master classes THE MUSIC FESTIVAL OF PITE ÄLVDAL andstaff.joer/pdf/Masterclasses, Hoppstock.pdf · Tilman Hoppstock September 2003 – July 2004. 8 Anders Nilsson. Luleå University

HIGH CLASS TEACHING BY ESTEEMED MUSICIANS/PEDAGOGUESHÖGKLASSIG UNDERVISNING AV ANSEDDA MUSIKER/PEDAGOGER

master classesmästarkurserJ U N E 2 9 - J U L Y 6 , 2 0 0 3

Neil Mackie, Kathleen Livingstone

Jiri Hlinka

Zakhar Bron

Martti Rousi

Andreas Blau

Anders Nilsson

Bäsk

Tim Hagans, Helge Albin

Neil Mackie

Jiri Hlinka

Andreas Blau

Tilman Hoppstock

singing/sång

piano

violin

cello

flute/flöjt

composing/komposition

folk music/folkmusik

big band/storband

singing/sång

piano

flute/flöjt

guitar/gitarr

S E P T E M B E R 2 0 0 3 - J U L I 2 0 0 4

THE MUSIC FESTIVAL OF PITE ÄLVDAL and LULEÅ UNIVERSITY OF TECHNOLOGY/ THE SCHOOL OF MUSIC IN PITEÅ PROUDLY PRESENTS

Första veckan i juli varje år förvandlar vi hela Piteälvdal, från Arjeplog i norr till Piteå i söder, till en kulturell pulsåder av klassisk musik, folkmusik ochjazz av absolut världsklass.

Mästarkurserna utgör en del av Festspel i Pite Älv-dal, den andra delen utgörs av ett rikt och varieratutbud av företrädesvis klassiska konserter. Mästareoch kursdeltagare medverkar i offentliga konserterunder veckan.

Mästarkurserna erbjuder högklassig undervisningav ansedda musiker/pedagoger. Musikhögskolan iPiteå anordnar kurserna som högskolekurser för-lagda till Musikhögskolan och till Framnäs folk-högskola. Folkmusikkursen är förlagd till Arvidsjaur.

Här presenterar vi nu våra mästare för år 2003.Tillsammans med Festspelens övriga artister kom-mer de att ge oss många minnesvärda musikaliskaupplevelser.

Vi inbjuder alla lovande musiker att delta i våra mäs-tarkurser och samtidigt njuta av många konserter iden vackra, norrbottniska sommaren.

Varmt välkomna!

During the first week in July we shall be transfor-ming the whole of Pite Älvdal, from Arjeplog in thenorth to Piteå in the south, into a cultural artery fullof classical music, folk music and jazz of absolutelyinternational class.

The master classes, is one section of the MusicFestival of Pite Älvdal, the other one consists of agreat number of mostly classical concerts. The mas-ters and the participants are taking part in publicconcerts during the week.

The courses offer high class teaching by esteemedmusicians/ pedagogues and they are included in theuniversity courses at the School of Music in Piteåand will be given at the university and at theFramnäs Folk High School. The course in folkmu-sic will be given in Arvidsjaur.

Here we now present the masters of the year 2003.Together with the other artists of the Music Festivalthey will give us many memorable musical events.

We invite all promising musicians to attend our mas-ter classes and at the same time enjoy many concertsduring the beautiful summer of Norrbotten.

You are all very welcome!

2

Information master classes:Sven-Erik SandlundKursansvarig / course leaderPhone. +46 (0)911 726 62Fax. +46 (0)911 726 10E-mail: [email protected]

Musikhögskolan i PiteåBox 744SE-941 28 PITEÅwww.mh.luth.se

Johan RamströmKonstnärlig ledare / artistic directorPhone. +46 (0)920158 30Cell.Ph: +46 (0)706344760E-mail: [email protected]

Festivalkansli/OfficeFestspel i Pite Älvdal / The musicfestival inPite ÄlvdalFramnäs folkhögskolaSE-943 33 ÖJEBYNTel/Fax/Auto:+46 (0)911 968 28E-mail: [email protected]

FESTSPEL I PITE ÄLVDAL

Mästarkurser/konserter

THE MUSIC FESTIVAL OF PITE ÄLVDAL

Master classes/concerts

3

Since making his London debut in 1972 with the ECO &Leppard, Neil Mackie has pursued an international career,appearing regularly with leading orchestras and conductors at theBritish and European festivals. He has given many world premieres –unpublished songs by Britten, Three Auden settings by Henze, Leighton’s 3rd Symphonyand a number of works by Peter Maxwell Davies including the title role in the “Martyrdomof the St Magnus” and “Sandy in the Lighthouse”. As well as his award winning EMI recor-ding of Britten’s Serenade, he has recorded for DECCA, DG, Philips (Grammy Award1994), Chandos, Hyperion and Unicorn-Kanchana in a wide-ranging repertory. He com-plements his singing career with his position as Head of Vocal Studies at the Royal Collegeof Music in London. For his services to music, he was appointed CBE in 1996.

SINGING

Neil Mackie, tenor

June 29 - July 6, 2003 and September 2003 – July 2004

Kathleen Livingstone studied at the Royal Scottish Academy ofMusic and Drama, The Royal College of Music and with PierreBernac. In 1975 she was winner of the NMFS award and since then haspursued a flourishing career both at home and abroad. Miss Livingstone performs regu-larly with choral societies and music clubs as well as broadcasting for the BBC in recitals,choral and concert performances. Recent engagements have included performances ofBritten’s “Les Illuminations” with the Zürich Chamber Orchestra, Berlioz “Nuits d’Ete”,Haydn’s “Creation” which was broadcast live on BBC radio, Brittens “War Requiem” andHandel’s “Messiah” in the Albert Hall. Kathleen Livingstone is married to the disting-uished tenor Neil Mackie and together they have presented their highly successful recitalprogrammes worldwide, including a Royal Command Performance at Balmoral Castle.Miss Livingstone is a Professor of Singing at the Royal College of Music.

SINGING

Kathleen Livingstone,soprano

June 29 - July 6, 2003

Prof. Matti Hirvonen frequently appears in musicfestivals in Sweden and abroad as a soloist and

chamber musician and has made a largenumber of TV, radio and gramophone

recordings, most recently a CD withpiano music by Robert Schumann.Matti Hirvonen is one of Sweden’smost sought-after accompanists andhas performed with singers such asElisabeth Söderström, HilleviMartinpelto and Anna Larsson as wellas with Ingvar Wixell, HåkanHagegård and Peter Mattei. He hasalso performed with several disting-

uished instrumentalists. Matti Hirvonenhas a particular interest in contempora-

ry music and has given a number of firstperformances of Swedish piano works.

Following his undergraduate studies at theSibelius Academy in Helsinki and at the Royal

University College of Music in Stockholm, MattiHirvonen pursued his education in London. He has built

up his reputation as a highly versatile musician, both as a soloist, chamber musician andLieder accompanist. Matti Hirvonen holds a professorship at the Royal University Collegeof Music in Stockholm and he regularly gives masterclasses for singers as well as pianists.

4

Matti Hirvonen, Accompanist

June 29 – July 6, 2003 and September 2003 – July 2004

Jiri Hlinka, born in Praha in 1944, came to Norway in 1972. Hlinka studied several yearswith the professors Frantisek Rauch and Josef Pálenicek. He has a research fellow diplo-ma from the School of Music in Praha. With his achievements he set himself at the topof the world’s garde of young piano masters. He was engaged by Europe’s leading orchestrasand played in the most exclusive connections.In 1970 Hlinka was appointed professor at the Music Conservatory in Praha, and 1972-

2001 he has been teaching at the Bergen Music Conservatory (Griegakademiet). From1994 he has also been teaching at the Barrat-Dues Music Institute in Oslo. Hlinka hashad an almost revolutionary influence on Norwegian piano milieu. Through his long peda-gogical work he has created a new international piano tradition in Bergen; he set a newstandard. For his work as pedagogue, he received in 1992 the exclusive Lindeman Awardand the Bergen Kunstforum Culture Award. In 1995 hereceived the prestigious Grieg Award, one of the mostattractive awards in Norwegian music life.Hlinka´simportance as pedagogue is further emphasisedby the results and careers of his many students.Most remarkable is Leif Ove Andsnes´ placeamong the world’s young piano elite.In1996 he was appointed professor in pianoby an international committee. In addi-tion to teaching in Norway, he also givesmaster classes in piano all over Europe.

5

PIANO

Jiri HlinkaJune 29 – July 6, 2003 and September 2003 – July 2004

6

Prize-winner in many major, international competitions -among them the international Queen Elisabeth Competitionin Brussels and the Wieniawski in Posen - was born in 1947in Uralsk. After beginning his studies at the Stoliarski Schoolfor Music, he continued under the guidance of Boris Goldsteinat the Gnessin Concervatory in Moscow. Professor Bron then moved on to the TchaikovskyConservatory where he entered Igor Oistrach´s class, soon becoming his assistant.

Zakhar Bron has not only achieved excellence as a soloist, but has proved himself to be anaccomplished instructor as well. His unique talent as a teacher has won him positions atthe Musikhochschule in Lübeck, the Glinka Conservatory in Novosibirsk, the RoyalAcademy of Music in London as well as the Reina Sofia School in Madrid. The greatdemand for his lectures and master classes across the world speak for themselves. There ishardly a major musical city in Japan, Europe or America today that has not profited fromthe unique teaching methods of Zakhar Bron; and his students can regularly be foundamong the winners of the most important international music competitions.

Accompanist: Irina Vinogradova, piano

VIOLIN

Zakhar BronJune 29 – July 6, 2003

CELLO

Martti RousiJune 28 – July 4, 2003

Martti Rousi began his studies in his home town Turku, Finland, in 1968 andstudied cello playing with Timo Hanhinen and Seppo Kimanen. Later hemoved to Helsinki and studied with Arto Noras at the Sibelius- Academy. In1985 he got a fulbright – scolarship to Bloomington to study with Janos Starkerwinning the annual cello competition there.

Since 1986 he has been performing with leading Scandinavian and Europeanorchestras, with conductors like Esa- Pekka Salonen, Okko Kamu and OsmoVänskä. Chamber music has always been one of the main centers of Rousi´smusical activities. He is regularly playing on major chamber festivals bothin Europe and USA. Since 1992 Rousi is the artistic director of Turku musicfestival, 1998 he became a professor at the Sibelius Academy in Helsinki.His recordings include several solo and chamber recordings for ONDI-NE –label. He is playing on a Carlo Giuseppe Testore from 1698.

Accompanist: Bengt-Åke Lundin, piano

7

Blau was born in Berlin in 1949. He started at the ageof six to play the recorder, but changed to flute at the ageof thirteen. In 1965 he was awarded first prize at the com-petition “Jugend musiziert” and graduated after only four termsfrom the “Hochschule der Künste” in Berlin. Additional courses in theUSA and at the Mozarteum in Salzburg, where he was awarded, prepared him for his pro-fessional career. For 30 years Andreas Blau is soloist flute player in the Berliner Philharmonics and since1993 he teaches at the orchestras own Akademie. 1983-85 Blau was associate professor atthe “Hochschule der Künste” in Berlin and many of his students have obtained high posi-tions in famous orchestras both in Germany and abroad. Andreas Blau has given solo con-certs with the Berliner Philharmonics as well as other wellreputed orchestras with conductors such as Herbert von Karajan, Claudio Abbado, David Oistrach,Horst Stein and Sir Yehudi Menuhin. Many recordings for gramophone companies andradio has been made. Blau has master classes in Mexico, Japan, the USA, Italy, Norwayand Sweden. Usually he performs as a concert soloist at these occasions. He has on seve-ral occasions performed at the Salzburger Festspiele.

Accompanist: Lars-David Nilsson, piano

FLUTE

Andreas BlauJune 29 – July 6, 2003 and September 2003 – July 2004

Tilman was born in 1961, studied guitar and cello in Darmstadtand Cologne. Since 1978 he has undertaken concert tours tothe most important cultur centres of the whole world. Between1982 and 1985 he gave more than 300 recitals in Europe andoverseas. In addition, he has appeared in concerts and maderadio, television and commercial recordings with manyensembles and chamber artists such as Christoph Prégardien(tenor), Peter Wolf (cello), Rainer Zipperling (Baroque cello)and Alexis Weissenberg (piano).

Beside his live performances, Tilman has recorded 20 LPs/CDs which have been receivedenthusiastically by the press.

GUITAR

Tilman HoppstockSeptember 2003 – July 2004

8

Anders Nilsson was born 1954 in Stockholm.He studied composition for Gunnar Buchtat the Royal College of Music in Stockholm.His lessons with Brian Ferneyhough have alsoheld great importance for him. He has alsobeen a teacher, at among other places, the RoyalCollege of Music in Stockholm.

During his early days as a composer, Anders Nilsson sho-wed a great interest in several accomplished but stylistically differing masters: Berio, Boulez,Lutoslawski, to name a few. His aspirations towards historical orientation are still strong,but he has with time become more independent, as well as expanding his horizons to inclu-de even older segments of music history. For example, his rhythmic and motivic work isstrongly influenced by Beethoven. The orchestra is the medium that has up to now meantmost to him; his orchestrational techniques put characteristics such as clarity and trans-parency in the foreground. Concentration, imaginative coloring, and thorough form canalso be seen in Anders Nilsson’s chamber music.

Musicians for Practice:Åsa Dornbush, mezzosopranoKarin Dornbush, clarinetTrio Poseidon: Sara Trobäck, violin; Claes Gunnarsson, cello; Per Lundberg, piano.

COMPOSING

Anders NilssonJune 27 – July 4, 2003

In 1998/99 Tilman Hoppstock took invitations to give concerts and master classes at the“Royal Academy of Music” in London and the “Manhattan School of Music” in NewYork. He has been teaching guitar classes at the Gutenberg University in Mainz and theAcademy of Music in Darmstadt for more than 15 years and additionally teaches cham-ber music, guitar harmony and counterpoint Music.

9

Bäsk is a collaboration of three veryrenowned musicians from the experi-mental Swedish folk music scene: JonasSimonson is best known as flautist (pluspiper and clarinet player) of the Swedishfolk-jazz-etc. band Groupa; Sten Källmanis passionate about Swedish and Haiti folkmusic, and plays his sax and drums/per-cussion also in the likes of Den Fule andFilarfolket; Hans Kennemark is a reputedfiddler from Västergötland.

The result of such collaboration simply has to be exciting. Here we have three musicianswith a deep knowledge of Swedish folk traditions, at the same time willing to experimentbeyond the traditional framework. All three are also talented composers.

Jonas Simonson: flutes (from Groupa and Den Fule)Hans Kennemark: fiddle, viola (from Forsmark tre and Tritonus)Sten Källman: soprano- and baritone saxophones and percussion (from Filarfolket, Simbiand Den Fule)

FOLKMUSIC

BäskJune 29 – July 6, 2003

10

For the third year in a row a master class in the art of big band performance will be offe-red during the Music Festival of Pite Älvdal. The course will be led by Tim Hagans andthe Norrbotten Big Band (NBB) with guest educator Helge Albin. Included will be dailybig band rehearsals under the direction of Mssrs. Hagans and Albin and sectional rehear-sals with the members of the Norrbotten Big Band. Also included will be instruction inimprovisation, composing and arranging.

The master course band`s repertoire will be stylistically diverse with an emphasis onmodern big band compositions. The master course band will perform during the week,observe rehearsals with the NBB and guest artists as well as attend concerts offered throug-hout the festival.

Tim HagansWith his enormous musical creativity, the Norrbotten Big Band’s dynamic leader, trum-peter and arranger Tim Hagans, is a key figure in the orchestra’s development. Tim’s musicthrives amidst the music of today. Experience with the likes of Stan Kenton and WoodyHerman, Thad Jones Eclipse, Ernie Wilkins Almost Big Band, and in combination withsuch tenor greats as Joe Lovano and Bob Belden, he has developed a unique ability to keepthe music urgent and alive. But Tim also has other highly developed skills. He is an excel-lent educator who can quickly narrow down a musician’s abilities and potential for deve-

BIG BAND / JAZZORCHESTRA

Tim Hagans/Helge Albin/Norbbotten Big BandJune 30 – July 5, 2003

11

lopment. He has been a role model in thisarea through his work with the NorrbottenBig Band, and through educational projectsfunded by the Swedish county ofNorrbotten. It is well known that Tim’strumpet playing ranks with the upper eliteplayers in the world. Grammy nominations for the past two yearsonly strengthen that claim. He has perfor-med around the world at prestigious festi-vals and at highly reputable jazz clubs.

Helge AlbinAltosax & flute. Composer and arranger.

The Artistic leader of the Tolvan Big Bandfrom southern Sweden and the area aroundthe coastal town of Malmö. A powerhouseorganisation with an international reputa-tion of the most up-to-date and ambitiousBig Bands anywhere in the world.

In 1995 he was honoured with theSwedish daily newspaper SydsvenskaDagbladet’s Europapris, a prize for, amongother things, “his resolute efforts in develo-ping Tolvan Big Band to become aEuropean institution of significance”. TheEuropapris had previously only been awar-ded to politicians and scholars, one of thesebeing the former Swedish prime ministerCarl Bildt. In the same year the band recor-ded a CD titled: “The Touch”, which wasalso nominated for a Swedish “Grammy”.

KURSINFORMATIONMusikhögskolan i Piteå, i samarbete med Festspel i Pite Älvdal, erbjuder följande kurser:

MÄSTARKURSER SOMMAREN 2003, 3 poäng

Sång: Neil Mackie / Kathleen Livingstone Juni 29 – Juli 6Piano: Jiri Hlinka Juni 29 – Juli 6Violin: Zakhar Bron Juni 29 – Juli 6Cello: Martti Rousi Juni 28 – Juli 4Flöjt: Andreas Blau Juni 29 – Juli 6Komposition: Anders Nilsson Juni 27 – Juli 4Folkmusik: Bäsk Juni 29 – Juli 6Storband: Tim Hagans / Helge Albin Juni 30 – Juli 5

Kursstart med upprop och därefter lektioner i master class form. Ett antal platser för auskultanter med tillgång till alla klasser erbjuds också. Deltagarna medverkar i offentliga konserter under veckan. Möjligheter att videofilma lektionerna kommer att finnas.

MÄSTARKURSER 2003/2004, 10 poäng

Kursperiod september 2003 - juli 2004

DI = För dig som går kursen för första gångenDII = För dig som går kursen för andra gången

Vid anmälan, glöm ej att ange anmälningskod!

Instr Nivå Lärare Anmäln.kod:

Sång DI Neil Mackie 75017Sång DII Neil Mackie 75020

Piano DI Jiri Hlinka 75015Piano DII Jiri Hlinka 75016

Flöjt DI Andreas Blau 75018Flöjt DII Andreas Blau 75019

Gitarr DI Tilman Hoppstock 75021

Fyra kursperioder genomförs under 2003-2004. Datum för de olika perioderna meddelas de antagna senast 15 juli. Detaljerat kursupplägg meddelas före första kurstillfället.

Kurserna på 10 poäng kan i kombination med tidigare utbildningar på högskolenivå (ex.vis musikerutbild-ning, diplomutbildning eller jämförbart) ingå i en magisterexamen i musik eller forskarutbildning.Examination sker vid Musikhögskolan i Piteå.Ytterligare information: Musikhögskolan i Piteå, Sven-Erik Sandlund. (Adress m.m.: Se folder sid 2)

12

INFORMATION ABOUT THE COURSESThe School of Music in Piteå, in co-operation with the Music Festival of Pite Älvdal, offers the following courses:

MASTER COURSE SUMMER 2003, 3 pts

Singing: Neil Mackie / Kathleen Livingstone June 29 – July 6Piano: Jiri Hlinka June 29 – July 6Violin: Zakhar Bron June 29 – July 6Flute: Andreas Blau June 29 – July 6Cello: Martti Rousi June 28 – July 4Folk Music: Bäsk June 29 – July 6Composing: Anders Nilsson June 27 – July 4Big Band: Tim Hagans / Helge Albin June 30 – July 5

Courses start with roll-call, and lessons in the form of master classes. A number of seats for trainees with access to all the classes will be offered. The participants will take part in public concerts during the week. There will be possibilities to video record the lessons.

MASTER COURSE 2003 / 2004, 10 pts.

September 2003 - July 2004

DI = If you attend the class for the 1st timeDII= If you attend the class for the 2nd time

Please do not forget to write the enrolment code in your application!

Instr Level Teacher Enrolment code

Singing DI Neil Mackie 75017Singing DII Neil Mackie 75020

Piano DI Jiri Hlinka 75015Piano DII Jiri Hlinka 75016

Flute DI Andreas Blau 75018Flute DII Andreas Blau 75019

Guitar DI Tilman Hoppstock 75021

Four course periods will be held during 2003-2004. Dates for the different periods will be presented to the admitted persons on July 15 at the latest. Detailed curriculum will be presented before the first course date.

The Postgraduate courses, 10 pts, can, in combination with previous education at university level (for instance musician’s education, diploma or equivalent) be included in a master degree in music or in doctoral studies. The examination will be at the School of Music in Piteå.Further information: The School of Music in Piteå, Sven-Erik Sandlund (Address etc: se page 2 in the brochure)

13

14

KURSAVGIFTER M.M.

Kursavgifter: * Aktiva med grundläggande behörighet för högskolestudier: Ingen avgift* Aktiva utan grundläggande behörighet för högskolestudier: 3000 kronor* Auskultanter: Ingen avgift

Kost o. logi: * Möjlighet till helinackordering vid Framnäs folkhögskola: 450:-/dag. Tel 0911-231100* Information om annat boende via Piteå Turistbyrå, 0911-933 90* Möjlighet till helinackordering i Arvidsjaur (folkmusik) 0960-157 67

Studiemedel: Aktiva studerande med grundläggande behörighet för högskolestudier:* Möjlighet till studiemedel.3 poängskurser: intensivkurs 29/6-6/7, självstudier/förberedelse 9-28/6 = 3 veckor

10-poängskurser: särskilt kursupplägg

SISTA ANMÄLNINGSDAG FÖR SAMTLIGA KURSER: 15 APRIL 2003

Anmälan skickas till: Luleå Tekniska UniversitetAntagningsenhetenSE-971 87 LULEÅ

Mästarkurserna finns också beskrivna i Luleå Tekniska Universitets utbildningskatalog 2003-2004 samt på Musikhögskolans hemsida www.mh.luth.se.

Kursledningen förbehåller sig rätten att i samråd med mästarna välja kursdeltagare.

COURSE FEES ETC.

Course fees: * Active participants with general qualifications for university studies: No fee* Active participants without general qualifications for university studies: 3000 SEK* Trainees: No fee

Board and lodging: *Possibility to get board and lodging at Framnäs folkhögskola: 450 SEK/day. Phone +46 (0) 911-231100Piteå Tourist office can provide information about other accommodation options. Phone +46 (0) 911-933 90.*Possibility to get board and lodging in Arvidsjaur (folkmusic) Phone +46(0)960-157 67

Financial support: Native country’s conditions.

LAST DATE OF APPLICATION FOR ALL COURSES: APRIL 15, 2003

Application to: Luleå University of TechnologyAdmission officeSE-971 87 LULEÅ

The management of the course reserve themselves in consultation with the masters, the right to choose the participants of the course.

15

NYHET VID MUSIKHÖGSKOLAN I PITEÅ!

Vid Musikhögskolan i Piteå erbjuder vi D-nivå i huvudämne 61-80 p, som kan, med övri-ga kurspoäng, ingå i en magisterexamen i musik.

Studierna utgår från den studerandes egen erfarenhet och verksamhet och syftar därför tillatt utveckla den beprövade erfarenheten till en reflekterad och kommunicerbar kunskap.Kursen syftar till att studenten utifrån ett konstnärligt förhållningssätt på hög nivå utveck-lar den egna förmågan till musikalisk gestaltning, musikalisk kommunikation och konst-närlig kunskapsutveckling. Dessa fördjupade kvaliteter uppnås genom huvudämnets konst-närliga komponenter, med reflektion över den egna forskningsprocessen och kunskapsut-vecklingen, samt med prövande av vetenskapliga forskningsmetoder.

Kursen består av två delar;a) Forskningsprocessen 5p

- Vetenskapsteori- aktuella vetenskapliga teoribildningar- att läsa och skriva vetenskapliga texter- kvantitativa och kvalitativa metoder- litteratursökning

b) Konstnärligt/vetenskapligt arbete 15p- Arbetet innehåller alltid en vetenskapligt dokumenterande del om minst 3poch maximalt 12 poäng.

Planeringen av kursen görs i samråd mellan den studerande och handledare. MomentetForskningsprocessen genomförs i form av föreläsningar, seminarier och egna övningar.Lärandeprocessen i momentet ligger till grund för det självständiga arbetet om 15 p ochförutsätter ett aktivt deltagande av studenterna. Arbetet kan ges olika fokus eller inriktning;t ex utveckling av den egna spelförmågan, studier av ämnet ur ett traditionsperspektiv, denkonstnärliga processen i en ensemble. Det är viktigt att innehållet korresponderar mot kur-sens syfte så att studierna bedrivs ur ett konstnärligt och vetenskapligt perspektiv. Parallelltmed studierna genomför studenterna löpande självvärdering utifrån vissa kriterier.

Det konstnärliga/vetenskapliga arbetet ska dokumenteras i klingande form (CD-inspel-ningar mm) och skriven text (uppsats). Arbetet redovisas i form av ett öppet seminariummed opponent, där båda delar presenteras. Redovisningen kan också kompletteras med enkonsert. Dokumentationen som helhet ska spegla ett reflekterande förhållningssätt och före-ligga i en form som möjliggör kritisk granskning. Examinationen görs av examinator pågrundval av det konstnärliga/vetenskapliga arbetet som helhet.

Ytterligare information kontakta: Anna-Karin Gullberg, Tel. 0911-72 651E-post: [email protected]

RC

Tryc

k i P

iteå

AB

I N F O R M A T I O N

Festspelen i PiteåFramnäs FolkhögskolaSE-943 33 ÖjebynSWEDENPhone +46(0)911-23 11 00Phone/Auto/Fax +46(0)911-968 28E-mail: [email protected]

Musikhögskolan PiteåBox 744SE-941 28 PiteåSWEDENPhone +46(0)911-726 62Fax +46(0)911-726 10www.mh.luth.se

A R R A N G Ö R

Stiftelsen Festspelen i Piteå:

• Piteå Kommun

• Piteå-Tidningen

• Nolia

• Luleå tekniska universitet/Musikhögskolan Piteå

• Framnäs folkhögskola

• Folkets Hus Piteå

17