MARK GISBOURNE  · Web view3rd April, 1948, Stratford-upon-Avon, Warwickshire. HIGHER EDUCATIONAL QUALIFICATIONS. STL/STM Theology/Philosophy, Rome, 1978-1981. [Joint Masters Philosophy/Theology]

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MARK GISBOURNE

3rd April, 1948, Stratford-upon-Avon, Warwickshire.

HIGHER EDUCATIONAL QUALIFICATIONS

STL/STM Theology/Philosophy, Rome, 1978-1981. [Joint Masters Philosophy/Theology]

BA Hons, Courtauld Institute of Art, University of London, 1985.

Research Ph.D. Courtauld Institute of Art, University of London, Madness, Mediums, and Marginalia in France: 1801-1928. [1986-94]

POSITIONS HELD

Visiting Professor Cleveland Institute of Art, Lacoste, 1987/88/89/90/91 Cezanne, Van Gogh, and Matisse at Nice; 1992/93 Artists and the South of France, 1992/93 (six week summer courses); 1987 Dada and Surrealism in Paris: 1919-47, (fifteen week autumn semester).

Lecturer of Art History: Art History/British Civilisation Programme, University of Connecticut, City University, London., 1988/89/90/91/92/93. Fall semester English Romantic Painting and Sculpture, 1790-1848; Winter/Spring semester Italian Renaissance Painting and Sculpture,1400-1500, and the Netherlandish Renaissance 1400-70.

Visiting Professor to the University of Bucharest (English and Aesthetics Department/Institute of Fine Arts/Institute of Art History), Bucharest; Twentieth Century Art lecture series, May, 1991.

Courtauld Institute of Art. B.A. Course Contemporary Art in London - What is Post-Modernism, Spring Term, 1992.

Courtauld Institute of Art. B.A. General Course Supervision 1st Year Students, Spring and Summer Terms, 1992. (From Romanticism to Contemporary Art c.1780-1960)

University of East Anglia, Primitivism in Twentieth Century Art, Spring Term, 1992 (SUBSEQUENTLY DECLINED)

ACM. Associated Colleges of the Mid-West Programme, English Painting and Sculpture, 1750-1851 (From Hogarth to the Death of Turner), ([HALF-SEMESTER] April-May, 1992).

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Visiting Lecturer to La Maison Française, New York, February, 1993; Gestures in Solitude: From Pollock and Twombly to Gonn Mosny.

Lecturer Sotheby's Education Studies, Master's Degree in Post-War and Contemporary Art [post-1945] (validated by the University of Manchester). From September 1993 onwards.

Lecturer (The Slade School of Art) [UCL] Second Year BA's Lecture [series of ten lectures] Difference and Deviance: The `Body', `Consciousness' and the `Avant Garde' [Mid-Nineteenth Century to Today]; Autumn Term, 1994.

Lecturer (The Slade School of Art) [University College London] First Year MA's Art as Language/Language as Art. Ongoing series of twelve lectures and seminars on writer-theorists and their ideas over the last fifty years. (To include in first term Bataille, Benjamin, Sartre, Heidegger, Merleau-Ponty, Bachelard, and Adorno' in second term Lacan, Kristeva, Foucault, Baudrillard, Lyotard and Derrida). Thirf term dissertation and examination supervision.

Lecturer (The Slade School of Art) [University College London], MA Course and Dissertation Supervisor [1994-96].

Full-time Senior Lecturer in Post-War and Contemporary Art, post-graduate course MA in Post-War and Contemporary Art, Sotheby's Institute [affiliate Institute of University of Manchester], 1996 (ongoing). From 1996/7 to be MA in Contemporary Art: Art After 1960 . Left and moved to Berlin in 2002.

Visiting Professor to the University of Sassari, Sardegna, November, 2006; Dipartimento di Teorie e Ricerche dei Systemi Culturali, Università di Sassari, Sardegna, 2006.

HONORARY POSITIONS

British Section Treasurer (AICA) - Association Internationale des Critiques d'Art - International Association of Art Critics, 1992-94.

British Section President (AICA) - Association Internationale des Critiques d'Art - International Association of Art Critics, 1994-97, Interim 2000.

British Section Vice- President (AICA) - Association Internationale des Critiques d'Art - International Association of Art Critics, 1998-2000.

International Vice-President (AICA) - Association Internationale des Critiques d'Art - International Association of Art Critics, 1999-2002.

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GENERAL BACKGROUND 1967-71 Police Officer, Warwickshire Constabulary.

1971-72 Civil Servant, Foreign Office Legalisation and Visa, London.

1972-77 Company Director, Vischschoonmaker Galleries International, London, New York, and Jersey (Channel Islands).

1977-82 Franciscan Friar (Order of Friars Minor), Chilworth, Canterbury, and Rome.

1982-85 Courtauld Institute of Art, University of London.

1985-86 Assistent Curator, The Outsider Archive, London.

1986-94 Courtauld Institute of Art, University of London, Phd Registration.

VARIOUS LECTURE VENUES

Former Resident Lecturer Stanley Picker Trust.

Twentieth Century Associate Lecturer, Sotheby's Educational Department 1988-1995, appointed Sotheby's Institute [Full-Time Lecturer] 1996.

Modern Art Studies, 1990-94

Christies 1990-93

Tate Gallery, (Tate Britain and Tate Modern) London and Liverpool; lectures on Twentieth Century Art, and specialised subjects for their exhibition programme.

History of Art Studies Programme, London.

National Gallery of Art, London.

Hayward Gallery 1996-2000.

British Museum/British Library on the "`Incunabula' (Early Printed Books)," (1988-1990).

Museum of Modern Art, Oxford, UK.

Courtauld Institute of Art, Somerset House, London, 1999.

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Royal Academy of Arts, Piccadilly, 2000-2002

Universität der Künste, Berlin, 2004

For all other British and International venues (contact for list)

PUBLICATIONS(Books and Scholarly Articles)

Bibliographic Researcher for Scottie Wilson - Its All Writ Out For You, (See George Melly), Thames and Hudson, London, 1986. English only.

Louis Soutter Essay for exhibition catalogue, Musée Cantini, Marseilles, 1987. English/French.

Gonn Mosny: Breathing and Painting, Kohlhammer Verlag, Stuttgart-Berlin-Köln, 1989. 252p (241 colour plates). English - French - German monograph.

Atmen und Malen, (English/German/French)., ex. cat., 2 vols., Galerie Tobias Hirschmann (5 December 1991-21 January 1992 [Oppenheimer Landstrasse 27, 6000 Frankfurt/Main 70], 1992). German/English/French

Gonn Mosny: Peintures et Dessins, (English/German/French)., ex. cat., 2 vols., Galerie Joachim Becker (2 July - 1 August), [7, rue Bivouac Napoleon - F06400 Cannes] 1992). German/English/French.

Playing Tennis with the King (Visionary Art in Central Europe in the 1960's), Essay contribution to Parallel Visions: Modern Artists and the Outsider, ex. cat., Los Angeles County Art Museum, 18 October, 1992 - January 3, 1993, Princeton University Press, Princeton, New Jersey; the show traveled with successive language catalogues to the Reina Sofia, Madrid (11 February -9 May, 1993); Kunsthalle, Basel (4 July - 29 August, 1993); and Setagaya Museum, Tokyo (30 September - September 12, 1993. The catalogue included biographical contributions by the author on Arnulf Rainer, Georg Baselitz and A.R. Penck. English/Spanish/Japanese editions.

Gonn Mosny: Paintings and Drawings, (English/German/French)., ex. cat., 2 vols., La Maison Française, New York University (2-26 February, 1993).

The `Confined' Object: French Clinical Psychiatry and the Art of the Untrained Mentally Ill, in, The Artist Outsider: Creativity and the Boundaries of Culture, Smithsonian Press, Washington D.C., 1994. (This ten thousand word essay is one of seventeen essays in a text devoted to the issues of Outsider Art and theories of to culture and cultural margins).

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Victor Hugo: Spiritism and Chance Essay for Victor Hugo: Pittore, Museo D'Arta Moderna, Ca Pesaro, Venice/ Bibliothèque Nationale exhibition, [12 March - May 9, 1993]. Catalogue published as a book in Italian and French editions by Edizioni Mazotta, March, 1993.

Art Machine: Three Score Years and Ten, Essay for exhibition catalogue on an Installation Work by Ainslie Yule, Villa Foscarini-Rossi, Stra, Veneto, Italy, 1993. English/Italian

Victor Hugo: Spiritism and Chance Essay for L'Ame au Corps (The Soul of the Body), contrib. to ex. cat., Galeries Nationales du Grand Palais, Paris, October 1993 - January 1994, Gallimard, Paris, 1993; an extensive exhibition dealing with the relations between art and the life sciences/psychology/parapsychology et al. [1793-1993]. French only (original mss English)

‘In the Time of `Presenting the Unpresentable’, Essay for Imi Knoebel exhibition catalogue, Goethe Institute of Art, London, June - July, 1995. English only.

Dada and Surrealism in Paris, 1919-1947, essay Chapter Five for Investigating Modern Art, Open University Press/Yale University Press, London, 1996.

Palimpsest, Exhibition of Conceptual Art (12 Australians and 3 Germans), catalogue essay on Hanne Darboven, Canberra Museum of Modern Art, January 1996 (traveled to Sydney and Brisbane). English only.

Humanism and the Carnivalesque, essay in The Carnival of the Animals: Daniel Spoerri, ex. cat., Galerie Yvon Lambert, Paris, 20 April to May, 1996: travels to Italy and Germany. Three catalogues 1996 in English/French, English/Italian, and English/German.

Beyond Reason. Art and Psychosis: Art From The Prinzhorn Collection, Exhibition Guide [5 December, 1996 - 23 February, 1997], Hayward Gallery of Art, South Bank, London. Disparate Friends, Catalogue Essay WHAT, Trinity Buoy Wharf Art Space, London Docklands [April 6 - May 6], (Painting Show - Artists: Machiko Edmondson, Mark Fairnington, Sally Heard, Yvonne Hindle, Katrina Hjelde, David Leapman, Peter Lloyd Lewis, Henry Rogers, Stefan Sehler, Yinka Shonibare], 1997. English only.

Pagan Rapture Catalogue Essay Cathy de Monchaux, ex. cat., Whitechapel Art Gallery, [May 30 - 27 July], London, 1997. English only

Dis-Incarnate, Catalogue/Book Essay Marc Quinn, ex. cat., and book, Gagosian Gallery [May], New York, 1998. [Clibborn/Jay Jopling/Gagosian].

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English only.

A Clean Sweep, Catalogue Essay, Jason Martin, Kunsthalle Nordhorn, Germany, April/May, 1998. [Nordhorn/Lisson Gallery]. English only.

Wednesday’s Child…..: De Profundis (Platonic Hope and the ‘Chora’) Catalogue Essay, CHORA [30 Underwood Street Gallery 18th September – 31st October, 1999; travelling to Hotbath Gallery, Bath; South Hill Park, Bracknell; Abbot Hall, Kendal], - Artists, Frances Aviva Blane, Jane Bustin, Edward Chell, Maria Chevska, Tim Davies, Peter Griffin, Susan Hiller, Simon Morley, Paul Morrison, Jane Mulfinger, Martin Richman, and Heather Sear. English only.

Millennial Exhibition of the City of Nantes: Nodule, Module et ‘Podule’ : Les Voyages dans l’espace interieur, ex. cat., Les mondes inventés, [May - September] Musée des Beaux-Arts de Nantes, 2000. English/French.

Harewood House, Momento Mori : Painting as Requiem (momenti difficili) [Jason Brooks]; exhibition catalogue essay and raisonne of works to date, [March, 2001], Entwistle Gallery/Harewood House, 2001. English only.

João Penalva, Portuguese Pavilion, Venice Biennale 2001, ‘In the Absence of Absalom’, João Penalva, Monographic text (including 12,000 word essay, 121 footnotes) published for Venice Biennale, 2001 (other contributors Guy Brett, and Pedro Lapa). English/Portuguese

Between Flux and Stasis, catalogue essay Matthew Radford, Houldsworth Fine Art, Cork Street (June 6 – July 7), 2001. English only.

Blue Heaven, catalogue essay, The Paintings of Peter Newman, Blains Fine Art, Bruton Street, London, January-February, 2002. English only.

Eyes Exposed and Touched by Colour, Book and Catalogue essay English/German, Rhodes and Mann, February, 2002; AlteFeuerwache, Mannheim, April, 2002 (traveling to Berlin thereafter). English/German

Mark Fairnington: Dead and Alive, extended essay in, Dead or Alive, Black Dog Publishing, June, 2002; published to coincide with an exhibition of the artist’s work at Harewood House, traveling to the Natural History Museum, Oxford and London. English only.

To See is To Behold, essay in catalogue Sight Mapping, Konsthallen – Bohuslans Museum, Uddavalla, Sweden (8 September – 30 October), traveling to Gallery of Modern Art, Glasgow, and thereafter onto Bilbao. English and Spanish versions.

‘Aesthetics of the Seamless’ (London Seminar: Norman Bryson, Mark Gisbourne, Sharon Morris, Andrew Renton, Irit Rogoff), published as

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Concepts on the Move, Leir en Boog, Series of Philosophy of Art and Art Theory, vol. 17, 2002 (Dutch Society of Aesthetics), pp. 81-92 English/Dutch

Hidden Features, catalogue essay Face Off (November 2002-January 2003) ex. cat., Kettles Yard Gallery, Cambridge University, Cambridge, 2002.

Follow The Yellow Brick Road, catalogue essay Rosa Loy ex. cat., (13 April – 15 June, 2003), Kunstsammlung, Gera, 2003; (22 February – 12 April, 2004) Kunstsammlungen der Städtischen Museen, Zwickau. English/German

Sam Taylor Wood, Dictionary Entry, Kritisches Lexikon der Gegenwartskunst, September, 2003. German only (original mss English)

Macrocosm and Microcosm, catalogue essay Daniel Biesold, ex. cat., Momemtum Gallery, (Berlin), September, 2003. English/German

Michael Sailstorfer, short essay, Markus Richter Gallery, Berlin, September, 2003. English/German

Hippolytus:Pardon and Desire, short text on Vasco Araujo’s ‘Hipolito’, Anamnese - Digital Platform on Contemporary Art in Portugal (1993 to 2003), October, 2003. English/Portuguese

Living With Porcupines, Catalogue essay for book Album Matthias Muller, Neue Berliner Kunstverein, March, 2004. English/German

Asylum and Entity, essay for book Asylum, (Henry Moore Foundation Contemporary Projects/Baltic Centre for Contemporary Art, Gateshead/Newcastle on Tyne), on film project Asylum Julian Rosefeldt, Hamburger Bahnhof, Berlin, (2002) Francesca Von Thyssen Foundation (Brick Lane, London, 2003) and Baltic Contemporary, Gateshead/Newcastle, August, 2004; Spike Island, Bristol, 2004, Sao Paolo Biennal, 2004; Avignon, 2004; Hatje Cantz, 2004. English/German

Out On A Limb: The Body in Parts (The Photography of Thomas Florschuetz) cat. essay, Thomas Florschuetz, Kunstmuseum Bonn, Baltic Contemporary Art Centre, Kunsthalle Chemnitz, 2004/5. English/German

Strawberry Fields Forever, essay for ex. cat., Abetz/Drescher: Paint it Black, Galerie Volker Diehl, Berlin/Galerie Suzanne Tarsiève, Paris, February, 2004. English/German/French

Reverie and Ennui: Stories of the Commonplace, essay for ex. cat., Laura Bruce, Buero der Kunst, Dresden, April/May, 2004. English/German

Michael Sailsdorfer, interview Michael Sailsdorfer/Mark Gisbourne

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Manifesta 5, San Sebastian, June, 2004, p. 189-191 English only

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Rohkunstbau XI (Exhibition Curator and Essayist): European Portrait II, Schloss Gross Leuthen, Spreewald. (artists Miroslaw Balka, Chen Shaofeng, Thomas Florschuetz, Shilpa Gupta, Susan Hiller, Markus Huemer, Kristina Incuraite, Lina Kim, Joao Penalva, Yedhudit Sasportas, Cornelia Schleime, Yinka Shonibare) ‘A House in the Country’ (including essays by Kathrin Bettina Mueller, Abbas Maroufi), June 26 – August 21, 2004. English/German

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East International ‘Martin Kobe’ (selected by Gerd Harry Lybke/Neo Rauch) ex. Catalogue Essay entry (Martin Kobe), Norwich, July, 2004. English only

Julian Rosefeldt, ‘It’s Only a Paper Moon’, Collection of Francesca von Hapsburg Museum of Contemporary Salzburg, July, 2004. English/German

Maria Lassnig, Between ‘Eye and Mind’: The Paintings of Maria Lassnig, Catalogue Essay, Galerie Hauser & Wirth, London, September, 2004. English only

Jaroslaw Flicinski, Jaroslaw Flicinski: Painting as Architect of Mind and Space, Catalogue Essay, Le Guern Gallery, Warsaw, September, 2004. English/Polish

Eva and Adele, Eva & Adele: Life in the Pink, Catalogue Essay, Galerie Michael Schultz, Berlin, September, 2004. English/German

Martin Assig, Reason and Realisation in the Paintings of Martin Assig, Catalogue Essay, Galerie Volker Diehl, Berlin/Galerie Tanit, Munich, September, 2004. English/German/French

Jonathan Leaman, Jonathan Leaman, Preface, Israel Museum of Art, Tel Aviv, October, 2004. English/Hebrew

Cameron Rudd, Cameron Rudd: The Return of the ‘Flâneur’, Catalogue Essay, DNA Galerie, Berlin, January, 2005. English/German

Bernhard Martin, Painter as Vagrant: Itinerant Motifs in the Work of Bernhard Martin, Essay, Thaddeus Ropac Galerie/Hatje Cantz, 2005. English/German/French

Anya Gallaccio, Nature as Necessity in the Work of Anya Gallaccio, Catalogue Essay, Palazzo delle Papesse (Palazzo Piccolomini), Centro d’Arte Contemporanea, Siena, January, 2005. English/Italian

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Marc Bijl, Marc Bijl: Transgression and the Social Space, in Marc Bijl Afterhours Catalogue Essay, Den Haag Contemporary Art Museum, February, 2005. English/Dutch

Christian Hellmich, A House of Your Own (Christian Hellmich), Catalogue Essay, Galerie Schwind, Frankfurt, January, 2005. English/German

Martin Borowski, ‘Picture This’: Issues of Embodiment and Representation in the Paintings of Martin Borowski, Catalogue essay, Galerie Volker Diehl, Berlin, April, 2005. English/German.

Michael Weseley The Hidden Visible: Transformation and Annihilation in the Photography of Michael Wesely, Catalogue Essay, Guarini Foundation, Berlin (18 May - 8 July), and Fotohof Salzburg (28 July – 3 September), Fahnemann Projekts, Berlin, May 2005. English/German (including essay by Eugen Blume).

Mark Raidpere, Between Lead and Gold, Catalogue Essay, in ISOLATOR, Estonian Pavilion, Venice Biennale, June, 2005. English/Estonian

Sybille Berger, The Candour of Colour, Catalogue Essay, in Sybille Berger, Newlyn City Art Gallery, Newlyn, Cornwall, England, June, 2005. English only.

Gabrielle Heidegger, An Essay in Red and Black, Catalogue Essay, in LAL – RED In Honour of Kali, Museum für Indische Kunst (27 May – 28 August), Berlin, May, 2005. English/German (including essays by Klaus Peter Schuster and Raffael Dedo Gadebusch). English/German

Lori Hersberger, The ‘Shattered Image’ Accumulation and Fragmentation in the Work of Lori Hersberger, Catalogue Essay, Kunsthaus Zürich/Thaddeus Ropac Galerie, Salzburg and Paris, June, Paris, 2005. English/German/French

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Rohkunstbau XII, 2005 (Exhibition Curator and Essayist), Kinderszenen/Scenes From Childhood, Schloss Gross Leuthen, Spreewald. (Artists: Louise Bourgeois, Sergey Bratkov, Jake and Dinos Chapman, Yann Delacour, Marcel Dzama, Fang Lijun, Laura Ford, //////für///, Michael Kutschbach, Bjørn Melhus, Michael Sailstorfer, Cornelius Völker), Schloss Gross Leuthen (25 June – 28 August), June, 2005. English/German (including essays by Andreas Wenderoth, Jakob Hein, and Thea Herold)

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Theo Böettger, What are the roots that clutch, what branches grow…….,

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Catalogue Essay, in Theo Böettger, Kunstverein, Rüggen, June, 2005. English/German

Markus Huemer, As Things ‘Take Flight’: Some Phenomenological Aspects of the Work of Markus Huemer, Catalogue Essay, in Markus Huemer: Soziales Interesse ist Eigentlich auch Vorhanden, Stiftung Saarländischer Kulturbesitz, Saarlandmuseum (30 July – 25 September), July, 2005 English (including German essay by Ralph Melcher) English/German

Peter Welz, Neither here not there: Peter Welz – Plangent Space –Echoes in Solitude, Catalogue Essay, in To Unsay (PeterWelz), Renaissance Society Chicago, and Mönchehaus – Museum für Moderne Kunst, Goslar, 2005. English/German

Gabriela Albergaria, ‘As It Is’ (Nature and Reparation in the Work of Gabriela Albergaria) Catalogue Essay, in, Centro de Artes Plásticas de Coimbra, Victor Diniz, 2005. English/Portuguese

SEO, 'Colour Me This...?’ (Attitude as opportunity in the work of SEO) Catalogue Essay, Galerie Michael Schultz, November, 2005, English/German

Maya Ott The Field of Play (The Paintings of Maja Ott), Catalogue Essay, Ott, Munich, December, 2005. English/German

Stephanie Schneider Life’s a Dream (The Personal World of Stefanie Schneider), Book Monograph, Hatje Cantz, January, 2006, English/German.

Stefanie Schneider Stefanie Schneider, Laudatio-Essay-Text Wastelands book publication, Zephyr Raüm für Fotographie, Mannheim, February, 2006, English/German

Lilia Almog In The Time of Love, Catalogue Essay, Lili Almog: Perfect Intimacy, New York, Powerhouse Publications, March/April, 2006 English only

Sebastian Hempel, All Work and No Play Makes Jack a Dull Boy, Catalogue Essay, Sebastian Hempel, Städtische Galerie, Dresden, May, 2006. English/German

'Matthias Müller', in Ideal City/Invisible Cities, Zamość (Poland), Potsdam (Germany), June-October, 2006, June, 2006 English/German/Polish

'Jaroslav Flicinski', in Ideal City/Invisible Cities, Zamość (Poland), Potsdam (Germany), June-October, 2006, June, 2006 English/German/Polish

Donata Wenders, Absent Presence, Essay in book, Donata Wenders: Islands of Silence, Prestel Verlag, Germany, June, 2006. English/German.

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Christian Hellmich, 'This is the House that Jack Built….' (The Paintings of Christian Hellmich), ex. cat., Lehmann Maupin Galerie, New York, June, 2006. English only

Tim Eitel Tim Eitel "Picture Show": Between the Modern and the Real, Catalogue Essay, Holzwarth Publications (Pace Wildenstein, New York), Berlin, 2006. English/German.

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Rohkunstbau XIII, 2006 (Curator and Essayist) Out of the Blue, Drei Farben 'Blau-Freiheit' (Three Colours 'Blue-Freedom'), Schloss Gross Leuthen, Spreewald. (Artists: Gregor Schneider, Sylvie Barré, Vasco Araujo, Michael Wesely, Melanie Manchot, Costa Vece, Mona Hatoum, Monica Bonvicini, Hannah Doherty, A.K. Dolven, Langlands and Bell, and Blue Noses), plus artist's statements, Prestel Verlag, July, 2006. (including essays by Bert Rebhandl, and Warnfried Dettling) English/German

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Tenerife, Canary Islands, In Waiting for God, Catalogue Essay, Nuevos Misticos/New Mystics Sala des Exposiciones Cabrera Pinto (30 June – 3 September), La Laguna, Tenerife, June 2006. English/Spanish

Zhang Huan, Zhang Huan: Palimpsest "Writing on the Body", catalogue essay, Zhang Huan, Volker Diehl Gallery, Berlin, June, 2006. English/German

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Mark Gisbourne, Kunst Station Berlin Book. Profiles texts and interviews with and twenty international artists living and working in Berlin (with Berlin photographer Jim Rakete), Knesebeck Verlag, Munich, Germany, September 2006, in German. Künstlern und Künstlerinen/Artists included, Norbert Bisky, John Bock, Monica Bonvicini, Candice Breitz, Tacita Dean, Thomas Demand, Martin Eder, Tim Eitel, Mona Hatoum, Bernhard Martin, Jonathan Meese, Bjørn Melhus, Daniel Pflumm, Thomas Rentmeister, Cornelia renz, Julian Rosefeldt, Yehudit Sasportas, Thomas Scheibitz, and Michael Wesely.

Several International editions:Mark Gisbourne, Art Berlin Now, (English Language Title) Book. Profiles texts and interviews with and twenty international artists living and working in Berlin (with Berlin photographer Jim Rakete), Thames & Hudson, London, September, 2006, in UK English (UK);

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Mark Gisbourne, Art Berlin Now, Book. Profiles texts and interviews with and twenty international artists living and working in Berlin (with Berlin photographer Jim Rakete), Abrams, New York, March, 2007, in USA English.

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Heinz Günther Herpel, Kunstpunkt-Five Years On, Kunstpunkt, Berlin, Septmber, 2006, German/English

Jim Dine One From the Heart, catalogue essay, Wetterling Gallery, Stockholm, November, 2007. English/Swedish:::::::::::::::::::::::::::::::::

URP! Dieci Posizioni Tra Pubblico e Privato Co-Curator with Giuliana Altea, Planning, Installation and Catalogue Essay 'Intervention as Transparency' : Ex. cat., Document of Installation (14 November-14 December, 2006) Uffici dell'assessorato alla Pubblica Istruzione, Beni Culturali, Spettacolo e Sport della Regione Sardegna, Viale Trieste 186, Cagliari, December, 2006. English/Italian

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Berlin North: Baltic South, critical essay/article on Nordic artists living and working in Berlin, in Art Criticism Today, Volume 1, no. 1, 2007. English only

Mark Gisbourne 'Ich Wundere mich, wie es sein kann', essay, in WARUM KREIG? Albert Einstein-Sigmund Freud - Texte und Protokolle zum Briefwechsel. (Herausgegeben von Cathrin Pichler), Bruno Kreisky Forum für internationalen Dialog, Schlebrügge, Editor, December 2006. Deutsch/German only Dedicated to Anna Politkowskaja.

Gabriele Leidloff, 'Forgetful of the Shadow's Speed': The Works of Gabriele Leidloff, catalogue essay, NCCA (Contemporary Art Center), Moscow, February, 2007. English/Russian.

Thomas Schirmböck (curator), It's Time the Stone Consented to Bloom, catalogue essay, My Vision: Ideen Für Die Welt Von Morgan, Reiss-Engelhorn Museen, and Zephyr/Raum für Fotografie, Mannheim, February, 2007 (Paper Text, and CD-DVD format catalogue) English/German

Nathalia Edenmont, 'Metamorphoses', catalogue essay, 'Nathalia Edenmont', Guy Pieters Gallery, Knokke le Zoute, Belgium, February, 2007. French/Flemish/English

Peter Krauskopf, 'The Wonder of It All', in Peter Krauskopf, ex. cat., Mies van der Rohe Haus, Berlin. March, 2007, German/English

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Ola Kolehmainen, 'Screenplay: Mirrors of Solitude', in book publication Ola Kolehmainen: Fraction, Abstraction, Recreation, Hatje Cantz Verlag, May, 2007. English/German

Zhang Huan, 'Images of Imagination and Desire', catalogue preface and essay Zhang Huan: Drawings, Schirmer/Mosel Verlag and Galerie Volker Diehl, Berlin, April, 2007. German/English

Clemens Krauss. 'The Body and the Baroque', Mark Gisbourne in Conversation with Clemens Krauss on Temporary Wall Paintings, ex. cat., Clemens Krauss 21 + 4 Bodies, (21 April – 24 June, 2007) S.M.A.K, Ghent, Belgium, June, 2007. English/Flemish

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Rohkunstbau XIV, 2007 (Exhibition Curator and Essayist) All Things Being Equal Drei Farben Weiss: Gleichheit (Three Colours White: Equality), Schloss Sacrow, near Potsdam. (Artists: Thomas Demand, Gerhard Richter, Candice Breitz, Gil Marco Shani, Jaroslaw Flicinski, Julian Rosefeldt, Ayse Erkman, Thomas Rentmeister, Maris Chevska, and Ola Kolehmainen, (including essays by Christoph Menke, and Elif Shafak) July, 2007. Opened 14th July, 2007. German/English

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Gyula Fodor, 'Constellations', in Noosphere (The Photography of Gyula Fodor), book essay, Vienna, July, 2007. German/English

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BOOK. Mark Gisbourne, Double Act (Two People - One Expression) to include the following artist double acts; Abetz & Drescher, Allora & Calzadilla, Jake & Dinos Chapman, Clegg & Guttmann, Hubbard & Birchler, Elmgreen & Dragset, Eva & Adele, Muntean & Rosenblum, Tim Noble & Sue Webster, Pierre & Gilles, Doug & Mike Starn, Stepanek & Maslin, Jane & Louise Wilson. 200 pages+ Prestel Verlag, International English edition. August/September, 2007

BOOK. Mark Gisbourne, Künstler Paare/Double Act to include the following artist double acts; Abetz & Drescher, Allora & Calzadilla, Jake & Dinos Chapman, Clegg & Guttmann, Hubbard & Birchler, Elmgreen & Dragset, Eva & Adele, Muntean & Rosenblum, Tim Noble & Sue Webster, Pierre & Gilles, Doug & Mike Starn, Stepanek & Maslin, Jane & Louise Wilson. 200 pages + Prestel Verlag, German edition.

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Andreas Golder, Andreas Golder; Considering Expression?, ex. cat. pub. update-07, Zeitung zur Austellung in der Galeries Wolfgang Gmyrek, Düsseldorf, September, 2007. German only

'Berlin: A City of Circumstance', Catalogue Essay Neue Heimat – Berlin Contemporary, Exhibition, Berlin (September 13, 2007 – January 7, 2008), Berlinische Galerie, Berlin, September, 2007. German only.

'Chop Suey and Chow Mein (Where East Meets West)', Catalogue Essay, Your View My Story, (Young Chinese Contemporary Artists) Pferdställe des alten Postfuhramtes, Mitte, Berlin, September 2007. English/German.

Patricia Bickers and Andrew Wilson (eds.), Book. Talking Art: Interviews with artists since 1976, Art Monthly/Riding House Editions, London, November, 2007 (includes Mark Gisbourne interviews for Art Monthly with Hanne Darboven, Thomas Struth, and Jimmie Durham) English only.

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Paul Klee: Adult Memories of Childhood/ Paul Klee: La infancia en la edad adulta (CURATOR OF EXHIBITION and ESSAY), CAAM-Centro Atlantico De Arte Moderna, Las Palmas (19 October, 2007 – January 5, 2008); ex. cat., Essay "Paul Klee: Adult Memories of Childhood, October, 2007, (the catalogue also includes commissioned essays by Prof. Robert Kudielka, and Prof. Carl Djerassi). Spanish/English

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Lorenza Lucchi Basili: The Mutable Image, ex. cat., and monographic publication OREDARIA, Roma, SKIRA, Milan, October 2007. English/Italian

David Schutter 'Meditations in Due Season', in David Schutter: Paintings, Catalogue essay, Galerie Aurel Schiebler, Berlin, November, 2007. English/German

Bettina Pousttchi, 'Landing', short essay in book publication, Bettina Pousttchi: Reality Reset, Von der Heydt Museum, Wuppertal, November, 2007 – January, 2008, Walter König Verlag, December, 2007. English/German.

Rina Banerjee, 'The Polyvalent Imagination', catalogue essay, Rina Banerjee, Galerie Volker Diehl, Berlin, November/December, 2007. English/German.

Martin Kobe Perception and the Immanent Plane, catalogue essay, Schmitt-Rotluff Preis Stipendium, January, 2008. English/German

15

Daniel Blaufuks, 'The Polyphony of Memory and the Dissonance of the Archive', essay for Arquivo:Album, book project, Galeria Vera Cortes and ARCO Madrid, January/February, 2008. English/Portuguese

Carmen Brucic 'Entropy and Departure: The Photography of Carmen Brucic', Catalogue Essay, Carmen Brucic: Symmetries of Departure (Symmetrien des Abschieds), Galerie Hilario Galguera/ Galerie Spesshardt & Klein, March, 2008. English/German/Spanish.

Gonn Mosny 'In the Space of Memory and Recollection (A Preface)', prefatory essay to an earlier essay 'Breathing and Painting' (Kohlhammer Verlag, 1989), Museo de Arte de Zapokan, Guadalajara, Mexico, May, 2008. English/Spanish

Xu Shun 'Between Reality and the Real: The Paintings of Xu Shun'. catalogue essay, exhibition catalogue, White Space Gallery, Beijing and Alexander Ochs Galleries, Berlin, March, 2008. English/Chinese

Maria Serebriakova, 'At the Borderlands of Memory and Desire' (The Paintings of Maria Serebriakova), Regina Gallery, Moscow, May, 2008. English/Russian.

Arno Rink and Miriam Vlaming 'Learning without thought is labour lost; thought without learning is perilous', catalogue essay, Collection and Gallery Harald Frisch, Berlin, May, 2008. English/German

Bjorn Melhus, "A Fox Is A Wolf Who Sends Flowers", catalogue essay, exhibition catalogue, GMG Gallery, Moscow, Russia, April/May, 2008. English/Russian.

Yehudit Sasportas, The Receptacle of Becoming, Interview and catalogue text, Kunstverein Braunschweig, Prestel, Munich, London, and New York, June, 2008. English/German.

Mark Gisbourne, 'Entretien with Mehdi Chouakri', in I don't must, David Hatcher (conception and Astrid Mania (ed.), Revolver Books, Frankfurt-am-Main, May/June, 2008. English/German.

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Rohkunstbau XV, 2008 (Exhibition CURATOR and Essayist) Oh Brother! Fraternity in Disarray Drei Farben Rot: Brüderlichkeit (Three Colours Red: Fraternity), Villa Kellerman, Potsdam. Oh Brother! Fraternity in Disarray (Artists: Richard Hamilton, Jonathan Monk, Alexandra Khlestkina, Cornelia Renz, Jose Noguero, Bettina Pousttschi, Guy Ben Ner, Marc Bauer, Britta Jonas, Brigitte Waldach). (including essays by Annette Pehnt, and Hauke Brunkhorst) Opened 13th July, 2008. German/English

16

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Abetz & Drescher, Sirens of a Future-Past, catalogue essay, The Modern Starts Now, Galerie Suzanne Tarasiève, Paris, September, 2008, forthcoming English/French

Hannes Norberg, Constructive Perception and the Spatial Plane (The Photography and Installations of Hannes Norberg), catalogue essay, Galerie Benden & Klimczak, Cologne, September, 2008, forthcoming English/German

Jörg Immendorff, Painter as Sculptor: Jörg Immendorff 1945-2007, catalogue essay, Raisonne of Bronze Sculptures (editions) Martin Karmann Verlag (Galerie Rackey), Berlin, September 2008 forthcoming. English/German/French/Chinese/Japanese

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European Month of Photography Time Divided and Time Regained (On Space and Duration in Photography and Video Art), catalogue essay, Mutations II, International Catalogue (21 Artists English edition), 2008; Vienna (Austrian edition – selected artists, Museum auf Abruf, 31st October, 2008 – 31st January, 2009); Berlin (German edition – selected artists, Berlinische Galerie, Berlin, 2nd November, 2008 – 2nd February, 2009); Bratislava (Slovak edition – selected artists, Bast'Art, Bratislava, 3rd

November – 7th December, 2008); Paris (French edition – selected artists, Maison européenne de la photo, 5th November, 2008 – 25th January, 2009); Luxembourg (Luxembourg edition - selected artists, Musée d'art moderne Grand Duc Jean, Luxembourg, 18th February – 25th May, 2009); Rome (Italian edition – selected artists, Palazzo delle Esposizioni, Rome, 2nd April – 26th May, 2009); Moscow (Russian edition – selected artists, Moscow House of Photography, Spring 2008). Seven core artists through all venues, and selection from remaining 14 artists made regional/site specific.

English, French, German, Italian, Slovak and Russian related to each venue. Forthcoming 2008-2009

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Miriam Vlaming, Lärm in Spiegal/Noise in the Mirror, catalogue essay, Miriam Vlaming, Kunsthalle Mannheim/Kerber Verlag, September, 2008, English/German

Axel Geis, A Rose By Any Other Name, catalogue essay, Mitchell Innes & Nash Gallery, New York, September/October 2008, English only

17

Stefan Mauck, 'Between Text and Object:Conceptual Strategies and Stefan Mauck', in Stefan Mauck, ex. cat., Kunstverein, Celle, Nieder-Sachsen, October, 2008, German/English

Oleg Vassiliev, The Paintings of Oleg Vassiliev, catalogue essay in, Oleg Vassiliev, Faggionato Fine Art, London, November, 2008. English only

Dodi Reifenberg, DETRITUS ME THIS! (Bagged and Tagged….By Dodi Reifenberg) catalogue essay, Mario Palencio, Maddox Arts, London, January/February, 2009. English only

Thorsten Ruehle, Life's a Dream: Benign Spaces of Utopian Remembrance (The Paintings of Thorsten Ruehle), Catalogue Essay, Monographic catalogue, Galerie Kai Hilgemann, Berlin, January/February 2009. English/German

Guillaume Bresson, Revenge-Riot-Restitution (The Paintings of Guillaume Bresson), Catalogue Essay, Monographic catalogue, Galerie Bourouina, Berlin, February, 2009. English/German/French

Miguel Branco, Measure for Measure, monographic text - new book – artist ADIAC monograph, Gulbenkian Foundation. Friends of the Gulbenkian Foundation; Lisbon. April 2009 English/Portuguese

Emil Cadoo, I Regret Nothing: The Photography of Emil Cadoo, Catalogue Essay, White Space Gallery, London, 2009. English only, forthcoming

Laura Ford, 'All the Fun of the Fair (…and much more Besides) The Art of Laura Ford, ALTANA Kulturstiftung im Sinclair-Haus, Bad Homberg, Hessen, May-June, 2009. German/English

Johanna Smiatek, Disquiet and the Humour of Desire (The Disconsolate Object World of Johanna Smiatek), catalogue essay, Kunstpunkt, Berlin, May 2009, Kerber Verlag, 2009. English/German

Mark Gisbourne, Landscape Systems: Ecological Landscapes of Mind, Memory, and Place, Catalogue Essay, Biennial of the Canaries, Santa Cruz de Tenerife, and Las Palmas, Gran Canaria (Museums TEA, CAAM, Centro de Arte La Regenta, Espacio Cultural El Tanque, Museo de Bellas Artes, et al) , 2009, forthcoming……. English/Spanish.

Clement Page, Philophobia: Anxiety and Avoidance as Both Obfuscation and Desire, film, exhibition catalogue and monographic essay, May 2009, English and German forthcoming…………..

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18

Rohkunstbau XVI, 2009 (Exhibition CURATOR and Essayist) Atlantis: Imagination and Otherness, in Atlantis (Hidden Histories – New Identities) Schloss Marquardt, Marquardt, Brandenburg. (Artists: Thomas Scheibitz, Martin Assig, Lisa Junghans, Dennis Fedderson, Robert Barta, Katarzyna Kozyra, Sejla Kameric, Sabine Hornig, Gregor Hidebrandt, Deimantas Narkevicius). (including essays by Emma Braslavsky, Oliver Kohns + Ourania Sideri) Opening 11th July, 2009. German/English

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Rohkunstbau XVI, 2009 (CURATORIAL Paper for Heinrich Böll Stiftung Sponsored Conference, European Art 20 Years after the iron Curtain); Atlantis (Hidden Histories – New Identities) Schloss Marquardt, Marquardt, Brandenburg. Paper files and presented on European wide website http://www.atlantisprojects.eu/

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Bosco Sodi, Bosco Sodi – (Material Worlds and Heavenly Bodies), Exhibition Catalogue Essay, FIC (Festival Internacional Cervantino), Guanajuato, Mexico, October, 2009. English-Spanish, forthcoming………

Michael Wesely, Michael Wesely Fotografien/Photographs, published as catalogue essay text (formerly laudation to the Open Shutter MOMA, New York exhibition, in Berlin, Fahnemann Galerie, 2005) printed 2009, English/GermanAstrid Köppe, Astrid Köppe: Between the Eye and the Mind, Catalogue Es-say, exhibition 'brandneu', Galerie Weisser Elefant; Berlin, September, 2009.

Hannes Malte MahlerTelling Tales of Misadventure (Vom Erzählen über dasmissgeschick), catalogue essay for Alarmierende Zustände unde misratene Märchen, including exhibition preface, Feincost, Hannover, September, 2009. German only

Mark Gisbourne, Celeste:Between Heaven and Earth, Essay Celeste Prize 09 Catalogue, (exhibition, AEG Fabrik Volta Strasse 5, Mitte, Berlin) 25 th/26th

September, 2009. (Five winners, €8000.00 each, Michael Luther-Painting: Olivier Fermariello-Photography: Clement Price-Thomas-Installation & Sculpture; Sarabhi Saraf-Video: Live Media-Otolab…dies orgone- Les Champs Magnetiques), Zoppelli & Lizzi Edizioni, 2009. English only

Mark Gisbourne, In Heaven as it is on Earth, catalogue essay, exhibition Temple, HDLU (Kunsthalle, Artists Association Zagreb), October-Novem-ber, 2009. English/Croatian Manel Armengol 'Immanence and Plenitude' (Between Heaven and Earth – Iceland Images by Manel Armengol) TERRAE, Monographic Essay, Book,

19

Turner Books, Madrid. English Edition and Spanish Editions, November-December, 2009.Ann Wolf, 'The Veil of Transparency and the Substance of a Form' (The Glass Sculpture of Anne Wolf) Book Essay, Kerber Verlag, for exhibition Ann Wolff LIVE (9. Mai – 1. August), Museum Burgkloster, Lübeck, 2010; and Litval Gallery, Tel Aviv (7. October – 15. November), 2010. English/Ger-man

Zuzanna Janin, 'Identifying Identity (A Troubling Reality)', cat. essay Zuz-anna Janin, Temporary Gallery, Cologne; Federico Bianchi Contemporary, Milano; and Laznia Center for Contemporary Art, Gdansk, 2010 forthcom-ing. English/PolishMichael Wesely Brasilia Photography – Post Reticence and Regret, forthcoming international publication (Walther König Verlag/T & H, London) forthcoming 2010. English edition/German edition.

Stefan Roloff, Lindenhotel (The sad truth is that most evil is done by people who never make up their minds to be either good or evil), ex. cat., April/May, 2010 (City Museum) Potsdam Memorial Site for Victims of Political Constraint in the 20th Century, Lindenstrasse 54/55, Potsdam, Brandenburg (former remand or holding and interrogation centre in the GDR). German/English

In Process

Text for new book on Ruprecht von Kaufmann??? To discussWojtek Bakowski text – New book on Polish artists

Paul Klee Text for book University of DortmundPhilip Lumai catalogue essay??? Belgium?

CURRENTLY PENDING PROJECTS – TIMING NOT YET DEFINED

Dardo text on Vasco Araujo still to be written

Schneider Sidewinder text – essay and book publication as second volume a second Hatje Cantz?, publication forthcoming English/German

Article for EIKON forthcoming at time of my choice.

New Book for Dumont Verlag or Prestel Verlag, waiting decision

20

Translations from the French

Architectural Association Journal: Under the Sign of Saturn, original French essay by Jean Clair, Musée National d'Art Moderne, Centre Georges Pompidou, Paris, 1981.

Picabia A retropective exhibition catalogue, Museum of Modern Art, Edinburgh, Summer, 1988 (thereafter Frankfurt). His Paintings Are Works Which Tell and Don't Show, original French essay by Jean Hubert Martin.

Abraham David Martin, exhibition catalogue, Oberhausen, West Germany, June, 1988. Blank Gestures Amid Solitude, original essay by Patrick Le Nouene (Curator), Musée des Beaux-Arts et la Dentelle, Calais, France.

(ARTICLES - REVIEWS - OTHER WRITINGS)(General journalistic writings are excluded)

A History of the Modern Soul, Review of the Festwochen Exhibition, Vienna, May-August, 1989; Apollo Magazine, August, 1989.

Hans Hartung, An Obituary, The Independent, Friday 15th December, 1989. A Freudian Intervention?, Review of an Installation at the Freud Museum, London; Apollo Magazine, January, 1990.

Sigmund Freud and Art: his personal collection of antiquities. Book Review, Apollo Magazine, January, 1990.

Decadence and Innovation: Austro-Hungarian Life and Art at the Turn of the Century, Book Review, Apollo Magazine, April, 1990.

The Dada & Surrealist Word Image," Book Review, Apollo Magazine, April, 1990.

Nicholas Roerich: The Life and Art of a Russian Master, Book Review, Apollo Magazine, April, 1990.

The Discovery of the Art of the Insane, Book Review, Apollo Magazine, April, 1990.

Marcel Duchamp: The Portable Museum, Book Review, Apollo Magazine, May, 1990.

An Exile in the Kingdom: Oleg Kudryashov, Article, Apollo Magazine, July, 1990.

21

Good News From Aix, Exhibition Review, Apollo Magazine, October, 1990.

Bad News From Arles, Exhibition Review, Apollo Magazine, October, 1990.

Sexual Personae: Art and Decadence from Nefertiti to Emily Dickenson, and The Once and Future Goddess, Double Book Review, Apollo Magazine, January, 1991.

George Baselitz, Prestel Verlag, 1990; and ex. cat., Georg Baselitz: Recent Paintings, at Anthony D'Offay, April, 1990," Double Book Review, Apollo Magazine, January, 1991.

Ilya Repin (And The World of Russian Art), Book Review, Apollo Magazine, April, 1991.

Reconstructing Modernism (Art in New York, Paris, and Montreal 1945-64), Book Review, Apollo Magazine, April, 1991.

Modigliani (The Pure Bohemian), Book Review, Apollo Magazine, April, 1991.

Marc Chagall - My Life - My Dream, Book Review, Apollo Magazine, April, 1991.

Masterpieces of Twentieth Century Art (from the Kunstsammlung Nordrhein-Westfalen Düsseldorf), Book Review, Apollo Magazine, April, 1991.

The Robert Fleming Collection (Patronage or Patrimony?), Article, Apollo Magazine, March, 1991.

Maramures: A Question of Chalk and Cheese?, Article, The Art Newspaper, vol. II, no. 10, July, 1991.

Czech Cubism at Düsseldorf, Review, The Art Newspaper, vol. II, no. 11, October, 1991.

Homage to Bernard Pfriem (Lacoste School of the Arts - A Celebration of the 20th Anniversary), intro. essay, in, ex. cat., The Mona Bismarck Foundation [34 avenue de New York], 13 November -14 December, Paris, 1991: Commemorative exhibition of the Founder and Director of Lacoste School of the Arts (78 artists exhibited).

The National Museum, Bucharest - Two Years On, Article, The Art Newspaper, vol. II, no. 12, November, 1991.

Transylvanian Wooden Churches: An Urgent Cause For Concern in the Maramures, Romania, Article, Apollo Magazine, February, 1992.

22

The Kokoschka Prize, 1990, Article, Apollo Magazine, July, 1992

The Language of Art History (Salim Kemal and Ivan Gaskell [eds.]), Cambridge University Press, 1992; Book Review, Apollo Magazine, July, 1992.

Artists Under Vichy (Michèle A. Cone), Princeton University Press, Princeton N.J., 1992; Book Review, Apollo Magazine, December, 1992.

The Temptation of Saint Redon: Biography, Ideology and Style in the `Noirs' of Odilon Redon (Stephen F. Eisenman), University of Chicago Press, Chicago and London [1992], Book Review, The Art Newspaper, May, 1993.

Raiding the Icebox: Reflections on Twentieth Century Culture (Peter Wollen), Verso Press, London and New York [1993], The Art Book Review, 1993.

Art Spoke: A Guide to Modern Ideas, Movements, and Buzzwords, 1848-1944, Abbeville Press, New York-London-Paris, Book Review, The Art Book Review, 1993.

Material and Identity at the Tate, ex. review of Post-War Paris: Art and Existentialism 1945-55, Art Monthly, no. 168, July, 1993., pp. 15-17

Fra Angelico at San Marco (William Hood), Yale University Press, Book Review, The Art Newspaper, September, 1993

Past-Future (Vergangene-Zukunft) Czech Modernism 1890-1918 (Tschechische Moderne 1890-1918) Review of exhibition at the Künstlerhaus, Vienna [10 September-2 November], The Art Newspaper, October, 1993; show travelled to the Fridericianum, Kassel [5 December, 1993 -20 February, 1994]

French Body and Soul (agitate), preview of L'Ame au Corps, at Grand Palais, 23 October, 1993 to 24 January, 1994., in Tate, the arts magazine, issue no. 1, October, 1993.

César: Compressed and Expanded, review of CÉSAR retrospective, Centre de la Vieille Charité, Marseille [Early July-September 11, 1993], Art Monthly, November, 1993.

Dali....with Bunuel, (essay on Un Chien Andalou), in., Tate, the arts magazine, issue no. 2, February, 1994.

Jimmie Durham: an interview with Jimmie Durham at the Institute of Contemporary Art, in., Art Monthly, February, 1994.

23

Far Pavilions: Insel Hombroich: Feature article, Art Monthly, March, 1994.

White Columns: Feature article, Art Monthly, April, 1994.

Thomas Struth: an Interview with Thomas Struth in Düsseldorf, in., Art Monthly, May, 1994.

The Cross and the Crucifix: Caspar David Friedrich, in Tate, the arts magazine, issue no. 3, May, 1994.

Brad Lochore: It's Okay To Be Serious, in Tate, the arts magazine, issue no. 3, May, 1994.

Stabat Mater as Paterfamilias: Women Artists in the 1990's, article in., Sotheby's Alumni Newsletter, May, 1994

Richard Long/Fiction/Non-Fiction/ Visione Britannica: Notions of Space, Review, in., Art Monthly, July/August, 1994.

Hanne Darboven: Time and Time Again, an interview with Hanne Darboven, Art Monthly, November, 1994.

Devotion or Reverence, Review of The Art of Devotion, Book and ex. cat., [Rijksmuseum, 1994], The Art Newspaper, January, 1995.

Sigmar Polke: Poisoning the Sublime, Article, Tate Gallery Liverpool Show, Tate, the arts magazine, January, 1995.

The Facts of Life, Review of exhibition curated at Galerie 102, Düsseldorf, Art Monthly, February, 1995.

Bernard Denvir, art historian and critic, former President AICA UK, an obituary, Art Monthly, February, 1995.

Johann Hauser, an obituary, Patient Artist GUGGING, Klosterneuberg, nr Vienna, The Daily Telegraph, March, 1995

Mixed Doubles [Doube Mixte], a review of the exhibition [26th February – 17th April], at the Jeu de Paume, Paris, Art Monthly, May, 1995.

Object Painting [Andrew Benjamin], Academy Editions, Apollo Magazine, October, 1995.

Rites of Passage, article/review Tate Gallery Exhibition [15 June – 3 September, 1995], UNTITLED, July, 1995.

Brad Lochore, review, Victoria Miro Gallery, Exhibition, UNTITLED, July,

24

1995.

Seven Stories About Modern Art in Africa (Whitechapel Art Gallery[27 September – 26 November, 1995], and Big City Artists from Africa, Serpentine Gallery [21 September – 5 November, 1995]) Review of Exhibitions, UNTITLED, November, 1995.

Ian McKeever: The Marianne North Paintings, Matts Gallery, Review of Exhibition, Art Monthly, December/January, 1995/96

Mark Pimlott, Todd Gallery, Review of Exhibition, Art Monthly, February, 1996.

Peter Doig, Review of Exhibition, Victoria Miro Gallery, UNTITLED, Spring 1996.

The Rainbow Portraits: Liz Rideal, Institut Français d'Ecosse, Edinburgh, Review of Exhibition, Art Monthly, May, 1996.

Langlands and Bell, Review of exhibition, Serpentine Gallery [30 April - 27 May. 1996], Contemporary Art, Vol. 3, no. 3, 1996 [withdrawn at this time - see below].

Un siècle de sculpture anglaise, Review of Exhibition, Jeu de Paume [6 June - 15 September, 1996], UNTITLED, Summer, 1996.

Robert Mapplethorpe, `Framed' Article, Tate, the arts magazine, September, 1996.

Gabriel Orozco, article review of ICA show [25 July-22 September] and Artangel [25 June-28 July, UNTITLED, Autumn Edition, 1996

Beyond Reason. Art and Psychosis: Art From the Prinzhorn Collection, review, Tate, the arts magazine, December, 1996.

Joao Penalva, article review of Cleveland Street and Sao Paolo Bienal installation, for SIKSI, December, 1996.

Langlands and Bell, Article and preview of exhibition, at Grey Gallery, New York [beginning May 16] (originated at Serpentine Gallery [30 April - 27 May. 1996]) thereafter to Bielefeld Kunsthalle, to Palermo, and San Sebastian], Contemporary Visual Art, Spring, 1997.

Maria Chevska, ex. review Andrew Mummery 33 Great Sutton Street, in UNTITLED, Spring, 1997.

The Horror of Beauty [Cathy de Monchaux's Conscious and Unconscious Realities] SIXSI [The Nordic Art Review] XII, no. 1, Spring, 1997 -

25

Supplement playlist: art for the end of the century, pp. 8-9

Liam Kelly, Thinking Long: Contemporary Art in the North of Ireland, Book Review Contemporary Visual Art, Summer, 1997.

James Rielly: Pale Transgressions, Exhibition review [24 May - 22 September], Sale Blanche, Musée Des Beaux-Arts, Nantes, Contemporary Visual Art, Autumn, 1997.

April New York, Article Round-up of Spring Shows, UNTITLED, Autumn, 1997.

Venice-Kassel-Munster, Feature Article, UNTITLED, Autumn, 1997.

Simon English, ex.cat., 29eme Festival de la Peinture, Cagnes-sur-Mer, [November - January], October, 1997/8.

James Rielly, ex.cat., 29eme Festival de la Peinture, Cagnes-sur-Mer, [November - January], October, 1997/8.

The Contemporaries Contemporaries, Feature Article, Contemporary Visual Art, Winter [January] 1997/8.

Whatever Happened to Paris? Feature and Cover Article, Contemporary Visual Art, Spring [April], 1998.

Robert Gober, Book Review, Contemporary Visual Art, Summer [July], 1998.

Marc Quinn, Exhibition Review [South London Gallery] and Preview [Gagosian Gallery, New York], Contemporary Visual Art, Summer [July], 1998.

Tracy Emin: Life into Art, Extended Interview, Feature Article and Front Cover, Contemporary Visual Art, Autumn [October], 1998

Milo Garcia Entended Interview with Milo Garcia, Transcript, Autumn, 1998.

Alexis Harding, An Exhibition Catalogue Essay, Andrew Mummery Gallery, London, 1998

Cesar [1921-1998], Obituary, Independent on Sunday [Culture Section], 13 December, 1998, p.3

Jessica Voorsanger, exhibition review, Contemporary Visual Art, Winter [January], 1999.

Surrealist Books, Book Review, Art History, March 1999 [forthcoming].

26

Cerith Wyn Evans, exhibition review, Contemporary Visual Art, June/July, 1999

‘There is Always Something New Out of Africa’, Preface to African Contemporary Sale Catalogue, Sothebys Catalogue, June 24th, 1999.

From Domestic Bliss to Derelection Chic, Feature article, Contemporary Visual Art, August/September, 1999.

Abracadabra, Tate Gallery exhibition review NU magazine [formerly Sixsi and Index], Issue no. 2, October, 1999.

The World As Sculpture: The Changing Nature of Sculpture From the Renaissance to the Present Day, Book Review [James Hall], Contemporary Visual Art, December/January, 1999.

Simon Callery Review of exhibition in ART NOW Space, Contemporary Visual Art December/January, 1999.

‘After the Wall: Art and Culture in Post Communist Europe’ Review of Exhibition, Moderna Museet, Stockholm, Contemporary Visual Art, February/March, 2000.

Tracy Emin, Feature Article and Interview, Studio Art Magazine [(Israel) Text in Hebrew], January, 2000.

Interview With Lars Nittve: Director of the Tate Modern, Interview conducted in November, 1999, Contemporary Visual Arts, April/May, 2000.

Les Mondes inventés, Catalogue Essay Musee des Beaux-Arts de Nantes, exhibition beginning May 2000 [12May vernissage]. English Version ‘Nodule, Module and Podule: Journeys into Inner Space’, to go online simultaneously on the Nantes Website: Musée des Beaux-Arts

Francisco Toledo, Article and interview in Oaxaca, Mexico, The Art Newspaper, May, 2000.

Sylvie Gruner, ex.rev., Museo de Arte Contemporaneo Carillo Gil, Altavista, Mexico City, Contemporary Visual Arts, June/July, 2000

London Borough of Lambeth: From Non-Place to Place, Vauxhall Cross Project, London, June 2000.

Paths to the Absolute, Book Review [John Golding], Arts Review, Re-launch issue, October, 2000.

Oculus Imaginationis: From the Photograph to the Real, Feature article

27

Contemporary Visual Arts, November/December, 2000.

A Narrative of the Senses, PADT (Public Art Development Trust), Short Essay for CD/DVD edition accompanying the installation of three Public Art Commission for Middlesex Hospital, St Mary’s Praed Street and Bromley Hospital, December, 2000.

Ich bin ein Dresdner, ex. rev., CVA (Contemporary Visual Arts), January/February, 2001.

Art in France 1900-40, Book Review [Christopher Green], Arts Review, March, 2001.

Vera’s Room, Profile Article on Maria Chevska, Arts Review, April, 2001.

The Second Berlin Biennal, and ‘Neo Rauch’ Deutsche-Guggenheim, Exhibition Review, The Art Newspaper, June, 2001.

Iwona Blaswick Six Months On, An interview with Iwona Blaswick, Contemporary (formerly CVA and Contemporary Visual Arts), January, 2002.

Marc Quinn, Profile article on his Tate Liverpool retrospective, Contemporary, February, 2002.

Anselm Kiefer, (Monograph, Thames & Hudson) Book Review, The Art Newspaper, March, 2002.

Dryden Goodwin, Profile article on his ART NOW installation, Tate Millbank, Contemporary, April, 2002.

Cast Aside, Review of Exhibition on the Cast and Contemporary Art at Henry Moore, Leeds,Contemporary, April, 2002.

Ian McKeever, Profile interview on Painting and Literature, related to his Blake’s Jerusalem project, Contemporary, May, 2002.

Austerlitz (W.G. Sebald), Recommended Summer Reading, Review, Contemporary, Summer Issue (June-August), 2002.

trans-barroso: 15 Latin American Artists in London, book-catalogue, including extract from essay ‘paradise lost’ on Fernando Arias, CEMVO-Millenium Awards, 2002.

Documenta 11, Kassel, Profile interview Carlos Basualdo, Contemporary, September, 2002.

Ann Hamilton, by Joan Simon, Book Review, Contemporary, September,

28

2002.

Pinakothek der Moderne, Munich, Interview Prof. Dr Carla Schulz-Hoffmann (Opened 17th September, 2002) Contemporary, October, 2002.

Matthew Arnatt (ed.), ABRACADABRA 100 Reviews Backwards, Book, Alberta Press, November, 2002, pp. 9-11

Pedro Cabrita Reis: A Place like That, profile interview Pedro Cabrita Reis (26 October, 2002 - 26 January) Contemporary, December, 2002.

Anthony Burgess, review of a biography by Roger Lewis, H& H, December 6th, 2002.

The transparency of air and the frangibility of things, for exhibition L’air du temps, Bloomberg Exhibition Space, London, 2003.

John Currin, Book and Catalogue Review, Contemporary, August/September, 2003 (exhibition at Serpentine, September-November, 2003).

The Leipzig League, Article of New Leipzig Painters, and exhibition Sieben Mal Malerei (Neuer Leipziger Kunstverein im Mueseum der Beldenden Kunst Leipzig), Contemporary, no. 55, August/September, 2003.

Israel Pavilion: Venice Biennale ‘Michal Rovner’, Contemporary, No. 56, October, 2003.

Berlin-Moscow , Exhibition Review, Modern Painters, Winter , 2003.

Eric Fischl, Exhibition Review Kunstmuseum, Wolfburg, Art Review, vol. Liv (54), December/January, 2004

In Conversation; Berlin-Moscow, (with Astrid Mania), Neue Review, Berlin, December, 2003.

Imi Knoebel , Artist Profile, Contemporary, No. 58, December/January, 2004

Susan Hiller: Learning to Love Germany, Exhibition Review, Galerie Volker Diehl, Berlin, Modern Painters, Spring, 2004.

Ein europäisches Porträt #2 Spreewald/Berlin, (in conversation with Sophie Goltz and Alfredo Cramerotti), Neue Review, Berlin, September, 2004.

Cornelia Renz, Cornelia Renz, mss text, Echolot Galerie, Berlin, 2005.

Daniel Biesold, Mind as Cosmos (Daniel Biesold), mss. Marseille Project Space, July/August, 2005. mss.

29

Regarding Terror: The RAF Exhibition (Kunswerke berlin (13 January – 16 May), Art in America, July-August, 2005.

Martin & Sicilia, mss. MA-Contemporary, Berlin, October, 2005.

Hannah Dougherty, mss. Galerie Krobath Wimmer, Wien, November, 2005.

'The Flick Collection: Hamburger Bahnhof', Contemporary Magazine, 'Collectors' February, 2006.

Suzanne Kuhn, mss., short essay, Galerie Echolot, Berlin, March, 2006. np.

Andreas Golder, 'Atelierbesuch – Die Bilder von Andreas Golder', Modernica: Kunst im Augenblick No.1, Die Welt Edition (Axel Springer), 16 September, 2006

Gabriela Albergaria, Under an Artificial Sky, mss, Art Forum, Berlin, September, 2006.

Maureen Jeram, The devil made me do it………! (The Paintings of Maureen Jeram), mss., Koal Gallery, Berlin, November, 2006

Visions of Hope and Failed Realities Reflections on the 'Ideal City', ART.ES no. 17, November-February, 2006.

Andreas Golder "satt#2", Klara Wallner Galerie, mss. January-February, 2007

Zoya Cherkassky, Action Painting: Zoya Cherkassky Helena Rubenstein Pavilion of Contemporary Art, Tel Aviv Museum, Tel Aviv, ex. review, ART.ES, no. 18, March-April, 2007.

Zhang Huan "Zhang Huan 'images of imagination and desire'," mss. Volker Diehl Galerie, Berlin, March 9, 2007. np.

Daniel Biesold 'Against the Grain (The Grey Paintings of Daniel Biesold)', mss. Galerie Koal, Berlin, March, 2007. np.

Tatsumi Orimoto, Tatsumi Orimoto, ex. review, C/O Postfuhramt, ART ES, September, 2007.

Norbert Bisky, The Sacred in the Profane, feature article, ART ES, December, 2007.

Brigitte Waldach, An Other Day, profile to special edition portfolio, ART ES, December, 2007.

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Stephanie Schneider; 29 Palms, mss - laudation, Galerie Spesshardt & Klein, Berlin Sponsored by the Cartier Foundation (German Representatives), February 10, 2008.

Michael Wesely, Michael Wesely: The Time Image, artist profile Contemporary Magazine, August, 2008. English

Markus Keibel, "I thought of a labyrinth of labyrinths, one sinuous spreading labyrinth that would encompass the past and the future and in some way involves the stars," mss., Magnusmuller Galerie, Berlin, May, 2008.

Mark Gisbourne/Mariana Vassilieva, Interview with Mariana Vassilieva, artist in focus, Contemporary, September, 2008, English forthcoming.

Paul Pfieffer and Oliver Pietsch – Video article (reflection piece), Living within the paradox of opposites, ART ES, No. 28, October – November, 2008. English/Spanish

Mark Gisbourne, The Dilemma on Collecting Art in the Age of Dematerialisation, Part One of Panel Discussion – Mark Gisbourne (moderator), David Elliot, Berta Sichel, Fumio Nanjo, Mark Warr, Jan Hoet, ART ES, no. 29, December – January, 2008-09. English/Spanish

Mark Gisbourne The Art of Zhang Huan, mss. Diehl + Gallery One, Moscow, (exhibition 12 December 2008 – 17 January, 2009) November, 2008. English/Russian

Mark Gisbourne, In the Republic of Realism, Article and Overview of Photo-Realism in the US in the 1970s, Deutsche Guggenheim Magazine, Berlin, March, 2009. English/German

Kunstmuseum, Wolfsburg, Inside Out – Outside In, Article Review (reflection) of exhibition Interieur-Exterieur: Wohnen in der Kunst (Interior-Exterior: Living in Art), ART ES, nos. 30-31 February-March, 2009. English/Spanish

Mark Gisbourne, The Dilemma on Collecting Art in the Age of Dematerialisation, Part Two of Panel Discussion – Mark Gisbourne (moderator), David Elliot, Berta Sichel, Fumio Nanjo, Mark Warr, Jan Hoet, ART ES, nos. 30-31, February – March, 2009. English/Spanish

Temporal Extractions, Diurnal Summations 'Crude Metaphors' (The Photography of Thomas Weinberger), HotShoe, Issue 158, February-March, 2009, pp.52-61 English only

Manuscript Art and Sport Philosophy , Stienitzsee Projects, Brandenburg, mss. 2009, German/English

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Manuscript Youssef Nabil, Volker Diehl Gallery, Berlin: text to be published in Youssef Nabil, ex. cat., Kennedy Center, Washington, USA, 2009 (forthcoming) English Only

Mark Gisbourne, Leipzig: The Myth and the Market, Reflection Article, ART ES, no.32, April-May, 2009. English/Spanish

Mark Gisbourne, Statement and Kunsthalle Proposal Text for PARA/SITE, Hong Kong: Para/Site Art Space Limited, G/F, 4 Po Yan Street, Sheung Wan, Hong Kong.

Mark Gisbourne, Christoph Noe, Xenia Piech, Cordelia Steiner (eds.) Young Chinese Artists: The Next Generation, Prestel Verlag, 2008, Short Book Review. ART ES, no.33, Double Issue-China, November-December, 2009. English/Spanish

TEDx Short Ms. Macro/Micro, Conference Publication, November 30th, 2009, Grand Hyatt Hotel, Potsdamer Platz, Berlin.

Ola Kolehmainen. MSS for gallery exhibition material, Sydney Biennial, 2010 "...in order to see the world and grasp it as paradoxical, we must break with our familiar acceptance of it...(Maurice Merleau-Ponty, Phenomenology of Perception, Preface, p. xiv)

Niko Louma, 'Through the Passage of Light and Time' (The Photography of Niko Louma), NEXT LEVEL (Photography Magazine), Issue 20, London, 2010

Fabien Marcaccio Analytical Rage-Paintants, Review, Galerie Thomas Schulte, Berlin (30 October, 2009-16 January, 2010), ART ES, no. 34, February-March, 2010.

Pending

Article and reflection Finnish Photography at KIASMA, Helsinki ART ES, forthcoming

Co-authored Articles

Gisbourne, Mark., and Polly Chiapetta., The National Museum - Bucharest, in, Apollo Magazine, March, 1992.

Gisbourne, Mark., and Anna Maier, Mobile Heimat (Mobile Home), South

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Asian Artists and the Diaspora of Berlin, Contemporary, March, 2003.

Gisbourne, Mark., and Astrid Mania, Entretien Berlin-Moscow, Neue Review, no. 2, Berlin, 2003.

INTERVIEWS AND ARTICLES ON/OR RELATED TO AUTHOR

Short interview in Apollo Magazine, October, 1992: This month's issue was devoted to the Courtauld Institute of Art and graduates of the Institute.

Anon. Short review of Victor Hugo: Chance and Spiritism, The Art Newspaper, February, 1993., p. 6

Emma Biggs, A Mosaicist’s Look at Art Monthly, in Modern Painters, Summer 2000, vol. 13, no. 2, 2000, p. 22

Ronald Berg, short profile of move to Berlin, Zitty Magazine (April 3 –16) Berlin, 2003.

Andreas Toelke (text and realsation), Oliver Mark (photographs) Landpartie mit Kunst, feature article in Madame Magazine, July, 2004, pp. 40-47.

Deutsch Magazine profile Mark Gisbourne 'Curator and Writer', JULY, 2004.

Johannes Wendland, ‘Im Schloss’ (Die “XI Rohkunstbau” in Gross Leuthen: Eine Erfolgsnovelle) , Wasserschloss, Gross Leuthen, Spreewald, zitty magazine, 24.06.-07.07. 2004, p.78

In conversation with Sophie Goltz, and Alfredo Cramerotti, etc Neue Review, Berlin, 2004

In conversation (as review) with Astrid Mania, Berlin-Moscow/Moscow-Berlin, Martin Gropius Bau, Neue Review, Berlin, 2005.

The National Photography Prize (China), Shanghai (10 – 14 August, 2005): interviews with the Chinese Television; Shanghai Evening News; China Business News; South Weekend; International Daily News, et al. (BASF)

Interview with Christina Tilmann, 'Kunst Station Berlin', Tagespiegel, Thursday 28th September, 2006

Mehdi Chouakri/Mark Gisbourne See, I don't must, David Hatcher (conception) and Astrid Mania (ed.), above book publication.

Lufthansa In Flight Magazine, Profile of Mark Gisbourne and Kunst Station Berlin (English and German Editions Berlin Art Now), February, 2007.

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EX-BERLINER Magazine, interview and profile referring to Rohkunstbau XVI Atlantis (Hidden Histories – New Identities), July-August Issue, 2009.

Die Zeit (Kunst Zeitung), Newspaper Journal, Short interview-profile with the author, September, 2009, forthcoming.

Television Profile: RBB (Rundfunk Berlin-Brandenburg) German Television, STILBRUCH, transmission 23rd October, 2009. Ten minute television profile of my life in Berlin.

FILM, TELEVISION, AND RADIO

Palette du Provence, film-videotape, Lacoste, France, 1989; filmed interview and discussion on artists and Provence. Shown on several american television stations. 30mins

Max Ernst, film-videotape, BBC Late Show, transmitted February 21, 1991 (re-transmitted February 23, 1991); filmed interview on Max Ernst. 25mins

Max Ernst, Radio discussion, BBC World Service, March 18, 1991 (Transmitted in programme series `Meridian', 2nd and 3rd, April, 1991).

The Virgin Mary: Icon or Muse, BBC Kaleidoscope, September 28, 1991 (Re-transmitted Friday 3rd October, 1991. 9.15pm) 30mins

Image on the Edge, BBC Kaleidoscope, April 24, 1992; live discussion and review of Michael Camille's new book on medieval marginalia. 4.05pm

Samuel Palmer: The Late Etchings (British Museum). [2 December, 1992 - 24 January, 1993] BBC Radio 3, Nightwaves live discussion and review of the Palmer exhibit. 10.45pm - 11.30pm

Paris Post-War: Art and Existentialism 1945-1955 [9 June - 5 September, 1993], BBC Radio 3, Nightwaves live discussion and review of exhibition with Edmund White. 10.45pm - 11.30pm

Sigmar Polke Tate Gallery Liverpool Retrospective; interview and discussion of his work, BBC Radio 4, Kaleidoscope, 4pm Thursday 19th January, 1995; transmitted Friday, 20 January, 1995.

Madness and Art, Review of `Surprising Regions of the Mind', Mappin Gallery, Sheffield. BBC Radio 4, Kaleidoscope; transmitted Friday 12 April, 1996.

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Beyond Reason: Art and Psychosis. Works from the Prinzhorn Collection, Review of `Beyond Reason', Hayward Gallery, London [5 December, 1996 - 23 February, 1997], BBC Radio 4, Kaleidoscope; transmitted Friday 6 December, 1996.

A Talk on the Rialto Bridge, Venice (recorded 9.30am Friday, 13th June, 1997) Kaleidoscope transmitted the week following.

James Rieilly - Interview: BBC Television WALES [Cardiff], (recorded 11am - 12noon, Tuesday 18th August, 1998 at Sotheby’s Institute library - transmission 16th-18th September, 1998: BBC Wales.

Rachel Whiteread - Interview, CNN Arts Programme, Worldwide Broadcast November 7th, 1998.

Tom Wesselman - Extended Interview, for Tom Wesselman [a film biography], German Television, Interviewed 7th November 1998, in Cologne.

Nek Chand and Outsider Art – Interview for television show Global Visions [Illumina Productions], Sky Television, Transmitted October 2nd, 1999.

Henry Darger – Interview for Nightwaves, concerning Henry Darger – part of a twenty minute profile for transmission 21st September, 1999.

Nightwaves, Outsider Art and Henry Darger: followed by a review of Prunella Clough the winner of the Jerwood Prize, announced the same evening – part of a twenty minute profile for transmission 21st September, 1999.

Joao Penalva. Personagem e Intérprete, one-hour television documentary, Co-produção IAC-RTP (Portuguese Television), argumento e realização (director) Luis Alves de Matos, (producer) Amatar Filmes, 2001.

Berlin-London/London-Berlin, short television news piece and profile of Gallery Swap project between the two cities, Deutsches Wella, October 2002.

Filmed interview with Shaheen Merali, Haus der Kulturen der Welt…… Mieke Bal project, exhibited Haus der Kulturen der Welt, Berlin and in Vancouver.

The Germans Are Better Than Us. Interview for Film documentary, Channel 4 Television, November, 2004.

The National Photography Prize (China), Shanghai (10 – 14 August, 2005): interviews with the Chinese Television; Shanghai Evening News; China Business News; South Weekend; International Daily News, et al. (BASF)

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Rohkunstbau XIII, Interview and film concerning Drei Farben: Blau, Deutsche Welle Television Unit, Summer 2006.

Portuguese Film (Gulbenkian Foundation Independent Film Project) B7, Noé Sendas, Gabriela Albergaria, Nuno Cera, Rui Calçada Bastos, Jorge Queiroz, Lenor Antunes, Sancho Silva. (Interviews and Commentaries: Mark Gisbourne, Sabrina van der Ley).

Joe Zucker, The Good, the Bad, and the Ugly, Filmed interview and conversation with the artist Joe Zucker, Berlin (19.01.08), ScheiblerMitte, 2008, available online.

Interview with ARTE, for project Clemens Krauss: L'Art et la Manière (un film de Alyssa Verbizh) Aired on ARTE Television, 25th January 2009, 1230pm ARTR TNT, 2008. French/German

TV. Interview, Finnish Television (Swedish Programming), RATATOSK, 'Finnish Photography' Culture Programme, 19th April, 2008.

TV. Interview, Finnish Television (Swedish Programming), RATATOSK, 'The Art Market' Culture Programme, October 2008.

Film and Cinema Short: 'The Secret Adventures of Projectionist' Starring Nikolai Kinski, Senta Dorothea Kirschner, Mark Gisbourne et al., http://uk.imdb.de/video/wab/vi56754201/ (7.50 mins.) 2008

CONFERENCES

Large in number – contact for a separate list of conferences, symposia, papers and seminars in which I have participated, etc.

CO-CHAIR ORGANISING THE WORLD CONGRESS OF ART CRITICS AT TATE MODERN, LONDON [10TH – 16TH SEPTEMBER], 2000.

SELECTION OF DISSERTATIONS SUPERVISED AND/OR CO-SUPERVISED

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Contact for list of master's dissertations supervised on modern and contemporary art.

INTERNATIONAL ART PANELS AND JURIES

Contact for list of national and international juries in which I have participated.

CURATORIAL PROJECTS

Contact for full list and details of UK and elsewhere curated projects (pre-Germany 2003)

MARK GISBOURNEJanuary 7th, 2010