McLaren Can-Am racers was the use of the latest technologies and materials. This principle is carried through to today’s 650S Can-Am. Where lightweight materials such as aluminium and mallite were used in the construction of yesterday’s racers, the modern-day celebration features extensive carbon fibre not least in the construction of its lightweight MonoCell chassis. A carbon fibre retractable hard top features for the first time while further carbon fibre is used for the bonnet, Airbrake, front splitter, rear bumper centre, door blades and 650S Can-Am branded sill cover. MSO has also created a unique set of lightweight forged alloy wheels inspired by those of the 1960s racers with a gloss-black finish on each of the five spokes and a diamond cut rim. Held in place by titanium bolts, the wheels are shod with Pirelli P Zero™ Corsa tyres. Carbon ceramic brakes with black painted callipers are standard equipment.

Further unique features inspired by the iconic Can-Am racers include carbon fibre louvered front wings and a new quad-exit, polished stainless steel exhaust system. The louvres are designed to reduce pressure over the front wheels and increase downforce, while the four circular tailpipes at the rear of the car housed within a new visual carbon fibre rear grille echo the aggressive and purposeful throttle trumpets of the historic models. They also provide the 650S Can-Am with a unique soundtrack.

Like the 650S Spider, this limited production model features the award-winning 3.8-litre twin turbo V8 which produces 650PS (641bhp) and 678Nm (500 lb ft) of torque. Performance and economy figures are just as exhilarating: zero to 62 mph (100 km/h) sprint takes a mere three seconds and its top speed is 204 mph (329 km/h).

The 650S Can-Am is offered in three bold colours. The launch colour, Mars Red, is directly inspired by the M1B raced by Bruce McLaren and his teammate Chris Amon in the debut season. The second colour, Papaya Spark, is a modern and metallic take on the famous Can-Am racing McLaren Orange. The final option is Onyx Black which is similar to the base colour used by many of the McLaren customer teams in the later seasons. Each is additionally available with a corresponding racing livery to give an even closer visual association with the historic Can-Am series.

Inside, the standard sports seats are upholstered with leather and Alcantara® which complement the exterior. Carbon fibre naturally features extensively throughout the cabin while a further bespoke Can-Am touch is the unique dedication plaque on the driver’s door.

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THE LUXE CARS

Commenting on the 650S Can-Am, Paul Mackenzie, Executive Director of McLaren Special Operations explains: ‘Can-Am racing is a major part of McLaren heritage, and this latest model from MSO pays homage to the cars and the racers who played a key role in making the championship such a spectacle during the 1960s and 70s. The championship was a true test of the engineering ability, driving talent and bravery of Bruce and his teammates, which led them to secure five consecutive championships.

‘The 650S Can-Am is a modern day interpretation with a mixture of functional design features taken from the all-conquering models, combined with the lightest and most pioneering materials available, as was the case with the race cars. The extensive use of lightweight visual carbon fibre, including for the retractable hard top, adds to car’s dramatic appearance and with the roof down, drivers are treated to a stirring V8 soundtrack just as Bruce and his teammates enjoyed.’

THE LUXE WATCHES

Ulysse Nardinat Dubai Watch Week

Luxury Swiss watchmaking company, Ulysse Nardin, took the glorious occasion of Dubai Watch Week to unveil an inimitable and elegant timepiece especially crafted for the Middle East. Among the timepieces on display at the brand’s special in-store exhibition, The Art of Time, Ulysse Nardin’s latest timepiece is a true homage to the Middle East and has been named ‘Classico Dunes.’ The exceptionality of Classico Dunes lies in its distinct dial which sports a Horse and a Falcon, two creatures that are extremely close to the hearts of the people of the Middle East. Held between the 18th and 22nd of October at the Dubai Mall, guests and visitors were invited to discover and experience the brand’s proficiency in the artistic skill of Enamel, predominantly Cloisonné and Champlevé.

For the occasion, the Ulysse Nardin boutique at the Dubai Mall was deployed with showcases carrying the timepieces, Classico Dunes included, and tripods with images of the brand’s Cloisonné know-how. The exterior of the boutique was decorated with a sticker on one side of the façade and animation on the showcases behind it. Ulysse Nardin boasts of a rich legacy in the diverse art of enamel, a skill that was fortified after the brand’s acquisition of famed specialist luxury watch Manufacture dial enameller Donzé Cadrans in 2011. The first to utilize novel materials and bring forth fresh design sensibility, enamel has been featured prominently in Ulysse Nardin’s beautiful collections over the past 25 years. The brand is expressly renowned in the artisan skills of Cloi-sonné Enamel and Champlevé Enamel among other types.

Cloisonné Enamel

Cloisonné is an enameling technique in which the outline of the dial design is produced either on the dial itself, or on paper. Extremely fine strips of gold wire (no larger than a hu-man hair) are hand bent and applied to the outline using two pliers. The individual cells that give the image detail, dimen-sion and nuance are also formed by gold wire and placed within the outline. Colors are then picked out for each cell in order to create the cloister effect. Five layers of enamel are applied to the cloisonné dial.

Champlevé Enamel

Champlevé is an enameling technique in which cells are carved with a chisel on the metal plate (dial), and filled with vitreous enamel. The piece is then fired until the enamel melts.

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Since its foundation, Bell & Ross has taken aviation –more specifically, aircraft instrumentation– as one of its main sources of inspiration. As ever, it is a question of reinventing historical heritage and tradition.

Bell & RossVintage Collection

THE LUXE WATCHES

Bell & Ross watches take their rigorous and exacting standards of legibility, functionality, precision and reliability from the first pillar of the design brief: military specifications. The second pillar is formed by the stylistic and societal codes that are carefully respected and reinterpreted to develop models, which are original and professional, while remaining faithful to their source of inspiration. At the heart of the Vintage collection, the new line of BR GT watches takes time away from the world of aviation to explore a new dimension of the passion for navigation, so dear to the brand, by lending a new contemporary interpretation to the chronographs worn by racing drivers of the 1970s, an extraordinary era of creativity, innovation and freedom. Bell & Ross has, therefore, applied this relationship between man and machine to accurately and carefully designed instruments dedicated to calculating time and speed.

Both sporty and elegant, Vintage BR GT watches are evocative of an era that inspires modern men in search of authenticity: the era of the cool, rather wacky racing drivers of the Seventies. As in this decade, Bell & Ross Vintage BR GT watches are designed to be worn in all circumstances, with a three-piece suit during the week or with jeans at the weekend; and, of course, behind the wheel of fine cars…

The traditional Lucerne brand Carl F. Bucherer has created a unique timepiece for “Only Watch 2015”: the Manero ChronoPerpetual in white gold. Limited to a single model, this watch is to be auctioned off as the culmination of a global roadshow at the “Only Watch” auction for the benefit of the Monaco Association Against Muscular Dystrophy (AMM). ition.

Carl F. BuchererA watch like no other on earth

THE LUXE WATCHES

Carl F. Bucherer is participating in “Only Watch”, the prestigious auction of exquisite timepieces of select brands for the first time in 2015.

Unique eternity

Swiss watchmaker Carl F. Bucherer has made a unique watch just for this occasion: the Manero ChronoPerpetual Only Watch 2015.

Featuring a “grand complication” perpetual calendar, the Manero ChronoPerpetual is able to show the date, day, month, year and moon phase without requiring correction. The mechanism accommodates the differing month lengths so it will only require manual adjustment in the year 2100. For that is when an intercalary year is skipped, i.e. when the year is divisible by 100 but not by 400. The Manero ChronoPerpetual additionally combines the perpetual calendar with a complete chronograph. The complexity of such a timekeeping mechanism makes this watch a masterpiece.

Only the Manero ChronoPerpetual OnlyWatch 2015 is specially made of pure white gold. The date of the auction, November 2015, is embossed on the black dial in a striking red, complemented by an elegant black alligator leather band. Documenting its uniqueness, an engraving on the case back reads: Only Watch 2015 – Pièce unique – Fabriquée en Suisse.

Only Watch

Sponsored by Prince Albert II of Monaco and Luc Pettavino, President of the Monaco Association Against Muscular Dystrophy (AMM), the “Only Watch” auction is held every two years. Makers of select watch brands provide one single-edition piece to be auctioned off to fund the AMM’s activities and muscular dystrophy research. Honored by this invitation, Carl F. Bucherer will be presenting the Manero ChronoPerpetual OnlyWatch 2015 at this year’s BaselWorld trade fair.

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In 2014, OMEGA and the Swiss Federal Institute of Metrology (METAS) announced their collaboration on a new watch certification, whereby precision and performance would be tested and approved like never before. A year on, and the entire process is now fully active. With a new METAS Lab housed at the heart of OMEGA’s operations, the Globemaster has officially become the first watch to achieve the “Master Chronometer” rating.

Omega + METASWorld’s first Master Chronometer

THE LUXE WATCHES

Nick Hayek described the importance of the moment. “We all know about the importance of beautiful products, history and innovation. But one other thing is so important. That’s trust. Trust for our consumers. By working with an independent organisation such as METAS, we can be transparent for the consumer, and reconfirm that the Swiss watch industry is the leader in precision and innovation.”

METAS has of course been a critical partner in creating the new Master Chronometer certification. Speaking on stage, Dr Bock described the importance of their role and reconfirmed the message of trust.“Trust is the core of our business at METAS. We are a government agency, the leading centre for all measurements in Switzerland. And above all, we are consumer and client driven. That’s why it was important to ensure that this new standard for mechanical watches is open to every brand.

”While industry-standard COSC certification remains an integral part of OMEGA’s process, the new METAS testing will effectively double the certification of each watch, giving OMEGA and other Swiss watchmakers the opportunity to demonstrate the quality and timekeeping performance of their watches to a greater extent than has previously been possible. With 8 tests carried out over 10 days, each watch must pass a range of criteria that replicate real-life wearing conditions, including exposure to magnetic fields of 15,000 gauss. After explaining each individual test, Mr Hobmeier proudly displayed the world’s first Master Chronometer, the Globemaster, while briefly describing the effort involved in its creation.

“Trust is something you can only gain if you walk the talk. Our team has been working very hard with METAS to perfect the details. It is an honour to present the first watch that has passed these tests.” The test results of the watch were also shown, demonstrating how customers can now check the individual results of their own watch by going online.

Having achieved this milestone, OMEGA has signalled the future of the brand. As a renowned watchmaking pioneer, this occasion will certainly rank as one of its most defining moments.

Richard Mille first unveiled the RM 58-01 Tourbillon World Timer at the 2013 Salon International de la Haute Horlogerie. Designed for frequent travellers and others alike, this timepiece made a strong impression on the press thanks to its remarkably easy to use multi-time-zone mechanism. When designing the RM 58-01, Richard Mille’s goal was to simplify the setting of this complication as far as possible, notably by removing the pusher.

Richard MilleRM 63-02 World Timer Automatic Watch

THE LUXE WATCHES

The RM 63-02 World Timer repeats this exercise, incorporating the World Timer function at the heart of a brand new automatic in-house movement. The rotating bezel in satin-brushed and polished grade-5 titanium is one of the masterpieces of the RM 63-02. Mounted on ball bearings for easy manipulation, it can be turned to select the desired time zone. When the name of the wearer’s current city is positioned at 12 o’clock, the RM 63-02 automatically defines the local time as well as the time in 23 other cities around the world thanks to its graduated 24-hour flange.

This blue and white disk distinguishes nighttime and daytime hours, automatically incorporating the correction hour by hour. The bidirectional bezel interacts directly with the heart of the movement, and ensures the water-resistance of the case—crafted from vertically satin-brushed and polished grade-5 titanium—to 30 meters. The movement’s designers selected the in-house CRMA3 caliber to drive the RM 63-02. It is assembled around an electroplasma-treated grade-5 titanium plate—the same material used for the majority of its bridges.

The sculptural upper bridge is made from black-rhodium-plated, polished and circular-grained nickel silver, whose round openings provide glimpses of the dial-train and World Timer mechanism in action. The RM 63-02 caliber features an oversized date at 12 o’clock driven by two skeletonized disks, and a function selector which allows the user to navigate between the winding, time-setting or neutral positions with one simple push. Powered by a quick-rotation barrel that ensures the optimum regularity of the mainspring and a power reserve of 50 hours, it is wound by a rotor in 5N red gold and grade-5 titanium.

As part of a systematic quest to optimize the productivity and transmission of energy to the variable inertia balance wheel, all of the wheels in the CRMA3 caliber have an involute profile of 20°. The movement is enhanced by the hand-crafted finishes, which adorn almost every component. Each piece of the movement requires many hours of work to polish angles, draw out edges, circular-grain gear trains and microblast bridges.

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The Tod’s collection for men for autumn/winter 2015-16 shows how technical flair can be applied to the house spirit of Made in Italy to create a new, contemporary luxury aesthetic. In particular, by combining tailoring and technical flair with the Tod’s shoe collection, the house presents a remarkable take on stylish, easy-to-wear functionality for a modern man’s lifestyle.

Tod’s Men’s Collection Autumn/Winter 2015-16

THE LUXE STYLE

Formality meets sportiness in Tod’s fashionably elegant new sneakers. In many ways, these set the tone for the rest of the footwear, where a new running sole helps to reinvent classic shapes like the moccasin, monk strap and lace-up, the latter made unique by metal edging wrapped, spur-like, around the heel. There is also a contemporary reimagining of Tod’s signature models, such as the Driving Icons – Gommino, City Gommino and City Spyder – which are now presented with a buckle on the upper, and come in a new range of materials and prints.

THE LUXE STYLE

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The clothes may well be of a high quality, yet there is no trace of soporific classicism in the Lanvin Men’s Winter 2015 collection. Anything goes for shirts and collars according to Lucas Ossendrijver, who draws on the fashion house’s expertise. This traditional masculine garment embraces boundless modernity with its larger set of proportions with double mao collars, sometimes shifted away from the necklines. Open and unbuttoned, turned up, revealing a mesh t-shirt or a roll-neck sweater, they shake up the codes of the conventional shirt. Prints play on the collection’s inspirations: tie-dye, geometric abstraction or neo-camouflage.

The Lanvin Shirts& their new collars

THE LUXE STYLE

The house’s timeless signature gros grain collar is no longer presented. Since the first collections, it has made its presence known in the Lanvin dressing room and now it is available in a broad spectrum of colorful versions. The Made-to-Measure Lanvin Menswear thus offers shirts tailored to the customer and the collar color in a choice of gros grain.

THE LUXE STYLE

ADDANANEER

Calling all our trendy gents! We have an exciting season ahead of us with many exclusive brands and collections. We are also in the lookout for world-wide collaborations which we can proudly say are available only at Harvey Nichols Kuwait. To sum it all up in two words - it’s on! One of many Harvey Nichols Kuwait Mantras is “Our Menswear Brands are Exclusive!”

Harvey NicholsPreview

THE LUXE STYLE

Marcello Burlon’s homecoming

After last season’s debut at Pitti Uomo in Florence, Marcelo Burlon stages his first show in Milano. The homecoming triggers a far-stretching journey that starts in Patagonia - complete with Malambo dancers performing with boladoreas - and ends up with a bold vision of the future, all the while defining an iconography that is firmly rooted in the moment.

The patchwork of symbols and visuals is the byword: in Marcelo’s unique world gauchos are spacemen and the urban jungle is a territory of endless adventures to be fronted as part of a posse, like Butch Cassidy and Sundance Kid, the outlaws of the Wild Bunch who escaped in Patagonia for a while. It is exactly this sense of belonging that makes County of Milan something more than just a fashion label.

The Marcello Burlon collection is visually assertive. Striving on the power of collage, clashes and unprecedented associations, functional shapes are charged up with striking prints and mixes of different materials. The performance/utility element - multiple pockets, tool belts, protective padding on capes and parkas - is merged with traditional shapes like ponchos, gaucho pants and bombacha trousers. Fading pixel patterns, embroideries, patchworks and space age motifs give a powerful makeover to urban staples such as sweatshirts, tailored skinny trousers, t-shirts and backpacks.

Searching for roots also means an urge for authenticity that translates into new collaborations: flight jackets are developed with Alpha Industries, field jackets and blankets with Pendleton and utilitarian boots with Solovair in a graphic palette of black, red and white.

THE LUXE STYLE

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THE LUXE STYLE

Puma Select x Stampd

Puma Select fuses performance with culture and fashion by revisiting Puma’s rich history and innovation as a leading sports brand, combined with our philosophy of creating premium product for the willing consumer.

We have partnered with some of the most influential streetwear labels, fashion houses and creatives around the globe. One of the many collaborations includes Chris Stampd - a neat collection of sports-inspired apparel and two unique sneaker silhouettes. Stampd Athletics Collection by Puma was unveiled in Los Angeles, where the importance of quality materials developed a relationship between the two brands.

THE LUXE STYLE

Adidas Original unveils Yeezy

For Autumn/Winter 2015, Kanye West and Adidas Originals unveil Yeezy Season 1: a collection of apparel and footwear that cherishes universality and timelessness. Described by West as the world’s first “solutions-based” clothing line, the individual pieces define a style that matches the relentless pace of contemporary lives. “I don’t want the clothes to be the life,” he says. “I want the clothes to help the life.” With this collection, West’s goal is to absolve consumers of dressing’s daily stress by creating a line of high quality essentials that can be freely combined in infinite ways—“like Legos,” he says. For the designer this means stripped-down, comfortable, and unpretentious clothes for a “modern jet-set couple,” pieces to be worn from the gym to the office to a meeting to the airport and everywhere in between. “I wanted something that felt like New York or Paris or Tokyo or Santa Barbara or Chicago—a worldliness and an ease.” Layered together and worn haphazardly with an un-precious cool, the Yeezy pieces present all the elements of modern dressing. West defines a silhouette of considered volume—billowing and oversize on top, tight and trim around the bottom— based largely on his personal sense of style. A study in contrasts like street-luxury and new-vintage, the clothing shapes a modern fashion dichotomy. West adheres to subtle, evocative color-ways of camel, olive, chocolate brown, blue gray, and camouflage, with injections of bright cranberry. This mostly neutral palette allows limitless combinations and expressions within the collection—foolproof, easy, ready-to-wear.

Bold gear for decisive men, the men’s collection features oversized sweats with distressed edges and worn, puckered hems, sumptuous shearling bomber jackets; cool camouflage parkas and separates, drapey military sweaters with distressed tears and canvas patches, and slick long parkas with faux fur trim.

Stampd and Yeezy are exclusively available at Harvey Nichols Kuwait.

Harvey Nichols Kuwait is located at Grand Avenue – The Avenues. Opening hours are from 10 am till midnight on Thursday, Friday and Saturday and 10 am to 11 pm from Sunday to Wednesday. Please call 22283008 for more information. You can follow them on Facebook.com/HarveyNicholsKuwait and Instagram @HarveyNicholsKuwait

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The Vivace 125’ compliments the Benetti Class Fast Displacement range’s flagship Veloce 140’ and is influenced by her construction technology, styling and layout. As of today, five units have been sold already.

Iron Man Benetti Vivace 125’ M/Y IRON MAN

THE LUXE YACHTS

THE LUXE YACHTS

With a length of 38.1m and a beam of 8.3m, built in compos-ites and carbon inthe Viareggio yard, the Vivace 125’ is a three decked (plus the sun deck) semi wide body yacht. The sportive exterior was designed by Stefano Righini with a widespread use of horizontal windows that accentuate the streamlining, to-gether with a remarkable central structure in the side of the su-perstructure that covers the access stairway to the upper deck.

Iron Man is the first of the gamma and was sold to a young owner and, as the name reminds us, whose interiors were in-spired by the famous cartoon hero, an inventor in love with technology. The furnishings, developed by the interior designer Alfred Karram Jr, are a referral to the very modern style, with a predominant use of grey wood next to the ceiling’s black and white. The crystal dining room table and steel detailing provide a clear sensation of technology.

“The goal of the design concept for the Ironman project was to create a one of a kind space that would boast a highly innova-tive modern aesthetic through the use of sharp and dramatic geometries via the use of very unique and state of the art mate-rials and finishes” said Karram.

The exterior of Iron Man has four distinct areas devoted to the sea and on-board living. Astern on the upper deck we have a lounge with a custom divan over two meters long and almost five wide, while forward a swimming pool and area for relax-ing are added to the traditional sun-deck. The owner also spe-cifically requested that the deck be equipped with an external steering position.

The beach area has its own bar and is completely dedicated to en-joying the sea, thanks to the non intruding lateral garage opening.

The exterior spaces are finished in a special gray and white gel coating that adds a special brilliance to the entertaining areas. The teak flooring is designed to respect the angular geometries of the superstructure and hull. This is evident in the direction of the planking that consistently flows in a parallel direction to theangle of the bow. The starboard and port side planks all con-verge into one center plank that serves as a visual spine that runs the entire length of the boat.

The interior layout features four suites for eight guests, plus the full beam owner’s apartment on the main deck. The captain will have a crew of seven for running the yacht and catering to the guests.

On the main deck, the cockpit is furnished with a settee, ta-bles and two armchairs, and the guests move to the main salon through a large sliding crystal door.

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THE LUXE YACHTS

Upon entering the Salon, the black, gray, and white book-matched granite floor creates a grand palatial entrance into the space. An intricately designed multitiered ceiling that is finished in alternating polished and matte gray lacquer delineates the furnished spaces below. The eye is then immediately directed to a deeply textured circular relief painting that is finished in a brilliant crimson medium.

This piece of art seemingly floats against a striking black and silver aluminum tiled wall, creating a dramatic backdrop for the Dining room. A custom designed dining table base of sleek jux-taposed polished stainless steel columns support the crystal glass table top. All of the walls throughout are comprised of a cool gray stained exotic wood paneling that fully envelopes the entire space. The welcoming sofa seating is adorned with fine black leather hides, set off by a brilliant white and silver textured fabric.

The day bathroom is done in backlit sheets of resin encased stone, creating a beautiful visual effect. The main staircase appears as a beautiful waterfall providing access to the wheel house and gymnasium above, and the VIP and guest suites be-low. Thick black leather treads softly flow over the custom de-signed molten glass risers, that when backlit, act as a stunning light source at night.

Moving farther forward we reach the owner’s apartment, com-posed of a spacious dressing room, his bedroom with a work table, a small salon and two bathrooms, his and hers, sepa-rated by a large shower in granite and mosaics.

The Master Cabin features an upholstered suede accent wall, designed in alternating trapezoidal shapes. The LED TV is inset into a highly textured resin paneled wall, colored in different hues of cool blue, black and gray, with scattered ascents of silver and white flecks. The king size bed is shroud in soft grayleather, outfitted with sumptuous black satin linens, finished in a highly textured bed cover and pillows. A custom designed desk and coffee table continue the stainless steel and glass motif shared by other tables throughout.

The design also foresees two large glass walls on either side that provide a perfect visual and natural light combination.

THE LUXE YACHTS

The galley was very much appreciated by the owner, with a coun-try kitchen equipped with a professional cooking area completely separate from a second area with a large table for the crew mess (as is done on Ironman), but that can also be used as an extra space for the owner and an extension of the main kitchen.

If the exterior of the upper deck is completely dedicated to the sun and relaxation, it has a very original interior layout. The owner desired a personal and well equipped gym to train in while cruising.

The fully equipped gymnasium features the latest technology in health and fitness. Recessed arcs of light delineate the different workout stations, which are mimicked by the special colored vinyl flooring. A bent glass screen wall serves as a sculptural entrance into the wheel house.

Dropping below to the lower deck, a central lobby leads to the four guest cabins. The two VIP queen size cabins are towards the stern, while the remaining two have twin bunks. All have their own private bathroom. Farther forward we have the laun-dry and crew area.

The performance of Iron Man reflects her name – the Vivace 125’s D2P_Displacement to Planing® hull form with wave pierc-er is also equipped with an innovative series of Azipods. Dur-ing sea trails performance was better than expected with a top speed of 24 knots, two more than were theorized in design.

Her revolutionary hull form allows the owner to use the yacht both in displacement mode with low fuel consumption for slow deliveries and at higher speeds in complete comfort. The quiet ride was obtained through the use of her special propulsion system which allows the engine room to be placed farther aft, providing increased isolation for the guest cabins. The Vivace 125’ was awarded the RINA Comfort Class classification, which proves how silent and smooth her ride is.

The yacht’s excellent performance is also due to the lightness of the hull, thanks to the introduction of carbon fiber and epoxy resins in the superstructure. This intelligent combination gives the yacht a 40% lighter weight when compared to traditional structures, where light weight equals improved performance.

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THE LUXE TRAVEL

Consuming over one-fifth of the world’s oceans, the colossal Indian Ocean plays home to sea turtles, seals and whales – and a peppering of islands, each boasting vibrant culture, beautiful beaches, and a love for fresh, fiery cuisine. Shanti Maurice, a luxury hotel perched on the southern side of Mauritius, brings together the culinary diversity and punchy flavours of the Indian Ocean, with the launch of their new cuisine, Aquacasia. Showcasing an unforgettable mix of authentic and artisanal offerings, Aquacasia captures the heart and soul of each island’s love of food, entwined with a mastery of spice.

Shanti MauriceMauritius

THE LUXE TRAVEL

Often referred to as jewels scattered across clear turquoise waters, the islands of the Indian Ocean have always been regarded as some of the most picturesque places on earth. Aquacasia is a culinary celebration of this, bringing the bounty of the Indian Ocean and the unique food developed by local island cultures, where aromatic dishes are prepared using only the freshest of local ingredients. The menu is inspired by resourceful street traders, and authentic family recipes which have been passed down through generations of island dwellers, bringing together genuine dishes from the isles of Comoros, Madagascar, Mauritius, Seychelles, Sri Lanka, Reunion, Indonesia and Western Australia.

With ingredients caught, raised and harvested locally in Mauritius, the menu boasts an abundance of fresh seafood, tropical fruits, vegetables, poultry and deer. Shanti’s flourishing organic herb and vegetable garden, augmented by the island’s tropical climate, sprouts bay leaf and galangal, ingredients not typically found on the island. It is this tropical climate that promises the island self-sufficiency, meaning very little of the ingredients have to be imported from afar. These thriving, garden-fresh ingredients, combined with traditional recipes and a mastery of spice, bring the Aquacasian menu to life.

A love of cuisine is at the heart of Shanti Maurice, and overseen by Chef Willi Reinbacher, Aquacasia presents aromatic dishes that embrace the raw, heart-felt flavour of the islands in their most natural form. Marlin, a fish synonymous with the island of Mauritius, is delicately smoked and served with poached eggs, capers and fragrant garden greens, plucked from the Shanti Maurice gardens, while the Maldivian style Lamb Mashroshi brings more complex flavours to the table. Fish Ceviche, another dish that cultivates the Indian Ocean’s abundance of fresh fish, is marinated in coconut and lemon, bringing acidity, spice and sweet flavours to the palette, in one flavourful punch. As further unique spices are explored and new cooking techniques discovered, the menu evolves, interchanging with the shifting seasons, ensuring fresh, seasonal dishes, which capture the defining characteristics of the Aquacasia cuisine. Vegetarian dishes are also prominent on the menu, and are an important aspect of many of the Indian Oceans’ cuisine.

As the Aquacasian menu has evolved, Chef Willi Reinbacher has had the opportunity to visit several of the islands peppered across the Indian Ocean. First-hand experience means the dishes remain true to their island heritage, while an understanding of the unique spice mixes and traditional cooking techniques used in local recipes ensures authenticity, with Chef often reaching out to local island friend for their insight and expertise.

With the Rum Shed, Fish Shack and La Kaze Mama already popular offerings available at Shanti Maurice, Aquacasia isn’t the first food concept to be introduced. Each concept utilises the island’s cultural heritage, and aims to support and grow local farming businesses. Set within a coral cove, Shanti Maurice’s Stars Restaurant offers an idyllic setting, overlooking a starlit Indian Ocean, the perfect place to lose track of time.

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THE LUXE ARTS

In Conversation With:

Mohammed AlKouh‘Four Hands Can’t Clap’

As he prepares for his solo show at The Sultan Gallery in Kuwait, we caught up with Mohammed AlKouh to learn more about his work, how he views society, and what to expect at this month’s show.

THE LUXE ARTS

You’re a photographer, for sure you produce many astonishing images. But how do you see yourself - artist, or visual historian?

Actually, I don’t see my self as a photographer or a visual historian, I see my self as an artist and photography is my tool of expression. I have worked on two projects which were influenced by the city I grew up in and the people I lived among all my life. I’m not recording my personal experiences and reactions towards change and what’s happening around me.

Are you at risk of stylizing the past? How do you avoid this, and keep one foot in contemporary reality?

We can’t change the past, with my work, I’m creating that contrast between past and present. For example, with the ‘Tomorrow’s Past’ project I shot the buildings of Kuwait that went up in its heyday. I shot them in their current, and tragic, conditions and made them look like the way they used to.

That magic of hand coloring is that it takes us to a place hidden inside us, a reminder of our childhood and a romantic time we see now only in old movies and photographs. And for the people who lived it, this triggers a reminder in them of that time. It’s a feeling, a little thing inside us that reminds us who we are, reminds us of happy memories that comfort us and that leaves us in a stage of daydreaming.

You look deep in to what we all see and yet fail to notice. A shift in generations, of standards, or society. How do these changes make you feel? Do you lament the past, or look forward to the future?

I must admit I had a hard time adapting to change, growing up was a bit shocking for me. In little doses over time, specially when I started to lose the ones I love, even what’s around me started to ache and change. I feel that I live in a different world than the one I used to live in, even people started to behave and talk differently. I don’t think I lament the past as much as its feeling.

The moment you chose to display your works publically, you accepted a role of responsibility towards the world as you see it. Is it important for you to feel your images can change this world, or at least the perceptions of those who view that world through your works? Of course it’s important. I wish people would appreciate more the beautiful things they have and the people in their lives before they lose them. My wish is that they could preserve them and appreciate their existence in a better way. With my work I hope people can uncover that hidden little place in themselves where they keep all their memories, a place where they are still surrounded by their loved ones; happy and sheltered.

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THE LUXE ARTS

For most photographers, their image is captured in a millisecond. For you, through the processes of hand-tinting you employ, the image is created over a far longer period. Some reveal themselves to you only weeks later. Are you sometimes surprised by the way a photograph emerges differently to the way you originally saw it?

It’s true, working with analog photography can be surprising all the time, most of the time it gives me more than I expected. It takes long time, patience, and so much effort to do it but I enjoy every single detail of it. Every step is special from developing the film and seeing your negatives, then enlarging the photos and that magical moment when your photograph starts to appear in the developer under the red light, to the moment of starting to color the photograph little by little until its complete. It’s a beautiful process.

What can we expect f rom you at th is month’s Sul tan Gal lery exhibi t ion?

In this exhibition, I will be showing the work I did in the Syrian refugee camps, I traveled to the camps in Turkey and Beirut searching for love stories that happened in the camps. I traveled with my hand-painted floral old background inspired by the early street photographers in Iraq, Egypt and Afghanistan where they used to set their wooden camera and a hand-painted background in the street to photograph people. I wanted to set my camera and background in the middle of the camp and shoot couples that felt in love there, but unfortunately for some reasons I couldn’t be in the camp long enough to do that. So, I had to set my camera and background at the backstreet of my hotel and brought the people I wanted to shoot out of the camp to be photographed.

The project was a personal research about love under such a circumstance, the importance and the effect of love on someone who lost everything literally. How will it work? What it will change? And will it last?

The work will be shown at The Sultan Gallery from 10th to 19th of November 2015.

THE LUXE ARTS

Art Around UsArt Moments Festival In Budapest

This year’s Budapest Art Moments festival, kicked off on the 15th of October with a bang. Powerful photography, intriguing designs, from conceptual fashion, to street art, Art Moments embraces all that is visual, giving us a small taste of the current art scene. The two weeks long series of colourful events embrace the theme of ‘Art Around Us’. But, asks Patricia Toth, what does that really mean?

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THE LUXE ARTS

‘Art is all around us’. Such a cliché! Yet, if we look beyond this commonly accepted and widely used phrase, and try to understand its true mean, we realize, that Art – in all its forms - is indeed all around us. We can see it in the delicate folds of shawls draped around women, in the exquisite dishes served on fine china, in the graceful (or at time destructive) forces of nature, or simply in a city’s alluring architecture. It is all around us; it is everywhere we go, we just need to walk with eyes wide open, receptive to the many forms of Art visible in our vicinity.

The festival’s opening event featured works of five very talented young Kuwaiti photographers. The exhibition entitled “Contrasts blend” is a collection of photographs juxtaposed to expose the different acknowledgements of Art as perceived by the photographers: Abdulaziz Habeeb Al-Shamali, Ali Al-Zaidi, Majed Sultan Al-Za’abi, Sarah Hasan Al-Sayegh and Yousef Mansour Al-Qallaf. The photographs chosen for the exhibition were curated by the designer and design critic, Nawar N. Al-Kazemi.

Contrasts Blend

Art, like beauty, is in the eyes of the beholder. Our perception of Art varies. The exhibition “Contrasts blend” is an invitation to find Art through the lenses of leading Kuwaiti photographers. While some, finds Art in nature’s smallest details, others found it in the diversities and differences among cultures, or witness it in the exercise of power in animal world. While beauty is not necessarily associated with Art, it is found in the varied perceptions we sometimes share.

Ali Al-Zaidi, who was awarded first place for the Hamdan Bin Mohammed Bin Rashid Al Maktoum International Photography Award (HIPA), believes that the differences he captures in his images leads to unity among people, who despite the fact that they come from different cultural, religious and historical background, share this World. I found his work entitled “Food source” striking. Knowing what animals mean to farmers and herdsmen, the image captures both the love, the care and respect that this young individual has towards the young foal, but make no mistake, it is not a lovable pet, it is far more than that. It is the source of survival for the tribe.

Abdulaziz Habeeb Al-Shamali’s love for photography started when he first used a compact camera to document living organisms. His “Damselfly shy under tree leaf” seems to portray almost human-like characteristics. The wide-eyed little creature peeks out from the corner of the leaf, as if making sure it is indeed safe to leave the reassuring safety of the leaf. Almost bashful, it peers into the camera lens, guessing the intentions of the photographer. A lovable photo that makes one smile and appreciate Nature even more.

THE LUXE ARTS

Majed Sultan Al-Za’abi specialized in wildlife and travel photography. Throughout the years, he has earned a first prize win in a Pioneers Video Competition in 2010, a second place at the French International Fine Art Photography in 2012, and the National Geographic photo contest in 2009. While I truly loved his black and white photo of the majestic leopard looking out over a plain with confidence, my real favourite was the bird sitting smugly behind a rhino’s horn. “Power of my beak”. The beauty of this image lies in the contrast of the powerful mammel and its petit little companion.

Sarah Hasan Al-Sayegh was greatly influenced by her father, a photojournalist. She held her first solo exhibition in Sarajevo during the Ramazan festival this year. Her images capture the real, almost destructive beauty of nature. Particularly impressive is her photograph of the sandstorm in 2011, entitled “Judgement Day”. There is a streak of light to the left, where the sand has not reached yet, while the rest of the landscape is slowly engulfed in the red-orange tidal wave of sand.

Last but not least, Yousef Mansour Al-Qallaf is a civil engineer by profession and a photographer by passion. It is genuinely true, that for a photo to really work, timing is essential. Since it captures a moment in time that will not repeat itself again, this moment becomes timeless through photography. Al-Qallaf’s “Doodles of light” was captured, or rather, made with perfect timing.

All in all, the photo exhibition by these talented individuals was refreshingly honest and true – maybe due to the nature of photography - lacked any additional artistic mannerisms that often make seem superficial.

Sponsors of the event were: Ali Alghanim & Sons Group, Alcatel-Lucent and Babcock Borsig Steinmüller.

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Founded in 2010, The Protégés have just graduated their 5th generation. Established with a mission to nurture the potential of the youth through a diverse program of workshops, activities, travel, first-hand experience and group work to encourage them to broaden their horizons, break free of their comfort zones, stimulate their minds and promote self-awareness.

The Protégés The Mentor – Yarub Bourhama

THE PROTÉGÉS

THE PROTÉGÉS

There are two sides to this process. One side is, of course, the youth, The Protégés. The second, and key, side is of course, The Mentors. We met long-time mentor, the creative director and filmmaker Yarub Bourhama, to learn more about the process, and discovered it’s very much a two-way street.

You’ve been a mentor with The Protégés since the beginning – that’s five full generations now. What is the key aim of the process?

There is a general theme that we try to tackle from many sides which is awareness. This to us is the most important goal. For a person to be aware of his own internal understandings and behavior concentrating on what motivates and demotivates him is a key factor of his alignment and internal harmony. Here tolerance and acceptance of others will increase. It is always easy for us to judge what we don’t know in others just by observing different actions. We seldom think about how we actually came to such conclusions about those actions. Here, if we are aware of what is a fact and what is a prediction based on how we perceive events, we can definitely reach to more productive grounds on our personal aspect as an individual and as an aggregate development level as a society.

What has it meant to you, personally, to be so closely involved in the process?

It is the most fulfilling part of my life. It has also been a self-discovery process of my own. Knowing myself more and more, trying to better my own communication, and especially listening skills, to further increase my ability to serve the mentees enhanced my relationship with myself and of course with everyone around me.

The major fulfilling factor is the feeling that we can be useful to the youth just by sharing our own experiences without teaching theories. All we do is assist them through sharing past stories with them that really happened to us.

In addition I have had the chance to win some of my closest friends through The Protégés. I have relationships that are deeper than any I have ever had in my life. For that fact I am forever grateful.

You’re a man of renown within the media industry, aside from your experience in this field, what else have been proud to continue to offer to the students?

As I said, it’s the cumulative life experience that cannot be defined in one category - this is what I try to offer. It is most of my experiences and experiments. My high and low moments, in addition to what might be a success or might be a failure. Like Steve Jobs noted once in a speech of his “Connecting the dots is much easier when you look behind to the past years”

What’s your hope for those most recently completing the process?

I hope they are able to accept themselves and reach the level where they discover their true greatness and then share it with others to benefit from.

Do you see that Kuwait has changed over the period you’ve been involved with The Protégés? In what way, and where do you see previous students have influenced change?

Since 2009, when we first established The Protégés, I have seen a lot of positive change in the youth of Kuwait. I think it is due to general spur of many social development programs in the past years. I see Kuwait today as the most active socially on the youth level in the Arab world.

Mentoring is not a one-way street. While The Protégés have learned from you, what’s the most important thing you’ve learned from them?

I have learned to accept doubt of what was previously a belief to me. I have learned to listen to what is not said by others. I try as much as I can to change judgment to prediction. I learn everyday, and I always wish to be flexible to entertain new ideas and aspects.

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Under starter’s orders for the fifth time, the annual charity race organized by the Fawzia Sultan Rehabilitation Institute (FRSI), is back on November 28th. More than 2,000 runners from across Kuwait will gather for an 8.30am start, and in the knowledge that every step they take will benefit the Children’s Evaluation and Rehabilitation Center (CERC).

RunQ8 2000 runners – 10km – 1 cause28 November

THE LUXE SPORT

THE LUXE SPORT

Since it was first held in 2011, RunQ8’s aim has been to raise awareness of and funds for the CERC; FSRI’s specialized non-profit facility which provides specialized and multi-disciplinary care, treatment and support for children with disabilities. The Center provides comprehensive programs that include physical therapy, speech therapy, psychology and occupational therapy.

All proceeds from the race go towards enabling CERC to continue providing highly specialized quality care to Kuwait’s children, enhancing its services and investing in the development of its team. The raised funds will also help children and families that have been unsuccessful in obtaining the treatment and support they need elsewhere, providing them access to much needed treatment for free.

FRSI was established in 2006 as a non-profit institute, and is the only organization of its kind in Kuwait. All the money made by FSRI is reinvested back into the institute in order to improve the quality of medical care and services provided. FSRI invests a lot of time and energy in research and education, and the institution is committed to providing the highest quality, accessible, and comprehensive rehabilitation services. Dr. Elham Al-Hamdan, the Founder and Medical Director, established the organization with the mission of being a holistic medical institution providing higher quality, multi-disciplinary services, whilst also serving as a regional hub for health, research, education & advocacy. FSRI is a firm believer in community outreach capacity building and volunteer initiatives, as key components to promote health and wellness across Kuwait’s society.

They not only run a number of highly visible community initiatives themselves (such as RunQ8), but they also partner with many other non-profits and NGOs in Kuwait.

THE RACE

Registration is open, and for an entry fee of just KD10 you too can be part of this year’s RunQ8. You can register and pay online at runq8.org.

The 10km race is open to people of all ages and all fitness levels. And if you are not into running, you can choose to walk, jog or stroll; just as long as you cross that start line.

Get training, and keep up to date with FRSI and RunQ8 on Instagram @frsi

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THE LUXE ZEITGEIST

Good design, where form and function come together so exquisitely, should always be celebrated. This month Men’s Passion features some of the most desirable and well executed products that define the times in which we are living.

ZEITGEIST

Paul Smith x Caran d’Ache

THE LUXE ZEITGEIST

When many people hear the name Caran d’Ache they immediately think of the 849. The 849, with its famous hexagonal body and its ultra-thin case, has been one of the company’s cult pens since 1969, constantly creating surprises with its growing range of colours.

A regular user of Caran d’Ache’s ‘849’ pen, to celebrate the brand’s 100th anniversary Paul Smith has teamed with the Swiss manufacturer to create ten new, exclusive colours. Britain’s leading designer, Paul Smith has long been famous for his use of colour and these limited edition Caran d’Ache pens celebrate his well-tuned eye. The ten pens present confident and sophisticated shades, with several of the chosen colours nodding to hues seen on the catwalk of recent Paul Smith collections.

To pay tribute to the 100 year heritage of Caran d’Ache, Paul Smith has also personally selected 100 colours. Presented together in an exclusive box, these 849s form a stripe pattern.

As a regular user of the 849 who admires its colours, quality and design, he shares two important values with Caran d’Ache: traditional quality in manufacturing and a firmly modern taste in shapes and colours. The new Paul Smith 849, with his signature on one side, is a beautiful object.

Describing the partnership, Paul explains “I’ve used a Caran d’Ache pen for many years and to celebrate the 100th anniversary I have selected ten totally unique colours. I hope you like them.”

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From the golden postcodes of London’s Mayfair to urban chic in the cities of the north, the UK remains hot property with Middle East investors. Written by Cityscape magazine.

Buying in Britain

REAL ESTATE REPORT

London Tower Bridge

REAL ESTATE REPORT

The UK market has long held an attraction with Middle East property investors. From the status-rich postcodes of London’s Mayfair and Knightsbridge, to the steady in-crease in buy-to-let property in the cities of the north, there are plenty of opportunities to be had, depending on your budget and your plans on how to use the property.

WHERE TO INVEST

For many Middle East investors the prestige of a London address is still a powerful motive when considering in-vesting in the UK and many brokers still recommend the capital as an ideal investment base.

“If you are looking for a safe haven investment then I would still look no further than the traditional prime cen-tral London hotspots of the Royal Borough of Kensing-ton and Chelsea, and Westminster. Capital growth and rental yields may prove to be rather conservative in these locations but their values have proven to be extremely resilient to both domestic and global economic issues,” recommended Jonathan Mount, Partner at The Buying Solution (the independent buying consultancy of Knight Frank) who travels to the Middle East regularly.

“If you are looking for slightly more exciting capital appre-ciation then looking further afield to areas going through significant regeneration is going to be the route to take. Many areas in East London, for example Canary Wharf, Tower Hamlets and Hoxton have experienced excellent short-term growth and the projections over the next five years are equally strong,” he added.

However, Camilla Dell, Managing Partner of independent property buying agency, Black Brick, thinks London is

heading for a fall: “Traditionally, a lot of our Middle East-ern clients have tended to buy in the ‘golden’ postcodes of Knightsbridge, Belgravia and Mayfair. We believe these locations are due a price correction in the next 6 to 12 months, so for investors in the current market we tend to advise looking further afield in order to maximise both the rental yield and capital growth prospects.”

Philip Churchill, Co-Founder & Managing Partner of 90 North, a company offering sharia-compliant property investment, believes regional cities hold the key. “If you want to buy and hold for the grandkids then London is great but if you’re looking for a bit more then you have to look outside London. There is plenty out there in strong regional cities,” he said.

90 North co-invests in all its property deals, and offers sharia-compliant financing and ensures that tenant use is also sharia-compliant.

Ray Withers, Chief Executive of property investment specialists Property Frontiers, reckons some of the best opportunities can be found within the London commuter belt – cities within an hour of London and with good transport connections. “Obvious choices are Oxford, Reading and Cambridge. Cities like this should see above market capital growth and yields of around 4% can be expected,” he said.

“Buying in one of the UK’s other major cities is also a good idea right now; Manchester, Liverpool, Birmingham and Bristol all have dynamic local economies and an un-dersupply in housing. Prices in these areas are generally much cheaper than in the south east and yields of more than 6% can be achieved,” he added.

A CGI of Wellington Row at Wimbledon Hill Park, by Berkely Homes

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REAL ESTATE REPORT

ON THE MARKET

The UK real estate market is particularly buoyant right now, with a wide range of new builds, conversions and older properties all up for sale.

Launched in London in September, Alto Apartments at Wembley Park will tower 19 storeys high, enhancing the skyline above the famed Wembley Park.

Alto Apartments will include 133 one, two and three-bed-room units, 24-hour concierge, gym and residents-only water gardens. The higher floors also have views over the iconic Wembley Stadium arch. Apartments are priced from GBP 375,000 for one bedroom and GBP 495,000 for two.

“Alto Apartments presents the ideal opportunity for Mid-dle Eastern property buyers to access the highly desir-able London market,” said Sophie Hapgood, Residential Marketing Manager, Alto Apartments.

Wembley Park already has a developed infrastructure in place with numerous transportation choices and amenities on site including London Designer Outlet for shopping and dining, The SSE Arena, Wembley and National Stadium.

Another sporting destination in the city is also present-ing hot investment opportunities. Wimbledon Hill Park is popular with overseas buyers due to its tranquil and family

friendly setting, fantastic education establishments - which includes the Al-Ahliah School of Arabic, part of Kings Col-lege School - and its short journey times to central London.

Wimbledon Hill Park is set within the grounds of what was once the ancestral home of the 2nd Duke of Wellington. The project offers a resident’s gym, boardroom, private cine-ma room as well as a concierge service. Off-plan sales are being taken on Dukes Gardens, which offers a collection of spacious two and threwe-bedroom apartments. Prices start from GBP 1,150,000.

“Recent research highlighting that Middle Eastern buy-ers accounted for 5% of the market in Wimbledon in 2014 can be backed up by the profile of purchasers at our Wim-bledon Hill Park development. Here, we have continued to see a high level of interest, particularly in the houses, and a third of these sales so far have been to Middle East buyers,” commented Danny Rowland, Head of Sales, Berkeley Homes (West London).

Outside of London, Victory Pier is situated right on the Med-way Waterfront in Kent, forming part of an exciting, multi-bil-lion pound ‘Medway Renaissance’ programme that has seen a total transformation of this stretch of the River Medway. The Peninsula is the latest phase of apartments at Victory Pier, comprising studios, one and two-bedroom apartments. Once complete, the apartments will sit alongside a host of shops, bars and restaurants and a private residents’ gym.

Alto Terrace

This article is supplied by Cityscape Magazine.

Cityscape magazine is the Middle East’s leading monthly real estate investment title and is owned and published by Informa Middle East Limited. For more information, please visit www.cityscape.org

Visit Cityscape Kuwait, the only international real estate in-vestment event in Kuwait for buying your dream home.

REAL ESTATE REPORT

Prices start from GBP 185,000 for a studio apartment.In Manchester, Custom Quay is a conversion of an iconic commercial building within Salford Quays, offering excep-tional water views. The modern refurbishment will create 60 one and two-bedroom duplex apartments which benefit from a communal roof terrace with stunning panoramic 360 degree views over the quays, private gated car park and landscaped courtyard.

“Salford Quays itself is booming, meaning that residents can enjoy the area’s prosperity and the career opportuni-ties that such economic advancement generates. Yet, as well as being a thriving area in its own right, packed with shops, restaurants and cultural attractions, the tram stop just 150m away, enabling access to Manchester city centre in under 15 minutes,” said Withers from Property Frontiers. Prices start from GBP 127,000 for a duplex.

THE SMALL PRINT

As with any major investment, buying property in the UK does come with a certain amount of red tape. The good news is that there are no restrictions to foreigners buying property in the UK.

However, this does mean that you will be taxed the same as domestic buyers on your purchase. Be sure to budget for Stamp Duty Land Tax. Some properties are also liable to an on-going annual charge, which as

of April 2016 will affect properties from GBP 500,000. When you come to sell the property, Capital Gains Tax will also become due, which can run as high as 28 percent.

As a non-resident landlord you will need to register with Revenue & Customs and pay tax on your net profits from renting. Also, tax relief on mortgage costs for buy-to-let landlords is being scaled down to just 20 percent of the in-terest by 2020. You also need to be aware of restrictions when purchasing a listed building – as many home improvements are forbidden. For the best advice, use a search agent. They will charge around 2 percent of your purchase but will save you from making an expensive mistake.

A CGI of The Peninsula, the latest phase at Victory Pier, Gillingham

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In the presence of elite decision makers, developers, investors and key stakeholders of the real estate market, and for the first time in Kuwait, Cityscape hosted a Business Breakfast at JW Marriott Hotel in Kuwait City. In an intimate environment, the panel of experts provided key insights into the industry by discussing and debating local and global real estate with a focus on investment trends. The event presented a perfect platform to build new business relationships and network with top real estate market influencers, experts and leading real estate investment and development industry insiders.

Kuwait Looks to Real Estate as Sustainable Investment Platform

As a preview to the upcoming premier real estate investment and development event – Cityscape Kuwait, being held on December 9-11 – this exclusive event introduced some of the most important themes that will take place during the exhibition at the Kuwait International Fairgrounds in Mishref.

The various high-profile discussions centered on possible changes to the economic framework of the GCC states due to natural resource instabilities, while stressing real estate will play a significant role in long-term economical

THE LUXE EVENTS

The Sultan Gallery presented ‘Still’, an exhibition of photographs by Hendrik Kerstens (Dutch) and Robert Polidori (Canadian) curated by Miami Beach based art dealer Mark Dean during October. In the immortal words of William Faulkner, “The past is never dead. It’s not even past.” This exhibition brings together two artists who explore how we understand the past through the present. Both employ

The Sultan Gallery

photography in ways that deliberately subvert conventional notions about the photograph’s relationship to reality. Instead of capturing a “decisive moment” or freezing a slice of time, they adopt the language of classical painting to explore a more layered a more layered sense of history. This results in images that appear to exist simultaneously in the past and present.

THE LUXE EVENTS

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One year ago, after receiving the new limited edition print of the original “Maqamat Al-Hariri” based on the manuscript found in the Bibliothèque Nationale in Paris, the Lebanese artist, Abed AlKadiri, began working on a series of paintings paying homage to Yahya AlWasiti.

(13th-century Arab artist who produced exceptional and dazzling illustrations to accompany the Maqamat

Abel AlKadiri at Dar al Funoon

(Rimed Prose) of AlHarir i (1054-1122). It soon became a project and a statement in which the destruction of Iraq’s historical monuments - par ticular ly the destruction of the Mosul Museum in February - had a huge impact on AlKadir i. The impact of this was laid bare through the works shown at AlKadiri’s ‘Maqama 2014’ show in October.

THE LUXE EVENTS

Kuwait Boss Store Prestige The Avenues T: 22288020Kuwait Boss Store Mariam Complex Salmiya T: 22288021Kuwait Boss Sportswear Store 2nd Avenue The Avenues T: 22288010Kuwait Boss Sportswear Store Marina Mall Salmiya T: 22288023

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Men's Passion #72 - November 2015

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