Martin Scorsese, Leonardo DiCaprio & Sir Ben Kingsley’s Shutter Island: High Profiling MK Ultra and Threatening What Coercive Diplomacy Promises to Deliver for the R&D, Deployment and Proliferation of Stealth Cognition Technologies Watch trailer Just how gripped with trepidation over the second instance of militarized ‘mind control’ experimentation that violates the Nuremberg Code and its successor, Article 7 of the International Covenant on Civil & Political Rights is
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Martin Scorsese, Leonardo DiCaprio & Sir Ben Kingsley’s Shutter
Island: High Profiling MK Ultra and Threatening What Coercive Diplomacy Promises to Deliver for the R&D, Deployment and
Proliferation of Stealth Cognition Technologies
Watch trailer
Just how gripped with trepidation over the second instance of militarized
‘mind control’ experimentation that violates the Nuremberg Code and its
successor, Article 7 of the International Covenant on Civil & Political Rights is
Marshall: These patients, huh? Doctor: Even these. What used to do as a last resort is becoming
a first response. Give them a pill, put them in a corner it all goes away. […] The greatest obstacle to [the escaped
patient’s] recovery was her refusal to face what she had done.
Leo has a flashback to his days serving in World War II. He recalls what
happened during the liberation of a Nazi concentration camp where human
experimentation is suspected. He and other soldiers are so furious at the
inhumanity they witness they line the guards up against a fence and execute
them en masse.
Immediately after this scene Leo and his partner are discussing their
assignment and the matter of MK Ultra is injected into the dialogue to link
this graphic slaughter with consequences for pursuing stealth cognition
technology R&D in the face of worldwide condemnation:
Marshall: You know this [asylum] is funded by a special grant from
the House on Un-American Activities Committee? Partner: How exactly are they fightin’ the Commies from an island
in Boston Harbor? […]
Marshall: By conducting experiments on the mind. […] Like I said,
no one would talk, right, ‘till I found someone [that got funding for a science project] who used to be a patient here. […] So he starts seein’ dragons everywhere. He almost beats his professor to death. Ends up here in … Ward ‘C’. They release him after a year, right. What
does he do? Two weeks on the mainland he walks into a bar, stabs three guys to death. [At trial] he begs the judge for the electric chair. […] They’re experimenting on people in here.
Like the recurring Taylor Identifying #67, "Ward C" to Scorsese et al. was
another perfect fit, being representative of the Coalition.
The film is full of flashbacks which until the end of the movie and the
delivery of a big twist in the plot are not fully understood. However, they
certainly are in terms of what Scorsese et al. wanted to communicate to the
Chinada High Command through this production. For example, Leo
repeatedly sees his wife and child in various dreams. One involves him
standing over them amongst piles of concentration camp corpses. She’s
attired in Chinada prison certainty (chain link fence).
Later when he’s confronted by her in the doctor’s study, the same lexiconic
constituents:
When in a dream she’s seen to have been shot by him because she
murdered their three children, the same colors that implicate the Beijing
leadership in 21st century MK Ultra are again present:
The Marshall's convinced the head of the facility is the 'directing mind' of the
human experimentation program, and one of the evidentiary circumstances
is being a German. He confronts him with this perceived malfeasance and
proceeds to effect the kind of punishment coalition partners have threatened
many times over the years:
Doctor: And wouldn't you agree when you see a monster you
must stop it? Marshall: I agree.
When the full plot is fully revealed producers again draw attention to
Chinada’s violations of the International Covenant on Civil & Political Rights.
However, this time they add a specific rebuke for what the Canadian lawyer
has been suffering since the earliest days of his two-decade ordeal. In a
critical scene the doctor implores the U.S. Marshall to fess up and Scorsese
et al. describe the malfeasants as ‘insects’ living inside the Canadian’s mind.
They add a reference to the technology that sounds like tapping on the other
side of the wall used dozens of times a day; that when the coalition is
successful it ought to be the last time enslaving torturous experimentation
will occur in the western world; and partners came to the Canadian’s rescue.
Doctor: We need to hear you say it. Marshall: After she tried to kill herself the first time Deloris told me
she –- she had an insect living inside her brain. She could feel it clicking across her skull; just pulling the
wires just for fun. She told me that. She told me that. But I didn’t listen [Cl.M.]
Doctor: I hope what we’ve done here will [McCain M.] be enough
to stop it from ever happening again. I need to know you’ve accepted reality.
Marshall: [Newman M.] You came after me, huh Doctor? [You] tried
to help when no one else would [Cl.M.].
The film concludes with another reminder who's to blame for the 21st
century's MK Ultra. There are eight actors and extras in the final shot: