Manu Luksch The FACELESS Project 2002 ‐ 2008
TheFACELESSProject
interrogatesthecultureofsurveillanceby
redeployingauthenDcCCTVimagesrecorded
inLondon,themostsurveilledcityonEarth.
Theseimagesareheavilyinscribedbylaws
relaDngtoprivacyandfreedomofinformaDon,
andareineffect‘legalreadymades’.
InaddiDontoa50‐minutemanifesto‐driven
ficDonfilm,anumberofworksindifferent
mediahaveemergedfromtheprocessof
imageacquisDon.
1. TheMistake(2008)
2. ManifestoforCCTVFilmmakers(2002)
3. MappingCCTVinWhitehall(2008)
4. Iwishtoapply,undertheDataProtecDonAct,foranyandallCCTVimagesofmypersonheldwithinyoursystem.Iwaspresentat[place]fromapproximately[Dme]onwardson[date].(2006)
5. Howtoanonymise(2003)
6. FRAMED(2003)
7. TheEye–choreographyforsurveilledspace(2005)
8. TheEye–printediDon(2008)
9. TheSpectralChildren(2006)
10. Faceless(2007)
TheMistake(2008)
chalkwriDngsinpublicspace“ThemistakebeginswiththeintenDontobuycameraandtape”
AnadaptaDonoftheManifestobyJosephBeuys(1985)
ManifestoforCCTVFilmmakers(2002)
TheManifestodeclaresasetofrules,establisheseffecDveprocedures,andidenDfiesfurtherissuesforfilmmakersusingpre‐exisDngCCTV(surveillance)systemsasamediumintheUK.ThemanifestoisconstructedwithreferencetotheDataProtecDonAct1998andrelatedprivacylegislaDonthatgivesthesubjectsofdatarecords(includingCCTVfootage)accesstocopiesofthedata.Thefilmmaker'sstandardequipmentisthusredundant;indeed,itsuseisprohibited.
MappingCCTVinWhitehall(2008)
map;documentaDonvideo2minDVCAM/DVD
ThemapshowstheesDmatedrangeof300CCTVcameraswithintheSOCPA(SeriousandOrganizedCrimeACT)zoneinWhitehall.Theframeofonewirelesscamerawasmappedaccuratelyontothepavementby‘videosniffing’thesignal.
‘Iwishtoapply,undertheDataProtecDonAct,foranyandallCCTVimagesofmypersonheldwithinyoursystem.Iwaspresentat[place]fromapproximately[Dme]onwardson[date].’(2006)
setofthreeinkjetprintsinwoodenlightboxes,150x37cm
NarraDveexcerptsfromlenerswrinenbyCCTVoperatorsinresponsetosubjectdatarequests.TheDtleofthepieceistakenfromthearDsts'standardrequestlener.
Howtoanonymise(2003)
originaldocumentsprovidedbyadatacontrollerincompliancewiththeDataProtecDonAct(1998)UKandArDcle8oftheHumanRightsAct1998
TheinsDtuDondeliveredhardcopiesofeachoftheseveralhundredrelevantframesfromtheDme‐lapsecamera,withthirdparDes’headscutout,apparentlywithnailscissors.Twodocumentshad(accidentally?)slippedinbetweentheprintouts–onealenerfromajunioremployeetenderingherresignaDon(wasitconnectedwiththebeheadingjob?),andtheotheranironicmemo:‘Andthegoodnews–Ienclosethe£10feetobepassedtothebranchsundryincomeaccount.(HeadofSecurity,internalcommunicaDon09/2003)’
FRAMED(2003)
inkjetprints,300x91cm,uniqueediDon
FRAMED:THEMINISTRY,FRAMED:THETRANSPORTandFRAMED:THEMONEYareserialsDllsof‘faceless’CCTVrecordings.
TheEye–Choreographyforsurveilledspace(2005)
conceptofguerrillachoreographyforpublicspace;documentaDonvideo,DVCAM/DVD,7min
TheEye01:incollaboraDonwiththeBalletBoyz(MichaelNunn&WilliamTrevin)TheEye02:incollaboraDonwithAlluminaeDanceProjectThesite‐specificdancepiece,conceivedforaminimumof60performersandtobewatchedfromanelevatedpointofview,unfoldslikeakaleidoscope,whilerecordedbyCCTV.Thechoreography,ahumorousresponsetotheBusbyBerkeleyHollywoodrevuemovies,interveneswiththepanopDcqualiDesofthespacebytheactofreturningthegaze.
TheEye–printediDon(2008)
ediDonedbyLinsayCroallatPeacockVisualArts.EdiDonof12.59cmx69cmThescreenprintsarebasedonsDllsofTheEyeasfeaturedinthefilmFACELESS.
TheSpectralChildren(2006)
mulD‐screenvideoinstallaDon.setof4DVDs.15min.Dolby5.1sourroundsoundtrackbyMukul.VideoinstallaDonthatusesCCTVimagesobtainedundertheUKDataProtecDonActas'legalreadymades(objetstrouvés)'.FourscreenssimultaneouslyshowthestoryoftheSpectralChildrenfromthemulD‐angleviewoftheCCTVcontrolroom.
FACELESS(AT/UK2007)
afilmbyManuLuksch.voicebyTildaSwinton.50min.DigiBeta;Dolby5.1surroundsoundproducedundertherulesoftheManifestoforCCTVfilmmakers
Synopsis:Inaneerilyfamiliarcity,acalendarreformhasdispensedwiththepastandthefuture,leavingciDzensfaceless,withoutmemoryoranDcipaDon.Unimaginablehappinessabounds‐unDlawomanrecoversherface…
TheFACELESSProject:showsandscreenings
2008FONCTION / FICTION dazibao,centredephotographiesactuelles,MontrealHorsPistes08,CentrePompidou,ParisGOODMORNINGPARANOIAGalerieMoneetRouart,ParisTRANSMEDIALE08,HausderKulturen,Berlin ATLAS OF THE FUTURE CentrodiculturacontemporaneaapalazzostrozziFirenze5thBangkokExperimentalFilmFesDvalTeleportFärgfabriken,FärgfabrikenNorr,SwedenEXITfesDval,ParisRECODED,PeacockGallery,AberdeenFilmavantgardeundaktuelleVideosausÖsterreich,PHOENIXHalleDortmundLIFT,LondonDon'tYou#$&ingLookAtMe!Surveillanceinthe21stCentury,911SeanleMediaArtsCenter,28thCambridgeFilmFesDval17.dokumentART,NeubrandenburgHorsPistes2008,IstanbulModern
2007QuoDdiensouscontrôle,LaLiguedesdroitsdel’Homme,Bruxelles10thJONCTIONFesDval,BruxellesBBCRadio3FesDvalofFreeThinking.LiverpoolGalerieimTaxispalais,InnsbruckGoodbyePrivacy–ArsElectronica,LinzENTER_UnknownTerritories,CambridgeDEAF07,RonerdamDigitallyYours,AboaVetus&ArsNovamuseum,TurkupixelACHE2007,HelinkiDIAGONALE07,GrazHinterdenZeichen,MedienkunstLabor/KunstHausGrazGalleryBarryKeldoulis,Sydney