Mass Media and Holocaust Memory

Mass Media and Holocaust Memory

Examples of the “Holocaust Metaphor”

El Periódico, 2000

Communicative Memory – everyday communication, temporal horizon of eighty to hundred years, strongly influenced by contemporaries of the remembered events. SHORT TERM MEMORY.

Cultural Memory – “body of reusable texts, images, and rituals specific to each society in each epoch, whose ‘cultivation’ serves to stabilize and convey that society’s self-image.” LONG TERM MEMORY. - (Equivalent to Tradition).

Source: Jan Assmann, “Collective Memory and Cultural Identity,” New German Critique 65 (1995), p. 132

Jan and Aleida Assmann

“It is not the literal past that rules us. It is images of the past”

George Steiner

How did commercial mass media influence Holocaust memory?

1959 1979 1991

HOLOCAUST is an insult to

those who perished, and

those who survived. The

Holocaust has to be

remembered but not as a TV

Show.

Elie Wiesel (Survivor)

1979

SCHINDLER’S LIST is one of the most powerful films of all time, capturing the true horror of the Holocaust.

Anna Bergman (Survivor) 2013

ARE ALL GENRES APPROPRIATE?

Class debate: HOLOCAUST MADE IN HOLLYWOOD?

POSITIVE (Optimists) vs. NEGATIVE (Apocalyptics)

Further questions for discussion:

- Is there a “memory industry”? (Critical Theory)- Is there a serious memory vs. a trivial memory? - Is there true vs. false memory?- What are the effects of these representations? - Relation between comunicative memory and

cultural memory.- Do these products energize discourses of traumatic memories or block insight into specific and other histories (Huyssen).

UNITED STATES HOLOCAUST MEMORIAL MUSEUM

“Even if the Holocaust has been endlessly commercialized, that does not mean that

all commercialization inevitably trivializes it as a historical event.

There is no pure space, existing outside the culture of commodities, no matter how

much we would like for it to exist. Thus, a great deal depends on the specific strategies

of representation and commercialization and the context in which both are

staged”

Andreas Huyesen

POST-MEMORY Marianne Hirsch

Memory can be transmitted to those who were not actually there to live an event.

Post-memories are memories in their own right.

Post-memory marks a particular turn-of-century moment, marked by looking backward rather than ahead and defining the present in relation to a troubled past rather than initiating new paradigms.

Post-memory is a consequence of traumatic recall but (unlike post-traumatic stress disorder) at a generational remove.

Relationship to the formative events of the XX century has been defined by the powerful but mediated forms of knowledge