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MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory: Color & Rhetorical Purpose
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MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Dec 24, 2015

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Page 1: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

MARK PEPPERBrought to you in cooperation with the Purdue Online Writing Lab

Introduction to Color Theory: Color & Rhetorical Purpose

Page 2: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Color Theory is a system of rules and guidance for mixing various colors in order to:

• Create Aesthetically Pleasing Blends• Produce Maximum Readability and Clarity• Draw on Cultural Associations to Effect Meaning

Color Theory

Page 3: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Many people choose not to consult color theory. They think, “Well, I’ve got a good eye for these things.”

The “good eye” for color may or may not be true based on who’s thinking it…

…but in order to justify your choices it is good to have some theory to fall back on.

Why Learn Color Theory?

Page 4: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

At its core, color is light.

Light is composed of many different colors and the various mixtures of light compose the colors that we can see.

The Foundation of Color

Page 5: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Primary Colors

Colors that can not be created by mixing other colors)

Page 6: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Colors made by mixing primary colors

Secondary Colors

Page 7: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Colors that mix primary and secondary colors

Tertiary Colors

Page 8: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Taken Together…The Color Wheel

Page 9: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Colors are arranged on the wheel in such a way that purposeful color choices can be made.

Choices of color combination depend on what you are trying to accomplish.

Such as:• Contrast• Blending• Affect

Using the Wheel

Page 10: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Complementary Colors are the colors opposite from one another on the wheel.

These colors provide the most visual contrast.

Contrast is the noticeable level of difference between two colors.

Using the Wheel

Page 11: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

The more a color contrasts with the colors around it, the more easily visible that color will appear. This fact is extremely important when using different colored texts and backgrounds

This is why black text on a white background is so popular and effective. There’s a high degree of contrast

This is why black text on a white background is so popular and effective. There’s a high degree of contrast.

On the other hand, blue and black offer little contrast. An extended read of this combination could be painful.

Contrast with Text

Page 12: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

But be careful, even though colors may contrast they may not always work well for text and background pairing.

“Simultaneous Contrast” occurs when a color like red is fore grounded on blue. Note how the text appears to slightly vibrate. This would get annoying really quickly.

But simultaneously be aware of extreme lack of contrast in your text and background choices.

Honestly, this is just painful. Do not make your readers struggle with this!

Contrast with Text (cont.)

Page 13: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Contrast draws attention to the item that is most contrasting (or different) among a number of other design elements.

Therefore, you can use color contrast to draw attention to an element of your design that is more important, relevant, or immediately pressing.

Rhetorical Color Contrast

Page 14: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Neither of these flyers is completely ineffective and both provide shape contrast with the text box.

But the orange box above provides a nice contrast with the blues and grays of the clothes rack.

The blue box here, however, is too similar to the clothes’ color palette.

Practical Example

Page 15: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Analogous Colors are colors positioned next to each other on the color wheel.

These colors have very little contrast; therefore, they will provide harmonious blends.

Analogous Colors

Page 16: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Nature offers an excellentlook at analogous colors in action.

Question: what color offlower could be added tothis photo to provide astrong and attentiondrawing contrast?

Analogous Colors in Nature

Page 17: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Color’s often come with feelings, moods, and associations that you can draw on.

For example, the color Red is largely associated with danger, aggression, stimulation, and excitement.

Red stop signs signify danger if you don’t stop, and stimulate your senses with excitement if you don’t see one coming up!

Color and Cultural Association

Page 18: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

It’s an important to remember that these color associations do not come from the color itself. Without us to interpret it, red is simply light without any meaning laden characteristics.

Because these associations depend on us, they can differ from culture to culture, and they can also change over time.

For example, purple use to be associated with solely belonging to royalty. This PowerPoint could now be

beheaded if it weren’t made by a King or Queen!

Color and Cultural Association

Page 19: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

There are a number of sources that list and suggest color associations commonly agreed upon by many people.

• Color in Motion: A particularly interesting and useful one, contains a number of fun Flash videos that illustrate these associations with music and animation.

Resources for Color Association

Page 20: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

Purdue University Writing LabHeavilon 226

Web: http://owl.english.purdue.edu/Phone: (765) 494-3723Email: [email protected]

Where to Go to Get More Help

Page 21: MARK PEPPER Brought to you in cooperation with the Purdue Online Writing Lab Introduction to Color Theory : Color & Rhetorical Purpose.

The End

Introduction to Color TheoryBrought to you in cooperation with the Purdue Online Writing Lab